#if you want to receive give some out

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N��s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[izzystizzys]

Half the jobs Fox is sent on are not within his jurisdiction. This certainly isn’t.

Planetary protection unit, they said. Military police. Orbital security force.

And now Fox is being pointed at Count Dooku on some backwater planet and told to fetch. How the mighty have fallen.

He’s pretty sure Kenobi, Skywalker and their units could’ve karked this all up perfectly fine on their lonesome; they don’t need three Guardsmen there to watch them do it. But the Chancellor says jump and Fox surpressed the urge to bash his head in with a durasteel chair. So it goes.

Which is when things start going terribly, terribly wrong, of course.

“Is that Spinder?!”, Skywalker exclaims, arms wheeling out in the air wildly to try and catch his balance. “The Count fucks?!”

Across the room, Cody rips his helmet off, several shades redder than a baseline human should be. “The Count fucks my brother?!”

Two lightsticks hover uselessly in the air, Skywalker’s zig-zagging in a relentless hum with his gesturing. Fox stands stock-still, in the hope that maybe he’ll spontaneously turn invisible if he does. Around them, 501st and 212th troopers gape through helmets. Behind him, Nuisance gasps for air amidst screaming laughter.

Ping, went Fox’s comm unit, in that unmistakeable lascivious jingle sound. Ping, answered Count Dooku’s within a split second. Match found close by.

For a moment, Fox considers what it would be like to run at the Count’s lightsaber at full speed.

…not like that.

“Count”, Kenobi says, with a face like he’s bitten into a rotten fruit. Not that Fox knows what fruit tastes like. “This is a highly… unexpected development.” He fwoosh-es his lightsaber shut, obviously having given up on fighting. “I’d call it a conflict of interest, but I’m not sure that applies?”

“Oh, it’s gonna be a conflict of something, for sure”, Cody hisses, fists clenched at his sides. He looks about ready to boil over, with Crys and Waxer inching closer in preparation. “What have you done to my brother, you monster?!”

“I don’t think you want to know that, Commander”, Nuisance gasps out between barks of laughter, proving why he’s eternally Fox’s least favourite. Cody’s splotchy red complexion slowly fades into ghostly white as a sheen of horror settles over the room. “Thanks for the fancy chocolate bouquet last week, Count!”

Dooku, who has been thus far staring at the floor with an empty thousand-klick stare, looks up at that. Fox has seldom seen a man that defeated outside of the mirror, he has to admit - but shudders when he remembers exactly what the chocolates were for.

Oh Force, he’s sexted Count Dooku into buying him gifts. Does that make him a Seppie spy? Traitor by proxy?

“I feel”, says the Count, gravely, still holding his long red laserknife in a white-knuckled death-grip, “that I have been taken for a fool.”

“Uh”, says Fox, nervously. All eyes snap to him. Oh Force, oh Force, oh Force. They’re going to invent a whole new kind of decommissioning for this and name it after Fox.

“Is it really scamming if you actually get what you pay for?”, asks Grids, considering. Fox slowly pulls off his helmet just for the comforting feeling of burying his head in his gloved palms. The sounds of a struggle ensue, and Kenobi makes a choked-off noise. Maybe if he’s embarrassed enough he’ll give himself an aneurysm.

“Grandmaster, why are you paying people for naked pictures of themselves on the holonet?!” Kenobi asks, despairingly. “Aren’t you a little old for that?”

“Oi, no one said I was naked!”, Fox exclaims, head whipping up.

“So naked”, Nuisance laughs, palm thumping against the floor. He might be crying.

“I’m not decrepit”, the Count blusters, and Skywalker makes a gagging noise. “I have - there are needs, and they are perfectly natural!” It takes three troopers to restrain Cody from launching himself at the Count.

[tinystepsforward]

if we were mutuals or irls before matt flipped his shit three days ago i am very sorry about what my blog has inadvertently become

[chickie-birdies]

Recently bought the chickens a rat-proof feeder because the world's biggest pack of rats has moved in and I've had enough. Training the chickens to use it is going well, if slowly. (It would be a lot faster if I still lived with my chickens, or at least lived closer than 30 minutes away... 😅 I can't be there all the time to work with them.)

Midnight, however, refuses to engage with the thing and instead stands next to it looking cranky while she watches the young'uns eat.

[p4nishers]

can we actually take a moment and remember swan upon leda? can we actually shut the fuck up and sit the fuck down and think about our lord and savior swan upon leda because i'm tired of doing it alone every single day guys

[indigodawns]

.

[dangoulains-devotion]

yuffie has many interesting elements to her but people refuse to move past "i find energetic kids annoying" and it makes me sad

[sappho-favourite-pupil]

So my ex is apparently out in the wild telling people that i'm a shitty person because i bought her gifts and i "didn't respect her identity", and that on top of that i also didn't really enjoy having sex with her because i "refused" to do certain things to her.

[acebytaemin]

good god.. been dealing with THINGS. very many of them

[areyoudoingthis]

so apparently I'm being asked to "choose a gender" for the property paperwork for my house because "non binary isn't an option" and I'm developing an eye twitch. do these people know they make laws for a reason

[originalcontent]

happ the birth!

uh thanks i mean it's not my birthday but i appreciate the thought i guess

[jade-curtiss]

I would mutual my lawyers, i'd trash talk, they'd shark me it would be great roundabout.

[rosedews]

gift giving / receiving really is my anti love language lmao

[noxtivagus]

i'm gna focus on fixing my tumblr soon :>

[orcelito]

Staying out of tales of arise Anything bc I think I do want to experience this game organically bc those plot twists hit me like a fucking TRUCK.

I did look up an estimate for how long the game is tho. I'm at like 30 ish hours and if you focus on plot alone it's like some 40 hours. But I have been doing side quests lol so it probably isn't even 10 hours remaining.

A Little scared of how things will be after this point tho. The Vibes will definitely have changed. And oh God I just want to hold Alphen so tightly. He doesn't deserve this.

[buttercuparry]

Recently there has been a fall in engagement with Palestinian content on tumblr, and for those of us who are helping Palestinians fundraise it is very obvious that this has happened directly after the very public smear campaigns, carried out by some racist users with significant followings.

It seems half the site somehow found it easier to believe in the horseshit about “belgian scam rings” and “russian botnets” in an effort to justify their apathy towards genocide victims, and the other half seems to think that everything is over and that the evil was defeated just because some racist bloggers got run off the site after giving half-hearted apologies that did nothing to mitigate the damage they had done.

THERE ARE PEOPLE STILL IN DIRE NEED OF HELP !! There are people who are still getting death threats from zionists every day and have to stay on this godforsaken website because their gofundmes haven't reached their endgoals yet...

I'm going to keep this brief:

Siraj's ( @siraj2024 ) family including his parents, and his five siblings and their families were displaced during the recent attacks by IOF on deir al balah

This means there are now 23 family members that Siraj is the sole provider for at the moment. 

10 of those members are young children.

Siraj's wife, Halima, is having a terrible flareup of eczema and his children are suffering from skin infections and badly need medical attention.

This whole family has been living in unhygienic conditions in 2 tents, packed like sardines during this heatwave, leading to spread of infections between them as well– all during a time where hygiene products have become unaffordable due to the israeli blockade, and when water has become scarce, and kids cant even receive life saving vaccinations during polio epidemic.

All this while everyday siraj risks his life trying to reach out to us from an internet point amidst violence and shelling from the IOF in what once was a “humanitarian safe zone”, even more desperately than before because–

THIS FUNDRAISER IS NOW THE ONLY LIFELINE FOR FIVE FAMILIES INSTEAD OF JUST ONE !!

Currently at $55,614/ $82,000 CAD

TIME IS RUNNING OUT!! We have to get to 60k by thursday i.e WITHIN THE NEXT THREE DAYS!! DONATE AND BOOST

Vetting link #219

If you want additional incentive to donate, pls check out:

Art raffle here (ending in 4 days!!!) - where you get to win this zine as a prize as well for as low as $5 for 1 entry, please dont miss it !!