#idk all of the cast saying shes so intelligent is so funny and weird

[falllpoutboy]

cringefail rhaenyra gone but never forgotten 💔

[parachutingkitten]

Y'all suck at dissecting Kai's character, so I guess I have to do it.

And I'm not even a Kai stan. He's a bottom tier ninja for me, which I guess means you can trust me, cuz I'm not biased, but also why am I the one doing this? I don't know about y'all, but recently on my dash, the method by which Kai fans try to make him sound good is... saying the writers hate him, ignore him, and that he isn't written well? Which... I mean there is a little bit of truth to, but like yikes guys, is this the best you got? Kai is a wonderful character with plenty of attention from the writers, a meaningful piece of the cast when put in secondary rolls, fairly consistent character writing with actual progression and valuable qualities that help the team without having to be the smart one- despite what some posts might tell you.

Let's get one thing cleared up: Ninjago isn't the best written show. By high level Hollywood standards, most the character arcs are kinda weak or too heavy handed, character consistency can be iffy, and most things serve the plot rather than the characters. There is no character you can point to and say "wow, this character is written so well! No complaints!" Nya and Jay were butchered by their weird love plot, Cole's one season doesn't actually give him an arc, Zane's been nothing but the robot numbers guy for like 10 seasons now, and Lloyd seems to be incapable of doing anything but relive the same one piece of dad angst for depth. Sorry, it's true. All the characters suck when you look at it from a large scale writing perspective. So when I say Kai is well written, I mean by ninjago kids show standards- cuz that's the scale we're working on. No, you couldn't drop Kai into a well written drama, but as far as ninjago goes... he's got a lot going for him, and by no means is he the biggest victim of poor writing.

(fair warning, wall of text below)

The title is a bit disingenuous. There are plenty of good Kai character break downs. What I am presenting here is a more positive perspective. On the whole, I will tend to give the writers the benefit of the doubt, and credit for what they do right writing is hard guys. That's what I'm doing here. I don't see much sense in getting mad the writers on behalf of Kai, or any other character. Ninjago is a simplistic ensemble show that works because of the identifiable simplicity of its main characters with some deeper layers hidden underneath if you keep watching. They've given us a damn good show with some damn enjoyable characters, so here are some criticisms I feel are a little flawed:

First, let's get the 'focus' thing out of the way. Apparently there are people saying Kai doesn't have a season yet? Which... what? I mean, I get that the pilots aren't a full season, the first two seasons, though he is the central protagonist, aren't "Kai seasons" as we've come to define ninja focus seasons, season 7, though he gets majority focus, he shares with his sister. But like... did y'all just forget about season 4? You know, the season where he had the title card, was on the box sets, got the love interest, and the majority of the A-plot? not to mention it's the best season don't @ me Like... if season 4 isn't a Kai season, I can make a damn good argument that season 3 isn't a Zane season, and I doubt anyone wants to go down that rabbit hole. I really can't wrap my head around this one. And I get that the fandom hates season 11 for some reason, but like you can't just pretend it doesn't exist. Kai has a consistent arc across 30 episodes in which he takes his powers for granted, loses them, and learns that, not only does he have value within the team without them, but that his element is intrinsically a part of him that he reclaims, bringing them back more powerful than ever, and with new respect for them. That's one of the most solid arcs in the whole series- the location is even thematically connected to his element. That's some good stuff right there! (Quick plug for season 11 if you haven't watched it in a while. Give it a rewatch, you might be pleasantly surprised)

Not to mention the writers give him fun side stuff all the time. Lots of fears of tech and water to overcome, a deep protective streak with Lloyd, becoming a chancellor, having a true potential actually relevant to the plot as a whole, blacksmith responsibilities, befriending dragons, hanging out with his dad. Not to mention actual focus stuff we haven't talked about yet, like his whole "my dad is evil" phase, and his "I might be evil" phase with him and Skylor. And on top of that, even when he doesn't have an explicit side plot, he's always just a fun and dynamic side character to make jokes or give exposition.

Now, into character stuff. Let's start with Kai's hot headed-ness. Some people say he's been loosing this quality, and I will admit, that's true! But those that claim this makes him inconsistent... I strongly disagree. In early seasons, Kai's temper would lead him to snap at his friends or make stupid decisions that set the team back (see episode 2 Zane freak out)- these are bad things. These are character flaws, yes? Now, in newer seasons, people say that he's inconsistent, cuz sometimes he'll be hot headed, and sometimes he won't. I'd say, this is exactly how being hot headed... works? It flares up without warning, and as an individual gets control of it, it'll pop up less and less often because they're channeling it into productive things - like say directing the anger towards an enemy (see season 11 end freak out). Kai has gained control of a character flaw, and though it still pops up on occasion, the fact that it's a once in a while kind of thing speaks to his growth. I have a little brother who has this exact personality, and watching him grow up, I can tell you, this is how it is. He used to snap all the time, and he still does sometimes, but much less frequently, because he's a more mature person with better control of his emotions. This is a good thing. This is overcoming personal flaws. This is progression we're seeing.

And while you're hyper focused on this one aspect of him, things like his cocky confidence haven't changed a bit. I mean, that season 3 bit between him and Pixal, and his season 11 "fire maker" streak have the exact same energy. You can not convince me otherwise.

Another adjacent quality that hasn't been dampened is Kai's impulsiveness. This can be a good quality of his, he'll get into a fight without thinking, getting the jump on the enemy. Good stuff. But, this has become such a well defined trait of Kai's that it has been used in a comedic capacity. This is what happens when a character is extremely consistent to the extent that both the audience and the characters in universe would be able to predict their actions. Kai's impulsivity used to be a more serious quality that put himself and others at risk, and was a big power move whenever he did something rash, but it's become such a staple of the show that it's now being used for comedy. That isn't Kai's impulsivity going away, that's Kai's impulsivity being recontextualized for the sake of the show. The season 9 "Who's stupid enough to jump on that thing" isn't a joke at the expense of Kai just for being dumb, it's a joke at Kai's being so predictably impulsive that everyone already knows he'll be the one to put himself in an insane amount of danger without thinking twice (you know, something stupid that might get him killed). But because in this instance, the danger is warranted, this is bravery. It's a complement to his character- it's what ends up defeating the colossus. Why are some people so bothered by this joke?

Oh right, cuz for some reason people want to peg Kai as the smart one? Look, Kai isn't stupid, none of the ninja are. All of them have smart moments (all of them have dumb ones too) and Kai can certainly handle himself, but "smart" is definitely not one of his defining characteristics- I think some people are confusing smart for his actual strength. Connected to his impulsivity, Kai has very good simplistic instincts. He sees the big picture and looks at the most surface level solution- which when the situation calls for it, that does indeed make him smart. But the same logic that led him to think "This snake has a glowing target on its head, lets hit it" also led him to think "I'm in a video game, therefore I am immortal." Are you really going to look at me and say he figured out Lloyd was the green ninja through logical deduction and a careful consideration of the facts? No. He had a gut feeling, and he trusted it. Instincts- instincts paired with his impulsive following of said instincts is what leads him to solve problems- and sometimes, that can be extremely effective. This goes for other ninja too. Jay isn't the smartest ninja- I would really only classify Zane and Nya as having intelligence define them (hence their ship name). But Jay is extremely creative and crafty. He also knows his was around mechanics, and as such, this will lead him to come up with creative tech based solutions which are smart. But, idk about you, if I had to point to another ninja as being 'dumb' it would 100% be Jay. Kai is a lot of things. He's passionate and determined and confident and persistent. He's a good improvisor, he's powerful and he's charming! These are all wonderful qualities, he doesn't also have to be the smart one. I am the worlds biggest Pixal stan, and she's a smart, sassy, powerful character, but I'm not gonna sit here and tell you she's also hilarious and adaptable and strong willed. She's a straight man to all the ninja's antics, extremely tied to her samurai x suit, and lets people push her around all the time. That doesn't mean she can't be funny, or self interested, but when she does act these ways, it stems from her other more prominent qualities. That make sense?

And while we're clearing up what Kai isn't, please stop characterizing Kai as an overly protective brother - especially romantically. The only two times he's been romantically protective to Nya are in Wu's Teas which I mean, come on and in the pilots when Jay is literally a stranger. For crying out loud, by the end of the pilot, he's smiling when Jay and Nya hug. That's not overly protective, that's just normal, any reasonable person would react this way, protective. And it's such a great stereotype break for a kids show like ninjago, having an older brother who actually trusts his younger sister to be her own independent person who can make her own decisions. I mean, I guess it's fine if you HC differently but like... idk, I don't buy it.

Now, is there still room to criticize the writers? Yes. Hell yes. But not to an extent greater than any other character. Could he have had more of a defined reaction to events of the most recent season that I won't name for the sake of spoilers? Yes. But could Zane have reacted for more than .5 seconds at being an evil war lord for apparently 60 years? Yeah. Has Kai taken a back seat in the past 4 seasons? Yeah. But so has Lloyd- and he's literally the main character of the show. Not to mention two of those seasons have gone to people who had to wait over ten seasons to get one to themselves, and one of them is a 40 minute special. Kai's doing just fine.

Anyway. Kai is great. He's a fun, stereotype breaking, impulsively driven, ball of energy and confidence who gets a good amount of screen time and some fun side plots.

One last thing to clear up: no hate to anyone. This isn't targeted at anyone specific, this post has been a long time coming, I've just seen some weird overblown claims on various platforms over the past few months and I finally sat down to write about it.

I like the Kai content we have. After all, if the writers were really that bad at writing him, then no one would like him.

Wow this was so much longer than I thought it would be. Um... if you have other long winded rants you'd like to see from me... let me know I guess?

[gins-potter]

Casting Thoughts

Yes, I did a long post when the rumours first dropped but hey now it’s confirmed plus we have characters descriptions, and I’m bored so let’s do this all over again people.  Under the cut because it got long

Sisi Stringer as Rose Hathaway

I said this in my other post but I’m pretty happy with Sisi as Rose.

Visually I think she’s a great fit, I love that they casted a WoC in the main role, and I think if she can bring Rose’s humour and sarcasm to the role, she’s going to do great.

The character description mentions Rose being “fiery and outspoken”, happy to jump into the action, and the strongest fighter in her class but struggling to toe the line, which is all very Rose-esque, especially in the first book.  It sounds to me like they have a good grasp on her character.

I’m a little disappointed we didn’t hear more about Rose as a character since she is the lead - it felt like the descriptions for Lissa and Dimitri both gave us a little more to go on - but it is only a very preliminary description so I’m happy to wait for more.

Daniela Nieves as Lissa Dragomir

Daniele is another one who I was happy with straight away.

She’s probably not what I imagined for Lissa visually but that’s not a bad thing either; I will be interested to see if they dye her hair a lighter colour (like a caramel-blonde) but personally that’s not something I need to see for her to be a great fit for Lissa.

I think she has a very sweet face which works well for a character like Lissa but I think she’s also going to be able to stand up in Lissa’s more fiercer moments which is nice to see as well.

The character descriptions mentions her as being “carefree and kind-hearted” who “coasts” through life until a death in the family thrusts her into a new role.  That sounds a lot like pre-series Lissa so I wonder if we’re going to see a bit of that in the show before Andre (and her parents??) die and see that change.  

It’s curious though that she’s described as the younger sister of the heir apparent - which would be Andre - so it sounds like they’ve changed it so Andre was supposed to be King.  Obviously a deviation from the books but I don’t hate it?  I don’t think it would change Lissa’s arc all that much because obviously she was always going to grow up to be an influential royal figure, this just slightly changes the dynamics of it.

The description also specifically mentions that she’s uninterested in “political machinations” and the “hypocrisy of the moroi royal society” which sounds very accurate to book!lissa as well.

All in all I’m very happy with what they’re doing with Lissa.

Keiron Moore as Dimitri Belikov

This is one who’s really grown on me since the rumoured cast list started circulating.  At first I was kind of eh about him but I can really see him as Dimitri now.

I will be curious to see if he grows out his hair or not though.

As far as I know Keiron is not Russian, there’s not a lot about him online, but there’s some instagram activity on his account linking him to UK based companies so that would be my guess as to where he’s from.  They’ve kept Dimitri’s incredibly Russian name so I guess we’re to assume Keiron might be doing an accent and they’re keeping Dimitri’s backstory relatively the same?  I’m not gonna be super mad if they change it just because I think it’s doable for him not to be Russian (I know, I know a whole book is set in Russia but lbr here they could make him from anywhere and just send Rose there in that book).

The biggest thing for me will be his chemistry with Sisi, Danila and Zoey had great chemistry (imo anyway) which saved the move a little for me, so it’ll be important that Sisi and Keiron do as well.  They’ve interacted a few times online which is cute so I’m hoping they were able to do some chemistry reads and that will translate on screen.

The character description mentions Dimitri as being “lethal, disciplined, discreet, and totally committed” as well as living by “a deep moral code” but with more going on “beneath his stoic, watchful surface” which sounds exactly like book!Dimitri to me.

They don’t really specify what his role at St Vlad’s is going to be but they do mention that he is a guardian so I’m assuming they’re keeping some sort of age gap between him and Rose.  They also don’t mention anything about their relationship in the description, be it student/teacher, platonic, romantic, whatever, but they do say he has “an expansive spirit that could threaten to expose the underlying tension between his sense of what’s right and his formal duty to the Moroi.” which seems like a nod to their relationship.

Andre Dae-Kim as Christian Ozera

This was one of my favourite casting choices from the original rumoured cast list and I still love it.

The idea of a non-white Christian makes a lot of sense to me and I think Andre could do a great job of Christian’s aloofness (in the first book) as well as his sarcasm and growing confidence across the other books.

His character description confuses me a bit though: “Intelligent and thoughtful, Christian is the pariah of the school and royal court, due to his parents’ unforgivable societal sins.” sounds accurate enough to the book (although idk if thoughtful is quite the word I’d use for Christian - maybe they mean it in the sense that he’s quiet and keeps to himself?).

Even “Well-read and hungry for knowledge” doesn’t sound that far off, idk if he was *that* particularly studious in the books, but it doesn’t necessarily not make sense either you know?

But “he searches for faith-based answers and discovers a kindred spirit who is also looking for the truth” ??? My cynical, irreverent asshole Christian is now a man of faith? I’m assuming Lissa is the “kindred spirit” (again weird word choice but maybe they mean she’s feeling lost because of the death of her family?) but I just cannot see Christian as being particularly religious.

I’m trying to keep an open mind about these changes because you never know they might play out totally different on screen, but I really hope they didn’t make these changes, particularly that Christian is studious and religious, just because they cast an Asian actor as him (because they feel a little like Asian stereotypes).

J August Richards as Victor Dashkov

This is one that didn’t appear on the original rumoured cast list (as far as I saw) and it’s so different to his description in the books that I kind of don’t have an opinion about it as a casting choice.

I’ve never seen him in anything before so purely on a visual level I think he could be a great fit for Victor, I just think it’ll really come down to how he plays it.

As for this character description: “Victor is a Moroi noble vampire with a heart of gold who’s highly regarded for his role as advisor and political strategist to Moroi dignitaries.” as well as mentioning that he has intelligence and influence, sounds pretty accurate to the book.  Obviously if Andre was the heir to the throne, Victor had to be shifted out of that role, but I think his book 1 arc could still work if they wanted it to.

The “heart of gold” bit obviously made me chuckle and I really hope they threw it in there as a kind of decoy to throw non-book-readers off the fact that he’s actually the villain in book 1/s1.

As for giving him a husband and two daughters, my thoughts are: why the fuck not? He didn’t have a love interest in the original books and I’m always down for more lgbtq+ rep.  My only concern is it maybe playing into the trope of evil/villain characters being queer-coded.  And as for having two daughters, well as long as one of them is Natalie I don’t mind.

Anita-Joy Uwajeh as Tatiana Vogel

Okay this is the most bizarre one imo, not because of the casting, but just the character description.

I mean “Tatiana is a Moroi vampire and political underdog who slowly takes the royal court by storm. Motivated by love and a sense of justice, Tatiana has a unique skill of making herself seem of no consequence until we realize much too late that she was always the one to watch.” sounds extremely Tasha Ozera to me, so like why not just make this character Tasha?  Nothing about this sounds like Tatiana, and Tatiana wasn’t even a Vogel anyway (well Vogel wasn’t even one of the 12 royal families), she was an Ivashkov.

In terms of Anita-Joy herself, well I mean we don’t really have a character to compare her to, is she supposed to be more like Tasha or Tatiana?  She looks fairly young, so my guess is actually on Tasha, but we’ll have to wait to see I guess.

Mia McKenna-Bruce as Mia Karp

This is another one that I was instantly a fan of.

I was so not a fan of Mia’s casting in the movie (I can’t even remember who played her tbh but I really didn’t like it) so this Mia is a lot closer to how I imagine her.

I think she’ll be able to carry Mia’s transformation from bratty social-climber to badass fighter really well.

The character description is interesting though.  “Witty, cutting, and just the right kind of ruthless when necessary, non-Royal Mia has a long-term plan to social climb her way into the ranks of royalty, with all the privilege and freedom that entails.” sound pretty bang on to Mia in the first book.

“A plan complicated by her instant chemistry with Meredith, a Guardian-in-training, as Mia struggles to reconcile her attraction to Meredith with her lowly status.” is an obvious deviation though, and one I kind of love???  Give me all the queer rep, and if we get to see Mia confront the issue of comp-het I’m so here for it.  

It’s kind of funny though because I’ve seen theories that Meredith is a replacement for Eddie and Mia/Eddie has always been my sort of rarepair ship.

The last name Karp is weird af though.  Is she supposed to be Sonya’s daughter?  And if that’s the case I wonder if we’re going to actually see Sonya turn Strigoi in the show’s first season or something and that triggers the change in Mia?  Interesting concept but I’m not sure how the timeline will work.

Rhian Blundell as Meredith

So this is another new one, and tbh I hadn’t given Meredith *that* much though in the past but she’s probably close to how I would have pictured her which is cool.

The elephant in the room with this casting is that Meredith’s role in the books was relatively minor - she was just kind of that character that got brought up whenever R.M needed a dhampir who wasn’t Rose/Dimitri/Mason/Eddie.  So clearly she’s going to have a bigger role in the tv show which I don’t mind but I do wonder if we’re going to lose a character - probably Eddie lbr - in order to have her.  They haven’t casted an Eddie yet as far as we know, but I have seen it pointed out that Eddie’s role in book 1 was pretty small so maybe they just aren’t announcing it.  But there’s also the possibility that maybe Meredith will sort of replace Eddie and be the third part of Rose and Mason’s friendship.

I’m very interested by this part of her character description though, “She has little patience for Rose’s volatility or Mia’s elitism, and regularly calls both of them out.”

Jonetta Kaiser as Sonya Karp

I don’t necessarily dislike Jonetta as Sonya but I am confused by this choice.  She looks fairly young, which tbf Sonya was young-ish I guess, but if Mia is supposed to be her daughter she doesn’t look old enough to have a teenaged daughter.  So maybe Sonya and Mia are sisters? Cousins? Just have each other’s last names for no reason? I really don’t know.  They also look nothing alike.

Other than that, I don’t really have an opinion about Jonetta as Sonya.  Obviously looks nothing like how Sonya was described but that’s not new nor a massive concern for me.  

I can’t really tell just from looking at her, and I haven’t seen her in anything, if she would play a good Sonya.  I think with a lot of the characters it’s going to come down to the personality they bring to the part and the writing.

I looooooove her character description though:  “Quiet, careful and decidedly odd, Sonya is not of royal bloodline and sits out on the fringe of Moroi society, preferring to spend her time in the library or her gardens. Not a person who likes a scene, nonetheless she has a quiet but profound power of her own. She is taken by surprise when a Dhampir Guardian named Mikhail shows interest in her, a relationship that will expose both the brightest and darkest parts of her heart.”  It’s everything I would probably want from a description of Sonya and I’m more and more convinced that we’re going to see Sonya’s descent into madness and transformation into a Strigoi play out in maybe the first season which I am so curious how they’re going to work into the timeline.

Andrew Liner as Mason Ashford

Our last one and another one who doesn’t look remotely like his description but again? Not a surprise and not a problem for me.  He looks like he could play Mason’s goofiness really well as well as be a solid contender for a love interest for Rose.

“Charming, loyal and popular, Mason is Rose’s main competition in the quest to become the No. 1 Guardian-in-training. Though their relationship is casual on her side, he is hopeful she will finally look at him and see him as something more.” His character description makes a lot of sense, maybe him being Rose’s main competition is a bit of a deviation? But I think that’s more an indication that he’s supposed to be a strong fighter which isn’t inaccurate to the books.  The rest sounds great.

Other Thoughts

Descriptions of the show specifically mention friendship and classism as major themes which I am very happy to hear about because those are the two parts of VA that I love the most.

Am a little more worried about it being described as “sexy” though, if they shove a whole bunch of meaningless sex scenes in it just because it’s a YA show I’m not gonna be happy.

Seen the show compared to “Game of Thrones” and “Bridgerton” which at first had me like oh fuck oh fuck oh fuck not good not good not good.  But thinking about it more and trying to understand where Plec’s coming from with that description I wonder if means similar to GoT as in the cut-throat nature of the Moroi/Dhampir society cause I can kind of see that.  And as for Bridgerton I wonder if she’s referring to the kind of social-climbing aspects of it, because again that makes sense and it seems like a theme she really wants to concentrate on.  I hope that’s what she means by those comparisons, or that she just wants to compare it to popular shows to get people to watch it.  The worst would be if she tries to throw in a lot of unnecessary sex scenes to make it like those shows, because I hate when they do that, especially when the characters are teenagers.

Interesting to hear that Plec has known about the series since before Twilight or TVD - not sure if that’s a good thing or a bad thing.

Seems like it’s actually mostly (or all??) written by Marguerite MacIntyre which is interesting because I know people were worried about Julie Plec - I’ve never watched anything by either of them so I’m neutral at this point.

[char-lotteral]

I agree with Kishimoto never trying to use the girls. The hate they get is not fair. I used to defend Sakura back in the days because I hoped kishi would do her justice. When shippuden started I WAS SO HAPPY because I thought this was the start of something great for Sakura and the girls but NOOOOO. Every time, Sasuke showed kishi turned her brainless. If you compare Naruto's actions and Sakura's actions to sasuke, you'd see they're completely different. What's up with that weird fake love confession scene 😭? It makes her look like she was manipulating Naru. JEEZ.

Also he literally had badass Tenten and Temari with cool useful abilities and he didn't use them ?! TF ?! Thank god for modern authors who treat their characters with respect :)

okay2 you know how i am with these longass rants so click readmore and brace yourselves

The way I see it, Sakura's character development in shippuden was always one step forward, two steps back. She gets this really badass scene (like her fight with Sasori and those cool ass medical skills) but is then regressed back into a pining girl in love every time Sauce is on screen or Kishi just throws her in the background YET AGAIN.

I love Sakura's abilities actually. Her brute strength, intelligence, vast knowledge and skill as a medic nin. But what I dislike about her character is how kishi handled her feelings for Sasuke. Naruto and Sakura's obsession with Sasuke was so???? huh??? it was so damn toxic and i never once understood why both Nardo and Sak were so obsessed with him. They were a team for one year???? I mean its great that they care about him alot but Sauce's feelings were kinda valid. His freakin clan died. Id go batshit crazy against my own village too. BUT BESIDES THAT. Both Nart and Sakura's Sasuke obsession was so annoying. 80% of shippuden was literally Keeping up with the Uchihas or Naruto yelling SASUKEH. BUT what irks me so much is the fandom's double standards with both Naruto and Sakura. "Oh Sakura shouldve gotten over her Sasuke obsession" but then turn around and call Naruto's obsession cute and gush about how he's so in love with him!!

Hot take but the only reason why sasunaru is "the most developed ship with the most chemistry" is because theyre both male characters.

I guarantee you if Naruto was a girl and SHE would be the one to have this unhealthy obsession who was chasing around Sasuke, the fandom would shit on Naruto just as much. And if Sasuke were a girl, Sauce would be sidelined like the rest of the female cast and Naruto would have another male character to have a "brotherly bond" with, because thats the only bond Kishimoto is actually good at developing. Yey for male characters having all the screentime and cool assets <333

And about that confession scene, I get her intentions. I really do. I understand that she did that in order to bring him home and that she cares about him but honey, w-why?? Why lie to him about your feelings?? Supposed he DID believe her, then what? then what kishi???? huh??? Some of her fans point the blame on Sai or whatever but I personally dont see why that scene was at all necessary. Maybe to establish Naruto's feelings for her wasnt all that serious? or his maturity? idk man. That scene was such a clusterfuck.

In the end her development in The Last and in Boruto was immaculate. She had one of the best glow ups in the old gen and ironically enough, her character wasn't butchered in Boruto. She got badass scenes she was cheated from in shippuden. I also love how she's finally getting the spotlight she deserves. Unlike the other konoha 12 :,)))

Okay onto the next female character that Kishi completely wasted. My baby. My light. 🙈 AAAHHH HINATAA.

I DONT EVEN KNOW WHERE TO BEGIN OKAY2 DEEP BREATHS.

Let me just establish this real quick. Hinata's goal was to get stronger because of Naruto, her goal was never to be with Naruto. She wanted to become someone who is worthy enough to stand beside him, someone whom he can consider as an equal, as a partner. She NEVER once said "marrying Naruto-kun is my all time goal UwU" (if youre one of those weirdos who interpret her character that way, youre immediately invalid, go take a hike)

I personally dont have anything against their crushes but to the point of making their personalities revolve around these guys every time theyre onscreen is so fucking frustrating. And with the way he writes their dialogues is so.damn.cringey. Like that one scene in the war arc with Tsunade and Madara

"I mAy bE a WomAn but I aM nOt WeAAKKKK"

BAAHAHAAHHA WHAT?? Everyone else gets coolass monologues and one liners but thats the best you can come up with Kishi?????? Hilarious.

If im being honest. Hinata's character is actually kinda well written. Not well executed. Dear God no. But with the way he set her story, her personality, her chracterization. She's honestly one of the best written female characters on the show. IMO. By Kishi's standards of writing women ofc. She's hands down one of the most complex characters. Her shy personality wasnt out of the blue, it wasnt a cutesy waifu trait. Her abusive upbringing made her that way. Her trauma turned her that way. So yeah, sue her if she looked up to Naruto as an inspiration when everyone else in her family treated her like dust. Shit on her for having Naruto's love light in her dark when her own damn father wouldnt even look her in the eye and her entire clan shunned her because she was "weak." She doesnt owe her family shit so idgaf what they do with the Hyuga clan. Neji and Hanabi aren't included btw

Im not gonna deny that her role in the show was only as the love interest but tbh for a love interest, Im glad her character wasnt so one dimensional. It just pains me SO MUCHHH how fucking wasted she is. Every time she's with Naruto, they always make her into a damsel in distress. They always feel the need to turn Naruto into the heroic prince. How cute.

LIKE THAT ONE SCENE IN THE LAST WHERE SHE'S THROWN IN THE CAGE?? WHY??? LET NARUTO AND HINA FIGHT THAT FREAKING ALIEN GOD TOGETHER. QUIT WITH THE TOXIC MASCULINITY. WE GET IT. NARUTO'S STRONG. GOOD FOR HIM. NOW LETS SEE HINATA THROW HANDS AND PUT NARUTO IN THE CAGE GODAMMIT

Hnggggg dont get me started with her role in Boruto. She's as relevant as a damn houseplant in the manga. They made her into an invisible trophy wife and "the mc's mother" and we all KNOW what happens to the shounen mc's mother once mc is in need of character development :) Quit putting her in the background. Give us that scene where she won against Hanabi DESPITE being retired for years. Give us that scene where she trains Boruto. GIVE US ANY FIGHT SCENE OF HER WHERE HER POTENTIAL ISNT WASTED WTF?¿

Now if you say that Hinata didnt have development. YOURE INVALID. She came from an abusive household, the shyest girl in her class, her insecurities got in the way of her own confidence, had difficulty of standing up for herself now became a loving mother of two, has the guts to kick her husband out of the house(with whom she couldnt even keep eye contact with when she was a kid) became the strongest hyuga, most supportive wife and mother, and has given her kids the comforting childhood she never had as a kid.

She has one of the most beautiful stories in the show and if you think her personality is only Naruto-kun and big boobs, then im sorry that you cant appreciate such a heartwarming story.

And I agree, killing her would honestly make me feel more at ease than continue to see her suffer because of godawful misogynistic writers. But at least let her die in an epic fight. Please. PLEASEE. She got nerfed so bad, i feel a physical pain every time i think about it

Okay what else. I think Ino got pretty good development. Another wasted potential in shippuden but she's doing good for herself in Boruto. I dont know what Temari is up to. They basically made her into another classic angry mom who beats up her husband for comedy trope. Haha very funny and original! Im not sure with her career, im not that invested in the anime.

Tenten??

oh G O D Tenten. The dirtiest of all. Her jokes about her screentime is so mean and i hate that its true ahsjhs. She was the only female character in OG who's goal wanted to be as strong as Tsunade but what did Kishi do to her?? Sidelined. Forgotten. Irrelevant. Like every damn female on the show :D

Konan shouldnt have died. I blame plot armor. I know in my heart that Konan wouldve kicked Obito's ass if it weren't for Kishi's boomer mindset.

Tsunade had so much hype when she was introduced but died down in the war arc. Madara wiped the floor with the kages. Holy shit. Not only that, but yipee! Naruto is there to save the day AGAIN!!!!

AND UGHHHH If the female characters were given proper treatment then maybe MAYBE all the endgame couples wouldve made fucking sense????¿¿¿

I think that ends my rant. Im not sure how the female characters in Boruto are handled. Except maybe Sarada (she's pretty well executed in the manga imo). But arguably they are sooo much better handled in Boruto than how the old gen girls were. And thats because Kishi isnt anywhere near the new gen female cast. I cant formulate a solid opinion with the other new gen female cast since im not entirely invested in the anime. Not ashamed to admit that I only watch it for the sunshine moments and for Hinata :DD

[legionofpotatoes]

alright here’s ma thoughts on that flick I mentioned

we hatewatched a*my of the dead because we were CONVINCED “zombies in las vegas” would be an impossible concept to screw up, but in so assuming we obviously invoked a holy wager with the universe and got reminded, once again, that hoping for improvement from someone who’s dependably put out bad art is never a wise choice 😐

but we were honestly kinda roped in by the marketing??? and expected a goofy fast-paced flick with the odd traditional undead metaphor thrown in, framing some sort of relationship drama maybe or hell even nothing at all! we’d have taken pure indulgent storytelling, idk italian job with zombies in las vegas, I don’t know fucking anything but??? whatever this was???? spoilers below for it is time for One Of My Rants

I mean the main reason I really want to write all this and complain. this film here probably has the most unappealing cinematography I have ever experienced in my life and that is saying something. who the fuck signed off on that CONSTANT shallow-ass depth of field that imprisons your eyeline and turns every shot into bokeh paste???? and I mean every shot almost!!!! I promise if you think I am overreacting just throw a dart at the seek bar and watch twenty seconds from wherever it lands. it is horrifying to look at. at least it gave my girlfriend a good visual shorthand for what it’s like when I lose my glasses

why was sean spicer in this movie. did they pay him to be here. was sean spicer paid hollywood money for his scene in this film because fuck everyone who was involved in that decision

the legitimately baffling hints at the extraterrestrial origins of the infection that went absolutely nowhere and had no dramatic or plot-level bearing. we love to see the franchise sprouts fellas

yet another big budget waste of everything hiroyuki sanada has to offer. and bautista too I guess? I like him but man was this an odd career move

what was the crux of his conflict/resolution with his daughter btw. I understand it was rooted in miscommunication over their forms of grief irt mom but uhh… it was all rather clunky and didn’t land for me. I tried I really tried to buy in but something was wrong fundamentally with the groundwork there, it did not click and their catharsis felt unearned. I know there’s massive amounts of tragic baggage being projected there from the author so I’m not slapping any judgment down really;

but again it would be an easy thing to wave off if they just had a vibrant cast of lovable simpletons with good chemistry and the kinetic sense of plotting the trailers promised (and this premise never discounts good drama, either). but instead it was just two and a half (!) hours of meandering into situations the filmmaking instincts had no idea how to flow in and out of

to wit. I know talking about “bad pacing” is associated with armchair bullshit but consider the example of the scene were dieter does an out of nowhere little dance after childishly screaming but then still-killing a zombie, with the film framing this as a micro character triumph, and not a second later the bg soundtrack instantly fades into an orchestral score dramatizing a nearby mcguffin reveal, completely 180 degreeing the tone without a semblance of deft insert shot stitching or even I dont know a fucking jump cut maybe. now imagine this whiplash for 2.5 hrs uninterrupted

I will keep complaining about the length yeah because this was not a story requiring this much real estate to be told. Uhh in my humble and personal opinion, of course

[man sees zombie tiger] “this is crossing the line!” you can in fact write dialogue that is not utter nonsense that falls apart once you drill down its single fickle layer of referential meta winking. what line are you talking about. you have rules in this insane situation you’re in? total nitpick moment I know but it got burned in my brain for some reason. like a microcosm of the mismanaged dramatic instincts paired with weird writing that dots this movie. I am sure the director calls this either satire or genre deconstruction. I am SO sure

tumblr domino meme that goes from “dude getting sucked off while driving” to “entire las vegas literally nuked”

tig notaro is always great to see but once you know she’s been filmed as a separate greenscreen plate months after photography wrapped - cause she had to apparently replace some abusive asshole but that’s a whole other pig not worth fucking - it becomes impossible to unsee her odd detachment from everyone else in the movie lmao. it doesn’t really “ruin” anything on its lonesome but it is hard to unsee

why. was. sean. spicer. in. this. movie

a very simple key ingredient missing from fully turning lip service sympathy for main uruk hai dude into actual empathy that would generate meaningful conflict with hero family would be to spend a bit more time articulating what he internally wanted the most. because he was obviously trying to do something here with pointed agenda. a family, to have kids, build a caste system, save his wife’s head, return to his planet??? all of these could represent the bigger context in his psychology that spurred his vengeance but none of them are dramatically emphasized long enough for you to cheer him on. I’m not asking too much I promise. Articulating interiority of a mute character is pretty doable with deft cinema language, just gotta linger and hold a shot here and there for a few seconds, frame as his POV, donezo. I know this is also one of those like. “who cares” moments but the movie does, very evidently so, in making this guy an actual character. you can kinda piece it together and create a framework of sympathy for him, sure, but then again he ultimately becomes a foil to be killed and not defeated, so. Ehh whatever

quarantine zone stuff was not a wildly childish covid allegory quarantine zone stuff was not a wildly childish covid allegory quarantine zone stuff was n

the rooftop helicopter fakout at the end was such an ass-backwards, manufactured moment of what could be a simple setup/payoff it just pissed me off??? you gain nothing by giving sad dad five seconds of pointless crisis that flips right back to previous status quo ANYWAY, except for a weaksauce waste of runtime, which could be used instead to get inside notaro’s head and actually SHOW the remorse form as she took off, literally maybe even a frown playing on her face as she’s headed for safety right before we cut back to drax and the kid. just a simple-ass, minimal, momentary setup for what is the most basic filmmaking trick of creating macro catharsis moments. Just???? g o d if you can’t even land that shit why are you even doing any of this

that lil run final pam did was very very charming and super choreographed in a way that was the tiiiniest bit overdone

the whole intro with the simul-backstories and posing with family photos was just… oddly motivated. what was the goal? “here’s what we’re fighting for” vignettes? why? it’s not a functional setup in that vein. what was all that

also I am sorry if this is insensitive but the reasons most characters end up articulating to justify going back into the hell that destroyed their lives makes them sound seriously insane

I dont like complaining about CGI (honestly) but so much of it in modern movies can achieve higher fidelity if the animation is simply subdued. Do not overengineer and over-apply 2D cell methodologies and kinematics to each tiny twitch and movement in a hyper 3D model and I promise you. it will look a thousand times more natural. look at thanos in those last two movies. your rendering and detail are absolutely perfect with the tiger you just have to let stuff sit instead of constantly simulating swaying hair strands and firing off all facial muscles at once. great moment at one point where makeup zombie horse and CG zombie tiger are both in one shot together and just by unnecessary amounts of movement alone you can tell who doesn’t belong. again; detail, rendering, compositing, lighting, all picture-perfect; but y’all just gotta let the animation breathe sometimes, and chill it out

plot holes don’t really matter to me but it was kinda funny how lilly decided not to mention the enormous wrinkle in intel pertaining to an actual territorial tribe of intelligent zombies that require human offerings to let you pass, just so that reveal could play out in real time through the joyous punishment of the cartoonishly misogynistic dude

total chad move for mister uruk hai and final pam to rule from a rusted swimming pool complex

the ending with vanderohe oh my god. with the. cash stacks at the airport register. and specifically them working in his favor. that is literally something you do to get arrested under suspicion of theft. it was almost played for laughs and I respect that. coulda been goofier. make these movies goofy ya dorks

anyway, weird, weird movie. bad marketing. message unclear (something something sins of the father???), baffling editing instincts, literal worst-looking cinematography I ever laid eyes upon. Confidently dying on that last hill

[battlestar-royco]

here is part 2 of my sci fi recs masterlist! again, i could’ve gone on with even more recs but i decided to draw the line here. this set for the most part errs on the darker side, thematically, visually, conceptually etc. i personally find it super thought-provoking and intriguing but that’s just me. i highly recommend reading the tw under the cut if you’re thinking of watching, especially the matrix and space gothic slides. please view at your discretion <3

part 1/2

If you like WLW (um idk why I only made this slide based on identity; it just kinda happened lmao but I think it works):

Siren: (tw: parent loss, grief, thalassophobia) a mermaid surfaces in a cove town looking for her lost sister. Polyamorous relationship between a man, a black/indigenous woman, and the mermaid!!!! Environmentalism! As a person who has thalassophobia, I didn’t find this too hard to watch. There aren’t that many underwater scenes, thankfully.

Black Mirror: San Junipero: (tw: grief, but otherwise none that I recall; it’s pretty lighthearted) two women meet in a beach resort in the 80s and fall in love. Interracial wlw!

Orphan Black: (tw: suicide, infertility, rape implication, VB, language, drug use) a woman realizes she is one of several clones and uncovers an elaborate corporate conspiracy. This is one of my personal favorites with great rep of complex women of all ages and bodily autonomy. Several central queer characters and a black male secondary character!

Starfish: (tw: grief, a few jump scares and brief monstrous imagery, blood) after the death of her best friend, a young woman breaks into the deceased’s apartment and discovers a chain of music tapes that could save the world. Weird, subtle, and experimental. Not to sound like a surfer but you kinda have to allow yourself to be in the vibe. The main character and her friend were definitely a thing imo.

Annihilation: (tw: body horror, VB, disturbing imagery) a team of women scientists explore an anomaly that rapidly mutates genes. There are canonical and coded wlw and multiple (light-skinned) POC in this but the rep is short-lived. I put it on because although it should’ve been more ambitious with the casting, I think it breaks *some* ground for Hollywood sci fi with the all-woman team and more than one WOC. Wack ending though.

Mad Max: Fury Road: (tw: rape implication, violence) I think everyone knows about this one but: in the apocalypse, a woman breaks 4 younger women out of a harem. A badass car chase across the desert ensues. A bit light on plot/worldbuilding, but sooooo cool-looking and very thematic!!!!

If you liked STRANGER THINGS:

It: (tw: VB) don’t actually watch this lmao I’m serious. It’s really stupid, and not in a funny way. But I do think Stranger Things was inspired by this story overall. The modern It films are better but they’re also really kjslsklskls stupid? Stephen King in general is obsolete imo.

The Thing: (tw: VB) an alien that can take the form of others wreaks havoc on a scientific facility in Antarctica. It’s dark and vibey, but I feel like it’s just Alien in Antarctica with truly terrible special effects tbh?? Others feel differently. It’s also classified as sci fi/horror, so stay away if you’re easily scared! Not too good on representation.

Super 8: (tw: some language) a group of preteens witnesses an alien-caused train crash as they’re filming a home movie. Not diverse but I definitely think it inspired a lot of sci fi for the 2010s, ESPECIALLY Stranger Things. Not too scary either!

ET: (tw: it’s been a really long time since I watched so I don’t remember but it’s rated PG) I think everyone knows what this is about!

Alien: (tw: VB) truckers in space discover a deadly evolving alien. One of my favorite movies of all time! I love the aesthetic and the mood and worldbuilding so much. Ellen Ripley is one of the first Final Girls in the horror genre. I personally found this more of a sci fi than a horror movie but I’d say stay away if you’re nervous!!

Terminator: (tw: VB) a deadly android is sent to kill a woman who’s destined to birth the man who saves the world. Terminator 2 is way better imo because it centers on Sarah rather than the dudes saving her and trying to kill her. But it’s still worth a watch, you know, for the culture.

If you liked CONTAGION:

War of the Worlds: (tw: blood) pretty straightforward aliens come to Earth to take over. Sorry to rec another T*m Cruise movie but I really like the alien design and the apocalypsey feel of this one. Baby Dakota Fanning is in it too!

Falling Skies: (tw: VB, body horror, rape) alien invasion yada yada but the alien lore gets more interesting as it goes on. It’s kind of cheesy and yeah maybe I did discover it by looking up the iCarly boyfriend (and what about it??) but it’s nice to have on in the downtime. An Asian woman co-stars.

Knowing: (tw: blood) school students unearth a time capsule that contains a sheet from a girl who predicted all the tragic world events between 1959-2009. This is NOT a good movie but it’s SO hilarious to me because of the acting and contrivances. Fun to group-watch!!!!

10 Cloverfield Lane: (tw: VB, emotional abuse) a woman wakes up in a bunker to a captor who tells her that the world has fallen to alien apocalypse. I think this movie elevates the original Cloverfield in pretty much every way. Again, super tense and moody. The conflict revolves around whether or not the captor is being truthful.

Train to Busan: (tw: extreme VB and disturbing imagery) a man and his daughter are on a train when a zombie hops on at the last minute. It’s Korean with an all-Asian cast; Choi Woo-shik co-stars. I definitely wouldn’t watch if you’re scared of blood and gore. It’s very gross and violent.

12 Monkeys: (tw: ableism, violence) a man from the 2030s is sent back to the 1990s to prevent the plague that will end the world. I think the aesthetics of this are really cool but otherwise it’s not a favorite. But I think it appeals to people who like apocalypse and time travel stuff!

If you liked THE MATRIX:

Strange Days: (tw: rape, sex, nudity, VB, racism, police brutality) memories can be saved to hard-drives and sold on the black market for exorbitant prices. Very problematic and triggering presentation of rape, but young Angela Basset stars and there’s a condemnation of police brutality that’s still relevant 20+ years after its release.

Upgrade: (tw: ableism, VB, fridging) a disabled man installs an AI in his spine to help him move and investigate the murder of his wife. The premise is glaringly ableist and I feel weird even recommending it tbh but it’s got great visuals and a few good twists.

Altered Carbon: (tw: VB, weird interracial body switching, uhhh I haven’t finished this one IDK) in a society where human bodies are interchangeable, a man wakes up in a new body after 300 years of his mind being dormant. A Latina woman co-stars, two Asian characters in a subplot, a few other POC here and there as well. I think season 2 stars a black man.

eXistenZ: (tw: VB, anti-Asian racism, general weirdness? IDK it’s hard to describe. There are guns made out of bones and weirdly sexual visuals.) after someone tries to assassinate her, a video game designer and her bodyguard must play through her virtual reality game in order to save the only copy of the game.

Minority Report: (tw: VB, eye removal/insertion) all crimes are predicted and criminals reported before they are committed. The main character is preemptively accused of murder. This one is really white but it was one of the first movies that got me into sci fi. Early 2000s Colin Farrell <3.

If you liked WESTWORLD:

Humans: (tw: uncanny valley, objectification) androids are household helpers and public assistants throughout Britain until one day they start developing consciences. It hits a lot of the themes of Westworld without all the unnecessary pretentiousness, “edginess,” and “grittiness,” and it stars Gemma Chan and Colin Morgan!!

Blade Runner 2049: (^) an android is ordered to find and kill a human/android hybrid. It’s not without its issues but it’s one of my favorite movies of all time, right up there with Alien. So beautiful, so thematic, so thought-provoking (to me, anyway. I know a lot of people thought it was way too slow).

Ex Machina: (^) a man is invited to a private estate to help test the intelligence of an android. It’s kind of predictable imo but you know Oscar Isaac and Sonoya Mizuno are in it so we have to stan, and so is Domhnall Gleeson, for the SW fans! I like how isolated and quiet it feels.

I Am Mother: (tw: blood, gaslighting) after an extinction event, a young woman is raised by a lone android in a human repopulation facility until one day a woman knocks. It starts off slow and a bit generic, but I’m obsessed with the 2nd and 3rd acts of this movie---good acting, dialogue, and fantastic visuals. It has that same isolated feel as Ex Machina with only three characters, all of which are women/woman-coded!!!

If you liked ALIEN (space gothic):

Battlestar Galactica (2004-2008 reboot): (tw: genocide, war, colonization, VB, uncanny valley, rape, infidelity) space opera that follows humanity as it fights the ever-evolving and powerful enemy of their own creation: androids named Cylons. Um? I  L O V E  THIS SHOW SO MUCH and I truly do think it’s everything sci fi should be. There is a really unfortunate Miss Saigon-esque romance plot in season 1 and a lazily-written love triangle involving a black woman in season 3, but otherwise it’s one of my all-time favorites and I highly recommend. It’ll spin your mind and tug your heartstrings for years.

Black Mirror: Men Against Fire: (tw: genocide, war, nudity) soldiers in the near future protect citizens from mutant zombies, but one soldier starts experiencing strange hallucinations in the field. This is such an underrated Black Mirror episode starring a black man. There’s brief objectification of a black woman but it’s very anti-military and it has an interesting sterile aesthetic that reminds me of Alien.

High Life: (tw: rape, black holes/space anxiety, very disturbing) prisoners are given the option to join a space expedition and serve as experimental subjects en route to a black hole. Please please stay away if you are triggered by sexual violence of any kind. There’s almost no physical violence in this movie but it’s psychologically haunting imo.

The Faculty: (tw; VB, drug use) high schoolers discover their teachers are being possessed by an invading alien race. I LOVE THIS MOVIE LMFAOOOO. The cast is SO wild---Elijah Wood, John Oliver, Usher, Salma Hayek, Josh Hartnett??? And I’m probably forgetting more. The combination of the cast, the terrible dialogue, and shitty special effects is PEAK comedy imo. But bear in mind it’s bloody!!

Prometheus: (tw: body horror, VB, uncanny valley) a crew of scientists heads on a deep space mission to find the aliens who created the human race. A prequel to Alien, but I kind of view it as its own thing. Despite the plot holes, I love this movie too! It was one of my sci fi gateways and the visuals are stunning. It’s pretty gory though so if that’s not your thing stay away.

Life: (tw: extreme VB) a lesser Alien, but it provides all the space gothic tropes (jokey crew, shots of space, really pretty spaceship, everyone dies, creepy alien) with a well-known cast---Gyllenhaal, Reynolds, etc.

The X Files: (tw: a few episodes contain 90s racism, sexism, queerphobia etc but you can skip them) a lot of people have watched this so I barely have to explain, but it’s one of my favorites. Two FBI agents investigate multiple aliens and get involved in government conspiracies along the way. A good gateway!

A Quiet Place: (tw: child loss, VB, tension) I think most people know what this is about too. Alien apocalypse with aliens that hunt by sound. The daughter in the family is deaf, and so is the actress who portrays her. The representation of deafness was critically acclaimed.

[moviegroovies]

so i know i’m breaking like, this unspoken vow of silence re: the movie by making this post but this IS a movie blog and i did watch the last airbender. and can i just say. holy fucking shit.

y’all know i like a lot of bad movies. knowing that, take me seriously when i say: this is a BAD movie. and not in a good way. i went into it with no expectations except morbid curiosity and i was STILL let down. i wanted to hate watch it, and yeah, i hated watching it, but it wasn’t even fun to hate. i just hated it. 

don’t watch the last airbender.

if you’re like me and you just wanted to know exactly how bad it was, please benefit from my mistakes. read my fun funky rant and then never think of that movie again. put it out of your mind. rewatch boiling rock. love yourself.

anyway.

pretty much the one and only thing i knew about why it was bad going in was that it was whitewashed; that’s like the only thing anyone ever mentions in conjecture with this movie, when they mention it at all. knowing this, going in knowing full well that the casting department did crimes against humanity, i was still shocked and disturbed at the sight of white katara and white sokka. literally... that casting choice was a hate crime. look them up (or check out my last post) if you need to see it for yourself... it’s bad y’all. somehow i had braced myself for white aang, but before i saw it with my own two eyes i couldn’t believe that they would actually whitewash katara and sokka, And Yet. the really stupid thing is that it’s not even “””justified””” IN UNIVERSE; most of the members of the southern water tribe are played by asian actors, meaning that they didn’t even pull a pan and make the WHOLE southern water tribe white, they just made sokka and katara mysteriously “special” in a spectacularly poor judgement call.

actually, that’s another thing. outside the northern water tribe (which is also mostly white... i’m wondering if sokka and katara are white because gran gran--a white woman in the movie--is from the north? anyway it’s a moot point either way because none of them should be white, there are NO WHITE CHARACTERS IN THE SHOW AVATAR, jesus FUCKING christ), most of the extras and background characters are played by actors of color, particularly asian actors, which would be accurate to the show’s canon. maybe m night shyamalan or someone else involved in the making of this shitshow of a movie thought that this would somehow absolve the whitewashing of the main characters, but in reality i’d argue that it makes it even worse; by having characters mostly played by people of color continuously being saved by three little white bitches, the movie goes HARD on the white savior trope, and also just generally uses these actual, living people as exploitative, orientalist set dressing for this 1 hour and 43 minutes of special hell.

with one notable exception: prince zuko is played by an actor of color--specifially, dev patel. (who is himself miscast, considering how zuko and the fire nation are japanese-coded, but the second they opened on that veruca salt looking ass bitch calling herself katara any hope that the makers of this movie gave any consideration to the racial coding avatar introduced went right out the window.) which adds Another layer of racism to this already inconceivably bad fuckup of a movie; how strange, that the movie’s racebending made all three heroes white, but the primary antagonist (as well as the secondary antagonist, zhao, and the mostly-off-screen-but-still-present ozai) is a man of color. what an odd coincidence. hmmmm.

i hate this movie. i do want to note, though, that dev patel’s inclusion was the only thing that actually got me through the whole thing; i have no idea why he was in this film (he’s FAR too talented for the content he was given and no one else in the entire cast went even one sixteenth as hard as he did) but he was its one saving grace. still, though, even he couldn’t save it. he was so cute and he did his damn best with probably the worst script in the history of film... but he was still in THIS film. since the release of this movie, patel has spoken out against his role in it and the world of hollywood blockbusters in general, and to that i say... good for him. 

i was going for zuko though. this time it was like YES baby CAPTURE that avatar. full stop.

so yes, it was horribly miscast, whitewashed to hell and back, and went with a racist white hero/villains of color cast as a backdrop. all of these things, in themselves, are enough to completely condemn the movie, and my work here might as well be done... except to end it there would be to leave one million other glaring flaws unexamined. and i refuse to let any rock be unturned.

because, like, it’s NOT just bad because of the whitewashing. the whitewashing and the other racist elements are huge PARTS of why this is a bad movie, but even if this movie was made with an accurate and un-whitewashed cast, it would STILL be a bad movie, and i need you all to know this. 

starting from the top: they ruined katara and sokka. 

well, they ruined them the second they cast them the way they did. but again, let’s say they cast someone else. let’s say they cast appropriate actors for the rolls, but the level of acting skill and the script they used was the same. even in this case, they would have RUINED katara and sokka. none of the characters in this movie are 100% recognizable (and i’ll keep repeating it: the casting DID NOT HELP), but katara and sokka got hit the hardest and the worst. the things that sokka should have brought to the table (his goofy attitude, his intelligence) were erased, and the “sokka” we were given instead was a jerkass buzzkill who might have occasionally been the butt of a joke, but was never actually intended to be funny in his own right. reflecting on the series, it’s kind of as if we got his characterization from the first episode (before sokka got any development and was, i guess, kind of a jerkass buzzkill) and never strayed from that, which would be bad enough, but i think even episode ONE sokka was more fun and dynamic than White Sokka™. mistakes were made.

but it was even WORSE for katara. katara’s righteous anger was all but erased. SOKKA was the one who broke the avatar out of the ice, and only because they accidentally happened upon him--katara didn’t get to be angry at sokka’s jerkass sexism and unconsciously fuck up an entire iceberg. katara NEVER got to be angry. in fact, most of katara’s moments were taken and distributed between aang and sokka; aang, for instance is the one who inspires the earthbenders to break out of prison. we don’t even see katara train with master pakku, and SHE was the one who actually became a waterbending master when they went to the north pole. in this movie, katara mostly existed to talk about ~hope~ (very ember island players, lmfao) and hug aang when he went into the avatar state. 

by the way, that prison? it’s not the metal platform in the middle of the ocean we got in the show. it’s just... an enclosed village. surrounded by dirt and earth. and the earthbenders never tried to break out until aang came along and told them to? hmmmm.... 

Unfortunate Implications™, but what did you expect. 

other than that, idk. the writing was so fucking bad, y’all. a significant chunk of the plot relies on the “as you know” trope, in which characters have an expository discussion about something everyone present should already be aware of and wouldn’t need to get into. this normally wouldn’t bother me THAT much, if i noticed it at all (exposition is essential, after all, and you only have so much time in a movie, so i guess it makes sense when you’re trying to compress an entire season of a show into one), except like... it’s ridiculous. i couldn’t ignore it, they just hit the hammer so hard. “as you know, this is what the avatar is. as you know, zuko was exiled after fighting an agni kai with his father. as you know...” 

bleh.

after that, i guess all my complaints are a little more pedantic. some smaller things that made the movie unwatchable: the bending motions were super weird and i think sped up? there were perfectly good martial arts moves right there waiting for them, and shyamalan fucked even THAT up in an effort to... what? make it look more “mystical?” bitch i’ll kill you. also, for reasons completely unfathomable to me, some of the names were pronounced oddly despite being said one million times in the show. “aah-ng” “ee-roh” “soh-ka” “ahvatar.” literally... why.

i’ve been thinking “soh-ka” in my head for like two weeks. hideous.

and one last thing, which really DOESN’T matter in comparison to what they did to the human characters, but like... what fucking happened to appa?? why did they do that to him?

don’t watch the last airbender.

[spaceorphan18]

SO Watches Friends 1x01-1x03

Apparently, it’s been 25 years since Friends aired - and I’m seeing all these articles on it, how it was the greatest ever, how it sucked, how apparently the youngins are discovering it on Netflix.  

So - I felt like, what they hey, I haven’t seen it in years, and I need to watch something while I have meals, so let’s see how well this show holds up.  

Pilot - The One Where Monica Gets a Roommate (because how else is she going to pay for that apartment.) 

It’s funny to me that this was the hot new show of the time.  Because these people are... incredibly boring.  The beginning montage is them sitting in a cafe talking about random boring things for what appears to be hours, then they go home and watch TV.  This seems to be what they do on the weekend.  I mean, I realize in the early 90s there wasn’t /that/ much to do - but still, they live in NYC, and most of the stuff they do on this show will be sitting around doing nothing.  

So, let’s break down these characters, shall we? 

Rachel - It’s her wedding day, but she skips out on her wedding because she didn’t love her fiance.  I think this is supposed to be funny?  While I do think, in general, all of the characters are more relatable (and nicer) than in later in the series, she’s such a weird amalgamation of what the writers (or network?) thought would be relatable? I mean - she’s kind of dumb, and rich enough that money isn’t a problem, and her family values are set back in the 50s - hence her getting married so her husband can support her instead of her father.  

I get where the character is coming from - but while it might have been more of a progressive stance at the time -- it seems like a relic now.  

Monica - Who is the most together one of them at the moment.  I like early Monica, tbh, who appears intelligent (for the most part).  They’ll later take her quirks and make her a neurotic nutjob - but I can appreciate her mature nature right now.  

She goes on a date with Paul the Wine Guy - and again, it shows just how boring these guys’ lives are that they’re standing around her apartment with nothing better to do than to cheer her on about her date.  Is this what people in ther 20s did in the early 90s? I was much too young to know.  Anyway - Paul the Wine Guy is an asshate who uses lines to get Monica into bed.  The network thought this would make Monica sleezy.  I’m so glad times have changed enough that we can look back and be glad we can see that it’s really Paul the Wine Guy who’s sleezy, and that there are faster ways to figure out if a guy is a creep or not.  

Phoebe - Phoebe has absolutely nothing to do in the pilot other than be there and be weird.  I much appreciate it - because this show would be utterly boring and devoid of any quirky elements if she wasn’t there.  Also - Lisa Kudrow sells the comedy while most of the rest of them (minus Matthew Perry) seem to be just reading the script. 

Joey - I have no idea what Matt LeBlanc is trying to do here.  Is he doing a NYC Italian accent?  Is he trying out for a part? He’s kind of the most cringy during the Pilot but at least that’ll go away quickly.  

I don’t have a whole lot to say about Joey, he and Chandler are like two halves of the same character at the beginning, both with little development.  But - funny enough, maybe it’s age, I found myself agreeing with Joey during the whole dishing out life advice thing to Ross -- there’s no such thing as soul mates or destiny, get out there and live life :P 

Chandler - Like Phoebe he doesn’t have much to do other than make quips.  Granted - he did have some of the best, genuinely funny lines of the episode.  Matthew Perry’s comedic chops as well - and it’s a shame there is much Phoebe and Chandler stuff on the show.  

Anyway, the writers originally toyed with making Chandler gay, which I find a shame, I think that would have worked so well.  And added some diversity to this really, really non-diverse cast.  I completely understand why this makes lists of ‘Things Straight, White, and Loosely Christian People Like’.  25 years later, it’s incredibly glaring.  Even Saved by the Bell, which was ending its run at the time, managed to be more diverse. 

Ross - I’m curious as to when Ross becomes that one Friend whom everyone hates.  He’s recently divorced (from a woman who figured out she was a lesbian) and being really mopey about it (which, you know, is understandable).  I don’t particularly like or dislike Ross at the moment.  

I will say the whole Ross and Rachel thing is telegraphed from a mile here, and it’s weird that they’re going to drag this romance out for an entire season and a half when he literally asks her out at the end of the episode, and she says yes.  Why, why, why is this going to be dragged out so much.  (I know the reason - sweeps week - but still.)  

Is the episode entertaining? Eh.  It still has a lot of the trappings of an 80s sitcom - the annoying laugh track, the forced jokes, the surface level stories - only it’s new and hip because 20-somethings had never had a show to themselves without an older mentor around.  At the same time, there isn’t anything that remarkable about any of these 20-somethings, which may or may not have been the point.  I suppose we’ll see.  

The One With the Sonogram (of Ross’s baby that he’s having with this lesbian ex-wife) at the End

This episode is merely a continuation of all the threads set up in the pilot.  You can tell Chandler, Joey, and Phoebe aren’t developed yet, as they really don’t do anything other than crack one-liners at opportune times.  I shouldn’t complain that these characters just don’t feel like they’re getting enough time together as a group (because obviously, there are a ton more episodes to go where they are) but I feel like they’re spending too much time in individual plot lines that aren’t that interesting. 

Plot A) Ross finds out that his ex-wife (who’s a lesbian) is having his baby (because apparently they did it one more time after she left him? Idk), and he’s not doing so well with that.  Idk - I don’t hate this plot line.  For being the early 90s, the show is treating being gay with much more respect than pretty much everything before that (even if the idea of lesbians is treated as a joke rather than a serious thing people are).  At least the gay stuff isn’t villainized.  

Plot B) Rachel gives back the ring to her ex-fiance, whom she finds out was fooling around with her maid of honor.  This is the first time we meet Barry, and everything about him screams douchebag.  There’s nothing remotely interesting here, and it almost feels obligatory for Rachel’s story.  Also - I find it ridiculous that he and Rachel would be having private conversations with a (child) patient there.  

Plot C) We meet Monica and Ross’s controlling and judgmental parents who prefer Ross to Monica.  While Elliot Gould and Christina Pickles are both fantastic actors - I cannot with the amount of judgy-ness that spews forth, and really can’t wait for them to be the quirkier people they eventually become.  

Oh- and I forgot, this show decided for the beginning of season 1 to have these philosophical discussions about the differences between men and women, and I feel like this episode is supposed to loosely tie into that and I kind of roll my eyes and am like -- just be the situational comedy that you’re meant to be.  

Is this episode any good? Eh, not really.  There are some funnier moments in an otherwise bland and obligatory story.  

The One With the Thumb (in a can that Phoebe almost drinks)

This episode is so boring that it’s almost tedious to get through all 22 minutes of it.  Here we go! 

Plot A) Monica dates a guy named Alan that everyone likes but she doesn’t and she finds it hard to break up with him.  

I get what the writers were going with here - that she’d have to tell her friends that they need to ‘break up’ with Alan, despite them all really liking him.  Idk - I don’t think the whole schtick is that funny, and feels pointless when we barely get to meet Alan himself.  

I do have to note that Monica talks with one of her coworkers - who is the first PoC on the show, a black woman.  But we’re never going to see her again, so...? 

Plot B) Chandler starts smoking again - and we get a PSA plot line about the dangers of smoking.  Friends is rarely going to be a preachy show, and it’s super weird when it is.  It’s especially weird that it’s centered around smoking because -- who cares? 

Plot C) Phoebe accidentally has good things happen to her.  It’s almost like a running joke more than a plot line that ends with her ending up with a thumb in a can that nets her $7000.  It’s... just a really dumb sitcom plot line.  But, hey, we learn that Phoebe hangs out with homeless people.  And, the episode gets a point for tying all three plot lines together at the end.  

So... I’ll probably do these three or four at a time.  And the first three?  Eh, not great.  It’s fascinating that this show became such a hit right off the bat - because there’s not anything uniquely interesting about any of these characters yet.  And the plot lines are all so generic and/or dumb that there’s little to latch on to.  

We’ll see how this goes.  

[nevertrustasword]

7, 20, 22

Which gaming system that they have used did you like the most?

mm ! good q ! 

if we’re counting lives, i really like fiasco and for the queen also seems super cool

if we’re going main campaigns i think its blades in the dark that r u l e d

oh wait no subpoint - firebrands. i reeeeallly wanna play firebrands

Name one thing you like about each member of the cast.

oh gosh this is so sweet !!

alis laugh makes me so happy

also in clapcast 0 when she cries about old wrestling: that literally fills my heart

janine’s.. diction? idk if thats the right word but she speaks very precisely and i like it

it sounds like shes holding each word like its a dainty teacup and shes wearing fancy gloves

dre makes some aesthetically incredible choices

Body Horror Season

also live spoilers but that fuckin Mask in for the queen... dre comin for my life

andi is very good and i love how much thought they put into how their characters relate to violence

also their laugh makes me very happy. thats tru for all the friends tbh they all hav great laughs 

austin seems like such an intelligent smart dude and i want to hear him talk about philosophy for 7 hours

also when he like full-on guffaws: blessed

art is very funny and also has some of the most Heart-wrenching character moments

i think grand is the best example of both of these things.. i lov my arrogant son

and his ads for one song only are getting increasingly funny

jack is i mean. an incredible composer obviously. but also theyre so On My Shit character-wise

orth godlove and audy Both slayed me,,, two characters in one season ! unfair !

they also hav really impressive character voice range imo?? 

this is a very weird pull but theres an archived stream friends stream of some kind of space game jam and at some point in it jack has to talk to themself in like 4 different voices and its great

nick ok hes not in all of it but theres a great thing where he talks about fantasmo being like, the terrible academic he Could be, and that struck such a chord w me

Favourite weird Friends at the Table name?

i answered this before but i would lov to answer again: never winter-wiley 

its very good to say and hear

[casuistor]

Did you listen to the NY demo songs of the musical that were put online recently? Some of the songs that weren't officially released are now available. Was wondering if you have any thoughts about them... Adrienne Warren's Misa in I'm Ready sounds v different compared to Fūka Yuzuki!

I am so happy the NY Demo got leaked tbh, I’ve been listening to it nonstop for the last couple of days and lemme just say – even though I don’t fully agree with all the characterization choices, the demo is gorgeous ;~; THANK YOU for the excuse to ramble about this, haha. 

I’ll outline my thoughts on the songs that weren’t released previously under the read more, but just keep in mind that these are just some quick opinions on the songs rather than my thoughts on the demo vs the final versions of the songs b/c then this would be writing for weeks and nobody wants that textwall, haha. 

…I say this is going to be abbreviated and then it turned out long-ish anyway.

Where is the Justice?

Yes I know this was released previously, but the version that was officially released cut a minute out from the song, so I’m commenting, fight me.

While I think the song is overall too focused around the issues with the criminal justice in America for a story that is supposedly set in Japan, I think the verse that was removed was more reflective of the sorts of things Light in canon might think. 

That said I don’t fully agree that Light would argue that “draining the color from within until we’re back to seeing black and white and wrong and right again” is actually a good thing, especially considering canon Light does evaluate mitigating circumstances in his evaluation of who is guilty.

Overall, I think the song does a good job of establishing Light’s character as a kid who, despite having some deeply flawed views about justice, does genuinely care about fairness and has his heart in the right place.

To this day though, I’m not convinced that manga! Light is the kind of kid who would spark this debate in his classroom. He very much seems to be the kind of person who keeps his cynicism about the world to himself.  If you ask me, his “ic” response would be more along the lines of “sure, the justice system isn’t perfect, but it’s our job as the next generation to keep improving it, isn’t it?”  But that doesn’t make a cool song, lmao. 

Hurricane

Yes, this one was also leaked before, but you’re not stopping me from talking about Weather Metaphors The Song™ now that it’s out in HQ. 

Why. WHY.

I think the problem I have with this song is that there’s really not much character development during this song. Light is just immediately sucked into a power fantasy and this is really… not reflective of Light’s character in the series. 

I’m Ready

LOVE. FUCKING LOVE ADRIENNE WARREN’S VOICE. 

But i really don’t agree that Adrienne is a good casting choice with Misa. I LOVE her voice and her singing, but she’s… too much of a power house and Misa is just not that at all. Misa needed to be bubbly and radiate cuteness rather than maturity. 

Hearing this rendition of Misa really made me understand why the Korean production went the direction they did with Jung Sun Ah’s Misa though, and it comes as much less of a headscratcher now. 

I think these lyrics are also not PG enough for Misa’s idol image which sounds ridiculous b/c it’s overall a pretty tame song, lmao

Specifically it’s lines like “let me kiss you and then let me kiss you again” that are maybe not… squeaky clean enough for the image that idols in Japan have to project. 

We All Need A Hero

Perfection. Absolute perfection.  I love that they threw in that dumb light pun lmao. 

Honestly this almost made me cry and I wish I knew who sings this song as they were the perfect Sayu singing voice. Young, sweet, optimistic, sincere sounding? Nailed it. (Edit: I am told that the singer is Laura Osnes)

I am VERY much intrigued by the fact that this song was written as a solo in the NY Demo as opposed to the odd duet that it became in the final version. This makes much more sense to me and avoids weird/creepy parallels between Sayu and Misa that the final version forced by making it a duet. 

The Game Begins

I am so distracted by the line “for even the perfect crime has the perfect flaws” because this is just not logically coherent.

ON LESS GRIPEY TERRITORY – having the whole demo did put into perspective for me why the Weather Metaphors had to be, and I think it’s because they may have been going for a nature vs machine type of theme… and while I can appreciate it poetically (?) I just don’t agree that it fit thematically with the character of L and Light. 

Like why… does L keep making tech metaphors? Is this supposed to be a quirk of his the same way that the posture/diet is? I think in a way this was poorly executed and characterization was ultimately sacrificed in favor of poetic analogies. 

The literal first line “empty your mind of any feelings” is very unlike L to do. L is a detective who works heavily based on his intuition and his gut instincts. He did not tackle the Kira case like a super computer interested in objectivity and eliminating bias. That’s just not what happened in canon. 

I stand very much corrected on these lyrics as they are “empty your mind of any theories.” My bad, I don’t have the best ear for lyrics. But that said, doesn’t this contradict the fact that he already took an action based on a theory with the LLT plan? 

Overall I think this song took too many poetic liberties with L, and tried too hard to make him sound intelligent by throwing in “smart sounding words” like ~calculus~ and ~evolution~ even though those words didn’t actually make that much sense in the context he was applying them in? 

“A stronger mind and evolution determines who wins the game” – for example. Evolution and adaptation aren’t synonyms, but he uses them as such anyway and this kind of clumsiness, though very lyrically pretty, is a bit… idk, not quite what I associate with L myself.

In terms of the overall performance – lovely. My issues are 100% the lyrics on this one. Jarrod Specter performs fantastically. 

There Are Lines

Fight me this song is best song and I honestly did not like this song much in the final version of it.  

J’ADORE how salty Soichiro is about L’s method of offering up Lind L Tailor as a decoy. His anger seems so genuine and believable in this, and I love how it’s so obvious that he has no idea that this is applicable to Light too, since they don’t force that dumb “KAMI NI NARU!!!!” line to ram the subtext down your throat.  (… I say as I claim that I wasn’t going to talk about comparisons to the final Japanese songs, ahem). 

That said, was Soichiro actually that salty about L’s tactics there with LLT in the manga? No. At least not to the extreme that he lost a lot of respect for L for it. In fact, manga!Soichiro seemed impressed by the results L achieved and didn’t really seem to dwell on the moral implications of L’s actions. 

tl;dr not the most ic or canonically based interpretation of Soichiro, but I am standing by this man. 

Personally, I think this is an improvement on the character AND LET ME JUST SAY THIS SONG MADE ME REALLY WISH THEY’D ADAPTED THE YOTSUBA ARC IN THIS MUSICAL??? Can you imagine this song as a reprise as Soichiro shoots Light while they’re in the car? 

You’re welcome

Secrets and Lies

I cannot emphasize how much I love when Soichiro calls out L for his awful morals in addition to calling out Kira’s. This is so nice -w-

I am also deeply enamored with the fact that L also outright says “I don’t care who gets hurt now, as long as I get one more shot” because fucking yes – L is so brazen about this in the manga, and most adaptations try to sweeten his attitude. 

I enjoy that it is constantly reinforced that neither Light nor L are in the right because there are constant parallels between the two and the two are criticized by the narrative. 

Mortals and Fools

“What I see in your eyes is a counterfeit emotion” – the truest thing ever said about the manga!Misa’s feelings about love. 

Admittedly, Demo!Rem annoys me as a character though. It’s not a problem with casting – Carrie’s singing is lovely and I think they made a good choice there. This is a bit of an aside I guess, but I just don’t understand how it is believable that Rem actually romantically fell in love with Misa as the song “When Love Comes” implies after all this love is for mortals and fools lark and Misa… doesn’t really seem to do anything to win Rem’s love in a romantic sense of it. Platonic love I can squint and buy certainly, but not romantic based on the contents of “Mortals and Fools”, “Borrowed Time,” and “When Love Comes.” Maybe something in the actual script/dialogue justifies it? But with the material available so far, I’m not seeing it.

I think also Demo!Rem’s fixation on the notion of love is something that’s… overexaggerated from her more subtle curiosity over the issue in the manga. I just don’t think I’d agree that the melancholy tone demo!Rem has when she says she tries and fails to really understand love as an emotion is true to the manga. Manga!Rem seems to have a more “god Misa, I get this is important to you but could you maybe slow down” kind of vibe to her. Melancholy doesn’t really seem to be it, exactly.

For the sake of clarity – the issue I have is not that Rem’s character was changed from the manga to make her develop romantic interests in Misa. That is perfectly a-okay and it’s actually pretty cool that they went this route with demo!Rem. 

My issue is that from a narrative perspective, Rem’s character development in the demo seems underdeveloped and not optimally executed given that she is a) literally not human and b) as she herself points out is a shinigami who fundamentally does not understand why humans idealize romantic love. 

Shinigami themselves in the context of this musical are not shown to idealize love within their own culture. Ryuk and Rem both seem to find it funny or baffling/futile indicating that this is not a culture that parallels human culture in its zealous overvaluation of romantic love as a be all end all goal of life. Shinigami, according to the musical’s own internal logic, are not amatonormative.. 

My pet peeve exists specifically because it is somewhat frustrating to me, an aroace person, when even non-humans who were very firm on not relating to romantic love (and yes, “Mortals and Fools” makes Rem come down more strongly on that side compared to “Zankoku na Yume”) and have no reason to inherently want to experience or idealize romantic love the same way human society normalizes it for humans, starts extolling the virtues of romantic love as the pinnacle of interpersonal relationships.

I can fully respect that this is not a pet peeve that most other people will have, or even be inclined to view from this perspective and that to many, none of these things matter and that’s fine! Just keep in mind that I would find this just as pet peeve-y if Rem were a male shinigami and would have no problems whatsoever with any of this had Rem been a human girl or if shinigami culture as a whole been portrayed differently in the musical itself. Also please note, I am only speaking for myself. I’m sure other aroace folk will have different opinions as well.   Ironically enough, Rem in the final live version, I can more readily see as developing romantic feelings for Misa precisely because “Inochi no Kachi” was written the way it was and it is a damn shame that that is not the direction that was eventually taken with the character in the live productions as they seem to view Rem as having more maternal instincts. (…which, I’d again disagree is an inference of the manga, as I do think Rem’s feelings about Misa were very platonic in a ‘friends’-ish way rather than a parental way.)

tl;dr All I’m saying is that I think demo!Rem should have gotten more charater development, and it is a shame that she did not. 

On a performative note – it is really odd that Rem’s voice is higher than Misa’s. I don’t think I’d make this call. 

Borrowed Time

Adrienne delivers yet another killer performance!!

I know I said I wasn’t gonna make comparisons but I have to say that between “Borrowed Time” and “Inochi no Kachi” Borrowed Time is just so much more IC for manga!Misa. 

I’m glad they based this song around something Misa actually said in the manga since that line “Just kill me. I was supposed to die that day anyway” is actually something that stuck with me for a very long time since it says so much about where Misa was in her life.

In the end, I guess I find it more convincing that Misa would be singing a song more centered around herself than singing a less me me me focused song about the virtues of sacrificial love as she ultimately is a person (in the manga) who is pretty selfish and focuses mostly on her own perspective. 

Which is not to say that demo!Misa is really reflective of manga!MIsa because I don’t think that’s the case at all. 

The Way It Ends

Blurgh more machine/tech metaphors and analogies from L…..I still don’t like this, sorry. He does not view himself as a robot in the manga, so it just comes out of left field for me.

I think the part of this song that lets me down is Jeremy’s delivery. He’s not !!!!!!! enough for what is supposed to be a victorious moment for Light. He has so much less energy and power than he did when he was singing Weather Metaphors, and it really shouldn’t be that way in my opinion. 

On that last “a minute more.” Jeremy sounds weirdly remorseful, though I guess it’s hard to interpret the exact emotion behind that without an accompanying facial expression. 

But speaking of delivery holy shit, Jarrod’s delivery as L is spot on. I’m kinda stunned by the range of emotion in his voice for this one: confusion, defiance, anger and that hint of regret that his life is coming to an end as he goes into “like a closing door.” It’s so… good?????? 

Overall I think the NY Demo is lovely and it has made me really happy to be able to listen to it after years of wondering what on earth it was like, lmao. 

I know it sounds like I have a ton of gripes, but just keep in mind that a) even I consider these gripes pretty minor and they didn’t really hurt my enjoyment of the demo as a whole, and b) I think that adaptations have every right to make changes and take creative liberties with their source material. It’s important to do that in order to keep material fresh and bring in new thoughts and perspectives to the original. 

[photolover82]

Ranking 15 Disney Princess Movies

Hey everyone! Long time, no talk. I have been thinking about what to do to continue with this pop culture blog, and I decided to go with some Disney content. So, recently, I have been watching most (by most, I mean about 15/17 available on Disney+ bc you know quarantine is boredom) 

of the Disney Princess movies and I am going to rank them in order from worst (12th place) to best (1st place). Let’s do this, let me know how you would rank these in the comments!  Not included: Brave, Pocahontas, & Maleficient since I haven’t seen them recently, I’ll try to watch them & update the list 

15th Place: Frozen 1

This one is an unpopular opinion, but I wasn’t a huge fan of the original Frozen movie. Don’t get me wrong, I love the idea of sisters kicking booty as royalty without any men, but like it lacked a lot of emotion and heart for me, mostly because the songs are overplayed and the movie itself is super overrated in my opinion. The only cute thing about the movie was Olaf, but other than that meh. Oh and another unpopular opinion: I really dislike Elsa, but we can get into that later. Also, this movie isn’t nostalgic enough to me since it came out when I was 13 years old. 

14th Place: Sleeping Beauty 

Ok, so most of the older Disney movies are going to go in these places, mostly because the princesses lack any kind of complexity in their character. Aurora is beautiful don’t get me wrong, but she is too much of a damsel in distress and has no unique personality traits. Also, it’s kinda weird that the Prince sees her as a baby and he’s a toddler or child idk. The best part about this movie was the fairy godmothers (especially when they are arguing about the dress color) and the Once Upon a Dream scene. 

13th Place: Snow White & The Seven Dwarves 

Ok, this one also has the same problem as Sleeping Beauty, except (thankfully) there is no weird Prince meets princess when she’s a baby scene. However, yeah Snow White has little to no personality tbh but her singing makes it tho. The best thing about this movie are the dwarves 1000% which makes me rank it above Sleeping Beauty. 

12th Place: Cinderella (Cartoon Version) 

Alright, Cinderella actually doesn’t have as bland of a personality as the other ones and the mice also made this movie so entertaining, but there are some plot holes (that thankfully are filled in the live-action, we’ll get to that later) that I cannot look past, so I cannot rank it higher. Cinderella does have more of a personality, but unfortunately the Prince has legit no personality at all. They made her a very kind & hardworking girl, but they didn’t really give him any background at all. Like, it didn’t make sense why she fell in love with him. 

11th Place: The Little Mermaid

This movie was super nostalgic for me as a kid (as was Sleeping Beauty, Snow White, & Cinderella), and the music is everything still to this day, but the plot is a bit meh, I mean a girl giving up her pretty voice for a guy... ya not my favorite storyline, but I hope they make it better in the live action that I heard they are going to make. However, Sebastian, Flounder, and all the music really makes me very happy & it makes the movie 100x more enjoyable. 

10th Place: Frozen 2

Now, I know I trashed the first Frozen movie, but I honestly love the sequel way more. I really love Anna and this movie gave her more screen time which I really wanted from the first one and it also gave her more complexity as a character and it made me really love her more than the 2nd one. There were also more funny, heartfelt, and emotional moments here and they gave Anna a strength that was amazing, letting Elsa kind of take a step back which I like (because I honestly think she is a bit selfish & only thinks about herself/her magic/problems and abandons her sister/kingdom). It was awesome to see Anna take charge and be a strong leader in this movie. I loved it! Oh and the music was much better. 

9th Place: Beauty & The Beast (Live Action) 

Overall, I really enjoyed the live-action Beauty and the Beast. I love everything about it, it’s such a wonderful movie. Evermore is an amazing song that was added for this live-action version. However, it is my least favorite of the 3 live-action Disney princess films because I honestly didn’t like the choice of Emma Watson as Belle. Her voice just didn’t make sense with Belle’s. However, I did like that they included the backstory of Belle’s mom, and I love Belle’s dad in this film, he is portrayed a lot better than in the cartoon. I also loved Josh Gad as LeFou, it was such a perfect choice & also portrayed better than the original. However, I preferred the original, cartoon movie’s music, especially Be Our Guest which was a bit disappointing in the live-action since it is so iconic. 

8th Place: Mulan 

Mulan is such an amazing movie! The music is great, I love the characters, it’s funny and super empowering. Mushu is legit my favorite character, which is why I am a bit scared about the live action version. Honestly, I really love the sequel more than the first one which is not super common to me. Mulan is everything tho, she is such a strong, powerful woman, we stan. 

7th Place: Moana

Ok, so Moana legit has the best music of all these Disney movies (because Lin Manuel Miranda helped produce the music so ofc it’s amazing) and the best (arguably) cast. Dwayne Johnson as Maui was literally the best choice ever, *chef’s kiss* to that. It’s also so cool that she doesn’t need a man and she’s independent/fearless. Probably one of the best modern Disney movies that isn’t live action. 

6th Place: Aladdin (Cartoon) 

I love Aladdin, it is also super nostalgic for me. It’s amazing how the focus is more on Aladdin’s feelings, which is not super common in Disney movies, showcasing how the man feels. Also, Robin Williams (RIP) as the Genie was amazing and it made me laugh. The music was also so amazing and iconic. Jasmine is also one of the best princesses, I love it so much. 

5th Place: Aladdin (Live Action)

Now, for the live-action, I honestly think they did the impossible and made it even better. The casting was such an amazing choice, and even though I was very skeptical about Will Smith being the Genie at first, I really loved his portrayal of the Genie because he made it his own, and it was reminiscent of the Fresh Prince of Bel-Air. Also, Jasmine’s song, Speechless, was beautiful and such a great touch to the movie (Noami Scott’s voice was a perfect match for Jasmine in my opinion). 

4th Place: Cinderella (Live Action) 

Ok, I prefer the live-action Cinderella so much more than the cartoon version, because it gave Cinderella and the Prince a more human and well-rounded personality. I love that they included the background on why her name is Cinderella and on her mom. I also really enjoyed the people they casted in this movie and it was just such a beautiful movie with so much heart. 

3rd Place: Beauty & The Beast (Cartoon) 

Ok, so ya this is such a classic and it is so nostalgic to me. Belle, for me growing up, was the princess I related to the most because she was intelligent and loved books instead of just being praised for her beauty, she was seen as weird because of her love of reading. I also really love all the characters and songs, they are so amazing! 

2nd Place: Princess & The Frog 

I realized that the best Disney movies came out during 2009-2011. Princess and the Frog is a huge example of that. Tiana is an amazing princess because she is super hardworking and independent which is such a great role model for young girls. It is also an adorable movie and was so funny/cute. The music is also amazing and I love the New Orleans vibes, it's so good, I have no bad things to say. 

1st Place: Tangled 

Tangled is literally my favorite Disney movie of all time! It is so funny and beautifully made. I can literally watch it over and over again without it being annoying because I am that into it. Also, the music is *chef’s kiss*. 

There ya go! Comment down below your thoughts/rankings. 

[scenarios-on-ice]

Y'ALL KNOW ME

(We are outgunned)

WHAT!!!

(outmanned)

YOU HEAR IT?!

(Outnumbered, outplanned-)

DISTILLED SPIRITS!!!

(The greatest man woman in all of the land of tumblr)

PLEASE RISE FOR YOU QUEEN

LUNA

(…what? Ok, don’t worry about the cinnamon roll who did absolutely nothing wrong, somebody on the wiki clearly made a mistake. TG traumatized me with many things these past few weeks but Kaneki disappearing/recieving a ‘fatal’ injury isn’t one of them. He has plot armor, remember? Worry about Urie instead. 

Like in the latest chapter we literally saw him talking with Amon and he was totally fine

I almost screamed when I saw that page

I’ve been waiting so long for them to meet again)

I’ll try to find My Shot again and I’ll let you know when I do! I don’t have much time on my hands at the moment…

Oooh, Armin-Eliza and Mikasa-Angelica do work really well! I can’t believe I didn’t think of that ^^;; Armin and Eliza both have that ‘looks like a cinnamon roll and is a cinnamon roll but could still kill you’ thing going on lol

(I’m personally a fan of Eremika; I couldn’t see Eren ending up with anyone else in canon, though I do like to ship him with Annie…I’d also like the idea of him with Historia if Yumikuri wasn’t one of my OTPs.)

You’re right, Erwin does behave more like Hamilton in general (a more mature version of musical Hamilton or just historical Hamilton), Eren’s not an idiot but he’s still nowhere near Ham in terms of intelligence. I do think Eren fits with Hamilton better in some ways than Erwin though- like his temper, hardworking nature, determination and that bad habit of never knowing when to shut up.

I can just see Eren’s horrified face if someone ever told him to talk less and smile more.

I wanted Levi to be the Burr to Eren’s Hamilton but thinking it over, I realize that while it doe fit I can’t see Levi shouting ‘we’re reliable with the L A D I E S’ in the middle of a crowded ballroom (Levi is also more of a ‘shut up when you need to but when you do have something to say, be honest’ kind of person than a ‘talk less, smile more’ type). So now I want Jean as Burr for Eren. Like, it’s not the best casting ever, but I see some distinctly Burr-like traits in Jean and his rivalry with Eren is very similar to the Burr-Hamilton relationship (only more friendly and less murderous).

(Imagine Jean singing Wait for It and during the line ‘And if there’s a reason I’m still alive when everyone who loves me has died’ Marco’s face flashes across the screen

Or wait, maybe just Marco as the older Theodosia and then Dear Theodosia (reprise)…)

(Like I said above, I agree with you that Levi is a more Burr-like character but younger!Levi is a Hamilton in some ways. Hurricane could be his theme song, only instead of 'write my way out’ it’s more of…you know…fight my way out)

But now I have a harder time deciding who I want as Angelica…I personally prefer Annie or Ymir because Angelica is a witty, sharp character who probably would have gone into politics if people weren’t so sexist back then, and I can see Annie or Ymir bantering with Eren while Mikasa is a more stoic character who lets her actions speak for her. But then, if Jean is Burr I live for the idea of Mikasa brutally shutting down his attempt to hit on her during The Schuyler Sisters (sorry Jean)

(Ok one last time but I really do think Historia’s and Eliza’s character arcs are really similar in some ways)

Oh seriously? That’s so cool! I’m not sure about my acting skills because I’ve never really had to use them…as for singing, I’ve never had any training but I’ve been told I have a good voice. Not anything amazing but apparently it’s nice to listen to? I’m not sure but a lot of people have told me that so. Maybe it’s not too bad XD my rapping skills are pretty average, I think.

Plot twist:

I’d play Peggy.

*gives hugs*

*gives rainbows*

*gives unicorn*

(Idk why I wrote that don’t ask

Seriously though congratulations for getting through that night)

Conspiracy theory:

Your phone and shuffle are plotting to expose you and make you actually admit and accept your feelings

They’re evil

They deserve to burrn like Hamilton’s love letters to Eliza

OK, found the My Shot AMV! It’s by Katherined on youtube ^^

And btw, there’s also an AoT AMV for Aaron Burr, Sir now! The casting isn’t too great in my eyes (they reversed our casting for Levi-Burr and Erwin-Ham, and while I do think Levi is similar to Ham in some ways LMM’s enthusiastic voice paired with his ‘I’m dead inside’ face is weird XD also, Armin is Lafayette in this video? Mikasa is John? The only thing I agree with is Eren as Mulligan…and Armin’s horrified face at 'WHO ARE YOU’).  But the editing is good and it is pretty funny (I take back the comment about Eren as Mulligan being the only casting choice I agree with; there’s also Mike as the Bursar Levi punched)

Mikasa’s scenes at Trost combined with 'these redcoats don’t want it with me’ is kinda accurate though

THOUGH, IN REVIEWING THE INCIDENTS OF MY BEING AN ADMIN OF A BLOG

I AM UNCONSCIOUS OF INTENTIONAL ERROR

I AM NEVERTHELESS TOO SENSIBLE OF MY RANDOM HIATUSES

NOT TO THINK IT PROBABLE THAT I MAY HAVE DISAPPEARED COUNTLESS TIMES

I SHALL ALSO CARRY WITH ME THE HOPE THAT MY FOLLOWERS

WILL NEVER CEASE TO VIEW IT WITH INDULGENCE…

OH, I see! I’m glad about that ;-; I keep forgetting that Kaneki won’t die no matter what. I mean, we also thought that Armin died and look what happened.

Soooo, what happened to the cookie?? He’s one of my favs in tgre, he can’t die! Or will he just turn into a full one-eyed ghoul?? 
;-;

Yeah, I got the link! It wasn’t that nice, to be honest… I mean, I’ve seen a lot better amvs :/

Yeah, Eliza would absolutely murder you if you badmouthed her. But I think Peggy is even worse ;-; I mean, didn’t she scare off people treating her with an axe at one point? That’s just crazy…

True, Eremika seems to be what we’ll get from the manga and I don’t mind at all, tbh. I’m more of an Armin and Annie shipper. Idk why, don’t ask why. YUMIKURI IS THE CUTEST THING EVER. After this is over, marry me!

Erwin has Hamilton’s ambition, but he’s not as hot-tempered or impulsive, thankfully. When I imagine a compulsive Erwin, I get shivers ;-; It’d probably be a nightmare to have him for an enemy. But Com. Eyebrow’s calm is also scary in itself. I mean, the fact that he’s able to lead so many soldiers (including himself) to their death, voluntarily, is terrifying.

Eren has Ham’s temper and determination, but I think he’d rather fight Bert again than having to ‘write his way out’. That’d probably be a nightmare for him… He’d get so insulted if anyone ever told him that XD

Levi fits Burr in many aspects, but I think that the ones he doesn’t share with him are bigger in number.
I think I’d cry from laughing if I ever saw Levi shouting ‘we’re reliable with the L A D I E S’ Even though their relationship isn’t the best fitting, I agree on Jean-Eren for Burr-Ham. I think Jean has enough salt in his head to know when to shut up and he’s pretty willing to do stupid shit to achieve his goals. Only I don’t think he’d murder Eren ;-; I mean, no matter how much they fight, it’s all in good spirit. I think.

*pterodactyl screech* why do you adore toying with people’s feelings so much?? It’s like that ‘You are my sunshine, my only sunshine’ comic I saw for JeanMarco (and HideKaneki for that matter). I did nOT cry.

Levi does fit Hurricane quite a lot. Well, with the environment of the anime, I think a lot of the characters can connect to hurricane, which is actually quite depressing… Only the ‘I’ll write my way out’ would change for every individual person.

All three of them would make amazing Angelicas! Why not three Angelicas? That seems like the easiest answer hahah I think Annie is a bit too emotionless and deadpan for her… So, technically, Ymir would be best one? 
But as you said, Mikasa being like ‘Jean, you disgust me’ would give me life. Also, imagine the trauma when she’d find out Eren (Ham) has been killed…

Historia is Eliza, confirmed. BUT WOULDN’T THAT MAKE YMIR ALEX??? WE HAVE NEW HAM!AOT!!!

Oh, that’s pretty cute ^^ I was in puppetry, so I don’t know how well I’d do in actual acting, tho ;-; I’d love to hear you sing one day :) Yeah, I can’t quite rap either. I’d say I have a more of an ability to speak really quickly than actual rap skills.

You’d be the best peggy ever

My shuffle is usually quite evil… Like, it gives me Say No To This right after Helpless. Or Congratulations after Satisfied and so on. And sometimes, it goes on a sad song streak. It’s mean ;-;

I shall never admit my feelings! Well, I’ve admitted them to myself, but I don’t plan on confessing anytime soon, since I’m a potato who’d rather stay forever alone than potentially embarrass myself :)

Aaron Burr, Sir is an amazing amv. I really liked the editing, even though Burr Erwin and Levi Ham are a bit different than expected. Imagine this: Levi saying the line ‘I was chosen for the constitutional convention!’

Mikasa will kick anyone’s ass, it’s been confirmed. Mikasa is kickass.