#if i never admit it even to myself

[thevastnessof]

obsessed with villains who you just KNOW are aware deep down in their heart that they've done something unforgivable, but the only way to never admit that or face the guilt is to keep doing it over and over again until they don't feel guilty about that first time anymore

[journal-from-the-heart]

i think, for trauma survivors, especially those who were emotionally abused, invalidated, or gaslit, it is really important not to underestimate the significance of speaking bluntly about what happened to you. Forcing yourself not to beat around the bush, not to downplay what you went through with your words. say what happened, without any caveats, without any “but it could’ve been worse”, “but i might just be being overdramatic”, “but it wasn’t really THAT bad,” and so forth. sit with the discomfort until you can begin to let yourself realize that it WAS that bad, you WERENT being overdramatic, and even if it could’ve been worse you still didn’t deserve it. It’s almost like a form of reclamation, taking back your memories, taking back your life, even the difficult or gross parts, and refusing to let anyone change the narrative or tell you how you should feel anymore, even yourself. and it hurts and it’s scary and it feels weird and awkward and sometimes you want to convince yourself you’re lying, but i think sitting in those weird feelings and letting yourself admit that you really did go through trauma puts the power back in your hands to process things and be compassionate to yourself while you heal

[joyfuladorable]

Dragon of the Sun by @forestwhisper3

(Ch.5&6>)

You know, it was kind of weird...

Mikey sat on the living room couch, the sci-fi movie he was watching fading into the background after a really campy fight scene between two psychics reminded him of something.

The first time he'd had a freaky dream that ended up sort of true, he'd chalked it up to some weird crystal mumbo-jumbo messing with him. He figured it was a one-and-done sort of thing, especially since he hadn't had another since leaving the underground city.

But now it had happened again, and this time there were no crystals to blame.

GAHHHH!!!! THIS FIC!!! MYSTIC MIKEY BUT IT'S 03 MIKEY!!!!! This fic has my whole damn heart, holy shit! Author does a fantastic job diverging from canon and giving us all the family feels and character depth that the show didn't. My heart? Palpating, pumping, melting onto the damn floor!! Go read it!!!

[bonefall]

So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.

My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.

With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.

That's what I need to do with Skystar.

MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.

A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.

Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.

So BB!Star Flower...

Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.

(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.

He can still do these things. He wouldn't NEED the power of a war god to do so.

But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)

Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.

But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).

And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.

Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.

A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.

You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.

I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.

I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school

But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.

She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.

The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.

Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.

[haemosexuality]

why are so many adventure time fans just straight up stupid. about how stories work. and i dont even mean kids i mean like adult fans just with the absolutely dumbest takes

[morningmask27]

Dimitrescu sisters catified references

I posted a few drawings of these three in cat form and I thought I'd share the reference drawings i made for them. I wanted to add little traits that they share, but while also making them all unique.

family traits:

all three have a stripe that leaves from their eye.

beige chests and bellies (aside from Bela who only has a lighter chest)

a white marking that represents something about them (kinda) + one stripe going in the direction of that white spot

the ear tufts (Bela's are shaped differently, but she still has ear tufts)

their jaw structure is all about the same (square-ish), Cassandra's is just hidden by the fluff

Bela

I wanted her to be smooth. she takes great pride in keeping her fur clean, but there is ONE spot she can't tame and those are her fluffs right above where her front legs begin. (it makes her so mad)

I am mean I gave Bela a lot of heart-shapes everywhere; her ear tufts, the "shoulder" tufts, the white spot, her tail being a three in one, her dorsal stripe ending in one, ...

her tail is always droopy.

she's technically the same size as Daniela, but because in my mind she slouches a lot (It's a slightly more defensive posture), Daniela always seems to be taller than her.

her white spot is, as previously stated, a heart. It's very on the nose, but I never said I'd not hammer on that little detail. Her stripe there does do an interesting thing: before Miranda takes away her heart, the stripes don't cover her spot, just like with her sisters, but as soon as Miranda did her thing the stripes move slightly to now end on the heart. once she gets her heart back the stripes move again, away from her marking.

she has one scar and that is her nicked ear. it fully got rid of her (also heart-shaped) ear tuft. she got this when Miranda took her heart. (~symbolism~)

her eartufts are fully shaped differently than her sisters' and mother's. It is my favorite way to draw ear tufts, but that's beside the point.

I imagined her as looking the least like Alcina. I don't really know why exactly, but I did. I also decided to give Heisenberg's dog for the same eyecolor as her and beige markings that mimic these of Bela and her sisters. he's family and Alcina hates it.

(well actually I kinda have the idea in my head that she's kinda the daughter that wasn't really good, a first draft if you want. she's the elders, but her younger sister recieves more attention than her and I just find it striking, so I made her look the least like Alcina to make that distance between the two more tangible)

I did not have the courage to draw her cult ending form. I didn't want to cry.

Cassandra

spikey, and she likes it that way. her fur is groomed, she just keeps it more natural. she thinks (and she's kinda correct) that it'll make her more charming and attractive (to some)

I pretty much had wolves in my head while drawing her, I wanted her to be a bit more canine-like than her two sisters. Misunderstood, seen as dangerous and solitaire beasts, but actually very caring to those they love. But also imposing and grandiose. whereas Daniela is just a cat, chilling and Bela is a cat and tbh she's tired, Cassandra hogs the spotlight and demands attention.

I wanted to make her makings sharp. nearly all of them have pointy ends. you have to handle her with precaution or you'll end up hurt. she doesn't do this intentionally though;

star-shaped chest marking, because she is a star, obviously. She flaunts about it everywhere she can, much to everyone's annoyance.

no scars because this diva will never try to get into actual trouble. She cries at the first sight of (real) blood.

her ear tufts are very similar to Alcina's and she's very proud of it. she is a mama's girl after all.

she's not all fluff, there are some muscles underneath the fur, but her fur is pretty long still. she can hide small items in her fur if she wants.

shortest out of the three sisters (like in the game). stands as tall as she can to still appear taller than Bela. she's got basically the ebst posture just to win against Bela.

Daniela

somehow, despite her activities, she has the smoothest and cleanest fur (Bela is very jealous, but will never admit it). she says she just cleans it and there is no secret. Bela swears she'll one day understand how she does that.

very muscular because she's always off doing sport of whatever. due to this she's also the strongest out of her sisters and very much able to win a fight against them, but she doesn't want to actually fight with them, so this fact doesn't see much use.

the scars she has are from the occasional accident. running a bit too fast and tripping for example. They're all very funny, albeit embarrassing stories that her sisters Love to share.

she's very round, shape wise. aside from a few sharp angles or straight-ish lines, everything is softened out; she is very friend shaped. unless she's angry and then you realize she's a lot stronger and taller than most.

her chest marking is the one I kinda dropped the ball on if you want my honest opinion. It's oval-esque and could be seen as her board since she loves skateboarding, but it's also just because it flowed better with the rest of the stripes I gave her.

round, friendly (and slightly curious) eyes. she's very cute and will convince you of anything when she wanted to, yet she doesn't really look very kit-like.

as tall as Bela, but obviously looks the tallest due to Bela's grumpy slouching. she teases her sisters about that.

her heart tufts look like a between part of Bela and Cassandra's. it was an accident, but it's cute so I kept it.

the freckles and heterochromia were obviously brought into this design. I am an avid fan of both.

[z00r0p4]

As of late the term pick-me girl has been over-applied to the extent that it inhibits any and all critique or analysis of hegemonic femininity. And I think that is generally not good or helpful.

A girl isn't automatically a pick-me for recognizing that her experience with music does not reflect those of her peers.

An autistic girl isn't automatically a pick-me for having the lived experience of finding it easier to socialize with boys than girls.

If your use of the term (and I'd argue that it's often used primarily as a thought-terminating cliche) pick-me transcends the bounds of a girl fabricating traits and throwing other girls under the bus for the sake of male attention, you are using it wrong and may in fact be doing more harm than good to girls' self-perceptions.

You're potentially creating a new double standard for women in the process, too, because it's a not-so-indirect contradiction to our beliefs about authenticity and what it means to be different. It just becomes another invisible social barrier for women.

[zlobonessa]

one aspect that always fascinates me about the witch cult is how much they are used-to-be humans-but-now-not-really-are. they were just people who sometimes were good in the way people are and sometimes were bad in the way people are. and then their lifes had been altered by powers so fundamentally that they just. lost touch with any humanity that they had. how do you comprehend being a hundreds years old? how do you comprehend being able to kill a human as simply as a mosquito? how do you comprehend being beyond time, beyond aging, beyond life and death, beyond your own body, beyond your own memories? it's a horror scenario accepted willingly, horror where instead of running from monster you shake its hand and convince yourself that that's all you ever wanted, because the alternative? the alternative is the existence so miserable you'd rather die than go back. the existence that may ask you to take responsibility for your actions, navigate your own life, change who you are as a person.

they cannot do that. they never could do that. they live for years and years, having powers to do literally anything and yet led by instructions in the book, further and further conservating in the state they were from a start, the moment they took a deal.

doomed from the beginning. never having a chance to escape. never wanting to escape, instead allowing your humanity to slowly seep away as a price for not bearing the weight of that it means to be human. damn.

[blaiddraws]

So there were some official Submas figurines sold at one point. Guess what? They have muffin tops at their belts. These two men are well fed

yes!!!! one of my favorite details tbh. you don't see that added to character designs very often despite it being. yanno. natural. but yeah.

i also drew another because i felt like it. sneasel bath time

[hella1975]

pulled a sickie 😎 <- shaking like a wet dog

[rosemary-is-in-pesterquest]

I just really don’t get the attempts some people do at trying to convince that Candy Rose cheating on Kanaya is a character-accurate thing in order to justify homestuck 2’s writing, when the excuse that candy’s whole point is that everything is terrible and out of character for the cast is sitting right there, prime to squeeze.

Like I’m sorry, but as someone who really likes the idea of Rose and Kanaya having marriage issues at some point, Rose cheating on Kanaya is so out of the blue and doesn’t follow in line with Rose’s massive trust issues and paranoid behavior. Frankly, it would be more in-character for Rose to be tormenting in her own head about the possibility that Kanaya might be cheating on her because Kanaya didn’t kiss her good morning one day.

[tricoufamily]

once again thinking about how easy it would be for me to be in a relationship if i was cis

[afterartist]

We know

All of us know

[kicktwine]

idk how it would happen but I imagine ven meeting his younger selves and they’re both so different. But the same. But different

he meets the one stuck in the desert with no memories and immediately almost gets his head cut off, just because — for ease of reading, he’ll refer to himself as Ven and the younger one as Ventus and the youngest one… Little Ven. Look, he never said he was that creative, and they like their name — because he startled him. He doesn’t remember the badlands that well, but he does remember how jumpy it made him. That’s still… there.

anyways he almost gets his head cut off because Ventus hears someone’s big metal shoes behind him and whips around, keyblade in hand, and Ven backs out of the way with his hands up and an eep! and puts a lid on the instinct to summon his own keyblade. Ventus’ face gives away his emotions pretty much instantly, which it doesn’t do so much anymore, but it goes fear-anger-confusion-VERYconfusion-fearagain-curiosity-confusion-bigshowyhuffyface. Like a kitten making itself look bigger. Ven tries to make himself look smaller, or at least non threatening. Or at least not like an evil future version of himself come to end his bloodline here and now. Would you believe he had that irrational fear every once in a while he’d make some kind of dumb mistake and go ah, I hope this doesn’t have universal consequences i feel the repercussions of via someone smarter than me coming to tell me off! which, I mean it’s not The Most irrational. Time travel exists. He’s doing… it(???). Ventus seems to settle somewhere between genuine curiosity and cornered kitten.

“Who are you?”

Wow his voice is higher! It dropped pretty late. Mostly while he was training here, so he never really had the embarrassed-by-voice-cracking thing Aqua told him about with Terra, he was worried about other things. And his hair is so much scruffier, and his skin is dry-looking, he doesn’t remember taking care of himself very well out here. There’s nothing here, really. Has Ventus eaten? Today? Should he have brought the conchas from the kitchen. Is that an open cut on his arm? That’s blood. That’s bad. Ven’s been forgetting to speak and just looking at his younger self which is not helping his nerves, he doesn’t think. “Uh… you? Older you! We’re in a dream, sort of, I think.”

probably not the right thing to say, even though ven’s not sure what WOULD be the right thing to say. That was about the most succinct he could make it. Ventus’ eyes narrow, and he drops the curiosity, and Ven knows what just happened, he thinks this is a test now. It’s absurd enough to not be real, and it must be illusion magic. Ventus spins his keyblade behind him and lowers his stance (still kinda sloppy, the Master was always— Xehanort was always on him about it even though apparently holding a keyblade backwards was fine). “Bullcrap,” he spits.

“Language!” Ven scolds, feeling the spirit of Aqua fill him. Ventus is too nervous to say anything more than “crap” though, which is kind of cute but weird to think about now that he’s still nervous around adults but swears like a sailor around, like, Roxas.

“Either leave me alone or fight!”

“I don’t wanna—“ And then Ventus jabs at him, his patience for the test spent. The faster he passes, the faster he can go sit down and the less of a chance he gets hurt. Ven dodge rolls out of the way once, twice, threefourtimes, getting ten pounds of dust down his shirt. He never liked this feeling. Dust stuck to his skin. Ventus gets more and more frustrated with every miss, starting to make angry growls when he does, and snaps out a strike raid, which misses, and it misses on the way back, but Ven is busy righting himself from where it missed and Ventus gets a heavy slash in right on his knuckles, which stings.

Ven recoils, and Ventus sees the real actual blood on his knuckles and the teeth of Wayward Wind and his eyes blow wide. Almost immediately, he drops his keyblade and backs away, hugging his arms to his chest and turtling in his jacket. “Oh— sorry! I’m sorry! I’m so sorry, I didn’t mean to. I’m sorry! I messed up.”

“it’s okay! It’s okay, it’s fine,” Ven reassures him, really really wanting to stop hearing himself over-apologize. He quickly, telegraphing his moves because he knows how bad this could look, summons his keyblade and casts a quick Cure. The wound vanishes, even though it’s gonna leave a bruise anyways. Ven shows his arm. “See? Totally fine.”

Ventus doesn’t move towards him, but un-turtles slightly. His eyes linger on Ven’s hand — fine. Like he said — to the space his, their keyblade was just summoned, the one he’s holding his version of. To his face, which is pretty similar, though Ventus hasn’t looked at himself in a mirror in a while. To his outstretched arm, and the thin scars over it, and his own scrawny arm, dried blood still shiny over a thin but deep cut.

Ven follows his gaze. “Can I see that?” he asks, gently.

Ventus slowly, very deliberately shuffles his way over and gives up his arm to be looked at. Ven takes it — Ventus almost flinches when he touches him, totally real and corporeal and warm and stuff — and once again casts Cure, this time a Curaga just to cover anything he might not be showing him. Ven used to do that, before he knew what he was doing but after he was too floaty to know what he was doing at all, he’d just not tell anyone he was uncomfortable. It felt shaky and bad to verbalize, and it took Terra specifically a long time to teach him that no was a good word and I made a mistake was not the end of the world. Ven’s not gonna be able to teach the younger version of himself that whole thing in a few hours. But y’know — at least he can be nice.

Ventus studies the spot on his arm that he cured. It’s going to scar because he didn’t get to it on time, but he knew that, and Ventus figures that out, his stare moving to the same scar on Ven’s forearm. And the rest of them. Some the same, some came later. He is not, pointedly, removing his arm from Ven’s hands.

Ventus’ voice is tentative and scratchy. “Why’re you here?”

“Um,” Ven says, elegantly. “I’m not sure.”

”That’s dumb,” Ventus huffs.

“Hey.”

“Sorry. Sorry.”

“It’s okay,” Ven says, gesturing for his other hand. Ventus hesitates — fear-worry-want, his face is like an open book — and gives it to him, finally desummoning his keyblade. “Do you not know Cure yet?”

Ventus scowls again. “Shouldn’t you remember? No.”

Ven shakes his head. “I don’t remember when we learned it. I thought it was before this.”

“I don’t remember anything before this.” Ventus, despite curling forwards into the touch he’s being given, somehow scowls even deeper.

Ven kneels. “And I don’t remember being so angry,” he says, softly. “We don’t get much better at the memory thing in the future.”

“Oh.” Ventus keeps standing. “Do—“ he bites his lip.

“Do what?”

“Do we… do we get better at — you’re … I’m… mad. I don’t like— You don’t look— Do we— nevermind, sorry. It’s nothing.”

“We get happier,” Ven says, something inside him crumbling. “We do, we get friends, even.”

Ventus’ eyes widen, not looking at him. “Here?”

“No, not here. It… it’s a long story. But I promise it gets better.” Ven doesn’t like looking at this. He spent so long not thinking about it — on purpose, not thinking about it, ever since he woke up in the Land of Departure “thinking about it” was more of a phrase that meant shaky, scattered flashes of memory and sharp copper smells and waking up with his heart in his throat and his muscles trying to scatter out of existence or hearing a metal fixture drop to the floor with a loud clang! and suddenly he couldn’t hear anything except ringing and it was all, an abstract cocktail of not good that he never untangled and avoided like the plague — that… making it real, seeing himself just exist in a terrible place while nothing happens to him like those flashes of memory, it makes it real. And it breaks something inside him, something really small but gummed up because before this he had a layer of detachment from the whole thing, and he almost wants to cry. Ven knows now that he didn’t deserve this and it was stupid and horrible and he should have just had friends who loved him this whole time because it’s possible and he’s a likeable person and he has good to give and love to receive. But Ventus doesn’t know that yet, and he sure won’t believe it until it happens. He remembers not believing it. He remembers thinking it wouldn’t ever get better, and how much better it feels now that it has, and — oh, okay he is crying cool. Ventus looks at him like he’s grown a second head, all confusion and worry and tentative digging inside himself to see what he should do.

“Do… um. Do you want a hug?” Ventus asks nervously.

Ven nods. Ventus’ arms curl around Ven’s back, all thin shaky noodles and no muscles and fewer scars and not used to doing this. Not too hard — he doesn’t want to weird him out — Ven hugs back as best he can. He learned how to give pretty stellar hugs from his friends. He hopes Ventus can feel it.

[demigodofhoolemere]

I’ve been seeing this float around on Facebook lately and it’s bugging the crud out of me:

What is with everyone’s obsession with insisting it’s bad to need to be rescued? For as long as the human race has been on the planet, people have had problems that they needed other people’s help to resolve. Needing help is not a failing nor should it be the takeaway from these princesses’ stories as if it’s a bad thing that makes them weak. Yes, they do need help. Your point?

Snow White and Aurora were both under a curse that rendered each of them effectively dead. Were they supposed to magically wake themselves up? I’d want to be rescued if I were them. Plus, breaking it down to “she needed a prince” belittles the efforts of the Seven Dwarfs and the Three Good Fairies, who did most of the legwork in the resolution of their respective movie plots out of deep platonic love for the girls under their care. Then there’s Cinderella, who lived in an abusive household. It’s not a weakness that she wasn’t able to get out of that situation on her own, and once again, giving all the credit to the prince (and credit where credit is due, he did search far and wide for her and was able to take her away from that life in the end) detracts from the aid provided by the Fairy Godmother who enabled her to get out in the first place. All of these ladies had more helpers than just their princes, and it is because of the combined love and efforts of all of these people that our heroines were able to have their happy endings. There are plenty of great stories where the heroine is able to fight for herself, but these particular stories aren’t about that because these ladies are each in terrible circumstances where they simply don’t have the ability to do so. They do what they can, but in the end they can’t save themselves alone and there’s nothing wrong with that. These are beautiful stories about having people in your life that value you enough to fight for you when you can’t fight for yourself. Wouldn’t we all want someone to come to our rescue when there’s nothing we can do about our situation? Is it not a good and comforting moral to show that there are people in your corner who will show up for you no matter what the circumstances?

The other thing that’s bugging me about this:

Leia has to be rescued. By a man, and at that, one who could technically be seen as a prince. No one bats an eye at this, because it’s understood that she’s being held prisoner on the Death Star and couldn’t possibly be expected to get out of that on her own. It’s not seen as a weakness that someone had to come for her and take her away from there. Leia is awesome and is rightfully acknowledged as a great heroine, but she also needs help sometimes, because everybody does.

So WHY do people get so hung up on these princesses who also shouldn’t be expected to get out of their own prison cells of eternal sleep or abusive family by themselves? Why the strong negative reaction to girls needing outside help in such serious scenarios? For all that people say these stories teach girls to sit and wait for a man to save them, the stories themselves absolutely never try to say that, and frankly, with the opposite trend in recent years of fictional women who have to do everything on their own and can’t be shown to need help because they have to be the Strong Female Character, I’d be far more concerned about the impact that would have on girls. Far better to say you might need help at some point in your life than to instill the idea that you’re not a strong girl or not good enough if you can’t do everything by yourself.

Anyway. Justice for the classic Disney princesses.

[mel-loly]

-“Don't take your anger out on others”

I instantly: