#ichigo manga rambling

[aka-ichigo]

ONE PIECE 1063 SPOILERS

what a day to be bisexual

[abri-chan]

something about how cats that are taken too soon from the litter tend to be violent because they haven't been socialized to understand the concept of "rough play"-- that is, they don't have an understanding of when they're being too rough during play because of what it inflicts on their siblings or the mother cat interfering...

...and I think that explains grimmjow.

he's not evil. he just needs to be socialized.

[aingeal98]

Yoo Sangah is like. What if Orihime from Bleach was written by someone who wasn't a perverted misogynist, who actually respected their characters and knew how to write a cohesive arc for them from start to finish. It heals my inner shonen anime loving teen reading about Sangah being kind and gentle and pretty and so much more than that, actually getting her trauma addressed and forming solid bonds with the people around her.

[greyhavensking]

MY BOY IS BACK!!!

[berrymascarpone]

Thinking about Ichigo’s thoughts about how fate is a millstone, and thinking about how Grimmjow’s release command is “Grind”, and thinking about how the flashback chapter came just as Grimmjow arrives in Karakura the first time, and thinking about how he became a constant reminder and symbol of Ichigo’s weakness and inability to protect his friends, and thinking about how Ichigo spends the whole arc trying to gain enough power to defeat his enemies to the point of losing himself to his baser instincts but in the end it’s his desire to protect Orihime that lets him overcome, and—

In conclusion I spent way too much time editing this.

[cherrylight]

hi!!!!!! i went to barnes & noble ! :]

and GUESS WHATTTTT!!!!!!! i got tmm vol 1 & 2 combined manga :]

it makes me so happy yippee ! ! ALSOOOOOOOO my hitori figurine came in too !!!! todays been a great day :D

[kachikirby]

Fuck favorite ship dynamics.

My favorite rival dynamic is the bickering duo who become fire-forged friends (though they won't admit it.)

[misteria247]

*inhales gently*

J-Jolyne Kujo 😳

[littleeyesofpallas]

today i'm just wrangling all my weird loose ends and crackpot theories. Stuff that doesn't actually have enough evidence to support it, or that I just personally headcanon or that just doesnt go anywhere or come back again often enough to really derive any meaning or implications from. stuff i can't really justify making individual posts on, so im making a post about how unpostable they are collectively

warning: long, also warning: nonsense

So we know Bleach operates on a loose variation of the Buddhist samsara/rinne, the wheel of reincarnation, in which souls cycle through many lives in different forms, experiences hardships in life and the pain of loss and death continuously until/unless they can achieve enlightenment, as the first Buddha did, and in doing so escape the cycle of death and rebirth, ascending to a higher state of being in which life and death no longer apply. In traditional art of Buddhist cosmology this is represented by the Buddha being present off to one corner, literally physically outside the elaborate illustration of the wheel and its many facets(itself encompassed by the demon mara). This Buddha role is the figure the Spirit King occupies in the hierarchy of the Bleach cosmology, but there are a few little orbital details that are clearly related to that role, but as I stated in the preface to all this, never really go anywhere....

So there's this thing in Hinduism and by some association Buddhism (although it plays more into Hinduism's actual faith in the mythology of their gods, where as a lot of Buddhism may still invoke the divine but ultimately is about undermining and escaping the authority of said cosmological structure) called the Hiranygagarbha[हिरण्यगर्भः] "The Golden Womb"/"Golden Egg," or "Universal Womb"/"Primeval Womb," and is associated with various gods described as Svayambhu[स्वयम्भू] "Self Born," many of which are some variation on a/the creation god --effectively it's just the explanation that while everything comes from something, the original something had to have come from nothing, or else there's just an infinite number of questions that theologians would be forced to come up with infinite answers for.

But it posits that while something may have come from nothing, that something still had to follow certain understood notions of cause and effect, like incubation and birth. Ergo the creator god didn't just blink into existence fully formed, he was "born" from the nothing and as the first and initially only thing to exist he birthed himself. In these myths he is frequently described as initially existing either "beyond" or without senses --obviously the without senses bit mirror's YHWACH's origin, but to exist not without a capacity to see, hear, feel, etc... but in a place or state in which those senses cannot perceive also echo's Aizen's rambling about power levels as he rapidly ascends toward godhood before being beaten surpassed by Ichigo.

But beyond creation myths the Golden Egg is evoked in some elements of meditation in which each person, in their innate capacity for enlightenment and this divinity, has within them their own egg, and to retreat into that egg and explore the potential to self actualized as a mental act of birthing an ideal self, has overt parallels with Bleach's use of an inner world in which the zanpakutou spirit, a reflection of the self and of a potential for power, dwells.

Incidentally the egg also facilitates the creation of the world itself, one half of the discarded shell from the god's birth becoming the realm of the material and the other half becoming the realm of the celestial, and as per some rants I've been on before, between it and some questions about how zanpakutou really work, it reminds me very distinctly of a few other anime/manga where a god spirit's aura or range of influence, for which a lesser spirit's would normally sustain a single person, encompasses a domain in which the totality of other people's existences reside.

In addition the egg itself, a concept called Purusha that is at times a god and at times a concept, is in some myth the creator god in question in relation to the Golden Egg, born from said egg, and then thru their dismemberment by other gods, the world is molded. So obviously some pretty overt, if superficial similarities with the Spirit Kings lack of limbs and, yeah sure if we want to acknowledge it, the LN's feeble additions to lore.

But as a concept it represents self-awareness in the idea that there is a kind of Platonic ideal of the perfect awareness of everything that is in its definitive and empirical state that has become unknowable by the division of that primordial self-awareness, but which exists in fragments in all living things.

The quartering of the body is also the basis of the 4 castes in traditional Indian society; although that dismemberment is not specific to two legs and two arms like the Spirit King's.

But speaking of the spirit king's body parts, there's a neat thing going on with the design of his eyes that got weirdly ditched... In his original appearance the 4 solid black pupils were shown in top-bottom, and left-right orientation, but once he showed up again later, Kubo switched to a 4 corners sort of thing instead. At the time there was no Allmighty reveal and thus no established power of all-seeing yet, but in the eventual context of The Almighty and it manifesting in YWHACH's increased pupil count from 1 to 2 to 3, it becomes apparent that should he reach full potential he would have the same eyes as the Spirit King.

But then what capacity for all-seeing powers has the Spirit King really shown? Well, not a lot in practice, although YHWACH addresses the Spirit King as one who had at one point seen the future. But notably the original design, which had been scrapped and pushed entirely out of mind by the time any of these new contextual details were actually being written in, actually does seem to imply some faculty of all-sight in the Spirit King: The Gotei 13. Their insignia frame, which we typically see with a captain's associated squad number, is shown during an explanation of the Shihouin's Onmitsukidou, is its own symbol even without any numbers. And the insignia appears to be a stylized depiction of the Spirit King's all-seeing eye. Is the insignia itself some kind of magic sigil or artifact, or simply symbolic of a role the Gotei plays? Who can say.

Let's circle back to the Golden Egg though, because the anime changed its color to blue, almost matching the color and style of the generic Quincy spirit bows/arrows. But I personally always instinctively assumed it was a kind of golden hue; something the digital colorist clearly thought as well, which was gratifying. But I also assumed the coloration was something that matched a number of other things, and with very distinct meaning: Orihime's shields, Hacchi's barriers, and the Menos Grande's Negación beams. Before the Spirit King's crystal was even an issue to deal with, there was already a very conspicuous link,

Orihime and Hacchi have the same powers of Event Rejection

Hacchi's Rejection barriers stem from his Visored powers

Hacchi's barriers thus appear to be a more refined Negación

Orihime's powers are said to tread on the authority of God

With those implications in place, it seemed evident that part of the reason for the Spirit King's inertness and imprisonment in the stasis crystal was that thru some divine power, be it his own or someone else's, the crystal exists to reject events happen around/to him to preserve him in a particular state. And since we know it didn't seem to protect him from bodily harm, there would implicitly be a more important and perhaps abstract thing in mind being actively undone.

This in turn would have provided an adequate excuse for Orihime being unable to reject the crystal being broken, and the Spirit King's injuries within it, because as we learned from Hacchi; she has to understand what she's rejecting, and those powers are most potent when aimed at the abstract(an event) and not an object(an injury). For her to reject a rejection would mean understanding the nested abstract events taking place, which frankly no one was ever brought up to speed on, whether we're talking my theories here or the actual canon of the manga.

This I would have found much more acceptable than Kubo falling back on "Important character too strong, implicit functions of established powers don't work on him." Which is a bad habit Kubo has just in general; he never actually thinks out the implications of how world building on the plot he's writing, he just muscles thru it by making up new excuses, rather than going back into what he's already established to find interesting ways for preexisting abilities or factoids to interact. He very consistently fails to "yes, and..." himself.

Anyway... There's also a little followup on my persistent rambling about the nature of hollows and of the elusive Vastolorde. Until the revival one-shot just a few years ago, it was easy to forget about Hell in Bleach considering it never really came into play. But there was one interesting point made that hollows who have sinned in life go the hell, while the others are purified. Most hollows implicitly are just spirits of the dead overcome by powerful emotions, but their monstrous qualities aren't considered a sin, they're an animal-like instinct.

And this is addressed, if only barely, by Zommari's indignant rant against the moral authority of the Shinigami; that the natural way if things is to let hollows exist, but the shinigami invented the morality and ethics of "protecting" humans from hollows, and "purifying" hollows with zanpakutou. And we know from the example of someone like Nel that the Arrancar process returns a kind of human intelligence and morality to a Hollow, even across the process of individual spirits becoming hollows, amassing into colony minded Gillians, and then reemerging unique personalities as Adjuchas.

I still maintain the real/sensible trajectory of the Nel plot should have been that she was a Vastolorde, that Nnoitra was sent to hunt Vastolorde, but threatened by her and infuriated by her power tempered with human morality, was beat and spared but took a cheap shot to break her mask, effectively forcing her into being a mock-arrancar, like Isshin and Urahara discussed, and so Nnoitra reported back negative results on the hunt to guard his own position in the Espada. But in the face of being unable to find enough surviving Vastolorde, Aizen's plan would be to take existing mock-arrancar and have Orihime reject the event of their mask removal, so that he can remove it via the Hougyoku.

In this way I think Nel could have had her generic hot-girl-ification in a more sensible and satisfying way than magic cloud of smoke de-baby-fication. I think it also would have made for a cool reveal for Orihime's uniquely abstract event rejection --as opposed to time reversal-- to mean that although the process of her transformation would be undone, her experiences post break would not, thus she'd still remember Ichigo and be able to turn on Aizen and join the good guys accordingly.

Anyway, even without all that, Nel and her goofballs, and to a lesser extent Starrk and even Ulquiorra, and sort of Harribel, all prove that the Arrancar are capable of a pretty normal moral spectrum and aren't in fact just evil or monsters all the way down. In fact, it was always kind of present since Sora's chapter way back in the beginning. In fact, Sora was the first Hollow to be drawn with the now iconic double mouth, the prior two were just monsters. Sora however showed his human mouth behind the mask, and that was a feature that would carry forward from there. In fact, at the end of chapter 25 there is also the original arrancar hook, where we see Aisslinger perform surgery on GrandFisher. But while the main event is the removal of the mask, there's also the bodily surgery taking place that suggests that what would later be identified as the mock-arrancar process involves digging the humanoid back out from under not only the mask but the hollow's inhuman, bestial body as well.

This is in turn echoed when we see Wonderweiss born as an arrancar in a much cleaner process, but one not dissimilar to Grandfisher's; his wrapped hollow form, while generally humanoid --and thus implicitly a Vastolorde-- also clearly includes some large protrusions that are stripped away along with the majority of his mask. And as Uryuu relates from Urahara's briefings, the more human form also means more human intelligence. Along with the apparent moral fiber of the matter it really seems like when a hollow gets more human, it gets more human in almost all respects. (ignore that harribel bit in the image there, we'll come back to it...)

So what happens when they get the most human?

I've also gone over my whole thing before that the Nelgal Ruins seemed like the natural evolution of the architecture of the menos grande, lending yet another level of humanity to the hollows: society. More over, my crackpot headcanon that in the human development of the Vastolorde they discovered religion, and comprised the first cult of YHWCH.

Of note in this random line of thought is that fact that Lille Barro is considered to be the first Sternritter given a schrift. It's not clear if that means that the sternritter we know are considered contemporaries (even ignoring the confusing timeline of Juugram and Bazz-B's whole flashback) and among them Lille is the first among them, or if there have been prior generations of sternritter and Lille is as survivor of some batch of sternritter long predating the current recruiting push.

But there is the question of if Lille is an arrancar or not. He somewhat conspicuously speaks Spanish, although the Sternritter do have a loosely international shtick going on in their roster. But he also has a lot of design notes in common with Starrk, although it's super unclear if that's applicable to in world logic, or just a pattern in Kubo's art. The biggest hiccup in this would perhaps be that he has no signs of a mask fragment, but then the same went for Luders Friegen. Notably Asguiro Ebern still had a mask and Luders made a point to speak down to him. While we never got any clarification on that, I think it seemed like the superiority complex came from being less arrancar-like. And I wonder if there wasn't a process by which the Wandenreich were removing mask fragments in their entirety, resulting in a kind of forced and imperfect humanization process, but from which highly humanoid and thus Quincy-fiable arrancar could be produced.

And while the shot of Harribel was obviously just fanservicey battle damage, I like to think that the plan was to convert her, and that she was in the process of having her bone armor components stripped off, not unlike the process Grandfisher and Wonderweiss underwent: it resembles Wonderweiss' in posture, but Grandfisher's in bloody tortuous overtone.

Primitive Arrancar, without the ability to gain shinigami-like powers via the hougyoku, stripped of their masks might theoretically regain human intelligence, but would lose their masks and sense of self with no way of storing it in a sword let alone being able to retrieve it. What better subjects to manipulate with the promise of a discovery of self and of identity; drink of YWHACH's blood and receive the sense of self you lack. Something to fill that hole in your heart.

Then there's the thing I mentioned earlier about how there's some interesting implications about what it means to throw a bunch of spirits together into one superdense thing. And it turns out a lot of them seem to be pretty similar...

You throw shinigami souls together to make white, who is himself like an asauchi.

You throw i guess also shinigami(?) "something similar" together to get asauchi according to Oh-etsu

You throw powerful human spirits together and get the King's Key.

You throw hollows together and get a menosgrande

and if we care to dip a toe into the LN (which normally I would hesitate to do) we have at least one other zanpakutou, besides White, explicitly crafted from a menosgrande

and when the miracle baby reclaims quincy spirit power you get YWHACH

My supposition then is that the reason Vastolorde were so rare, and explicitly in hiding from Aizen, was that in the first place hunting menos is how the asauchi are created. The very first time we see a Gillian, Rukia even comments that it's the Royal Guard's job to take care of them, not regular shinigami. As the power scale of the series naturally escalates that begins to feel silly, but what if that's not because only the Royal Guard can defeat them, but because the Royal Guard and Oh-etsu in particular are uniquely suited to hunt/harvest them so they can be turned into new asauchi.

And in a way, if the Spirit King is indeed locked in a meditative state in his golden egg, if indeed the god sleeps in the egg, and the egg is the center of the world, and the world is the egg. If the world itself is the Spirit King's inner world, his bankai manifesting the internal as reality, then what is YHWACH if not the Spirit King's sword spirit? In the same way YHWACH is already a part of zangetsu within Ichigo. A reflection of the self, however dark, convinced that godhood is not in the Spirit King's best interest and determined to tear him from that throne? Is that not exactly what the fused Zangetsu tried to do in stopping Ichigo from learning the final getsuga and fighting Aizen? What is YHWACH's war on soul society but the struggle between two mirrored entities over who gets to stand at the top and who has to crawl around in the shadows?

What is the difference between a king and his horse?

[blakefate1356]

Hime Azami

okay as promised we're back at it with the mew mew power..... sort of XD here's Hime Azami Hime technically isnt a mew mew... but hime was the original mew mew all at the same time. basically hime was originally the main character and the manga was actually meant to be more adult and less cat girl magic. then it became a bit softer more magical girl and then ichigo was added and then 4 other girls and then eventually i guess hime was scrapped and instead emerged mew mew power. interestingly enough a lot of Hime's design is alike or the same as ichigo's which i find really nice... like hime got to live on in another way even if here story never really came out into the world. there's actually also a small section dedicated to hime in the manga's with a snippit of what her story was gonna be and then in another book a small piece about how she came to be along side a picture of a certain mystery mouse girl who as far as i know was never named. anyway thanks for checking in today. the post was a little later than intended as i decided to take a break at one point and went for a walk with my dog. then i came back and decided to play ball with her for a bit and actually ended up throwing her ball on the roof XD (it's happened before ^^') well anyway i was meant to clean up the drains some weeks ago but never got around to it and figured since i had to get on the roof for the doggo toys anyway i may as well and so i did. after that we ended up sweeping the outdoor staircase (cleaning off the muck from the drains) and i thought i still had plenty time when i was finally back at my desk but then i was done with the flat colours and the time was nearing in on post time ^^' i debated posting it with just the flats but was like "no i wanna finish it" so i took some extra time to finish it. i played around with it a little trying something out with the shading. on the original 6 i was following this rule of colouring and shading them the way the manga/anime did and while it was fun i felt like it lacked some depth which was fine for the anime but needs more for these sort of uhhh stand alone things? idk anyway i felt that it wasnt enough so i tried some stuff out with theshading and i think it worked out really nicely. thanks to those of you who read through my little ramblings here XD sorry about the late post happy timezones people Commissions are Open links https://www.deviantart.com/blakefate https://www.tumblr.com/blakefate1356 https://www.patreon.com/BlakeFate https://ko-fi.com/steph90314 https://www.pixiv.net/en/users/31935735

Posted using PostyBirb

[aihoshiino]

If Ai had lived, what kind of parent do you think she would have been to teenage Aqua and Ruby?

luckily for you anon, I have spent a truly healthy [<- lie] amount of time thinking about this!!! This is going to inevitably dip into how Ruby and Aqua are both changed by having her in their lives just because that obviously matters to how she and the twins interact but... honestly at this point if you're following me, my bi-weekly unhinged essays about the Hoshinos are what you're here for.

Also worth noting before I get into it that I'm purposely not thinking too hard about Current Things in the manga like the documentary Gotanda was working on or the DVDs........ we know so little about them I can't really factor them into my rambles here lol so consider this just my most ideal happy end AU for the Hoshinos.

Anyway, I think it goes without saying that Ai would continue being an excellent mom to Aqua and Ruby. There would likely be some bumps in the road following B-Komachi's dome performance as her fame and increased demand puts pressure on her time and energy but Ai's priority is and will always be her babies so I can definitely see her and Miyako having a Stern Talk with Ichigo at some point to make sure Ai isn't overbooked to the extent that she can't spend time with them lol.

I also have a totally self indulgent AU based on Emiya Gohan that lives in my head, based around the framing device of Ai wanting to learn how to cook so she can make proper food for the twins as they grow up... my read of Ai is that she has a lot of issues relating to food security as a result of the abuse & neglect she went through, so being able to make good food for her own children and sort of rewrite her own relationship with food and cooking would be really healing for her.

Something also interesting to consider is the question of whether Ai would have been able to work through enough of her baggage regarding expressing her love to Aqua and Ruby... it takes such a desperate a raw moment for her to finally conquer that fear in canon that it's hard for me to imagine it happening in anything less than an equally cathartic moment, you know? At the same time, I really love the idea of Ai's slow progress towards healing eventually allowing her to do it without that kind of urgent pressure... instead of dying, Ai lives so hard she can eventually overcome that fear by her own strength!!!

I also think there would be a lot more moments like Ai and Ruby's dance with both of the twins – moments of Ai helping them both to untangle the trauma and baggage they carry from their past lives just through the simple act of loving and supporting them as their mother. Both Ruby and Aqua are explicitly described as being children "who never had a mother in the real sense" before their rebirth – for Sarina, she suffered the emotional abuse and neglect of living with a toxic mother who centered and prioritized her own feelings of grief and pain to such a degree that she completely abandoned her dying daughter. For Gorou, he grew up in the shadow of his mother's death as a result of childbirth complications, blaming himself and carrying the burden of his grandparents' grief and expectations in ways that are implied to have strained his relationships with them and left him without a real mother in his life.

Not only is this a healing experience for the twins, it's also ugely cathartic for Ai, too. As I've mentioned before, Ruby's "it's okay for me to dance!" scene with Ai is soooo incredibly powerful because it's about these two victims of toxic motherhood finding safety, healing and empowerment in the wholly loving and supportive parent/child relationship they build together. In general, the Hoshino family is a safe place where these three people who suffered abuse, neglect and the absence of loving mothers could find a place to heal and be loved.

Because of this, while I don't think that Aqua and Ruby would be hugely different on the surface going into their teens, a ton of stuff under the hood would be massively impacted. I like to think that growing up with Ai as a positive influence in their lives would have allowed them to essentially lay Gorou and Sarina to rest much sooner than in canon – not to forget or erase those memories, necessarily, but to definitively move on as their own people, having purified Gorou and Sarina's lingering regrets and trauma and being able to wholeheartedly embrace their new happiness as Aqua and Ruby.

This also means that they both have a much healthier relationship with Ai, in a lot of ways. I don't think they'll ever stop putting her on a bit of a pedestal but more in the way that a lot of people do if they grow up with a loving and good mom. On that note, I also like to think that with Gorou's weird baggage not causing such a conflict that Aqua might actually start calling Ai "mom"....... it makes me so depresso that he never did.....!!!

Without the weight of Ai's death hanging over them and her full and loving support at their backs, Aqua and Ruby still find their way into the entertainment industry, though for different reasons. Without his guilt getting in the way of doing things he enjoys, Aqua can admit to himself that he enjoys acting and tentatively pursues it through his childhood as the protégé of Gotanda again but in happier circumstances. He has similar initial hurdles as he does in canon wrt comparing himself negatively to Ai and underselling his strengths, but Ai would have a good talk with him about valuing what he brings to the table and not worrying about matching up to anyone else. Eventually, he becomes pretty focused on like, weirdo ass self produced projects he does a lot of the work on (acting, directing and producing) that don't make a huge splash in the mainstream necessarily but are well beloved in niche and horror circles and Aqua's happy with his work entirely because it's his and he's happy to make it, which is most important.

Ruby follows a similar track as she does in canon with becoming a member of the second generation of B Komachi, still driven by love and admiration for her mom but from a much healthier and happier place. Rather than feeling like she has to live up to Ai's image in her absence, she is inspired by Ai's presence in her life, her active support and encouragement and her boundless love and excitement to see her kids do what makes them happy. The canonical B-Komachi gen 2 still come together in mostly the same ways because I love them too much to separate them but this time, they're directly mentored by Ai and go full force through the industry with her support.

Eventually, I do think the three of them go public about their family - probably around the time the twins have graduated from high school, just to properly allow them the chance to be relatively normal kids without the scandal and pressure of being Ai's children hanging over their heads. It definitely causes a bit of an explosion, but I think by then Ai would have successfully transitioned from being purely an idol and would be more of a general household name/celeb, so there isn't as much outcry, but it definitely still stirs up some trouble that she and the kids have to weather.

At the end of the day, though, her presence in their lives would be a huge boon to them and it results in all three of the Hoshinos being much happier and healthier people. This response uh got a way from me a little and turned into like a whole AU pitch but what are we here for if not to delulu ourselves about scenarios where the Hoshinos could be happy..............

[aka-ichigo]

ONE PIECE 1077 SPOILERS

you know it's bad when even luffy says something

[abri-chan]

Not having read the manga I thought Rukia's rescue arc took place somewhere in the middle of Bleach as a series, and not at the very beginning, with it being in the middle making it make sense for a more romantic reading of IchiRuki. Now you can read it as romantic regardless, it's up to the reader. Or you can see it as Ichigo being the older brother to two younger sisters and the oldest kid of a single parent household, where older kids (especially if girls) act as a surrogate second parent, taking on the vacant slot left by the other parent (his mom in this case, not surprisingly he looks so much like her)--as usual, in families a role that exists and is left empty must be filled, even if you need to bring in outsiders for that purpose.

On to the main point, it is so funny to me but also such an accurate portrayal of peak teenage behavior, that this group of kids did sneak into the Soul Society (yeah dude, let's do it! we will save our friend. we will bring her back. no one messes with our circle. we'll definitely come back in one piece, trust me!) to save their friend of... at most six months or a semester of school as Shunsui points out and learns from Chad approaching him.

And Shunsui, being the perspective of an adult who has formed frontal lobes (which he actively tries to destroy with alcohol) and can see in retrospective how teens are and how he was as a teen, realizing that "Oh god! you are dumb. (you are dumb because) You are kids. I cannot kill you!'

Only a teen would pull off a wild stunt like that, because adults either care less about their friends or get too caught up in overanalyzing the situation (Ukitake as Rukia's captain), afraid to be involved (Shunsui because while he didn't like the execution, he doesn't want to do unnecessary work and make things worse, less if he uses his connections or cards right for any little thing that happens in the world there will be nothing left to use when things come down to his niece Nanao), or fearing the loss of social status and family shame (Byakuya as Rukia's brother).

[criminal-sen]

Okay I feel like a dumbass for not looking up a map of Soul Society til just now (okay well all I could find was this one of the Seireitei) but am also glad I did because holy shit, I had so many misconceptions. This is only super relevant to my fic but I basically did a dice roll and assumed the 12th and 13th Divisions would be far apart from each other cuz like. cmon, what're the odds🤦‍♂️but there they are, side by side. Mayuri's territory is also right next to the Fourth which is hilarious to me bc I hc that they butt heads a lot. Do they even interact in the manga? Oh wait they do.. right before he sends her and Ichigo thru the garganta.. and i remember Unohana says something kinda.. either disdainful or condescending (probably rightfully so lol) to him but I cannot for the life of me remember what it is

I Am Rambling! But this map is amazing and I love it<3 (pretty sure this is official art as it's plastered all over the web but just to be safe, i found it here)

Edit: as pointed out by @toast-star, this map is not in fact official and was made by artist boomerangmouth - link to their dA here. Well, if anyone knows of an official map, I'd love to know! This one is still dope af tho🤷‍♂️

[aurora-313]

In all your readings, have you found another couple that functions perfectly as both platonic friends and as lovers as ichiruki do, but that is so underutilized by its creator in any capacity?

(Imagine Lisa easing out from Black and Blue, then she and Kaien are friends for a little while, then they see each other once a century.Fans of their relationship will be upset, and it will be their right. What will not be their right will be to act nasty about it. You know that you assume a risk with a WIP. )

Any author can do what they want with their story, but when you create expectations that you don't meet, people will be upset, especially if they pay you, and you use their friendship/romance as a selling pitch. I still don't get why people are upset on the people that are upset. Again being a WIP, doesn't mean that I have to like whatever direction the author chooses. I personally rarely take risks on WIPs, so I STARTED BLEACH AFTER IT WAS FINISHED AND I KNEW THE ENDING, and the false advertising still hit me. I fell for ichiruki, and the end and then the soul burriel chapter where they barely speak on the phone and Renji now replaced Rukia as Ichigo's friend was an 180degree if I ever saw one. I wonder if in the Hell Arc, they'll even recognize each other anymore..

P.S. Thank you for remembering Rukia in your fiction more than her creator does in canon.

(Please forgive me. This answer went on a ramble and I don't think I actually answered your question.)

I'm sure I've seen a few in my time.

The ones that readily leap to mind from my childhood are Major Carter and Colonel O'Neill from Stargate SG1, and Doctor Weir and Major Shepperd from Stargate Atlantis. Although I'm not sure the first duo count since there's multiple alternate universes where they do get hitched.

But onto Bleach. IchiHime fits under this category in my opinion: the 'under developed and under utilized' part.

Sure we have the 'love you in five lives' speech and the not-kiss, but"

One: Kissing an unconscious person that you're not in a committed relationship with is not cool. Under any circumstance.

Two: She's consistently scared shitless of Ichigo's powers and rejects his hollow, even though the Hollow is literally his soul manifest.

Three: Orihime repeatedly demonstrates she doesn't really understand how Ichigo works.

In the post-Deicide novels, Orihime was actively happy Ichigo didn't have powers anymore, only to reluctantly change her tune when she saw how thoroughly miserable he was without them.

It would've been great character progression to see Orihime delve into that personal stance: why was she happy about Ichigo being powerless? Because she legitimately didn't want him to get hurt anymore? Or relief that he wouldn't turn into a monster again?

And overcoming those personal scruples would've been a fantastic personal journey to see in the manga. Her coming to terms and reconciling her image of Ichigo being this heroic ideal and the flawed, deeply traumatized individual who had the capacity to be literally monstrous.

Orihime could've reexamined her feelings about ichigo at their core, and realise perhaps she doesn't actually love him after all. That she lusts after an ideal she's modelled in Ichigo's image. In realizing and coming to terms with that error, in abandoning her preconceived notions and actually seeing Ichigo for the first time, warts and all, Orihime could've paved the foundation to build a genuine friendship. Later possibly a romance.

If this was the journey Orihime went on through Bleach, taken entirely of her own accord, with a conclusion on her own terms? Then I wouldn't have been nearly as jarred by the epilogue. Ichigo's Oedipus complex aside.

But I digress.

Rukia was one half of the main duo that made Bleach compelling. And Kubo absolutely pushed her away after FKT, attempting (key word "attempting") to put Orihime in her place. Which is a frankly bizarre decision. Rukia is the "Death" to Ichigo's "Strawberry". She is the deuteragonist, the inciting incident to the whole story and the primary motivation for the first two arcs (Aizen's and Kisuke's century's long trans-dimensional chess match aside).

Ichigo pushed himself beyond breaking and learned skills well beyond his paygrade to save Rukia from unjust execution. In his desperation to achieve that goal, Ichigo had to learn to fly before he could crawl, ultimately mutilating his own powerset in the process.

In any other media, in any other story, that tends to be a giant glowing give away about the nature of his feelings, even if Ichigo wasn't entirely clear on them himself. Its the classic handsome knight rescuing the princess in the tower and riding off in the sunset to live happily ever after.

Yes, Ichigo went through the same motions to rescue Orihime from Aizen, but he had doubts about her. Even in his venture, Ichigo entertained the idea that Orihime had legitimately betrayed them. Then the narrative goes out of its way to demonstrate her presence was merely an excuse for Ichigo to settle his scores with Grimmjow and Ulquiorra, and for Aizen to remove Soul Society's best weapon from play. Ichigo did personally want to save Orihime but he felt like he was conducting himself out of obligation, driven by his white knight/martyr complex. As soon as Ichigo felt Rukia's reiatsu flagging, he immediately shifted gears because 'Oh shit, gotta go save my totally platonic bestie first, bye!' and would've proceeded to do exactly that until Ulquiorra goaded him.

To me, Ichigo and Rukia is what made Bleach BLEACH. Their banter is what I loved about the first arcs, the teasing sprinkled with moments of heartfelt connection (in case you can't tell, its my favourite love language. Hence why Lisa and Kaien poke and tease each other all the time).

There's no 'Now I realise I why I wanted to save you' moment with Orihime in HM. She's narratively bait for Aizen's schemes and little more, as soon as she's safe-ish, Ichigo ditches and moves onto other grudge matches.

Then the final arc and the epilogue chapters roll around and I had to ask myself, is this even the same manga? Where's the Death and the Strawberry? Where is the bond that started ALL of this? Rukia is the woman who gave Ichigo the means to combat his despair, and they don't even talk anymore? You don't think Ichigo would've wanted to extend his congratulations for Rukia getting married? Having a kid? Getting prompted to Captaincy? Or anything to indicate they were friends at all?

(yes, Ichigo does in the novel but its telling one interaction between them is completely overshadows the story's 'main' pairing.)

My issue with TYBW and epilogue isn't the pairings - though that is a part. My issue is the narrative took great pains from the start to demonstrate Ichigo never felt like he belonged in the living world. His life was a dull tedious affair. The Fullbring arc reveals how much he actively hates Karakura and wants to leave ASAP.

Ichigo only began to truly LIVE once he gained shinigami powers (we'll ignore the fact he was only born and raised to be a weapon/universal battery). He loved every second of it, even when the power scared him and acted beyond his control. He fit into the realm of the dead far better than he ever did in the living.

Then Kubo turns around and claims; actually, NO. Ichigo's super content with exactly the same quiet kind of life he despised with every fibre of his being, living in a town he fucking hates and wanted to leave as soon as he graduated.

How does that shift in gears not raise serious red flags?

I'm not saying Ichigo had to go and live in Soul Society (though that was being set up thanks to the god-tier powers he'd been juiced with) but I did expect him to leave Karakura behind when all was said and done.

As a random-ish segue on the matter of friendship.

The Karakura gang feel like fair-weather friends more than anything else, excepting two circumstances: Ichigo and Chad (first arc) and Tatsuki and Orihime. Even then, those friendships become a stretch in later arcs before basically disappearing entirely. Sure, Chad, Ishida, Ichigo and Orihime have had life and death adventures together, but those scenarios were either a matter of self-preservation or wounded pride. Sometimes both.

But remove the supernatural circumstances, the Karakura gang felt like the average transient high school friendship. Circumstance brought them together, they would remain friends until graduation, then they'd all go their separate ways never to see each other again. Which is a sad state of affairs given Bleach's theme about the heart and nature of human connection.

But one must ask how strong those friendship really are when Ichigo will jump to the worst conclusion at the drop of a hat?

Orihime in Hueco Mundo, as stated above, Ichigo seriously entertained the idea she was a traitor until Ulquiorra claimed otherwise.

Chad with Xcution, Ichigo immediately assumed the worst intentions about it until Chad revealed he joined as a means to help Ichigo get his powers back.

Ishida joining the Quincy, Ichigo instantly assumed Ishida was 110% on board with the whole destroy reality plan until Ishida outright states 'I'm a double agent, you fucking dumbass.' (I give the Fullbringer arc incident a pass because Ichigo was not thinking clearly at the time)

It doesn't strike me as particularly strong or healthy when the first instinct is to immediately assume the worst.

But anyway, I shall get off my soapbox for now.

I do enjoy writing a great deal of Kaien, which means Rukia is inevitably involved given how intrinsically linked their stories are. Kind of hard to have a story about him and not have her in it. :D

I hope you continue to enjoy Kaien and Rukia in my writings. :)

[the-art-of-sanshoku]

1 2 and 8 for the toku questions! ^-^

Okay #1+2 is honestly kind of a long winded answer but I will unapologetically let it be that way (but I will tl;dr toku anime got me interested in toku and the first proper live action toku was Kamen Rider Den-o):

I don't think I really grew up watching any toku like power rangers or godzilla movies or anything I just watched a lot of anime and really liked anime mostly

So the first toku property I watched is technically the Garo 2014 anime

And even though I really liked this show I think at the time I just didn't have an interest in live action toku (although I have checked out the original Garo recently and its cool and I do want to watch more but I'm too rider-brained rn so its on hiatus for now)

After that Kamen Rider was something I kind of thought now and then that I might like just because I thought the aesthetic was kind of cool but honestly I didn't know much about it, and it really was like a super passing thought not really on my mind

But then in 2018 SSSS.Gridman (another anime based on a toku property) came out and I really, really love Gridman (and the sequel dynazenon) and it's vibes and the fights and like everything about it so I became a bit more interested in the genre. I think it helps that the toku roots are a bit more obvious in it than in the Garo anime which felt more like just a cool fantasy show.

At some point I think because I would watch like gridman related clips and the openings and stuff on youtube the algorithm thought it should recommend me tokusatsu stuff and one day this video was on my homepage (or some version of this video) and I clicked it on a whim I didn't even know it was Kamen Rider related until I looked at the comments

And I had somehow never been exposed to the sillier sides of Kamen Rider and honestly still knew almost nothing about it other than like what Ichigo looks like (and actually writing this I realize I watched the first episode of Fuuto Pi in 2022 when it came out just because I checked out a lot of anime premieres at the time- making that the first Kamen Rider I'd watched but I dropped it after that episode) and when I watched this I was like "What the hell this is Kamen Rider? It can be like this?? This is so stupid and fun looking I have to watch it at some point"

But it would still take like a year or two for me to decide and commit on a series and if discord is to be believed I funnily enough started watching kamen rider on april fools day last year, and I eventually decided on den-o partially because of that video kicking things off

And then the toku obsession slowly grew over time and now it's overtaken me, I watch very little anime and read a lot less manga nowadays 😞

#8: Comically obvious from my blog but it's Kuuga which is wild since I really do love my other rider seasons I think they're all like 9-9.5/10's but Kuuga is like an 11 and I'm not even done and it's making its way into my like Top 10 fictional media list. It kind of just hits all my personal biases and clicks with me and I will probably write the world's longest most rambly post on it when I'm done.

Anyway world's longest answers over :))

Ends it with Godai jumpscare