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#if john lennon had lived
foryouwereinmysong · 7 months
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The last few minutes of Get Back are arguably the peak of documentary filmmaking in general
featuring: *goodnight paul, say goodnight john, goodnight paul, goodnight* *neeoeooow* *unintelligible fake german stuff* *Eins, Zwei, Viertel nach Drei* *I suddenly discovered I was halfway out of tune, but I continued playing because I'm no goon* *pling* *get off yer bum" *I lost a bass note somewhere* *ow* *Are we supposed to giggle in the solo?* *yeah* *okay*
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beatleswings · 8 months
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Promo for ERAS: THE BEATLES on BBC SOUNDS. (x)
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parttimesarah · 2 months
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Just two mates 💛💛
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fireintheimpala · 3 months
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1979 is now up there with 1968 in my “WHAT THE HELL HAPPENED BETWEEN PAUL MCCARTNEY AND JOHN LENNON” years.
You don’t just make something as joyful, teasing, naughty, and romantic as McCartney II out of the blue… You don’t just then come out of retirement out of the blue and starting boogying to Double Fantasy + Milk and Honey tracks COINCIDENTALLY, do you? DO YOU??
This is driving me a little crazy. What is your favorite conspiracy theory here?
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javelinbk · 8 months
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Paul and John (and Ringo) talk to Brian Matthew on the first edition of the BBC radio show Top Gear, recorded 14th July 1964 and broadcast 16th July 1964.
Brian: In my young days, when I was a lad, they used to have actors in films and that, now they... Paul: Yes John: Eh, listen... Paul: It's all changed now John: It's all changed now Brian: Well, this is what I'm wondering. Paul: They're not doing that. No actors. Brian: In those days, the actors used to say their best bits were left on the cutting room floor, did you find that? John: No (laughs). No, no, there was the good bits in the film. You should have seen the rest. Brian: Yes? John: Rubbish. Brian: Was it really? John: Even worse, yes. Brian: Who was worse? John: Oh, Paul Brian: I see Paul: (laughs) No, I think John was about the worst John: No, it was you Paul: Ah, Ringo was very good Brian: He was Paul: He's a good lad Brian: They're saying he's... John: He was miming Brian: ... a new Charlie Chaplin. Do you think that's right? Paul: A new Charlie Chaplin? John: Oh, aye - he's an old one (laughs). Ok, Ring? Brian: He's beginning to look like it Ringo: Alright, John? CAN YOU HEAR ME? Brian: Now then... Paul: Can you hear him? Brian: Not really, I hope not. Hope not. John: We brought you the flowers, Ring
Brian: He’s not allowed to talk. Ringo: Eh? John: We brought you the flowers! Ringo: Oh, good John: And the grapes! Ringo: Oh, I like grapes! Paul: He likes grapes
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thestarsarecool · 1 year
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“[John] wanted me to be part of the group. He created the group, so he thought the others should accept that. I didn't particularly want to be part of them. But by that time, he had got all the avant-garde friends of mine out of my life, so I had nobody else to play music with. I couldn't see how I would fit in, but John was certain I would. He kept saying ‘They're very sensitive guys…You think they're just Liverpool gits, but no, they're very sensitive…Paul is into Stockhausen...They can do your thing…’ He thought the other Beatles would go for it: he was trying to persuade me.”
— Yoko Ono, quoted in Philip Norman’s John Lennon: The Life
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merrysithmas · 3 months
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i literally cant believe yoko sent john to a conversion therapist
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crashing-a-jeep · 2 years
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I don't know when this is from but it appeared in my Pinterest page and I thought it was fucking hilarious
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steelycunt · 1 year
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what have i done
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mononijikayu · 15 days
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“beautiful boy (darling boy)” — gojo satoru.
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“Papa chose the character for you. It means 'dawn'.” He whispered to him tenderly, almost like a little lullaby. “Because you are the beginning of a new chapter for our family. You bring light and hope into our lives, just like the dawn brings a new day."
GENRE: post hidden - inventory arc (2010s)
WARNING/S: domesticity, fluff, angst, trauma, implied death, violence, romance, hurt/comfort, character death depiction of death, depictions of loss and depression, mention of pregnancy, depiction of the aftermath of birth, depiction of parenthood, depiction of blood, depiction of killing, depiction of suffering, depiction of anxiety, mention of death, mention of grief, profanity, family drama;
LISTEN: beautiful boy (darling boy) by john lennon.
NOTE: my classes were cancelled and i just played random music on my phone and this.....sort of sparked something. i sobbed to this, by the way. this might be my last one for now. i've just been frantically making these for the past few days. i'll come back after some rest!!! i love you all so much!!! <3
addendum: the character satoru chose for satoshi is '暁' which means dawn/daybreak; satoshi was born on the same day as his father in 2014.
masterlist
u s and t h e m
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IF HE WAS BEING HONEST, HE DIDN’T KNOW IT WOULD COME TO THIS. He could remember it like it was yesterday, when you held out your hand and took his — placing them together on your belly. Your lilac eyes shone against his bright blue, full of wonder and anxiety. He was frozen at that moment. He was overwhelmed. 
Not even his six-eyes could keep up with his emotions, his thoughts. He knew it was an accident, he knew it wasn’t something both of you planned. But he was happy. He was all too happy that he scooped you in his arms, as though you were the treasure of the world and cradled you, whispering the most loving things, loving words ever known to any being.
It was never your plan to have children, not even with the pressure from the elders of your clans. There was never the time. There was never a sense of security. WIth what Satoru was planning to do, with what dangers there’ll be — just like he had experienced in youth, none of you wanted that for your child. And you wanted to help him, you wanted to do well by him. Satoru was your lifeline, your purpose to live was his goal. Your life with him was what made your life blossom in these past few years of marriage. But that changed too, with the bludding life growing in your belly.
You both cried that night, holding each other. It was hard to comprehend that this was happening, that a child had chosen both of you. You were glad that the Tsumiki and Megumi were at a sleep-over. They didn’t need to see you both so conflicted with your joy and your worries. No kid should be burdened by such a thing as the worries of the heavy world. 
The room was dimly lit, the soft glow of evening casting long shadows on the walls. Satoru sat across from you, his cerulean eyes reflecting a myriad of emotions—excitement, concern, and a fierce determination to protect. The news of your pregnancy had brought a bittersweet mix of joy and anxiety.
“We need to decide what to do next, darling.” Satoru said, his voice steady but laced with worry. “I don’t want you to suffer like my mother did. The multiple assassination attempts... I can’t let that happen to you.”
“We can’t tell the world, Satoru,” you said quietly with a soft nod. “The higher-ups could see this as an issue. There was a time when the passing of powers in the Gojo clan – similar to the Six-Eyes, was from father to son. They might see our child as a threat, Satoru….and I…I don’t want them to hurt our child.”
Satoru’s jaw tightened, his protective instincts kicking in. “Then we keep this between us, Megumi, and Tsumiki. My mother….maybe your mother and Aunt Arisu can help us hide this from the world too. They’ll understand the importance of keeping this secret.”
You reached out, your fingers intertwining with his. “They will. They’ve always been supportive of us…and our plans. They’ll be kind to us about this too. It is their next of kin now, after all.”
For a moment, your husband looks at you. His free hand draped across your cheek and you looked at him so lovingly, leaning your head against the warm palm of his hand. He could feel how lucky he was. How beautiful you were. His eyes lowered at your belly and felt that same warmth glowing from within you, as welcoming and loving towards the person who had helped give such life to the growing seed in your belly. 
Satoru pulled you into a gentle embrace, his arms wrapping around you protectively. “I’m sorry, darling.” he murmured, his voice thick with emotion. “I’m sorry.”
You pulled back slightly, looking up at him with confusion. “Why are you apologizing?”
“Because….” he said, his voice barely above a whisper, “You’re the one who will suffer the most here, not me. The secrecy, the danger... it’s all on you. And all I can do is hold your hand. And I….”
You shook your head, resting your hand against his cheek. “Your hand is more than enough. You by my side is more than enough. All I have ever needed, all our child will ever need — is you. All they need is their father.”
“When did I ever deserve something as good as you in my life?”
You smiled at him, “Because you are good, Satoru. You’ve always been.”
“You’re the most important thing in my life.” He whispers to you, his hand on your belly. “You and our child.”
“We’re in this together, Satoru. I’m not alone in this.” You let your hand brush against his silver locks. “Because you’ll always be here, hm?”
He closed his eyes, leaning into your touch. “I love you,” he said softly, his voice trembling slightly. “I love both of you. And I’ll protect you with all I have.”
Tears welled up in your eyes, the weight of his words sinking in. “I love you too,” you whispered, feeling the strength of his love envelop you. “We’ll get through this. Together.”
The next few days were a whirlwind of planning and preparation. Your mother and Aunt Arisu were brought into the fold, their wisdom and experience invaluable in devising a plan to keep your pregnancy a secret. They promised to support you in any way they could, offering their home as a safe haven where you could hide from prying eyes.
Megumi and Tsumiki were surprisingly understanding, their loyalty to you and Satoru unwavering. They vowed to keep the secret, to protect their future sibling from the dangers that lurked in the shadows of the jujutsu world.
As the weeks turned into months, you found strength in the love and support of those around you. Satoru’s determination to protect you never wavered, his presence a constant source of comfort and reassurance. Despite the secrecy and the danger, there was a sense of hope that carried you through each day.
And in the quiet moments, when it was just the two of you, you felt a deep sense of gratitude for the love that bound you together. It was a love that would see you through the darkest of times, a love that would protect and nurture the new life growing inside you. And with Satoru by your side, you knew you could face whatever challenges lay ahead.
The days leading up to Satoru's confrontation with Sukuna were heavy with unspoken fears and silent resolutions. Each moment felt borrowed, a fragile gift that could shatter under the weight of impending doom. You moved through your days with a heightened awareness, every touch, every glance laden with meaning. The anticipation was a living thing, a constant presence that neither of you could shake.
The last time you both saw your son was during separate visits to the ancestral manor. He knew you had been there, especially when you brought Yuuji along at his request. Satoru had visited him shortly afterward, driven by an insistent need to see his boy before the impending confrontation. The weight of the world seemed lighter, if only for a moment, as he thought of his son.
Satoru could only sigh, the longing in his heart palpable. He had yearned for Suguru for the past eleven, twelve years, a constant ache that never quite faded. Yet, this longing for Suguru, as intense as it was, paled in comparison to the deep, unyielding yearning of a father. He had missed his son so much, too much. The distance, both physical and emotional, had been a torment he could hardly bear.
Satoru was certain he remembered everything about his son. The boy was a spitting image of him—silver hair that fell a bit longer, the same striking blue eyes, though his son's were even darker, like the depths of the sea. But more importantly, he recognized the essence of you in every move, every quirk, every smile. Your son might look like Satoru, but in all the ways that mattered, he was you.
Satoru adored him the most in the world. Even if he loves you, there is truly nothing that’s going to encapsulate, translate how much he loves his little boy. Your son was a constant, beautiful reminder of the bond you both shared. Your son carried your grace, your kindness, and your strength. Every time Satoru looked at him, he saw the love and unity that defined your relationship. For that, he was profoundly grateful. For that, he was happy. There was a reminder of you, of him, together in this world, encapsulated in the boy who bore the best of both of you.
And here he was, newly sealed, recovering from all of it;
All he could think about was wanting to see your dear boy.
All he could think about was wanting to embrace him again.
"I want to go to Hida," he said, his voice steady but laced with a vulnerability that made your heart ache. He looks to you softly, eyes full of yearning. “I wanna see him.”
"Are you sure?" you asked gently, searching his face for any hesitation. You purse your lips. “Satoru, it’s unsafe now. Are you sure?”
He nodded, a small, almost imperceptible smile tugging at his lips. "I want to spend as much time as possible trying to make sure our son understands that his father loves him."
You could hear the uncertainty in his voice, the doubt that gnawed at him despite his resolute exterior. "Satoru, you're a good father." you assured him, but he shook his head, his expression conflicted. “You have put your own heart at hold to protect him. He understands.”
"I don't know if I'm doing it right or wrong," he admitted, running a hand through his hair in frustration. "I love our son as much as I love Megumi, as much as I love you. But I didn't have a father growing up. Mine died when I was young, and I don't remember him very well. My mother tells me that he loved a lot, but I don't know if I believe that."
You stepped closer, placing a comforting hand on his arm. "You love our son, and that's what matters most. He's always known that, even if you haven't been able to be there as much as you wanted. He sees it because you show him.”
Satoru sighed, his gaze distant as he recalled the moments he missed, the milestones he couldn't witness firsthand. "I want to be the best father to him, darling. I want him to know he's the most beloved son. That I love him the most in the world.”
"You already are, Satoru," you whispered, leaning your head against his shoulder.
“We have to see him.” Your husband retorts back to you, a sad smile on his lips. “If this is the last chance—”
“It won’t be,” You shake your head at him. “You know that.”
“I know, but…” He sighs, resting his head against the crook of your neck. “I want to be sure. Nothing is bound, darling. I want to… I want to be able to leave him with something he can remember his old man by.”
The weight of his words pressed down on you both, the unspoken fears and the grim reality of what was to come. You could feel your throat choke up as you tried to banish the tears from your eyes. The thought of Satoru not being there hurt you.
Not only because you loved him, but because you knew your son loved him the best in the world. The thought of him becoming without the person he holds dear in the world, it tears you apart.
You want to believe that your husband was the title he was given. You knew he was strong. You believe he will overcome this. That’s why you keep putting off visiting your son. It was safer, it would be in the future that you and Satoru had fought so hard to fight for. But your husband was just a man too. A man who has a finite life and a heart too big for the world to comprehend. He was just Satoru. A husband, a father. A friend, a teacher. He was just like that. 
You look at him with a guilty look. You were selfish with him, with what you said. He needed you, he needed Satoru. Your son needed you both. As much as you needed him. What is protecting him from all these dangers, if you both weren’t there to love him either?
What is loving Satoru if you can’t be there for him either? If you can’t love him properly either? You took a deep breath. You’ve made up your mind. You will not deprive him of this. You would not be selfish with this. You would let him be selfish. You would let him live as he had never before. 
You held him tighter, feeling the tension in his muscles, the vulnerability he rarely showed. “You’re right. We will see him, my love.” you affirmed, your voice steady. “And we’ll make sure he knows how much he’s loved.”
Satoru’s eyes met yours, a mixture of gratitude and sorrow. “Thank you, darling.” he murmured, his voice thick with emotion. “For understanding, for always being here. I don’t know what I’d do without you.”
“I’m sorry, Satoru,” you whispered to him tenderly as you kissed the small of his lips. “I should have been better with this.”
“Hey, don’t be sorry. You want to protect him too, I understand.” He tells you, a small smile on his lips. “Sukuna has familiarity with Hida, I know you’re wary about it.”
You nodded, the weight of your concerns evident in your eyes. “I just want to make sure he’s safe. That we’re all safe.”
Satoru’s smile softened, and he brushed a thumb over your cheek. “We’ll keep him safe. We’ll keep everyone safe. That’s a promise.”
You smiled softly, brushing a stray strand of hair from his forehead. “We’re in this together, Satoru. Always.”
He kissed your forehead, a lingering touch that conveyed all the words he couldn’t say. “Let’s go to Hida,” he said finally. “Let’s spend this time with him, make memories that will stay with him.”
You nodded, feeling a sense of resolve settle within you. “Yes, let’s do that. We’ll make sure he knows how much he means to us.”
All of Satoru’s training was canceled for the next few days.
Everyone understood why and said nothing about any of it.
Gojo Satoru couldn’t be happier to enjoy the long trip.
Because the next he’ll get off the train, he’ll see his dear son.
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ARRIVING IN HIDA WAS A REFRESHING THING. It was as though the looming war, the destruction, the suffering, did not exist. These precious days felt suspended in time, a haven of peace amidst the chaos.
Each sunrise brought with it a semblance of normalcy, a gentle reminder of the life you were fighting to protect. The air was filled with the scent of blooming flowers, and the sun cast a warm, golden glow over everything it touched.
As the days passed, you found moments of solace in the simple joys of being together. Satoru’s determination to be the best father he could be was palpable. He approached fatherhood with the same intensity and dedication he showed in his sorcery, and you admired the way he threw himself into the role with such fervor.
His playful nature shone brightly as he engaged your son in games, stories, and lessons. The bond between father and son grew stronger with each passing day, and it filled you with a sense of hope and reassurance.
Gojo Satoshi did not know much about the wider world beyond the confines of the carefully constructed life you and your family had built around him. But Satoru thought that was for the best. At his tender age, the complexities and dangers of the world could wait.
For now, Satoshi was wrapped in a cocoon of love and safety, his days filled with laughter and innocence. The little lordling of the Gojo clan had the privilege of being shielded from the harsh realities, existing in a world where he was cherished and adored.
“Young master Gojo, please do not run too much! You’ll slip!” His nurse-maid's voice rang out in a mix of concern and exasperation as she hurried after the energetic boy. Her normally composed demeanor was visibly frazzled as she struggled to keep pace with her lively charge. “Young master!”
“Heh, chase me! Chase me!” Satoshi's infectious giggle echoed through the gardens, his small feet moving quickly across the manicured lawn. His silvery hair, so much like his father's, shimmered in the sunlight, and his blue eyes sparkled with pure delight.
The scene was picturesque, the verdant greenery of the garden serving as a perfect backdrop to the boy's joy. Flowers bloomed in a riot of colors, and the gentle hum of insects added to the serene atmosphere.
Gojo Satoru watched from a distance, a soft smile playing on his lips. He saw so much of himself in Satoshi, from the boy’s boundless energy to the mischievous glint in his eyes. Yet, he also saw you in him—the kindness, the warmth, the innate ability to find joy in the simplest things.
Satoshi’s world was small but rich, filled with the love and attention of those who cared for him. He didn't know of the looming threats or the responsibilities that came with his lineage. Instead, his days were spent exploring the garden, listening to stories, and playing games. It was a simple life, but it was one that Satoru cherished deeply for his son.
The nurse-maid finally caught up to Satoshi, scooping him into her arms despite his playful wriggling. “Young master, you must be careful,” she chided gently, her tone softening as she adjusted his tousled hair. “We wouldn’t want you to get hurt. You are too important to be hurt.”
Satoshi pouted for a moment before breaking into a wide grin. “Okay, I’ll be careful,” he promised, though the twinkle in his eye suggested that he was already planning his next adventure.
“Our little lordling is too bright for the sun, huh?” Satoru approached, his presence immediately noticed by Satoshi, who reached out eagerly. 
“Papa!” the boy exclaimed, his arms stretching towards his father.
With a warm chuckle, Satoru took Satoshi into his arms, lifting him high into the air. “Having fun, little lordling?” he asked, his voice filled with affection. “You were zooming out there, huh?”
“Yeah!” Satoshi replied enthusiastically. “We were playing chase, and I was winning!”
Satoru laughed, his heart swelling with love. “I’m sure you were. But remember to listen to your nurse-maid, okay? We don’t want any accidents.”
Satoshi nodded solemnly before breaking into giggles again. “I will, Papa.”
As Satoru held his son close, he couldn’t help but feel a deep sense of contentment. In these moments, the worries of the world faded away, leaving only the pure, unadulterated love between a father and his child. He knew that soon enough, Satoshi would grow older and the realities of their world would become unavoidable. But for now, he was determined to protect this innocence, to ensure that Satoshi's world remained filled with laughter and love for as long as possible.
“Let’s go find Mama,” Satoru said, carrying Satoshi back towards the house. “I’m sure she’s missed you.”
Satoshi's eyes lit up at the mention of you, and he nodded eagerly. “Yeah! Let’s go find Mama!”
The path back to the house was lined with blooming cherry blossoms, their petals gently drifting to the ground with each breeze. Satoru walked with an easy grace, his son nestled securely in his arms. The house, an elegant blend of traditional and modern architecture, stood as a sanctuary amid the chaos of the outside world.
As they approached, the soft hum of your voice reached their ears. You were in the kitchen, preparing a meal, the aroma of freshly cooked rice and simmering soup wafting through the air. Your presence was a constant source of comfort and strength, grounding Satoru in ways he often struggled to articulate.
“Mama!” Satoshi called out excitedly as they entered the kitchen.
You turned, a warm smile spreading across your face as you wiped your hands on a towel. “There’s my little troublemaker,” you said, reaching out to take Satoshi from Satoru’s arms. “Were you having fun in the garden?”
Satoshi nodded vigorously. “Yes, Mama! We played chase, and I was winning!”
You chuckled, kissing his forehead. “I’m sure you were. Did you give the nurse-maid a hard time?”
Satoshi giggled, hiding his face on your shoulder. “Maybe a little.”
Satoru watched the interaction with a tender expression. “He’s full of energy today,” he commented, stepping closer to place a hand on your back. “How are you feeling?”
You glanced up at him, your eyes filled with understanding. “Better, now that you two are here.” You looked back at Satoshi, brushing a stray lock of hair from his forehead. “Were you good for Papa?”
“Yes, Mama,” Satoshi replied earnestly. “Papa said we should always listen to nurse-maid.”
You smiled, giving Satoru an appreciative look. “That’s right. It’s important to be careful.”
Satoru's gaze softened as he watched you interact with Satoshi. Despite the looming threat of Sukuna, these moments of normalcy and love filled him with a fierce determination to protect his family at all costs.
“Dinner will be ready soon,” you said, turning back to the stove. “Why don’t you two wash up?”
Satoshi wriggled in your arms, eager to comply. “Come on, Papa!” he urged, pulling at Satoru’s hand.
“Alright, alright,” Satoru laughed, letting himself be led towards the bathroom. As he helped Satoshi wash his hands, he marveled at how such simple acts could bring so much joy.
After washing up, they returned to the kitchen where you had set the table. The meal was a humble but hearty spread, the kind that brought warmth and comfort to the soul. Satoru helped Satoshi into his chair before taking his own seat beside you.
As you all sat down to eat, Satoshi’s chatter filled the room, his stories animated and full of wonder. Satoru listened with rapt attention, his heart swelling with pride and love. He reached out to squeeze your hand under the table, a silent promise that he would do everything in his power to keep this happiness intact.
After dinner, you all settled in the living room. Satoshi, full and content, curled up next to you on the couch, his little head resting on your lap. Satoru sat beside you, his arm draped over your shoulders. The room was bathed in the soft glow of the evening light, casting a serene ambiance over the scene.
Satoru looked at you, his cerulean eyes filled with a mixture of love and determination. “We’re going to be okay,” he said softly, his voice steady. “No matter what happens, we’ll face it together.”
You nodded, leaning into his embrace. “Together,” you echoed, your hand resting gently on Satoshi’s back.
“Papa, let’s go!” Satoshi’s eyes sparkled with excitement, his little hand tugging at Satoru’s sleeve.
“Hm? Where, little lordling?” Satoru asked, his voice warm with affection.
“The koi pond!” Satoshi replied eagerly, his enthusiasm infectious.
Satoru looked at you, seeking your opinion. You nodded and offered him a warm smile. “Why not? It’s too nice today and it’s refreshing after a long play, don’t you think?”
“I suppose.” Your husband nodded to you before turning his attention back to your son, his grin widening. “Does my little lordling want to be carried by papa, or is he wanting to be a big boy and walk?”
Satoshi puffed out his chest with pride, his tiny hands clenched into determined fists. “I’ll walk, Papa! I’m a big boy!”
Satoru chuckled, patting Satoshi’s head affectionately. “That’s my boy. Lead the way, then.”
The three of you made your way to the koi pond, the garden bathed in the golden glow of the moonshine The air was filled with the gentle rustle of leaves and the soft chirping of owls settling down for the evening. It was a tranquil scene, a stark contrast to the turbulent world outside your home.
The tranquil scene was framed by vibrant greenery and the soft murmur of a nearby stream. They were watching the koi fish swim lazily in the pond, their colorful scales glinting in the moonlight. Your son was immediately chattering excitedly about something he’d learned, his voice a melodic blend of enthusiasm and curiosity. Satoru listened intently, a fond smile playing on his lips.
Satoshi skipped ahead, his laughter ringing out like a melody. You and Satoru followed at a leisurely pace, hand in hand, savoring the peaceful moment.
As you reached the koi pond, Satoshi knelt by the water's edge, his eyes wide with wonder as he watched the colorful fish swim gracefully. “Look, Papa! The fish are so pretty!”
Satoru crouched beside him, pointing out different koi. “See that one with the golden scales? That’s the king of the pond. And that one over there, with the red spots, is the queen.”
Satoshi’s eyes sparkled with delight as he listened intently to Satoru’s explanations. “Can we feed them, Papa?”
Satoru glanced at you, and you smiled, pulling out a small container of fish food from your pocket. “Here you go, Satoshi. Just a little bit at a time, okay?”
Satoshi nodded eagerly, carefully taking the container from you and sprinkling a small amount of food into the pond. The koi fish swarmed to the surface, their mouths opening and closing as they devoured the food. Satoshi giggled with delight, clapping his hands together.
“Papa, did you know that koi fish can live for over 200 years?” your son exclaimed, his eyes wide with wonder.
Satoru nodded, his gaze never leaving your son’s animated face. “Really? That’s amazing, buddy. Imagine all the stories they could tell.”
Your son giggled, the sound pure and joyful. “Maybe they know magic, too!”
Satoru’s smile widened, his eyes sparkling with amusement. “Maybe they do. Maybe they’re the guardians of secret underwater realms.”
You and Satoru stood back, watching your son with fond smiles. “He’s growing up so fast.” you murmured, leaning into Satoru’s side. "Almost four already. He's not our baby anymore, hm?"
“He still is, y'know?” Satoru hummed, his arm wrapping around your shoulders. “but you're right. Soon, he’s going to grow up strong. Our beautiful boy, he’s always going to be loved, too.”
“This is perfect,” you whispered, leaning your head against Satoru’s shoulder. The warmth of his body and the steady beat of his heart grounded you, reminding you of the strength you found in each other. “This is everything we could ever want.
“It is.” Satoru agreed, his voice low and filled with emotion. “Everything is more than I imagined.”
As the moon echoed below the horizon, casting a warm evening glow over the garden, the three of you stood by the koi pond, savoring the simple joys of family and the promise of a future filled with love and hope. All Gojo Satoru had to do was defeat Sukuna. All he had to do was get this over with. Then all will be over. He’ll get to be with you. He’ll get to be with Satoshi. You could be a family in peace.
Gojo Satoru wouldn’t be the strongest then.
He could just be himself, he could just be this.
He could just be your husband, Satoshi’s father.
He can be a human being for the first time in his life.
“Papa, can we stay here forever?” your son asked suddenly, his eyes wide with innocence. Both of you look at him. “You and mama, can we all be here together?”
Your son's innocent question hung in the air, a poignant reminder of the simplicity of childhood dreams. Satoru's gaze softened as he looked down at your son, his expression a mixture of tenderness and wistfulness. It was a question that held a weight far beyond its years, touching on the deepest desires of the heart.
For a moment, neither of you knew quite how to respond. The idea of staying in this tranquil moment forever, frozen in time with your family by your side, was undeniably tempting. Yet, reality loomed on the horizon, with its uncertainties and responsibilities.
Satoru exchanged a glance with you, silently communicating the depth of his emotions. There was a longing in his eyes, a yearning for a life free from the burdens of duty and danger. But beneath it all, there was a fierce determination to protect what mattered most—your family.
With a gentle smile, you reached out and ruffled your son's hair. "We'll always be together, Satoshi. No matter what happens, we'll find a way to stay together."
Satoru's hand found yours, his grip reassuring and firm. "That's right, little lordling. We'll always be here for you, no matter where life takes us."
Your son's eyes sparkled with happiness at your reassurance, his small hand reaching out to clasp both of yours. "Promise?"
You exchanged a knowing look with Satoru, his expression mirroring your own determination. "Promise," you both said in unison, sealing the vow with a tender smile
The soft glow of moonlight filtered through the curtains, casting gentle shadows across the room as you lay entwined with your husband and son. In the tranquil silence of the night, you could hear the steady rhythm of their breathing, a comforting reminder of the love that bound you together.
Wrapped in the warmth of each other's embrace, you felt a profound sense of contentment wash over you. It was in these quiet moments, surrounded by the ones you held most dear, that you found solace from the chaos of the outside world. Here, in the sanctuary of your shared love, you felt invincible, ready to face whatever challenges awaited you.
As you closed your eyes and drifted off to sleep, a serene smile graced your lips. In the arms of your beloved family, you knew that no matter what trials lay ahead, you would overcome them with unwavering strength and unwavering love.
“Satoru, my love.” you whispered, your hand entwined with his. “Thank you for being here. For being with us.”
He turned to you, his eyes filled with love. “There’s nowhere else I’d rather be, darling. You and our son… you’re my everything.”
You smiled, feeling the warmth of his words seep into your heart. “And you’re ours. Always.”
The days turned into weeks, and the time for Satoru’s confrontation with Sukuna drew closer. But instead of being consumed by fear, you found strength in the love that surrounded you. The bond you shared with Satoru, the love you had for your son, and the support of your family gave you the courage to face whatever lay ahead.
On the last evening before Satoru was to leave with you, the three of you all gathered under the stars, the night sky a blanket of twinkling lights above you. Your son sat on Satoru’s lap, his head resting against his father’s chest.
“Papa, will you come back soon?” he asked, his voice small and filled with hope.
Satoru hugged him tightly, his eyes glistening with unshed tears. “I’ll do everything I can to come back to you, buddy. You and your mama are my entire world. Papa can’t live without any of you.”
Your son nodded, content with his father’s promise. “Me too, papa.”
“Hm?”
“I can’t live without you and mama.” Your son whispers to his father, wiping his father’s tears tenderly. Satoru blinked at his son’s act. “So papa has to do well and come back, with mama?”
In that tender moment, the depth of the bond between father and son was palpable. Satoru's heart swelled with emotion as he gazed into his son's earnest eyes, filled with a love so pure and unconditional it took his breath away. With a lump in his throat, he tightened his embrace, savoring the warmth of his son's small body pressed against his own.
His voice was thick with emotion as he replied, "I promise, buddy. I'll do everything in my power to come back to you and mama. You both mean the world to me, and I can't bear the thought of being without you."
Your son's response was equally heartfelt, his voice soft yet resolute. "I believe in you, papa. We'll be waiting for you, always."
You leaned against Satoru, drawing comfort from his presence. “I love you so much.”
He takes a breath. “I love you too. With everything in me.”
The night was quiet, filled with the gentle sounds of nature and the steady rhythm of your hearts beating in unison. As you closed your eyes, Satoru whispered a silent prayer, to any god listening above. If there ever was one. He prayed.
He wished that he could come home. He wished that he could be with you. He wished that he could watch Satoshi grow up. He wishes for that dream, for that hope, to come true.
That’s what all he could see as he lay there.
Shoko Ieiri looked him in the eyes as he struggled.
He smiles at her and then you, puddle full of tears.
“I love you.” He choked. “You and Satoshi, I love you.”
From faraway Hida, a boy sits by the koi pond and prays.
“I hope that my mama and papa return to good health soon.”
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flashback epilogue
The hospital room was cast in a gentle, dim light, creating a serene atmosphere that belied the intensity of the recent events. Satoru sat on the edge of the bed, his broad shoulders relaxed yet filled with a quiet strength as he cradled his newborn son,  little Gojo Satoshi, against his chest. 
With delicate care, he adjusted the soft blankets around little Satoshi, ensuring his newborn son was warm and comfortable. Despite the fatigue evident in his eyes, there was a palpable sense of wonder and tenderness in Satoru's touch as he looked down at the tiny bundle in his arms.
Meanwhile, you lay nearby, your form softened by the relief of finally finding respite after the long and arduous hours of labor. Your face, though etched with exhaustion, held a serene expression, a testament to the profound sense of fulfillment that accompanied the arrival of your precious child.
In that quiet moment, amidst the hushed sounds of the hospital room, the bond between parent and child blossomed, enveloping the room in an aura of warmth and love that seemed to transcend time itself. Satoru couldn’t be happier to carry his whole world in his arms.
Gazing down at the tiny bundle in his arms, Satoru felt a surge of overwhelming love wash over him. With a soft smile, he leaned in close to Satoshi's ear, whispering words of welcome and affection.
"Welcome to the world, my beautiful boy." Satoru murmured, his voice filled with warmth. "D’you know what your name is? What it means?”
The little boy cooed at his father’s words.
Satoru laughed softly, looking at him lovingly.
He was already so attentive towards his father.
“Mama and I decided together, y’know? Your name just had to be Satoshi.” Satoru takes a deep breath, smiling as the baby cooes again. “You’re satisfied, hm? But you’ll like the spelling more, little man.”
Satoru could only feel overwhelmed by what he felt.
He could only feel nothing but joy, nothing but elation.
The dawn was breaking, as it always had before this moment.
But now,  where his own dawn was in his hands, he just smiled.
“Papa chose the character for you. It means 'dawn'.” He whispered to him tenderly, almost like a little lullaby. “Because you are the beginning of a new chapter for our family. You bring light and hope into our lives, just like the dawn brings a new day."
There was a louder coo this time around.
He was more than happy, Satoru thinks.
And he couldn’t be happier than this moment.
This beautiful boy, his darling boy, his dawn.
Satoru pressed a gentle kiss to Satoshi's forehead, marveling at the precious life he held in his arms. "I love you so much, my son," he whispered, his heart overflowing with love and joy at the arrival of their little miracle. “My little dawn.”
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doublism · 5 days
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i actually think it's awesome that john lennon's son is annoying on twitter because it provides us a glimpse into how unbearable john lennon himself would've been on twitter had he lived long enough. rip john lennon you would've loved saying shit like this.
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nevereverywhere · 7 months
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The »The End« guitar solos or "how to subtly show your love by playing guitar together, when talking about problems is apparently not a possibility" Quotes by Geoff Emerick, sound engineer and record producer: 'I know!' he (John) said mischievously, unwilling to let it go. 'Why don't we all play the solo? We can take turns and trade licks.' Long guitar solos with dueling lead guitarists were becoming the vogue at the time, so it was a suggestion that clearly had merit. George (Martin) looked dubious, but Paul not only embraced the idea but upped the ante further still: 'Better yet,' he said, 'why don't all three of us play it live?' Lennon loved the idea – for the first time in weeks I saw a real gleam in his eye. It didn't take long for John's enthusiasm to rub off on George Harrison, who finally got into the spirit of things. John, Paul and George looked like they had gone back in time, like they were kids again, playing together for the sheer enjoyment of it. More than anything, they reminded me of gunslingers, with their guitars strapped on, looks of steely-eyed resolve, determined to outdo one another. Yet there was no animosity, no tension at all – you could tell they were simply having fun. The order was Paul first, then George, then John, and they went back and forth. They ran down their ideas a few times and before you knew it, they were ready to go. Their amps were lined up together and we recorded their parts on one track. You could really see the joy in their faces as they played; it was like they were teenagers again. One take was all we needed. The musical telepathy between them was mind-boggling. Incredibly, after just a brief period of rehearsal, they nailed it in a single take. When it was over, there was no backslapping or hugging – The Beatles rarely expressed themselves physically like that – but there were lots of broad grins. I guess there's also the possibility that, as they were performing the solo, they realized they might never get to play together again; perhaps they were viewing that moment as a poignant farewell. It was the first time in a long time that the three of them were actually playing together in the studio.
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gardenschedule · 22 days
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What Happened In India?
(or around that time...)
Before
Shortly before we were due to leave for India John spent the weekend with Derek Taylor, a former journalist who had become the Beatles' press spokesman and a good friend to us all. He, his wife Joan and their five children lived in a big country house where they seemed incredibly contented. When he came home after that weekend John put his arms around me and said, 'Let's have loads more kids, Cyn, and be really happy' Despite my increasingly strong feeling that John was slipping away from me, it seemed at moments like that as though nothing had changed. John was off drugs and seemed almost like his old self. 'We can make it work, Cyn,' he said. 'When we're in India we'll have time for us and everything will be fine.' I hoped he was right.
John (Cynthia Lennon)
Cyn hoped that Rishikesh would afford seclusion, privacy and an opportunity for her and John to rediscover each other and to revive their marriage. ‘Impossible hopes,’ she said sadly. ‘John said to me just before we went to India that he wanted us to have more children. Well that came out of the blue, I can tell you. I was really surprised, as he’d never said a word about that before.
Lesley-Ann Jones - The Search for John Lennon
Cynthia: “It was a time for us all to drop out for a while. The years of fame and fortune had taken their toll on our nerves and minds. John and I both felt closer. There seemed to be a greater possibility of our finding a solution to personal difficulties. If our trip to India wasn’t going to solve our emotional problems, then nothing would.”
The Beatles Off the Record (Keith Badman)
That letter made it crystal clear that they [John and Yoko] had been in contact. How well had they got to know one another? I tackled John, who told me she'd written many times, both letters and cards, but said, 'She's crackers, just a weirdo artist who wants me to sponsor her. Another nutter wanting money for all that avant-garde bullshit. It's not important.' I had no way of knowing whether he was telling me the truth. He sounded genuine, but a sixth sense told me there was more to this than he was admitting. I tried to put it to the back of my mind. We were going to India, and I wanted that to be a special time for us.
John (Cynthia Lennon)
John panicked at the accumulating threats from the Princess of Darkness. That was when he decided to go to India with Cynthia to put some distance between himself and Yoko. If he stayed away long enough, he could hope Yoko would just go away. Maybe she’d go back to America, or vanish in a puff of smoke. Her scissors act might go horribly wrong, or while she was bagged up one day the Royal Mail might frank the bag and deliver it to anywhere but India. Yes, a long trip to the ashram, where he could meditate and learn how to be calm and in control, give up drugs and spend romantic moments with Cynthia and glue his crumbling marriage back together, seemed opportune.
Magical Mystery Tours My Life with The Beatles by Tony Bramwell
“I don’t like the unhappiness she [Yoko] caused. She was horrible. John wanted to avoid her at first. He said, ‘Get rid of the bloody woman!’ But after India, he saw her differently — perhaps filtered through an exotic mindset.”
Tony Bramwell - the band’s ex-road manager
During
“The pressure of being the Beatles had driven a wedge between them individually and that had all percolated in the months leading up to their visit to Rishikesh,” he said. “Once they got there, and they unburdened themselves from all of that, they reconnected with their songwriting and their creativity. It just flowed forth.”
Bob Spitz to the New York Times
 “I was in a room for five days meditating,” said Lennon in The Beatles Anthology. “I wrote hundreds of songs. I couldn’t sleep and I was hallucinating like crazy, having dreams where you could smell. I’d do a few hours and they you’d trip off, three- or four-hour stretches. It was just a way of getting there, and you could go on amazing trips.” Cynthia Lennon said in Bob Spitz’s book The Beatles that for John, nothing else mattered when it came to mediation, adding “John and George were [finally] in their element [at the ashram]. They threw themselves totally into the Maharishi’s teachings, were happy, relaxed and above all found a piece of mind that had been denied them for so long.”
The Beatles in India: 16 Things You Didn’t Know
I was right in the Maharishi’s camp writing “I wanna die” you know. I’m So Tired and Yer Blues where they were pretty sort of realistic, you know, they were about me
Lennon Remembers
Ob-La-Di, Ob-La-Da was born on the steps of one of the low slung cottages where the entourage lived. One day, remembers Saltzman, he was passing by the cottage when he saw Lennon and McCartney sitting on the front steps and strumming the tune on their acoustic guitars. He ran back, picked up the camera and took pictures of the two with a pensive-looking Starr sitting on the side, from outside a wicket gate. Saltzman remembers the two were singing the first two lines of the song "over and over again, going fast and slow, having fun". "That's the riff we have," McCartney told Saltzman, "but no words yet".
filmmaker Paul Saltzman
Jenny Boyd, Patti’s sister “I sat with John a lot, since he didn’t feel well, either from terrible jet lag, and insomnia. He would stay up late; unable to sleep, and write the songs that would later appear on The Beatles’ White Album. When I was at my lowest, he made a drawing of a turbaned Sikh genie holding a big snake and intoning, ‘By the power within, and the power without, I cast your tonsil lighthouse out!’ Sometimes, late at night, I can still hear John singing those sad songs he wrote during those evenings, like ‘I’m So Tired.’”
The Beatles Off the Record (Keith Badman)
John “I went to the Maharishi and, regardless of what I was supposed to be doing, I did write some of my best songs while I was there. It was a nice scene. Nice and secure and everybody was always smiling. The experience was worth it if only for the songs that came out. It could have been the desert or Ben Nevis. The funny thing about the Maharishi camp was that, although it was very beautiful and I was meditating about eight hours a day, I was writing the most miserable songs on earth, like ‘I’m So Tired’ and ‘Yer Blues.’”
The Beatles Off the Record (Keith Badman)
Meanwhile, I was not having the second honeymoon I'd hoped for. John was becoming increasingly cold and aloof towards me. He would get up early and leave our room. He spoke to me very little, and after a week or two he announced that he wanted to move into a separate room to give himself more space. From then on he virtually ignored me, both in private and in public. If the others noticed they didn't say so. I did my best to understand, begging him to explain what was wrong. He fobbed me off, telling me that it was just the effect of the meditation. 'I can't feel normal doing all this stuff,' He said. 'I'm trying to get myself together. It's nothing to do with you. Give me a break.' What I didn't know was that each morning he rushed down to the post office to see if he had a letter from Yoko. She was writing to him almost daily. When I learnt this later I felt very hurt.
John (Cynthia Lennon)
And because the Beatles didn’t know anything about ashrams and they haven’t seen anything before because they went for Maharishi, not for the ashram. Maharishi didn’t allow men to stay with their wives. John was delighted with the idea. He loved it, actually. I think it made Cynthia very unhappy. She wanted to stay with John, everybody had his own problems. My great interest was with John. I was very happy because I found John much healthier. The color in his face was different and he was happier and he took the whole thing very seriously, and he was trying hard and he was so excited when I arrived because perhaps I was part of the reason he was there.
Magic Alex in All You Need Is Love – Peter Brown & Steven Gaines
We all went through a depression after Maharishi and Brian died; it wasn’t really to do with Maharishi, it was just that period. I was really going through the “What’s it all about?” type thing – this songwriting is nothing, it’s pointless, and I’m no good, I’m not talented, and I’m shitty, and I couldn’t do anything but be a Beatle. What am I going to do about it? It lasted nearly two years and I was still in it during Pepper. I know Paul wasn’t at the time; he was feeling full of confidence, and I was going through murder during those periods. I was just about coming out of it around Maharishi, even though Brian had died – that knocked us back again. Well, it knocked me back.
John Lennon, interview w/ Barry Miles, (partially) unpublished. (September 23rd, 1969)
By spending two months in deep meditation in India, John brought his deepest problems to the surface but he was unable to resolve them: the contradiction between his family life and his life as a rock star with all the drugs and groupies was too great. Had he stayed with the Maharishi until the end of the course, he might have avoided some of the pain, but by terminating the instruction abruptly, he was left hanging in thin air. During the weeks at the camp, he had been receiving daily letters from Yoko, though nothing sexual had yet happened between them. He was very attracted by her but he felt tremendous guilt about breaking up his marriage: doing to Julian what his own parents had done to him, repeating the pattern.
Many Years From Now - Barry Miles
He [Mick Jagger] told me with amusement that the real reason why the Beatles left the Maharishi was that he made a pass at one of them: “They’re simple north-country lads; they’re terribly uptight about all that.” Am still not sure if I believe this story.
“The Sixties,” the second volume of Christopher Isherwood’s diaries
After
And I was slowly putting myself together after Maharishi, bit by bit over a two year period. I destroyed me ego and I didn’t believe I could do anything. I let Paul do what he want and say, them all of them do what they want, I was just nothing, I was shit. And then Derek tripped me out at his house after he got back from LA, and he sort of said you’re all right and pointed out which songs I’d written, and ‘you wrote this and you said this, you are intelligent, don’t be frightened’. And then next week I went down with Yoko and tripped out again and she filled me completely to realize I was me and it was alright.
Lennon Remembers
So much had changed since I’d last seen the Beatles just a few months previously. They had come back from their trip to India completely different people. They had once been fastidious and fashionable; now they were scruffy and unkempt. They had once been witty and full of humor; now they were solemn and prickly. They had once been bonded together as lifelong friends; now they resented one another’s company. They had once been lighthearted and fun to be around. Now they were angry.
Here, There and Everywhere - Geoff Emerick, Howard Massey
The rage that was bubbling inside John was the most obvious sign that something was seriously wrong. There was new tension between John and Paul, and even between John and Ringo, in addition to the often strained relationship that Paul had with George and the resentment that Ringo sometimes exhibited when Paul coached him too much on drum parts. In fact, the only two Beatles who seemed to get along during the White Album sessions were John and George. Perhaps that came from the experience they had shared at the ashram—after all, they were the two who had stuck it out, staying on long after Ringo and Paul had gone back home. Maybe they felt deserted by their bandmates, or betrayed. The undercurrents between the four Beatles were so complex at that point, it gave me a headache just thinking about it.
Here, There and Everywhere - Geoff Emerick, Howard Massey
Our first night back in the studio began, as usual, with small talk and catching up. “So how was India?” I asked. “India was okay, I guess… apart from that nasty little Maharishi,” John replied, venomously. Harrison looked deflated, as if it were a conversation they’d had many times before. With a deep sigh, he tried to calm his agitated bandmate. “Oh come on, he wasn’t that bad,” he interjected, earning a withering glance. Lennon’s bitterness and anger seemed almost palpable. Ringo tried deflecting things with a little humor. “It reminded me of a Butlins holiday camp, only the bloody food wasn’t as good,” he said with a wink. I glanced in Paul’s direction. He was staring straight ahead, expressionless and weary. He didn’t have much to say about India that day, or any other. I sensed at that moment that something fundamental in them had changed. They were searching for something, but they didn’t know quite what it was; they had journeyed to India looking for answers, and they were disappointed that they hadn’t found them there… but it seemed to me that they didn’t even know the questions.
Here, There and Everywhere - Geoff Emerick, Howard Massey
“By all accounts, John had hit an all-time low [after India]. “John was in a rage because God had forsaken him,” George recalled. “Then he went and completely reversed himself. He turned from being positive to being totally negative.” According to Pete Shotton, who was spending time with John at Weybridge, there was an overriding feeling of humiliation—from the Maharishi, from the Apple Boutique shambles, from his deteriorating marriage, from what he felt was his shrinking position in the Beatles. “He was more fucked up than I’d even seen him,” Shotton remembers. “It seemed like everything was going to the dogs. He’d been desperately grasping [at] straws, as far as I was concerned, and there wasn’t even a straw there.”
the beatles: the biography, bob spitz
JOHN: How can two women split up four strong men? It’s impossible. You know, The Beatles were disintegrating slowly after Brian Epstein died, it was a slow death, and it was happening. It was evident in Let It Be – uh, although Linda and Yoko were evident then, but they weren’t when it started, I don’t think. It was evident in – in India, when George and I stayed there and Paul and Ringo left.
October, 1971 (St Regis Hotel, New York)
There was little need for me to repeat my instructions. As soon as we got there, it was obvious that things were not hunky-dory with the Beatles. Their recent month-long meditation retreat with the Maharishi didn’t seem to have helped their relationships very much, and the estrangement was definitely having an effect on their work. I don’t think any actual recording got done that night. Paul, George and Ringo were rehearsing some new songs, trying different ways of playing and singing them. Meanwhile, John spent most of his time sitting on the floor next to Yoko, chatting privately with her as she stroked his hair. He seemed no more involved in the proceedings than me and Lawrence, who watched the uncomfortable tension building from the other side of the studio. “Hey John.��� Paul turned around to face him at one point. “Are you in this band or what?”
Leslie Cavendish, The Cutting Edge: The Story of the Beatles’ Hairdresser Who Defined an Era
Back at Kenwood John continued to be distant towards me. Now that we were away from the others and the charms of India, I felt increasingly afraid and depressed. John and I were back in the same bed, but the warmth and passion we had shared for so long were absent. John seemed barely to notice me. He was little better with Julian and was more likely to snap at him than give him a hug. There was just one moment of real warmth between us and that was, ironically, when John confessed to me that he had been unfaithful. We were in the kitchen when he said, out of the blue, 'There have been other women, you know, Cyn.'
John (Cynthia Lennon)
On the flight back from India, he had gotten very drunk and, for some reason, decided to confess all his affairs to Cynthia. Brutally, he ticked off a very long list, which included groupies, models, prostitutes, the wives and girlfriends of his and Cynthia’s friends and, possibly cruelest of all, Cynthia’s own girlfriends. Cynthia felt totally betrayed.
Magical Mystery Tours My Life with The Beatles by Tony Bramwell
The shattering of his faith in the Maharishi, meanwhile, had left John spiritually adrift once more; his instinctive response was to return with a vengeance to his former drug habits. (Like the other Beatles, John had totally abstained from alcohol and drugs while in India.) In retrospect, it's easy to see how wide open John was, at this particular juncture, to anything—or anybody—that might conceivably lift him out of his rut.
The Beatles, Lennon, and me - Pete Shotton
PAUL: I gave myself a set period, and then if it was gonna be something we really had to go back for, I was thinking of going back. But at the end of my month I was quite happy and I thought… this’ll do me. This is fine. If I want to get into it heavy, I can do it anywhere. That’s one of the nice things about it, you don’t have to go to church to do it, you can do it in your own room. So I was quite happy.
RINGO: I left just a little disillusioned, and John was a little disillusioned when he came back, and Paul was. [pause] George just loved it.
1993 rough cut of the Anthology series
Although Paul was the first to leave [India] disillusioned, John left in the mind of, ‘OK, well, we tried, we surrendered to God but it wasn’t God, it was Maharishi and this God thing is proving itself to be a total fallacy’ - and then went back to being The Beatles.
I left Rishikesh with John. Alex [Madras] had been the naughty boy who’d stirred everything up. John went in a rage because God had forsaken him (although it was nothing to do with God, really). Then he went and completely reversed himself. He turned from being positive to being totally negative.
I went to South India […] and everything that happened to me went wrong to the point that I felt, like John and Alex, that the Maharishi had put the heeby-jeebies in me.
George Harrison, c/o Derek Taylor, Fifty Years Adrift. (1984)
JOHN: I’ve got no regrets at all, ‘cause it was a groove and I had some great experiences meditating eight hours a day—some amazing things, some amazing trips— it was great. And I still meditate off and on. George is doing it regularly. And I believe implicitly in the whole bit. It’s just that it’s difficult to continue it. I lost the rosy glasses. And I’m like that. I’m very idealistic. So I can’t really manage my exercises when I’ve lost that. I mean, I don’t want to be a boxer so much. It’s just that a few things happened, or didn’t happen. I don’t know, but something happened. It was sort of like a click and we just left and I don’t know what went on. It’s too near—I don’t really know what happened.
John Lennon, interview w/ Jonathan Cott for Rolling Stone: The first Rolling Stone interview. (November 23rd, 1968)
Cynthia Lennon “John had taken acid once more and enthused, ‘Cyn, it was great. Christ Cyn, we’ve got to have lots more children. We’ve got to have a big family around us.’ At this point, I burst into tears … All I could blurt out was that, in no way, could I see us as he did. I was so disturbed by John’s outburst, that I even suggested that Yoko Ono was the woman for him. John protested at my crazy suggestion and suggested that I was being ridiculous. Although life went on as usual, my fears grew and I felt nervous and depressed. John was aware of my depression and suggested that, as he had to work for long hours in the recording studios for a few weeks, I should accompany Jenny, Donovan, Gyspy and Alexis on a holiday to Greece. The very thought of sun and sea really brightened my outlook.”
The Beatles Off the Record (Keith Badman)
During the spring of 1968, John was as confused, lonely, and unhappy as I'd seen him in years. Though his relationship with the other Beatles was still free of serious strain, he was seeing increasingly less of Paul and George, both of whom were now pursuing independent lives and interests of their own.
In My Life, Pete Shotton
The resentment might have been coming from a different place. With his marital problems still unsettled and Cynthia gallivanting around Greece, drugs continued to govern John’s fitful moods. He dosed himself continuously with LSD, tweaking its random effect with any spare pills he happened to find lying around the house. In the right company, it plunged John into a deep, unfathomable trance that altered between indecipherable rambling and deadpan silences. At Weybridge, into which Pete Shotton had moved in order to keep his friend company, he stayed up nights, tripping and battling wave after wave of incendiary rage. One night, after the usual snack of hallucinogens, Shotton says he noticed John moving his arms around very slowly in a circle. “I said, ‘What are you doing?’ ” recalls Pete, “but John couldn’t explain it. He said, ‘I can’t stop. There’s something making me do this. I can’t help myself.’ ” Tears followed, uncontrollable rivers of tears, intermingled with hideous laughter. When Shotton tried to comfort him, John resisted. “I’m not crying,” he insisted peevishly, wiping his eyes with the back of a hand. Suddenly John declared that he was Jesus Christ, back from the grave. “He was convinced of it,” Pete recalls, “saying… ‘This is it, at last—I know who I am.’ ” The next day the Messiah convened an emergency meeting at Apple to announce his identity to the other Beatles. Unimpressed, they said: “Yeah, all right then. What shall we do now?” After someone suggested lunch, the matter was dropped.
That night at Weybridge, in the middle of another drug-induced reverie, the TV flickered off, whereupon John, already chastened and in a self-abasing mood, asked Pete if it was okay if he invited a woman to the house. Shotton, who had no intention of staying up another night with his friend, was relieved. “Well, I think I’ll call up Yoko,” John said.
The Beatles – Bob Spitz
What happened that night can only be left to the imagination, but since it patently wasn’t the coming together of two virgins for the very first time, did Yoko do her hypnotism thing, as some of John’s friends thought she had, or did she have a powerful new drug in her arsenal? Nobody really believed that John fell in love overnight, because why hadn’t he done so before? He’d been kicking Yoko in and out of his life for over a year. Mostly, he had given the impression that he resented and despised her. So it must have been something pretty potent that made John fall headlong out of his casual affair with her into a mad obsession. Perhaps it was that he really was mentally ill and like many schizoid personalities, got religious mania. If he really did believe that he was Jesus, Yoko would probably have convinced him she was the Virgin Mary. A virgin at any rate. John was shortly to tell the world that they spent the night at the top of the house in his bloodred music room, recording the Two Virgins tape. They say that a moose in heat can waken the dead and achieve the impossible with his bellows. John and Yoko spent the night screaming.
Magical Mystery Tours My Life with The Beatles by Tony Bramwell
Whatever her reasoning, Cynthia remained determined to see the marriage through [after finding John and Yoko together]. Convinced that John still needed her, she returned to Kenwood, mollified by his apparent denial that anything improper had occurred. “For a while, everything was wonderful,” she recalled. “We could speak more openly and honestly with each other, and there really was a glimmer of light at the end of the tunnel.”
But the tunnel was short, and the light soon faded. Within weeks their life together had disintegrated into a revolving state of solicitude and withdrawal, resignation and despondence. Following a stretch when John became disturbingly incommunicative, Cynthia packed once again, escaping on still another vacation to Pesaro, Italy, with her mother, Julian, and a favorite aunt and uncle.
The Beatles – Bob Spitz
No sooner were they back from India, than Jane returned to her work at the Bristol Old Vic, and Paul launched into what was probably the most relaxed time of his life. He opened wide the doors of Cavendish Avenue and the groupies, who had camped as faithfully outside as they had in Wimpole Street during the years that Paul had lived there with the Asher family, were astonished to find they were now invited in. Not only were they invited into the house, but also into Paul’s bed. Whenever I went up to see Paul, the house was filled with giggling, half-naked girls, cooking meals, walking Martha, or glued to the phone for hours on end, calling the world.
Magical Mystery Tours My Life with The Beatles by Tony Bramwell
It came as a welcome relief that John and Paul, along with Neil Aspinall, planned a quick trip to New York on May 11, where several press events had been scheduled to announce Apple Records in the States. Friends agreed that getting John away might do him a world of good; being alone, with just Paul to steady him, might have a calming influence. But Paul was grappling with his own set of anxieties. “We wanted a grand launch,” Paul said, “but I had a strange feeling and was very nervous.” Drugs, he later admitted, may have been at the root of his problem; there was a lot of dope-smoking before takeoff and even during the transatlantic flight. But Jane Asher also helped spike Paul’s mood. The grudging engagement between Beatle and actress had been ticklish at best. But since traveling together in India and a subsequent ten-day trip to Scotland, Jane’s eccentricities rankled. Paul was having serious second thoughts about the relationship, which had reached a kind of critical, now-or-never stage.
Between John’s attitude and Paul’s paranoia, the Beatles were a PR nightmare. “It was a mad, bad week in New York,” recalled Derek Taylor, who met the two Beatles there to chaperone a round of press conferences, followed by interviews. Taylor had fashioned himself into a debonair drug aficionado since the Beatles first dosed him at Brian Epstein’s housewarming party, and now he and John gorged themselves on speed and a “mild and extremely benign hallucinogen” called Purple Holiday, courtesy of their New York chauffeur. The effect of it came through in the interviews. John was gallingly withdrawn and dismissive, Paul unusually distracted—which made them come off as two rich, snooty rock stars peddling another product.
The Beatles – Bob Spitz
+ a couple of extra things
A quick timeline
December 25 Paul and Jane announced that they were engaged to be married.
February 15 George, Patti, John and Cynthia flew from London Airport to India.
February 19 Paul, Jane, Ringo and Maureen flew from London Airport to India.
March 26 Paul, Jane and Neil Aspinall flew back to England from Rishikesh, leaving George and Patti, John and Cynthia and “Magic” Alex who had come out to join them.
April 12 John and Cynthia, George and Patti and “Magic” Alex left in a hurry from Rishikesh, India, after “Magic” Alex convinced John and George that the Maharishi was using his position to gain sexual favours from at least one of the female meditators.
May 11 John and Paul, accompanied by “Magic” Alex, Neil Aspinall, Mal Evans, Ron Kass and Derek Taylor, flew to New York to launch Apple in the US.
May 15 Accompanied by Linda, Nat Weiss drove John, Paul and “Magic” Alex to the airport for their flight back to London.
May 19 With Cynthia taking a short holiday, John called Yoko Ono and invited her out to Kenwood. They made a random sound tape, which was later issued as Two Virgins with the notorious sleeve showing them both naked.
May 26 Cynthia returned home from a brief holiday in Greece, to discover Yoko Ono in residence with John.
May 31 Abbey Road. The White Album sessions. Work continued on ‘Revolution 1’ and the last six minutes was removed to form the basis of the chaotic ‘Revolution 9’. Yoko screamed on the track, her first appearance on a Beatles recording.
June 4 Paul began seeing Francie Schwartz.
June 22-23 On this day Paul McCartney addressed a sales conference attended by executives from Capitol Records, where he announced that all future Beatles records would be released through the group’s Apple Records label. The day after they fell in love in Los Angeles, Paul McCartney and Linda Eastman spent much of the day together at the Beverly Hills Hotel, where he was staying as part of an Apple promotional trip.
July 20 Jane Asher, appearing on Simon Dee’s BBC Television show Dee Time, said that her engagement to Paul was off – but that it was not she that had broken it. She told Dee that they had been engaged for seven months, after knowing each other for five years. (She had arrived back at Cavendish Avenue one day to find Paul in bed with a girl named Francie Schwartz.)
The Beatles Diary Volume 1 The Beatles Years (Barry Miles) & https://www.beatlesbible.com/
A comment from Heydullblog, which I find interesting and think sums up how insufficient & unsatisfying most explanations are for how John changed during this period:
Michael Gerber November 25, 2021 at 4:31 pm
What, in all that, makes you HATE Cyn, and divorce her in the most abrupt and vicious way, even attempting to get her to commit adultery so you can give her (and your own son) as little as possible? Why not a quick and amiable divorce from a woman who, let’s be honest, knew she was getting cheated on pretty constantly since 1961.
What, in all that, makes you HATE Paul McCartney, who has been your closest professional collaborator since 1957, and engage in a five-year campaign to smear and demean him in the press? Why do you insist your millions of fans choose you or him? Why not simply pause the group, and everybody goes solo and remains friends, as was predicted at the end of touring?
What makes you DETERMINED to bust up your rock group, the most popular group in the world, the source of all your fame, money, and power?
What makes you pick Yoko Ono IN PARTICULAR out of all the groupies, hangers-on, and even sensible appropriate partners within your current circle? Eighteen months ago you were attracted to Maureen Cleave, Sonny Freeman, Alma Cogan, etc — pretty much the type of women you always picked — but now, you pick a conceptual artist offering total submersion into someone else’s ego?
And what makes you spend the rest of your life pretending all this was the greatest thing ever, the fullest flowering of your genius?
It’s not that John Lennon looked around at his life in early 1968 and thought, “I don’t want this anymore. This isn’t for me.” It’s that he lashed out incredibly fiercely, in every direction, made no distinction between friend and foe, demonstrated a huge amount of resentment and bitterness towards the very people who it would seem had helped him the most, and spent literally the rest of his short life at least arguably LESS happy than he’d been before. He didn’t dump his wife for the nanny and live happily ever after; he started a process of picking things up and throwing them away with great force that, if he’d been that way in 1957, would’ve kept any of his genius from ever emerging.
He changed, fundamentally, in a short time. Why?
Midlife crises happen, they are to be expected, but this one gets more singular the more you look at it. And the thing about post-India Lennon is how he’s no more happy, no more productive, no more self-aware, no more comfortable in his own skin, than pre-India Lennon. What does the guy in August 1980 have to be angry about? Really? It was only after I reached middle-age and went through my own version of crisis (crises) that I thought, “How strange.”
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got-ticket-to-ride · 7 months
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John Lennon explaining who "(Just Like) Starting Over" is for
This interview took place only 12 hours before he lost his life. He was so looking forward to the 80s. I had this edit sitting in my folder for two months because it hurt listening to it. John had such a difficult childhood (losing his mother, his friend dying), his stardom weigh him down mentally, his marriage was a failure (and he couldn't really live in freedom with the person he truly loved due to societal norms). And then he gets robbed of his life in the most brutal way. How absolutely devastating...
In this clip, he clearly says the song is not for Yoko.
I was visualizing all the people of my age group from the 60s.... Having gone through everything together, I am singing to them. I'm really talking to the people that grew up with me and saying here I am now, how are you? How's your relationship going? Did you get through it all? Wasn't the 70s a drag? You know, here we are. Well, let's try and make the 80s good, you know, because it's still up to us to make what we can of it. It's not out of our control.
We have grown, we have grown Although our love is still special Let's take a chance and fly away Somewhere alone It's been too long since we took the time
But when I see you darling It's like we both are falling in love again It'll be just like starting over
Everyday we used to make it love Why can't we be making love nice and easy It's time to spread our wings and fly Don't let another day go by my love It'll be just like starting over
We'll be together all alone again Like we used to in the early days
These parts of the lyrics specifically can only pertain to one person he grew up with. George Harrison.
I'm kidding, Paul.
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vintagegeekculture · 2 months
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The 1970s progressive pop band Klaatu was known not just for their futuristic iconography, with songs like "Calling Occupant of Interplanetary Craft (The Recognized Anthem of World Contact Day)" but for a very, very strange rumor in the mid-70s, that Klaatu were secretly the Beatles (or at least some of the Beatles), who reunited in disguise.
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Why did people think this? Well Klaatu's name is a Day the Earth Stood Still reference, a movie the Beatles themselves referenced in songs like "Goodnight Vienna." It was also on EMI, which was the Beatles' label. The sun-symbol on their albums is reminiscent of Abby Road.
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And most surprisingly of all, there were, suspiciously, no existing photographs of Klaatu at all, so nobody knew what they looked like. In reality, the reason there were no photographs was actually because Klaatu were just a random bunch of guys from Toronto, and there was no reason to include their images when they wanted the music to speak for itself.
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The absence of photographs of the band isn't the entire reason people thought Klaatu were secretly the Beatles, though. Klaatu also sounded like many think the Beatles would, if they had continued making music, with a sort of surreal Electric Light Orchestra acid pop vibe, synth mixed with instruments like harpsichord. If you close your eyes and listen to "Sub Rosa Highway," the vocals are shockingly similar to Paul McCartney. On several occasions during the 1970s, John Lennon was asked what the Beatles would sound like if they stayed together, and the answer was something very much like the Electric Light Orchestra...and Klaatu sounds more like ELO than any other band.
When Klaatu got a sales bump because of the rumors they were the Beatles, their solution was extremely savvy: they initially refused to deny it. Ultimately, though, the band believes the rumors did them "more harm than good," as how could they live up to those expectations of being the Beatles?
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the-boney-rolls · 2 months
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"hey how are things"
my brain: when Paul McCartney turned 80 did he think about how he'd lived twice as long as John Lennon did he mourn the fact that he'd lived two of John's lifetimes and only one of them had included John and only for a little more than half the time and two years before that it was the 40th anniversary of John's death he's been dead longer than he lived and that was 2020 and was Paul alone with his family on his farm thinking about this is it in McCartney ||| is that the Deep Deep Feeling did he get married on John's birthday because it's just too painful to think this way
me: yeah, good
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