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blueprint-han · 4 years

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[Image ID: A black picture with the title “HOW TO SUPPORT FANFICTION AUTHORS” written in bold caps lock, colored with a winter forest picture. End ID.]

Well, this post has been made countless times, but I’m making one too because I’ve seen a lot of people say they’re new to tumblr and don’t know the whole “reblogging is better than liking” rule and other stuff. So without any further ado, here are ways YOU can support the fanfiction authors. Now keep in mind this applies to almost every author out there, not just the stayblr fandom, so if you’re a silent reader (or even if you aren’t), I advise you go through this post. Warning, this is a fairly long post going into detail, so yeah. I still expect you, the readers to read this, and if you’re a writer, feel free to lmk if i’ve written smth wrong or if you want me to add something! ^^

In this post I’ll go into thorough analysis of the pros and cons of each of the methods listed here and how YOU as a reader can show the authors whose fics you read more love and motivate them to produce content.

WARNING; LONG POST! GOES INTO A DECENT AMOUNT OF DETAIL. NOT EDITED, EXCUSE ANY TYPOS.

#1 : LIKING !

I think this is basic common knowledge, and a lot of people tend to do this. When you like the post, the author sees it, you see it, and if the author has their liked posts accessible (which majority of the time they don’t), and if someone deliberately goes to check it, then they see it. See why so many authors say just liking does nothing? Only liking says “Hey, I’m gonna tell you your story is not that good by simply liking it and not sharing it with other people. :D”

♯ PROS:

You’re telling the author that you've read their fic, and either you’ve enjoyed it to a certain extent, or you’re just saving it to read for later.

Likes are seen by you, the author and anyone who has access to your likes (which, most people don’t).

♯ CONS:

If you ONLY like, you’re not really helping the author’s work reach a wide audience because this site isn’t Instagram. Reblogging is the only way people can SEE our works. I’ll cover more on that in the next section.

In a nutshell, liking is good! But you should most likely use it in a combination with the other stuff I’ve listed below, because just the like itself doesn’t really do much in giving the author any feedback or interaction on their fics.

To clear shit up; I’m not talking about those people who don’t read the story or appreciate it in the first place. I’m talking about those who appreciate the fic, like it, but don’t leave any sort of feedback to show that.

#2 : REBLOGGING !

This is SO, SO important. I cannot stress on this enough. Let me explain WHY so many writers stress on reblogging content:

Tumblr’s tag system is inherently fucked up, and has grown more so over the year. I’m not kidding, at first, the fic either used to show up in the tags or it didn’t, but now, sometimes your fic can be REMOVED from the tags because of,,, idk tumblr tag shit. Anyways, as you can see, it’s very demotivating for authors at that point, because the major way for people to find their content and expand their blogs has been blocked.

Due to this reason, tumblr authors need to RELY on you, their followers to help spread their works to a wider audience. Now again, before you get me wrong, I’m not saying you ae forced to rb our works regardless of whether you like them or not. BUT, that being said, if you DO infact like the story, there’s no harm in reblogging, right? By doing this you’re indirectly telling the author — “hey! :D I liked your fic! Which is why I am gonna share it to my followers so they can read it too :D” Trust me, you’re doing nothing but helping the people who produce content for you to read. Seems like a worthy cause to hit the reblog button, right? It’s only a one, or maximum two step procedure.

Leave tags in your reblogs! Trust me, as an author myself and as much as I know from all my author friends, we oft check the tags of your reblogs to see if you found any part amazing or even if you have anything to say about the writing we put so much hard work into. Even a key smash or a “This was so [insert adjective] 🥺” is enough to leave a smile on your authors face.

♯ PROS :

You’re !! Sharing !! Your authors !! Works !! This leads to them getting more recognition, so for the content they’re so graciously providing for free, you’re promoting their blog and helping them expand it.

If the tags are being a shit, which majority of the time they are, then you’re literally making an author’s day by reblogging! You’re showing them that you, a follower and appreciator of their works are willingly sharing their content because it deserves to be seen by more people. Again before any dumb people decide to attack me, i am talking about people who like the fic but don't bother reblogging and are silent/ghost readers. I am not forcing anyone to read anybody’s work.

YOU’RE MAKING YOUR AUTHOR SO HAPPY WHAT MORE REASONS COULD YOU POSSIBLY WANT !! 🥺

♯ CONS :

Literally none, because as far as I remember no author is against reblogging of their works. It’s quite literally the way this platform functions. Reblogging is IMPORTANT.

#3 : COMMENTING/SENDING FEEDBACK !

This kind of overlaps with the previous section, but THIS IS SUCH AN IMPORTANT STEP !! When you leave feedback, you are directly giving the author something so much more valuable to them than high follower/note counts or money. Your feedback is literally our serotonin. I kid you not the number of times I’ve received a positive comment and smiled and it has made my day. There’s a reason youtubers (though not the best example, bear with me here because it was the only one I could think of) ask people to subscribe, like and COMMENT. The subscription is like a follow, the like is ofc like a heart, and the comment is equivalent to an rb with comments in the tags.

You might argue and tell me that a comment is basically like an ask so the reblogging step isn’t necessary, but I’m sure 99% of you use YouTube and you know that more comments leads to people’s videos boosted in the stream/trending charts. This is what reblogging does. Reblogging shares the piece with other people like minded, which leads to a boost in reads. You are literally helping your author grow.

It’s quite literally the same thing as youtubers. Youtubers NEED validation to keep their content creation going, so do writers, so do other ccs on this site. This post is however, focused on WRITERS, so keep that in mind.

♯ PROS :

By doing this, you’re giving author valuable feedback! It’s similar to what you do in rbing with tags. Interactivity with their fics boosts their note counts and helps expand their audience, so srsly, now think of it: your one comment is playing such a massive role to help ccs create more content.

Imagine how much of a difference the note counts will be in when every person who simply likes after reading the fic, reblogs, leaves a comment and sends an ask. the note counts would be high on each and every fic, which is validation in itself, but your comments would inspire the writer so much more! Please, don’t skip the commenting part. Even a simple one like: “this is so cute!” is wonderful.

♯ CONS :

Remember, if you’re gonna give constructive criticism (which I’m sure you all are smart enough to know if different from hate), make sure the author is okay with it. Authors need to be in a specific mindset and must be ready to accept criticism, so if you’re gonna give constructive criticism to them when they’re at a low point, it may demotivate them.

Just commenting, instead of reblogging and commenting in the tags/ reblogging and then leaving an ask in their inbox, while it gives validation in plenty, will not lead to the author’s work being spread. Therefore I suggest either reblogging and commenting in the tags or reblog and then leave an ask, or comment under the fic!

!! reminder; I am not saying that if you don’t rb and just leave feedback, your feedback has no value. We authors truly appreciate every bit of feedback, but this post is aimed to help you learn how to interact with and support authors, and make them feel more motivated, because the current scenario of liking and scrolling is taking a toll on their creative abilities. Take it from a person who’s been writing for a year.

#4 : COMMSIONING VIA THEIR KO-FI/OTHER APPS !

Before any of you attack me, let me tell you that this is not a step that is 100% necessary to do. ONLY donate if you can and if you genuinely want to, and if anyone is forcing you to pay for something against your will, you need to get yourself out of there.

Regardless, if an author has a kofi and you’re able to and you want to donate, you definitely should! It’s also a valid form of support.

#5 : ADDING THEM ON REC LISTS/ RECOMMENDING THEM TO REC BLOGS

This is such an underrated option, to be honest. I can’t tell you the number of times I’ve seen my fic was recommended onto some rec list and it’s made me smile so hard. If you like some fics, create a rec list! They’re oft very popular amongst the fans too. Making rec posts is such a great way to share your favorite stories with others.

Rec blogs! I’ve seen a couple going around, and needless to say they are a great way to get someone else to read your favorite author’s work whilst also giving them your own feedback. These blogs oft accept recs via a form or ask box, and they leave your feedback along with their own, or else they’ll oft tag the author in the feedback post, so look! You’re basically helping your author share their fic to many more people, because you’ve given them feedback and a reblog.

♯ PROS :

Validation! Feedback! Reblogs! More exposure! Helping a blog grow! Spreading love! basically a run down of the stuff I’ve said before!

♯ CONS :

Literally no con of this. Unless, a one in a million case, this author says they don’t like receiving feedback/being tagged, and I’m sure NO person has said this before, at least none that I’ve heard of.

#6 : FINAL COMMENTS; MISC !

When an author points out about how the interactivity is drastically reducing, don’t just give them blind apologies. Yes, you feel sorry for not interacting as much, we understand, but rather show that you’ll become a better content consumer through your actions. We need to see that we’re not just throwing words into a void and that people are actually trying to be better content consumers.

Understand the fact that authors don’t get paid for this, and 99% of the time, these authors don’t take commissions either. They’re giving you novel worthy writings for free. Take Percy Jackson: You think the author would have felt motivated to write the subsequent parts, let alone two whole series based off of it if literally no one showed that they were interested? Rick Riordan has sales, he is being paid, there are millions of people and big agencies who provide him feedback. Now take that huge amount and simmer it down to an audience of maybe 10000 people This is what fanfic authors want. They don’t want your money, nor are they telling you to risk your lives for them. All they want is, a reblog, some tags, some feedback, some INTERACTIVITY. A sign that they aren’t throwing fics into the void and that people actually like them, some motivation to continue. Seems fairly easy to throw an rb with some tags, right?

Don’t bother to tell me that we do this for ourselves and we shouldn’t ask for likes and reblogs and feedback, because 1) you are consuming the content that we “write for ourselves” and 2) writers post their content here for interactivity and feedback. We could just not post and write and save our fics in our dungeon drafts for years. But we choose to post to entertain the readers, the consumers. And we aren’t even asking that much in return.

Don’t give me the whole “I’m scared that authors feel that comments are annoying” excuse either because seriously this has been DEBUNKED SO MANY TIMES. Istg, in the nicest way possible, if you still think writers are annoyed by interaction and feedback, after so many posts, long rants have been posted as to how we’re not, then you must truly be living under a rock. There, I said it. Please stop thinking this way, I’ll say it again, AUTHORS ARE NOT ANNOYED OF FEEDBACK, COMMENTS, TAGS, REBLOGS. WE LOVE IT. Saying this is like saying that the audience in a theatre play shouldn’t clap when the play ends because the actors would find it noisy. 🤡

I’ve seen some people saying they have anxiety issues and such, so pls note that I’m not invalidating your condition. If you’re trying to be more interactive, I really appreciate it! If you can’t, that’s fine too. You’re trying.

But for the people who have no reason other than feeling lazy to rb and comment, your lack of interactiveness is not excused. Please. Tumblr is a reblogging site. If you’re gonna consume content like authors are some sort of machines, I encourage you to go get some more perspective.

This site is not Instagram or the satan bird app. Your likes are appreciated but frankly speaking, they do nothing to the author except tell them “Hey i read ur fic but i'm not gonna support u :D” and honestly, that is detrimental to their creative capabilities and mental health.

DON’T FOLLOW AN ACC JUST TO MINDLESS RB THEIR SIGNAL BOOST POSTS AND THEIR REBLOGS OF GIFS AND NOT INTERACT WITH THEIR WRITING AT ALL ! Trust me, authors prefer a lower amount of interactive followers than a high count that doesn’t even give them any feedback. Again your follows are appreciated, but when you’re following, you know the type of content the author creates, so the author expects that the more followers, the more interactivity. These days, this is just becoming the opposite. So don’t do it! If you’re gonna follow to read, interact with their works. I promise, this will make both you and the author happy. A win-win situation.

In conclusion: SUPPORT YOUR FUCKING AUTHORS! THEY ARE NOT MACHINES THAT HAVE NO FEELINGS TO PRODUCE CONTENT FOR YOU! FICS TAKE DAYS AND DAYS OF PLANNING, PLOTTING, OUTLINING, WRITING, EDITING, MAKING TEASERS. SO JUST SHOW THEM YOU APPRECIATE THEM WITH AN RB. IT’S THE L E A S T YOU CAN DO.

I will be liking this post here written by the lovely @chaninfused and @scriptura-delirus . Please take time to read it because if you weren’t convinced by my arguments, you will see how much frustration we as writers face on a daily basis. Please, just show support. Here is the post by @stayndays about how to get more people to read your work, because it also has a note on reblogging. Please educate yourself, and put an end to this mindless consuming culutre and bring up some interactivity.

If you’ve read this far, I want you to go to two of your favorite authors and leave some feedback in their inbox, and tag me in it (either tag me yourself or ask the author to do so, they won’t mind). Show your writers that our words are taking effect and you are becoming better consumers. I mean it. I’m serious. I want every single one who reads this post to do this. besides valid reasons, if you’re lazy to do this, you’re a part of the problem. PLEASE get more perspective.

Also, feel free to add to this post! I’d love to read your thoughts too, remember to be kind though. And, if I think your rb is somehow contradicting my points and is bringing down the reason I made this post, I will politely ask you to delete your comment, because this post is about being truthful about the harsh reality of tumblr consumers and how we can change it. I’m sure none of you will let it get to that point, though. <3 love you guys. 💓

And, just a reminder, don’t just blindly like this too. Do what I said before, and while I am not forcing you, I’d appreciate your reblog, because seriously, it took me 3 whole days to write this, plus, I’m sure this will help more of your followers understand the fault in consumer culture. haha, that’s it! This post was way too long uff.

also, this is ur cue to not be stupid in my inbox. You have something to say? Think I worded smth wrongly? I’m sure it wasn’t my intention to do so, point it out with manners.

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gogtopia · 3 years

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image descriptions: what they are and why they’re important

hi! i just wanted to make a post explaining image descriptions to people here because i noticed that there are only about 10 people on mcytblr that write them. this is a repost because i changed my url so the links broke on the old one but i am back again to educate people on why adding descriptions to any visual media that they post (and transcripts on audio/video posts, along the same vein) would make their blog more accessible and make tumblr a better site for others.

what is an image description? an image description is a detailed description of an image/gif/etc that explains in detail what is in the image. i have a few examples on my blog of art descriptions (x x), social media screenshot format descriptions (x), meme descriptions (x), gif descriptions (x), and edit descriptions (x). I don’t personally do video descriptions because I am not very good with picking up detail in a moving format but here is an example of a video with a transcript (though a description typically would describe visuals as well) (x, check out @mcyt-transcribed).

why are they important? descriptions allow people who are blind or have low vision to access posts that they might otherwise not be able to. screen readers can read out the descriptions to them so that they can appreciate the post. these descriptions can also be helpful for other groups, like neurodivergent people that may have difficulty reading facial expressions or people without reliable internet to load images. there are also other people that might not fall into these categories that need/appreciate image descriptions. image descriptions are better than alt text on a website like tumblr that has no character limit because not everyone who needs descriptions uses a screen reader and it also normalizes the descriptions!

who should write image descriptions? anybody who is able, especially when you’re the one that is posting an image! typically, artists can describe their work far better than anyone else can because they know the intent behind their work and the details that are important. it is super helpful for people to describe images that they don’t post as well because it makes the internet in general a more accessible place (and personally I really enjoy describing art even if it takes some time because it gives me a much greater appreciation for the piece!) the absolute bare minimum that you can do is check the notes of an image to see if it’s already been described and then reblog the version with the description

how do I write them? my personal advice and what i did when i was first starting to write them last summer is quite literally to read other people’s descriptions of other image and try to emulate what they’re doing. here is a great resource that gives some more detailed tips! there are a few rules that are important to follow though:

make sure to signify when an ID begins and ends

write the ID directly after each image in a post if possible especially if there are blocks of other text in between

don’t put IDs under read mores because that’s an extra step that people need to do to get accessible content

do not put IDs in small text because some low vision people do not use screen readers but cannot read that text size.

I really hope this resource helps people understand the importance of image descriptions and encourages some people to begin writing them. here is another great resource if you want to know more. also feel free to ask me any questions that you have!

#mcyt #dsmp #dream smp #accessibility

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twistedtummies2 · 3 years

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Top 12 Pandora Hearts Characters

Moriarty the Patriot may be my new favorite anime and manga series, but today, I feel like talking about my OTHER favorite manga (and what COULD have been my favorite anime, if it had only gone on longer): a little franchise known as Pandora Hearts. Japan has a huge following for the works of Lewis Carroll, but Pandora Hearts has probably the most unusual manner of reinterpreting the characters. The story of PH is set in a world where human beings coexist with monstrous entities known as Chains: demon-like beings who are all directly inspired, in terms of name and design, on characters from Wonderland. With a few exceptions, the characters themselves do not have the names of characters from the books; instead, it is the Chains they make bargains with, form “Contracts” with, that tell you what character from the stories they are meant to represent. It’s a cool idea, and whether you look at this franchise as a new take on Wonderland, or just look at the characters on their own terms separate from the books, they are all fun and engaging characters who are frequently much more complex than they at first seem. Now, Pandora Hearts is a series with a lot of twists and turns, so I’m going to try and keep this as spoiler-free as possible when it comes to some of the REALLY big twists, but there’s only so much I can do. So if you haven’t read the manga, or at least watched the anime, and don’t want things spoiled, just be wary in case something pops up here you weren’t wanting to know ahead of time. Also, because this is me writing this list, I will give away which characters from the Wonderland stories these characters are analogous with in their descriptions. With that said... “The time has come,” the Walrus says, “To honor them today! So here’s a list of my favorites to lighten up your day!” (pauses) Yes, I’m aware that rhyme was terrible, just run with it. These are My Top 12 Favorite Pandora Hearts Characters!

12. Echo & Noise.

Wonderland Analogues: Tweedledee & Tweedledum.

One thing you need to know about Pandora Hearts is that...honestly, like a lot of anime/manga, in my opinion...it can be rather confusing at times. The lore of this world, partially because it takes so many twists and turns all over the place, is a little hard to follow at times. I’ll try be succinct and as major-spoiler-free as possible, as I said before. With that said, these two are a prime example of how things get twisted up. Echo and Noise are essentially a classic Jekyll-&-Hyde scenario; a pair of separate identities occupying the same body. Noise, also called “Zwei,” is the original personality: a member of the mysterious and dangerous Baskerville Clan, she is, as her name suggest, loudmouthed, crazy, and rather all over the place. Noise is in control of a Chain known as “Duldee,” and the Chain is responsible for the creation of the other personality: Echo. Echo is the exact opposite of Noise: she is quiet, constantly polite, and indeed often seems to be little more than a robot, very emotionless and unnervingly calm, even in the heat of battle. As Echo, she is the unsettlingly loyal servant of one of the series’ chief antagonists, Vincent Nightray, and their relationship is...a little creepy. Vincent frequently treats her like a beloved child or pet, but he also frequently uses her for his own selfish ends, never worrying about nearly killing her in order to get what he wants, and seeming to see her more as an object than another living being. Despite this, the most upset with him Echo ever gets is calling him “annoying” (now, THERE’S an understatement), and Noise herself is absolutely obsessed with him. Their twisted relationship with Vincent, and all the fun that’s had with these two different personalities, is a big part of what gets them a slot on the list.

11. Oscar Vessalius.

Wonderland Analogue: N/A

While most of the characters in Pandora Hearts are easily identified by their Chains, some don’t even have Chains, and thus cannot be readily identified as any character from the Carroll classics. Oscar Vessalius, whom I frequently and affectionately refer to as “Uncle Oscar,” is one of those cases. Now, to be fair, Uncle Oscar is not the most complex character in this series, but he IS one of the most endearing. Oscar is the paternal uncle of our main protagonist, Oz, and considering Oz’s father is...well...a gigantic douchebag of the highest order...Oscar really is more of a father to Oz than anybody else in the series. Oscar is unflappably encouraging and jolly, and extremely protective and caring when it comes to his family. He’s always there to support Oz and his friends, tries his best to get along with everybody, and generally speaking brightens up every single scene he has. Despite this, Oscar does have a bit of a sly and sneaky side to him, as well as a slightly lecherous leaning in some cases, which keep him from being too perfect or one-note a character. While he has no direct ties to Wonderland, some have suggested that he MIGHT be inspired by Lewis Carroll himself, and there are a few subtle things that could suggest that...but either way, he’s ultimately a purely original character, and of those ranks, he’s easily one of the best.

10. Reim Lunettes.

Wonderland Analogue: March Hare.

Reim, sometimes called “Liam,” is the best friend of Xerxes Break and one of the most notable members of Pandora: a not-so-secret organization dedicated to the study of Chains and the protection of the world. Sort of a Victorian-styled Men in Black, if you will. (pauses) The Will Smith Men in Black, I should say. ANYWAY, an interesting thing I’ve noticed with many interpretations of the March Hare in Japanese culture is they tend to make him a somewhat more serious and more easily flustered character than the Mad Hatter. Reim is no exception: he’s a panicky workaholic who is frequently the butt of other people’s jokes, and tries to treat things with a no-nonsense demeanor, taking his job extremely seriously and always worried about what’s best for his employers. In some ways, one could argue he acts more like the White Rabbit, but that character is one we’ll get to later. At any rate, while Reim is constantly obsessed with his work, and frequently frustrated by Break’s antics, as well as the shenanigans of other characters, he has a heart of gold and is always there to try and help his friends and colleagues when they most require assistance. His Chain also has a pretty impressive power that one does not expect...but I mustn’t say more, or I’ll spoil something important.

9. Sharon Rainsworth.

Wonderland Analogue: Unicorn.

Another character with close ties to Xerxes Break, Sharon is an interestingly dichotomous character. She’s one of the first people we encounter in this series, and she plays a big part in the story as it unfolds...but in the early parts of the franchise, what’s interesting is that Sharon stays largely in the background. Now, at first, it seems this is because she’s one of the head members of Pandora, and Break is technically her servant; so it makes sense the others would interact more with Break than Sharon. But as time goes on, and we learn more about Sharon, we find that’s not so much the case. Sharon and Break have a brother-and-sister relationship, with Sharon seeing Break as her surrogate big brother, and Break seeing her as his little sister. The problem with this relationship is that Break will do anything to protect Sharon, and at times that can go a bit too far, as Sharon truly wants to be of use to him and prove she’s just as powerful as he is or any other major member of the team. Indeed, her Chain, Equus the Black Unicorn, has many impressive abilities, including being able to open a gateway between Earth and the Hell-like dimension of The Abyss. A lot of this dichotomy is visible in Sharon’s personality: most of the time she’s very demure, polite, sweet, and ladylike. But the more we see of Sharon, the more we become aware of other facets to her personality. She’s shown to have a tough and domineering side to her character, and has some eccentricities of her own. Most notably, she’s absolutely INSANE when it comes to romance stories and romantic situations, and holds both the standards of ladies and gentlemen in high regard. Whether she’s a soothing presence or a downright scary one, Sharon is always an interesting character to return to.

8. Rufus Barma.

Wonderland Analogue: Dodo.

There are a few characters in the frequently twisted-up world of Pandora Hearts who have a habit of constantly keeping you guessing...but the king of mystery, without a shadow of a doubt, is the Duke Rufus Barma. His analogous Chain, Dodo, is able to conjure impressive illusions, and this illusionary skill is only the tip of the iceberg in showing how this man constantly manages to make you wonder just what is going on in his head. Barma lives by the code of “knowledge is power,” and constantly seeks to learn everything he can about...well...anything and anybody he wants. Money and prestige are secondary to him. He’s very soft-spoken and cold, even when angered, and carries himself with a sense of grace that’s rather flamboyant, but somehow not exactly loud or over-the-top in the way some of the other characters can be. His exact goals and motivations are constantly second-guessed, and you’re never really sure what makes him tick or what side he’ll take. You’re never really sure if he’s a villain or a hero. I love characters like this, in general, so it’s ultimately no surprise that Rufus Barma gets a solid spot on this list.

7. The Will of the Abyss.

Wonderland Analogue: White Rabbit.

The Will of the Abyss (sometimes called “Alyss” and sometimes called “The Intention of the Abyss”) isn’t a villain we see a whole lot of. She is the queen of the Abyss; the ruler of everything there. The Abyss, itself, is the home of the demon-like chains: ghoulish entities who feed on human beings, body and soul, and are formed from those who have fallen into the Abyss in the past. The place is described as “a broken toy box” and is a horrifying limbo realm of killer dolls and psychotic puppets. Needless to say, it’s not exactly an ideal vacation spot. The Will is a mysterious and mercurial character; she’s mostly a peripheral villain, since we see more of the Chains she controls than her, herself, and much of what we DO see of her actually comes through flashbacks...but in that overall brief amount of time, she proves to be honestly the single scariest character in the series, as well as one of the saddest. Part of this is due to her mood: the Will can shift from seemingly innocent and playful to screaming like a banshee in a split-second; she can go from crying and sobbing like a sad little girl to being as refined and elegant as a proper queen. And there really isn’t a safe place with her, in any of this, either; sometimes that playful and sweet persona is a good thing, but other times...yeah, it’s...um...REALLY not. Like many Chains, she’s violent and bloodthirsty, but unlike other Chains, there’s some humanity to her and you get the feeling that a lot of her actions are justified. She’s still very much a villain, but she’s also a victim, in a way, and as the story goes on, you feel bad for her and are truly sorry when her part in the series’ events is finished. Whether she makes you whimper with terror or makes you want to hug her and console her, the Will of the Abyss is bound to get a major reaction from you.

6. Vincent Nightray.

Wonderland Analogue: Dormouse.

One of the main antagonists of the series (though not, for the record, THE main antagonist...they actually don’t appear in this top twelve), Vincent Nightray is another character who changes throughout the series. What I find most interesting about Vincent is that he, himself, changes very little. It’s more the attitude the reader has to him, in the manga, that changes. See, if you only know Vincent from the anime, or the chapters in the manga that the anime covers, chances are you find him to be a pretty repugnant person. He’s creepy, he’s treacherous, he’s responsible for some of the most screwed-up things any character in this franchise does, and that’s saying a lot. He’s totally insane, and sort of seems to be aware of it, and seems to have an unhealthy interest in his own brother, Gilbert. In fact, with how disturbing he is, and the kinds of things he tries, you start off thinking he’s the main antagonist...and, for a while, he pretty much is. However, as the series continues in the manga, and you learn more about Vincent - why he is the way he is, and what exactly he wants to accomplish - the more you come to understand him and sympathize with him. Make no mistake, Vincent is a villain; in fact, even he seems to be aware of the fact that he’s sort of a monster. But he’s the kind of villain you come to feel sorry for and realize that, if things had been different, maybe could have turned out a much better person. In a way, Vincent is a foil to the ACTUAL main antagonist. Without giving anything away, the real main villain of the series follows the opposite path: at first he seems sympathetic and endearing, but the more we learn about him and the more horrible things he does, the more we come to loathe him and want to see him kicked in the face a thousand times over. Vincent, meanwhile, we start off hating his guts, but by the time his part in the story ends, we’re sad to see him go, because we understand him and care about him, and realize not everything was his fault. I actually feel a little bad for not placing Vincent higher, but I doubt the characters above him will drastically disappoint. He may have been one of the nastiest characters in the franchise, but if ever proof was needed that Evil is a lonely course to take, Vincent Nightray could provide it.

5. Cheshire Cat.

Wonderland Analogue: Doesn’t need to be given, because IT’S HIS NAME.

Again, the Cheshire Cat doesn’t have a lot of time in the series - he gets one major arc fairly early on, appears in several flashbacks afterwards, and then makes a sudden and unexpected return much later in the story - but that doesn’t keep him from being one of the most fascinating figures in the universe of PH. Cheshire is the reincarnation of an innocent kitten who belonged to a girl named Alice; the kitten was brutally murdered by Vincent Nightray. As a Chain, the Cheshire Cat is steadfastly loyal to the Will of the Abyss, and - at least at the start of the series - dwells within a mysterious realm simply known as “The Cheshire Cat’s House.” The “house” is an eerie Victorian mansion that is literally made up of all of the worst memories the Will has, and Cheshire guards the mansion and the Will herself with ferocious zeal. It’s ironic because this is a very different take on the Cheshire Cat, in general: the character in the book, and most other adaptations, is a chaotic being who shows loyalty to seemingly no one, and while some versions lean more towards good or evil, friend or foe, than others, he ultimately isn’t an obedient housecat. He’s more of an enigmatic agent of madness. This Cheshire Cat is a totally different spin on things. He’s got human-like intelligence, for the most part, and occasionally speaks in a cryptic or evasive manner, but he’s not the puzzling imp of Carroll’s classic. He doesn’t even SMILE all that often...and when he does it’s...well...the most terrifying thing you’ll ever see. But just because he’s a very different take on the character, doesn’t mean he’s still not a good one; Cheshire’s mixture of ravenous hunger (all Chains are so), sadistic ferocity, and childlike adoration of the Will make him a very layered character. Like the Will herself, he can be very creepy and menacing, but he can also be sympathetic and sweet, since he still very much is that loving kitten whose life was cut short. In a very short time, he becomes one of the most standout characters, and despite a relatively short lifespan (so to speak), it’s clear the creators really liked Cheshire, since they tried to find ways to fit him in all over the place. It’s a sign of restraint on their parts, I’d say, that he doesn’t pop up more often throughout the franchise. When he does pop up, he’s a scene stealer, and I was always excited to see him.

4. Oz Vessalius.

Wonderland Analogue: N/A

Our chief protagonist, and another original character, Oz Vessalius is a teenager whose life is turned upside-down when, at his Coming-of-Age Ceremony, a group of depraved cultists send him body and soul into the Abyss. He makes a contract with a Chain called Alice, and escapes the Abyss, only to discover that the very short time he spent down there equated to a full decade in the real world. He is enlisted by Pandora, and the rest of the series focuses on his adventures as he tries to discover the secrets of a cataclysmic event from the past known as “The Tragedy of Sablier” - in which an entire city was somehow sucked down into the Abyss. Oz is an endearing young hero, as his youth is mixed with a curious maturity. At times he’s very silly and almost hopelessly optimistic, but at other times he shows a very fatalistic and calculating side to his personality. Part of this is due to his upbringing, as his father never showed him any love at all, and the best friend he ever really had was his own servant, Gilbert. He didn’t exactly get out much to explore the world. So while he’s lived a very sheltered life, it’s also been a very cold one. Oz works on a philosophy of acceptance, just going with the flow and trying not to let the bad things get to you...but considering he frequently claims his own life means very little to him, it’s very clear the bad things DO get to him. In fact, despite his privileged youth, he puts the lives of others vastly before his own, even when he doesn’t know them all that well. He just doesn’t like to show how much things can hurt him, and tries to press ahead no matter what. It’s a complex sort of way of thinking - being proud and unflinching and yet humble and downright self-loathing, all with a dash of youthful exuberance - and as the series goes on, and we learn more about Oz than maybe even he knows, it only becomes more fascinating. He may not be my favorite character, but he’s a fine protagonist for us to follow, and certainly worthy of high marks here.

3. Gilbert Nightray.

Wonderland Analogue: The Monstrous Crow...probably.

I say “probably” because Gilbert’s Chain, as well as his own codename, is “Raven,” which is an obvious reference to the riddle “Why is a raven like a writing desk?” I guess it’s possible both were inspirational, but the Crow is an actual creature/character in the stories, so it’s the one I choose to credit. Whatever the case, Gil is one of the other major protagonists in the series, and...this guy is freaking adorable. I know he doesn’t look it, but trust me, he’s adorable. At the start of the series, we meet Gil as a small boy, who has amnesia about his past and works as a servant for Oz. Oz is not only his Master, but his best friend, and Gil will do absolutely anything to protect and serve his “Young Master” no matter what. After Oz descends into the Abyss, Gil - blaming himself - tries to run away...and is enlisted, at a very young age, by Xerxes Break. He becomes a double-agent, working for both the Rainsworth and Nightray households, upon discovering he is actually a long-lost member of the Nightray family. When Oz returns years later, Gil is a seemingly changed man: stoic, stern, always dressed in black, smoking heavily, and rarely speaking. Very quickly, however, we discover a lot of this stoicism is a facade: underneath it all, Gil is very much still a child at heart, and even though he’s grown older, he still sees Oz as his brother and best friend, as well as his true master, and will do anything to protect and to help him. Just as Oz always puts his life ahead of others, Gil’s foremost thoughts are always with Oz and how he can help him, and the lengths he’ll go to in order to keep Oz safe are sometimes touching, sometimes hilarious, and sometimes downright heartbreaking. Gil’s “dark side” is certainly engaging - he’s a crack shot with a pistol, and has a gloomy and cynical sense of humor - but I think what’s most endearing about him are the moments...and there are surprisingly many...where we see the cracks in the armor, and this “seaweed head” shows that he really hasn’t changed as much as he often claims. Whether he’s a man of action or a man of hilarious hijinks, Gilbert Nightray is more than worthy of a place in the top three.

2. Alice.

Wonderland Analogue: Again, IT’S HER NAME.

The secondary protagonist of the series, after Oz, this Alice is a far cry from the little girl we know of from the Carroll stories. At the start of the franchise, we are introduced to Alice as a Chain known as “B. Rabbit” - a title that stands for both “Black Rabbit” and “Bloody” or “Bloodstained Rabbit.” (In fact, her full title is often given as “The Bloody/Bloodstained Black Rabbit.”) B. Rabbit is one of the most powerful Chains out there, and in her Chain form, Alice is a nigh-unstoppable powerhouse ruled by bloodthirst - a maniacal berserker whose morning star chains and massive scythe cleave through even the toughest opponents with ease. However, Alice can also resort to human form, and here she’s much more...well...human. She has the same basic weaknesses a human has, she’s not quite as psychotic (though she DOES have a nasty temper at times)...really, the only sign of her being a Chain is her ravenous hunger. Like any Chain, Alice is ALWAYS hungry, and always hungry for MEAT. Thankfully, unlike other Chains, Alice has no desire to consume human beings. Indeed, while at first she comes across as frightening and intimidating, Alice has a very vulnerable side to her; she’s lived her life without any real friends or family, since the only “family” she has is her twin, the Will of the Abyss...and, to put things simply, they don’t get along very well. Much like Oz, she often feels like she’s undeserving of other people’s care and attention, but while Oz compensates this through being charitable and caring, Alice compensates by over-inflating herself; a classic “superiority complex via inferiority complex” issue. She’s never unlikeable, however, and as the series goes on - and we come to realize that Alice’s true identity, and her status as a Chain, is a lot less cut-and-dry than we might think - she only becomes a more and more fun and fascinating character...arguably more fascinating than Oz. Indeed, it’s really Alice who drives so much of the plot of the series forward, as her whole goal in the series is to find out the truth of her past and regain her lost memories, and it’s through the team’s efforts to help Alice in this goal that so much of the story is told. Oz is really just along for the ride, at least at first. Powerful but not invincible, and easily one of my favorite takes on the title character of the Carroll stories, Alice nabs second place easily…

...But who in the great wide world could take first? That honor goes to...

1. Xerxes Break.

Wonderland Analogue: The Mad Hatter AND The White Knight.

Yep. Two characters. How is this possible? Well, the first thing to know about Xerxes Break is that he wasn’t always called “Xerxes Break.” Once upon a time, he was a knight called Kevin Regnard, who served a noble family; his Chain was called Albus the White Knight. When Regnard’s mistakes led to the destruction of the entire family, he went absolutely bonkers and became a twisted serial killer known as the Red-Eyed Ghost. Ultimately, however, his contract with Albus ended, and Regnard was dragged down into the Abyss, where the Will and the Cheshire Cat ripped out one of his eyes (...yikes…), and plotted to turn him into another Chain. Things get a bit complicated at this point, but basically, Kevin managed to escape and was thrown into another time and place upon doing so. He was taken in by the Rainsworth family, befriend Reim Lunettes, and steadily began to come out of his shell. He took the name “Xerxes Break,” because he felt “broken,” later formed a contract with a very special and powerful Chain known as The Mad Hatter (in fact, one of Break’s nicknames is “Mr. Hatter”), and crafted a whole new personality for himself: Kevin Regnard was stern, work-obsessed, and wore his heart on his sleeve. Xerxes Break is in every way his opposite. When it comes to takes on the Mad Hatter, Break is one of the best; granted, we very rarely see him WEAR a hat, but the personality of the guy speaks for itself. Break often comes across as clownish and childishly hyperactive, constantly eating sweets, performing magic tricks and weird stunts just for the sheer sake of it, prancing around and giggling like a small boy, and even interacting with a puppet he calls “Emily”...which...may or may not actually be alive. However, much of this is a facade, as underneath it all, Break is...well...broken. Not just in body (he’s much, much older and more frail than he often seems), but in terms of his mind; he’s half-crazed and extremely mercurial. Much like with Rufus Barma, Break is somebody you’re never entirely sure of, but in a different way. Break, you see, is very open and honest; he never tells lies and he makes his loyalties and disloyalties very clear. But at the same time he’s very secretive and enigmatic, often speaking in riddles and partial-truths to throw people off. He’s very cunning and intelligent, and a gifted swordsman, and will do anything and use almost anyone to get what he wants. So while he can be extremely funny, he can also be very frightening and ruthless. You’re never sure what’s going to set him off and if the next line he says is going to be a threat or a joke. And as the series goes on, and we see more and more of Break’s vulnerabilities, we only come to care about him more and more, though, at the same time, he always remains an eternal mystery. A riddle with no real answer...just like the Mad Hatter’s from the book. (Way to bring things around, don’t you think?) Whether you look at him as a version of the Hatter, or look at him just for who and what he is on his own terms, he is, in my opinion, the most well-rounded and fascinating character in the whole series, and easily takes the top spot as My Favorite Pandora Hearts Character. Xerxes Break, I doff my own topper to thee. (tips hat)

Honorable Mentions Include...

Elliot Nightray.

Leo.

Jack Vessalius.

Lottie Baskerville.

Lily Baskerville.

Ada Vessalius.

Phillipe West.

#pandora hearts #top 12 #top 12 pandora hearts characters #characters #best #favorites #list #countdown #alice in wonderland #wonderland #alice

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with-my-murder-flute · 4 years

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by the sword (Nile genfic, 2.6k)

Fic summary: Nile learned fencing and longsword and hand-to-hand fighting long before she ever met Andy's small army. But learning with them is a new form of difficult. Not because they've got thousands of years more experience (though they do), but because this time the practice doesn't stop when somebody gets hurt.

So she has to learn about war and how you balance it out with peace. Figure out how they do it and who she wants to be. And decide which weapons suit her best.

Content notes: Explicit depiction of the injuries Nile gets when training in knife fighting and quarterstaff combat with Nicky and Joe. There are also discussions of the physical damage done by different kinds of weapons, the butchering of animals, and people cutting off their own body parts in industrial accidents. (Oh, and a positive/sympathetic portrayal of Nile as a Christian)

They promised that in March they'd start teaching Nile how to fight with a sword, but when March came, Nicky gave her a knife.

A hauntingly familiar one, even though she'd never touched it before. For a second she thought it was her own, the Ka-Bar she planted in Andy's shoulder the day they met. Instead, as she turned it over, finding it familiar in every groove and contour, she found it an anonymous and identical match to her dad's instead. Not new, with the black paint worn down around the edges of the handle, but not a knife she knew. It could have been used by any Marine in the world except her. Except her father.

"You know too much," Joe explained from the side of the hangar, where he'd tumbled an umbrella stand of swords out onto a tarp and started removing their rust with fine-grit sandpaper. "We're not knights or cavaliers. For them, swordfighting was about honour. There were rules. We don't have any of that."

Nile knew going into this that nothing she knew so far was real swordsmanship. Like yes, she could fence; she'd competed in foil and saber for two years as a teenager. But that was closer to stagefighting than actual combat. It was all so staged and carefully managed. Even in her longsword league they said over and over again, it was a martial sport, not actual combat. They could imagine what it might have been like—could land heavy blows on armour, could mime falling down dead—but that wasn't the reality of it.

It seemed to her that the purpose of beginning with knife-fighting lessons was to go over territory she already knew, and do it for real this time. Nicky said he had something else in mind, some principle of combat he meant to teach. But that wasn't what Nile noticed.

What Nile noticed was that this time, she really died.

The old people argued it over, about how to teach Nile. Andy's example made them newly-cautious, but this was the way they'd always trained: You had to do it through blood and pain, you had to fight when you were still resurrecting. It was the way Andy and Quynh had trained Nicky and Joe.

Nile wondered, in the back of her mind, if being trained like that had something to do with the way Booker... well, Booker. After he'd already had such terrible experience of war that he'd wanted to desert. But that was the kind of thing she didn't air out loud, because they'd only just stopped having that kind of useless, circular, self-flagellating argument. She figured she'd keep her own peace on Booker.

She also opined, after hearing them wrangle over it for a day or two, that she'd rather practice with live weapons and get injured among friends than play it safe and incur a dangerous injury among enemies.

And when the knife fighting started, she was grateful they hadn't moved directly to longswords.

They taught knights how to do this, Nicky said, by having them slaughter and butcher animals. It taught you your way around muscles and tendons and joints. He offered to take her to a bullfight sometime, which she didn't say sounded so barbaric she had to wonder why PETA bothered with picketing rodeos.

He said that after her trachea healed over. She hadn't actually died that time; you had to aim further up or to the side to get the carotid artery. But the horror—not actually the pain, but the horror of feeling the air wheeze through the gash in her throat—had been so overwhelming that she'd barely resisted the pin he got her in. She'd just shuddered with her arms behind her back and his weight pressing her down until it healed, and tapped out of the rest of the afternoon. He'd been understanding when she didn't want to be around him for a bit, and let Joe gather her into a hug and let her cry.

That was when he told her about the bulls. She told him about Chicago's meatpacking district, about the old men she knew who'd butchered hogs every day of their lives for decades. About how they said they got numb to it, until one day one of them cut off his thumb with a machine and didn't feel it, until the guy next to him looked over and noticed all the new blood. About how after you see too much violence, your brain just stops processing it. About how a study on kids in the next neighbourhood over from hers had shown they had permanently elevated levels of cortisol, a sign that their bodies were under stress all the time and didn't know how to calm down.

Those were the kind of conversations Andy couldn't stay in the room for. She slunk off somewhere and got drunk, and you saw her the next morning, maybe. Nile used to judge her a lot more for it, but the day her throat got cut she let Joe and Nicky feed her a red wine as soft as velvet and fell asleep pressed against Joe on the sofa and understood, deeper than words, just how much keeping sane meant feeling anything other than your body shattering into pain.

Nicky braided her hair, the next day. Slow and careful, a little unpracticed, singing ballads in a language that wasn't exactly dead, but only had a few thousand speakers left in northern Italy. Their composer hadn't been good, exactly, but they'd been snowed into a castle with him one winter in the 1680s, so Nicky remembered his entire repertoire. Nile listened to the music and knew he'd refuse if she offered to record it, or write it down. One of the songs felt like the length of a novel (but was, when she checked her phone, more like one hour twenty) and by the end of it she was singing the chorus along with him, and it occurred to her that she could simply ask him to teach her.

"You can't rescue every one you see," she remembered her mom saying, when she found a half-stunned bird on the sidewalk. That was what it felt like with languages.

That afternoon Andy took her to the market. Ostensibly it was for groceries, but Andy didn't do simple errands, especially not when it involved food. She stopped to smell fruit Nile had never heard of; Google told Nile that medlar and quince were related to apples and also, apparently, roses. Nile had to try pine nuts, wild mustard, and three different kinds of yogurt drinks, one of which tasted of roses. Andy protested when she added a bag of potatoes to the load, saying they were bland, but Nile, who'd had enough of turnips, sweetly told her to pay the fuck up.

If you were lonely, and hurting, and didn't have someone to hold you, you could comfort yourself like this. Sunshine and sweetmeats and the steady hands of friends. Something, but probably still not enough. Nile understood it but it made her chest ache. She felt, sometimes, a little glad that Andy would die someday, the way families felt helping someone keep alive from cancer. Of course you wanted them to be alive, but you didn't want them to suffer.

Joe moved her on to staff fighting the next day. It was, he said, not the most useful of weapons in the current day and age, since it was most useful against long bladed weapons, "And who else but us uses those?" But there was some kind of theoretical basis behind the progression of her teaching, from weapon to weapon, and after knife came staff.

To tell the truth, Nile liked it. She'd learned about quarterstaff in her longsword weapons, as something that could defeat a swordsman, but nobody anybody she knew actually practiced it, because while you could wear percussion-resistant cloth and keep safe with blunted swords, there was simply no defending your bones against the percussive strike of a giant whirling stick.

There was something less offensive about getting your skull split or your collarbone broken, compared to getting stabbed. Partly it was because Joe was just a much nicer teacher, slower and more patient, while Nicky would keep stabbing you as you fought to reach your own knife. But also it felt more impersonal, more like an accident that had happened to you.

Okay, and it was also more fun. Knives created small imaginary hemispheres of pain, the angle of the arm as it swept out. Quarterstaves were huge, so long that if you wanted to get around them, sometimes it was literally easier to flip yourself into the air or dump your opponent to the ground instead of getting the staff to move. The first time she managed to run up a wall to get leverage on him, it felt so awesome she didn't actually mind that much that he popped her shoulder out taking her back down.

It was bloody and violent and really would have been impossible if dying had been a significant barrier for them. It made Nile laugh in a high-on-endorphins way, because it felt like she could finally push past the pain and find a place beyond her limits. It felt like being free. Like all her life she'd been wearing a heavy armor of caution, knowing she'd had to keep herself alive, and now she just felt the lightness of taking it off.

There were tears at the back of that laughter, about everything she'd lost because of it, but she pushed that away and went to shower. She and Joe spent the evening on Youtube, watching videos of capoeira and wushu, while the other two made a batch of some kind of pickled egg they thought they remembered from three hundred years ago.

Nile hugged Andy sometimes, because she looked like she needed to be hugged. Andy almost never turned her down.

A long time ago, she thought she remembered, holding a sword had seemed to transport her to some other time. Some other place. Like the sword had been a tangible connection to the past, to a time when things felt... clearer, or truer, or more real somehow. Like the feeling the word "honour" gave her, of something echoing and amplifying through a vaulted space. There was a time when people fought with swords for what they believed in. There was a time when you knew what was right and what was wrong and laid down your life accordingly.

She'd been twelve and believed in fairytales. So sue her.

The swords in their armory spelled out a long story of misery and war. When she held them now, Nile felt like she could feel the bodies that had come into contact with their blades. Curved single-bladed sabers and scimitars, ideally wielded from horseback, meant for a decisive downward chop. Nicky's giant longswords, meant to peel an armored knight like a tin can. (He'd used it, he said, to similar effect on a tank once or twice.) Andy's axes showed her age; before they had the metallurgy to make an entire blade, it was better to use a wood polearm with a blade on the end, and focus the sharp metal to a curved edge, to as small a surface area as possible.

Andy's axes showed her age, but not theirs; they were less than ten years old. Steel, especially steel that came into contact with blood, aged fast enough (and could only take so much of a beating) that the old people knew and had opinions on all the modern replica manufacturers. The oldest blades in the collection were used at Waterloo, only a little more than 200 years ago.

(Nile wondered, as she polished one and rubbed a state-of-the-art hydrophobic finish on it, if the quarterstaff lessons were actually preparing her to fight Booker, should she ever find herself opposing him. It was the kind of thing she couldn't help but think about the logistics of. Surely firearms would be more effective, she initially reasoned, except... guns jammed, guns broke, guns overheated, guns ran out of bullets. And then your gun became a very expensive bludgeon. And you're facing a swordsman who's had 200 years to train. So... why not try a very big stick?)

She knew that even this team could betray her. Even they could fight for the wrong cause. They'd supported revolutions that turned into dictatorships and fought alongside people who turned out to be monsters. There was no promise, no moral certainty, in violence.

So she felt really stupid about it, but the truth was that holding a sword... still brought back that old emotion. That feeling of being capable of doing things. Fighting for a better world. It made her feel taller. It made her feel like her life had a purpose that she'd been heading towards since she was young.

Like God had called her for a special purpose.

Which she'd never say to any of the rest of them, since Andy had been a god and Nicky had been a holy warrior and Joe had broken down completely once, when they let him get too close to a newspaper. They'd only ever hear it with the weight of all the horror they had seen.

So instead she had to carry it as a private conviction, a calling she would have to follow by herself, her own career to make holy instead of horrific. Like when she joined the Marines. Freer, in some ways, but even more out of her depth, not sure she totally understood the situations she was injecting herself into.

The fact that she wasn't sure she ever could walk the path of righteousness and keep herself always on the side of good... was absolutely no inducement not to try. It never had been.

"Picked one yet?" Andy asked, from the door.

"What, you guys weren't gonna pick one for me?" Nile asked, craning her neck around. Andy had her hands buried in the pockets of her jacket, smiling faintly.

"Some things, nobody can pick for you," she said. She picked up one of Nile's polished sabers and admired the sheen along its blade. "Your last-ditch weapon, least of all."

Nile already had a secret favourite of all the swords, but what she found herself saying was, "I want us to do some training in de-escalation."

Andy looked aside from the blade. "Sorry?"

Nile took a deep breath, her heart suddenly pounding like crazy. "That's what I was trained in, aside from combat. De-escalating conflicts. When I was a security guard, we... I got a course on mental health crisis from a guy who does hostage negotiation. I want... we should practice it."

She was ready to be seared by Andy's instant, caustic sarcasm. By a reminder that they were a specialist unit brought in when negotiation failed. Instead Andy looked back at the sword, twisting it to catch the light. "Was it useful?"

"Yeah," Nile said, trying not to let the breath shudder out of her in one long exhale. She didn't want Andy to know how nervous she'd been. "There's a... a lotta conflicts that don't have to turn violent, if you just approach it in..." She ran out of steam for an instant, and shrugged. "If you know how to respond."

"See if there's a webinar," Andy said, which flabbergasted Nile so much—coming from Andy!—that she didn't have anything to say while Andy set the saber down and sauntered back out of the building.

Nile sat for a good long while after that, surrounded by swords on a floor stained with her own blood, and got her breathing under control. Eventually she took her knife out of its sheath and looked it over.

It felt silly, to take a sacred oath on a Ka-Bar knife.

"I swear to almighty God," she said to it, anyway, "that I will use you as my last resort. Not my first."

#nileweek2020 #nile freeman #the old guard #my stuff

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athenagrantnash · 3 years

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Gunpowder Milkshake review

There are four elements to a film that, when all are achieved, can elevate a film from “good” to “great”; and any film that can achieve at least two of these elements is certainly a good and enjoyable film.

These elements are (in no particular order)*:

Aesthetic

Cast (charm, likeability, acting skill, etc)

Characters

Writing (story, script, dialogue etc.)

*While all four elements are important, writing is in my opinion the most important of the four.

So does Gunpowder Milkshake achieve all of these elements? Let’s discuss. (not a spoiler free review)

1) Aesthetic

I cannot say enough good things about the aesthetic of this film. The lighting, the camerawork, the set design, the costumes, it is all top notch. There is never a moment where what you are looking at isn’t visually engaging.

One of my favorite elements is how much is said about each character based on their costumes.

Karen Gillan’s Sam wears an orange jacket for the majority of the film - a jacket she stole because she didn’t like the clothing provided for her. Early in the film it’s established she doesn’t quite know what kind of assassin she is - she is as undefined as her jacket. But there’s a sportsmanship about her, as she won’t kill the three stooges when they aren’t trying to kill her, and she draws the line at ever letting a child be in danger.

Chloe Coleman’s Emily spends the entire movie in a yellow coat - representing the optimism and joy that comes with childhood innocence, an innocence that at the end is marred by the blood red handprint across the back of her coat.

The clothes worn by Angela Bassett’s Anna May, Carla Gugino’s Madeleine, and Michelle Yeoh’s Florence are all very similar, but specific to each character.

Anna May wears dark blue - signifying depth and power - and she has more layers than anybody else - Madeleine has the sweater/jacket, Florence has the vest, and Anna May has both. And just like her clothing, she has layers. You can sense the power and ferocity, and anger that lies rippling just below the surface, only just barely kept in check.

Florence wears green - signifying serenity - , and her outfit has nothing loose or soft about it. She is exactly as she appears to be - exactly as a tiger stalking its prey appears to be - quiet, contained, serene... deadly. It’s her serenity that keeps Anna May’s ferocity in check, but don’t mistake that for safety.

Madeleine wears pink - signifying kindness - and instead of Florence’s vest or Anna May’s vest/suit jacket combo, she instead wears a soft sweater. She is kind, trusting to her instincts, and protective of Emily. But her kindness is not weakness - just look at her weapon of choice if you disagree.

And while everybody else is wearing bright and/or striking colors, Sam’s orange jacket, Emily’s yellow coat, Anna May’s blue suit, Florence’s green vest, Madeleine’s pink sweater, Scarlet - completely at odds with her name - is wearing colors that are practically nondescript. She has isolated herself from the other Librarians, and that’s shown in a beautifully subtle way through her clothing. And yet, in a further note of subtlety, she is wearing soft oranges, showing her connection to Sam (also in orange) and how that connection is what brings her back from her isolation. Her clothing is loose, but not soft, reflecting a deceptive casualness, which matches her personality perfectly.

I’m not even going to touch on the visual brilliance of the lighting, set design, and camerawork because words literally will not do it justice. You just have to watch and see for yourself.

Additionally, an argument can be made that, since “action” is not its own category, that would fit into this section too - and while it’s literally impossible to top how visually engaging the lighting/set design/camerawork/etc. are, the action is certainly on par with it. The fights are all incredibly fun and creative, and they take advantage of the setting they are placed in, the road blocks or handicaps the characters have to work with, and at no point ever feel stale, repetetive, or boring.

So where does this movie rank in aesthetic? 5/5

2) Cast

There is not a weak link in this entire cast! Karen Gillan, Lena Heady, Angela Bassett, Michelle Yeoh, Carla Gugino, Paul Giamatti - every single one of these actors has proven time and again how much talent, charm, and onscreen charisma they have. Relative newcomer Chloe Coleman legitimately holds her own, even among such a star-studded cast, and is simultaneously sympathetic, charming, likable, and absolutely adorable.

Even bit players like the three stooges that Sam takes out, Emily’s dad, the doctor, and Jim McAlester play their roles to perfection.

As a side note, am I the only one who was a little bit disappointed that McAlester’s first name was Jim? It would have been hilarious if his first name was Kevin, and then we could have drawn our own conclusions about the criminal turn Kevin McCallister’s life took when he truly embraced his childhood propensity for chaos.

So where does this movie rank in cast? 5/5

3) Characters

This is where the movie starts to falter a little bit. Every single character is likable, but a lot of that can be attributed to how excellent the cast is.

Most of the characters are fairly cookie cutter, and while there is nothing about them that is particularly annoying or stereotypical, none of them have enough depth to truly be “great” characters.

The closest any character has to having any sort of depth or complexity is Nathan, who - while he doesn’t hesitate to send an entire army after Sam - sends her a private message and provides the only help he can.

Not that any of the characters are bad - I think my analysis of the lead lady’s clothing proves my opinions on that pretty conclusively - but they could have been better

Additionally, at just under 2 hours there is barely enough time to develop them properly. Florence in particular could have been much further fleshed out in ways that are not solely inferred through the costume design and acting.

The relationships between Emily and Sam, Sam and Scarlet, Scarlet and Anna May, Sam and Madeleine, Anna May and Madeleine, and Madeleine and Emily are done fairly well. I understood each dynamic and how it worked in the larger story that was unfolding. Florence had none of that - to the point that (if not for the inferred analysis based on clothing) I’m still not entirely sure if she or Anna May was the de facto leader of the librarians. If they had added something - either her legitimately having a moment where she takes charge or (even better) establish a rivalry between Florence and Anna May over who is in charge that would have done a lot, but unfortunately as it stands Florence didn’t get the development that Michelle Yeoh deserved.

So where does this movie rank in characters? 3/5

4) Writing

If the movie started to falter a bit when it came to its characters, it faltered even more when it came to the writing. In fact it’s the writing that can be blamed for the characters not given the development they should have gotten, even if these are two different categories.

And yes, it’s an action film, so technically the plot takes second place to the fisticuffs and gunplay - and while I’m not going to hold the genre against the film, even as an action film the script could have been a lot stronger.

Most importantly, the movie should have been at least thirty minutes longer in order to allow more growth and development for each of the characters. One scene that should have been in the movie was one of Emily while she was captured by McAlister. He should have tried to turn her against Sam, not realizing that the revelation that he had killed her dad had already done that. But Emily is smart, and the more he talks the more she realizes she’s directing her anger at the wrong person. Then when Sam turns herself in so that she’ll be safe it solidifies it for her - Sam might have pulled the trigger, but she’s not the heartless killer that she should be angry at.

And that is just one example of how a longer runtime and a few more rewrites could have given the story and characters a lot more depth.

Now onto the white elephant in the room.

“There’s a group of men called the firm” (yes, I’m going there... somebody has to).

I get what the film was going for, but this is the most perfect example of why it needed one or two more rewrites. 1) If it’s a group of men, why is Sam working for them and why is she recognized as the best at what she does? The movie is trying to imply inherent sexism, but because it felt the need to slam us over the head with that line all subtlety was lost.

Sam could have just called it “a group” and then we the audience would see that while men and women work for them, the ones calling the shots are all men. And then to turn around and show how much more prepared, professional, and competent the Librarians are would make this point in a much more subtle and compelling way. There is a lot more power in using that kind of storytelling than in explicitly telling your point to the audience in so many words.

However, while most movies that go this route make all their male characters useless or stupid, Gunpowder Milkshake did manage to not do that. Other than the three stooges, which Nathan chose to send after Sam because he didn’t want her killed, therefore by design are supposed to be useless, all of the people that our mains go up against feel like legitimate threats.

And I’m glad, because as a woman I do not like the recent tendency to turn men into useless idiots and then imply that is the only way the women managed to defeat them. I want women going up against men who are at their best, and still win. And this movie did that.

Additionally, I will say that the whole “group of men” thing is a minor quibble on my part, as it doesn’t fall into the pitfalls most other movies who are making this point fall into. But it is unfortunately an example of why the writing could have been much better.

Add in some awkward dialogue that only worked because of how ridiculously charming and likable everybody in the cast is, and we unfortunately have writing that is sub par and does not live up to the standards set by the other three elements. The aesthetic, the cast, and even the characters deserved better writing.

As a side note: Where do these people get their milkshakes that they manage not to melt even after three hours? Because that’s some circa 3000 level galaxy brain and I want it.

So where does this movie rank in its writing? 2/5

Conclusion:

I said at the top that for a movie to be “great” it has to meet all four elements, but to be "good” it only has to meet two, and Gunpowder Milkshake definitely meets two of the elements.

Where it begins faltering and falls short of being “great” is in the characters and the writing, which is a shame because the brilliance of the cast and the genuinely engaging and breathtaking aesthetic deserved to be in a movie that can be called great.

I would love a sequel to this movie that does flesh out the relationships better, provide more depth to the characters, and allows for the writing to match the quality of the cast/aesthetic.

So what is my total ranking for this film? 3.5/5

It’s good, and I will definitely watch it again and recommend it to people, but it so easily could have been great.

#gunpowder milkshake #karen gillan #lena heady #angela bassett #michelle yeoh #carla gugino #look at that I managed to actually be professional and write a whole interview that didn't include simping over A ngela B assett #y'all should be proud of me

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panharmonium · 4 years

Note

I would like to add Gwaine to the list of friends Merlin had. Especially in the 3/4 seasons he really was ride or die for Merlin, they shared intimate details with each other, they truly trusted each other. There were instances where the show alluded that Gwaine knows about Merlin's magic and is fine with it.

hi there! i’m assuming this is in response to the post i reblogged about will and lancelot being merlin’s only “real” friends?

i’m actually happy to write about this, now that the question has been posed - it’s been a while since i wrote anything long about gwaine!

fair warning in advance: i don’t personally classify gwaine the same way i do will and lancelot, and that’s what this piece will cover in more detail, but these are just my own thoughts, and it is totally cool for everybody else to have different opinions. my take is my take, but it does not have to be everyone’s take - if people wanna scroll past because this isn’t their vibe, i don’t mind in the slightest. :)

so, without further ado - i LOVE gwaine, and i have written extensively about how amazing his relationship with merlin is (some examples here, here, here, and here, if anybody’s looking). he is the most likely of all merlin’s living friends to ditch arthur in the name of addressing merlin’s needs, which is super important, and he also has a much healthier friendship with merlin than arthur does (in my own personal opinion, of course, which nobody is obligated to share). he definitely does go ride or die for merlin in S3/S4, i agree.

but my own thoughts on this particular point are still the same as they were in that original post. i tend to hide my clarifications/explanations in the tags, so they might have flown by, but i’ll just copy/paste the relevant bit here for ease of access, as some background for the rest of this post.

re: will and lancelot were merlin’s only ‘real’ friends:

#what this does not mean: merlin has no other friends! merlin doesn't have meaningful and important relationships with other people! #what it does mean: #every single one of merlin's other relationships is undergirded by the sickening knowledge that those friendships are conditional #every single one of his other relationships is accompanied by the constant undercurrent of 'they would hate me if they knew' #merlin knows his friends 'care' about him #except they don't really; because it's not truly him they're caring about #they care deeply - about someone merlin made up #about a facade. #in the most basic sense #those relationships aren't Real #the love merlin feels for the people in them is real #but you cannot truly be 'friends' with somebody who doesn't even know who you are #you cannot be loved without being known #you certainly cannot be loved without being safe

obviously i suppose a person’s thoughts on this would be different if they headcanoned that gwaine knew about merlin’s magic, and that’s fine. i personally do not believe canon indicates or supports that, but i’m not out to convince people to abandon their own fanon interpretations of things; i’m happy just hanging out in my own space talking about my thoughts. me writing meta is the virtual equivalent of me talking to myself in my room - if other people have different conversations with themselves, that’s fine :) i don’t mind if other folks organize their thoughts about things differently.

in accordance with that - everybody please feel free to continue on with your own interpretations, and ignore mine if mine do not appeal to you! if people are interested about how i organize my ideas on this, though, they are essentially as follows:

1) a cage fighter, a class traitor, and a fake sorcerer walk into a tavern

ok, to start with - here’s a graph.

(...who tf starts a meta post with ‘here’s a graph’ lol i just drew a venn diagram for the first time since like...middle school...i LOVE fandom, man, this is RIDICULOUS)

anyway

this is a very rough interpretation of how i think about gwaine, lancelot, and will:

to address some of these elements individually:

lancelot and will give merlin something that gwaine can’t - safety, authenticity, the comfort of being known and seen for real, a respite from constantly qualifying every friendship with ‘they would hate me if they knew’

lancelot and gwaine, likewise, give merlin something merlin wouldn’t be as likely to get from will (if will were still alive, i mean) - an understanding of merlin’s devotion to the Crown, a supportive ally in the fight to promote arthur’s reign and keep arthur/camelot safe

will and gwaine, for their part, are more likely to tell arthur to go fuck himself, if it’s important for helping merlin, and that’s a different kind of support that merlin also really needs.

and will, on his own, gives merlin something that neither lancelot NOR gwaine can provide, which is a friend who isn’t connected to or even particularly interested in arthur pendragon (merlin has nobody in his life like this, not after will dies) - somebody who knew and cared about merlin before merlin had any proximity to arthur, before this whole ’destiny’ issue reared its merciless head.

everybody in merlin’s life matters to him and gives him something important. gwaine is STUPIDLY important to merlin. the love there is real. but in canon, because gwaine is not in the know, gwaine is still one of the people from whom merlin feels compelled to hide himself. gwaine is right up there alongside gwen, arthur, elyan, percival, etc - every other person who merlin loves, who merlin nonetheless constantly, back-of-his-mind fears, ‘they would reject me if they knew.’

the above is part of why i personally have never been too interested in ‘so-and-so knows about merlin’s magic’ canon-imaginings. there’s absolutely nothing wrong with them, and i’m sure people must have tons of fun with them - and in an AU context maybe i would have fun with them too - but as hopeful interpretations of actual canon, they don’t appeal to me. merlin’s near-total isolation and desperate, constantly-frustrated desire for real, honest love is an inalienable aspect of his character for me, one i can’t separate from who he is and why he does the things he does and why he eventually ends up in the place where we find him towards the end of the show.

2) i just want someone to see me for who i am

i have seen a bit of sentiment out there along the lines of ‘merlin should have told (x person) about their magic’ or ‘(x person) obviously doesn’t have a problem with sorcerers,’ but i guess i personally don’t think it’s as clear as all that, and i think me saying it is would be doing merlin a disservice.

merlin’s desire to be seen/known/accepted is literally the most base urge he has. if he truly thought he could tell somebody safely, he would.

i think merlin knows the people in his orbit well enough to know how they feel about sorcery, at least in a general sense. and even if they aren’t bloodthirsty bigots like uther, they aren’t exactly welcoming magic with open arms, either. at the most basic, elementary level, merlin understands something that we don’t like to think about: none of his friends ever challenge arthur on the sorcery ban or express any dissatisfaction with the political status quo, and, even absent outright bigotry, this fact speaks loudly enough in and of itself. merlin’s friends might not be out clamoring for sorcerers’ blood, but they aren’t criticizing a society that criminalizes sorcery, either, and they are never shown to have a problem with the way things are, even though the way things are is wrong.

The Way Things Are is, in fact, unjust. it’s oppressive. and allowing that state of affairs to continue, unquestioned and unchallenged, when you have access to the king’s ear and aren’t personally in danger of being persecuted, indicates that you’re okay with the injustice. that you’re comfortable with the oppression. that you don’t see a problem with the status quo, and that you're unbothered enough by it to let it be.

it doesn’t matter that merlin’s friends have never straight-up said ‘boy, magic sure is evil’ onscreen. they never say that camelot’s policies are wrong, and that delivers a clear enough message on its own.

3) it is not a crime to fight for your freedom

to bring this back to gwaine specifically, since that was originally the focus of this ask -

for me, for all that i adore gwaine, and for all that i think he was, for the most part, an INCREDIBLY sound, healthy relationship for merlin, the truth is that gwaine is as much a part of this problem as everyone else. does that mean i personally think gwaine would have summarily dumped merlin if he’d found out merlin had magic? no. but i don’t think it’s as uncomplicated as maybe we wish it might be, and i think merlin has every right to be as uncertain of gwaine on this issue as he does of everyone else.

for one thing, like i said before, even gwaine, who used to have fewer qualms than any of the knights about pushing back on arthur’s BS, has never said a word about camelot’s injustices, or ever acknowledged that the laws of the land are unjust to begin with.

for another, there are specific moments that kind of make you wonder.

5.05 (’the disir’) is a good example of this - when gwaine finds osgar in the woods, the two of them have this exchange:

you are a sorcerer, a heretic, and a murderer.

the rhetoric of this sentence frames all three of these things as equivalent entities - criminal ones.

to pick this apart more carefully:

a) sorcerer

it’s worth noting here that we’re never told osgar has done anything worse than evading arrest for the crime of being a known sorcerer. when leon mentions him in the council meeting, the conversation consists solely of the following:

“as you know, a few days ago our garrison in the forest of breckfire intercepted the man who goes by the name of osgar.”

“the sorcerer.”

“the same. they were trying to apprehend him when he used his powers to escape.”

and…that’s it. osgar’s crime, as far as we know, was simply being a sorcerer (and then, after that, attempting to escape an unjust arrest, thereby killing a knight in the process). there’s no mention of any other activities that would have warranted his arrest in the first place, other than the possession of magic.

but magic, even on its own, IS a crime in camelot - and gwaine levels the accusation at osgar as such.

b) heretic

that’s a hell of a word to throw around, if you think sorcery is chill.

“heretic” isn’t a mild accusation. "heretic” has vitriolic severity behind it. people are accused of heresy when they’re perceived to be in brazen defiance of what is (in the eyes of the accuser) unquestionably right and correct. “heretic” is like…it’s like blasphemer. the connotation is not just that something is bad, but that it’s sinful.

for gwaine, either osgar’s association with sorcery and/or his defiance of camelot’s army makes him a heretic. and that’s not something a person who is down with sorcery or supportive of a magic-user’s struggle for freedom would say.

c) murderer

if gwaine were cool with sorcery, we would expect him to understand that a sorcerer who resisted arrest for the crime of being a sorcerer isn’t a murderer.

it’s like kara said in 5.11 - it is not a crime to fight for the right to be who you are.

camelot has been killing sorcerers for decades. osgar mortally wounded a soldier (not an innocent civilian, i might note) who was trying to imprison him. he was resisting the armed forces of an oppressive state. that’s not murder.

somebody who understands that camelot is an oppressive regime wouldn’t think of this as murder. they would understand that it is not a crime to protect your own life when the state has literally been trying to exterminate your people for years. and even if osgar had been engaged in rebellious activities against the state (which as far as we know is not the case - nothing like this is ever referenced!), they would understand that people with magic have long been overdue for a righteous uprising.

but gwaine is a little more like arthur, in this moment - he sees the “wrong” that osgar has done (in the form of sir ranulf’s death) without seeing the thousands upon thousands of wrongs that camelot visited upon the magical community first.

4) you can’t go armed into a sacred place

the rest of this episode is similar. gwaine pays just as little heed to merlin’s warnings as the rest of the knights, when merlin admonishes them that the disir’s cave is sacred. gwaine doesn’t relinquish his sword or take special care upon entering the cave. in fact, he is the one who outright interrupts the disir while they’re speaking - as they’re telling arthur a series of hard truths, that he’s persecuted magic-users, “even unto slaughter;” that he’s desecrated their space: “you come here, to the most sacred of the sacred, to the very heart of the Old Religion, with weapons drawn - trampling hallowed relics - treating our sacred space like you do your kingdom - with arrogance - with conceit - with insolence - ”

and gwaine cuts them off, pushing to the front of the group and shouting at them “enough! you speak of the king!” and that’s when the fight starts, when mordred gets stabbed.

someone who was fully accepting of magic, or who knew anything about it at all, would not have behaved this way. they would not have bristled at hearing how arthur’s regime unfairly persecutes the magical community. they would have known that it was true.

5) i just want to be myself

the above is just one example, but it’s a clear enough one to illustrate what i mean. gwaine IS an amazing friend to merlin. he does treat merlin well. and merlin loves him to death. but gwaine is NOT totally chill with magic. i’m not saying he actively hates it, but he is not, from what merlin has witnessed, entirely safe. merlin loves him, but he can’t be himself around him.

and i do think that pains merlin terribly. all these people who he loves so much, and every time he’s with them there’s always that whisper: ‘this is a charade. all the love in my life is a lie. they only like me because they don’t know me. if they knew who i really was, this would be over.’

and we wonder why he never tells anyone. we tell him he ‘should’ have told gwaine, gwen, morgana, arthur, like it would have been easy, or even possible, for him to ever consider putting himself in a position where he could lose what precarious, partially make-believe connections he has.

merlin, in the later seasons, when he worries about his magic being exposed, isn’t afraid of being executed. he’s afraid of becoming even more alone than he is now. and he has good reason to feel that way - even people who appear to put him first aren’t fully on board with the thing that makes him who he is. and merlin knows this. he’s seen it. none of his friends are out fighting for people like him at court. some of his friends shake their heads and assure arthur “you are a good and just king” when arthur expresses concern that maybe the disir are right, maybe he has indeed transgressed. some of merlin’s friends used to buck the system in defense of the powerless, but now they defend the regime even when the accusations levelled against it by an oppressed population are true.

merlin knows that revealing himself is a kind of risk that could very plausibly end with him utterly disowned. every single friendship he has is subject to this justified fear, this bitter knowledge. merlin has every reason to doubt the soundness of his relationships.

and, circling back to the thing that started all these musings - the only friends who never made him feel that way were will and lancelot.

that’s all i mean when i say that will and lancelot were merlin’s only “real” friends. i wish there were a better word to use than that, because i really don’t mean it like…as if merlin’s relationships with other people weren’t…valid, or important, or based on true love and care. they were. but there’s just not a better way to express that will and lancelot were the only people who ever even knew who they were friends with, who saw merlin for exactly who he was and said “i love you still.” they were the only ones whose friendship was something merlin didn’t have to be afraid of losing solely for existing.

i always think of morgana’s line in 2.11 - ‘i don’t want to be brave. i just want to be myself. i don’t want to be alone anymore.’

around everyone else, merlin has to be brave. he has to keep up the pretense, which means even when he’s surrounded by friends, he’s completely isolated.

with will and lancelot, though, he could be himself. with will and lancelot, he wasn’t alone.

6) post-script

i really appreciate being given the opportunity to muse to myself about this in more detail - i actually needed to think through some things regarding gwaine anyway, for writing purposes, and this was actually really helpful in organizing my brain. so thanks, anon, for the prompt!

i know my answer probably runs counter to your own interpretation of things, but as i said, this is just my own personal outlook. i typed it up because the message got me thinking, and because i know i have a couple of friends who might find it interesting, but my thoughts apply only to me, and i do not mind at all if folks think about these things differently! nobody is obligated to agree with anything i write, or give it any further thought, or even read it at all - we’re all going to engage with this story in different ways, so if anybody finds that this isn’t their cup of tea, please feel free to scroll on by, and keep having fun with this show in whatever way makes you happiest! :)

#tumblr is doing something weird and not letting me use read-more's in posts that are replies to an ask #i was able to screenshot the last ask i replied to and just turn the whole thing into a text post with a read-more #because i knew the sender would see it anyway #but i'm not sure an anon will see this without getting the notification #sorry this is a #long post #i will play with it more and see if i can get the cut to actually show up #=/#the once and future slowburn #you're the only friend i've got #meta #replies #the bravest and most noble of them all #no kings no masters

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zayamoone-old · 4 years

Text

TF2 Mage AU

A Team Fortress 2 AU where magic exists and I change the storyline.

Hi! I don’t post here often, so I thought I’d change that by posting something that’s been occupying my thoughts for a while: a TF2 mage AU! When I discovered that a mage AU didn’t exist (at least, not any that I could find), I just had to take it upon myself to make one of my own. So, here are all of the ideas I currently have for the AU! Note that (eventually) this will become a written story. How long that will take, I have no clue. I still need a plot (if you have any plot ideas please please let me know; I’m desperate).

Basic Premise/World Info

The premise of the AU is, obviously, that mages exist. When people reach a certain age, they are allowed to start learning a single type of magic. There are many different magic types, ranging from elemental magic to dark magic. When a mage reaches a certain skill level, they are given a Familiar. They do not get to pick their Familiar- their Familiar picks them. They then keep their Familiar as a pet. The Familiar’s state of health, life span, and mood are synced with their owners (so for example, when their owner is sick the Familiar is sick, when the owner is sad the Familiar is sad, when the owner dies the Familiar dies, etc.). There are some people who choose not to take up a type of magic. These people are creatively referred to as Nomages, and in some cultures are looked down upon (though the same could be said about Mages).

Some things to clear up about the altered side of the AU are 1) The BLU team does not exist; I never saw a need for the two teams, and having them both just leads to basic and generally overused plot lines, 2) Australium doesn’t exist!! No immortality crap, 3) Gray Mann is the younger brother of Redmond and Blutarch (Red and Blu are still twins) and does not have a ridiculous story of him being able to talk since birth and being raised by eagles and whatnot, and 4) Saxton Hale is not very important to the plot. In fact, he’s actually dead in this AU. I wasn’t going to include him at all because I don’t like him and I couldn’t figure out how to fit him in, but a friend of mine actually had a cool idea for him being dead that I’ll elaborate on later.

Anyways, with all that out of the way, it’s time to introduce the characters!

Characters (headcanons and other details will be saved for asks)

Offense Classes (Elemental Mages)

Scout

Name: Jeremy Andrews

Gender: Male

Sexuality: Straight

POB: Boston, Massachusetts, USA

Age: 27

Magic Type: Wind

Uses his magic to move faster, jump higher, and knock back enemies. I’d imagine he’d also use it to propel himself past or over enemies to land in front of or on top of them.

Decided to learn wind magic for basically the canon reason: he wanted to get the upper hand in fights, and also wanted to manage to beat his brothers to fights. So, instead of Speed magic, he decided to take up Wind magic since not only did it make him faster, but it is a great tool for fighting.

Soldier

Name: Jane Doe

Gender: Male

Sexuality: Pansexual, he really has no preference

POB: Minneapolis, Missouri, USA

Age: 50

Magic Type: Earth

Uses his magic to reach high places and throw literal boulders at people; basically a replacement for his RPG.

Took up earth magic to thereotically assist him in WWII (because if he’s a mage, they’d have to accept him, right?). He also found being able to throw destructive boulders to be incredibly helpful in any fight.

Pyro

Name: ???

Gender: Nobody knows, everybody just refers to them as a they or an it.

Sexuality: Aromantic asexual

POB: ???

Age: ???

Magic Type: Fire

Fire.

Idk what to tell you man they just really like fire.

Doesn’t have the optical mask; they see everything as it really is, but their behavior towards fire and death and destruction remains the same. They still like unicorns and rainbows.

Defense Classes (Trait Mages)

Engineer

Name: Dell Conagher

Gender: Male

Sexuality: Mostly straight, but he leans both ways. Ultimately, he doesn’t care much about relationships.

POB: Bee Cave, Texas, USA

Age: 43

Magic Type: N/A (Nomage)

Doesn’t see a need to learn magic, he already has enough skill in the engineering field.

Was mainly hired because his family worked for the Admin’s family for decades. And also because, y’know, he’s one of the smartest people on the planet.

Heavy

Name: Mikhail 'Misha' Morozov

Gender: Male

Sexuality: Bisexual

POB: Dzhugdzhur Mountains, Khabarovsk Krai, USSR

Age: 57

Magic Type: Strength

Uses his magic to make himself inhumanly strong whenever he so chooses. This means he can switch from oh so gentle to strong enough to crush bone in seconds.

Took up Strength magic after he escaped the gulag to better protect his family, should the need arise.

Demoman

Name: Tavish DeGroot

Gender: Male

Sexuality: Straight

POB: Ullapool, Scotland

Age: 49

Magic Type: Leaping

His magic basically just lets him jump really high (higher than Scout can go with his magic). This lets him shoot/throw grenades/bombs from more effective and destructive distances.

Mostly took up Leaping magic just to get his mom off his back about him learning magic. His father was a Leaping Mage, so Demo simply followed in his footsteps.

Support Classes (Arcane Mages)

Medic

Name: Dr. Ludwig Humboldt

Gender: Male

Sexuality: Gay

POB: Stuttgart, Germany

Age: 45

Magic Type: Necromancy

Familiar: Archimedes - Dove

Uses his magic to revive people, heal people, and communicate with the dead.

Took up the controversial art of necromancy to aid in his job. This eventually cost him his medical license.

Ngl I'm super excited to write Necromancer Medic I'm really happy with this concept help

Sniper

Name: Mick Mundy

Gender: Male

Sexuality: Straight

POB: Whyalla, Australia

Age: 28

Magic Type: Shadow

Familiar: Hunter - Australian Shepard

Uses his magic to teleport into and transform into shadows. This is helpful for sneaking in between watchtowers and passing people unseen.

Began learning Shadow magic before he was even a sniper. He has always been an introvert and wanted to be able to get through crowds unseen and hide from people without being found.

Despite his young age, he already has a Familiar. He's just that much of a professional.

Is actually from Australia and the Mundys are his birth parents.

Spy

Name: Eugène Baudelaire

Gender: Male

Sexuality: Straight

POB: Bordeaux, France

Age: 46

Magic Type: Mind

Familiar: Jacques - Birman

Uses his magic to read minds, bend wills, and use telepathy. These abilities all have some limits, but they are incredibly useful nonetheless.

Always enjoyed being sneaky and deceitful as a child, and as he got older he started learning Mind magic. This combined with his cunning nature and Dell's cloaking technology makes him one of the most stealthy and dangerous men in existence.

Although he denies it, he loves Jacques more than anything or anybody else. He'll often let the cat curl up on his lap while he's reading a magazine in his smoking room.

Other Characters

The Administrator

Name: Helen Callaway

Gender: Female

Sexuality: Aromantic asexual. People are horrid.

POB: Bristol, UK

Age: 56

Magic Type: N/A (Nomage)

Runs Team Fortress and uses them for her own needs.

A family friend of the Manns who took over TF after all the Mann brothers were m y s t e r i o u s l y murdered.

Miss Pauling

Name: Allison Pauling

Gender: Female

Sexuality: Closeted lesbian

POB: Like. America or something. (Madison, Wisconsin for now idk)

Age: 31

Magic Type: N/A (Nomage)

A close friend and long-time assitant to the Admin. Eagerly helps her run TF.

Redmond Mann

Gender: Male

Sexuality: Straight

POB: England or somewhere, idfk. The Manns are British or something right?

Age: 89

Magic Type: Fire

Before his and Blutarch's death, he ran the RED team. After his death, the remains of his team consisted of only Pyro, Engie, Demo, and Spy.

Never used his magic. They only reason he learned Fire magic was to try to get the upper hand on his twin.

Blutarch Mann

Gender: Male

Sexuality: Straight

POB: Ditto

Age: 89

Magic Type: Ice

Ran the BLU team before he died and the two teams were merged. After his death, his team consisted of only Scout, Soldier, Heavy, Medic, and Sniper. Since he had more people on his team at the end, he counts this as a win for him.

Also never used his magic. Learned Ice magic also to try to get the upper hand as his brother. Their magic types basically cancelled each other out, so this was not helpful in the slightest.

Gray Mann

Gender: Male

Sexuality: Straight, but couldn't care less

POB: Ditto

Age: 84

Magic Type: Shadow

Familiar: Delta - Bald Eagle

After he murdered his older brothers, he took over TF Industries and merged RED and BLU to create Team Fortress.

Took up Shadow magic in preparation for the day he would get what he wanted. It also comes in handy for literally anything illegal.

Saxton Hale

Gender: Male

Sexuality: Straight

POB: A U S T R A L I A .

Age: 37

Magic Type: Strength

Ran TF Industries in its early days alongside the Mann twins before he died.

Learned Strength magic to better wrestle animals. That's it.

Idolized by literally only Soldier. Everybody else is like "Yeah no that guy was an idiot."

Wow. That was a lot to write, and I did it all in one sitting. It is late. I am losing the ability to comprehend any thoughts.

So anyways, I'd love to hear your guys' thoughts on this!! It's a heavy WIP, so I'd appreciate feedback and suggestions ;) Also, please feel free to submit asks about the AU!! It'd help a lot with its development! Also, plot ideas would be MUCH appreciated. Literally the only thing that ever prevents me from writing is my inability to come up with a plot. So if you have literally ANY ideas, please do submit them via an ask! I'd love to hear them, no matter how stupid you think they may be!

That's all for now! I'll post writing and art for the AU whenever I get around to that. Stay tuned, and please do send me your thoughts! I'll see you all later ✨

#tf2 #tf2 au #tf2 scout #tf2 soldier #tf2 pyro #tf2 engineer #tf2 heavy #tf2 demoman #tf2 medic #tf2 sniper #tf2 spy #tf2 administrator #tf2 miss pauling #mage au #alternate universe #tf2 mage au #necromancer medic #sniper would totally name a dog hunter

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tarotchariot · 4 years

Text

Return with past pick a card

Pick a card reading: Dealing with the hurt

“

This is a free pick a card reading for those going through a challenging or hurtful situation. I’m not certain how these will turn out, but I hope they bring some kind of clarity, peace or comfort to any of you. I understand that some may feel lost and almost begging silently for some help, yet not seeing anything to get advice or a sense of stability from again.

I will use 6 groups to choose from, believe it or not - simply because to me, 6 symbolises harmony and reciprocity. Please know that you are not alone, and something will find you in a wonderful moment.”

So moving on, please take a quiet moment and use your intuition (for example taking 3 deep breaths and clearing your mind, or envisioning a number perhaps)

And choose between the numbers 1, 2 , 3 , 4 , 5 , or 6

____________________________________________________

Group 1 :

Knight of water, The dreamer, Unity, 3 of air, synchronicity

Alright you guys, you had quite a few cards here. At first glance, it’s appearing like a new start is necessary. Maybe something didn’t go well at work or school, or what you thought was a solid and stable place has become uncomfortable due to someone in your vicinity.

It’s odd, it’s looking like someone wasn’t entirely truthful. The angels want to point out that there will always be light and dark.

Getting the vibe of feeling left out, not part of the group anymore. Or at least not feeling like you are. Maybe someone has literally excluded you or pushed you out because of something they see as “bad” in accordance to the groups beliefs or interests. I’m seeing a crisis of faith here.

There’s quite a few possibilities. I’m seeing, maybe for just one singular person that they have lost someone that mattered very much to them. I get such a playful and light hearted energy about the person. Whether you believe in life after death or not, if it were for certain a thing I could say one thing they would be saying to you, even now: Please laugh, have fun.There are so many things to be happy about.

There is a deep loneliness, and for that I feel for you, so much. Your Angel(s) are right next to you.

For others, feeling left out or excluded, most likely undeservedly. However, I’m getting the message that you are being guided to a new way of thinking and being, and to acknowledge that there is good and bad in everyone. No one is perfect, we each have our shadow. Please try not to take their treatment of you personally. It’s more to do with them, and not you. It is projection. It’s likely you have witnessed and seen who can be trusted and cannot. Run with that fact and hold the lovely one(s) close.

Those in this group are being guided extremely in the form of synchronicity. Please be on the look out for further advice, and insight through the following forms, and even more:

Music that really resonates Conversations you over hear Signs out and about Seeing a similar image many times Hearing the same kind of message similar times An idea keeps popping up in your mind Some of you may want to move forward with a creative project. It’s encourages as it will aid you in positively letting out your emotions. Not only that, it may be simple and overlooked, but simply by just spending time and being around any loved one or friend (not even talking directly about your situation) will give a small bit of peace and gratitude.

This is a signal of a new chapter, and you are guided to have the fun you are meant to have.

Hope that did somethin’.

-------------------------------------------------------------

GROUP 2:

Queen of earth, Page of air, Ace of earth, The miracle of forgiveness

There seems to be an issue surrounding give and take. Queen of earth talks about kindness, practicality and nurturing. It could also symbolise a mother, or someone who has motherly energy.

With the theme of pentacles, the material, and page of air here who seems to have a wolf around them, I wonder if you have been taken advantage of in the material sense (financially, physically). And it seems you are very aware of this, since forgiveness is the crux, and the advice. It’s like the more you get, the more they take.

I’m seeing there might be debt as well. I’m seeing someone here who has had to uphold a whole lot. You’re the kind that can make things happen. I’m also seeing great resentment, and that doesn’t happen from just anything. Yes, I can’t help but see someone else having a hand in your finances and do whatever they like, or did that in the past. Wasteful. Basically - it’s not fair and it’s cruel, because there’s something here that I see that you want to do, but this is getting in your way.

I’m seeing a talent in you that is not to be wasted. Know that it cannot be taken away - it is yours, and god given, No one can truly take what matters. The comment I receive from the angels is that the abundance for you will always come. What is truly yours and needed will always find its way to you. I feel a very powerful solidarity, independence and ambitious feeling.

Your future is yours, not theirs. Not anybodies.

I would like to also say, that despite this, there really is actually love still there. Whether you want anything to do with them in the future is another thing. You’re asked to (in whatever tiny way you can) try and understand them. Understanding is the first step to forgiveness. And forgiveness opens up doors and new energy for you personally.

I recommend that you try and understand the truth of forgiveness, and not just what you hear or see on tv, This could become something that actually drives you further.

I really see you as such an inspirational and strong person.

That’s what I see for you, thank you.

---------------------------------------------------------------------

GROUP 3:

Page of earth, six of earth, awakening, eight of air, take time to breathe

So here there are themes of feeling trapped, having to wait, unemployment/difficulty finding a job or career and possibly even being taken advantage of as a student or in a low level job as a trainee. Off the top of my head.

Patience is a big note here. Something is not happening as fast as you would like here, and I can understand how scary/stressful that can be. You might be scared about your security or future here. I’m seeing that you have put a lot of effort into this situation. I’m also seeing that maybe you have felt alone as well, hints of valentines keep coming up.

I’m seeing that you might be under a lot of scrutiny/judgement, so I’m wondering if you guys have been suffering in terms of anxiety or being just plain down, or more. If you have been struggling with confidence or motivation or anxiety, I encourage you see a professional or join a support group/forum online. Even talking things out in a journal can release a lot of that pent up energy,

I’m sensing a lot of pressure that you may be placing on yourself, and I hear the angels want me to say “Darling” withsuch love and care. Please give your worries to the angels. They say they will take care of them. And will take care of some issues.

Oooh, I am truly seeing so many pent up emotions that they encourage you get out - if you have to scream at the ocean, or in a car, do it.

Get it all out, empty your mind for some quiet time, and just be.

You will see the appropriate solutions at the right time, and as a result of taking your mind away from its current habits, you will be so much more capable of seeing them.

Please, give yourself a break. The angels want you to see just how good things are in some ways, and how much you may be focusing too much on others.

Take some time and be willing to see things differently, things can change just that much. The angels want to say how much they love you and adore you, feeling much love for you here. I hope you can feel the peace they want to send you in this writing. And you are capable of so much.

--------------------------------------------------------------------

GROUP 4:

King of water, The magician, Live your joy

With the king of water here, it’s showing you may be finding it difficult to trust people or life. What feels difficult here is that you may not be receiving the help or advice that you deserve and should be receiving as a default.

It might be showing that a paternal figure in your life is withholding themselves or even being manipulative. Basically, not being the role model they should be.

More than anything though, I’m seeing that you want to create something, something that really gives you joy, that truly speaks for you and is your honest expression. Which makes me think: perhaps there is someone who doesn’t like that. There is certainly an abrasiveness there.

For whatever reason, perhaps someone here doesn’t accept you, or your self expression, or whatever it is that makes you feel right.

When it comes to this, the answer is very simple. Choose to release those binds.

How, you ask.

2 things. simply practice this self expression or take part in whatever it is that you want - that will set the energy up. 2. raise your vibration. Do not involve yourself in the negativity, refuse to take notice of anyone elses expectations or judgements. in general have more fun, express gratitude, see the positive

Truly embrace whatever this is. If it has to be, let it be at night when others are asleep, and build your confidence. Change things bit by bit.

a few of you here may be psychic, or have a spiritual hobby or talent. Embrace this role, you are meant to be someone who spreads higher knowledge and support.

There’s someone I see that plain just doesn’t like change. But hey, since when did it have everything to do with them? never. This is you. The message I’m getting for you guys is: be proud. Be so darn proud of you. No one will ever be big enough to diminish you. You, in spirit, the divine part of you, will always be such a special and wonderful thing to behold. When you live your joy and your truth, you shine like no one else. Let this change you, shape you and gravitate towards joy no matter what this person, or people say. You can create the life you want.

--------------------------------------------------------------------

GROUP 5:

Three of fire, ten of earth, express your creativity

I’m seeing some distance with loved ones here. perhaps there has been a quarrel, a falling out. Or perhaps a family member has moved a fair bit away. I’m feeling a family or community that was once warm, has experienced some kind of change that has left you feeling quiet, humble and retrospective.

if this is not family, it could be a group of friends that felt like family, or a job where you felt like a family with the team.

I’m seeing for sure for some, that there was a blow up and the effects are still rolling. You may feel as if the effects won’t end, but it appears you will be left alone in that way for the time being. It seems very much on your mind.

It is really looking like the aftermath of a big storm here, a sweeping change or an eruption from an argument that has separated two or more people. For a couple of you it might have been triggered by something very small. I’m seeing a lot of hurt here, true heartbreak. Please know that there will be peace. Things always calm after a storm.

No one seemed to be necessarily right or wrong, it appears to have been something that simmered in the distance for a long time.

All I can say is now, you are on solid ground and it’s time to calm down from it all. Something the angels want to put forward is that the strangest things happen, and we may not understand for the longest time, but it triggers the right change for us, or sets us on a certain route for our most divine path.

I’m seeing the universe, and its connections and paths that we all take, that as humans we couldn’t understand. I do see that one day, when you are comfortable and feeling at home, safe (which I promise you will be) - you will get the zap of a vision. How things worked out. Why. What it led to.

Moving forward I can see the suggestion of working as a co creator and envisioning how you want things to go. What do you want for yourself, or you and your family. What kind of connections do you want. Be as creative and imaginative, and extreme as you want.

The message I get from the angels, again and again, is calm. Take time to be calm, cool down from it all, take a rest, and feel your angel/guide next to you, supporting you and shielding you.

------------------------------------------------------

GROUP 6:

seven of water, renewal, knight of earth, the inner voice

For some, I’m seeing being worried about the loyalty/faithfulness of another - the recommendation seems to be to look at the dedicated actions of the person. Do they display through action and practical means that you are their priority? (other than their purpose or work of course). Use this as an opportunity to both review if you feel you are receiving the level of dedication and care that you deserve and need.

Perhaps your person has been unfaithful in the past and you decided to give them another chance, but again, there is worry. There are too many factors that you may be holding onto from the past that have no part of the thought process you should be taking, or judging with currently.

So either way, it appears to be a time when you need to judge for yourself, are you able to trust the other or if this gives you what you need. Are you willing to go forward with it? Not just recklessly, not for the sake of it, but after great thought and deliberation.

For others, I’m seeing feeling at a loss as to what to do next in their life/career.I know all too well that this can feel scary and like a major crisis. Straight up, I can say from experience that the answers come gradually, and in a relaxed way in the right timing.

The guidance in both cases is to listen to your inner voice, your higher self.

I know, it sounds a bit annoying, or like it might not give you fast answers but it’s the way that you can feel confident in your own conclusion. It won’t come from anyone elses judgements, words or coercion.

Come to a point where you know you, you know what you want and need, and you only accept the right things.

When it comes to making your decision or conclusion, you may need to discern whether this comes from the angels or higher self, vs the ego. If it comes from the ego, it will speak in terms of winning, of gaining something, or appearing a certain way. If it’s from spirit, it’s often for the highest good of everyone involved, is sympathetic, loving and understanding. It does not judge, only seeks to help.

I would like to affirm for everyone here, that there is much love for you here. And let everything you do, be because of love. Of yourself, and others.

Thank you.

---------------------------------------------------------------------------------

“Wowwwww that was a lot. Guys, I hope that helped in some tiny way.

I do this simply out of love. I wish you all the best.”

(A copy of an old pick a card reading by myself, not shown on this account until now)

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grayyxv · 4 years

Text

A Comprehensive Analysis of Eustass 'Captain' Kid

I've been wanting to write this for awhile now as Kid is undoubtedly one of my favourite characters in One Piece. Also, I'm majoring in Psychology so I can't help but think about why I love his character so much.

Disclaimer: As we all know, Kid doesn't have much screentime so it's quite difficult to understand his character completely. So, whatever you read will be my own intepretation of his character (based on the little amount of scenes that he has). Of course, you don't have to agree with it but it might give you a bit of a different perspective!

So, withour further ado, let's begin!

*P.s I'll try to make it flow in but it might end up really messy so I apologize for that*

Note: NOT SPOILER FREE!!!

1. Assumptions

I guess I'll begin with some of the common assumptions of his character based on posts/videos I've seen about his character. They frequently refer to Kid as 'cruel' or 'heartless'. Basically, there are many negative remarks about his character that makes him seem like a total psychopath.

Their reasoning for this would be because:

- He mentioned that he would kill anyone would mocked him

- His high bounty = He's notorious & violent

- The way he acts makes him come off as a bloodthirsty pirate

From another standpoint, I can see why people might think that way about him. The way he speaks and acts does make him look villainous. In addition, his primary role in One Piece is to be Luffy's rival. (I'll expand on this point later.) So, one might think that his morals would contrast Luffy. Whereas Luffy is the kind and benevolent pirate, Kid is the 'bad guy' who is cruel and heartless. The question is, though Kid is rival character, why does that necessarily mean that he would be a bad guy? I strongly disagree that Kid is a psychopath and that he is heartless. Firstly, the term 'psychopath' shouldn't be used so loosely. A true psychopath would have no regard for other's feelings which is not true of Kid because he cares very much for his crew. On the other hand, Doflamingo would be a good example of a psychopath. Next, even if Kid WERE a psychopath, not all psychopaths are violent. So it'd be nice if people stopped misrepresenting psychopaths.

Now, if there is one thing I learned in psychology, is that people tend to make assumptions about a person's actions as part of their personal dispositions rather than because of situation. This would be the Fundamental Attribution Error (FAE). What do I mean by this? Let's take a look at Kid's scenario. He mentioned killing people who mocked his dream. Killing people would make people automatically assume that Kid is 'violent'. But here is a different perspective, what if 'mocking him' had meant that they tried to start a fight with him? Provoking other people repeatedly would cause anybody to get angry. There are many other characters who acts this way as well. Sure, Luffy doesn't go as far as to kill them but I'm sure that many other characters do because they are PIRATES.

In contrast, I think of this situation as Kid standing up for himself. He believes in himself and he would beat anyone up who tells him otherwise. If you think about it, Luffy is kind of similar because he ends up fighting anyone who tries to stop him from attaining his goal.

That is pretty much all the assumptions that people make about his character. It's sad how they don't delve deeper but fret not!! I still have more to say.

2. Pre-Timeskip vs Timeskip Changes/Growth as a character

During Pre-timeskip, Kid is seen as overconfident. I actually agree with this statement quite a lot. His high bounty was a result of his reckless behaviour. He could easily triumph over anyone before the timeskip. That was when he started to become a little too full of himself. Consequently, he suffered heavy losses. His arm was taken by Shanks, his crew was utterly defeated by Kaido (curse you Apoo) and his reputation as the top supernova was instantly lost to Luffy. His true character development was in the Wano arc where we see how he starts to take a step back and re-evaluate his situation. The most obvious evidence for this was when he got captured in Udon. He was quiet (before Luffy's arrival) and deep in thought. So many things had happened to him, you could even argue that he was feeling slightly lost and helpless (not depressed) because he was utterly defeated. The motivation and drive he had in pre-timeskip was shattered- Until Luffy arrived of course. When Luffy arrived, he was battered and bruised but he was still ready to fight. Kid, who saw how Luffy still had his fighting spirit, was somehow inspired to keep on fighting. It's almost as if Luffy is Kid's drive to be stronger.

So, what does this all say about Kid?

I think that this makes his character believable as it can represent real life. There are some points in our lives where we could be the greatest but, sometimes, life can be pretty cruel too. If you get too cocky or overconfident, the world will punish you. I saw a comment that says Kid is Luffy but without the plot armour. That is very true. Kid isn't perfect. He made tons of crappy decisions and dealt which the consequences. I'd say he's as reckless as Luffy, perhaps LESS reckless than Luffy but he suffers more than Luffy does. While Luffy could bask in glory, all Kid got was the short end of the stick. I think that is the reason why I find Kid such an appealing character- because its an accurate representation of real life. Sometimes you can try as hard as someone else but you won't always get the spolight.

The other appealing aspect is his persistence. He made mistakes and bad decisions but he knows that he can't undo them and has to move on. Kid isn't as lucky as Luffy because he didn't have someone like Rayleigh to train him so, he had to put in more effort somehow. The main point is, he had to learn everything the hard way. Yet, he still strives to be the best which is very befitting of a rival character.

3. interactions & Personality

Another thing I frequently see when people Kid and Luffy is that: People say that while Kid makes enemies, Luffy makes allies which is why he has so much support from others around him. I was thinking about this a lot and I can't help but disgaree. I saw another post where they mentioned Kid's MBTI personality is INFJ which made me think even more about that statement. From here on, I will include several headcanons about his character as well.

Let me offer you a different perspective. Perhaps Kid isn't good at expressing his feelings. The way he speaks may come off as cold which makes other people dislike him because they think he is rude whereas he simply doesn't know how to communicate with others very well. Luffy is no doubt an extrovert, seeing how he is easily able to interact with others. Kid on the other hand, if he is an introvert, it could be an explaination to why he doesn't have many interactions with others. I don't see him as someone who's very 'sociable'. So he could experience some difficulty when communicating his feelings. He's shown to be closer to his crew more than anyone else. He is deeply respected by his crewmates because he is sensitive to their needs as well. He isn't the tyrant that everyone paints him to be, he earned that respect by first respecting his crewmates. Also, he would essentially DIE for any of his crewmates. This part is quite self explainatory if you've read the chapter where they revealed what happened to Kid and Killer in Wano.

I just want to add that while Killer suffered so much in Wano, imagine how much it hurt Kid to see his first mate suffer and how he couldn't do anything about it. The expression on his face is perfectly the anger he had towards Kaido, Apoo and more importantly, HIMSELF for not being strong enough. Yet, people call him heartless though he would literally die for Killer.

But anyways, Kid is an excellent listener and he cares very deeply for people he is close to. I just think he's bad at communicating. Look at the way he talks to Luffy. In Wano, you can see how Kid actually does LIKE Luffy as a rival. He just has trouble expressing himself. Anyways, this is just a headcanon but I think that he's rather sensitive to other's feelings- Especially when it comes to his crew. I really like the idea that he's an INFJ because he seems more like the 'advocate' type of character. I still think he makes a very good leader but his approach would contrast Luffy's.

4. Intelligence

I could probaly go on forever about why I love Kid but this is another thing that I see about Kid and kind of annoys me. I'm not sure why everyone seems to think he's a dumbass. Like REALLY. I think he's pretty intelligent. He even kept tabs on the whole SMILE situation and Doflamingo and planned the alliance. He IS intelligent but his recklessness just makes him seem like an idiot.

Kid isn't perfect, he is flawed just like a real human being would be. By no means is he a GOOD person but I don't think he is as 'cruel' or 'bad' as people paint him to be. He cares a lot for his crew. He is very driven by his own personal values and he wouldn't 'change' for anyone. He believes in himself and if anyone tells him otherwise, he would simply beat them up. He isn't happy go lucky like Luffy, he is much deeper than that. He would consider his options and plan- to a certain extent because he is also quite idealistic. Hence, the reason why I feel like his character is such an interesting one is because there is a lot of opportunity for him to grow and stray away from stereotypical anime character traits. His character is believable because his personality is realistic, it could reflect a real human being.

TLDR: Stop sleeping on Kid.

With that, thanks for coming to my ted talk.

Anyways, that's it for now! I'll make a part 2 if I feel like I want to add something. If people like this, I'll consider making another analysis for other characters. Currently I have Law, Ace and Sabo planned in mind but we'll see how it goes.

Thanks for reading!

#one piece #eustass kid #eustass kidd #kidlaw #killerkid #kid pirates #eustass captain kid

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canonicallysoulmates · 4 years

Text

Last week Jensen was on Rosenbaum’s podcast, this week it’s Jared’s turn. Just like with Jensen’s I recommend checking Jared’s out it is for free on youtube, I will be linking to it at the end of this post, and I also recommend checking out his first appearance on Rosenbaum’s podcast.

While Jensen’s appearance was recorded in the beginnings of the boys Vancouver quarantine, Jared’s was recorded a little more recently after the boys had resumed production and when they were starting on the final episode nonetheless if you are looking for information regarding Supernatural and/or the final epis you will not find them here, Jared actually didn’t talk much about the show. He did however open up about some topics including his arrest.

Of course, they are two different people whose interviews were done at different moments in time and who got asked different questions but this had a very different feel from Jensen’s; while Jensen’s felt more interview like, this felt very much like a conversation between two friends who’ve known each other for years....the majority of the time.

Here’s the thing, and some of y’all are not gonna like me for this....while the conversation had its deep moments and Jared opened up about some personal stuff it felt to me like a more open version of how he is in conventions. Which is not a bad thing! But it’s not like last time where he was, imo, a version of himself that only those in his circle might get to hear. There was some fuckery people, okay? There was some fuckery and we will be talking about it.

I am going to put a disclaimer here, just in case, that this post is not going to be G*nevieve friendly. Or friendly towards her and Jared’s “marriage”.

Before we get into what Jared said and talked about, I do want to take a minute to acknowledge and say condolences to Rosenbaum and his family, one of his sisters recently passed away after being sick pretty much her whole life.

I also wanna say real quickly that something that I really like, and I would say even respect, about Rosenbaum is how open he is about things and listening to the intro of this “episode” made me realize why it is that he gets his guests to open up so often; I think it’s because he himself is open about his struggles and his issues and he is free of judgement so if you confess to something stupid he’s not gonna judge you for it, he’s also willing to cut things out if his guests ask him too so his guests know they can talk to him and he will understand and not judge them and will respect their privacy and cut something out if they ask it of him so they can talk freely.

Okay, after all that let’s get into what Jared said and talked about in the podcast. FYI, much like in the Jensen post, from here forth Rosenbaum will be referred to as MR for convenience.

- The conversation starts on what I considered to be a funny note with Jared talking about his infrared sauna blanket which he travels with that is such a weird item to travel with I can’t with the white richness of it all but hey we all got our quirks 😂

- After that the conversation turns pretty serious and deep, he talked about Sadie and having to make the decision to put her to sleep. He was tearing up talking about it, and I’m not gonna lie I myself was crying - hell I’m tearing up as I’m writing this not just because I can’t handle seeing this man cry but because I know what he’s talking about, I know that pain, I know what he meant by Sadie looking at him like it was time for her to go, I know what it’s like to be in that room with a beloved pet as they’re taking their last breath...I have had to put two of my cats to sleep in the past and it’s the most difficult and heartbreaking decision one sometimes has to make as a pet owner. 😔

- Something I like about when MR and Jared talk to each other is that they have very similar personalities in some ways and they’re good friends so when they’re talking it very quickly turns into two friends talking to one another which means the conversation is all over the place. In a good way. They got into a conversation about living in the moment and how social media and cell phones can affect that; I, personally, found it fascinating. I love hearing them discuss their different POV’s about these types of topics.

- And here’s where we get to the fake. I’m writing this post at an extremely late hour but I’m determined to get it up before I go to bed and I really wanna go to bed, so I’m gonna try to get through this as fast as possible so strap in cause there’s a lot of bullshit to quickly wade through in this section.

Jared starts praising the fuck out of G like this man was going for it, he was really pilling it on nice and thick. So, there I am watching this with my eyes about to roll right out of my skull wondering what was up with all the fuckery cause there’s being civil and a gentleman and then there was this when a light bulb goes off above my head 💡: When this was filmed, he already knew she had been cast to play his wife on Walker, he probably figured out that by the time this aired either the news would have already been out or would be announced soon so he’s hyping her up in the only way he knows how which works anyways cause the character she’s playing is his wife and her likability is in part going to rely on people overlooking her bad acting and the nepotism to focus on her being married to Jared in real life cause people love when irl couples work together even more when they’re playing a couple. From what I’ve seen it makes people less likely to call out a lack of chemistry cause then they feel like they’re insulting the couple.

He hypes her up using the same script he and Jensen have used in the convention circuit for years when it comes to praising the wives complete with classics such as ‘i’m never home so i never knew she did so much’ and ‘i ask her what i can do and she tells me to take out the garbage’. Nothing new is added to the script, he doesn’t go into details about what makes her amazing or about “all she does” he just pretty much says over and over that she’s incredible and does so much, if he meant it and she really does “so much” why not go into detail? It’d be so easy of him to say something like ‘oh, she’s always making us healthy meals and trying out new recipes’ which can be backed up by her insta because during quarantine she did a bunch of insta stories about cooking and checking out recipe books like goddamn Jared if you’re gonna lay it thick at least put in the effort even I could hype her up better and I don’t even like her.

It all comes off as very insincere, have y’all ever seen somebody talk about the person they love? You can tell in their voice, in their eyes, some even get a fond little smile. It’s actually quite cute to watch but there’s none of that here, even when he mentions G giving birth there’s no emotion there’s no sincerity, it’s like he’s saying all the right things but he doesn’t believe them. It reminds me off- have you ever had someone, maybe it’s a friend or a romantic partner or whatever just someone who you’re introducing to somebody else or a group of people and you really need them to like this person you’re introducing so you start to sell them meaning you just start singing their praises to an over the top extend as if you were a car dealer trying to boost up their merch? Yeah, it’s like that.

I don’t believe for one second that she volunteered to go with him to Van so he wouldn’t be alone like Jared go to somebody else with that story 🙄

I did have to laugh at some parts cause he was laying it on thick as if I didn’t remember and know that he looked miserable in almost all the pics G posted of him from quarantine right from the beginning, and being all ‘she doesn’t have any time for herself’ well clearly she found some time cause she does her little yoga collabs, she’s had her little photo shoots, she’s done a bunch of sponsored ads, she did her clothing collab with Kohl’s, she started a book club clearly she has the fucking time to do things for herself and pursue hobbies. He also said with three kids he didn’t have time for himself which I found funny because I don’t know if y’all remember this but early on in the quarantine Jared and G did a livestream and in it he mentioned several times that he was using his time for phone calls and even way too seriously said he was handling cabin fever by hiding and letting G handle the kids so....

It’s also an interesting contrast between what Jensen said in his podcast appearance because while Jared tried to make it sound as if G had no time for herself and like that’d be impossible with three kids, Jensen pretty much said the opposite, he said that he and D would sometimes take the kids and entertain them so the other one could have some space to do their own thing, and even gave an example of settling the kids with a movie so the parents can have their own space at the same time.

- Moving on from that fuckery, the rest of the conversation was very deep and interesting. He talked about going to therapy and once again mentions being afraid of fucking up his kids, but adds that he’s come to realize that no matter what he does he’s gonna fuck up his kids anyways cause that’s what every parent does even if they’re amazing. This is a statement that I very much agree with it doesn’t matter how amazing a parent is they’re gonna make mistakes and fuck you up.

He talked about his anxiety and his depression and how he doesn’t like to say he suffers from it because it makes him sound like a victim he prefers to say he deals with anxiety.

This is gonna sound so weird but I loved something Jared said about death, MR talked about his anxiety and he said that his psychologist told him anxiety is always in the backseat and a. that is so true I think pretty much anybody who suffers from anxiety can tell you that it’s always there but b. Jared mentioned that he head somebody talk about death the same way, that death is always in the passenger seat but they become a friend. I know for some this might sound concerning or macabre but personally I think this is the best way to think about death not as something to hate but as a friend who is always besides you and that doesn’t mean you’re in any rush to welcome its embrace but it does mean you don’t fear it.

He said that now a days if he wakes up and doesn’t feel anxiety he’s like ‘what’s wrong?’ which honestly relatable af

And I am paraphrasing btw, this is the cliffnotes version of a very deep in-depth part of the conversation between him and MR starting when they’re talking about therapy the whole thing is very interesting I’m not doing it justice.

- Towards the end of the podcast Jared opened up about his arrest. He said he has no real recollection of what happened, he doesn’t know if maybe he was drugged or just got black out drunk but he doesn’t remember the fight he just remembers up to the point of going to his friends bar. He has seen the security tapes of that night, saying he didn’t recognize himself due to the way he was acting. He thinks perhaps because he has been jumped before that maybe he acted on instinct to fight back. It is not something he is proud of and he doesn’t make excuses, he knows he fucked up. He also says he has not drank since then.

I am very proud of him for opening up about this, and for either quitting or limiting his alcohol consumption - quite honestly I’m not sure if he has full on stopped drinking or if he is just limiting himself to only once in a blue moon cause I do know people, hell I am one of these people, I don’t drink 99% of the time but if it’s a special occasion or I’m just chilling with someone I know and they’re having a drink I might have one or a sip or two so technically I don’t drink so I don’t know if maybe that’s what he’s decided to do or if he’s quit alcohol forever, either way I’m very proud of him. I’m proud of him for opening up about this and for talking about his mental health and therapy.

With the exception of some fuckery he really did open up about some things and I highly recommend giving it a listen/watch because when it’s the real him talking it’s a very insightful conversation.

Inside of you | Jared Padalecki

#anti genevieve #not even sure what to tag this as and frankly #i am exhausted #so proper tagging will have to wait for my brain cells to come back #also yes i am aware it is wednesday shush just pretend it's tuesday cause i worked too hard on this to wait till thursday to post it okay?#when i come back after hopefully sleeping more than an hour we'll start our regular wednesday programming #mine #annianvi

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jackpotgirl · 4 years

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Who's manipulating who?! • Jeff vs. Annie (Spoiler Alert: It’s not Jeff) • long post/character analysis/meta

First off: Annie is hands down my favourite character, so this isn't meant to deconstruct her in a bad way, it's just something I noticed and felt like writing down to see if anybody feels the same way.

This analysis was born out of the endless discussions about the Jeff-and-Annie-age thing damning their romantic possibilities, which keeps popping up. One of the biggest recurring talking points that I've seen so far is: "It's creepy because the age difference means that there is a giant gap in maturity and also, Jeff is manipulative, which creates a power imbalance in which Annie (should there have been an actual romantic relationship) would have been under Jeff's control" - or something on the lines of this.

Some even go as far as saying Jeff would have been guilty of "grooming" had they gotten together at any point, which I personally think is too often used as just a buzzword for clout and/or woke-points on the internet but that's a discussion for another day. I will simply try and tackle the question: Between Jeff and Annie, who was really the manipulative one? And, as a side-alley, I will go into why I think Annie isn't AT ALL immature, relative to the other characters (using Jeff as the primary example) and also the progress of time on the show and her subsequent character development.

The Annie Of It All

I want to start off with the way many viewers decode Annie's behaviour as it is laid out for them through the seasons: naive, immature, prone to childlike tantrums, often accompanied by crying, and so very young. I want to look at those terms one by one, briefly.

- naive // Spoiler-alert: this is the only term I somehow agree with as being a main descriptor for Annie (in the earlier seasons) // Annie's naiveté is named and called out a couple of times over the first two seasons, notably by Jeff and then acknowledged by herself (1.05), signifiers would be her willingness to trust to the point of gullibility and her being slow if not incapable of understanding sexual innuendo jokes due to her inexperience in the "field". In 1.11 Annie calls her foreignness to all things below the belt "sexual repression" and that she is happy to have it - this is subsequently and slowly changed as Vaughn comes in the picture and by the time we are introduced to Hector the Well-Endowed in 2.14 it's arguable that Annie very much had her sexual awakening and is comfortable with talking about it, thinking about it and able to understand sexual jokes.

- prone to childlike tantrums // I dislike the "she throws tantrums" as a signifier for her perceived immaturity so much because it completely disregards the fact that nearly ALL characters throw multiple tantrums over the course of the entire arc (because it's a device the show uses both for comedic value as well as to get characters out of their performative moulds in order for them to reveal truth and character growth). So to illustrate this, I have prepared a little statistic, contrasting Annie's tantrums with Jeff (feel free to add your own toll of how many times Troy has broken out into hysterical crying over meaningless slights or mild inconveniences or Britta completely looses her sh*t for this that, or the other thing, etc.)

(Mind you, I am leaving out instances where Annie and Jeff were rightfully mad and calling people out for treating them badly, so not every voice raised equals a tantrum. For example: When Annie tells Jeff and Britta off for meddling in her relationship with Vaughn in 1.15.)

Please note the difference in total number and classification

- so very young // Annie's age, unlike that of Jeff until GI "Let's keep this problematic" Joe, is fixed. She started Greendale at 18, no way around it, however the suggestion that she acts incredibly young relative to the other characters, I do not agree with, especially looking at someone like Troy, Jeff or even Britta.

- immature and crying all the time // I don't agree with that assessment of her character AT ALL, so I can only assume that the sum of Annie's tantrums and/or tangents, paired with her perceived naiveté and young age has led some people to believe that she is immature - what probably also helped: the crying, the pouting, the seemingly thin-stretched nerves. The immaturity is here suspected behind the apparent inability to regulate emotions and accept blame, consequences or simple no's, thus resulting in a loss of behavioural control.

And that, my friends, is when I come in with section 2. Because it's all an act.

The Girl Who Cried "Baby"

Annie uses crying and the perception of her being naive and immature/young to her advantage, especially when it comes to Jeff and she knows it and does it in a calculated and, yeah, manipulative manner.

Let's start with the crying.

First row: 1.07 // Second Row: 1.24 // Below: 5.03 // Screenshots from THIS gifset / Credit: @livelovecaliforniadreams

Above pictured are just a few examples of Annie doing her thing. Jeff has got her number on that very early on, so I don't really understand that it's not more of a common talking point when it comes to Annie that she is acknowledged and called out for using tears to manipulate people and situations. Instead, she is perceived as an emotionally fragile little thing (is it the doe eyes?!), when she's really anything but. Annie knows exactly what she is doing. Nothing immature about it, if anything, it's calculating.

Speaking of calculating, how much of a withering damsel in emotional distress in need of saving from a big bad evil old grooming man can you really be, if you have committed crimes to sustain a pill addiction, had a pill addiction in the first place in your teen years, then overcame it with no help or support from family and is, at 18 and subsequently, already living alone and completely self-sufficient in a bad neighbourhood? Annie's got an actual gun. Annie ain't a baby, y'all.

Except when it helps her. Which brings me to the second thing: Calling out her own age, mostly vis-a-vis Jeff.

Much is said about Annie's age in the weird slut-and-virgin-ing that happens to her character through the years. Annie, for the viewer, is the epitome of forbidden fruit. She is insanely beautiful and we're getting frequent reminders that she is also very young (and thus should not be sexualized) and then she's put in low cut sweaters and given the part of "sexy lolita" more often than not anyway. You can picture her naked and begging when you jerk off but you can't see her taking charge of her own sexuality or have agency when it comes to deciding who she wants to be with. (Sigh.)

(Sidebar: And then to hear Dan Harmon in his recent Entertainment-Binge interview basically say only "young women who fantasied about being with someone older, like Jeff" liked Jeff/Annie and everyone else was appalled by it, makes me actually furious. Because nope. YOU (the creator and his writers) created this character, YOU explored the dynamic, YOU kept it alive for six seasons, you USED Annie's sexuality in relation to her age as a device and the J/A relationship as a drawing point for viewers, clicks and engagement by a BROAD audience! You don't get to say it's just "young women fantasising about older men, and projecting that onto Annie, being gross about it" and thus the relationship ultimately being "gross" and also invalidated because if it's just stupid girls who like the stupid romantic shit, so it's that much easier to dismiss it. But it's wasn't designed to be gross or appalling by YOU, it was designed to be ENTICING in its forbiddenness and it's shady as hell to insinuate your audience is stupid or disgusting for picking up on your storytelling and the way these two characters develop. Sidebar from this sidebar: Please, if you're not a "Young woman" and you like J/A, leave me a note, I'm actually so angry about this assumption/dismissal I could scream.)

Back to Annie, though. Whenever Annie specifies her age, it always serves a mostly selfish purpose. We see that in her initial discussion with Shirley in the pilot about her choices. There, Annie uses bringing up her age to one-up Shirley and "win" an argument. The other times Annie herself mentions her age, it's always in relation to Jeff and it's to manipulatehim and/or his behaviour in some way.

1) Episode: 1.06 • Goal: To dodge blame and win an argument. // Jeff and Annie were fighting about Annie trying to keep Troy from playing football. Jeff says: "I'm sorry, I think we were both wrong." - Annie disagrees and doesn't want to accept neither blame or consequence for her behaviour. She says: "Really? I'm an 18-year-old girl and you made me cry in public." This gets Jeff to say that he was a little more wrong. They are both clearly equally wrong and dumb and manipulative with Troy in this episode. But Annie got what she wanted - and you could even raise the question if the "making her cry in public" also wasn't a calculated move on her part as well.

2) Episode: 3.02 • Goal: To bank on the temptation between them. // After her tantrum in the Model-UN-Off, when Jeff tells her that she is growing up and he can't keep treating her like a child, Annie says: "I don't wanna grow up if it means loosing what we have." When Jeff challenges this, touches her chin and says: "Can't keep doing this forever, kiddo", she asks him: "Can't we?" - opening up a kiss-lane as Abed would say. Of course they both dissipate the tension and end the moment in unison and it is played for laughs - but Annie referenced her age in order to manipulate and challenge Jeff into acting on their attraction.

3) Episode: 3.10 • Goal: To get Jeff to join Glee-Club. // I mean... do I have to say it?! "Won't you be my daddy, I'm a silly Christmas baby! [...] Boopie-doopie-doop-doop, sex." And yeah, Jeff went on about "diminishing returns on the sexiness" - but he ended up in Glee-Club anyway, so…

4) Episode: 6.03 • Goal: To get her way. // When Annie tries to get damming files from Jeff, he holds on to them. Annie yells: "I am a female student being physically overpowered by a male teacher". She's calling out the "power imbalance as well as their age difference in the student/teacher combination" in order to shame Jeff into letting her have the files. He does. This was entirely manipulative and it's equally as loud as the moment in 1.06, if not louder. Annie uses her age and gender BLATANTLY in a bid to manipulate Jeff and he knows full well it's happening, too.

In Conclusion

Annie cries "baby" about herself only to gain something. Annie doesn't think of herself as an immature person, and seeing as she is otherwise always portrayed as a planner, an organiser and a more serious person than many other characters, it's very arguable that she is not.

She knows how the world perceives her, though and she uses it to her advantage whenever she sees fit. Over the course of the series there are multiple occasions that find Jeff completely useless against her. She plays him like a fiddle. The only instances where Jeff could be construed as "manipulative" in regards to Annie is when he preys on her helper-syndrome to get her to do his Spanish homework (1.02) or bring him a scotch (6.12). Annie, meanwhile, gets almost everything she wants from Jeff and most of the time, she doesn't even have to resort to crying.

That is not to say that Jeff doesn't manipulate, him and Annie aren't that different in this regard, but Jeff doesn't manipulate Annie anyway nearly as much or in the way that he manipulates the rest of the group or other people. Safe for the Spanish homework in season freaking one, he couldn't even manipulate Annie if he tried because Annie is constantly shown seeing right through him -- for example in 2.12 where she knows he is stalling trying to come up with reasons to vote Chang instead of Rich into the group or in 6.09 when Annie figures out Jeff is winging his plan to beat the Grifting 101 professor on the fly.

After that early first season, Annie is the manipulator in their dynamic, she is the instigator, and also the one who romantically pursues him actively. Additionally, as shown in the tantrum face-off, this big problematic maturity gap between the two of them virtually doesn't exist. Whenever the show makes mention of the age gap, is through Annie when she uses it to manipulate Jeff or through other characters that remind the viewer that: "UHH look, this is still kinda risqué, don't you love to hate it or hate to love it?! Please tune in again next week!!". The show acts like Annie in that way. Milking the situation, trying to have the cake and eat it too.

But I would argue that the often proclaimed power imbalance doesn't exist. Of course this doesn't mean all combinations in the REAL world out there between very young women and older men is unproblematic and yada yada yada disclaimer, you know what I mean.

But in the very specific - and FICTIONAL - case of Jeff and Annie, you're not looking at a hapless, meek, victimised and manipulated, little girl entrapped by a master manipulator seeking to exploit their power imbalance created through the age gap for his selfish and sexual gain. That is simply not the case and the risk of that happening was never there, even if they had entered in a relationship, even early on, because such was never the dynamic between Jeff and Annie as I hopefully argued successfully.

In the question of "Who manipulated who?! - Jeff vs Annie"-edition, there can only be one answer. It's Annie. She isn't half as innocent as you think - and she likes it. And I do, too. In fact, I love it and it makes me love her character even more.

So, in summary:

She was horny/feeling righteous/in the mood for some chaos, so she worked him. (Wo)man is evil.

Thank you.

#jeff x annie #jeff x annie meta #community #community show #community meta #character analysis #jeffannie #jeffxannie

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just-another-hhazbin · 4 years

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Tumblr ate my draft but my memory generally works so here we go. THIS IS TO THE ANON WHO ASKED ABOUT “VOODOO DOLLS AND W*NDIGOS IN RELATION TO that uh that one show called uh, fuck, uh - oh “THE GRIMM””

Obviously, I have not watched the Grimm so I cannot say based on that show’s portrayal in particular, but if it’s like most pop culture representations, it’s... probably pretty inaccurate and disrespectful.

First off, let’s preface this with a note about closed religions and my own credibility (or lack thereof) when it comes to talking about this topic. Obviously, it’s always best to speak with a direct practicioner/primary source. Since there is a relatively small population of those and none who I can call on for this, you’ll have to do with a secondhand source that’s gathered information through research and talking with their indigenous friends and other primary sources etc. If you are a practitioner of either of these religions/groups of religions, feel free to add input/corrections/etc., I am still learning and am only human.

Since the other ask is about w*ndigos too and this is my second time writing this, I’m just gonna address that over there.

So, voodoo religion, cultural appropriation, the whole shebang -

Voodoo is a closed religion, often practiced alongside/incorporated with Catholicism, and while it is stated as okay to study it respectfully/etc., it is considered disrespctful to practice if you have not been OfficiallyTM initiated into the religion. (There is apparently a ceremony, but I don’t know much of the details. If it helps, think of it as a baptism. Which it kinda is. But anyway-)

There are many types of “voodoo” religions, such as Haitian Voudou, Cuban Vodú, etc. What we’re discussing today is in regard to Louisiana/New Orleans Voodoo.

Voodoo is an amalgation of Voudou/Voudon religions practiced by many indigenous people in Africa along with Hoodoo and Catholicism that occurred due to the forced introduction of African peoples into both America and Catholicism via the slave trade. Hoodoo is described as a spirituality by some and a religion by others, but all see it as a lifestyle either way. Hoodoo focuses on herb/rootlore, medicines, and rituals, and is part of where the “witchcraft” stories of voodoo began to originate.

Because God forbid anybody know natural medicines instead of using leeches/bleeding or drinking a mercury and vodka tonic.

*Ahem.* Continuing on, apparently some areas of Louisiana refer to Hoodoo as “Lowcountry voodoo,” though I couldn’t find any information as to whether that was an accurate or respectful term, so. Just remember that they’re very closely tied and overlap in many ways.

Overall, Voodoo draws on Catholic Saints, Voudon gods and traditions that have been slightly shifted into more Saint-like figures + other changes, and Hoodoo practices.

Now that the general introduction is over, let’s focus on the example brought up - voodoo dolls.

The commonly known “fact” of voodoo dolls is that you make a tiny image of a person you hate and then stick it full of needles to cause them pain/kill them/whatever. This is wrong. Throw that out the window and set it on fire.

It is true that voodoo dolls exist and that they are meant to replicate people. They are a form of gris-gris, which can be thought of as a charm or prayer meant to bring good luck/etc., though there are some forms of bad luck/negative gris-gris as well.

The purpose of the voodoo doll itself is to serve as a representation and medium for the Voodoo spirits - the Loa, composed of ancestors and guardian spirits - to act through. (I don’t know if any of the major Saint/deity figures are ever invoked through this or if it’s just the Loa.) Most voodoo dolls are used as well wishes for others, and what type of wish depends on what is pinned to the doll. Rose petals for love, garlic or clover for luck, place between blue and white candles for healing, etc.

It’s about praying for someone else and creating a medium for that prayer, not stabby mc-stab time. This and many other false images around voodoo are a consequence of cultural appropriation - hence why it’s become such a concern. Media (looking at you especially, “White Zombie”) created a very false image of voodoo which the tourism industry facilitated in the name of capitalism. This disrespectful portrayal has not only caused widespread misinformation about one of the important aspects of the Voodoo religion, but also painted a bad light on the religion as a whole.

That’s why cultural appropriation is so dangerous. It’s alright to respectfully try to study and learn more about other cultures and religions, but that knowledge needs to be used and portrayed carefully and it’s often not, even if no malicious intent is meant.

It’s hard to find good information about voodoo on the internet, but some sites that might be worth checking out (or at least carefully reading through and plucking out actual information are):

https://thestockade.com/the-truth-behind-voodoo-dolls

https://voodooneworleans.com/voodoo-religion/

https://www.frenchquarter.com/true-history-faith-behind-voodoo/

https://www.vice.com/en_us/article/r7g5ar/from-benin-to-bourbon-street-a-brief-history-of-louisiana-voodoo

https://kwekudee-tripdownmemorylane.blogspot.com/2012/12/louisiana-home-of-voodoo-worship-in.html

https://wheninyourstate.com/louisiana/what-is-that-voodoo-that-you-do/

https://www.learnreligions.com/voodoo-gods-4771674

https://www.vianolavi

e.org/2017/06/22/ghede-voodoo-spirits-in-new-orleans-traditions/

https://www.livescience.com/40803-voodoo-facts.html

Beware any and all tourist sites, for the record.

I’m working on compiling information about Voodoo to separate fact from fiction and etc., but at the moment it’s a slightly edited, jumbled up copy pasted mess as I go through, comparing/contrasting info and writing summaries/notes on it. I can share it if anyone is interested, but ¯\_(ツ)_/¯

#asks #anonymous #louisiana voodoo #closed religion #input welcome #religion tw #religious discussion tw #not putting a tw on voodoo because that's a stigmatism and implication i don't want to spread #but is there a tw for discussion of stigmatized voodoo?#idk #stigmatized voodoo tw #shrug #long post

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