#idk i love the idea of b&v collaborating no matter what so

[soyforramen]

Are YOU the babysitter?

“Veronica?” Jughead slurred, his hand swaying as he pointed towards her.  “Are you the babysitter?”

He shifted forward, off balance, and Betty stumbled.  She shifted his arm further down her neck, praying this was the right apartment.  Jughead cackled, a strange sound of glee.

“Charming,” Veronica said dryly.  She opened the door and stepped back.  “And you must be Betty.”

“Hi,” Betty grunted.  “This is Kevin and Fred.”

She half-dragged, half-walked Jughead towards the couch.  Behind her Kevin helped a far more lucid Fred.  As she crossed the threshold the stench of camphor incense attacked her and she fought back a sneeze.  

“Should I ask what happened?” Veronica drolled.

“Penny Peabody and the flaming disaster,” Jughead said, his head lolling back and forth.

“We got ambushed,” Fred clarified.  

When they reached the couch, Jughead refused to let her go.  Betty tumbled on top of him, unable to break his grip.  At Veronica’s sly look, Betty fought to extricate herself without too much embarrassment; unfortunately, she fell to the floor.  Disheveled and covered in ash she yanked out her hair tie and pulled it up into a messy bun as she glared at him.

Veronica cooed something in a language Betty didn’t recognize, but from Jughead’s snort it was obvious he knew what she’d said.

“Be nice,” he said.  He pointed to Betty.  “She is.”

Betty blushed and stood, purposefully ignoring Kevin’s gleeful look.

“Do I want to know what you did to him?” Before Betty could protest her innocence, Veronica held up a hand.  “I’m sure he deserved whatever it was, I would just like to know to sate my professional curiosity.”

Betty knew Jughead kept more underground company than just her and Archie, but she’d been lead to believe he was, for the most part, a loner.  And yet he’d trusted Veronica enough to direct Betty to call her and ask for refuge, even in this state.  

As if reading her mind, Veronica held out her hand.  “Priestess of Delphi, Cassandra, Sibyl of Cumae - despite what Dante claimed there was no sexual ecstasy in reading his future or his person -, Saint Hildegard of Bingen.  Just a few names I’ve gone by.  But you can call me Veronica.”

Betty hoped Veronica couldn’t tell how badly her hand tremored as they shook hands.  Those names were only heard in whispered prayers.  Such a famed prophetess had been chalked up to fairytales and children’s nursery rhymes.  Betty herself had put the fabled woman in the same make-believe category as Bigfoot, pixies, and ever getting the last of streaks off the windows. To be in such a presence…

“Do tell.  What spell did you cast to make our dear Forsythe fall all over himself?  I’ve seen stronger witches than you try and fail.”

“A basic protection circle,” Betty stammered.  “Though I might have gone too heavy on the -“

“Cedar?  Vampires are naturally adverse, though it does little to explain him.  Gaelic, Egyptian, or -“

“A mix of Incan and Shinto.  It’s something I’ve been working on but I didn’t ever think I’d have to use it against a demon.  My intentions were more for physical harm, bullets, assaults -“

“-and trains by the look of it.  Did you tweak the structure or the -“

“Both, actually, and I’m wondering whether it was using the North Wind instead of the South to bind it -“

“-which would explain his intoxicated idiocy-“

“-or whether it’s because I used oxen spit instead of sow’s blood-“

“What about the binding? Did you use -“

Kevin cleared his throat and the pair turned to him.  Veronica looked irritated to have been interrupted, but Betty realized Fred was looking whiter by the minute.  As she rummaged through her satchel, Veronica leaned against the couch.

“How in this universe were you able to draw it so quickly?  It takes me ages to prepare the lines.”

“You’ve got spiders in your windows,” Jughead said lightly.  “They’ll have made you curtains by tomorrow.”

“Oh that’s simple enough,” Betty said, ignoring his aside.  She reached further into her bag and pulled out a rolled piece of plastic no bigger than a cutting board.  She passed it to Veronica, and when it was unfurled it cast long, strange shapes on the carpet.  “I cut it beforehand and then spray the mix on it when I need it.  The spraycan’s preloaded so all I have to do is make sure -“

“Ladies, this is fascinating, but I’m in a metered spot,” Kevin cut in.  He turned to Fred and in a faux whisper said, “I swear, she’s always like this.  Get her talking about magic minutiae and she’ll go on for hours.”

Despite his pallid skin, Fred wore an amused smile.

This time, Betty and Veronica both blushed.  While Betty went about crushing herbs, Veronica went out of the room to fetch a spoon and a glass of water.  Handing both off to Betty, she turned to Fred.

“And who are you, again?”

“Fred Andrews.  Archie’s father.  I’d stand, but,” he motioned to his head, still a mat of blood and hair.  

Veronica shook her head.  “Quite understandable after the beating you both took.  But how were you ambushed?  I thought were’s were nigh impossible to sneak up on.”

“A lesser demon made a deal with the devil,” Jughead sang out from the couch.  He began to sing the phrase to himself, and Betty pressed his hand to quieten him.

“I suppose that explains it.  What’s harder to explain is how we’re going to treat those burns.”

“Aloe root, marijuana, and rosewater,” Betty said.  She scooped the mixture into the glass and stirred.  “It’s never been tested on a wound made by a demon, but -“

“It’s a brilliant mixture for burns, none the less.  There may be a grimoire somewhere that deals with that sort of thing, though it’s been an age since I’ve had to heal anyone,” Veronica said.  She opened a locked cabinet neatly filled with jars, powders, and leather bound papers.  “Not that it’s a pleasure to meet you, but why is the human here?”

Kevin shot Veronica a dark look.  

“He’s been my best friend since we were born,” Betty said.  

“Practically her familiar,” Kevin added.

Jughead threw a cushion in his direction.  It sailed the wrong way in the room, narrowly missing a lamp.

“Manners, Torombolo, that’s a turn of the century Tiffany’s and I hate to see it ruined by your jealousy.”

Standing, Betty handed the glass to Fred.  “I’ve never made anything for a were before, or even for anybody other than a witch or human.  But, in theory, it should work -“

“Her potions always work,” Kevin corrected, “in theory and in reality.”

Betty preened at the praise.  Fred took a sip and cringed.  

“I’ve had worse,” he said when Betty tried to take it from him.  “Cheers.”

In one go, he’d finished the potion.  Soon after his eyes closed and a light snore was heard.

“Found it!” Veronica trilled.

She set the large book down on the table and directed Fred to go lay down in one of the closed rooms to rest.  With Jughead still humming the strange tune, Veronica and Betty got to work with Kevin acting as their aide.

[spencer-reid-in-a-pool]

A - Z 🤍🤍

I’m assuming this means all the asks! So buckle up LOL. And thank you for taking an interest in lil ole me. 

A: How did you come up with the title to [insert fic]?

Since you didn’t specify which title, I’m just going to talk about how I come up with titles in general. Normally, they happen one of two ways. Either I will come up with a title I think sounds cool out of the blue and then base a fic of its vibes, or I will write a fic to completion before deciding on a title. I like to use something that one of the characters say in this situation. It feels very full circle to me, if you will. 

B: Any of your stories inspired by personal experience?

Unfortunately, my life is nowhere near as cool as the characters’ lives I write about. So no, I can’t say that my stories are based off personal experience. Unless you count me naming side characters my middle name every so often to indulge myself oops. 

C: What member do you identify with most?

I guess by member it means character? And to be honest, I’m not really sure. I relate a lot to Spencer Reid I suppose, because I have never been popular and have always been a target for whatever shit life throws at me. I also like to think I’m kinda intelligent? Although if you look at my grade in my stats class right now, idk what to tell you-

D: Is there a song or a playlist to associate with [insert fic]?

Since there was no specific fic asked about, I can’t really answer this one! But to be honest, I don’t think there are any fics that I have written that I associated with songs. 

E: If you wrote a sequel to [insert fic], what would it be about?

The first one that came to mind is Guest Speaker. If I wrote a part three for that, it would probably be fluffy domestic cute stuff with Spencer. 

F: Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.

“I don’t even know what it was…it happened so fast. Did you kill it, Geralt?” Jaskier asked in a huff. Geralt crossed his arms, and shook his head. “I figured I should make sure you didn’t die first, bard.” Jaskier nodded, a simple “Ah,” leaving his lips. “Well, no matter. You can fix me right?” 

He sounded like he was poking fun at the situation, but I could hear the fear in his words. I decided to try and make him smile before I did this next part. It would be painful.

“Anything for Geralt of Rivia and his emotional support bard.”

(This was just really funny to me for some reason, and I feel like I did a good job with their characterizations! And then Y/N comes back with the emotional support bard comment and it’s something I would say in real life. From this fic.)

G: Do you write your story from start to finish, or do you write the scenes out of order?

It depends on my mood! Sometimes if I’m frustrated with a story or a scene, I’ll write them out of order based on what type of thing I feel like writing. But I would say 75% of the time I write my fics in order.

H: How would you describe your style?

To be honest, I have no idea. Do I even have a style? I just write stuff and hope that people read it and like it. 

I: Do you have a guilty pleasure in fic (reading or writing)?

Happy endings pfft. So cliche, but like- they make me happy. Unless I am feeling particularly angsty that day and want to make an ending a complete train wreck >:) 

J: Write or describe an alternative ending to [insert fic].

In this fic...I would let reader live LMAO. But like- I was feeling angsty that day okay-

K: What’s the angstiest idea you’ve ever come up with?

Reader dying at the end of the fic LMAO, in the fic linked in the previous one above this one.

L: How many times do you usually revise your fic/chapter before posting?

Uhh 😬 Maybe once? If that 😅 I’m usually so excited to post that I just kinda go ahead and click post and hope for the best. I rely on spell check and grammar check a lot 💀And I just hope my story flows well.

M: Got any premises on the back burner that you’d care to share?

I don’t think so! I keep my to do list public so everyone can see what fics I have planned. The only two I don’t have on there are the ones for the upcoming fic swap on @imagining-in-the-margins ‘s discord! But that’s cuz they’re secret :)

N: Is there a fic you wish someone else would write (or finish) for you?

I wish that I would finish the 85486824 WIPS I have, does that count? And that I would write down all the ideas I have in my head that I haven’t even given words yet. 

O: How do you begin a story–with the plot, or the characters?

Ooh this is a tough one. I’m not really sure how to answer it actually. There have been fics that I come up with a general idea for a plot for first, and then others I will decide what characters I wanna write for before I have any clue as to what the plot might be. 

P: Are you what George R. R. Martin would call an “architect” or a “gardener”? (How much do you plan in advance, versus letting the story unfold as you go?)

Oh I am 100% the type of writer to let the story unfold as I go. I have outlined two, maybe three of my fics? And then I didn’t even follow through with them because I had more ideas come to me as I was writing. 

Q: How do you feel about collaborations?

I would literally LOVE to collab with someone!

R: Are there any writers (fanfic or otherwise) you consider an influence?

There are a ton, and I am so sorry if I missed any! @imagining-in-the-margins @randomfandomimagine @reidetic @lexieshuntingsstuff @writing-in-april @reidgraygubler @zhuzhubii @dreatine @andiebeaword @dontkissthewriter @spencers-dria @sunlight-moonrise @personofsinterest @ontheoddoccasioniwritestuff @reidlusts @itslatinamagia

S: Any fandom tropes you can’t resist?

Oh boy! 😅 There was only one bed, mutual pining, manic pixie dream girl, kissed to keep quiet, just to name a few!

T: Any fandom tropes you can’t stand?

Not that I can think of! 

U: Share three of your favorite fic writers and why you like them so much.

But I have way more than three :’( @imagining-in-the-margins is definitely the first one off the top of my head. Last year I was in a really bad spot, and she invited me to her Discord, and it helped me get back into writing. Plus I made some life long friends in the server. @writing-in-april I love her sm because she is always around when I need her, and it’s nice to have a friend that thinks fairly similarly to me. @lexieshuntingsstuff and @reidgraygubler go hand in hand! They are the best sprinting buddies a girl could ask for. 

V: If you could write the sequel (or prequel) to any fic out there not written by yourself, which would you choose?

Ooh this is a tough one. I can’t think of any off the top of my head! Lame answer, I know 😅

W: Do you like more general prompts, or more specific ones?

Definitely more specific ones lol. It makes it a lot easier on me. 

X: A character you enjoy making suffer.

Reader >:))

Y: A character you want to protect.

SPENCER REID AND JASKIER OKAY THEY DESERVE THE WORLD

Z: Major character death–do you ever write/read it? Is there a character whose death you can’t tolerate?

Again- Spencer and Jaskier. I will not TOLERATE THEIR ERASURE !! 

[ladyfl4me]

A,E,F,G,I,J,K,L,M,N,O,P,Q,R,S,T,U,V,W,X,Y,Z ;o

Okay *cracks knuckles* let’s go! F, M, and S have already been taken from this list, so feel free to send in... B, C, D, or H, I guess. Yeehaw. This is really fucking long.

A: How did you come up with the title to [TMWCIFTC]? -- It started, as many things do, as a bad pun. The novel The Spy who Came In from the Cold was a cold-war spy thriller, about a British spy who goes over to East Germany as an apparent defect, except he’s actually there to spread misinformation and fuck shit up. He falls in love, becomes disillusioned with his superiors, and is shot dead over the corpse of his lover after climbing over to the east side of the wall. Needless to say, this is nowhere close to what happens in TMWCIFTC. I chose it early on because of the literal meaning: there’s a moth(man), he’s coming in from the cold WV weather, boom shaka laka, we have a title. Over time, though, it’s evolved into another meaning. Indrid himself is coming in from an isolated, lonely existence: he’s rejoining the family that cut ties with him, he’s in love, he’s warm and safe. The moth sure did come in from the cold, and hopefully he stays that way.

E: If you wrote a sequel to [TMWCIFTC], what would it be about? -- Hm. Considering my entire TAZ fic career is a tangled hairball of sequels and prequels, I kind of have this base covered. At the moment, TCOS - aka The Children of Sylvain, the sequel to TMWCIFTC - is about three things: a Pine Guard road trip race against time and the feds, the Spanish Sylvan Inquisition That Nobody Expected (least of all Jake and Hollis, who have to set aside their differences and past conflicts to save Kepler - and who knows, maybe they’ll fall in love along the way), and Alexandra the Interpreter getting woke to Sylvan politics and doing what she can from the inside to change them. In other words, it’s going to be a massive sequel that is the finale of the Amnesty alternate universe I’ve created. It’s this series’ Endgame. (That reminds me, I need an actual title for this collection of stories I’m writing. The “Tin Cinematic Universe” doesn’t quite have the ring to it that I’d like.)

G: Do you write your story from start to finish, or do you write the scenes out of order? -- eh, it kind of depends. It’s like a buffering bar on Youtube videos. I outline what I can until I run out of ideas, then start writing, then add outlines to the end, until the outline is complete and I just have to keep writing.

I: Do you have a guilty pleasure in fic (reading or writing)? -- I don’t have one for reading, but for writing, I fucking love structuring chapters around songs. Classical or otherwise, I love music. All my stories play in my head like a movie screen, and I just do my best to describe what I’m seeing in my head with an accompanying score. It’s not so much a guilty pleasure as it is a writing process. Frankly, I don’t think I actually have a guilty pleasure; the act of writing itself is all the happiness I need.

J: Write or describe an alternative ending to [insert fic]. -- An alternate ending for The Devil Went Down To Georgia would be... interesting. It ended with Boyd-as-Jersey-Devil scaring the pants off some poor broke college kid, who stole his worthless fiddle; then he changed back, and he and Ned went on their merry way to go break into Aubrey’s house and send everything down the drain. If there was one thing that I could change in there, it would be how fast Ned ran. If he ran a little faster, he would have seen the alley; he would have witnessed Boyd turning into the Jersey Devil, or at least turning back into himself; and he’d get a very rude awakening as to what Sylvans are and that his partner (in crime, and everything that mattered) was a fucking cryptid. God, that’d be a fun AU to write. Who knows, I might go do that someday.

K: What’s the angstiest idea you’ve ever come up with? -- At the moment, the only angsty idea that I’m actually conceptualizing is a Hollis/Jake angsty breakup for TSG. (Spoilers, I guess.) I once wrote a very grimdark ending to TMWCIFTC where everyone fell through the ice and drowned. It wasn’t fun. I’ve also mentally killed off each Amnesty protagonist and NPC in various ways, but I never felt comfortable writing them down. I only write angst with a happy ending because those are the kinds of stories I need to hear.

L: How many times do you usually revise your fic/chapter before posting? -- 9 times out of 10, I just throw it into the void. I write as much as I can in big chunks, and then kind of hope for the best. TMWCIFTC, for example, is a completely unedited, unbetaed vomit draft. I usually do a quick reread of my oneshots to catch grammar and spelling errors, but other than that I just trust myself that it’s fine.

N: Is there a fic you wish someone else would write (or finish) for you? -- Can I get some kind of resolution for To the Edge of Night? Can I please get some kind of resolution for To the Edge of Night??? I was 14 chapters into that bastard before I a) became a more casual MCU fan and b) discovered TAZ. It was such a niche fic with such a niche structure - LOTR as galactic Asgardian propaganda to cover up Odin’s mistakes - that at some point I lost interest in it. I just saw Endgame though, so now I might get some inspiration for stuff to bastardize.

O: How do you begin a story–with the plot, or the characters? -- Characters. When coming up with character backstories, I can usually find ways to slot their lives together that necessitate a plot. I love character-driven stories, where their actions actually do shit and their words actually mean something, in favor of getting dragged along behind the plot like tin cans behind a car.

P: Are you what George R. R. Martin would call an “architect” or a “gardener”? (How much do you plan in advance, versus letting the story unfold as you go?) -- I’m definitely an architect, but in a really messy way. My friends can attest that I do an insane amount of planning for each story - often in their DMs, sorry about that, Fae, Cro, Indy and Aline 😬 - and all that usually ends up in a stream-of-consciousness rant outline on Google Drive. Knowing where the story is going helps me a lot, but the planning I do is definitely just building flower beds in which to sow seeds. Or building a greenhouse. I plan the bare bones of a story, and things get really wild within it, but it does follow a logical plot structure.

Q: How do you feel about collaborations? -- I have a lot of respect for the people who can successfully pull it off, but idk if i’d ever want to do one myself. I get really possessive of my stories and ideas and like to be the one in charge of their execution. That being said, some collabs have produced amazing stories. I don’t mind reading collab fics, but actually being in a collab grates on me more than it should.

R: Are there any writers (fanfic or otherwise) you consider an influence? -- I’m definitely influenced heavily by Neil Gaiman. I read American Gods and Good Omens a lot while I was trying to write TMWCIFTC; not only was it a good brain break, but I was able to pick up a lot of tips on scene pacing, concise yet expressive language, and character interactions. My creative wriitng professors have always told us to read so we know what to steal - not in terms of content, but in execution. 

On the fanfic side, @miamaroo is a huge inspiration for me. I’ve been reading Northern Migration a lot recently, and I love how its canon divergence is so worldshaking and so complex, but is still familiar in nostalgic yet terrifying ways. I read it back in October, went, “Huh, I wanna do something that wild. And if miamaroo can do it then I sure as fuck can too,” and I started planning TMWCIFTC during that one month dead zone the McElroys took last year. Northern Migration is one of the best, most coherent, most stunning, and most incredibly written TAZ Balance AUs I’ve ever read, and if I hadn’t read it, I wouldn’t have been inspired to take the fuckall huge plunge into TMWCIFTC.

S: Any fandom tropes you can’t resist? -- Bed sharing and cuddling, hand kissing, wrist kissing, whump, sympathetic villains. Canon divergent AUs are my absolute favorite things to both read and write. Anything that would turn me into Charlie Kelly slamming his finger on a bulletin board screaming, “CAROL,” is a fic I would give my life for. 

T: Any fandom tropes you can’t stand? -- Not a fan of a) woobification and b) flat villain characterization, to the point where the story is riding on villain tropes instead of an actual person or plot. Character nuance is always something I look for when I read. I don’t usually get bitter about tropes, though; some stuff, when subverted, works really well. I fully subscribe to don’t like, don’t read, don’t write, which is why I don’t write anything that warrants AO3 content warning tags or an Explicit rating, in favor of focusing on plot. Every author has a reason for what they write and how - be it their level of experience, personal preference, or simply the joy of writing something and getting it out there - and I respect that. Within reason, of course.

U: Share three of your favorite fic writers and why you like them so much. -- 

@miamaroo, for reasons I’ve already discussed. My favorite TAZ Balance author hands down. Read Northern Migration and give it the love it deserves, or I’m replacing all the faucets in your house with silly straws.

@transagentstern. Fae has a bunch of absolutely incredible fics and an amazing grasp on characterization. We come from the same place with AUs, in that canon is but the bare planks on which we put the drywall of our plot an characterization. They structure AUs and character backstories from the ground up in believable and emotionally raw ways. Also they have great music taste. I especially like their interpretation of Indrid in Moth to the Flame; he, like all the other characters in the story, is far from perfect, and his character arc is explored in relatable ways that I love to read. 

@keplersheetz. Aline - theneonpineapple on AO3 - researches like a motherfucker and has a wealth of knowledge/experience/viewpoints to draw on, making author-author interactions with her an absolute delight. She’s also doing the lord’s work with rarepairs. Spin a wheel, find a ship, and she’s probably written for it or at least conceptualized it. Reading her character studies and stories of the old Pine Guard - aka Mama’s original crew, before the current PCs joined - is always a delight. I’ve also hashed out a lot of details for The Children of Sylvain, especially for Mr. Boyd Mosche, guilt-wracked Jersey Devil extraordinaire, with her help. 

V: If you could write the sequel (or prequel) to any fic out there not written by yourself, which would you choose? -- Not gonna lie, I’m fine with a lot of stuff that’s out there right now. It’s been a hot few months since I’ve actually stopped to read fic, but from what I recall, most of the fics I’ve read have done a good job of keeping things intact.

W: Do you like more general prompts, or more specific ones? -- The vaguer, the better. With really specific prompts, it usually feels as if the story’s been written for me already; with vague, general prompts, I have more agency to explore my own ideas. Some accompanying detail is usually nice, though. For example, the coffee shop/college/flower shop AUs that @transagentstern​ wrote are my ideal prompt for drabbles: premise, a little bit of open-ended detail, clear explanation of what’s going to happen while leaving the rest up to the imagination. Good stuff. If it’s for a long-form piece, though, I prefer full agency, or even just some time to lie facedown in the dirt and wait for an idea to strike me.

X: A character you enjoy making suffer. -- Yes.

Y: A character you want to protect. -- Tim.

Z: Major character death–do you ever write/read it? Is there a character whose death you can’t tolerate? -- I do read lots of major character death, yeah, though not always for TAZ. There’s something cathartic about seeing a character die, but sometimes it sits wrong with me in ways that I don’t like. As for writing, I’d rather kill a character for a reason rather than for shock value/for the Feels, though said Feels can accompany the reason.