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#ill probably make another post later including his everything else
bookish-ella · 9 months
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Very Random Rant, feel free to ignore this. I just have nowhere else to post.
Utopia v.s. Dystopia. It’s been a topic in english class since the dawn of time. But I KNOW that I can’t be the only person who’s had the simple thought that Utopia’s simply don’t exist? I know that logically, there are probably books written to resemble a utopian society, but just stay with me, I have my reasons.
1. Perfect does not exist. To have something be perfect is to not be human. To be perfect is to be robotic, it’s not real. It’s simply not in human nature to be perfect. Everything about our crazy little lives is messy, and that’s just what makes a person human. No perfection = No utopia.
2. Even if perfect did exist, everybody’s idea of it would be different. Because that’s what perfection is, simply a concept. One man’s absolute dream world that seems completely utopian to him, could seem like the worst nightmare of the next person. So if we can’t even agree on what perfect looks like, then how can we agree that it exists at all?
3. We relate to negatives in society better, because, simply put, humans are kind of awful. We are chaos demons that have war, hunger, poverty, illness, crime, hate, and way more. I could go on forever. The reader will not relate to a so-called utopian novel because there is nothing on our planet Earth that can even begin to prove the existence of perfection.
4. The power scale. In dystopian novels, such as The Hunger Games series, Brave New World, The Giver, etc, there is always a feeling of hope. Because that’s what a person feels in a negative situation. A positive feeling. It puts the scale into existence, it offers a counterweights, even if the negative outweighs the positive. Not to mention, that in those three books/series mentioned, the authors always include other ways to help balance the scale. There is positive feelings, like the love between Katniss and Prim. The friendships Katniss makes with the other victors in later books. Jonas saving Gabriel just because he feels. Actually, humanly, feels. The way Helmholtz feels about the written word. John and his Shakespeare. All this positive allows the scale to exist, even though these societies are supposed to represent the worst world the author could have come up with. In Utopias, there isn’t a scale. This is because there is no hope. Hope is the most human feeling of all time, and I can almost guarantee that everybody has felt it at one point or another. But without anything at all negative, there is no reason to hope. Without anything negative at all, there is no way to prove that good is actually good. Good would become the new mediocre. There always has to be at least a little bad, so the scale can be created and we have a way to prove that hope and goodness actually exist.
This is a topic I could rant about for hours, but those are my main points. If anybody has actually read all of this, I’m sorry. IF you couldn’t tell for some reason, dystopian novels are my favourite things ever, and nobody I know in real life likes to read. So I had to share my “profoundness” somewhere.
This post is brought to you by a human, in the middle of the night, who is extremely tired, but couldn’t fall asleep before writing every single one of her thoughts down.
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sneezyminniejo · 3 years
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Could you please write another Xdinary Heroes fic?? I would love to see a Jooyeon centric one where he lost his voice due to a bad cold (or something like that) with the members helping him cope with not being able to sing and taking care of him as well
Here it is, hope you enjoy
Voice Today, None Tomorrow
It was the day of their first comeback showcase, and the Xdinary Heroes dorm was thrumming with excitement. The five oldest members were bustling about the common area, making food, and setting the table. Jooyeon, however, was not to be found amongst the chaos. The maknae of the group was still in his and Seungmin’s shared room, supposedly sleeping.
In reality, Jooyeon was freaking out. He had caught a cold a couple of days ago and instead of doing the responsible thing and telling his hyungs that he’s sick, he had decided to discreetly take strong cough suppressants and then sneak off to the bathroom when he did need to cough. The plan had worked great. His hyungs were none the wiser about his illness and he was able to practice at full capacity with no issues. Until now.
Jooyeon had woken up after Seungmin had already left their room and the younger had immediately felt a coughing fit coming. He grabbed his pillow and shoved it against his face to muffle the sound as best he could. He was feeling a bit shitty and was only freaking out because he needed to somehow get through the day without cluing in his members that he was sick until after the showcase. Although it would be preferable if he could manage to hide it until he was all better. In which case, he wouldn’t need to hide it anymore.
He opened up the drawer to his nightstand and cursed internally when he saw that he only had a half dose left of the cough suppressant. He swallowed it down and hoped that it would work well enough. He got dressed as quickly as he could, muffling coughing fits along the way, then left his bedroom to join the others.
“Morning Jooyeon. It’s your turn to pick breakfast, so what’ll it be?” Jiseok asked
“Morning hyung,” Jooyeon stopped talking as the two words he uttered were barely above a whisper. He quickly cleared his throat and tried again, not getting different results. The other members looked a bit alarmed and Gunil spoke sounding slightly panicked.
“Yeonie, what’s wrong with your voice?” He asked even though it was obvious the younger had lost it.
“It’s probably from the cold he’s been fighting the past couple of days.” Seungmin supplied, as he placed a mug of tea on the table and motioned for Jooyeon to sit down and drink. The other members’ eyes widened, including Jooyeon, who thought he had succeeded in hiding the fact that he’s sick.
“Don’t give me that look Joo. You might have fooled everyone else during the day, but you failed to account for waking up mid sleep cycle and having a coughing fit or two before falling back asleep. I’m your roommate, so you woke me up too.” Jooyeon made a face and softly hit his head against the table in frustration.
Gunil sighed as he took out his phone. “Okay so, clearly you can’t sing since you don’t have a voice. Maybe Hyeongjun can take over your lyrics today.” the leader said as he began texting their manager. Jiseok emerged from the kitchen a short while later and placed a bowl of jook in front of the maknae. Jooyeon gave him a look in response before he started eating.
“It’ll be gentle on your throat, Joo. Eat up and we can worry about the showcase later.” Jooyeon had to admit that the warm and soft jook did feel nice against his sore throat, so he wasn’t going to complain too much about getting “sick” food instead of a more standard breakfast food.
A few minutes later Gunil groaned. “Manager-nim said that our options are either postponing the comeback by two weeks, or do your best to sing. He says it’s too short notice to have Hyeongjun sing because everything’s already been practiced with the cameramen and everything.”
The members were discussing what they wanted to do over breakfast. They were leaning towards postponing, but then Gunil got another text from their manager. Gunil looked at his phone before tossing it onto the table. “Manager-nim asked the CEO about the situation, and it looks like we have to perform. Jooyeon, you’re going to have to try to sing.” Jooyeon let out a sound that was similar to a groan which set off a coughing fit that lasted around a minute.
“Yeonnie, have you taken any medicine yet?” Jungsu asked. Jooyeon nodded before finishing the tea Jiseok had made him
“Okay so the plan is that Jooyeon will not use his voice until it’s time to perform and Hyeongjun will be singing as well because I doubt that Yeonnie’s voice will be back in three hours. Meanwhile the five of us will take care of any questions asked and you can just nod or shake your head.” The others nodded and got ready to go to their comeback showcase.
For whatever reason, the MC kept directing questions at Jooyeon and was getting increasingly frustrated that the others were answering for him. Jooyeon was also getting irritated that he kept getting asked questions and silently signaled to Gunil that he would answer the next question using what little voice he currently had.
“So Jooyeon, what is your favorite song on the album?” Jooyeon turned away from the MC briefly to clear his throat into his fist. “Well I like all the songs, but my favorite is” The maknae wasn’t able to finish the sentence before his voice gave out completely. The MC did their best to recover the interview from that, but it didn’t really work.
The showcase ended around half an hour later. Jooyeon hadn’t been able to sing any of their b-side songs, but he had managed to sing a little of their title track. Although it probably seemed more like he was providing backing vocals instead of singing his own part. The six members were just glad that they could go home and relax a bit before fully going into promotions the following day
The following day, the six members were up bright and early for promotion schedules. Jooyeon’s voice hadn’t recovered any overnight, so he was really hoping he’d be able to stay home and rest properly. He coughed into his fist as Jungsu placed a mug of tea and some cough medicine in front of him. He took the medicine and waited for the others to bring breakfast out.
Shortly after they started eating, Gunil’s phone rang. After seeing it was their manager, Gunil quickly excused himself and answered the phone. A few minutes later, the leader returned to the table grinning maniacally. “So we as a group have been given the week off.” Gunil paused as he watched his members’ mouths drop in surprise.
“Apparently, fans weren’t happy that Jooyeon was performing with a cold. Him losing his voice entirely live in front of thousands if not millions of people did not appease any one, and the company got a ton of hate. Manager-nim said that JYP personally chewed him out for not allowing us to properly rest, so promotions will resume next week.”
They collectively cheered at the news, then continued breakfast. The group finished eating their breakfast before deciding on playing video games and watching movies. Hyeongjun got Jooyeon situated in the living room with more tea. Seungmin grabbed the humidifier and got it set up. Jungsu had apparently gone to the pharmacy the night before and had picked up some throat lozenges, which he placed in front of the sick maknae. Jooyeon gave the second eldest a grateful smile, knowing that he would definitely be using them to soothe his throat and hopefully allow a quicker recovery time for his voice.
Over the course of the next couple of days, the five older members made sure that Jooyeon stayed on vocal rest. Seungmin had also caught the cold, but it wasn’t as bad because he admitted it on the first day and was properly resting from the get go. One their last day of rest before they continued promotions, Jooyeon had to speak to see if his voice was back, which it should be, since he hasn’t been using it for an entire week and he wasn’t coughing anymore.
“What do you want for dinner Joo?” Jiseok asked as he grabbed a pan and put some rice in the rice cooker. Jooyeon thought for a moment before responding. “I’d like some jajangmyeon please.” All six members sighed in relief at the fact that Jooyeon’s voice was back. However Gunil warned him not to over exert it, or else he might lose it again even though he’s no longer sick. Jooyeon quickly agreed, then went to the kitchen to help Jiseok make dinner.
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samdotdocx · 3 years
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A very long-winded essay about why I love Night in the Woods and The Ramayana makes me Big Mad ft. Lets Talk About Mental Illness™
So I was in this class called 'The Ecology of Language". Excellent class, 10/10 would recommend - and especially relevant in the Indian context in particular, but that's a topic for another day.
One of the things we talked about was the concept of 'relatibality' in media, which, I'm sure we can all agree is a large component of contemporary character or story-line development. Considering the context of modern readers, what that sometimes ends up looking like (in our society that is built on constantly being told we are lacking, and the subsequent need to satisfy manufactured desires), is some wonderfully nuanced characters in stories stories that are three-dimensional, well rounded, and well developed and written. It's pretty great. And sometimes, what that means is that we have excellent characters that don't conform to the standard 'protagonist' stereotype. They might not even be 'good' (this is NOT a villain-apologist post). In fact, they might be complete idiots. They might be the people in stories who make all the wrong choices.
One such relatable character is Mae, and it's because she's an unmitigated train-wreck.
Anyone who knows the game probably knows what I'm talking about when I say the illustration style and character designs are gorgeous. Anyone who's ever dissociated probably knows what I'm talking about when I say that illustration style and character design were excellently used to create the sort of subliminal, surreal state of Mae's mind. And as you play the game, you see how that state of mind plays with the other characters, and - spoiler - it isn't great.
This is the first of the relatable aspects of Mae’s character; there are people around her who love her and are worried about her, but at the same time, are angry and irritated about her behaviour. At what point does it become too much to ask of those around you to forgive all your continuous and repetitive mistakes? Even if you have a good reason for it, mental illness is not an excuse for being exploitative, even if it is unintentional. Mae is not trying to hurt the people around her, but she constantly needs emotional labour from them – it’s exhausting, and people’s patience is going to run out eventually, as is their right.
Another aspect of this behaviour is the lack of reciprocity, an example of this being when Bea’s mother died of cancer – and Mae didn’t even notice.
There are several instances of Mae’s thoughtless behaviour throughout the game; she gets completely wasted and makes a scene at the party, gets jealous of of Greg and Angus because they’re leaving the town without her, and ends up destroying the radiator Bea was supposed to fix, getting her in trouble.
The thing is though, that Mae is given the opportunity to fix her mistakes.
A large part of relatability is the want so see yourself in a character. Mae is relatable to me because there are several circumstances and events in our lives that match up, but more than that; the game is an interactive visualization of her healing process. Her nine steps, if you will. She is given a second chance – and that chance is hard won, particularly in the context of the game.
Mae talks about feeling like she’s falling behind, of knowing that she is, in a way, wasting an opportunity that was a privilege in the first place, especially considering her family’s financial situation – but at the same time, being literally unable to help herself. And the aspects of the gameplay that hint at the supernatural elements of the story possibly being a figment of Mae’s imagination – well. All us depressed losers know what it's like to not be able to trust your own judgement and point of view. She talks about why she dropped out of college, and her description of the dissociation, and the mental and emotional deadening that it causes is spot on and so well represented.
It underscores the point that the logical brain knows that mental illness is an illness like any other – but the emotional brain doesn’t care.
The game does a brilliant job of laying bare the realities of middle class life, and makes painfully clear the fact that, at that level, it doesn’t matter how difficult things are for you. The world isn’t going to wait for you to get back on your feet.
Mae’s mental state and the limitations it imposes on her cultivates a state of extreme frustration. Again, relatable. It’s an understated aspect of illness of any kind; the anger at yourself, and how that anger carries over into a lot of things in your day to day life. After a point, it becomes a habit. Mae does this too; she's belligerent, and instigative, and unrepentant of consequences, because anger blinds you.
It's not how things will always be. I have the privilege of hindsight, so I can say that with authority. But, this isn’t the kind of thing that ever fully leaves you, either. If you break a kneecap, it’s going to bother you for the rest of your life, and similarly, mental illness has a ‘no return, no refund’ policy. So you grow up, and you try to adapt those habits and impulses into a more positive context. Recycling, right? Maybe you set your sights on things that actually deserve your anger, and you go from there. You find people who, for their own reasons, perhaps or perhaps not related to your own, are angry.
And you don’t understand the people who are not.
A large part of the anger and frustration surrounding mental illness is due to the stigma surrounding it. It’s frustrating to be so powerless and dependent, but this is exacerbated by the attitude of ‘it can’t be that bad’, which makes it so difficult to reach out, to be able to say, ‘I need a break’ – and actually get one. This is an attitude that carries over to a lot of other issues as well, and the worst part is – we are surrounded by people who are okay with it, who believe in and support that mentality.
The myth of Sita, for example. She is a strong female figure in Indian mythology, who overcomes her circumstances to live a ‘good’ life, and for all intents and purposes, is a hell of a role model.
But that’s the thing; her life wasn’t good, was it? She was supposed be a goddess reincarnated, she should have been powerful, and respected, but instead she is reduced to ‘wife’ – and everyone today is fine with it.
I respect her immensely for the choices she made; marrying for love was her choice, going into exile with her husband was her choice. She was the paragon of virtue, of 'wifeliness', of kindness – she chose her husband over everyone and everything else, including herself, as was expected of her. But yet – she couldn't win his trust or respect. It should not even have needed to be won.
It’s commendable the way she takes it all in stride, but why did she? She was kidnapped and held captive for years, entirely against her will, and her husband's response to that is to force her to walk through fire to prove her ‘purity’ – and she does it. And she stays with him after, and I cannot understand the depths of her patience and forgiveness, because I would have been livid, and I want her to be so too. I’m furious for her, because Ram was not just her husband, he was also the king, and his later verdict to exile her, alone, while heavily pregnant, his readiness to condemn her based on speculation and public sentiment, was not just a verdict against her, it was against every woman in his kingdom who had ever been victimised.
Sita became a martyr to the modern feminist movement – if she could not be angry on her own behalf, we will do it for her. But at the same time, she is still relatable, because we are held to a slightly lesser degree of the same expectations. There are always going to be aspects of things that you relate to. ‘Big Mood’ culture is a strong indicator of the human ability to empathise, especially with characters that you like, or respect.
Sita’s world, I imagine, was run by the expectations her society and community had of her, and maybe she didn’t even have the liberty to be angry. Who is responsible for portraying her in passive acceptance of her fate? Is that representation reliable? Would the story have been different had it been written by a woman?
I can't remember a time when I was not angry, especially about things like this. I am always ready to fight, and I think the same goes for so many other people today, sometimes to our detriment. I cannot imagine a world where that was not at the very least an option. Not necessarily the best option, - but Sita’s world was very different to ours. Even with centuries between us, we’ve just gotten over angry and depressed women being labelled as ‘hysterical’ and subsequently being locked away. What is it like, to have to be calm and careful in response to being treated like this? This care in response may not be an overt requirement anymore – though the fact remains that society will not take you seriously if you become hysterical - but shouldn't you, at the very least, be able to rely on the support of other people in the same boat?
That is the main difference in these stories, and another main point of relatability to me; Mae, like myself, had a support system. Sita did not. Mae was selfish and demanding in so many ways, and required a lot of time and patience and healing before she was able to give back, but she got there eventually because she was able to put herself first. She fought for herself, and when she couldn’t, she had other people to fight for her. Night in the Woods represents the intersection of oppressed minorities and community with their portrayal of Mae, Greg, and Angus in particular, and the importance of community support – and, the difference between geographical community, and communities formed through camaraderie and actual unity. And so does the Ramayana - except, where was Sita’s community? Where were her sisters, or her parents, when she was abandoned in the woods, and later when she committed suicide? We are well aware, in the modern day, of the state of mind that causes people to kill themselves, and yet that is a part of the story that we never talk about. Where were her people then?
What would have happened if she had been more like Mae, and put herself first instead of bleeding herself dry for people who never respected her, and would never do the same for her?
People relate to personalities. They relate to choices, and circumstances, and habits, and it is neither a good nor a bad thing, to be relatable or not. Sita will be highly relatable to people who, like her, were governed by their circumstances, and were screwed over despite their best efforts. People who felt they couldn’t, or shouldn’t exercise their power and agency. Sita’s death was at odds with her strong personality, and so was her deference to her fate on many occasions, but there are a lot of people out there who will relate to the feeling of simply wanting things to be over. Mae on the other hand; she’s a steamroller, and she doesn’t stop. There’s a reason her character is a cat, and jokingly referred to as feral in the game. She is persistent, she is growing.
[1] In Defence of Kaikeyi and Draupadi: a Note – by Fritz Blackwellhttps://www.jstor.org/stable/23334398?read-now=1&seq=1#page_scan_tab_contents [2] https://www.theatlantic.com/health/archive/2015/10/emergency-room-wait-times-sexism/410515/
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chalkrevelations · 3 years
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Back, finally, with Word of Honor, Episode 11, which involved a lot of waving my hands around over precious button Zhang Chengling and his concern about whatever ridiculous argument between his Murder Dads left his shifu in a snit and must be solved right this minute. I really think if he could’ve just pushed their heads together like two Ken dolls to make them kiss and make up, he would have. Didi, I could eat you up with a spoon, although not in the creepy way that Du Pusa threatens. I promise.
First, though, due diligence: Spoilers, possibly likely for the entire show, not just this ep, so scroll away and come back later if you are still, at this point in the game, trying to watch the whole 36.5 eps unspoiled. Also, this is hella long. Strap in. Hashtag long post (remorseful).
First thing I actually want to do is point out a couple of scenes that I found particularly striking for various reasons. The first one is not quite the opening scene - which is super-brief and involves Yueyang’s prep for the Heroes Conference, Gao Shan (AKA Chengling’s bully-in-chief) being smug about Yueyang’s upcoming ascendance (oh boy, are you in for a surprise, you little schmuck), and Gao Chong’s extreme weariness at the idea of Yueyang’s upcoming ascendance. Gao Chong is very tired, y’all. It’s been a long 20 years. There’s also a ginormous sword on display, like Yueyang is now having a dick-measuring contest with who they think is the disciple of the Changming Sword Immortal (and oh boy, are you guys in for another surprise. I’m not sure what part of “immortal” y’all don’t understand). But I digress - as I said, this is a very brief scene, and then we cut back to Luo Mansion, where we left Ghost Valley and Lunatic Wen at the end of the last ep. Everyone is gone except for Wen Kexing, who’s still plotting, Beauty Ghost, who’s trying to stay tf out of this current shitshow as much as possible (good luck with that), and Tragicomic Ghost, who is totally and completely Done With This Shit. She berates WKX for acting crazy, he gets snappy back – I feel like their relationship is maybe a little bit fraught at this point – and Beauty Ghost attempts to soothe the waters, leading to an eyeroll from Tragicomic Ghost with a directive to stand the hell up and stop being scared of this idiot child throwing his weight around. WKX dismisses Tragicomic Ghost so he can plan a Very Secret Mission for Beauty Ghost in secret. WKX is … he is super-tired at this point. Painfully, achingly tired. I would almost say weary. We can see it in Gong Jun’s face. It’s a nice subtle bit of acting, and it definitely says something about WKX’s relationship with these women that he’s willing and able to show it in front of them, even as he’s still throwing his weight around.
Anyway, Liu Qianqiao proves her smarts by showing her hand just enough for WKX and us to see that she’s seen through the Lunatic Wen act to the utility of chokin’ out a dude as a warning, to try keeping Changing Ghost in line (good luck with that), but she also assures all of us that she only wants to serve the Ghost Valley Master and has no agenda of her own. WKX assures her that he has everything under control (Uh … huh. OK, my dude) and tells her he has a task for her, before detouring into a quiz about her disguise technique (learned from Qin Huaizhang, Zhou Zishu’s shifu at Siji Manor, and this is probably a tipoff that the Very Secret Mission will involve disguising herself), about Siji Manor, and about why she never visited there. We get some interesting vague hints about her past, including the fact that she met Qin Huaizhang when she was “little” and he took pity on her “disfigurement,” according to both the Youku and Netflix English subs. @coralcoloratura pulled out 童年时 (tóngnián shí) from the Chinese subs for me, which does mean “childhood.” Given that the going story is Yu Qiufeng’s wife threw acid in LQQ’s face over their affair, this opens up some questions about how old LQQ actually was when all that happened. Viki subs, per @janedrewfinally, add that she says she treated Qin Huaizhang to a meal, so she couldn’t have been too young. But Qin Huaizhang dies when ZZS is just 16, and LQQ can’t be any older than ZZS, and is likely younger (good lord, I just checked actor ages, and Ke Naiyu is 7 years younger than ZZH, so that’s probably not a good age gap to port over to the show, because just. No.). All this leads me to place LQQ at somewhere between Zhang Chengling’s age and Gu Xiang’s age (at most) when this whole tragic backstory happened, which is still pretty freakin’ young, and I can see why she would consider herself a child, at least metaphorically, in terms of naïvete, if not literally. I don’t know how much exploration has been done about this, on the fannish side of things, but it seems like an area rich for exploration. Also, I CANNOT TELL YOU how much I now want to read the AU of WKX and LQQ both actually being brought to Siji Manor at various times by Qin Huaizhang and staying there. I suspect that with those two shidi backing him, ZZS might never have had to go to Prince Jin in the first place. (Clearly this makes some things problematic, including A-Xiang, but I keep thinking about ZZS, WKX and LQQ growing up together … And anyway, I’m ALSO willing to read the AU(s) where WKX’s storyline stays the same, but LQQ does come to Siji Manor – both the AU where she and ZZS together manage to save the sect, and the AU where she goes with them to Jin, and the kind of weapon she could be for ZZS there, as he runs Tian Chuang. Who’s writing all this? Anyone? Anyone?) Anyway, when WKX asks why she didn’t visit Siji Manor, LQQ tells WKX that she’s a ghost now and doesn’t want to think about the living world anymore, which is probably a way of saying she wishes she had gone there and doesn’t want to talk about her many and varied bad decisions back in the day; it also acts as an unknowing reinforcement of that bright line WKX is desperately trying to maintain for himself between the world of ghosts and the world of humans. Plus it gives him the chance to speak the very portentous line that “Yes, we’re ghosts, and ghosts disappear in the light,” pulling the theme of light back in, again and giving us all kinds of foreshadowing. Cut away as he leans in to whisper her mission to her.
The other really striking scene, for me, happens near the end of the ep, when Gao Chong visits the shrine room, with the memorial tablets of his various brothers and friends. This hit me not just because of Hei Zi’s acting (which is great, don’t get me wrong) but also because this is a scene that reflects both backward and forward in the show - back to ZZS in Ep 1 and forward to the two scenes that Zhao Jing will have in this same room – as well as giving us all sorts of subtle clues about relationships throughout the show. So first of all, we see, in a shot that will mean more the deeper we get into the show, tablets for Zhen Ruyu and Gu Miaomiao (or, “his wife,” as the Youku subs call her, and this is me, rolling my eyes), who were apparently close enough to Gao Chong that he keeps memorial tablets for them on his home altar - which helps explain why WKX is so incensed that none of these Five Lakes Alliance assholes helped his parents when they were turned out of the Healer’s Valley, although that’s not something we would have known yet on a first watch through the show. Gao Chong lights some incense and apologizes to the tablet of Zhang Yusen for letting Zhang Chengling get kidnapped. He talks about waiting 20 years to learn the truth – which is kind of cryptic, but probably means the truth about who poisoned his sword before the spar with Rong Xuan, which we hear about in a later scene this ep – and gets a little bit salty about the fact that it doesn’t matter if everyone else doesn’t believe him, but why didn’t Zhang Yusen believe him? Again, I’m assuming this is about Gao Chong’s protestations that he’s not the one who put poison on his sword. We also learn in this same ep – from Chengling – that Zhang Yusen’s break with the Five Lakes Alliance seems to have at least started that far back, and that Yusen would have been at Mount Qingya to stand with Rong Xuan against his other Alliance brothers, if Yusen’s shifu hadn’t broken his legs so that he couldn’t travel there. (Yusen clearly had some strong feelings about this, if that’s what it took to get him to sit still for it. Also, it makes me wonder how Ye Baiyi’s feelings about Chengling might change if he ever learned that Chengling’s father intended to defend and stand with a guy who Ye Baiyi considered his own child, as well as his disciple.)
Gao Chong then proceeds to have a little crisis of faith – he’s very tired, y’all, it’s been a long 20 years – and talks about how no one understands him, and he’s old, and everyone’s dead. He also yells at Rong Xuan’s tablet, calling Rong Xuan da-ge but also saying he’s sorry he ever met him, but then there’s this brief little moment after, when he seems a little bit shocked at himself for saying it out loud, which reminds me, honestly, of the moment in CQL (we’ve all seen The Untamed, right, I don’t have to put spoiler warnings for it, right?) when Wei Wuxian and Lan Wangji are in the Yunmeng Jiang memorial hall and Wei Wuxian talks about Yu Ziyuan’s punishments back in the day, then pats his own mouth and says “My fault, my fault, my fault” before bowing to her tablet. Like, yes, their relationship was multiple levels of fucked-up, and his reaction is not out of place given some of his continuing neuroses, but also, this is just not a thing you do, speaking ill of the dead to their faces. I’m sure Gao Chong does regret ever meeting Rong Xuan, and the way that led to the building of the Armory and the Five Lakes Alliance to guard it, and the position that ultimately put Gao Chong in - not to mention that if he never met Rong Xuan he never would have accidentally killed him. But you can’t say things like that OUT LOUD to the MEMORIAL TABLET. Then contrast this to Zhao Jing, who literally takes a piss on the tablet in one of the later episodes. Because he’s the worst. And THEN, Gao Chong kneels and talks to the tablets of Zhang Yusen and Lu Taichong, his dead Five Lakes Alliance brothers, saying they must have met again in the netherworld, and that they’re probably swearing about him right now, and this is the point when I sit straight up and exclaim, out loud, “Fuck. Me. This is Zhou Zishu’s breakdown at the mirror in Episode 1.” When he talks to Jiuxiao about how Jiuxiao and Jing’An must have met again in the afterlife by now and are probably discussing what an awful shixiong ZZS is, right? And then Gao Chong even laughs bitterly like ZZS, and cries like ZZS, and I just. OK. FINE, show. I’ll try to go a little easier on Gao Chong, because you’re clearly linking him to ZZS, here, and I’m willing to forgive ZZS for anything. I suppose I’d be a hypocrite if I didn’t try to extend just a little bit of the same grace to Gao Chong.
So, that’s a lot of verbiage, and I haven’t even gotten to Wenzhou yet, but trust me, I have some things to say about them. While WKX has been terrorizing the troops, ZZS left Han Ying’s place and immediately started drinking again, because that continues to be the best way – in combo with his Nails – he knows to kill himself by increments, but so sad, he’s run out of wine as he wanders the marketplace, alone and zhiji-less. Inside Yueyang, Chengling finds a note purporting to be from “Xu,” instructing him to meet at the North Gate that night, and like the little idiot they keep calling him (he really is too pure for this world), he takes it at face value. On his way that night, he runs into Gao Shan, who inadvertently almost saves him by interrupting his sneaking around to try to bully him back to his room. Something something food as bonding, because the lie Zhang Chengling comes up with is that he’s hungry (he’s not eating Yueyang’s food, and it’s not nourishing him), and he’s on his way to find something to eat (because he and his Murder Dads are in a mutually nourishing relationship, and that’s who he wants to be with). Also, no, he would prefer going to find something to eat for himself and not eating whatever Gao Shan will bring back to Chengling’s room. (A little bit, I’m sad there’s never any place to fit in some canon-complicit long-form enemies to failboats to lovers fic for these two. I have to admit, I would read it. Someone should do something with the tension between them, although I don’t really want it to be anything that will make Best Boy permanently sad.) Anyway, A-Xiang shows up just as Gao Shan is about to frog-march Chengling back to his room, and Gao Shan never sees her coming before he’s knocked out on the ground. A-Xiang is confused about the note but nevertheless helps Chengling get to where he’s supposed to meet “Xu,” whereupon she gets beat up and gets her didi took by the Scorpions. (There’s an interesting moment here where Pretty Arhat is fighting with A-Xiang and asks what her relationship is to Beauty Ghost, which whaaaaaat? THERE’S some backstory I need more on. I’m assuming this is based on A-Xiang’s hand-to-hand fighting style, which I think is the only thing Pretty Arhat has seen at this point, and exactly WHEN has she gotten so familiar with Beauty Ghost’s fighting style? Also, I like the apparent nod to Beauty Ghost’s influence in raising A-Xiang (and we’ll see more of this).) Meanwhile, ZZS has been inexorably drawn to the place he left his child disciple child and is moping right outside of Yueyang, so he sees Pretty Arhat fly away with Chengling. Murder Dad 1 springs into action.
Yueyang disciples run around like ants whose hill has been kicked over, looking for Chengling in town, and two of them encounter Wen Kexing, out for a midnight stroll in a fetching pastel blue and green combo. They ask him about seeing a guy. With a pipa. Or maybe without a pipa. So maybe just a guy. Wen Kexing correctly deduces they’re asking about Phantom Musician Qin Song, who covered Pretty Arhat’s getaway by incapacitating everyone with his magic music. YY disciples are excited and tell WKX yes, this dude was involved in kidnapping Zhang Chengling! Y’all. WKX’s face when he hears that. He is not happy. Almost immediately, he spots Qin Song on a rooftop. Murder Dad 2 springs into action.
So, WKX the Ghost Valley Master finds Qin Song, asks him where Chengling is, crushes his playing hand, threatens to break every single bone in his body one at a time (meanwhile dropping the tidbit that he learned the number of bones in the human body from his dad), and tells him a little story about a time when – apparently – he asked another guy the same question (about WHO? has A-Xiang been kidnapped in the past, because that’s about the only other person I can imagine him being like this about?) and only had to break 80 bones before he got an answer. Meanwhile, ZZS actually finds Chengling, in the Scorpion lair where Du Pusa and Pretty Arhat have variously been molesting him (srsly, I feel like I should probably say something to a trusted adult Murder Dad), torturing him with unpleasant magic pixie dust, smacking him around (he loses a tooth, y’all), and waterboarding him. During all this, Pretty Arhat says she’s yet to meet a man who can stand up to waterboarding, and I’m kind of reminded of WKX’s scene threatening Qin Song, and I don’t know if that’s on purpose or not. Chengling literally spits in her face and proclaims that he’s the son of Zhang Yusen, none of whose sons are cowards, and about then, ZZS busts down the door like he’s WKX (by throwing Monster Jiang through it), tells the Scorpions he’s their daddy, and gets into a big fucking fight with all three of them. He flags a little bit somewhere in here as he starts having some Nail pangs (which, yeah, it must be getting about midnight, which is when that’s supposed to happen) and spits some blood, but he reassures Chengling and then tells the Scorpions no one can stop him from killing who he wants and getting what he wants (OK, Wei Wuxian …). Then he shoots some projectiles from some little contraption up his sleeve that we get a quick look at that I did not remember AT ALL from my first watch of the show but is literally like the gun hanging over the mantel in the first act. Huh. Anyway, he kills Monster Jiang, and Du Pusa (who didn’t give a shit about Monster Jiang OR Qin Song earlier), wants to capture him alive, supposedly so she can get revenge for them by teaching him how it feels “to want to die more than live.” Joke’s on you, lady – too late! That’s literally his constant state of being!
About this time, Qin Song comes flying through the doors – or what’s left of them – gasping his last breath as WKX makes his dramatic entrance. Chengling not only calls him “Wen-shu” but also has already figured out exactly how to manipulate Murder Dad 2 and tells him that in addition to kidnapping him, they also hurt ZZS. WKX is predictably murderous, and Du Pusa and Pretty Arhat run away and hide behind the skirts of Xie Wang’s robes as the Zombie Drug Man Army approaches. WKX tells ZZS to take Chengling and leave, ZZS refuses, and Xie Wang LITERALLY SAYS “IN LIFE AND DEATH YOU WILL NEVER PART. WHAT A TOUCHING MOMENT.” and I am DYING. Also, this will not be the last time ZZS/WKX will exhibit what Xie’er wants from his Awful Yifu. Anyway, Xie’er calls ZZS “Leader Zhou,” then tells WKX that he’ll tell them who he (Xie Wang) is if WKX tells them all who he is first. ZZS is Very Done with all of this and smoke bombs the Scorpions to escape. Xie’er shows he actually does know who both of them are – even though each of them doesn’t know everything about the other’s identity yet, and won’t for a while – by telling Du Pusa and Pretty Arhat that they’re the leader of Tian Chuang and the leader of the Ghost Valley and wondering “How did these two devils end up together?” Like calls to like, I guess.
OK, this is getting super-long, so I’m going to attempt to wrap up with the actual Wenzhou material. We cut to Murder Dads and Chengling sitting in the forest, around a campfire, and Chengling is in heaven, back with his family. He’s super-emotional, and ZZS is all, come on, be a man, don’t cry (OK, crybaby). WKX gives some campfire-cooked rabbit? maybe? to ZZS, who starts a precedent by passing it to Chengling. Please, A-Xu. WKX wants to feed his laopo, will you eat something, ffs? Chengling, still emotional, tells them that he knows they’re the only ones who are sincerely kind to him, that Five Lakes Alliance has all kinds of agendas and none of them care about him, and nobody has asked him what he wants. (I know, bb, they were awful.) ZZS asks what he wants, and Chengling says he wants to learn martial arts, to get revenge, and to not be a useless child anymore. Oh god, the cut to WKX here. His face, y’all. He is not cool with the fact that Chengling thinks he can’t be a child anymore, and probably with whatever role he (WKX) had in it. He is so sad. It’s killing me. However, it’s not as if WKX has lost his edge, and he also pounces, asking Chengling if something happened that made him suspicious of the Alliance. Chengling spills that his dad already didn’t trust them and also told him not to trust anyone ever, but he trusts his Murder Dads! This kid, I tell you. He tells them that his dad hid the Mirror Lake Glazed Armor in his stomach and starts getting ready to cut it out for them before ZZS stops him. He tells them Yusen gave him a letter for the Changming Sword Immortal detailing Rong Xuan’s injury (and we get our first iteration of the story of the battle between the Five Lakes Alliance brothers and Rong Xuan, the poison on the sword, and how that turned Rong Xuan evil). Per Chengling, the original argument was about the Combined Six Cultivation Method. Also per Chengling, the Alliance bothers should have been responsible for Rong Xuan after that, but no one stood up for him – I mean, Zhang Yusen would have, but his legs were broken. We learn that the poisoned sword that injured Rong Xuan belonged to Gao Chong. ZZS looks taken aback, but this all just CONFIRMS WKX’s SUSPICIONS.
Cut away for another scene. Cut back. ZZS has suddenly remembered that he’s pissed off and that someone (else, not him) is sleeping on the couch tonight. Earlier, they were sat in order of Chengling, ZZS, WKX. Now Chengling has been put between them. WKX asks for wine, A-Xu is being passive-aggressive and ignoring him before finally handing the wine gourd to Chengling to pass to WKX. He won’t even look at WKX. It is hilarious, particularly as he only remembered he was mad after they’d all eaten dinner, which WKX cooked, and the pair of them made sure their child was OK. Chengling wants to know if they fought and tells them there’s nothing confidants can’t resolve. He’s in full puppy mode. He tells WKX to hurry up and comfort ZZS, because you know he looks tough on the surface but he’s got the softest heart! Didn’t you teach me that tough women can’t resist clingy men? ZZS’s indignant little face at this is a picture. Chengling offers to apologize for WKX. WKX’s face is all fondness for Chengling, except for the eyebrows, which are doing the Tragic Sadness Eyebrows at ZZS. ZZS is all, OK, fine, although he immediately changes the subject and starts talking about the kidnapping attempt. He tells Chengling that the world is dangerous right now, and the safest place for him is Yueyang Sect. ARE YOU KIDDING ME WITH THIS? Chengling sadly nods. My little dude, c’mon. ZZS’s Nails are bothering him and WKX takes the chance to feed him qi, which ZZS accepts – might I note - without complaint. WKX waxes rhapsodic about A-Xu’s shoulder blades, and says he once saw a dead body with beautiful shoulder blades. Smashcut to a flashback of two people who we don’t yet know are Zhen Ruyu and Gu Miaomiao dead on the ground. Although this takes place immediately after the scene of Gao Chong at the altar, when the first tablets we see are Zhen Ruyu’s and Gu Maiomiao’s, we also don’t know yet to connect those names to these bodies. Tricksy, show. We see Zhen Yan place his hand on Gu Miaomiao’s back, and WKX’s voiceover talks about how he could tell she was a beauty despite the blood everywhere. ZZS interrupts this morbid tale to say they should let the past stay in the past, and then tells WKX, “My condolences,” even though WKX hasn’t actually mentioned anywhere in the story about this dead body that it was even anyone he knew, let alone someone he was related to. Because A-Xu isn’t stupid. Immediately after this - after saying they should leave the past in the past - ZZS asks WKX who he is. WKX goes into his Philanthropist Wen evasion spiel. ZZS shakes his head, visibly steels himself, and apparently comes to the decision to model the behavior he’s trying to encourage by coming clean about his real name, his relationship to Siji Manor, all of his bad decisions, his choking guilt over the deaths of all the Siji Manor disciples, and his reign of state-sanctioned terror as founder and leader of Tian Chuang. Notably, the very first word Chengling speaks to ZZS after hearing this rundown of supposed and actual crimes is to call him “Shifu” again to get his attention before asking for more info about the Scorpions. THIS CHILD. MY HEART.
ZZS tells them both, “I spent half my life alone, doing things I didn’t want to do and killing people I didn’t want to kill,” and I literally want to reach into the screen and shake WKX, because OMG LAO WEN. You are reflections of each other, and he’s baring his soul, and you’re going to continue to be so afraid that he’s not going to accept every part of you that it’s going to be episodes and episodes before you open up, and even then, only after he figures it out on his own. :hands: To make things even more OBVIOUS, ZZS then asks Chengling if he still wants ZZS to be his shifu after learning all of this, and Chengling doesn’t even hesitate, he says “Of course,” and ZZS and I are both about to cry. UGH. Zhang Zhehan, your face. It’s killing me. This is a man seeing the hope of resurrection for the sect he was convinced he had ground into dust. ZZS and Chengling are both so busy being emotional at each other that WKX has to take matters into his own hands, encouraging Chengling to bow, and we get a real bow to shifu this time, in a scene that once again mirrors the later scene when Zhen Yan makes his bow to Qin Huaizhang to become a Siji Manor disciple.
ZZS tells Chengling, all right, then. You are the first disciple of the sixth generation. (SHIXIONG. NO PRESSURE.)
End ep.
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sl-walker · 3 years
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All right, since I’m in the middle of a flare and have to work manual labor for the next four days despite it, I figured I would make myself -- and hopefully other people -- laugh by talking about one of my favorite OG Captain Marvel stories. Namely, from Whiz #50, with a cover date of January, 1944, meaning it was probably produced sometime in late 1943.
I want to share it because why not, this is some absurdly charming stuff.
I’ll get more into why it’s one of my favorites as we go, in the form of running commentary. So, full story (with said commentary) under the cut. If you wanna just read the story without my commentary, stick to the pictures. XD
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First, let me say that the cover and splash page definitely live up to the story, though the cover’s a bit more sensationalized. But the premise is pretty damn simple: Our intrepid hero and his newsboy alter ego are on vacation. Cap decides to go swimming. It goes hilariously wrong and thus ensues a bit of a madcap adventure, no puns intended.
Second, the fact that Cap and Billy are depicted as essentially different entities makes what Billy does next the ultimate trolling:
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Gee, airing out the stolen laundry on the radio? Really? I’ll leave it up to you, gentle reader, whether Billy actually was trolling his own alter-ego for ratings or whether he was just innocently sharing the story while his other-self winced quietly in whatever ether-space he exists in when not front-and-center.
Either way, I love it.
Continuing on...
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I get a kick out of the fact that Billy’s monologue is that he’s no dare-devil. One, because that’s so obviously not true in any way -- (that kid is awesomely, sometimes recklessly brave on the regular even without Cap) -- but two, because the bridge is actually named Dare-Devil Bridge. We aren’t given any reason why this dangerous potential death-trap is there, hanging without so much as a gate or a warning sign or anything, because we don’t need one. It’s there specifically for what happens next.
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Which, of course, is Billy calling in Captain Marvel, who does some light complaining about the situation Billy left him in. There’s no bite to it, which I find adorable -- Cap actually does get frustrated once or twice in other issues with Billy calling on him for mundane stuff, though he’s never mean about it -- but there is a bit of the sense of being put-upon there that’s just-- I dunno, cute. It’s something I miss a lot in the various post-crisis takes on the character: That duality, that difference in personality, and the way each of them responds to different situations. Often, they’re on the same page, but notably, sometimes, they aren’t.
Someday, I promise, I need to sit down and write how I think that works between those two without being a truly frightening mental illness manifested, what with them being the same person but not the same person. Because I have so many ideas, and I’ve only had since the early-2000s to percolate them. LOL! But until then, just enjoy this.
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Here is another reason why I love the Golden Age Captain Marvel books and why I love this specific story: This is an absolutely normal, mundane thing to do. It’s the human thing to do. These aren’t the actions of some super-serious superdude. These are the actions of a pretty shockingly normal guy doing something mundane. And a whole story is built around that normalcy.
It’s cute. It’s funny. It’s the reader already knowing that he’s getting himself into a situation that he absolutely could have avoided, but also completely understanding how it happened anyway. It’s pretty brilliant writing: I say this as a pretty damned good writer myself.
So much of the reason why, I think, Cap was so endearing as a hero is that humanity. He’s got pretty much god-tier power in the Golden Age, once his powerset is established. He’s utterly invulnerable to all physical harm while powered up. But-- he’s human. He knows he’s human. He acts like it, and decides, “You know what? I’m going skinny-dipping.”
He and Billy are both characters it’s so easy to empathize with.
Also, a reminder that the art under Chief Artist C.C. Beck is really, really good. (He had a whole stable of artists to help produce this stuff!) Ignoring registration issues on the printing press, the actual line art is amazingly good; proportion and perspective and consistency.
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But anyway--Cap does get to enjoy his swim. But, then, oh no.
I love the idea of a world where the prime hero -- and he definitely is in that world -- can take off his suit and go swimming, and where someone else is bold enough to steal the damn suit off of him. The first time I read this, I started laughing here. Not at him, but at the situation he’s found himself in. At the idea that some random passer-by saw Captain Marvel’s costume and went yoink!
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Another thing I love about this particular story is how much Cap and Billy have to work together, just by necessity. Like-- it’s just really good. But anyway, thank everything Billy Batson is on the ball, coming to the rescue.
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Sheer bad luck via the weather keeps this story rolling along in hilarious misdirections. Realistically, that uniform probably wouldn’t be all buttoned together (we see Cap take off pieces of it aside the pants in other issues, including socks!), but who cares? The point of the story is that giant bear rug on the floor’s gonna get put to use.
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Man, when have you ever seen Superman creeping naked through some stranger’s house wearing nothing but a random polar bear because he went skinny dipping? No wonder these comics sold so well. This next panel is when I start wheezing, though, and pretty much keep wheezing.
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“A lady, too! I’ve got to get away from here!”
I’m dying at this point. That’s such a characteristic response, and yet, I think that’s why it’s funny.
Anyway, because this is an excellent story (I mean this without an ounce of irony, too), our dynamic duo stumbles across a plot in play to rob the hotel they’re staying at.
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Here’s a big part of why this is such a good tale: Everything fits. Even when it isn’t explained, like Dare-Devil Bridge, it still fits. Why is the tree down? Because there was just a thunder storm, the same one that blew Cap’s suit into the room with the gangsters.
I don’t know if this is Otto Binder’s story, but I wouldn’t be surprised in the least. It’s a complete story told in relatively few pages that accomplishes everything it’s meant to.
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Anyway, using foliage as cover, Cap gets to be heroic----then Billy gets to get back to the business of trying to stop the robbery of the hotel and get his heroic alter-ego dressed again.  Which leads to a rather adorable and funny scene of Billy not only trying to describe what Captain Marvel wears, but what size it would need to be tailored in.
(Cap is supposedly a 44 for a suit coat, we find in some earlier appearance, which would refer to his chest size.  So, an XL for shirts and suit-coats.  He’s a big guy, but he’s actually not a hulking huge guy.  But more on that later.)
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I love the fact Billy tries to like-- use himself as a model.  Maybe in another ten years, kiddo.  Billy’s actually pretty buff for like a 12-14 year old, he’s not a scrawny kid at this point, but yeah, no.  LOL!
Another thing I also really, really love about this style, though, is that they draw Captain Marvel as being strong, as having a powerful build-- but not as a dehydrated body-builder with deep cuts. He’s got human proportions, regardless of his strength; he’s got a human build, not a superhuman one.
C.C. Beck had a lot of things to say about superheroes who were just muscles on top of muscles, all clearly defined, and he didn’t like it.  As someone who first got into comics in the early 90s with Jim Lee’s X-Men--
I do get Beck’s point.  I not only get it, but I really highly approve of it.  He maintained to the end that he drew (and oversaw) the Marvel family to look like high school and college athletes, and I can see that.  I think the one person who’s gotten it right in the modern era is Evan “Doc” Shaner, who did Convergence: Shazam!  He not only nailed that strong-but-not-hulking build for Cap, but also how young he looked.  College-age, in fact.
But anyway, enough digression into art and why I like this better than most modern takes on the character.  Also, that’s just a cute set of panels.
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I also like that there wasn’t an easy fix there.  Cap’s still in his not-birthday suit, and Billy’s still stuck running around trying to solve the issues at hand.  Next comes some other really good panels:
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-snorts-  He’s locked in.  Yeah, that’ll hold him.
Anyway, what I really liked here was again that tandem working; Billy can’t punch through a wall, but Cap can.  Cap can’t crawl out while he’s au natural -- well, he could, but he’d probably rather die first -- but Billy’s got no such issue.  It’s just fun when you get to see them doing something like that.  You have to really think for a minute about the trust each of them must have in their alter-ego.
ANYWAY, we get the rare treat then--
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--of Captain Marvel not only yoinking a dude into a dark room, but then stealing his clothes.  Except, not his underwear.  Because that’s nasty.  LOL!
I love that in this series, you do actually get to see him wear other stuff.  Go incognito.  Get his red suit messed up enough to take it to a dry cleaner’s, wherein he ends up dressed like a musketeer after.  Jerry Ordway’s series is, I think, the only other time we see Cap not wearing his famous suit, but it happened enough in the Golden Age that it wasn’t a shock.
Like, I hate to be the one to say this, but I do think DC drops the ball often on just how much you can do with Captain Marvel (or Shazam, depending on timeline, but that’s the wizard’s name to me so mostly I’ll stick with the original name) if you unbend enough to.  It’s not just the costume change, or the duality of him and Billy being the same but not, but also his inherent, essential humanity.
But I am digressing again, sorry. XD  I just feel strongly enough about these versions of these characters to spend hours writing this.
Anyway, only a single panel later:
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And that’s that!  Billy Batson has just outed his own alter-ego’s most embarrassing moment to whomever’s listening to WHIZ radio -- thank everything podcasts and the internet weren’t available then, ha! -- and we get to see a recounting of a very fun story.
Like I said earlier, I love this one for its essential humanity.  The hero got himself into this mess, he and Billy got him out of this mess, and stopping the criminals was actually just kind of a lucky stroke thrown in there.  But even though Cap got himself into this, the story never treats him like he’s stupid.  It never treats him like he’s some kind of idiot.  You’re laughing, but-- not in a mean way.
I love how human it is.  How complete it is.  How genuinely funny it is.  It’s a thousand times more funny when you genuinely love and respect Captain Marvel and Billy Batson, too.
Anyway, I hope you enjoyed this dissertation on a skinny-dipping hero.  LOL!  I enjoyed sharing it with you.
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Ok but it just dawn on me how, in a way, everyone has something to win, but at the cost of losing something else.
Let's start with Diana.
Gain: She managed to dismantle Providence from the inside. Providence, who is the true controller of Blue Seed, the company who caused the death of her brother (illness from the chemical leak) and later, her parents (assassins were sent to kill them). So in a sense, a sweet revenge for her.
Loss: Had to lose ICA, her longtime employer.
47,
Gain: Get revenge on Providence, the company who had been using him and his brother Lucas as tools for their dirty works. Not to mention the amount of abuse and other shitty things they had to endure by Ort Meyer.
Loss: Lucas died.
Providence/Arthur Edwards,
Gain: Lucas, the man who had caused many damages, from killing their operatives to destroying their assets, has died.
Loss: Arthur Edwards, the current controller of Providence, was killed/neutralized by 47, and then Providence was dissolved completely with the help of Diana, who has the power, as the new Constant, to tear them apart from the inside.
Lucas Grey,
Gain: Although he died, his death was not in vain. He was avenged by his brother, 47 along with Diana and Olivia. (yes I know she calls it quit by the end of Berlin, and completely do so after Mendoza, but I'm still gonna include her anyway yeah fight me)
Loss: He died and doesn't get to see the day Providence lost, and also doesn't get to live the future he wanted.
You know who doesn't win anything at all and instead, lose everything?
Olivia Hall.
Why? Well. Let's look into her motives for joining Lucas. As far as I'm concerned, IO doesn't gives any intels or pieces of dialogues regarding her motives for joining this shitshow (IO why you did my girl like this?), I did a list of the possibilities of her motives and its logicalness. Here it is:
1. "Money?"
2. "She's a hacktivist. So, maybe she joined simply because she's anti-corpo?"
3. "Maybe she too, like Lucas, had past issues with Providence?"
4. "Forced?"
5. "They have a long standing friendship. She joined because she cares about him and wants to help".
The answers:
1. There are other ways of making money that doesn't involve joining a war against some shady highly dangerous secret society lmao damn. Not to mention that she used to be a child in a warzone (Sierra Leone Civil War). With the amount of trauma that I could only imagine, I doubt she wanna go through that again especially over petty shit like money. Money. For money that I'm sure she could easily get that by hacking some rando corpo bank account anyway. Plus, Idk man. She just doesn't seem the type imo.
2. This is true. She is indeed, anti-corpo. However, again, it's stupid. We're not talking about some basic ass corpo group, nah, this is literally the organization that have controls over almost half the globe and half of the government, for god knows how long. This is not some fun shit, this is serious shit. Sooo many things that could go wrong, resulting with either her being dead or targeted for the rest of her life.
3. This is good but bruhh there's just so many potential theories, and I do not have the energy to write all of them (maybe another day). Not to mention that there's no reason for them to not include this intels in the game. Hell, there's no reason at all for them to not let us know about her motive.
4. *logic has left the chat*
5. Out of all theories, this is the one imo that's the most logical. Period. There's so many versions based on this but I'm gonna stick with the simple one. Maybe I'll elaborate the others on another post.
So, it has been concluded that her motives for joining Lucas, is because she cares for him. Whether you see them as father-daughter or simply friends. Both works fine, though imo, the former works best.
It makes sense as to why she chose to call it quit by the end of Berlin. Because what's there to fight for? He's dead. She already lost him. She lost. Sure, she could stay and continue his fight. Avenge him. But that's the thing. It's HIS fight. She did this only because she wanted to help him survive this shitshow. She wants him to survive, and gets to live the future that he (definitely) had mentioned to her before. Plus, she's tired. Tired from the pain she felt from both, losing Lucas and her leg injury.
This woman suffered physical AND emotional pain at the same time.
Not to mention she has been in this fight for almost 2-3 years now. All of that is enough for her to walk away. Find peace for herself from this mess.
She and Lucas probably has talk about this before. Maybe he made her promise him, that if anything happens to him and 47, he wants her to run. Run like hell. Forget about all this. There's no bodyguards, no task force. He's not there to protect her anymore.
If he's the only one who didn't make it, he would've appreciate it if she choose to stay with 47 and continue fighting alongside his brother. But he also understands if she choose to leave.
Olivia finds that, for the sake of her sanity, it's best to walk away.
I'm willing to bet one of the main reasons she helps 47 one last time (Mendoza), is because she felt a tinge of guilt for abandoning him just like that. If she could not see herself continue fighting, the least she could do, is offers her help one last time, even if it probably wasn't much.
After all, old habits amirite?
So there you go. Our girl was fighting hard to help the man that she had known since she was 7 years old.
More sad: if this man save her life during the war.
Even more sad: if this man also got her out of there, away from all the pain, towards a new life.
Peak depression: if this man was the one who raised her himself.
(Oh and uh if I got it wrong or missed something, let me know okay!)
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theotherace · 4 years
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Fic Recs: Taang
I’ve made two or three rec lists over the past few months, but I thought I’d make a proper, comprehensive one that’s easy to add to in the future. Not all of these are exclusively Taang, but they all feature the ship to some degree. I will only recommend one or two stories per author, but some profiles are definitely worth checking out further. So! Here goes.
Multi-Chapter, Complete
Whisper Into the Sky by damagectrl – Toph has two choices: Go home and get married or have the family fortune and her inheritance given to a stranger. Her problem: She wants to keep her ties to her family, but is quite content traveling with Aang. Her solution: Fight her way through suitors for her freedom. Literally. | General 
The Slow Path by Tazmainian Devil – Eight years after the fall of Ozai, Aang returns to the friends he left behind. | T
A Matter of Honor by Adridere – Almost 4 years after the war. Aang is engaged to Katara and is up to Zuko to teach him the facts of life. Yep, the bees and the birds. Crazy kings, bananas and the ultimate contest for the hand of a reluctant maiden. | M
Roommates by breeeliss – An unlikely tale of two unlikely people being forced to live together under unlikely circumstances.| Modern AU | T
Fall of the White Lotus by Boo-82 – Three years after the war Zuko is living a life of duty while Katara reluctantly travels the world with Aang. So, when General Iroh orders them to find Zuko’s mother and save his Order they seize the opportunity with both hands. It’s the beginning of an adventurous journey of discovery, but as time runs out a rising threat puts their bond to the test. | T
Half Asleep by The Crushinator – Five years after the Hundred-Year War, Fire Lord Zuko is hit with an assassin’s dart, and falls into a coma from which he cannot wake. A week passes, and his prognosis is grim. But Katara could swear she hears him in her dreams… | T
Yaaburnee by aviatordame – Avatars aren't meant to belong – that's as much as Aang can fathom. | M
Getting Lucky by roca-dos – Crazy things happen in college every day. | Modern AU | T 
All Fall Down by DJNS  – Aang copes with a tragic loss and finds renewed hope in an unexpected place. | M | Warning for Major Character Death
The Princess & the Badger-Cat by panaili – In a land never torn apart by the Hundred Year War, the sixteen-year-old Avatar Aang is trying his best to keep the balance between the four nations, including the increasingly antagonistic Fire Nation, which, despite his friendship with the Crown Prince Zuko, refuses to acknowledge him. Elsewhere, Sokka and Katara have been separated on their quest to find their missing father, and Sokka, pursued by the same bandits who kidnapped his sister, finds himself on the balcony of some rich girl’s house in Gaoling. Oh, and a sorcerer has turned him into a badger-cat. It’s just one of those days. | Teen and Up
Reborn by Jakia – Life. Death. Rebirth. This is the cycle that all spirits must abide to, even the Avatar. Aang and Toph face death and the reincarnation cycle. | T
New Girl by tiffaniesblews – After coming home early from a business trip, all Katara wanted to do was surprise her boyfriend, Jet. Imagine her surprise when she got home and Jet was in bed with another woman. Not wanting to live with her ex, and unable to live with her best friend, Suki, Katara takes her brother Sokka's offer to move into his loft with his two roommates. Aang is perky and sweet, the owner of a st. Bernard and a cat, who's often confused about his direction in life. Zuko, on the other hand, is a closed-off bartender, who takes some time opening up to others.The four could not be more different, and yet? They work out perfectly. Even if Katara's feelings for Zuko get a bit more complicated as time goes on. | Modern AU | Mature 
The Ties That Bind series by LdyKirin – An exploration of the ties that bind for good and ill. Toph and Zuko are both shaped by the family they were born to and the family they choose. Lots of found family feels. | T
What Happens In Kyoshi by BlackVelvetBand – Prince Zuko, and the GAang take a vacation on Kyoshi Island. Flirting, fighting, and embarrasment ensue as Sokka takes it upon himself to defend Katara's virtue...in a dress? A short,chaptered fic featuring Zutara, Sokki, and Taang. | T
Under the Night Sky by mycomfortblanket – Aang hears the chattering of teeth during a cold night. Was an AU that I found on tumblr that I made fit into this story. Orginal prompt: "We have to go camping together and share a sleeping bag even though we are complete strangers | General
On The Precipice by JoyDragon – They’re just best friends. Or maybe they’re teetering on the edge of being something more. | General
Oneshots, Complete
Air and Stone by Wolvenfire86 – A few Taang stories munched together. My first submissions. I hope everyone likes them. Please review, it makes me feel special. | K+
Taang Week 2020 series by teabagginses | Teen and Up & Mature
Our Little Secret by IrisPlumeria – Toph and Aang, sat next to one another dressed in their finest under paper lanterns and surrounded by copious amounts of food and friends, cringed at the disgusting noises coming out of Sokka’s nostrils as he blew his nose into Suki’s handkerchief. “I can’t believe two of my best friends are finally married!” Sokka sobbed, earning a supportive pat on the back from Suki, who didn’t flinch at the snot coming out of his nose. “I’m so happy for you guys!” Toph and Aang's family are happy for their nuptials, but will they be able to survive their wedding party without letting slip a big secret?Written for Taang Week 2020 - Tradition. | General 
All Roads Lead To Ba Sing Se by irisbleufic – "I was thinking," [Mai] said, tucking her last remaining dagger into her belt as she strode to meet him, "that it's about time I let Fire Lord Zuko know that I quit." When Kuei smiled at her, she could see the sunshine at which she once cringed."Notice that's six years overdue is better than none at all." "Indeed," said the Earth Queen, and grinned at him. | Teen And Up
Lady Fu’s Fortune Telling by Lady Cleo – Katara and Toph visit the local fortuneteller to get their fortunes told. Added a part two with Zuko and Aang. | T
The Perfect Companion by Morna – Aang seeks comfort outside of the arms of his wife, Katara. Taang, slightly lemony. | T
Box by JoeMerl – Written for Taang Week, one-shot. Toph ticks off Bumi, but Aang is willing to fight his old friend tooth and nail to get her out of trouble. Humor, light romance. | K+
2 am by shmulia – Whoever set off the fire alarm at 2 in the morning is on Katara's shit list. Even if he is hot and shirtless. | Modern AU | K
And its sequel, 11:45 – House parties aren't Katara's thing. Sokka's drunk, Suki's on a mission to set her up, and Toph is... well, Toph. But for every cloud there's a silver lining, and for Katara it comes in the form of a second chance with her neighbour... | Modern AU | T 
Treat by PsychEmpress – She felt the corners of her own lips quirk as he sheepishly rubbed the back of his neck. “Consider this my treat,” he said and Toph allowed a smile to break out. OR In which Toph is a stressed architecture student who gets a free cup of coffee from the handsome waiter after she helps his friend. Taang. Mentions of Sukka. | Modern AU | T
Sawaru by metacognitive – This love is simple. Non-Korra compliant. | K+
Newlyweds (and basically everything else) by PandaCookie – Everyone’s a bit hopeless right after they’ve been married. | K+
Rhythms by xcgirl08– For now, though, her child’s heartbeat was hers to contemplate. | K 
Tenderness by Adridere – He wanted to keep her, even though he was not supposed to. He promised her freedom, and she promised him sanity in his own household. She kept her part of the bargain, but he found a way not to keep his. | M
Holy Matrimony by Loopy – After their marriage, Zuko and Katara deal with conflicting religious beliefs, and look to the friends for advice. Between the Zutara and the religious satire, every single person who reads this should feel offended. | General
Blind Maiden’s Grace by Adara_Rose – You can learn a lot of things from a flower… | Not Rated (I’d say General) 
Etched in the Earth by Dance_Elle_Dance – She knows the feel of Aang’s footprints better than her own, and that reality scares her. | Teen and Up
No One Asks About The Scars by voleuse – Write about how you learned to curse in order not to be cursed. | General
When in Rome by dtmars – She wasn’t stupid. She knew what she was doing and what she was getting herself into. They both did. | Modern AU. | Explicit
Like Real People Do by DerAndere – The moon is full and bright when he falls out of bed, awake, asleep, inside a dream, and starts walking, driven by the feeling he does not understand, tugging on him relentlessly, and he is Aang, and he is not, and the world is cold. | General | Full Disclosure: This is my story.
Meet Me Under The Table by avatarfan16 – A story of how Toph and Aang find love, in the most unusual of places. TAANG | K+
Aftermath by Zaram'delar – In any celebration, there's always one or two people with a habit of disappearing. Taang drabbleish series. | T
I Choose Dare by for_darkness_shows_the_stars – An ode to how Aang, under the power of a mighty temptress, was forced to grow a beard. Oh, and the birth of his first child, too, he supposes. | General Audiences
Multi-Chapter, In Progress
Heartbeat by AngelicBee – Avatar Aang's soulmate probably died 100 years before, but he can't help but feel she's closer than he thinks. | Teen and Up
a mighty ocean (or a gentle kiss) by poweradequeen – no, the title doesn’t make sense but i don’t care. i couldn’t think of one so now you’re stuck with a cheesy line from two by sleeping at last.it’s a taang fine arts university au. because i said so. | Teen and Up
Neither is Love a Cage by cali-chan – Love is the freedom of flying accompanied. It is letting be without possessing. PG-13 (possibly M later on), drama/romance/angst, Zuko/Katara + Aang/Toph, post-finale but diverges before LoK canon.
Operation: Zutara (REVAMPED) by dtmars – Everyone could see that those two were in love with each other. Everyone except for them. So Toph takes the initiative and fills in for Cupid to give them a little push, while Aang just tags along for the ride. | Teen and Up
Taang One Shots by stitch1830 – A collection of short stories about Toph and Aang that I've had saved in my notes for a few months. Stories are in the ATLA/LOK universe (not canon compliant), and typically revolve around their relationship and family. | Teen and Up
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kirksfattitties · 4 years
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asks you can smell the privilege and internalized ableism radiate from
(tw for ableism and other bigoted implications)
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i’m bad at reading tone but even i understand that this is 100% you being condescending and trying to cover it up with smiley faces and false sincerity. and i don’t appreciate that.
before i get into deconstructing your shitty ableist argument, i want to explain the reasons i believe in self diagnosis (self-dx):
even professional diagnosis doesn’t start with a doctor diagnosing you. there has to be a reason for seeing the doctor. some people see a doctor in their adult life because they’re struggling, some people are taken by their parents, some people are referred or suggested that they see a specialist. whatever it is, you don’t just see a doctor and they magically give you a neurodivergency. people have neurodivergencies before they see doctors and even if they NEVER see a doctor.
the psychiatry system is flawed in MANY ways and to say that it isn’t means you’re denying the experiences of people with less privledge than yourself. also like psychiatry isn’t gonna suck your dick. you don’t have to be a bootlicker lol
in many places (hi hello i’m from america where our government tries to indirectly kill us by not providing us with adequate healthcare! i and many other people have many issues we can’t get fixed because simply our government cares more about the economy than us), seeing a psychiatrist or a therapist or going to a mental hospital or WHATEVER is INCREDIBLY expensive. and to assume that everyone has access and enough time/money/energy/transportation/whatever to do all of that is classist and elitist.
ANYTHING medical (including mental health) is biased towards white cis men. most studies are done on white cis men/boys. because of this, people who aren’t white cis men (or people who aren’t perceived as white cis men) are often not diagnosed. the system is racist. the system is sexist. the system is transphobic. people don’t know how to diagnose autism or adhd or personality disorders or other neurodivergencies or even mental illnesses in black people and other people of color, in women, in trans people, etc. and GOD FORBID someone be in multiple (or all) of those categories. saying “just go get diagnosed :)” is a privileged statement to make.
shocker! the psychiatry system is also ableist. if you’re already diasabled (whether it be mental or physical) and you see a doctor about ANOTHER disability? the doctor is most likely going to shoot you down. or at least be weary about someone having mutliple disabilities.
also most people who diagnose are neurotypical. they have never and will probably never experience neurodivergency so they can never fully understand it. they operate off of stereotypes of neurodivergent people and usually only stereotypical behavior of neurodivergent white cis men (which, as i mentioned before, is problematic for anyone who isn’t a white cis man). neurotypical diagnosers don’t know the neurodivergent culture and aren’t trained to recognize very common things (like masking for example).
a professional diagnosis can also be weaponized. not everyone can get a professional diagnosis because there are some neurodivergencies (such as autism and personality disorders) and mental illnesses (like depression) that can have legal and medical respercussions to have in your record. trans people can be denied medical and legal transition for being professionally diagnosed. people can lose custody battles for being professionally diagnosed. a professional diagnosis can be used as justification for taking away someone’s body autonomy (especially if that person is also physically disabled).
a LOT of neurodivergencies also have some type of symptom (or symptoms) that make it difficult to interact with people. troubles recognizing facial expressions, troubles understanding certain phrases and types of speech, paranoid about people, audio processing issues, being nonverbal in an environment that doesn’t accommodate for it, overstimulation, extreme social anxiety, discomfort in new situations, problems with eye contact, and a lot more. because like. for many nd people, interacting with people is very difficult and stressful. and hey. if you want to get a professional diagnosis? take a WILD guess what you have to do? FUCKING INTERACT with people! LIKE?? JEHDJJDKEKKDKDKDS. do you know how many professionally diagnosed nd people i know who made their appointment COMPLETELY on their own without help from a parent or family member or friend? LITERALLY ZERO! and i know A FEW nd people who have professional diagnoses! so if someone has social issues that prevent them from doing tasks like calling and making an appointment, showing up for an appointment, talking during the appointment, etc and ALSO doesn’t have familial or friend support (because newsflash! people who are friends/family of disabled people can still be ableist)? almost impossible to get a diagnosis! plus, the diagnosis process is TIME CONSUMING. not everyone can focus on a task for that long and not everyone can miss work/school for that long.
so those are the reasons i support self-dx. (although there’s probably more that i’m forgetting but i have adhd and it’s hard for me to remember things!)
so hopefully you now understand my reasons for believing in self-dx, and perhaps even you’re pro-self-dx now because before you were just uneducated on these issues and how they impact people who aren’t you.
but in case you’re still anti-self-dx and probably hate already-marginalized neurodivergent people, let’s talk about this horrendous ask (series of asks, actually) that i got sent. i feel like i can feel the self hatred and internalized ableism OOZING from this ask and into my inbox, so thanks for that i guess /s
“Sometimes people who self diagnose can take away from those who are actually nd, even sometimes from themselves.”
starting out strong with the ableism on this one by separating people into “self diagnosed” and “actually nd” people. self diagnosed people ARE actually nd
there’s not a limited number of nd resources. this isn’t a math equation of only x amount of people can be nd because there’s only y amount of resources. more people realizing they’re nd will actually MAKE more resources for nd people and will bring more awareness to being nd
even IF someone self diagnosed, and they go back on it later, what harm was done? they learned some coping mechanisms? they made some nd friends? neither of those are problematic and i think they’re both actually very helpful. i think nt people SHOULD learn more about nd people and stuff because i think that will lead to WAYYY less misunderstandings and WAYYYY less ableism
“There are many people who fake nds for attention,”
hey anon, what fucking world do you live in that nd’s are cool enough to fake having? because i would LOVE to live there. like, i literally had a post about my personality disorder (which i will not be specifying) i had to delete because people were sending my anons about how i was “scary” and “threatening” now that they knew i had the personality disorder i have. last year i left a discord server because the ableism i was recieving from not only the members of the server, but the mods as well. there are very few people i know irl who i tell about my personality disorder, but when i tell people about my adhd, they start treating me different. they infantalize me and make fun of me and use “jokes” about stereotypical adhd behaviors to alienate me and they even TELL OTHER PEOPLE without my permission. i was SEVERELY bullied throughout elementary and middle school for being nd. i have been refused job and educational opportunities as well as literal medical attention for being nd. people aren’t “faking” being nd, and if they were they probably wouldn’t be doing it for long because it’s not something that’s EASY to deal with.
kinda ironic that you’re saying people can’t diagnose themselves but that YOU can tell when someone is faking their diagnosis. that’s both hypocritical and a double standard.
masking exists. if you think someone isn’t “acting nd enough” they’re probably masking because they’ve been fucking bullied and harrassed. also you’re probably basing whatever you think nd is on stereotypes. not every nd person is sheldon cooper lol.
this is a side note but can we talk about how you’re literally just taking transmed rhetoric and molding it to fit nd people? like. you really come onto MY NONBINARY NEURODIVERGENT blog and expect me to validate your recycled “but what about the REAL [insert group] people?” ??? like grow up, elitist. you’re not better than anyone else just because you lick some boots 🥾 👅
“and claiming that self diagnosis (and this is just what I interpreted) is just as valid as professional diagnosis”
it is 😌
the only difference between self diagnosis and professional diagnosis is that a professional diagnosis can also get you medicine. not every neurodivergency needs meds and not every neurodivergency can be treated (at this time or even ever). for example, my pd (self diagnosed) doesn’t have a specific treatment but multiple symptoms of the pd (all professionally diagnosed) have specific treatments and medicines that work, so patients are given/diagnosed with/prescribed those instead. also, medicine doesn’t work for everyone! and sometimes people are allergic to or take medicines that will conflict with any new medicine.
“can really devalue the account of someone who actually has a disorder”
here we go again with that “self diagnosed” vs “actually nd” bullshit. literally just say you hate poor people n minorities and leave lol
someone having a different experience than you isn’t devaluing you, but if you’re the one who always has the spotlight maybe you should use your privledge uplift other marginalized people instead of feeling angry when everything isn’t all about you 100% of the time
“I have a second ask”
i don’t want it
“Plus it can be damaging for a person if they self diagnose wrong.”
how? what if they learn information that they wouldn’t’ve otherwise known like coping mechanisms that help them with their own neurodivergencies? that’s definitely not a bad thing
i think it’s funny that you bring up that people can self diagnose wrong and don’t even MENTION that doctors can diagnose wrong. like. you know. the people who GIVE OUT MEDICINE to people. i think it’s MUCH more dangerous when a PROFESSIONAL diagnosis is wrong. what are self-dx people with wrong diagnoses gonna do? read up on nd tips? maybe smoke some weed? drink some coffee? that’s about all they can do with a self-dx. but if a MEDICAL PROFESSIONAL gives you an INCORRECT diagnosis, they can ACTUALLY fuck you up.
“I was recently diagnosed with PTSD, a disorder which I would have never considered I’d have.”
that’s great about your professional diagnosis! i don’t know you but i’m glad you’re finding out about yourself and getting the help you want and/or need /srs
sorry if this sounds blunt, but honestly i’m not surprised you never considered you could have PTSD. based on your asks, you sound like you have a lot of internalized ableism you need to work through and a lot more research about neurodiversity you need to do. being anti-self diagnosis is a common belief among a lot of people with internalized ableism and a lot of these same people are the ones who have no issue with and even SUPPORT auti$m $peaks. many nd organizations that are run BY nd people (like asan) actually support self-dx.
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“If I had of diagnosed my own symptoms and then started treating myself or taking precautions based on my self diagnosed "condition", it could of really hurt me.”
how? taking precautions to preserve your mental health is NEVER a bad idea. i’m not ptsd, but someone i care deeply about DOES have ptsd and has shared a lot of the precautions and coping mechanisms for ptsd with me and honestly they’ve been incredibly helpful. it’s almost as if different neurodivergencies and/or mental illnesses have overlap and that’s why there’s a whole community for us to be able to share these resources and information with each other!
the same person was rejected a formal autism diagnosis because of their ptsd, plus the fact that they’re transgender and the fact they have symptoms of adhd. it’s not really my place to talk about their experience with professional diagnosis, but i’ll send this post to them and allow them to add on their experience in a rb if they’re comfortable with that. but it’s almost as if their experience with the professional diagnosis process was unhelpful, harmful, ableist, and transphobic 🧐 and unfortunately this is a pretty common experience
“Also, by self diagnosing, I devalue the account of a person with the disorder l assumed I had.”
how? if someone thinks they’re nd, they have a legitimate reason for thinking so. either they have another neurodivergency than the one they thought they had, or they’re neurotypical and need to figure themself out and have a need for support. either way, they learned more about the specific neurodivergency, more about the nd community, and more about themself. i don’t see how that’s a bad thing.
if you think self-diagnosed people’s experiences inherently have less value, that is straight up ableism. especially considering that other marginalized identities and minorities have trouble getting professional diagnoses, you might also be bigoted in some other way. or at the very least, refusing to acknowledge your privilege.
“only one more I promise”
i don’t want it
“I understand that doctors are expensive and professionals can get it wrong,”
okay. if you understand this, then dm me your information so i can bill you for the cost of my professional diagnoses, the cost for my therapy sessions, the cost for my medicine, and the cost for transportation to and from all these places. PLUS the cost of the work and school i’ll be missing for these sessions. 🤲
“but self diagnosis can be really harmful to yourself or others.”
nah, you’re just ableist and a gatekeeper lol
“If you feel like you have a disorder, go see a psychiatrist, you may have it.”
[remembers when i went to a psychiatrist who diagnosed me with two major symptoms of a personality disorder and said i had other symptoms of the pd as well but refused to diagnose me with the actual personality disorder because i was a minor at the time and he told me “kids don’t have personalities so they can’t have personality disorders”. i understand being weary about diagnosing children with personality disorders because they aren’t fully developed but this dude straight up told me that i didn’t have a personality. this man literally only worked with children so that means he literally never diagnosed personality disorders. this man was literally just lazy and didn’t care about his patients. this man also refused to believe me when i told him the medicine he prescribed me made my symptoms worse and even made me hallucinate. he ignored me and refused to change my medicine so eventually i just changed psychiatrists and they put me on a new medicine that DIDNT make my symptoms worse and DIDNT make me hallucinate. also i looked it up after our session and apparently ONLY people with my pd and related ones experience hallucinations on that certain medication. it’s almost like his refusal to diagnose me and ignoring my symptoms/concerns harmed me. this man also constantly misgendered me and told me that homosexuality and transgenderism should’ve still been in the dsm. like golly, it’s almost as if being queer and neurodivergent in an extremely conservative state is harmful and dangerous. and that psychiatrists aren’t immune from being homophobic and transphobic and ableist.] but yes :) perhaps i should see another psychiatrist in this conservative state :)
“I don't want to undermine anyone's actual experiences, but it can be dangerous.”
then stop undermining people’s actual experiences :)
no ❤️
“If you feel like something's wrong, go see a professional.”
the whole point of the neurodiversity movement is that there IS no such thing as a “normal” brain, so saying that neurodivergent people have something “wrong” with them is ableist.
💰 🤲 hand it over
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“I don't want to offend, I just don't want anyone to get mislead or hurt. :)”
you absolutely meant to offend. you literally said that self-diagnosed people’s experiences aren’t valid and have less value than people who have professional diagnoses
i know more people who have been (and personally have been) mislead and hurt by professionals than by simply existing as a self-diagnosed person
also i want to say that being pro-self dx is NOT being anti-professional/formal diagnosis. i think that people should absolutely get a professional diagnosis (if they are able to without negative repercussions)! being pro-self dx is more inclusive of marginalized people (like people of color, women, lgbtq+ people, people with multiple disabilities, etc). pro-self dx is simply just saying that professional diagnosis isn’t the only option
(neurotypical people and anti-self dx people don’t add anything; pro-self dx neurodivergent people are allowed to add with their experiences if they want)
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supernovanim · 4 years
Text
Mutual Abduction Part 2
I was so going to finish this fic in one go, but my friend’s cat got terminally ill today and I have to work out how to comfort her without going round and giving her a hug as that’s not allowed. England is in another lockdown, hope you’re all doing ok out there. I promise to post part 3 later this week, and I promise it will contain proper smut. This part is mainly just weird flirting (and before you ask, yes this is one of my moves and yes it does normally work). You can read Part 1 here and I’ve created a masterlist now too. If you want me to tag you in Part 3 ask in the comments.
Summary: following your abduction by aliens, you’re now trapped in a room with Dylan O’Brien and have to entertain yourselves Pairing: Female Reader x Dylan O’Brien Warnings: So much swearing, imprisonment (non-violent), references to smut Word count: 1,431 Taglist: @hernameisnoellex3​ @beautiful-thinking​
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Dylan looked around the room slowly, then back at you. You took a deep breath, not really sure how to handle this.
“Am I dreaming?” he said, running a hand through his scruffy hair distractedly. “One minute I’m on my bed at home, the next minute I’m here. I’m definitely dreaming, right? It’s the only thing that makes any sense”
“Well if it helps, you can pretend you’re dreaming” you replied carefully, not wanting to freak him out more. “But I’m pretty certain it’s real, and we’ve been abducted by aliens. Don’t panic. Seriously – I did that when I first arrived, and it definitely didn’t help”
“Aliens?! No no no – sticking to the dreaming theory. It seems like one of my dreams – weird situation, attractive woman. Although if it was one of my dreams, you’d be wearing less clothes” he looked at you contemplatively, as if he expected you to start removing them.
You let out an amused half snort. “Huh. Yeah…about that” you started and then paused, not really sure how to explain. “Fuck I can’t do this. Hey KITT?”
Yes human female Y/N
At the voice Dylan started and looked around again. “Don’t worry” you told him gently “It seems to be some kind of AI, so far it’s been pretty helpful.” You placed a hand on his arm in an attempt to comfort him and then turned your head towards the red light on the wall. “Can you explain to Dylan why we’re here?”
Certainly We are studying human mating habits You have been selected Once you have mated you will be returned to Earth We mean you no harm
“And before you ask, they said it’s not a human breeding program” you added “Weirdly, I kind of believe them. They’d probably provide protection if we asked”
At that a box of condoms appeared on the small table. You shifted awkwardly and gave him a small smile. “See” you said, “they’ve given me everything I’ve asked for, even if their timing is a little unfortunate”. You side-eyed the red light - in terms of seduction techniques, magically appearing contraception wasn’t the best.
Dylan raised an eyebrow and looked at you. “Right, let me get this straight. I’ve been kidnapped by aliens, and they want me to have sex with you before we can go home?”
“Pretty much sums it up” you stated. “Although I’m not sure if they’ve got any requirements beyond the sex part – it’s their study not mine. Hey Holly?”
Yes human female Y/N
“What exactly do you need us to do here? Mating habits is a little vague – is it just the sex?” you questioned, secretly hoping it wasn’t. Dylan had featured heavily in your recent fantasies; you couldn’t help wanting to play some of them out.
We are studying all aspects of mating We would like to learn about a lot of aspects we have only gathered from literature These include…
There was a pause, as if the computer was accessing some kind of databank
Flirting Pick ups French Kissing Hickeys Hand Jobs Blow Jobs Eating Out Spanking Choking Nipp-
“Ok, ok!” you yelled, feeling your face heat up “That’s…um…plenty to be…getting on with. Do we…er…have to do all of that before you send us home?”
No We will terminate the experiment when both subjects are satisfied
“Right, that’s pretty clear then.”
You looked at Dylan, feeling suddenly uncomfortable. He however appeared more relaxed than before, a twinkle playing in his amber eyes.
“This is so a dream. Fancy giving me a hand job while I finger you?” he smirked
Now your face was definitely hot. You swallowed hard and found yourself unable to drag your eyes from his.
“Let’s just…ease into this” you mumbled, and his smile widened “Down boy – I mean let’s try the flirting thing first.”
You grabbed his hand and led him over to the couch, which was large and black and made of very squishy looking leather. As you sat down, he kept hold of your fingers and ran one of his against your palm, sending a shiver of anticipation up your arm. Resisting the urge to skip the talking and clamber straight into his lap, you settled next to him with your legs tucked underneath you.
He spoke first “I’m not that great with flirting really. Always just met people at work, or through friends. Never been able to just walk up to someone in a bar or club.”
“Well hotshot actors probably don’t need to use pick-up lines.” you said teasingly “You can just wait for people to come to you. It’s a bit more difficult for us mere mortals. C’mon though – you must have some moves – hit me with your best”
“No, no really – zero moves. I’m moveless. How about you – what’s your most fool proof method?” he asked, raising one eyebrow.
“You’ll laugh”
“Doubtful. Go on, hit me up” he smirked
“Right, you asked for it” you told him “hey JARVIS?”
Yes human female Y/N
“Can you set Mario Kart up on this thing and give us two controllers?” you gestured towards what looked like a flatscreen tv set into the wall opposite the sofa
Searching data banks Sending information to interplanetary graphic device screen Certainly human female Y/N
And two controllers appeared on the sofa next to you as the familiar intro came up on the screen.
“Mario Kart” Dylan’s eyes widened disbelievingly “your big move is…Mario Kart”
“Nope. My big move is beating you at Mario Kart. Knock their egos down to size, then build them back up again. Works every time. 100% success rate” you laughed at him, tossing one of the controllers in his direction.
Dylan looked thoughtful “are you sure it doesn’t work because by this point they’ve already come home with you? Kind of a foregone conclusion.”
“No it works earlier than that - ‘do you play Mario Kart?’ is an awesome opening line” you smiled “fool proof”
“And what if they say no?”
“Well...” you lowered your voice and bit your bottom lip suggestively, looking at him through lowered lashes “would you like to learn? Maybe I could…teach you a thing or two. Back at my place”
Dylan looked at your lips and swallowed “huh. Oh...ok I see what you mean. That’s kinda hot.” He seemed to be breathing more heavily. “Not sure about the beating me bit though, prepare to have your ass kicked”
“No way hotshot. Choose your character. I’m always Toad. You seem more like a Peach type” you teased, already mashing buttons
He looked at you disbelievingly “Oh it’s on. I was going to let you win because you’re sexy, but now you’re going down”
“No, you’re going down. And when you’re beaten, you can go down on me” you promised. Dylan nearly dropped his controller in surprise. Ha - this was going to be easy, you thought to yourself.
It was fun, and in the end he was pretty easy to beat. You let him win a couple of races until he let his guard down, and then deployed your sneak attacks. Sneak attacks included nudging your leg with his, smoothing a hand down his denim-clad thigh, leaning forward until the curve of your tits jutted up, and some really suggestive smack talk. By the end you could tell he was frustrated, breathless and -  you glanced down at his lap – already half hard.
“So…” you pondered, turning towards him on the couch as on the screen Toad jumped up and down on the podium “That was my move. Did it work?”
He smiled slowly at you, his eyes full of lust and something else you couldn’t place “That was incredible, but…” he hesitated, and your heart sank “this isn’t a dream is it? It’s too real, and in a dream you wouldn’t have beaten me”
“Look, don’t overthink it” you reassured him. “I say just relax, go along with it, worry about the wider meaning later. Live in the moment”
“Hmm” he was still hesitating
“What would help you here?” you asked “I’m sure Skynet can get us some accessories. Handcuffs, lube, blindfold…”
At your words the items started appearing on the small table across the room. You giggled and continued on.
“Cock rings, vibrators, dildo, sex swing” enough stuff was piling up that some of it fell to the floor with a crash “love eggs, butt plugs, paddles, tick..”
“Argh! Shut the fuck up” Dylan interrupted forcefully, and at your answering smirk he reached out and fisted a hand in the material of your top, pulling you hard towards him and silencing you with a desperate kiss.
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elyvorg · 4 years
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Kaito Momota: How ADHD Can Be
It’s about time I properly shared a take of mine that I never really talk about in my usual analysis posts, which is my very firm headcanon that Kaito has ADHD. While this is partly thanks to me having ADHD myself, self-indulgence is far from the only thing making me think this. There are so many reasons why this makes every single bit of sense, and this post is going to talk about all of them.
And, see, I don’t want to alienate anyone by having them think I’m about to present an interpretation of Kaito that looks nothing like the Kaito we know, because that’s not it at all. I’m here to talk about how so many of the things that were already abundantly true about him also happen to fit perfectly with ADHD. Really, you could think of it more as me talking about how ADHD actually looks a lot more like Kaito than most people might have realised.
After all, ADHD is a frustratingly misrepresented disorder that’s way more complex and interesting than most people are aware. So not only does it make a huge amount of sense to see Kaito as ADHD, it’s also just genuinely fascinating to think that this could be influencing how his mind works and the way he reacts to things throughout the story. Imagining that Kaito has ADHD could never make him any less Kaito, but I do think it makes him yet another layer of interesting on top of everything else he already has going on.
So even if you don’t have any personal investment in ADHD yourself, I hope you can follow along with me for this. There’s a lot of fun stuff to talk about here.
(Since ADHD is so horribly misrepresented that I can’t expect the average person to know what it really involves, this post is also going to include something of a whirlwind explanation of ADHD itself, in order to help people better appreciate why all these things about Kaito are potentially ADHD things. With that said, obvious disclaimer: I am not remotely a mental health professional, just someone with self-diagnosed ADHD who’s read up a lot about it. Some of this will be from things I’ve read, and some of this will be from my own experiences that I’m now pretty sure are an ADHD thing. My descriptions of these symptoms are likely to be somewhat oversimplified because I’m focusing on explaining this headcanon rather than explaining ADHD itself, so please don’t take this as a definitely-100%-accurate ADHD resource. I’m happy if this can raise awareness of what ADHD is really like, but you should look elsewhere to learn more.) 
Hyperfixations
One major thing that ought to be more commonly known about ADHD is that it’s really not a lack of attention; it’s an inability to properly control where our attention goes. It’s been described as an “interest-based nervous system” – we’ll involuntarily focus on whatever seems most interesting to us in any given moment, regardless of its objective importance.
This plus a reduced amount of dopamine receptors means that when we manage to find something that gives us a lot of dopamine, ie, is fun and engaging to think about, we cannot stop thinking about it even if we wanted to. Our entire lives will begin to revolve around this Thing that we enjoy, thinking about it, doing things related to it and consuming more information on it to get as much of that sweet dopamine as possible. This can often be to the detriment of everything else, including more objectively important matters, because who cares about that stuff when Thing is the best thing ever!?
As an example: as you might imagine, I have been hyperfixated on DRV3 and especially on Kaito for over two years now. I have not been able to stop thinking about Kaito even when I’m supposed to be doing other things, and there’s literally nothing that’s more fun for me right now than sharing all these thoughts of mine with other people. We also love to infodump about our hyperfixations to anyone who’ll listen, after all. That’s precisely why this post exists, along with many more like it on both my blogs.
SPACE 
So, this is perhaps one of the most easy-to-spot signs that Kaito might be ADHD. Because, man, he really loves space. Sure, any astronaut would have at least some level of interest in it, but Kaito is so obsessed with space that he introduces himself with a grandiose space-themed title, wears a galaxy print on his slippers and the inside of his jacket, and simply couldn’t wait for a college degree and had to make sure he got up there as fast as possible.
Granted, it’s not like Kaito talks about space 100% of the time. He is stuck in a killing game, after all, which is also kind of important to pay attention to. But, still, no matter what more-objectively-important things they can push themselves to focus on when necessary, there’s always a part of an ADHDer’s brain that’s near-constantly thinking about their hyperfixation anyway and will take any opportunity to bring it up and make things about that if they possibly can. And, well, Kaito still talks about space quite a lot considering that he’s in a life-or-death situation that doesn’t have anything to do with space at all (at least, as far as he knows for most of the story).
There’s one delightful bit of white noise I absolutely love in a debate in trial 4 where Gonta is suggesting a vehicle could have crossed the river. Someone responds to this with “Like a rocket?”, despite the fact that, A, there were obviously none of those in the Virtual World, and B, you don’t use those to cross rivers. Kaito, you dork, now is not the time. But of course now’s the time, there is always time to be thinking about space-related things, no matter how impractical and irrelevant it might be. Someone has been murdered, everyone else’s lives are on the line – not to mention his illness and the huge pile of inferiority issues he’s struggling with at this point in the story – yet amongst all that, Kaito’s brain still found time to go, “hey, speaking of vehicles, aren’t rockets the coolest!?” And… yeah, that’s genuinely what hyperfixations are like.
Then there’s the time Kaito asked Maki what her favourite spaceship was, like this is just an obvious go-to conversation starter in his mind, because of course he has a favourite spaceship. He has thought a lot about his favourite spaceship (or spaceships; let’s be real, there’s probably several that he thinks are SO COOL and might call his favourite depending on the circumstances) and could fill ages talking about nothing but that. Even though he knows this conversation ought to be making its way towards helping Maki open up about her past – this is one of his training sessions, after all! – there is still a part of Kaito that really just wants to talk about space, because a part of him always wants to talk about space.
We can see this as well in multiple FTE invitation dialogues (those brief lines describing how they hung out before the actual event starts) in which Kaito apparently spends it talking to Kaede or Shuichi about space, just because he can. There’s also several of his hangouts in the Salmon Team bonus mode where Shuichi’s suggestion of what to do doesn’t really have anything to do with space, but Kaito finds a way to make it about space anyway. ADHD minds are hyper-associative and make connections between concepts very easily – and, naturally, they’re particularly liable to make connections to the thing that the mind is already spending the majority of its time thinking about. So it’s really not so surprising or remarkable at all that Kaito can find ways to make even seemingly-totally-unrelated topics about space somehow, not if he’s ADHD.
(…To be fair, a particular fixation on a certain topic to the point of repeatedly bringing it up when it’s not called for isn’t necessarily that uncommon among Danganronpa characters, what with their talents. But hey, that doesn’t have to make Kaito any less likely to be ADHD. Rather, it would actually make sense for Ultimate students to have a higher than average proportion of ADHDers among them, since an ADHD-fuelled level of intense interest in a thing is more likely to make someone become hugely talented at it out of accumulated knowledge and practice. I’ve been increasingly thinking that Kaede could perhaps be ADHD, too, for example. But that’s not for this post; we’re talking about Kaito here.)
The longevity of space
ADHDers will generally go through many different hyperfixations throughout their life, sometimes one at a time, sometimes somehow managing to juggle more than one. An individual hyperfixation tends to last anywhere between a few weeks to a few years depending on its intensity and the longevity of the topic, but it’s rare for it to be more than that. Usually, sooner or later, the overwhelming passion for the thing will wear itself out.
And admittedly, Kaito’s passion for space has been there since he was a kid and never faded – and never will, of course! – which is far more persistent than most hyperfixations tend to be. But then again, there’s so many different things related to space for him to get excited about! Hyperfixations fade either when something else comes along that’s more exciting because it’s new and fresh, or when you’ve squeezed every last possible drop of dopamine out of it such that it no longer holds quite the same thrill. But with a topic as vast as space, there’s always more to learn to keep the excitement fresh, especially now that Kaito’s an astronaut trainee and is really on the front line of new space knowledge and technologies and is actually going to get there himself one day!
Besides, it’s not like ADHDers’ hyperfixations are completely outside of their control. My own hyperfixation on V3 and Kaito would probably have faded ages ago if I hadn’t kept it going by constantly making more content about it such as this. And similarly, there’s no way Kaito would have wanted to let go of his passion for space, not if he had any say in it himself, so he’d have done whatever he could to keep it burning during the times when the spark maybe wasn’t quite there as much. I don’t think it’s at all unreasonable that Kaito could have remained hyperfixated on space for so unusually long and still be showing no signs of stopping. We all know how stubborn he is.
(House plants)
Kaito has probably had a few other, lesser hyperfixations alongside his lifelong passion for space. For example, I like to think that his fondness for house plants, according to his report card, is to such an extent that he was once hyperfixated on them. (This would have been for reasons that totally don’t bear a suspicious resemblance to other things he cares about.) I doubt he’s currently hyperfixating on them at the moment – at no point does he ever try to shift the conversation to being about house plants unprompted – but that wouldn’t stop him from still being generally fond of them and retaining all of the “useless” information he learned about them back when he was obsessed. One very rarely ever stops caring about a hyperfixation topic entirely; rather, the fixation just fades and the topic becomes no longer constantly on someone’s mind. I’m sure Kaito still could and would talk your ear off about house plants just as much as he would about space if you happened to get him started.
People
More importantly, though, I think that another of Kaito’s less obvious and intense hyperfixations – but still a very long-lasting one that’s active right now – could be, simply, people. Just, people in general: their flaws and complexities and differences, all the many ways in which they can communicate and work together, and the amazing potential they have to achieve great things if they do so. Kaito is so passionate about this stuff and has so many fully-formed opinions on things of this nature that make it seem like he’s spent a lot of his free time thinking about this, just because he can. Maybe he began to get interested in it after realising that communication and teamwork is important for an astronaut – but it also reads to me like Kaito is into this kind of stuff not because he needs to be for the sake of getting into space, but simply because he finds it genuinely fascinating and couldn’t stop thinking about it even if he had to. (Which would also help keep him interested in space, because it’s intrinsically linked to this other topic that Kaito finds fascinating!)
And within this, Kaito definitely hyperfixates in particular on his sidekicks. Once he’s made someone into his sidekick, which functionally means that he’s going to devote himself to supporting them through their issues and helping them reach their potential, he really devotes himself. It’s his hyperfixation on people in general, but concentrated on a specific person(s) that he can have a direct and tangible impact on, which means even more to him than just his feelings about how awesome and fascinating humanity is as a whole.
Kaito is really, really good at supporting his sidekicks, after all. He spends so much time, even when he’s not around them, thinking about what their problems are and the best ways he can help them. He was clearly eyeing up both Shuichi and Maki as potential sidekicks at least a day or two before actually acting on it and inviting them to training, as if he was trying to gauge exactly what their struggles were and how best to help before jumping right in. He approaches helping each of them in very different ways, making it clear that he’s specifically thought about who they are and the best tactics to help them individually instead of just carelessly using the same old script each time. On more than one occasion, he drops something on them one morning – the nickname “Maki Roll”, and the “bonus” training that becomes the katana scene – that he hadn’t mentioned at all the previous night, meaning that he’d been thinking further about how to keep helping them while on his own overnight.
So it seems to me like maybe it’s not just his selflessness, or his somewhat unhealthy co-dependency (more on that later, actually) that makes Kaito so good at this. I don’t think he could even stop thinking about helping his sidekicks if he tried. Figuring out how to help another human being grow and change and reach their full potential is so fascinating and engaging and rewarding to him that how could he ever not be compelled to do that as much as he possibly can?
The price of caring
This does, however, come with a downside. Because Kaito is fixating so strongly and uncontrollably on supporting his sidekicks, because doing that matters so much to him, it’s only going to hurt him more when he begins to feel like he’s failing at it. He can’t just brush something like that off as not really a big deal, because of course it’s a big deal. It’s everything to him, and it’s literally not possible for him to make himself feel like it isn’t.
It’s just as bad as if space suddenly twisted and became painful to think about somehow. Which… I guess that actually kind of happens too, when Kaito starts to realise that he’s never going to make it up there. And he can’t deal with that by trying to tell himself it was never that important, either, because space is always important to him. Even if he wanted to switch that part of his brain off or ignore it to help himself cope, he just couldn’t.
Caring so intensely about things feels amazing and makes a person wonderfully passionate, but it can also be a double-edged sword.
(Executive dysfunction?)
One big negative side to ADHD is that it tends to cause executive dysfunction, which, to massively oversimplify it, more or less means the profound inability to get yourself to do things that you know you’re supposed to be perfectly able to do. That interest-based nervous system does not do well with motivating us to do tasks that are objectively important but aren’t interesting or fun to actually carry out, resulting in a mental block that can appear to the outside observer like wilful laziness, even though it really, really isn’t.
This appears to be one part of ADHD that Kaito manages to avoid having to deal with. (He may superficially seem “lazy” during training, but that has nothing to do with his brain and everything to do with his body and the fact that he’s sick and doesn’t want anyone to know.) But I think that’s mostly because none of the reasons that ADHD causes executive dysfunction actually apply in the killing game.
One of the few things other than interest that motivates an ADHD brain is urgency – suddenly they can do that boring essay they’ve been putting off when the deadline is tonight, showing remarkable speed and focus in a fit of nervous anxiety over the potential consequences of turning it in late. And there’s plenty of literal do-or-die urgency to motivate Kaito during the killing game, so there’s no way he’d ever not be motivated to do what he feels he needs to do to help everyone there. Plus, the things he’s trying to do involve helping people, something he inherently finds interesting, so he’d be motivated for those reasons anyway even if it wasn’t quite so life-threateningly vital that he does so.
(Kaito is a bit flakier and liable to miss important details during the investigations and trials, mind you. This might be because, while the urgency of “if we don’t solve the case we die” is looming over him, the actual details of the case aren’t something that instinctively feels urgent or that he inherently finds interesting, so it’s harder for him to pay proper attention and take it all in even when he’s trying to. Kaito has plenty of intelligence in a lot of ways, but his brain is evidently not wired for investigations and deductions like Shuichi’s is – he’s perfectly capable of following Shuichi’s logic and understanding it, but not of figuring any of that stuff out himself in the first place. This could partly be down to Kaito having ADHD and just not being interested enough in these particular kinds of mental exercises to be able to get his brain to focus on them as much as he’d need to in order to solve them.)
I also don’t think executive dysfunction would have got in Kaito’s way much during his regular life before the killing game. (You know, if he’d actually had one, but let’s pretend for now that he did.) Motivation issues can be helped a lot by an externally-imposed structure telling you what you need to do and when, which is why a lot of ADHD people don’t even notice any problems while they’re in a school system and only fall apart once they’re adults and are suddenly expected to structure their own life. Kaito’s astronaut training would definitely give him plenty of structure to work from so that he always knew what he needed to do and never had this issue. It’s also really challenging, which is another thing that helps keep ADHD people interested and motivated. And while the actual end goal of getting to space is far-off enough that it wouldn’t be able to work as a direct motivator to an ADHD brain (we are bad at things with delayed gratification), everything Kaito’s learning would still be related to space and communication and teamwork, so he’d be interested in learning all of it simply for its own sake.
Emotional hyperarousal
Another big defining feature of ADHD that isn’t nearly as well-known as it ought to be is that it amplifies emotions to a far greater intensity than those of neurotypical people. ADHDers’ feelings and reactions are naturally bigger and louder and just more than most people’s – which sounds a lot like Kaito, doesn’t it? He’s always larger than life, energetic and passionate about everything, not just his specific hyperfixations. Look at how excited he gets about just seeing snow! And he has so much enthusiasm for so much else, too – as he puts it: “there’s nothing unnecessary in this world!” When Kaito feels things, he feels them full-throttle, with no half-measures, which is just how Kaito would always want things to be!
…But, whether he likes it or not, that also applies to the painful feelings just as much as the good ones.
Emotional dysregulation
Kaito can often be very reactionary and get unnecessarily riled up over minor things that don’t really warrant such a dramatic response. If you think about it, this isn’t really something he’d want to do, because he’s always trying to stay positive and keep people on his side. So apparently it’s something he simply can’t help, as if his brain is just wired to make him more liable to do that.
If even minor slights can cause an overreaction like that from an ADHD brain, then imagine how much worse it is when the stimulus is something genuinely worth being upset over. That already-painful emotion gets amplified to even greater levels, to the point that it can be almost unbearable. People with ADHD can often have a more difficult time dealing with things, not necessarily because they’re emotionally weaker, but because they simply feel things harder than most other people do.
Kaito goes through a lot of emotional pain throughout the story – and he’s really pretty bad at dealing with it all. He basically has only two not-very-healthy methods for doing so. One is to try to ignore it entirely by focusing on something more positive, which on its own could be put down to his desire to come across as an invincible hero who can inspire people. So this particular unhealthy tactic doesn’t necessarily mean that he wouldn’t be able to properly deal with these emotions if he actually stopped being an idiot and tried to.
However, Kaito’s second unhealthy coping mechanism is to turn the pain into anger – sometimes to the point of lashing out in ways he doesn’t mean to. Punching Shuichi at the end of the first trial is very much caused by Kaito being unable to contain his pain over Kaede’s death rather than any controlled attempt to push Shuichi forward, since he regrets it and apologises for it the next morning. And then the agonising truth that Gonta killed someone is even harder for Kaito to bear, leading to him lashing out at Shuichi again in what was very much desperate pain-fuelled anger with no rational basis for it. Unlike with simply hiding his pain, lashing out like this is not something Kaito would ever want to do; it’s not exactly very heroic of him, after all. So this suggests that there’s more to Kaito’s bad coping mechanisms than just him trying to appear strong and not worry people – that sometimes the pain gets so unbearably intense that ignoring it isn’t possible and he just can’t deal with it and loses control of himself.
Uncontrollable bouts of rage can be a common problem that comes with ADHD because of the amplified emotions and difficulty properly regulating them – and it’s definitely a problem Kaito suffers from, too. That part of Kaito that lets him get so wonderfully passionate in helping everyone around him might well be exactly the same part of him that simply cannot handle it when he realises Gonta murdered someone and leads to him lashing out at his best friend.
Moping (…not a technical term)
…Okay, I just said Kaito has only two unhealthy coping mechanisms for painful emotions, but maybe there’s also kind of a third: unconstructively moping about it. This doesn’t sound like Kaito at all – he frequently gives others advice about not doing exactly that – but he can actually be seen falling into doing so a couple of times if you look closely.
In chapter 2, when Ryoma’s behaviour bothers him for all the wrong reasons and he has no intent of actually doing something about it, Kaito really should be just trying not to think about it at all and focusing on something more constructive like helping Shuichi. However, the places he hangs out in for his chapter 2 FTEs and his invitation dialogues indicate that he spends a whole three FTE slots just brooding unhelpfully about the state Ryoma’s in. This is definitely not something he wants to be doing, since he hastily changes the subject if Shuichi hangs out with him.
And in case 4’s investigation, after Shuichi’s cell phone experiment makes Kaito feel useless and unneeded (he thought Shuichi needed his help! – but, no, turns out he actually really didn’t), the pain of that feeling noticeably lingers with him for most of the rest of the investigation. He’s in enough of a bad mood about it afterwards that Maki notices it through his less-expressive virtual avatar, and he doesn’t even come with her to call Shuichi back from the rooftop and just logs out on his own in a sulk. Then he also ends up explicitly unaware in the trial of some of the information Monotaro shared with the whole group once they’d logged out, meaning he was apparently still too wrapped up in feeling useless to be paying proper attention.
(And these are the two examples of Kaito doing this that are noticeable thanks to subtle clues in his behaviour – but since Kaito would obviously never draw attention to it, maybe he actually does this a lot more than those two times and we just can’t normally see it.)
See, another thing about emotional dysregulation – plus the difficulty in controlling the focus of your attention that comes with ADHD – is that it can be hard to stop yourself from thinking endlessly about painful things, even when you very much don’t want to be thinking about them. I once saw a tumblr post describing ADHD as Chronic Cannot Leave It Alone Disorder, and I can confirm that, yes, this is very frustratingly accurate, for the bad things as well as the good. It’s possible that Kaito’s advice about not moping when you could be doing something to make a difference might have originated for himself, to try and mitigate his brain’s tendency to do this. But while I imagine this helped quite a bit in letting him control his thoughts and stay focused on the positives, it appears that, despite his best efforts, it still doesn’t always work.
Impulsiveness
The Primarily-Hyperactive subtype of ADHD (aka the one that’s definitely the subtype Kaito has, for obvious reasons) is sometimes called Hyperactive-Impulsive type, because impulsiveness tends to be a big part of it, too. I think this is kind of a combination of emotional hyperarousal and inability to control attention – the impulse to Do A Thing gets amplified to the point that it floods the entire brain, and it becomes nigh-impossible to ignore it and consider the potential negative consequences before acting on it. It’s like that Chronic Cannot Leave It Alone Disorder gets concentrated into a single instant of frequently-terrible decision-making.
It’s no secret that Kaito is impulsively reckless – and if you think about it, it’s to an extent that’s honestly kind of pathological. Cheating his way into the astronaut exam early, for example, could very well have permanently ruined his chances of ever being allowed in and making it to space. He should never have considered that a risk worth taking. So apparently he just wasn’t properly considering the risk at all – not even for the most important decision of his life.
A lot of the time, these kinds of bad decisions can be fuelled by those amplified painful emotions that get turned into anger like I talked about before. The stress of the killing game causes Kaito to very nearly get himself killed on two occasions early in chapter 1, almost lashing out in a way that would have broken school regulations. Kaito is perfectly aware of the consequences for doing that – but in the heat of the moment, it just doesn’t matter to him. His overwhelming desire to express his pain-fuelled rage simply blocks out everything else from his mind. A similar thing happens in chapter 5 when Kaito’s attempt to punch Kokichi after the supposed mastermind reveal only results in him getting knocked out and captured by the Exisals that were very obviously there and under Kokichi’s control. It’s summed up pretty well by the fact that Kokichi outright tells Kaito that punching him won’t fix any of the things he’s angry about, and Kaito’s response is, “Even if that is the case… I can’t get over it if I don’t punch you!” To Kaito, in these moments, it’s never about the consequences; it’s about needing to let out his too-strong emotions right now and to hell with everything else, even if that “everything else” literally might include his life.
Then there’s everything that happens with Kaito at the casino. The consequences for him here aren’t exactly dire, since all he loses out on is the chance to buy a prize, but still – that uncontrollable fixation on the anticipated thrill of winning and the inability to consider the really-very-high possibility that he’ll lose is exactly the type of reckless thrill-seeking that people with this type of ADHD often have.
In fact, the bonus scene at the casino is literally titled “Kaito’s Gambling Problem” – and as you might imagine, impulsive-type ADHDers are at a higher risk of developing harmful addictions to things such as gambling. While this isn’t an actual gambling problem here because no real money is involved and it does seem that he never gets tempted by the casino again after the second time, the scene’s title apparently wants us to consider that Kaito has the potential to develop a legitimate gambling problem should he ever get old enough to legally gamble in the real world. Which is a weirdly specific thing for the writers to make a point of when it has no bearing on the plot… so it makes me wonder if they could have actually been trying to tell us something here.
This kind of impulsiveness can also cause people to blurt out their thoughts without thinking about the consequences, potentially resulting in upsetting someone or embarrassing themselves. At first glance, considering that he has a lot of thoughts he’s determined to hide from the surface, Kaito doesn’t seem to have too much of a problem with this kind of impulsiveness. If he did, you’d think he’d find himself muttering stuff like “I feel like crap”, or “I hate this place” all the time and then having to hastily paper over it and insist that no that’s definitely not how he’s really feeling at all. So apparently, he’s fairly good at thinking before he speaks when it matters to him?
Except, when he’s in the Virtual World, Kaito makes multiple unthinking comments to the effect of “I like this avatar body”, which he has to awkwardly brush off when Shuichi questions him, since it rather hints that something’s up with his real body. He��s suddenly really bad at this, even though he was pretty good at it the rest of the time.
So maybe what’s going on is this: in an effort to stay positive at all times because he’s Kaito, Kaito trained himself to have a constant, unshakeable mental filter that prevents himself from impulsively blurting out how he’s feeling if it’s something negative. However, he can’t stop himself from still randomly blurting out whatever positive things are on his mind. This usually isn’t a problem, but it can sometimes include things – it feels so great to not be dying for once! – that he really doesn’t want to be voicing either, if he only gave it a moment more thought.
Rejection sensitive dysphoria
Often shortened to RSD, rejection sensitive dysphoria is a specific and especially nasty kind of emotional hyperarousal / dysregulation that almost all ADHDers suffer from. (At least, I feel like it should probably be classified as a subtype of that, though I’m not sure if that’s the official take, so don’t quote me on this.) The ADHD researcher who coined the term defines it as: “extreme emotional pain triggered by the perception – not necessarily the reality – that a person has been rejected or criticised by important people in their life. It may also be triggered by a sense of falling short and failing to meet their own high standards or others’ expectations.” That second sentence is important and frequently overlooked, because it indicates that, despite the name, this isn’t only about perceived rejection by others; it can also be about an entirely personal sense of failure.
I first read about this concept while I happened to be hyperfixating on Kaito’s mindset specifically in early chapter 5, aka that time he avoids Shuichi out of shame over feeling like he failed him in the previous trial, due to his own unreasonably high standards for being a “hero”. (If you didn’t realise that this is what’s going on with Kaito in early chapter 5, go read this other post of mine and get caught up, because you’re going to need to be for the rest of this section.) And, naturally, though I was supposed to be reading that article about RSD to help me figure out if I had ADHD, my brain made some connections. That was the moment I began to have this headcanon; everything else in this post blossomed from that as I thought about it more and realised a lot of other things about Kaito also fit this incredibly well.
The null hypothesis
So, let’s consider early chapter 5. In fact, let’s assume for a moment that Kaito doesn’t have ADHD and his emotions function like a regular person’s. He would still, of course, feel like he’s utterly failed Shuichi by showing himself to be weaker than him and doing the opposite of supporting him during trial 4. That part’s not specifically based in anything ADHD and is just a product of Kaito’s psychological issues about heroes, which I’ve already talked about plenty in that post I just linked. (I don’t want anyone to think that my ADHD headcanon is getting in the way of or diminishing any of that; this is just another layer on top of it.)
Kaito really wants to make things right and apologise for his mistakes in the trial (and for his really-not-actually-mistakes too, for that matter). He really wants to fix the rift between him and Shuichi and not leave the two of them painfully torn apart like this. He knows the responsibility to do so is on him and not Shuichi. But… he doesn’t do it. Why not?
The only possible reason would be that he’s just being a coward and running away from the guilt and shame he’s feeling rather than facing up to it. Except… Kaito’s not a coward. He may arguably seem like one in some ways given how he refuses to acknowledge his weaknesses to his sidekicks – but that’s not to protect himself and his own emotions; it’s because he’s idiotically convinced that it’s better for them that way. Here, now that he believes he’s already failed Shuichi as badly as he ever could, he should feel like he has nothing more to lose on that front (and Shuichi never even needed him anyway, right?), so there should be no harm in owning up to it and at least apologising for what he’s done wrong.
Granted, Kaito is busy trying to make up for his failure through his totally-great escape plan – but that’s still no reason why he can’t also apologise first and then keep trying to make up for things with the plan anyway. And it’s not at all like it was in the trial itself, when he was too wound-up in the heat of the moment to be thinking clearly. He’s had plenty of time to process what happened and regain control of himself and become consciously aware of what he knows is the right thing to do here.
The guilt and shame Kaito would be feeling from his belief that he’s failed Shuichi would still hurt pretty bad, sure – but I don’t think, if it really is a proportionate emotional response to what he feels like he’s done, that it’d be something he couldn’t face up to. He’s incredibly resilient and knows that sometimes you’ve just gotta face painful things head-on, and he should be more than willing to do so for the sake of making things at least slightly better between him and Shuichi.
So, I argue this: Kaito avoiding Shuichi the way he does in early chapter 5 doesn’t quite make sense unless he has ADHD. (Or perhaps some other neurological disorder that would have a similar effect on his emotions, but I’m not knowledgeable enough to be sure what other possibilities could fit.)
Too much pain
I can confirm from experience: RSD freaking sucks. Any feeling of “I should be able to do this, but I messed it up”, or any seemingly innocuous comment from someone you care about where they either point out a mistake you made or that could possibly be interpreted to mean they don’t really care about you that much – these things can hurt like hell, so much more than they have any right to. It’s as if that insignificant twinge of disappointment that most people would feel just gets multiplied by like a thousand until it practically feels like you’ve been stabbed in the chest. And I should note: the rejection version tends to be triggered by people important to you, but I find it’s especially bad if it’s someone I not only care about but also look up to. You know, like Kaito very definitely does to Shuichi.
Case 4 has plenty of things that would trigger RSD for Kaito before even getting into the worst parts of the trial. That cell phone incident in the investigation I mentioned earlier, where Kaito thought Shuichi needed his help for a second and then ended up feeling like he really never did at all? And all the times Shuichi shoots down one of Kaito’s arguments in the trial and tells him he’s wrong (which happens seven times, by the way)? Every single one of those seemingly-minor moments would have hurt Kaito not just a little, but one hell of a lot. It’s honestly really impressive and a testament to Kaito’s resilience that he managed to keep himself together and show barely any signs of how he was feeling for as long as he did.
It’s also very relevant that RSD is known to potentially trigger an externalised response of instantaneous rage, exactly like the outbursts of anger I mentioned in the previous section. I’ve already talked plenty elsewhere about how a lot of the pain that’s causing Kaito to lash out in trial 4 isn’t just over Gonta’s guilt but is also over how he’s being made to feel like a horribly inferior failure compared to Shuichi – and, yep, that’s still a perfect match to Kaito having ADHD.
By the end of the trial, Kaito’s issues and irrationalities have rendered him convinced that he’s utterly failed to be the hero he’s supposed to be, and that Shuichi obviously doesn’t need him or care about him any more (if he ever even did in the first place). That’s giving Kaito plenty of genuine conscious reason to be hurting pretty damn hard to begin with, before his ADHD brain-wiring even sinks its claws into it. Now try to imagine that pain getting disproportionately multiplied by like a thousand – fucking ouch, and then some. Nobody, not even someone as brave and resilient as Kaito, should ever be expected to be able to face up to that, to actively make it even worse by talking about it and bringing those feelings to the forefront, especially not when doing so would just be showing even more weakness to the person it hurts so much to show weakness to. I don’t believe it’d be fair to call anyone a coward for that.
Kaito’s not a coward; he avoids Shuichi in early chapter 5 because he is genuinely in too much pain to bear. The only way he can deal with it at all (now that he’s not in the heat of trial 4 and is very determined to at least not make things even worse by lashing out in anger again) is by simply trying to pretend the problem doesn’t exist. If he manages to prove himself as a hero, maybe it’ll stop hurting quite as much and he’ll be able to face up to it, but until then, avoiding the pain is all he can do.
(Obligatory Harmonious Heart mention)
Since I relish the opportunity to bring this scene up whenever I can, I might as well add that Kaito’s Harmonious Heart event is another instance in which he’d be feeling some pretty rough RSD – at least, in every outcome except the best one in which Shuichi reassures him that they’re friends and it’s okay to open up to your friend. It’d be especially bad in the worst outcome where Kaito realises Shuichi has seen his “weakness” and feels like he’s failed him. Probably not quite as bad as in canon, but still, ouch.
In fact, an interesting thing about that worst outcome is that Kaito specifically says he feels “so embarrassed”, which, when you think about it, doesn’t really sound like the kind of thing anyone would expect Kaito to ever describe himself as feeling, even at a time like this. However, I know from my own experience that “embarrassment” is in fact something that it’s easy to mistake RSD for when you don’t know what it is – just an embarrassment that’s somehow agonisingly painful, because that’s totally how embarrassment usually works for most people, right. So, A, this fits perfectly yet again, and B, since you’d usually not think to have Kaito ever use that word… it makes me wonder if the writer for this scene knew.
Coping methods (and why Kaito doesn’t have them)
Of course, it’s not like there aren’t methods to try to combat and mitigate the incredible pain that RSD can bring. One that I’ve found works really well (thanks to Kaito himself!) is exercising. It really helps to burn off that excessive emotional energy – and not necessarily just RSD, but any of the disproportionately painful emotions ADHD brings – by translating it into physical energy. “Let your sweat wash away all your sadness, fear, worry and hardships; just start moving your body and your pain will become memories before you know it,” actually sums up how this feels pretty well! It’s quite possible that this advice – heck, maybe his entire exercise-to-help-the-mind thing in general – is something else that Kaito first came up with for himself, after he found that it helped him calm down and feel better whenever he’d get too upset about something.
…So it’s really rather cruel that Kaito’s worsening illness also happens to lock him out of one of his only genuinely-healthy coping mechanisms for what he’s going through emotionally in chapters 4 and 5, isn’t it.
Another thing that’s really helped me in dealing with my own RSD is simply understanding it. When you know that it’s a disproportionate emotional response, you can remind yourself that things aren’t truly as bad as the pain is making them feel like they are, which makes it easier to take steps to stop it hurting, such as talking to the friend who unintentionally triggered it and having them reassure you that of course they care about you. Without that understanding of it, it’s all too easy to think, “if it hurts this much, I must deserve to be hurting this much,” which, yeah, that’s a bad path to go down.
One pretty important part of my headcanon that Kaito has ADHD, then, is that he definitely has no idea he has it. If he’d been diagnosed with it at some point in his life, he’d understand these problems of his better. Even if the doctors never told him all these things I’ve been mentioning here about how ADHD actually works (which is way too disappointingly common, so I gather), Kaito would have researched this stuff himself at some point, in order to better understand himself and know his limits so that he can work around them to be the best person he can be. He wouldn’t want to let anything get in the way of him helping others as much as he can and achieving his dream of going to space, not even the idiosyncrasies of his own brain. And, heck, he’d probably find it interesting if only he had a reason to look into it in the first place! Many ADHDers hyperfixate on ADHD, and Kaito definitely seems like someone who would have if he’d known.
So, if Kaito was aware of his ADHD, he’d be able to recognise what he’s going through in early chapter 5 as RSD and handle it better. He’d know that, no matter how much it hurts, things aren’t actually quite as bad as it feels like, and that apologising to Shuichi sooner rather than later is almost certainly the best way forward even if the prospect of doing so seems terrifying as all hell. For that matter, if Kaito knew about his ADHD and what it really involved, he’d almost certainly have trained himself to be able to deal with a lot of his more troublesome symptoms better than he ever does in canon.
Friendship difficulties
Because of their differently-wired brains, ADHDers can often struggle to connect with the rest of the world that doesn’t think the same way as them. And here’s a fun subtle thing about Kaito that ought to get talked about more: he’s not actually very skilled or experienced at making friends. Having sidekicks that he can inspire and support, and being a general encouraging influence on a wider group of people to keep them working together – sure, that stuff comes naturally to him. But regular, everyday friendship? Not so much.
This isn’t that easy to spot, because most of the time we see Kaito, he’s deliberately focusing on motivating people, which he’s great at. But there are a few instances here and there where Kaito interacts with people in a not-specifically-motivational way: his attempts to befriend Kaede (who doesn’t need his support), his earlier FTEs with Shuichi (which should be happening before training starts), and the conversation with Shuichi and Maki in chapter 4’s second training scene (before Maki begins talking about her past).
In all of these, Kaito turns out to actually be a huge awkward goof who doesn’t seem to have the first clue how to do regular interpersonal interactions. And basically everything about him being this way can potentially be explained by ADHD.
Too many thoughts
It’s never quiet and organised in an ADHD brain; whenever we’re not hyperfocusing on one specific thing, our minds always have like five different thoughts rattling around in them at once. So, consider the conversation with Shuichi and Maki, which Kaito was attempting to treat like a Regular Conversation (rather than the chance to help Maki open up that it definitely actually was in his head). Perhaps, in his efforts to do small talk, not one but several different possible small talk questions popped into his head at once and clamoured for his attention, such that a couple of them – “what blood type are you?” and “what [something] do you like?” – got accidentally merged together when he opened his mouth to speak. That plus his impulsive lack-of-filter meant that out came “What blood type do you like?” and Kaito sounding like a doofus.
(When Maki points out that this is a strange question, Kaito awkwardly laughs it off. It almost seems like he’s used to accidentally saying things people consider weird during his attempts at normal conversation and has learned to try and act like it’s nothing so he doesn’t push anyone away.)
This disorganisation in ADHD minds also tends to make them get too caught up on unnecessary details they find interesting and wander off down random mental tangents rather than whatever they’re supposed to be talking or thinking about. I once saw a tumblr post that said ADHDers are likely to tell “stories that start sooner than they need to and end somewhere other than the point” – and this happens to be a literally perfect description of the story Kaito tells Shuichi in his second and third FTEs. He was supposed to be telling Shuichi how he became interested in space. He began by talking about finding a treasure map and conquering the seas, and he finished with how he was busy conquering the land when his summer vacation ended. At no point did he mention space; he’d got so wrapped up in the story itself that he’d completely forgotten that was meant to be the point.
Kaito also has a bit of a tendency to make strange statements that appear to make perfect sense to him even though they kind of don’t to anybody else. He wants to learn to play the piano for when he goes to space? Well, of course; he might meet an alien! You can’t ever know how malicious other people’s secrets are? Sure, but that’s why you just gotta believe in… yourself! These really do make perfect sense in Kaito’s head (the first is about communication; the second is about people-reading skills). But it seems, perhaps, that his overly-active mind made connections too fast and jumped several tracks at once, to the point that he didn’t realise he was skipping a few steps of his explanation and that it wouldn’t make so much sense to the people listening. Which is also a thing that ADHD people are liable to do.
Too loud and excitable
A less immediately obvious thing that’s strange about Kaito’s behaviour in the chapter 4 training chat is that, when Shuichi essentially just straight-up asks Maki to start talking about her issues, Kaito admonishes him for being too direct and claims he can’t just do that. This seems odd coming from Kaito, who’s usually nothing but direct in his approaches to encouraging people, and who definitely also intended to prompt Maki into talking about her issues here.
But, apparently because he’s trying to present this as a Regular Normal Friend Conversation, Kaito didn’t think he was meant to be so direct in this context. Which suggests he’s learned through experience that his usual kind of directness that works great for encouragement apparently just kind of puts people off when it’s used in a regular conversation. So instead, he was trying to work his way towards hopefully maybe getting Maki to open up through awkward small talk that he must know he’s terrible at – no wonder he was miffed when Shuichi casually went and committed the exact social “faux-pas” he’d been trying to avoid, with complete confidence that it’d actually be fine, and it turned out it was. (Whoops, there goes Shuichi effortlessly being better than him at everything Kaito finds difficult, like always.)
Nonetheless, Kaito probably has good reason to be worried about coming across as too direct (outside of sidekick contexts, where that’s just the best way to get through to someone and help). Because, when he’s not actively trying to avoid it, he does have a tendency to get a bit carried away with things and put people off as a result. Remember the time he asked Kaede for a hug? There’s absolutely no reason to assume this was romantic or sexual in nature, because it already makes more than enough sense to think that Kaito was just so excited at meeting someone so similar to him and thought she was Super Cool and just really wanted to be her friend!!! So he impulsively expressed that sentiment in a rather-too-forward way that he was too caught up in his excitement to realise was going to come across as rather inappropriate.
Not that being too overly excitable and direct about things necessarily has to lead to behaviour that’s outright inappropriate in order to cause problems. (Though please never forget that Kaito asked for the hug and respected Kaede’s boundaries when she said no.) Even if he’s not doing anything wrong, Kaito being his usual larger-than-life self all the time might just come across as a bit Much and be kind of weird and off-putting for a lot of people. It’s that emotional hyperarousal again, which I mostly talked about the negative side of in the earlier section – but the positive side of it, amplifying the good emotions to make someone more enthusiastic and passionate, can still (completely undeservedly) be a negative thing in a social context with others who just aren’t wired the same way.
In Kaito’s second FTE, wrapped up among his ridiculous overblown childish fiction, he appears to potentially be talking about an actual playmate he had at the time who joined in his game of pretending to be a sea captain. Then they had a fight and Kaito never saw him again – and he presents that like it was just part of his game, too, but this can likely be taken to mean that they had a falling out that never got resolved and stopped being friends. If so, I can’t help but assume that this was probably because tiny Kaito was a little bit too boisterous and excessive in his playing – while still not necessarily doing anything wrong – that it overwhelmed this other kid to the point that he didn’t really want to join in any more.
There’s also one bit of FTE invitation dialogue where Kaito claims he’s about to teach Kaede how to have peace of mind… and then he tells stories that make her question his definition of that. Which makes a lot of sense considering that ADHD minds, particularly hyperactive-type ones, are never relaxed for even a moment. Kaito doesn’t know how not to be energetic and over-the-top even when the people he’s with just want to wind down and relax, which also wouldn’t really do him any favours in terms of making friends.
But none of that is Kaito’s fault; he’s not trying to be selfish or drive these people away. It’s simply the way his mind is, always going full-throttle when most other people’s usually aren’t. He just gets so excited about so many things and has a hard time toning that down. Besides, why would Kaito even want to tone it down and be boringly down-to-earth when his mind could be up in space instead!? That’s much better! …except that most other people don’t see it that way.
Too much infodumping
In the training chat, after embarrassing himself with a bungled small talk question and being shown up by Shuichi making it look like it’s actually somehow not a problem to be too direct after all, Kaito attempts to bring things back around to small talk with the, uh, “safe” option of asking Maki what her favourite spaceship is. Which isn’t really small talk at all, of course – but then, actual small talk is hard for ADHD people, because it’s not interesting enough to care about paying proper attention to. They’d much rather be acting on that constant desire to talk about something they’re interested in, such as one of their hyperfixations, which is not always the best way to connect with others who don’t happen to be interested in the same thing.
(Fortunately, since another of his hyperfixations is Maki and her issues, Kaito is perfectly happy to listen once she starts talking about her past, and the conversation shifts back to a comfortable hero-and-sidekick situation again rather than an awkward and confusing how-do-I-friends???)
There’s another of those FTE invitation dialogues in chapter 1 where Kaito tells Kaede he’s a good listener… and then apparently Kaede spends the entire time listening to him instead. Except, obviously Kaito really is a good listener when it’s in his hero-and-sidekick context and he’s helping someone with their problems, because he’s invested in supporting them and so it’d be easy for him to pay attention. But perhaps, when it’s in a regular friendship context and the person he’s talking to doesn’t need his help (like Kaede doesn’t), Kaito’s not quite so good at listening because he’s not necessarily as interested in what they have to say. So he might be liable to just impulsively act on the desire to talk about the things he wants to (such as SPACE; there is always time for space) and then get so focused on it that he overlooks the other person’s feelings and genuinely doesn’t realise he’s coming across as kind of brash and self-absorbed.
Kaito’s second and third FTEs with Shuichi are an even better illustration of this. Upon Shuichi choosing to hang out with him for a second time, Kaito apparently realises Shuichi is interested enough in him to possibly want to be his friend. So he responds to this by… launching into a huge ridiculous story about his (completely make-believe) heroic adventures as a kid. This kind of one-sided conversation and bizarre topic choice is not, in fact, a great way to make friends with someone, but Kaito doesn’t seem to realise this. He finds his story so cool and exciting that he impulsively assumes Shuichi would too and jumps into it without actually confirming whether Shuichi wants to hear it or not. And, honestly, it seems like Shuichi doesn’t, at least not particularly, and is only listening out of politeness and an inability to get a word in edgeways. His less-than-enthusiastic response to Kaito’s story suggests that these FTEs are canonically meant to happen before training begins and Shuichi comes to properly consider Kaito a friend – and therefore that Kaito’s not really doing the best job here of making Shuichi begin to consider him a friend.
Still himself despite it all!
All of these potentially-ADHD-fuelled idiosyncrasies of Kaito’s make it a lot harder for him to make friends in the normal way – and he seems to be somewhat aware of this. Some of the things from the chapter 4 chat hint that he’s slightly insecure and afraid he’s going to put Shuichi and Maki off by being so dorkily himself. There’s also a little more of this in the Salmon Team bonus mode, in which friendship is the entire point, and yet a few lines when he’s inviting Shuichi to hang out hint that Kaito isn’t completely convinced that Shuichi would want to hang out with him as a friend rather than as a sidekick who needs his advice and support. If he was more used to having friends, he probably wouldn’t still be so insecure about this – so this honestly kind of suggests that Shuichi and Maki could be the first real friends Kaito’s ever managed to make.
Because of these kinds of issues in connecting with people, a lot of ADHD kids grow up unconsciously learning to suppress their true selves, hiding their boundless enthusiasm and unusual interests to seem more “normal” so that they can fit in. I know this because I was one such kid, and I’m still struggling to unlearn this as an adult. So I have huge admiration for Kaito having managed to not do this, refusing to let anything stop him from being himself at all times. His convictions about staying true to himself are even more impressive when you realise that he would have felt so pressured to break them and pretend to be someone he’s not in order to more easily make friends.
As strong-willed as Kaito is, I doubt he’d have been able to do this as a kid without help. His parents and grandparents must have been really, really good in validating his passion and energy and never making him feel ashamed for being the way he is, assuring him that if other kids can’t see how great he is then that’s their problem and not because he’s doing anything wrong. He wants to go to space more than anything else in the world? Awesome; he should chase that dream with everything he has and not care how ridiculous and childish and impossible everyone else seems to think it is! Not all parents would do that.
After all, there are a lot of occasions in which Kaito does just brazenly present his larger-than-life self to someone in a clumsily overbearing attempt to make friends, without showing even the subtlest sign of being worried it might put them off. For that matter, Kaito is generally very willing to just throw himself into things he’s unfamiliar with and possibly end up failing spectacularly and making a fool of himself – something that’s likely to be pretty painful for him, given how RSD is. While some of this is probably down to his impulsiveness and not even considering that he might fail, I’m sure sometimes he’s got to be aware of it, and if so, that’s some impressive resilience and determination. People with ADHD can become unconsciously inclined to never try at anything out of a fear of that painful failure, but of course Kaito would refuse to let that happen to him – which is really quite admirable.
Interestingly, all of the times Kaito is subtly insecure about his social skills – the chapter 4 scene, the Salmon Team bits, and maybe that time with the former friend in his FTE if you assume that him wrapping it up in a fiction means he’s still uncomfortable about what happened – involve someone he’s already friends with.  After all, it’s probably easier for him to fearlessly dive in with someone new, because it’s less of a blow if he messes up in that context – not everyone’s going to click with him and that’s just how things go. But once Kaito’s already built a strong connection with someone, he becomes more afraid of messing up, because being rejected by someone important to him would be agonising. You might think that he ought to feel more comfortable around people he’s already friends with because he should trust them and know they’re not going anywhere no matter how much of a dork he is – but when RSD is a factor, it makes perfect sense for it to be the opposite.
Sidekicks can be friends, too!
Perhaps part of why Kaito is able to remain so confident in himself most of the time is because he nonetheless hasn’t grown up alone and lacking meaningful connections to other people. Despite his difficulty in making regular friends, he’s compensated for this by having sidekicks, which are a very different matter that his eccentricities conversely make him very good with. Being enthusiastic and energetic and over-the-top like Kaito can never not be is helpful when he’s being an inspiring hero, not weird or off-putting at all!
Still, while Kaito has a far easier time forging that initial connection with someone through the sidekick approach rather than the friend approach, that doesn’t make him worse at actually being someone’s friend (and not just their “hero”) once he’s got his foot in the door. If Kaito had told the story from his FTEs to Shuichi after they’d started training and properly bonded, Shuichi’s reaction would have been completely different: still probably exasperated, but in an affectionate kind of way, because he knows that’s just part of what makes Kaito who he is, and it’s actually pretty fun to be around. He has a lot of this sort of response to Kaito once they’re friends, and it’s adorable. It’s the same in the chapter 4 training chat – neither Maki nor Shuichi are at all put off by Kaito’s awkwardness, partly because they’re not exactly great at social skills themselves, but also because they know how much Kaito cares about them, and no amount of arbitrary social missteps could ever change that.
When someone becomes Kaito’s sidekick, meaning they’ve accepted his support and understand how much he wants to help them, they can see everything else about him that they might have found weird before in a new light. They learn that his eccentric behaviour isn’t him being deliberately rude or self-absorbed at all. It’s just genuinely how he is, and it’s part of how he can support them so well like he does, but that’s not all it’s good for. They come to appreciate Kaito not just for his incredible supportiveness, but for everything else about him, too. He’s not just their hero, but also their friend.
However… Kaito apparently can’t see that. Since he’s never been that good at forming regular friendships with people who don’t explicitly need him, he’s all too liable to assume that the people who do need him are only sticking around because of that, and no other reason. That co-dependency of Kaito’s I mentioned earlier, aka his rather unhealthy need to be needed? While the stressful context of the killing game definitely made it way worse throughout the story, it seems it was already slightly a thing in the first place – and if so, Kaito having ADHD could very well be the root cause.
Kaito is Good
Being realistic about how sadly uncommon well-represented neurodivergency is in fiction (and how misunderstood ADHD tends to be), I don’t know if I should try to assert that Kaito being ADHD was definitely the writers’ intent. However, almost every major facet of his character and personality fits with it so damn well that I want to think it’s at least possible that someone on the writing team could have had it in mind. Especially with the couple of bits I mentioned that seem like they could have been deliberately included by someone who Knows.
Still, even if it wasn’t intended, it’s amazing how good of a fit this is. Maybe it’s just that, in creating a character as intensely passionate as Kaito, the writers naturally wrote into him all the downsides of being that way as well, without even realising they were near-perfectly modelling the highs and lows of ADHD. After all, the human mind’s ability to simulate other human minds even when they’re not real is freaking magical. Kaito is such an incredibly well-written character with so much thought put into him whether or not he was meant to be as extremely ADHD-coded as he is.
I’ve always believed that Kaito is a fantastic example of how the best way to write realistic and interesting flaws into a character is to have them organically draw from traits that, in other situations, can be that character’s greatest strengths. And in my opinion, this is also kind of true about ADHD. When I figured out I had it and what it really meant, it was hugely validating for me, because I learned that almost everything I’d been struggling with was basically just the logically-inevitable downside of some of the things I’d always liked about myself, such as my ability to get so ridiculously analytical about stories I love like this. I wouldn’t trade those parts of myself away for anything – and I can’t imagine Kaito would, either.
I’ve seen a few posts and articles focusing on the bright side of having ADHD by listing some of the positive traits ADHDers often have because of it, and, delightfully, so many of them – fun to be around! compassionate! persistent! to name just a few – are things that Kaito has in spades. So, well, if ADHD can look so much like Kaito… then surely it can’t be all bad.
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(P.S.: High-five to anyone who headcanons Kaito as autistic! There’s a lot of overlap between that and ADHD. Many of the symptoms I’ve talked about here can also be symptoms of autism, and even with the non-overlapping bits, a lot of Kaito’s idiosyncrasies that I linked to ADHD could be interpreted slightly differently to link them to autism instead. I believe ADHD fits him somewhat better than autism does, but then I’m more knowledgeable about ADHD so my data is skewed, plus I’m pretty obviously biased since I’m personally invested in the idea of Kaito being like me. Taking a step back from my more specific headcanon here, though, there’s still every reason to assume that Kaito is at least some flavour of neurodivergent, and I think that’s pretty awesome.)
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Healing Touches
Cursed TV 2o2o  Lancewain Rated T and up but probably actually okay for general audience sickfic hurt/comfort  Cross Posted to AO3 here Prompt FIll Healing touches  While Lancelot is away Percival falls deathly ill. There is nothing Gawain can do for him. 
Gawain and Percival see Lancelot off. It’s almost a ritual between the three of them. Whoever is not on the mission sees the others off, day or night, rain or shine. They are, for all intents and purposes a family, and all each other has. Plus Pym, but she spends much of her time with the Red spear and her Raiders and in the medical tents, learning. Today is no different, Pym sees him off with basic medical supplies, kisses his cheek, wishes him luck and returns to her tent. Lancelot thanks her with a smile and tucks the supplies into his saddle bag. Percival hugs him tight, tells him he has to come back or he’ll track him down and haul him back by his ass and scream at him till his ears are bloody. Lancelot laughs, hugs him tightly and responds, I’ll miss you too. Gawain looks at him meaningfully, their goodbyes said in the confines of their tent, shared between their bedsheets, steps forward and embarrassed him, whispers in his ear. Lancelot responds in kind, eyes soft and understanding. Its starting to rain again, as it has been all week and likely will continue to do, as Lancelot mounts Goliath and joins the rest of the party. They have orders to follow.
With a sighs and a frown Gawain returns to the camp proper. While he would love to sit vigil with Percival, watch Lancelot and the others disappear from sight, he has duties to attend to. He is Sir Gawain, Green Knight of the Fey, Adviser to Nimue The Wolf Blood Witch, Queen of the Fey, and he cannot afford to sit in the rain and worry for his lover. They are both warriors and it will do little to help bring this war to an end. Instead he pushes away his concern and begins his rounds, leaves Percival to watch. The boy will rejoin him when he is ready, he always does. Percival takes his duties as squire very seriously and Gawain commends him for it, but the boy is still only that, a boy. Percival rejoins him around noon and they continue their rounds, helping where they can, hearing the needs and wants of the people. They help dig trenches to keep the water flowing away from the main parts of camp. Winter will be upon them soon and it is important to prepare everything they can beforehand.
Two days later Percival starts coughing. Gawain doesn’t think much of it, catching a cold this late in the autumn is hardly a surprise. He sends him to Pym for herbs to help with his cough. Percival goes dutifully and keeps up with Gawain the rest of the day, and the day after. On the third day, Gawain notes that Percival looks ill, tells him to stay in bed and rest. He’s no good to anyone sick or spreading the germs around. Percival doesn’t argue just lays back down and sleeps. And sleeps. And sleeps. Gawain and Pym check on him throughout the day. The only time he wakes is to cough, to eat, and to relieve himself. They agree it is only a cold caused by being in the rain and cold so much and do what they can to make him comfortable.
After a week though, his symptoms have worsened and show no signs of improving. Concern wiggles it’s way into the cracks of his armor, like ivy into fortresses. Gawain sits beside Percivals bed and wrings out a cloth, wetting it with cool water as he places it on his forehead. Fever sweat glistens over his skin, and chills convulse his body more violently than shivers. His teeth chatter and then they stop. He listens for his breathing, it stops on occasion for a moment, and then starts again and the instance of silence puts Gawain on edge. Percival has no appetite what-so-ever and barely wakes at all. When he does he suffers severe coughing fits that cause him to vomit, choking on lack of air and gasping, disoriented he asks after Lancelot. Gawain lies. There has been no word from the party and they were to be back the day before last.
Another week goes by and Gawain refuses to leave Percivals side. His duties can wait, Kaze, Korin, Mithela, they take over, cover for him. Check in on Percival and run questions by him, but none of them ask him to leave the boys side. Nimue has tried to heal him, but with no success. None of the medicine in camp has done more than make him comfortable or make him sleep. Now his body is too weak to do anything but sleep. Percival can barely keep his eyes open. Can barely form words. He is lethargic. Thin. His skin the color of corpses and waxy too. Gawain holds his frail hand in his own strong one, watches as he nears the edges of the river Styx. He growls at Morgana when she comes, the woman holds her hands up defensively, assures him she hasn’t come for the boy. Not yet anyways. Gawain tells her to get out. Not to come back. She obeys.
He wakes to light footfalls on the floor three days later. His neck and back ache from being slumped in his chair. When he looks up too tired to do much more, blue eyes meet him. Lancelot is soaked to the bone, the rain turning to snow this last week melting on his cloak as he stands there face contorted with a deep frown. They do nothing more than stare at one another for a long moment and then Gawain breaks. The tears he has been trying not to shed for his son and his lover both breaching the surface of carefully constructed walls. Lancelot shrugs off his cloak and belts and pulls Gawain silently against his chest. They go to the floor back to Percivals bed and stay there until the sun comes up. It's the only comfort Lancelot can give him. His own heart weighs heavy in his chest with concern for Percival.
When Lancelot tells Gawain to go to bed, to sleep, that he’ll watch over Percival, Gawain does as he's told. He knows Lancelot must be exhausted from his own trip due to the delays he still knows nothing about but he can’t shake the weariness that settles in him, around him. He lays back in his bed and sleeps. It is not a good sleep. It is full of dreams and nightmares and a thousand ways Percival, Lancelot, Pym, Nimue, Kaze - his friends die. He sits upright in his bed, breath coming harshly as he wipes sweat from his brow. He peels off his damp, sticky drenched shirt and slips out of bed. He pads anxiously around his tent before dressing and going to see Percival. The sun is high in the sky, and he isn’t sure how long he slept, but he can't help the smile that caresses his face when he enters Squirrels tent.
Lancelot is curled around the boy as though his body can shield him from whatever illness has gripped him. He holds the boy close, tucked against his chest, wrapped firmly in his arms, nose tucked against his hair. Deliberately Gawain closes the distance between them in silence and resumes his vigil in the old, well worn, chair beside his bed. When he wakes again early morning light fills the tent. He blinks sleep from his eyes and then blinks again in disbelief. Lancelot is sitting up on Squirrels bed and sitting up beside him, pressed into his chest is Percival, awake. He looks exhausted, they all do, but he is awake and speaking slowly to Lancelot who speaks quietly back. Neither seem to be aware that he is there, or at least that he is awake. But he doesn’t care. His family is here. HIs family is alive. Pym sets a hand on his shoulder and squeezes it, whispers,
“He woke up an hour ago. Won’t let go of Lancelot. He said we should let you sleep. So we did.” She smiles and joins them on the bed, hands Percival a cup of something medicinal, and both Lancelot and Squirrel wrinkle their noses and the boy tries to push it away.
“You’ll drink it.” He says, voice hoarse as he locks eyes with his son.
“Yes Papa.” Percival sighs defeated.
Lancelot smiles at him, holds out his hand to him. Instinctively he stands, takes it and moves to sit on Percivals other side. For all the blood on Lancelot's hands, it was his touch that seems to have brought Percival back and Gawain promises himself that he will cherish them always as he locks their fingers together behind Percival, supporting his weight between them. There is nowhere else in this world he would rather be, he thinks stretching out a hand to include Pym, than welcoming his family home.
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turtletotem · 4 years
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If he wanted you, he'd ask for you
A/B/O fic for Cherik Week! Set post-XMA, or... almost-post-XMA. A little over 2k words.
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Erik thought things had been going well.
He, Charles, Jean, and a team of architects were elbow-deep in plans to rebuild the mansion, with certain enhancements; it would all happen very quickly once it began, but had to be planned down to the centimeter, first. All the students who could be sent home safely had gone; the remainder, along with Charles and Erik themselves and a smattering of other adults, were staying in a camp of startlingly luxurious tents down the hill from the mansion site, alpha and omega students kept separate by the larger section of betas in the middle. No one had commented on Erik and Charles sharing a tent; everyone was sharing with someone, and if Hank McCoy had muttered something under his breath about keeping enemies closer, Erik had chosen not to hear it. He knew he had plenty to make up for.
But he was making up for it, he thought, in some small way. Helping with the students, helping with the mansion, helping Charles. It wouldn't bring back the entire city of Cairo, but nothing else would, either, including his death. Those were Charles's exact words, over a chessboard in the privacy of their tent, when they talked about the diplomatic efforts Charles was making on his behalf, and the scars inside Erik's mind where Apocalypse had used some form of persuasion power to steer Erik, Storm and the other horsemen in the direction he wanted them to go.
Erik had thought that too much had happened between them for him and Charles to ever return to the easiness, the deep understanding and connection they had once had, before everything went wrong. Instead, he was shocked speechless sometimes by how much of it was still there—and how much more of it he could feel waiting, behind scars and defensive walls, inaccessible now but still there, if they could find a way to bring it out of hiding again. They slept in their separate beds on opposite sides of the tent, but small touches were beginning to reappear—fingers that brushed as they passed a dish, hands clapping shoulders to celebrate a good joke or small breakthrough. Three days ago, Erik had dared to swipe his palm across the newly bald expanse of Charles's head and call him Professor Eggsavier. Charles had laughed and pushed him off, letting their hands linger together.
The next day, Charles moved into another tent, alone.
He hadn't explained it beyond a casual mention that they had a spare now that the Letson twins had gone home after all. He hadn't reacted to Erik's surely visible dismay and hurt, had acted like he didn't hear his stammered questions. He had simply disappeared into the other tent, and not come out since.
"You don't think someone should check on him?" Erik demanded, at the little outdoor kiosk that mostly served as Hank's office.
"He's fine." Hank sounded baffled by Erik's anxiety. "He's keeping in touch," he gestured at his temple, "any time I need him. He just wants a day or two to himself. Heaven knows he's earned it."
"Of course he's earned it, but you don't think it's out of character? He's not the kind of man that just takes a day or two to himself, he's always up to his eyebrows in everything that's going on—"
"What would you know about it?" Hank said irritably. "When have you ever been in his life for more than a month at a time? Leave him alone, Erik. If he wanted you he'd ask for you. Now if you'll excuse me, I have work to get done."
Talking to Raven was just as frustrating.
"Let me get this straight," she said, barely looking up from the math tests she was grading, because somehow lessons had to go on. "The man you've nearly killed multiple times, who is putting his neck all the way out trying to get you pardoned by multiple governments for the unforgivable shit you did in fact do, and that we can't prove Apocalypse manipulated you into doing—this guy has made himself somewhat less accessible to you, and you consider that some kind of emergency?"
"He's not 'somewhat less accessible,'" Erik snapped, "he's basically disappeared! He hasn't come out of that tent in three days now, not for anyone or anything. Not for Storm's nightmare, not for Carlo's broken arm, not for a potentially disastrous supply problem with the construction—"
"You make it sound like he's ignoring everyone! We've heard from him whenever we needed to." Telepathically, she meant. And they had, everyone had. Except Erik. Erik hadn't heard a word. "Leave him alone," Raven said, pinning him with a gold-eyed glare. "He'll come out when he's ready. You're the last person in the world who should push him."
She was probably right. But Erik was an old hand at ignoring good advice.
The fourth night, he dreamed that Charles was calling for him, calling for help. When he woke, there was nothing—no psychic echo, nothing—to indicate that it was anything but his own dream. He got out of bed anyway, and slipped through the camp to Charles's tent.
He felt resistance as he approached, a telepathic shield trying to turn him away. But Erik was too accustomed to the feel of Charles's telepathy; he wouldn't say he was immune to it, but he had the ability to question it, counter it. He clenched his teeth and pressed forward, into the tent.
It was silent inside. Erik stood still, letting his eyes adjust to the darkness, more complete here than out under the stars. Nothing seemed strange or out of place; the tent held all of Charles's expected belongings, his wheelchair waiting by the bed where Charles lay still and peaceful.
Too peaceful. Too still. Absolutely nothing unexpected. And telepathy was still buzzing at the edges of Erik's mind.
"You're altering my perceptions," Erik said. "Stop it. I don't know what you're hiding, but I'm not leaving until I find out."
"I could make you leave." Charles's voice, his physical voice, hoarse and strained; so the image of him asleep in the bed was definitely an illusion.
"Do it, then," Erik said, and waited.
After a moment, he heard a sigh—half-agonized, half-relieved—and the illusion melted away.
The tent was a shambles, Charles's books and papers randomly piled if they weren't thrown around the floor. The bed was a mess of tangled sheets, Charles sitting up against the headboard with his face flushed and chest heaving, and everything was heavy with the smell of—
"You're an omega," Erik breathed, staggering back against the wall of the tent.
He had never once considered that Charles might be an omega—and wasn't that strange in and of itself? Charles clearly wasn't an alpha like Erik himself, but Erik had always assumed he was a beta; betas were more than twice as common as either alphas or omegas, and his scent had never hinted at anything else. It wasn't as if Erik really cared. His feelings for Charles would have been the same, beta or omega or fellow alpha, and anyone who wanted to argue about it could meet the sharpened point of Erik's favorite paperclip. It didn't matter, but—some deep instinctive alpha part of Erik was thrilled beyond words, was already thinking about things like bonding and scenting and children, they could have children—
"I once hoped that my paralysis might at least mean being spared this," Charles said, panting and dashing sweat irritably from his eyes, "but it only makes it harder to ever—be satisfied."
"You're in heat."
"Yes, thank you, I am an omega in heat," Charles snapped, "do you have any other obvious facts to share with the class?"
"Why did you hide it? You've hidden it all this time—or do the others know?" They'd been so unconcerned with his withdrawal into solitude…
"Only Raven," Charles said. "I keep the rest from suspecting…" He tapped his temple. "As for why I hide it, I think you have enough of a brain to speculate."
"There are certain disadvantages, yes," Erik said slowly, stepping closer almost involuntarily, "but to go to these lengths…?" It had been hundreds of years since omegas were treated as chattel, decades since they faced serious prejudice. One might still encounter the occasional tasteless joke or even raging bigot, but that hardly seemed like enough to make an out-and-proud mutant live a lie.
"These lengths," Charles said bitterly, "ensure that no one tries to take advantage of my heat. No one can abuse what they don't realize exists."
Erik stopped, only a few steps away from the bed now. Charles's scent, sweet and smoky, was intoxicating—but his words had a dampening effect on any desire Erik felt. "Take advantage," he repeated. "Charles, who took advantage of you?"
Charles didn't answer, not aloud, but images flickered in Erik's mind of a stocky, brutish young man with greedy eyes. Erik had never seen him, but if it was who he suspected, Charles had once described that young man as having a mind that had never once thought of anyone but himself, in all his life.
"Your stepbrother," Erik said.
"He was an alpha," Charles whispered. "He knew what I was before I did. Only my powers kept him away—mostly. Usually."
"So you learned your only safety was in hiding." Erik didn't realize he had come closer again until he saw his own fingers trail across Charles's hand. He tried to pull back, but Charles caught his hand, held it tightly. His skin was fever-hot, and Erik's body wanted desperately to answer that fever with his own. He swallowed, forcing himself to stillness.
It was still incredible to him that he'd never known this. He'd shared Charles's bed for weeks, before Cuba—but an omega experienced heat only two to four times a year. Luck, good or ill, had kept Charles out of heat during that time, and during their brief reunion in Paris a decade later. His scent should still have given it away, but Charles was uniquely situated to disguise that, not in physical fact but in everyone's perceptions of it.
"So you've never had anyone," Erik said, "to help you through a heat? No one?"
"No."
"That sounds miserable."
"It is." Charles laughed blackly, writhing half-consciously against the headboard. He was, of course, naked—Erik couldn't imagine his skin tolerating clothing right now—and in a state of arousal intense enough to make Erik wince even as the sight made his mouth go dry. How much could Charles feel, there, now? He knew Charles did have some little sensation in that area, and with the increased sensitivity of heat…
"You're staring," Charles said.
Erik forced his eyes away. "Yes. I'm staring because you're beautiful."
"Beautiful? This is beautiful?" He had never sounded more bitter and broken, not even in the plane on the way to Paris.
"It could be." Erik looked down at their joined hands, where his thumb was stroking the back of Charles's hand, gentle as breath. "You have someone to help you now. If you want me."
"If I want you? You could be anyone right now and I'd want you! You understand that, don't you? Of course I want you, someone, anyone—but I can't trust anyone—"
"I can't do anything to you that you don't want," Erik said, tapping his own temple. "Everything's in your hands, Charles. You can even wipe my memory afterward. You could even wipe my memory right now, send me back to my bed with no idea this conversation ever happened."
"Give me one good reason I shouldn't."
Because you took my hand. It was too delicate to say aloud; Erik knew Charles would hear him regardless. You let me see the truth, and you let me take your hand.
Charles pulled him down and kissed him.
 In the morning, Erik woke sore and exhausted and contented down to his bones, at peace in a way he couldn't remember ever feeling before. The windows in Charles's tent were tied shut, but sunlight peeked around their edges and glowed faintly through the material of the tent itself, giving the space a sepia haze of morning. Charles was breathing slow and even, nestled against Erik's chest. His heat had peaked and broken, sometime during the frantic passion of the night. Charles had been overwhelmed enough to cry with sheer relief. That had never happened before, apparently; he'd always had to endure days of the heat slowly withering and trailing off, unsatisfied.
Thinking of it, Erik couldn't help tightening his arms around Charles and brushing a kiss against the crown of his head. He hated that Charles had suffered so much, so unnecessarily. Hated that he might suffer just as much again, next time, without Erik…
"That's up to you, love," Charles said sleepily, and Erik looked down in surprise.
"What?"
"Whether you're here next time," Charles said. "That's up to you."
"You're not going to wipe my memory and send me away?"
Charles snorted. "I don't think it would work now even if I wanted to. Or haven't you noticed we're bonded?"
"Is that what that is?" He could feel it now, the subliminal hum between them, the way their scents mingled together, the deep rightness of Charles's skin against his. Bonding wasn't the be-all and end-all that the poets tried to paint it as, Erik had known that for years. But… everyone agreed it was nice. If this was what it was, it felt nice.
"Look at that smile," Charles murmured, tracing fingertips over Erik's mouth. "I wasn't sure I'd ever see that smile again."
"You can see it anytime you want," Erik said, and drew him in for another kiss.
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From Green River to Nirvana to Bush: A Brief History of Grunge
The origin of the term grunge, which means either repugnant or dirty came from most likely a Sub Pop music catalog to describe an EP released by the band Green River in 1987. “Gritty vocals, roaring Marshall amps, ultra-loose GRUNGE that destroyed the morals of a generation". The term grunge had been used since the 1960’s to describe an array of bands, but this was the first time the term had been applied to any music out of Seattle. One of the reasons the music coming out of Seattle sounded so dirty or sludgy came for a very practical reason. Most of these groups did not have very much money, which meant when creating new songs in the studio these artists could not spend the money they did not have on cleaning up the sound. The scene of Seattle first came from two colleges, Evergreen State and the University of Washington, which brought about the hugely popular radio station KAOS, where Nirvana would actually play in 1987. Many major bands that came out of Seattle like Nirvana, Pearl Jam, Soundgarden hated the term. One primary reason was the fact that it stereotyped these bands into one generic genre as even these three specific groups were vastly different from one another. Nirvana was pop punk, Pearl Jam embodied classic rock, and Soundgarden turned out to be much more metal. Ben Shepherd of Soundgarden would say he hated the term and did not want to be associated with it. Many musicians from Seattle all the way down the line never referred to grunge in any manner whatsoever. Rolling Stone would say that there did not exist any clear definition of what defined grunge as it covered a bunch of bands that were very different from each other.
The start of early grunge in Seattle began when Black Flag came to town in 1984. They were the poster child for hardcore punk at the time. Black Flag’s album My War was huge in terms of Seattle’s sound as it took elements of metal and traditional rock, then slowed it down. Steve Turner of Mudhoney would later comment. “A lot of other people around the country hated the fact that Black Flag slowed down ... but up here it was really great ... we were like 'Yay!' They were weird and fucked-up sounding." One of the people that went to these Black Flag shows was Buzz Osbourne, lead singer of local group the Melvins. After seeing Black Flag, he began writing riffs for his own band that were much slower and heavier. This became the very beginning of Northwest grunge, which producer Jack Endino called slowed down punk rock. Seattle musician Leighton Breezer would describe it as essentially playing punk rock backwards. Another key ingredient to grunge’s development came in the infusion of metal elements with the greatest influence being Black Sabbath. One approach for these early bands was to take a metal riff, then play it backwards with a ton of feedback, while screaming lyrics on top of it. Another other source of the grunge sound came with indie rock, which should not be discounted because it brought that pop melody into the equation. A huge influence on this emerged with Sonic Youth. Other artists included Pixies and Dinosaur Jr. Kurt Cobain identified with the former in particular as he noted in a Rolling Stone interview, "I connected with that band so heavily that I should have been in that band—or at least a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard." These artists did seem to embrace the ugly aspect of the music as they loved to pen dark lyrics mirroring society at the time. This stood in stark contrast to the mainstream sex, drugs and rock and roll of the hair metal coming out of Los Angeles. The Seattle bands would even take things from so called cheesy rock bands like Kiss. Buzz Osbourne would say they would steal from the ridiculous rock bands too seeing what they could get away with all the time. Rock writer Kyle Anderson would say this about grunge when reviewing Sixteen Stone from Bush. “The twelve songs on Sixteen Stone sound exactly be like what grunge is supposed to sound like, while the whole point of grunge was that it didn't really sound like anything, including itself. Just consider how many different bands and styles of music have been shoved under the "grunge" header in this discography alone, and you realize that grunge is probably the most ill-defined genre of music in history."
Certain artists prior to bands like the Melvins and Green River heavily influenced that Seattle sound including Here Are The Sonics, released in 1965 by The Sonics.[153] Neil Young's albums Rust Never Sleeps (1979) and Ragged Glory (1990). Neil Young symbolized everything that grunge and Seattle seemed to represent including plaid flannels and distorted guitar. He would even have Pearl Jam act as his backing band for the 1995 album Mirror Ball. These groups were soon labeled proto-grunge. Other artists included Elvis Costello, the Stooges, Led Zeppelin, and Creedence Clearwater Revival for their respective 1970’s and 1980’s albums. Another effect on the development of the sound came in the city of Seattle itself as it flew below the radar when compared with other cities. Sub Pop’s Jonathan Poneman would say in an interview. “Seattle was a perfect example of a secondary city with an active music scene that was completely ignored by an American media fixated on Los Angeles and New York [City]." Everything about the style that would become associated with Seattle came out of necessity, not really any choice. Trucker hats, pawnshop clothes, cheap guitar all sprung from the fact that Seattle in fact was a very poor town. For his part, Kurt Cobain when Nevermind went number one was actually living in his car. Local post-punk bands also had an effect on what eventually became the grunge bands of the late eighties such as The Fartz, The U-Men, 10 Minute Warning, The Accüsed, and the Fastbacks. Yet, one must note there existed a differential between these groups and those that came to define early grunge.
The very first grunge record has been regularly referred to as Come on Down from Green River. The band would later split up with half the group later forming Pearl Jam and the other half creating Mudhoney. Another release that hugely helped along the development of the Seattle sound was in the Deep Six compilation featuring tracks from six bands: Green River, Soundgarden, Melvins, Malfunkshun, Skin Yard, and The U-Men. Jack Endino would make this observation about the release at the time. “People just said, 'Well, what kind of music is this? This isn't metal, it's not punk, What is it?' ... People went 'Eureka! These bands all have something in common.'" Later around the same time, Sub Pop released a similar compilation, along with a new EP from Green River, Dry As a Bone. The effect of the Sub Pop label had everything to do with the Seattle sound too because of their heavy commitment to cleverly selling the brand to the rest of the world as one of the greatest regional music scenes in the history of the world. The early concerts sponsored by the label were not attended by very many people, but Sub Pop’s photographer made it look like the concert of the year. Their marketing was top notch when it came to letting the rest of the world know there was something incredible happening in Seattle. Sub Pop was not alone in spearheading the indie movement in the Pacific Northwest, but other labels released new music including C/Z Records, Estrus Records, EMpTy Records and PopLlama Records. In the late 1980’s, Jonathan Poneman of Sub Pop asked Everett True to write about the local Seattle music scene for Melody Maker. This article gave Seattle some of the first mainstream national exposure besides word of mouth. According to Charles R. Cross, the bands that embodied the grunge sound more than anyone else were not just Nirvana or Pearl Jam, but groups like Tad, Mudhoney, Blood Circus. Sub Pop actually looked to Mudhoney to be the breakout band from their label allowing Nirvana to leave without much protest.
The negative issue with such exposure became that new groups began to move to Seattle hoping to be discovered while claiming to be an authentic local group, when in reality they were not. Steve Turner would say, “It was really bad. Pretend bands were popping up here, things weren't coming from where we were coming from." The first group to sign to a major label was Soundgarden, followed by Alice In Chains and Screaming Trees soon after. Unfortunately, this really signaled the end of a truly independent local music scene, but the major labels coming to Washington state was probably inevitable.
The major label signings were expected but when Nirvana released Nevermind, the repercussions were in no way contemplated in any way whatsoever. The success of the record changed everything because it made what would become alternative music able to be sold as merchandise and in a cultural sense. Michael Azerrad said it represented "a sea-change in rock music" in which the entire country said we are done with hair metal. We want something a bit more realistic when it comes to our music. The newfound popularity of grunge made it possible for other niche audiences to consider the potential financially and culturally for their music to be successful. A more current example may be seen in dubstep and EDM. Pearl Jam would be the first beneficiaries of Nirvana’s lightning bolt, no pun intended. Jeff Ament and Stone Goddard, formerly of Green River and Mother Lovebone, had joined forces with a California surfer by the name of Eddie Vedder. People tend to forget that Pearl Jam’s seminal album Ten was actually released a month before Nevermind. By 1992, the entire country had embraced everything Seattle including Pearl Jam, Temple of the Dog, Soundgarden, and Alice In Chains. Journalists were starting to call the city the “New Liverpool.” Cameron Crowe even made a film centered around Seattle entitled Singles, which featured a fictitious band with Eddie Vedder as their drummer. The fashion fads of grunge did not go unnoticed to corporate America as knit caps and flannels would increase in price very quickly. Entertainment Weekly made this observation in 1993. “There hasn't been this kind of exploitation of a subculture since the media discovered hippies in the '60s". One could now see grunge being sold in the form of all kinds of products including an official grunge air freshener.
There do exist some characteristics of the grunge sound itself that people did agree upon, but much like the term itself there are open debates as well. As noted previously, the electric guitar had represented a dirty sound, hence the name grunge. There existed a heavy emphasis on distortion through the use of stompbox pedals with very large amplifiers connected to them. The other major characteristic that defined grunge besides distortion was loudness. Some critics have dismissed the artistry within grudge as merely noise, not anything else. Another effect utilized by grunge was the guitarists use of the Wah Wah pedal as evidenced by Pearl Jam, the Screaming Trees, Soundgarden, and Alice in Chains. The controversial and debatable aspect of the guitar is the question of whether the popularity of the music helped to kill the guitar solo. Most of grunge’s guitarists despised the shredding solos made famous in the 1980’s by such musicians as Eddie Van Halen. Jerry Cantrell of Alice In Chains would say that guitar solos should serve as a complement to the song, not its own entity. Will Byers of the Guardian wrote an article that argued grunge’s guitarists like Kurt Cobain helped to effectively kill the guitar solo in popular music. Unlike classic artists such as Jimi Hendrix, Kurt Cobain and others from Seattle had very little interest in mastering the instrument. The Soundgarden guitarist would even say that he got bored doing solos, so he just filled it with fuzz and distortion anyway. The argument does fall apart a little bit when you look at the entire breadth of grunge at the time because Pearl Jam’s Mike McCready and the Smashing Pumpkins’ Billy Corgan have been consistently referred to as some of the most influential guitarists in the entire decade. The production was also similar in approach as it heavily emphasized low cost, which always meant a low fi sound. For the band Mudhoney, they had to tell the record label to decrease the budget for one of their albums because they did not need to spend that much. The two important producers were Jack Endino and Steve Albini. They both took a very hands off approach to producing with very little to do with remastered effects and mixing. They both believed that the job of the producer was to simply record the music, but not impede in any way creatively for the artist. For example, In Utero was recorded in the same room with the entire band, while most mainstream producers would have recorded it separately then combined them on a multi track recorder. That approach would often give off a very live feel to a grunge release from the recording studio. Many bands simply wanted to replicate the sound energy from their live shows. A grunge concert was defined by bands who jumped, thrashed, and screamed on stage, while most of the audience would mosh or slam dance. The artists would never use any visual aids, props, or special effects to enhance the experience, but instead you were simply seeing essentially a local band. Dave Rimmer would write about the philosophy behind any true grunge show. It seemed “for Cobain, and lots of kids like him, rock & roll ... threw down a dare: Can you be pure enough, day after day, year after year, to prove your authenticity, to live up to the music ... And if you can't, can you live with being a poseur, a phony, a sellout?"
One of the negative aspects associated with grunge came in the question of how prevalent overall did heroin play in the lives of the artists. Not only did Kurt Cobain suffer from heroin addiction, but other artists did as well from that era including Scott Weiland of Stone Temple Pilots, Evan Dando of the Lemonheads, Jimmy Chamberlain of Smashing Pumpkins, Courtney Love of Hole, and Mark Lanegan of Screaming Trees. The comparison was made to the hippies of the 1960’s, who had embraced marijuana. The grunge musicians of the 1990’s seemed to look to heroin while in the city of Seattle. The downer effects of the drug represented what the lyrics told you about how these artists were feeling, self-hatred, nihilism. By taking heroin, someone could hide themselves from the world avoiding any sense of reality. The drug would take many casualties along the way including Andrew Wood of Mother Lovebone, Cobain, the keyboardist for the Smashing Pumpkins, Layne Staley of Alice in Chains, and later the bassist for the band Hole. One group that almost beat Nirvana to the punch of making it on a national basis was Mother Lovebone. Their lead singer Andrew Wood tragically died of a heroin overdose right before their debut album Green Apple was set to be released. They represented the number one band throughout the local Seattle music scene at the time. After his death, the remaining members of Mother Love Bone, Chris Cornell of Soundgarden, and Eddie Vedder joined up to create the tribute band for the late singer, Temple of the Dog. One of the first times fans heard Eddie Vedder on record was not Pearl Jam’s Ten, but actually Temple of the Dog. Jeff Ament and Stone Gossard did eventually join up with Vedder to form Pearl Jam. Courtney Love would a later comment that she thought heroin was easier to get in Seattle, than it was in Los Angeles or San Francisco. Yet, Daniel House of C/Z Records would argue that the idea of Seattle being a mecca for heroin was simply not true. He said the prevalence of the drug was no worse than any other American city in the country, while magazines like Rolling Stone contended that marijuana and MDMA seemed to be more likely the drug of choice for these artists.
Another important characteristic of grunge was is the active role that women played as musicians, as well as promoters of the movement. These groups included acts such as L7, Lunachicks, Dickless, 7 Year Bitch, The Gits, Courtney Love's band Hole (and Love's other 1990s groups), and Babes in Toyland. VH1 writer Dan Baker would comment that L7 were an “all-female grunge band [that] emanated from the fertile L.A. underground scene and [which] had strong ties with ... Black Flag and could match any male band in attitude and volume." The lead singer of the all girl band Bikini Kill Katherine Hanna would help to start the feminist punk underground movement called Riotgrrrl in the Pacific Northwest out of Olympia, Washington. This social and political movement began to embrace some of the same qualities found within grunge music. Singer Hanna was also the person that coined the phrase Smells Like Teen Spirit as Cobain had dated her drummer Toby Vail for a time. Coincidentally, she would later go onto marry Adam Horowitz of the Beastie Boys.
By late 1992, there began a strong backlash against anything referred to as grunge. Both Damon Albarn and Billy Corgan of Blur and Smashing Pumpkins respectively would say at their live shows, “Fuck grunge.” Kurt Cobain would say in an interview that being famous was the last thing he ever wanted to be. Along with a return to their punk roots, Nirvana’s album In Utero subtly was intentionally “abrasive” as a form of protest against the entire grunge trend. Despite their efforts, the album still went number one in its first week of release. Everything grunge related saw incredible success including groups like Candlebox, Soundgarden, and Alice In Chains, as they all released records that saw platinum achievement very quickly. As LA looked for the next Motley Crue in the 1980’s, record labels now began to look for the next Nirvana. Some of these second wave groups included Stone Temple Pilots, Veruca Salt, and Toadies. Unfortunately, Stone Temple Pilots were called out in the press for jumping on the bandwagon that was the Seattle sound. Their biggest flaw came in being from Los Angeles, not Seattle. Another group that suffered from this backlash was represented with Bush, who released their second album in 1994, Razorblade Suitcase. Chuck Klosterman would write, “Bush was a good band who just happened to signal the beginning of the end; ultimately, they would become the grunge Warrant.” The exact death of grunge has been debated as to a precise date, but one of the biggest factors came when Pearl Jam and Soundgarden began to fade from view for a time. Another huge issue came with the death of Hole’s bassist from a heroin overdose. This just brought up memories from Kurt Cobain’s tragic death as his widow was lead singer of the group. Jason Heller of the av club would write the the final nail in grunge’s coffin actually came in the release of In Utero in 1993. He argued that once his angst became commercial, then it was time to leave the scene. Nirvana had made the scene, and they obviously ended it. Billy Corgan would say after the death of Cobain in an interview, “The party’s over.”
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Love is History
*taps mic* is this thing on? (I stole that from Obama. He was still in office last time I posted my writing). 
So fun thing I did - write an angsty sequel to Love is Fiction. If you’ve never read it, it just got over 300 notes this past week. I figured it was time to dust this off from my drafts and complete it. 
I hope you like it and my voice sounds similiar to the last election year when I put this out. Honestly I’m so different now and I think this captures the changes I’ve gone through and the way I view relationships now opposed to four years ago. 
Love is History
“Art imitates Life right?” Belle closes the folder encasing a rough draft of her first few chapters.
“All good things come to an end.” Emma shrugs as if the concept of him being just a ‘good’ thing ending doesn’t devastate her. He was the best thing.
She thought she’d never write their break up.
“What’s the history?” Belle squints her eyes, nose crinkling as she watches Emma. Belle has been Emma’s ‘Editor’ since college. Now more official. She gets a paycheck, as Emma gets advances from a publishing company that started as a small mom and pop establishment. In the last four years, this little wagon wheel of a company is now a fleet of office buildings all over the US.
“You read book 3: “Wind’s Ally”” Emma leans back in her chair, studying Belle right back. “You know their history.”
Belle keeps her eyes on Emma, relaxing the tension in her face and suppressing a smirk. They’re at a bit of a stalemate here because Emma isn’t sure what more info is needed and Belle isn’t sharing her thoughts at the moment.
“Emma, I knew their history. They finished book 3 in a ‘happily ever after’ kind of way. What underlying issues could have brought them to this point? Why did Alysandra leave?” Emma considers the question. Why did she decide to destroy the happiest relationship she’s ever written? Why would a character who fell madly in love just change their mind? “Maybe, ask yourself why you left.”  
-/-
The sun is setting over the Manhattan skyline when she gets back to her apartment. She doesn’t know where she went after the meeting but her mind just got back to the present and she’s pissed.
Emma flings her keys across the kitchen island, kicking her heels off in a huff before stomping over to her bar cart. She pours his favorite whiskey into the anchor-etched old fashion glasses he got her one Christmas.
“History is a stupid word” she grunts to no one but a tilted glass, muffling the sound as the amber liquid meets her lips a second after. She’s taken up talking to herself these last few months. The first four were spent crying and avoiding her reflection. The loneliness finally set in one night and she made herself her own best friend. So she asks her best friend ‘why did you do it?’ as she feels the tension in her shoulder blades ease. Why? Why did Emma Swan leave Killian Jones seven months ago?
“Wouldn’t we all like to know?”
-/-
The nightmares finally stopped and she no longer wakes with a startle when she finds her bed bare of him. Its been 216 days. She’s cried herself to sleep at least 180. She’s been broken before, boys have left in more ways than one, and she has managed to wake up one day finding herself less damaged than all the others. Today might be that day for the Killian Jones saga.
Today is they announced the upcoming film and casting begins in a few weeks. She knows she needs to finish this novel, but she hasn’t finished much. She barely finishes lunch on most days, barely finishes a thought that isn’t dripping in Killian. It’s been seven months and he is everywhere, in everything. She thought progress was a slowly-operated escalator but she was finally on her way.
And then the congratulation calls come through. Text after text, email, voicemail and she’s sure in a week or two, she’ll get a card from Mary Margaret. She sorts through them looking for something she’ll never find and she has to rewind.
She left him. It wasn’t mutual and it wasn’t obvious. He had no clue. All the calls and texts he was going to send her were sent months ago when he was breaking down in voicemails and begging her to just tell him she was okay.
Congratulations, Emma, you saved him...from ever having to care about you again.
-/-
She doesn’t leave the apartment again until the 245th day. It is easy to stay inside with the modern advances in technology. People will bring literally anything to your front door. Except, maybe inspiration. That she has to go out and find.
She finds herself in Harlem. The Harlem Public Library. She has to get back to her roots. Sure, this isn’t Storybrooke, and no, she’ll probably never meet a pair of eyes as blue coconut as...but her work needs her to find a way to write.
She thinks of his face.
Three hours pass and all she has in a google doc is ‘why?’
-/-
Despite the first failure to launch, she finds she quite likes that library. She’s giving herself a pep talk this time, before she finds herself staring at a blank screen wondering why again.
“I left because I had to.” She looks at her reflection in her bathroom mirror. That’s the only statement she’s made to anyone, herself included. When her friends, her agent, her editor, and her heart ask, she tells them she had to.
She makes her way through her apartment, recounting the moments, hours, days leading up to it. There are very few things her mind makes enough sense to share. Everything else is so convoluted, so tangled up in self-loathing and years of agonizing loneliness, the average person wouldn’t get it. Some days, as she’s matured and healed, she finds even she has trouble understanding it.
There’s not a day that goes by she doesn’t spend half of it feeling nothing but regret. That’s the healthy part of her, the well-adjusted adult who grew from the little lost girl. She’s sane enough to know she threw away the best relationship she’s ever had. She’s sane enough to know she saved him from future hardships with her.
The sound of the empire striking back stirs her from her thoughts. Regina gets the Darth Vader theme as a ringtone so Emma never forgets who really owns her career.
“Hey,” Emma answers as she reaches her apartment door.
“Nice of you to finally answer your phone.” She can hear the glare in Regina’s voice. “You know you pay me to do this right? Not the other way around. Get your money’s worth, why don’t you.” Emma rolls her eyes as she packs her laptop in her messenger bag.
Regina Mills is a fierce woman, as charming as she is aggressive. She can pretty much get anyone to do anything she wants. Emma doesn’t practice in the ways of the force, but she’s certain Regina knows a Jedi mind trick or two, and as her agent, that comes in handy.
What doesn’t come in handy is her tie to Killian. Regina’s husband Robin happens to be Killian’s cousin. Emma avoided Regina’s calls for months after the break-up, afraid she’ll have to answer the same question she’s been asking herself all afternoon. Once she finally started accepting calls again, it seemed Regina had moved on to bigger and better things: A movie deal.
“Right” she sighs. “What’s my money bringing me today?”
“This isn’t money related, so much as a word of warning.” Regina’s tone doesn’t seem as sass-filled as before, so it’s clear she’s not the one wielding the threat. She actually sounds a bit sympathetic. “Belle and I pulled straws to see who got to break this to you, and I, unfortunately, pulled short this time around.”
“There’s a point here.” Emma urges, feeling ill-fated all of a sudden.
“Killian just moved to NYC.” Like ripping off a band-aid. Emma braces herself for pain, but is met with an absence of feeling altogether. Her knees buckle and she finds purchase against her kitchen island. “Emma?”
“When?” She whispers.
“Just a couple of weeks. He took a job with the NYC public libraries, he’s actually doing really well and has just approached Belle with an idea to get the youth excited about writing. There’s a chance you’ll run into him at the office, so I just...we both thought a heads up was necessary.”
“Which library?” because Fate is a nosy bitch and has no business showing up and guiding her to the man she ran from.
“Emma?”
“Which library”
“I think...if I recall correctly, his home base is in  Harlem.”
“I’ll call you back.”
-/-
She thought about leaving the country. At the very least, the state. She is overwhelmed, without a question just so damn overwhelmed. She has gotten so used to tears these days, she’s a little shocked she didn’t cry the minute she heard his name.
Her body had other ideas, because although she definitely meant to get on a train going the opposite direction, she found herself in Harlem 25 minutes later.
She sits in the middle of the library at an open table, clickity clacking as loudly as she can. Part of her really believes that maybe if she saw him, she’d remember why she left.
Another part is certain that masochism is her new favorite hobby.
He never appears.
-/- “Hey” Emma answers her phone going off for the eighth time today.
“Emma?” Belle sounds more relieved than usual. “Where have you been, I’ve been calling non-stop since 3.” Emma rolls her neck to view the time on the DVR.
7:45 pm
“Sorry, I’ve been reading all day.” she hasn’t talked to anyone for another two weeks. She does this far too often to still have a support system. Emma’s not sure she’d pour the same amount of effort into anyone who went radio silent every other week.
“We had a meeting at 2:30.”
“Sorry.” She shrugs, because honestly, nothing even matters.
“I’m coming over,” Belle says decidedly.
“No, Belle, you don’t have to do that.” Emma regrets answering on the eighth attempt. “Let’s reschedule.”
“We just did, I’ll see you in thirty minutes. Open the door.” Sure, she’s a small, sweet, meek-looking woman, but what most people don’t know about Belle is she could slay dragons with pure determination alone. In a battle of wills, she's even got Regina beat.
Emma peels herself off the sofa for the first time since noon, snuggie falling to the floor as she heads for the shower. If Bella can make the journey to her apartment, Emma can at least shower. Sure enough, 30 minutes later she’s greeting Belle at the door, a pizza in hand.
“Are you okay?” She sets the pizza on the kitchen island and wraps Emma in a hug. Emma tries to pull her head far enough to keep her hair from wetting Belle.
“Yeah, just...the creative process. Ya know.” Emma trails off as the hug ends. Of course, she’s not okay. ‘Okay’ people don’t stop answering their phones for weeks, they don’t stare at blank pages until their vision blurs. They don’t behave this way. This was her first shower in days.
“He was in the office yesterday,” Belle says after a long silence, just a full 3 minutes of her studying Emma from head to toe. Do her eyes just scream ‘Killian’ every time someone looks at her. “He said he called to congratulate you on the screenplay adaptation.”
“No, he didn’t.” She’s quick to dismiss. She scoured her missed calls for days looking for his name, he never called.
“How would you know, you never answer your phone, Emma.” She sits on a counter stool, tugging Emma to join her. “He’s going to be in every day next week, and I think…”
“No.” Emma cuts her off.
“Let me finish.” Belle opens the pizza box, sliding it toward Emma. “I think you should take a vacation. Get out of the city for a while, maybe visit Storybrooke, since you know he’s not there to run into.” Emma grabs a slice of pizza, not sure when she last ate but too preoccupied with the idea of leaving the city for a while. She ran to NYC. Now she’s running back to Storybrooke. Is he just going to chase her back and forth?
“Did he say anything else about me?” she hates the desperation gnawing at her.
“He asked me why…” Belle sighs “I told him we’ll all find out in book four.”
-/-
God only knows what compelled her to do the exact opposite of what Belle suggested and show up at the publisher’s office. Probably the same thing that led her to the Harlem library a few weeks ago. She bought a new outfit. She realizes she’s barely even worn jeans over the last eight months, and now she’s in a dress and heels like she has an interview to work here. She’s wearing makeup and perfume. She’s trying her best to cover up and signs of the wreck she’s been for months.
The office seems busier than it has ever been, many new, young faces bustling about. She keeps her features calm as she scans every inch of every room she enters for him.
“Emma?” Belle is hurried as she crosses the main floor to meet her. “What are you doing here?”
“I know.” Emma returns the hushed tone Belle is using. “I reworked some chapters, delayed the breakup, and gave more of Aly’s history.” and Belle nods, but is evidently not listening.
“He’s here.” Belle looks almost frightened. “So if you want to reconsider, I would do it now. Otherwise…”
“Swan?” no one calls her Swan. She’s paralyzed. What did she think was going to happen? How did she think she was going to react? When she paced around her apartment for three hours this morning, did she think she was going to just be okay? He would be here, he would see her and suddenly everything would be okay? “Emma…” He tries softer, less shocked, more timid.
This is the moment. In every love story, angst finds its way in, rips the reader’s heart out and although they’ve been bleeding for chapters now, they can feel nothing at this moment. Time is still, the lights are dim, and all we see is Emma and him.
He looks like himself, just more professional. He’s in well-fitted gray slacks, a navy dress shirt, his hair is longer though. He’s got more scruff on his neck than normal. His eyes are too blue, truly, for anyone to notice another inch of him. They stare at her, the same shade that’s been haunting her dreams, and she still struggles to define it. Everything. They’ve always been everything, no matter if it’s more cotton candy than blue coconut.
“Killian.” She swallows. Her throat makes this awkward gurgling sound and she wants to melt into the floor. Why is she here?
It’s suddenly so quiet but so loud. She can hear her heart hammering in her eardrums. No one says anything for a long stretch of time, maybe 2 seconds, maybe 3 hours, she can’t be sure. She just knows there is so much said in the silence.
“How are you?” She asks without thought. The look on his face is devastating.
“Sorry?” He mocks a laugh. “How am I?”
She’s not completely delusional. This is a thing humans say to one another, no? Why does it feel so foreign all at once, like she’s attempting English for the first time with a local?
“Killian” she sighs, releasing the most dizzying breath.
“I’m good” he grits, suddenly covered in constrained anger. “And you?”
And now they are strangers, all dressed up and nothing to talk about.
“Me?” Her tongue drags along her lower lip to buy time. “Good.” She nods.
“I’m just pleased everyone is good.” Belle smiles sweetly. “Now, Killian and I have a brief meeting, and afterward, if you’re still available, we can go over your rewrite.”
An exit strategy. This is quite possibly the only thing she could have hoped for.
“Swan was a bright young writer once” Killian grins, wickedly. “Why don’t you attend the meeting. We’re talking about a youth writing program.” He’s obviously bating her. How dare she show up on a day he’s here and act like she didn’t destroy him…
“Sure” she agrees. Partly because she’s too stubborn to back down from a challenge, and mainly because she did destroy him and there’s that whole thing about masochism she recently discovered about herself.
Belle looks beside herself. Her eyes narrow and she puffs her chest for a moment before leading them to a meeting space. Two more individuals join them, laptops ready to jot down notes and ideas. Her meetings are only ever with Belle so, for Emma, this seems like red carpet treatment.
He has amazing ideas. He loves the idea of bringing an artistic outlet to the children of Harlem. He was always so much more than a shelfer. He was always a dreamer, with these brilliant, compassionate ideas for helping everyone feel less alone, more encouraged.
She was always a fence, holding him back from the best parts of himself.
-/-
When the meeting concludes, Belle graciously thanks Killian for coming, makes promises of action, and attempts to say goodbye.
Killian, as good-natured and kind as he can be, has always had a persistently obnoxious side. He invites himself to the next meeting.
“This is only fair, Swan.” he smiles, though his eyes are full of darkness.
They regroup in Belle’s office after a bathroom break.
As much as Emma is dying on the inside, Belle looks absolutely disturbed by this. She can’t imagine the discomfort in being the third wheel of a breakup reunion.
“So...when we uh, when we left off, you were telling me why they broke up.” Belle sighs, knowing how awful this is. Emma smiles, hoping it lets her off the hook a little. After all, Belle told her to leave town. Emma decided to torture herself.
“Right.” Emma takes a large breath in, holding it while she pulls out her folder. Only releasing once its in Belle’s hands. Killian is studying her like he has a Chemistry final to take tomorrow and she’s the only hope. “Alysandra left Atlas for his…” She’s said it to herself. She’s made hints to others, but Killian has never had a clue. “For his own good. She’s derailed him from his journey. She’s made him less of a pirate, more of a…”
“More of a what?” Killian’s breath is sharp as it floods in through his nose and out through his mouth. “What did she do to him?”
“She reduced him to a caregiver,” Belle answers from what’s written in the text. “Alysandra took over the journey of discovery. She was suddenly the main character.” Belle looks up at Emma with a look she’d only be able to classify as “delayed understanding.”
“In a story about Atlas, Aly becomes the focus. Everything he does, he does for her.” Emma can feel herself losing composure, eyes stinging with tears, throat drier than a desert. Somehow, someway, she finds her way to Killian’s eyes. “He wasn’t living for himself anymore. He had no purpose but to love her. And it was destroying everything.”
She’s not sure if it’s understanding she expects, or maybe gratitude, for saving him from the needy monster that she is. She knows neither is what she received.
“Did you ask Atlas, perhaps… perhaps that’s what made him happiest?” Killian’s eyes are drilling into her like nails, pinning her against a wall.
She is less.
Speechless, motionless, hopeless…
Less sure she did the right thing. Less firm on her decision. Just so much less than she was the day before.
There’s movement after a long pause, not by her, but Belle, gently setting the files down and moving to leave them alone.
“Aly is an orphan” Emma explains and she can see his head start to shake, but she has to be firm. “Listen. She is not the strong-willed, rebel without a cause she pretends to be. Some days the sadness from being alone for so long stunts her. She spends hours upon hours laying awake wishing she could sleep forever. She can be a wreck, a mess, an impossible woman to love.”
Does it make it easier to talk about herself as if she’s someone else? She’s been doing it for so long, all the catharsis from writing herself into stories, just to unpack the things that plague her? Maybe she can have sympathy for anyone but her, maybe its the only way she can recognize how her behavior impacts others. Maybe the book is why she left in the first place.
“You make it impossible to love you, Emma.” She’s never seen his jaw trembling like this before. “And against all odds, through resilience and patience, I’ve found a way to do the bloody impossible. You can cover it up in characters you’ve based off of us, but this isn’t fiction. I was real. What we had...what we had was real. It wasn’t easy, but when you finally let me in, it was simple. We were happy.”
“You were happy?” She brushes tears from her cheeks as she shakes her head in disagreement. “Was it simple? To come home and find I hadn’t moved from my spot on the couch? Was that the ideal relationship you dreamt of, to see all of your energy, love, and time wasted on someone who couldn’t get themselves off the couch?”
“So you got yourself off the couch now.” Killian stands, eyes frantically scanning Emma from head to toe. “Well done, it only took the motivation of ending a relationship to do it.”
“I did it for you.” and she believes that, with everything in her, she left for his own good.
“Did you now?” He seems so out of breath for standing still. “Or could you have possibly woken up one day and realized the weight of a relationship was what was pinning you to the couch. Was it that Atlas cared for Aly too much, or was it the expectation that Aly would have cared for him in return? Was breaking my heart easier than just trusting me with yours?”
And all at once in the middle of the ocean, she can see Aly waking up all alone in the captain’s quarters, searching the whole damn ship for a man who did what the men she loves always do.
“Maybe there were days you thought I was miserable” he kneels before her as the ocean finds its way to this office. His eyes are ocean blue, always changing hues depending on if the sun is shining, or a storm is brewing or they’re in the deep. “But you weren’t afraid I’d die that way, always miserable, no...some part of you thought I’d leave before I let that happen. That’s the orphan I loved. You were never a mess. You were a survivalist.”
So maybe that’s their story. Aly watched Atlas change his life for her, and realized he’s going to live to regret it. Did the last seven months hurt less because it was her choice? If he would have pulled the trigger, would the bullet do that much more damage?
“I would have died miserable.”
-/-
The history she’s writing is hers and hers alone. When she was younger, when her heart was stolen and broken, when she always ended up alone. She was writing an escape plan.
This was the first time she was the one who left, and to quell the guilt of being her own worst nightmare, she forced herself to believe she was doing it for him. How many people have left her for her own good? How many times did she think that they were doing her a favor?
She’s been sitting motionless for who knows how long when Belle comes back. Killian is long gone but his words linger like those dizzy stars after a concussion. Her head is throbbing trying to make sense of it. This wasn’t just seven months spent believing the lie. Now she’s searching for the truth.
She gets anxious in monotony, like a stench in stagnant water, she is repulsed by the concept. She’s never wanted to do the same thing every day. She doesn’t want a picket fence, she wants…She does like a cute cottagey feel with a nice picket fence, she could…she could deal with a picket fence.
She definitely does not want a husband though, or to be barefoot and pregnant, or…
There were times, she’d look at him fresh out of the shower, or in his sleep and he’d look so much younger, she’d wonder what their kids would look like. There have been times she’s searched her fingers as they moved across her keyboard and realized her ring finger would look nice with a natural stone set in some brass band. It was never anything he did that scared her. It was that she thought about more. The concept of more scared her, and the fact that she was greedy and foolish enough to want it.
Four years is a long time to not talk about marriage, but after they moved past her initial anxiety attacks over having a boyfriend, he never really pushed for much again. Moving in together was her idea. He kept enough stuff at her place and with Elsa moving abroad, it made sense to do it. That’s as far as she was going to take it. Another few years piled up and she was busy writing and he was busy being supportive of that, she recognized she was his sun. When he made sure she ate during the weeks she barely left the house, when he kept her house plants alive, when he did her laundry, reminded her to shower, and told her he’s proud of her too often to quantify, she knew she was his ship. An inanimate object, something someone can love so much and not receive the love back in return, and sure, he’s as silly as a pirate to believe a ship that holds itself together while he’s sailing on her loves him, and that’s just her role.
Hold yourself together Emma, that’s always been your role.
She started to get bitter and insecure. What is she contributing to this relationship? How is she making him any better? Has he even written many songs since they moved in together, has she gone to see him perform, has he performed? Some days she was so enthralled in her writing, she didn’t realize he wasn’t home all day. It was his day off and he was gone for longer than a workday. He could have been having an affair for all she knew. For all he did, he deserved to be having an affair, falling in love with someone who would be there for him, encouraging his dreams, and dedicating herself to him.
After that day, she started her drafts. Killian, you’re so much more than I deserved…Or Killian, your life paused the day you met me. And finally, after months, she left him with I need this to be over.
She’s a writer, a published author, an English major and an avid reader yet, through years and years of literature and just terrible romcoms, she never learned how to break up with someone. She never knew the words to say to him, so she said nothing. He called for three-five days, she’s not sure as she was in a sobbing-induced coma.  He sent texts, he sent freaking carrier pigeons, and she locked herself in a hotel room with her laptop and her broken heart. Finally, an email came in.
Emma, I’ve moved out. Everything I’ve left is yours…among the worn t-shirts you liked to sleep in and the novels we’ve collected over the years is my heart. Goodbye Love.
“Emma,” Belle brings her back to the present after a very long, painful trip into her past. “Are you okay?”
Why is that word even used to describe how ‘good’ something or someone is?
“No.” She glances over at Belle, she thinks to ask if she talked to him in the hall after he left, if he said anything, if he seemed ‘Okay’ himself but she settles back to a business mindset. Work is the only constant. “Aly left because she didn’t want to get left again.”
“And that’s how it ends?” Belle hands her the folder back. “You can do better.”
-/-
“The concept of fiction isn’t a lack of reality, it just hasn’t happened exactly that way yet.”
She hears his voice cascading down the ramp she’s sitting at the bottom of. It's been a week since Belle’s meeting and she made her way back to the library. Back to their roots. There’s so much history in this building, but the history she’s looking for lives within her. There’s a group of teenagers huddled together like they’re on a tour. Her fingers shake as she looks back down at her laptop.
“Don’t be afraid to use your own daily vernacular. It’s just as likely as any well-researched, powered by thesaurus dialogue, but it will come to you much more easily. That’s your voice.”
His voice sounds increasingly close. She wants to look but if they lock eyes now, while he’s busy, she’s back to being the center of attention. Why did she come here? Does she want to get back to being the center of his attention?
“Swan?” her stomach flips violently. She really didn’t think this through. Her neck trembles as she cranes to look up at him. “Hi.” He clears his throat, the group of teenagers studying them closely from behind him.
“Hi” she breathes. “Uhm…”
“Do you want to meet my junior author group?” He cuts in quickly.
“Hi.” She repeats, only this time her eyes travel across the young faces. “I’m Emma.”
“Emma Swan?” A young girl in the back pipes up. “You write Cap Zeph.” ‘Cap Zeph’ is a very popular Tumblr tag, Emma’s been told. She is now a mild-day D list celebrity with the news of the screenplay adaptation. She never published under her real name until this one, Killian’s idea.
“That I do.” Emma feigns a smile.
“Emma Swan” Killian begins, chest swelling “came up with the idea in a small town library.”
“Really?” another girl with wavy blonde hair tumbling around her shoulders asks.
“Yes, and Killian Jones worked there. He’s…evidently the inspiration. Hair as dark as night, eyes as blue as the sea he sails upon.”  Every girl and one boy in the group glance at Killian, amorously. Still handsome as ever. He looks down, scratching behind his ear and chuckling dryly.  She wonders if his throat burns the same way her eyes do or if this feels so natural he’s happy to fall back into it.
“Why don’t you all find some books to research personal voice from in the YA section, hmm?” He dismisses the group quickly. They share assuming glances and move to leave in pairs, surely gossiping on the way.
Being alone again is terrifying. She doesn’t know what she’s doing here. Why does she always go looking for him? What does she want? How can they come out of this okay? What is okay?
“What brings you?” Killian starts. He isn’t looking anywhere but her and the look in his eyes leaves frost on her flesh. His expression is so blank. She has no idea if he even wants her here after their last conversation.
“I was just looking for inspiration.” He nods.
“There are study rooms.” He adds, motioning in the direction she may find them. “My office is actually at a different location, or I’d…suggest…”
“Do you hate me?” it comes out without warning.
“No.” He winces. She’s not sure if it’s because he’s lying or because he wishes he were lying.
“Why not?” She asks. He flinches.
“Christ, Swan. Stop it.” He grabs a seat across from her at the small bistro-style table she’s been working on. She closes her laptop to remove barriers between them. “I hated myself for a while. I thought maybe I should have never lost sight of who you were. You’ve always been guarded. I thought I had broken down some of your walls. I should have never assumed I tore them all down.”
This voice within her tells her that it's no man’s job to do the work for her. Her walls are her own to remove.
“What about your walls?” Emma counters. She didn’t come for an argument, but Killian had trauma, he was damaged in theory, but always presented himself as such a well-adjusted, forgiving, kind, loving man. “Maybe you had to go brick by brick, but you knew they were there. I just watched you for years never act like anything troubled you.”
He laughs, loudly.
She’s startled more that she laughs in return than questions it.
“Emma, my love...of course I was troubled. I still am. I drink far too much and try to solve all of my problems myself without anyone’s help.” He’s still smiling as he confesses.”Hell, I didn’t tell anyone we broke up for months and it wasn’t because I thought you were coming back. I just knew I wasn’t going to let anyone worry about me.”
“You’re not troubled” she shakes her head but thinks back to every time he came home frustrated and sealed himself up before she could get a good glimpse of it. “Are you?”
“I spent an entire day at the marina grieving my dead brother, over a decade after losing him. Every time I went to leave and come home to you, I’d get upset again. I used to stay away until I could pull myself together.” His smile slips into something dark and Emma realizes all the ways they failed at communicating. “I loved you just enough to only show you my best parts. I never trusted our love enough to show you everything. And it’s not because you were sad every now and then.”
And she sees the orphan in him the moment she realizes being left behind were his worst fears, too.
“You thought I’d leave…”
“I think the term is ‘best-laid plans.’” His smile is back “Convince an author to fall in love with you, live forever. Only, with my luck, I get to read my heart get broken in the exact same way whenever I’d like. I was looking forward to your book, knowing I’d get to see us in love again.” She considers the part about him looking forward to her book.
“It’s as much my book as yours.” She means that. When she first wrote the Cap Zeph short stories, she had no plan of publishing. Killian pushed for her to immortalize this, to believe in herself and sell it. When the first went well, he convinced her to meet with Regina. “I mean, you are the entire series, after all.” He shakes his head and sighs.
She doesn’t have a response and the seconds tick by. It only takes a few before they reach an awkward silence where one person makes an excuse to leave. And then when do they see each other again?
“I should get back to my writers.” He moves to stand and she wants to jump up, but she doesn’t know what words follow that. She writes fiction. It's why this book has been so damn difficult. Writing their personalities into a fantasy of pirates and fairies, that's one thing. Writing history is another. She can build on what has already happened. This in-the-moment dichotomy, will they? Won’t they? Can they make it work? It’s disturbing.
He’s the quick thinker. Always a come-back, a pun, a literary quote…
“The only thing worse than a boy who hates you…” She opens her laptop nonchalantly, as if it won’t wound her for him to leave. “...a boy who loves you.”
Among the many novels they shared, “The Book Thief” was one of Killian’s most treasured.
He stares at her with wonder glazing his face. “If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter.”
Maybe she’d burn every book in this library, for a chance to experience falling in love with Killian all over again, as if it weren’t a moment in history.
The screenplay would read ‘They share a look of longing’ and she’s not sure that’s how she’d describe it. ‘Longing’ seems more cliche and not nearly as descriptive as her quickening pulse would use.
This feels like a pivotal moment where she realizes that they don’t necessarily have to not be in love anymore. They could take a slow pace, like windchimes waiting for a breeze to bring them together. That’s all a Zephyr is.
“My number hasn’t changed.”
-/-
His number has. She gets a text around 1am. Are you up? It's odd, because Killian isn’t a booty-call kind of guy, but who knows what a breakup can do to a man.
I rarely sleep before 2. Her phone rings moments later.
“Hello?” her tone sounds like a question, but she knows it’s him.
“Swan, it’s Killian.”
“Yes, Grandpa, I’m aware.” She can’t help but chuckle. Almost too elated that he’s on the other end. She can hear him laugh on the other end.
“Do you remember the first time we started speaking on the phone? You wouldn’t give me your number until maybe the 18th date.” She didn’t trust herself then. They took things so slowly.
“You know I like a clean getaway.” Is it too soon to joke about always having one foot out the door?
“What's the escape plan this time?”  
“Probably the West Coast since you chased me here”
“I did not!” His laugh is vibrating against her ribs, setting the tempo for her heart.
Could it be easy all over again? One quote and he’s calling her? One call and they go see a movie? One date and…
And thinking about the end is how she got there, isn’t it?
“Did you plan on seeing me again? Knowing you were moving here?”
“Of course. I planned on seeing you no matter where I lived...I prepared for you to come into focus and the rest of my world to blur.” He sighs and she can hear his mattress settle as he moves. “I didn’t plan on seeing you in my library again.”
“Where else would I get inspiration. You’re my muse.”
They talk til 4am. She’s rethought every word she’s said these last seven months. She rarely moves without tension tugging at the back of her neck. Her thoughts are never clear and simple, not since she left. And here, in the darkness of her bedroom, with nothing but a familiar voice on the other end, she hasn’t second-guessed a word.
-/- She’s not sure if she should call it a date. He invites her to a scholarship meeting and sure, they’re dressed up, but because it's a business meeting. He talks to the team, Belle is in attendance, and she barely says a word.
But he asks her out for drinks afterward and suddenly she’s all he’s focused on, laughing about old times, discussing the interesting twist in literature they’ve both read recently. She asks him if he’s written any songs and he beams brightly when he tells her ‘only recently, Love.’
Sometimes love is familiar, like a book you’ve read a dozen times. There’s comfort in knowing everything and loving it anyway.
-/-
“Are you dating him?” Belle watches her from the doorway as Killian moves down the hall to his meeting. They came to the office together this time, maybe a peck on the cheek occurred before his departure, and maybe Belle witnessed it.
“I don’t know.” Emma tries not to think logistically about what’s going on. It’s been 4 weeks, she’s written 8 chapters and Aly is about to find Atlas again. “For the first time since I started, I know how book 4 will end.”
They go over the recent chapters and Belle seems subtly impressed but she’s holding back. Emma knows it's Killian-related. She just knows she can’t pry without being pried open in return.
“You don’t like it?”
“No, it's beautiful. From tragedy to triumph is the Captain Zephyr way.” Belle hands the work back to Emma with a sad smile. “What makes it different this time? True love always finds its way back to one another, but how do we know they won’t split up again?” Emma knows this isn’t about the novel. They haven’t yet gotten back together to split up.
Does she know they’ll never separate again? Of course not. Killian is dedicated, devoted like a priest to the cloth. She is very aware that his heart is not yet healed, but eager to love her all over again. A few dates and late-night phone calls don’t make forever a promise anyone could keep.
“We don’t.”
-/- He’s walking her home after another fun night at a bar near her apartment. They’ve been casually seeing each other but nothing more than a kiss on the cheek or a hug goodnight has occurred. They get to her building in record time, too preoccupied by the conversation on who in Hollywood would make a handsome Captain Zeph. “Johnny Depp doesn’t have blue eyes.” Emma laughs. “You can’t just pick the most popular actors, and he’s already a pirate in another franchise.” They’re at the doors of her building and his eyes are boring into her. “Do you want to come up?”
And maybe it's because they haven’t had a real kiss in what’s very close to being a year now, but he seems almost nervous.
“I’m afraid I miss you too much.” he scratches behind his ear and looks down the road. When he looks back at her he seems shy.
“Chris Wood,” she comments. She liked him on Supergirl. “Come upstairs.”
It's the look on his face when he studies her apartment that makes her remember they broke up. As if she had forgotten months of trying to hold herself together, he reminds her that she broke him when his face floods with that loneliness.
“Killian...”
“This is a very nice place you have.” his eyes are darting from one corner to the next, lingering on the most significant differences. “So ‘New York’ it's almost as if you’ve never lived anywhere else.”
“Your apartment isn’t ‘New York?’” it's so weird that they’ve never seen each other's place when they’ve seen each other's souls.
“It’s just a place to lay my head.” He glances back at her with something almost accusatory when he says “You’ve gone ahead and made yourself a home.” And it has never felt like that, not once, when she was hiding away, when she would run home to it.
This place, this city has always been a foster home she feels like she’ll get kicked out of if she gets too comfortable. It wasn’t like their home together. Their home felt like roots. Here she feels like an implant that won’t take to the soil.
“The designer furnishings don’t mean shit to me.” Emma moves to the bookshelf, all new and shiny but it's just a box to keep what matters most. “Only what I’ve come here with is all I care to take. She pulls out a few books, “Wuthering Heights,” “The Book Thief,” and “Emma.” She hands them to him knowing they were always his.
“I wanted you to keep them.” He starts to give them back when she waves her hand.
“What do you need to not resent this place? To know I have everything you left tucked away in all these new places?” she motions for him to follow her to the bedroom and he slowly drifts behind, setting the novels on the coffee table. Her bed is covered in pillows dressed in his t-shirts instead of pillowcases. She keeps his cologne on the bedside table as if it were some expensive aromatherapy pillow spray. The blanket Granny from the local diner in Storybrooke made them lay at the foot of the bed, an anchor crocheted into the loops.
“I only drink whiskey you like. I only sleep in your t-shirts.” she sits on her bed, reaching for his hand to pull him down with her. “I don’t know what we are, and I can’t promise you I’m not a tragedy waiting to happen. I just know that I haven’t been able to erase an inch of you.”
He kisses her then. It's not on her terms, and he has only ever waited for everything to be on her terms. So when he pulls her in, hand cupping the back of her head, mouth open and adventurous, she gasps.
His other arm wraps around her waist, pulling her closer to him, her hands pressed flat against his chest as his tongue enters her mouth with desperation. She fists his shirt in her hands, pressing even closer to him as her tongue reacts in kind. It has been the longest year without him and he’s kissing her like they’re running out of time.
All at once they’re falling as he lays her down on her back, continuing to claim her mouth as his property. Her hands start moving, tugging and fumbling with buttons and zippers and just much too much fabric for her liking. When she moves for his briefs he tugs back from her lips.
“Is this what you want?” Her response is to slip her dress over her head. Any questions to follow are puffed out in a husky tone against her ear.
Sometimes love is erotica, so she catalogs every second of it because nothing has ever happened quite like this before.
-/-
They spend the next few months together and she bangs out the rest of the book in record time. Regina and Belle throw her a submission party. She dodges questions about their future and tries to focus on the book.
“So Aly and Atlas together again,” Robin questions her as Killian returns with a drink for the both of them. She knows he’s not talking about the story. Killian has been very careful to not assume much about their status. Both of them have just stuck to ‘seeing where it goes.’
But it's not like they just met six months ago. They have history, they have four years of standing together at parties and being a couple. Do they have the luxury of casually dating? If all happiness is fleeting, do they dive face-first in it or wade in the shallow end.
“I love Killian.” She says firmly. It’s never not been true from the moment she realized it, in a foreign library miles and miles away from home. He is not easily erased, and it has become glaringly obvious it will only destroy her to try. “I always have and I always will.” Killian’s eyes have never been so doe-like. She’s never been so bold.
“I…” Robin’s face flushes, certainly not expecting her to speak so proudly.
“And I love Emma, if it isn’t ardently clear. She’s everything to me and I’m happy just to exist in her life.” He raises his whiskey to her and she follows suit like a gentlemen’s agreement has just been formed: To love one another without concern of what it means. As she takes a sip she realizes what everything means. He hasn’t pushed aside his dreams in the slightest this go around. He’s been focused and driven, ambitious and busy. Somehow, he’s still considering her ‘everything.’ Maybe what she thought was sacrifice all that time ago was really just love.
So they stay in love.
-/-
Another year goes by and the first film is set to release. Although Emma and Killian still pay rent at their separate apartments, they spend every night together. Sometimes it's downtown in Killian’s studio, and other nights it's in the heart of the city at Emma’s. Commitment isn’t measured by who gave what up. It has shifted to who stays. They both do, and every day they make the decision to stay, when it's 5 months since Killian has slept alone or 10 months since Emma had dinner without him. They stay together with one promise in mind. They love each other. And for as long as Love is Present, they will choose each other.
Love is History
“Art imitates Life right?” Belle closes the folder encasing a rough draft of her first few chapters. 
“All good things come to an end.” Emma shrugs as if the concept of him being just a ‘good’ thing ending doesn’t devastate her. He was the best thing. 
She thought she’d never write their break up. 
“What’s the history?” Belle squints her eyes, nose crinkling as she watches Emma. Belle has been Emma’s ‘Editor’ since college. Now more official. She gets a paycheck, as Emma gets advances from a publishing company that started as a small mom and pop establishment. In the last four years, this little wagon wheel of a company is now a fleet of office buildings all over the US. 
“You read book 3: ���Wind’s Ally”” Emma leans back in her chair, studying Belle right back. “You know their history.”
Belle keeps her eyes on Emma, relaxing the tension in her face and suppressing a smirk. They’re at a bit of a stalemate here because Emma isn’t sure what more info is needed and Belle isn’t sharing her thoughts at the moment. 
“Emma, I knew their history. They finished book 3 in a ‘happily ever after’ kind of way. What underlying issues could have brought them to this point? Why did Alysandra leave?” Emma considers the question. Why did she decide to destroy the happiest relationship she’s ever written? Why would a character who fell madly in love just change their mind? “Maybe, ask yourself why you left.”  
-/- 
The sun is setting over the Manhattan skyline when she gets back to her apartment. She doesn’t know where she went after the meeting but her mind just got back to the present and she’s pissed. 
Emma flings her keys across the kitchen island, kicking her heels off in a huff before stomping over to her bar cart. She pours his favorite whiskey into the anchor-etched old fashion glasses he got her one Christmas. 
“History is a stupid word” she grunts to no one but a tilted glass, muffling the sound as the amber liquid meets her lips a second after. She’s taken up talking to herself these last few months. The first four were spent crying and avoiding her reflection. The loneliness finally set in one night and she made herself her own best friend. So she asks her best friend ‘why did you do it?’ as she feels the tension in her shoulder blades ease. Why? Why did Emma Swan leave Killian Jones seven months ago?
“Wouldn’t we all like to know?”
 -/-
The nightmares finally stopped and she no longer wakes with a startle when she finds her bed bare of him. Its been 216 days. She’s cried herself to sleep at least 180. She’s been broken before, boys have left in more ways than one, and she has managed to wake up one day finding herself less damaged than all the others. Today might be that day for the Killian Jones saga. 
Today is they announced the upcoming film and casting begins in a few weeks. She knows she needs to finish this novel, but she hasn’t finished much. She barely finishes lunch on most days, barely finishes a thought that isn’t dripping in Killian. It’s been seven months and he is everywhere, in everything. She thought progress was a slowly-operated escalator but she was finally on her way.
And then the congratulation calls come through. Text after text, email, voicemail and she’s sure in a week or two, she’ll get a card from Mary Margaret. She sorts through them looking for something she’ll never find and she has to rewind. 
She left him. It wasn’t mutual and it wasn’t obvious. He had no clue. All the calls and texts he was going to send her were sent months ago when he was breaking down in voicemails and begging her to just tell him she was okay. 
Congratulations, Emma, you saved him...from ever having to care about you again.
-/-
She doesn’t leave the apartment again until the 245th day. It is easy to stay inside with the modern advances in technology. People will bring literally anything to your front door. Except, maybe inspiration. That she has to go out and find. 
She finds herself in Harlem. The Harlem Public Library. She has to get back to her roots. Sure, this isn’t Storybrooke, and no, she’ll probably never meet a pair of eyes as blue coconut as...but her work needs her to find a way to write.
She thinks of his face. 
Three hours pass and all she has in a google doc is ‘why?’
-/-
Despite the first failure to launch, she finds she quite likes that library. She’s giving herself a pep talk this time, before she finds herself staring at a blank screen wondering why again. 
“I left because I had to.” She looks at her reflection in her bathroom mirror. That’s the only statement she’s made to anyone, herself included. When her friends, her agent, her editor, and her heart ask, she tells them she had to. 
She makes her way through her apartment, recounting the moments, hours, days leading up to it. There are very few things her mind makes enough sense to share. Everything else is so convoluted, so tangled up in self-loathing and years of agonizing loneliness, the average person wouldn’t get it. Some days, as she’s matured and healed, she finds even she has trouble understanding it.
There’s not a day that goes by she doesn’t spend half of it feeling nothing but regret. That’s the healthy part of her, the well-adjusted adult who grew from the little lost girl. She’s sane enough to know she threw away the best relationship she’s ever had. She’s sane enough to know she saved him from future hardships with her. 
The sound of the empire striking back stirs her from her thoughts. Regina gets the Darth Vader theme as a ringtone so Emma never forgets who really owns her career. 
“Hey,” Emma answers as she reaches her apartment door.
“Nice of you to finally answer your phone.” She can hear the glare in Regina’s voice. “You know you pay me to do this right? Not the other way around. Get your money’s worth, why don’t you.” Emma rolls her eyes as she packs her laptop in her messenger bag.
Regina Mills is a fierce woman, as charming as she is aggressive. She can pretty much get anyone to do anything she wants. Emma doesn’t practice in the ways of the force, but she’s certain Regina knows a Jedi mind trick or two, and as her agent, that comes in handy. 
What doesn’t come in handy is her tie to Killian. Regina’s husband Robin happens to be Killian’s cousin. Emma avoided Regina’s calls for months after the break-up, afraid she’ll have to answer the same question she’s been asking herself all afternoon. Once she finally started accepting calls again, it seemed Regina had moved on to bigger and better things: A movie deal. 
“Right” she sighs. “What’s my money bringing me today?” 
“This isn’t money related, so much as a word of warning.” Regina’s tone doesn’t seem as sass-filled as before, so it’s clear she’s not the one wielding the threat. She actually sounds a bit sympathetic. “Belle and I pulled straws to see who got to break this to you, and I, unfortunately, pulled short this time around.”
“There’s a point here.” Emma urges, feeling ill-fated all of a sudden. 
“Killian just moved to NYC.” Like ripping off a band-aid. Emma braces herself for pain, but is met with an absence of feeling altogether. Her knees buckle and she finds purchase against her kitchen island. “Emma?”
“When?” She whispers.
“Just a couple of weeks. He took a job with the NYC public libraries, he’s actually doing really well and has just approached Belle with an idea to get the youth excited about writing. There’s a chance you’ll run into him at the office, so I just...we both thought a heads up was necessary.” 
“Which library?” because Fate is a nosy bitch and has no business showing up and guiding her to the man she ran from.
“Emma?”
“Which library”
“I think...if I recall correctly, his home base is in  Harlem.”
“I’ll call you back.” 
-/-
She thought about leaving the country. At the very least, the state. She is overwhelmed, without a question just so damn overwhelmed. She has gotten so used to tears these days, she’s a little shocked she didn’t cry the minute she heard his name. 
Her body had other ideas, because although she definitely meant to get on a train going the opposite direction, she found herself in Harlem 25 minutes later. 
She sits in the middle of the library at an open table, clickity clacking as loudly as she can. Part of her really believes that maybe if she saw him, she’d remember why she left.
Another part is certain that masochism is her new favorite hobby.
He never appears.
-/-
“Hey” Emma answers her phone going off for the eighth time today. 
“Emma?” Belle sounds more relieved than usual. “Where have you been, I’ve been calling non-stop since 3.” Emma rolls her neck to view the time on the DVR. 
7:45 pm
“Sorry, I’ve been reading all day.” she hasn’t talked to anyone for another two weeks. She does this far too often to still have a support system. Emma’s not sure she’d pour the same amount of effort into anyone who went radio silent every other week. 
“We had a meeting at 2:30.” 
“Sorry.” She shrugs, because honestly, nothing even matters.
“I’m coming over,” Belle says decidedly. 
“No, Belle, you don’t have to do that.” Emma regrets answering on the eighth attempt. “Let’s reschedule.”
“We just did, I’ll see you in thirty minutes. Open the door.” Sure, she’s a small, sweet, meek-looking woman, but what most people don’t know about Belle is she could slay dragons with pure determination alone. In a battle of wills, she's even got Regina beat.
Emma peels herself off the sofa for the first time since noon, snuggie falling to the floor as she heads for the shower. If Bella can make the journey to her apartment, Emma can at least shower. Sure enough, 30 minutes later she’s greeting Belle at the door, a pizza in hand. 
“Are you okay?” She sets the pizza on the kitchen island and wraps Emma in a hug. Emma tries to pull her head far enough to keep her hair from wetting Belle. 
“Yeah, just...the creative process. Ya know.” Emma trails off as the hug ends. Of course, she’s not okay. ‘Okay’ people don’t stop answering their phones for weeks, they don’t stare at blank pages until their vision blurs. They don’t behave this way. This was her first shower in days. 
“He was in the office yesterday,” Belle says after a long silence, just a full 3 minutes of her studying Emma from head to toe. Do her eyes just scream ‘Killian’ every time someone looks at her. “He said he called to congratulate you on the screenplay adaptation.”
“No, he didn’t.” She’s quick to dismiss. She scoured her missed calls for days looking for his name, he never called. 
“How would you know, you never answer your phone, Emma.” She sits on a counter stool, tugging Emma to join her. “He’s going to be in every day next week, and I think…”
“No.” Emma cuts her off. 
“Let me finish.” Belle opens the pizza box, sliding it toward Emma. “I think you should take a vacation. Get out of the city for a while, maybe visit Storybrooke, since you know he’s not there to run into.” Emma grabs a slice of pizza, not sure when she last ate but too preoccupied with the idea of leaving the city for a while. She ran to NYC. Now she’s running back to Storybrooke. Is he just going to chase her back and forth? 
“Did he say anything else about me?” she hates the desperation gnawing at her.
“He asked me why…” Belle sighs “I told him we’ll all find out in book four.”
-/-
God only knows what compelled her to do the exact opposite of what Belle suggested and show up at the publisher’s office. Probably the same thing that led her to the Harlem library a few weeks ago. She bought a new outfit. She realizes she’s barely even worn jeans over the last eight months, and now she’s in a dress and heels like she has an interview to work here. She’s wearing makeup and perfume. She’s trying her best to cover up and signs of the wreck she’s been for months. 
The office seems busier than it has ever been, many new, young faces bustling about. She keeps her features calm as she scans every inch of every room she enters for him. 
“Emma?” Belle is hurried as she crosses the main floor to meet her. “What are you doing here?”
“I know.” Emma returns the hushed tone Belle is using. “I reworked some chapters, delayed the breakup, and gave more of Aly’s history.” and Belle nods, but is evidently not listening.
“He’s here.” Belle looks almost frightened. “So if you want to reconsider, I would do it now. Otherwise…”
“Swan?” no one calls her Swan. She’s paralyzed. What did she think was going to happen? How did she think she was going to react? When she paced around her apartment for three hours this morning, did she think she was going to just be okay? He would be here, he would see her and suddenly everything would be okay? “Emma…” He tries softer, less shocked, more timid. 
This is the moment. In every love story, angst finds its way in, rips the reader’s heart out and although they’ve been bleeding for chapters now, they can feel nothing at this moment. Time is still, the lights are dim, and all we see is Emma and him. 
He looks like himself, just more professional. He’s in well-fitted gray slacks, a navy dress shirt, his hair is longer though. He’s got more scruff on his neck than normal. His eyes are too blue, truly, for anyone to notice another inch of him. They stare at her, the same shade that’s been haunting her dreams, and she still struggles to define it. Everything. They’ve always been everything, no matter if it’s more cotton candy than blue coconut. 
“Killian.” She swallows. Her throat makes this awkward gurgling sound and she wants to melt into the floor. Why is she here?
It’s suddenly so quiet but so loud. She can hear her heart hammering in her eardrums. No one says anything for a long stretch of time, maybe 2 seconds, maybe 3 hours, she can’t be sure. She just knows there is so much said in the silence. 
“How are you?” She asks without thought. The look on his face is devastating. 
“Sorry?” He mocks a laugh. “How am I?” 
She’s not completely delusional. This is a thing humans say to one another, no? Why does it feel so foreign all at once, like she’s attempting English for the first time with a local?
“Killian” she sighs, releasing the most dizzying breath.
“I’m good” he grits, suddenly covered in constrained anger. “And you?” 
And now they are strangers, all dressed up and nothing to talk about. 
“Me?” Her tongue drags along her lower lip to buy time. “Good.” She nods.
“I’m just pleased everyone is good.” Belle smiles sweetly. “Now, Killian and I have a brief meeting, and afterward, if you’re still available, we can go over your rewrite.”
An exit strategy. This is quite possibly the only thing she could have hoped for.
“Swan was a bright young writer once” Killian grins, wickedly. “Why don’t you attend the meeting. We’re talking about a youth writing program.” He’s obviously bating her. How dare she show up on a day he’s here and act like she didn’t destroy him…
“Sure” she agrees. Partly because she’s too stubborn to back down from a challenge, and mainly because she did destroy him and there’s that whole thing about masochism she recently discovered about herself.
Belle looks beside herself. Her eyes narrow and she puffs her chest for a moment before leading them to a meeting space. Two more individuals join them, laptops ready to jot down notes and ideas. Her meetings are only ever with Belle so, for Emma, this seems like red carpet treatment. 
He has amazing ideas. He loves the idea of bringing an artistic outlet to the children of Harlem. He was always so much more than a shelfer. He was always a dreamer, with these brilliant, compassionate ideas for helping everyone feel less alone, more encouraged. 
She was always a fence, holding him back from the best parts of himself.
-/-
When the meeting concludes, Belle graciously thanks Killian for coming, makes promises of action, and attempts to say goodbye. 
Killian, as good-natured and kind as he can be, has always had a persistently obnoxious side. He invites himself to the next meeting.
“This is only fair, Swan.” he smiles, though his eyes are full of darkness. 
They regroup in Belle’s office after a bathroom break. 
As much as Emma is dying on the inside, Belle looks absolutely disturbed by this. She can’t imagine the discomfort in being the third wheel of a breakup reunion. 
“So...when we uh, when we left off, you were telling me why they broke up.” Belle sighs, knowing how awful this is. Emma smiles, hoping it lets her off the hook a little. After all, Belle told her to leave town. Emma decided to torture herself.
“Right.” Emma takes a large breath in, holding it while she pulls out her folder. Only releasing once its in Belle’s hands. Killian is studying her like he has a Chemistry final to take tomorrow and she’s the only hope. “Alysandra left Atlas for his…” She’s said it to herself. She’s made hints to others, but Killian has never had a clue. “For his own good. She’s derailed him from his journey. She’s made him less of a pirate, more of a…”
“More of a what?” Killian’s breath is sharp as it floods in through his nose and out through his mouth. “What did she do to him?”
“She reduced him to a caregiver,” Belle answers from what’s written in the text. “Alysandra took over the journey of discovery. She was suddenly the main character.” Belle looks up at Emma with a look she’d only be able to classify as “delayed understanding.”
“In a story about Atlas, Aly becomes the focus. Everything he does, he does for her.” Emma can feel herself losing composure, eyes stinging with tears, throat drier than a desert. Somehow, someway, she finds her way to Killian’s eyes. “He wasn’t living for himself anymore. He had no purpose but to love her. And it was destroying everything.”
She’s not sure if it’s understanding she expects, or maybe gratitude, for saving him from the needy monster that she is. She knows neither is what she received. 
“Did you ask Atlas, perhaps… perhaps that’s what made him happiest?” Killian’s eyes are drilling into her like nails, pinning her against a wall. 
She is less. 
Speechless, motionless, hopeless…
Less sure she did the right thing. Less firm on her decision. Just so much less than she was the day before. 
There’s movement after a long pause, not by her, but Belle, gently setting the files down and moving to leave them alone. 
“Aly is an orphan” Emma explains and she can see his head start to shake, but she has to be firm. “Listen. She is not the strong-willed, rebel without a cause she pretends to be. Some days the sadness from being alone for so long stunts her. She spends hours upon hours laying awake wishing she could sleep forever. She can be a wreck, a mess, an impossible woman to love.” 
Does it make it easier to talk about herself as if she’s someone else? She’s been doing it for so long, all the catharsis from writing herself into stories, just to unpack the things that plague her? Maybe she can have sympathy for anyone but her, maybe its the only way she can recognize how her behavior impacts others. Maybe the book is why she left in the first place. 
“You make it impossible to love you, Emma.” She’s never seen his jaw trembling like this before. “And against all odds, through resilience and patience, I’ve found a way to do the bloody impossible. You can cover it up in characters you’ve based off of us, but this isn’t fiction. I was real. What we had...what we had was real. It wasn’t easy, but when you finally let me in, it was simple. We were happy.”
“You were happy?” She brushes tears from her cheeks as she shakes her head in disagreement. “Was it simple? To come home and find I hadn’t moved from my spot on the couch? Was that the ideal relationship you dreamt of, to see all of your energy, love, and time wasted on someone who couldn’t get themselves off the couch?”
“So you got yourself off the couch now.” Killian stands, eyes frantically scanning Emma from head to toe. “Well done, it only took the motivation of ending a relationship to do it.”
“I did it for you.” and she believes that, with everything in her, she left for his own good.
“Did you now?” He seems so out of breath for standing still. “Or could you have possibly woken up one day and realized the weight of a relationship was what was pinning you to the couch. Was it that Atlas cared for Aly too much, or was it the expectation that Aly would have cared for him in return? Was breaking my heart easier than just trusting me with yours?”
And all at once in the middle of the ocean, she can see Aly waking up all alone in the captain’s quarters, searching the whole damn ship for a man who did what the men she loves always do. 
“Maybe there were days you thought I was miserable” he kneels before her as the ocean finds its way to this office. His eyes are ocean blue, always changing hues depending on if the sun is shining, or a storm is brewing or they’re in the deep. “But you weren’t afraid I’d die that way, always miserable, no...some part of you thought I’d leave before I let that happen. That’s the orphan I loved. You were never a mess. You were a survivalist.”
So maybe that’s their story. Aly watched Atlas change his life for her, and realized he’s going to live to regret it. Did the last seven months hurt less because it was her choice? If he would have pulled the trigger, would the bullet do that much more damage?
“I would have died miserable.” 
-/-
The history she’s writing is hers and hers alone. When she was younger, when her heart was stolen and broken, when she always ended up alone. She was writing an escape plan.
This was the first time she was the one who left, and to quell the guilt of being her own worst nightmare, she forced herself to believe she was doing it for him. How many people have left her for her own good? How many times did she think that they were doing her a favor?
She’s been sitting motionless for who knows how long when Belle comes back. Killian is long gone but his words linger like those dizzy stars after a concussion. Her head is throbbing trying to make sense of it. This wasn’t just seven months spent believing the lie. Now she’s searching for the truth. 
She gets anxious in monotony, like a stench in stagnant water, she is repulsed by the concept. She’s never wanted to do the same thing every day. She doesn’t want a picket fence, she wants…She does like a cute cottagey feel with a nice picket fence, she could…she could deal with a picket fence.
She definitely does not want a husband though, or to be barefoot and pregnant, or…
There were times, she’d look at him fresh out of the shower, or in his sleep and he’d look so much younger, she’d wonder what their kids would look like. There have been times she’s searched her fingers as they moved across her keyboard and realized her ring finger would look nice with a natural stone set in some brass band. It was never anything he did that scared her. It was that she thought about more. The concept of more scared her, and the fact that she was greedy and foolish enough to want it.
Four years is a long time to not talk about marriage, but after they moved past her initial anxiety attacks over having a boyfriend, he never really pushed for much again. Moving in together was her idea. He kept enough stuff at her place and with Elsa moving abroad, it made sense to do it. That’s as far as she was going to take it. Another few years piled up and she was busy writing and he was busy being supportive of that, she recognized she was his sun. When he made sure she ate during the weeks she barely left the house, when he kept her house plants alive, when he did her laundry, reminded her to shower, and told her he’s proud of her too often to quantify, she knew she was his ship. An inanimate object, something someone can love so much and not receive the love back in return, and sure, he’s as silly as a pirate to believe a ship that holds itself together while he’s sailing on her loves him, and that’s just her role.
Hold yourself together Emma, that’s always been your role.
She started to get bitter and insecure. What is she contributing to this relationship? How is she making him any better? Has he even written many songs since they moved in together, has she gone to see him perform, has he performed? Some days she was so enthralled in her writing, she didn’t realize he wasn’t home all day. It was his day off and he was gone for longer than a workday. He could have been having an affair for all she knew. For all he did, he deserved to be having an affair, falling in love with someone who would be there for him, encouraging his dreams, and dedicating herself to him.
After that day, she started her drafts. Killian, you’re so much more than I deserved…Or Killian, your life paused the day you met me. And finally, after months, she left him with I need this to be over.
She’s a writer, a published author, an English major and an avid reader yet, through years and years of literature and just terrible romcoms, she never learned how to break up with someone. She never knew the words to say to him, so she said nothing. He called for three-five days, she’s not sure as she was in a sobbing-induced coma.  He sent texts, he sent freaking carrier pigeons, and she locked herself in a hotel room with her laptop and her broken heart.
Finally, an email came in.
Emma,
I’ve moved out. Everything I’ve left is yours…among the worn t-shirts you liked to sleep in and the novels we’ve collected over the years is my heart.
Goodbye Love.
“Emma,” Belle brings her back to the present after a very long, painful trip into her past. “Are you okay?”
Why is that word even used to describe how ‘good’ something or someone is? 
“No.” She glances over at Belle, she thinks to ask if she talked to him in the hall after he left, if he said anything, if he seemed ‘Okay’ himself but she settles back to a business mindset. Work is the only constant. “Aly left because she didn’t want to get left again.” 
“And that’s how it ends?” Belle hands her the folder back. “You can do better.”
-/-
“The concept of fiction isn’t a lack of reality, it just hasn’t happened exactly that way yet.” 
She hears his voice cascading down the ramp she’s sitting at the bottom of. It's been a week since Belle’s meeting and she made her way back to the library. Back to their roots. There’s so much history in this building, but the history she’s looking for lives within her. There’s a group of teenagers huddled together like they’re on a tour. Her fingers shake as she looks back down at her laptop. 
“Don’t be afraid to use your own daily vernacular. It’s just as likely as any well-researched, powered by thesaurus dialogue, but it will come to you much more easily. That’s your voice.”
His voice sounds increasingly close. She wants to look but if they lock eyes now, while he’s busy, she’s back to being the center of attention. Why did she come here? Does she want to get back to being the center of his attention? 
“Swan?” her stomach flips violently. She really didn’t think this through. Her neck trembles as she cranes to look up at him. “Hi.” He clears his throat, the group of teenagers studying them closely from behind him.
“Hi” she breathes. “Uhm…”
“Do you want to meet my junior author group?” He cuts in quickly.
“Hi.” She repeats, only this time her eyes travel across the young faces. “I’m Emma.”
 “Emma Swan?” A young girl in the back pipes up. “You write Cap Zeph.” ‘Cap Zeph’ is a very popular Tumblr tag, Emma’s been told. She is now a mild-day D list celebrity with the news of the screenplay adaptation. She never published under her real name until this one, Killian’s idea.
“That I do.” Emma feigns a smile.
“Emma Swan” Killian begins, chest swelling “came up with the idea in a small town library.” 
“Really?” another girl with wavy blonde hair tumbling around her shoulders asks.
“Yes, and Killian Jones worked there. He’s…evidently the inspiration. Hair as dark as night, eyes as blue as the sea he sails upon.”  Every girl and one boy in the group glance at Killian, amorously. Still handsome as ever. He looks down, scratching behind his ear and chuckling dryly.  She wonders if his throat burns the same way her eyes do or if this feels so natural he’s happy to fall back into it.
“Why don’t you all find some books to research personal voice from in the YA section, hmm?” He dismisses the group quickly. They share assuming glances and move to leave in pairs, surely gossiping on the way. 
Being alone again is terrifying. She doesn’t know what she’s doing here. Why does she always go looking for him? What does she want? How can they come out of this okay? What is okay? 
“What brings you?” Killian starts. He isn’t looking anywhere but her and the look in his eyes leaves frost on her flesh. His expression is so blank. She has no idea if he even wants her here after their last conversation.
“I was just looking for inspiration.” He nods.
“There are study rooms.” He adds, motioning in the direction she may find them. “My office is actually at a different location, or I’d…suggest…”
“Do you hate me?” it comes out without warning.
“No.” He winces. She’s not sure if it’s because he’s lying or because he wishes he were lying.
“Why not?” She asks. He flinches.
“Christ, Swan. Stop it.” He grabs a seat across from her at the small bistro-style table she’s been working on. She closes her laptop to remove barriers between them. “I hated myself for a while. I thought maybe I should have never lost sight of who you were. You’ve always been guarded. I thought I had broken down some of your walls. I should have never assumed I tore them all down.”
This voice within her tells her that it's no man’s job to do the work for her. Her walls are her own to remove. 
“What about your walls?” Emma counters. She didn’t come for an argument, but Killian had trauma, he was damaged in theory, but always presented himself as such a well-adjusted, forgiving, kind, loving man. “Maybe you had to go brick by brick, but you knew they were there. I just watched you for years never act like anything troubled you.”
He laughs, loudly. 
She’s startled more that she laughs in return than questions it. 
“Emma, my love...of course I was troubled. I still am. I drink far too much and try to solve all of my problems myself without anyone’s help.” He’s still smiling as he confesses.”Hell, I didn’t tell anyone we broke up for months and it wasn’t because I thought you were coming back. I just knew I wasn’t going to let anyone worry about me.”
“You’re not troubled” she shakes her head but thinks back to every time he came home frustrated and sealed himself up before she could get a good glimpse of it. “Are you?”
“I spent an entire day at the marina grieving my dead brother, over a decade after losing him. Every time I went to leave and come home to you, I’d get upset again. I used to stay away until I could pull myself together.” His smile slips into something dark and Emma realizes all the ways they failed at communicating. “I loved you just enough to only show you my best parts. I never trusted our love enough to show you everything. And it’s not because you were sad every now and then.”
And she sees the orphan in him the moment she realizes being left behind were his worst fears, too.
“You thought I’d leave…”
“I think the term is ‘best-laid plans.’” His smile is back “Convince an author to fall in love with you, live forever. Only, with my luck, I get to read my heart get broken in the exact same way whenever I’d like. I was looking forward to your book, knowing I’d get to see us in love again.”
She considers the part about him looking forward to her book.
“It’s as much my book as yours.” She means that. When she first wrote the Cap Zeph short stories, she had no plan of publishing. Killian pushed for her to immortalize this, to believe in herself and sell it. When the first went well, he convinced her to meet with Regina. “I mean, you are the entire series, after all.” He shakes his head and sighs. 
She doesn’t have a response and the seconds tick by. It only takes a few before they reach an awkward silence where one person makes an excuse to leave. And then when do they see each other again?
“I should get back to my writers.” He moves to stand and she wants to jump up, but she doesn’t know what words follow that. She writes fiction. It's why this book has been so damn difficult. Writing their personalities into a fantasy of pirates and fairies, that's one thing. Writing history is another. She can build on what has already happened. This in-the-moment dichotomy, will they? Won’t they? Can they make it work? It’s disturbing. 
He’s the quick thinker. Always a come-back, a pun, a literary quote…
“The only thing worse than a boy who hates you…” She opens her laptop nonchalantly, as if it won’t wound her for him to leave. “...a boy who loves you.”
Among the many novels they shared, “The Book Thief” was one of Killian’s most treasured. 
He stares at her with wonder glazing his face. “If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter.”
Maybe she’d burn every book in this library, for a chance to experience falling in love with Killian all over again, as if it weren’t a moment in history. 
The screenplay would read ‘They share a look of longing’ and she’s not sure that’s how she’d describe it. ‘Longing’ seems more cliche and not nearly as descriptive as her quickening pulse would use.
This feels like a pivotal moment where she realizes that they don’t necessarily have to not be in love anymore. They could take a slow pace, like windchimes waiting for a breeze to bring them together. That’s all a Zephyr is.
“My number hasn’t changed.” 
-/-
His number has. She gets a text around 1am. 
Are you up?
It's odd, because Killian isn’t a booty-call kind of guy, but who knows what a breakup can do to a man. 
I rarely sleep before 2. Her phone rings moments later.
“Hello?” her tone sounds like a question, but she knows it’s him.
“Swan, it’s Killian.” 
“Yes, Grandpa, I’m aware.” She can’t help but chuckle. Almost too elated that he’s on the other end. She can hear him laugh on the other end.
“Do you remember the first time we started speaking on the phone? You wouldn’t give me your number until maybe the 18th date.” She didn’t trust herself then. They took things so slowly.
“You know I like a clean getaway.” Is it too soon to joke about always having one foot out the door? 
“What's the escape plan this time?”  
“Probably the West Coast since you chased me here”
“I did not!” His laugh is vibrating against her ribs, setting the tempo for her heart. 
Could it be easy all over again? One quote and he’s calling her? One call and they go see a movie? One date and…
And thinking about the end is how she got there, isn’t it? 
“Did you plan on seeing me again? Knowing you were moving here?”
“Of course. I planned on seeing you no matter where I lived...I prepared for you to come into focus and the rest of my world to blur.” He sighs and she can hear his mattress settle as he moves. “I didn’t plan on seeing you in my library again.”
“Where else would I get inspiration. You’re my muse.” 
They talk til 4am. She’s rethought every word she’s said these last seven months. She rarely moves without tension tugging at the back of her neck. Her thoughts are never clear and simple, not since she left. And here, in the darkness of her bedroom, with nothing but a familiar voice on the other end, she hasn’t second-guessed a word. 
-/-
She’s not sure if she should call it a date. He invites her to a scholarship meeting and sure, they’re dressed up, but because it's a business meeting. He talks to the team, Belle is in attendance, and she barely says a word. 
But he asks her out for drinks afterward and suddenly she’s all he’s focused on, laughing about old times, discussing the interesting twist in literature they’ve both read recently. She asks him if he’s written any songs and he beams brightly when he tells her ‘only recently, Love.’
Sometimes love is familiar, like a book you’ve read a dozen times. There’s comfort in knowing everything and loving it anyway.
-/-
“Are you dating him?” Belle watches her from the doorway as Killian moves down the hall to his meeting. They came to the office together this time, maybe a peck on the cheek occurred before his departure, and maybe Belle witnessed it. 
“I don’t know.” Emma tries not to think logistically about what’s going on. It’s been 4 weeks, she’s written 8 chapters and Aly is about to find Atlas again. “For the first time since I started, I know how book 4 will end.”
They go over the recent chapters and Belle seems subtly impressed but she’s holding back. Emma knows it's Killian-related. She just knows she can’t pry without being pried open in return. 
“You don’t like it?”
“No, it's beautiful. From tragedy to triumph is the Captain Zephyr way.” Belle hands the work back to Emma with a sad smile. “What makes it different this time? True love always finds its way back to one another, but how do we know they won’t split up again?” Emma knows this isn’t about the novel. They haven’t yet gotten back together to split up.
Does she know they’ll never separate again? Of course not. Killian is dedicated, devoted like a priest to the cloth. She is very aware that his heart is not yet healed, but eager to love her all over again. A few dates and late-night phone calls don’t make forever a promise anyone could keep.
“We don’t.” 
-/-
He’s walking her home after another fun night at a bar near her apartment. They’ve been casually seeing each other but nothing more than a kiss on the cheek or a hug goodnight has occurred. They get to her building in record time, too preoccupied by the conversation on who in Hollywood would make a handsome Captain Zeph. 
“Johnny Depp doesn’t have blue eyes.” Emma laughs. “You can’t just pick the most popular actors, and he’s already a pirate in another franchise.” They’re at the doors of her building and his eyes are boring into her. “Do you want to come up?”
And maybe it's because they haven’t had a real kiss in what’s very close to being a year now, but he seems almost nervous. 
“I’m afraid I miss you too much.” he scratches behind his ear and looks down the road. When he looks back at her he seems shy.
“Chris Wood,” she comments. She liked him on Supergirl. “Come upstairs.” 
It's the look on his face when he studies her apartment that makes her remember they broke up. As if she had forgotten months of trying to hold herself together, he reminds her that she broke him when his face floods with that loneliness. 
“Killian...” 
“This is a very nice place you have.” his eyes are darting from one corner to the next, lingering on the most significant differences. “So ‘New York’ it's almost as if you’ve never lived anywhere else.” 
“Your apartment isn’t ‘New York?’” it's so weird that they’ve never seen each other's place when they’ve seen each other's souls. 
“It’s just a place to lay my head.” He glances back at her with something almost accusatory when he says “You’ve gone ahead and made yourself a home.” And it has never felt like that, not once, when she was hiding away, when she would run home to it. 
This place, this city has always been a foster home she feels like she’ll get kicked out of if she gets too comfortable. It wasn’t like their home together. Their home felt like roots. Here she feels like an implant that won’t take to the soil. 
“The designer furnishings don’t mean shit to me.” Emma moves to the bookshelf, all new and shiny but it's just a box to keep what matters most. “Only what I’ve come here with is all I care to take. She pulls out a few books, “Wuthering Heights,” “The Book Thief,” and “Emma.” She hands them to him knowing they were always his. 
“I wanted you to keep them.” He starts to give them back when she waves her hand. 
“What do you need to not resent this place? To know I have everything you left tucked away in all these new places?” she motions for him to follow her to the bedroom and he slowly drifts behind, setting the novels on the coffee table. 
Her bed is covered in pillows dressed in his t-shirts instead of pillowcases. She keeps his cologne on the bedside table as if it were some expensive aromatherapy pillow spray. The blanket Granny from the local diner in Storybrooke made them lay at the foot of the bed, an anchor crocheted into the loops.
“I only drink whiskey you like. I only sleep in your t-shirts.” she sits on her bed, reaching for his hand to pull him down with her. “I don’t know what we are, and I can’t promise you I’m not a tragedy waiting to happen. I just know that I haven’t been able to erase an inch of you.”
He kisses her then. It's not on her terms, and he has only ever waited for everything to be on her terms. So when he pulls her in, hand cupping the back of her head, mouth open and adventurous, she gasps. 
His other arm wraps around her waist, pulling her closer to him, her hands pressed flat against his chest as his tongue enters her mouth with desperation. She fists his shirt in her hands, pressing even closer to him as her tongue reacts in kind. It has been the longest year without him and he’s kissing her like they’re running out of time.
All at once they’re falling as he lays her down on her back, continuing to claim her mouth as his property. Her hands start moving, tugging and fumbling with buttons and zippers and just much too much fabric for her liking. When she moves for his briefs he tugs back from her lips. 
“Is this what you want?” Her response is to slip her dress over her head. Any questions to follow are puffed out in a husky tone against her ear. 
Sometimes love is erotica, so she catalogs every second of it because nothing has ever happened quite like this before. 
-/-
They spend the next few months together and she bangs out the rest of the book in record time. Regina and Belle throw her a submission party. She dodges questions about their future and tries to focus on the book. 
“So Aly and Atlas together again,” Robin questions her as Killian returns with a drink for the both of them. She knows he’s not talking about the story. Killian has been very careful to not assume much about their status. Both of them have just stuck to ‘seeing where it goes.’ 
But it's not like they just met six months ago. They have history, they have four years of standing together at parties and being a couple. Do they have the luxury of casually dating? If all happiness is fleeting, do they dive face-first in it or wade in the shallow end. 
“I love Killian.” She says firmly. It’s never not been true from the moment she realized it, in a foreign library miles and miles away from home. He is not easily erased, and it has become glaringly obvious it will only destroy her to try. “I always have and I always will.” Killian’s eyes have never been so doe-like. She’s never been so bold. 
“I…” Robin’s face flushes, certainly not expecting her to speak so proudly.
“And I love Emma, if it isn’t ardently clear. She’s everything to me and I’m happy just to exist in her life.” He raises his whiskey to her and she follows suit like a gentlemen’s agreement has just been formed: To love one another without concern of what it means. As she takes a sip she realizes what everything means. He hasn’t pushed aside his dreams in the slightest this go around. He’s been focused and driven, ambitious and busy. Somehow, he’s still considering her ‘everything.’ Maybe what she thought was sacrifice all that time ago was really just love.
So they stay in love. 
-/-
Another year goes by and the first film is set to release. Although Emma and Killian still pay rent at their separate apartments, they spend every night together. Sometimes it's downtown in Killian’s studio, and other nights it's in the heart of the city at Emma’s. Commitment isn’t measured by who gave what up. It has shifted to who stays. They both do, and every day they make the decision to stay, when it's 5 months since Killian has slept alone or 10 months since Emma had dinner without him. They stay together with one promise in mind. They love each other. And for as long as Love is Present, they will choose each other. 
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dreamingofscully · 4 years
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5x07. “Emily” (part 2 of 2) - X-Files Rewatch
This... is an extremely long post. It not only involves "Emily" analysis but some creative thinking surrounding "Per Manum" from season 8, due to some inconsistencies surrounding the storylines in both. I think I have a fix though!
Scully's dream - walking by herself on some sort of desert - "Alone, as ever." I refuse to use the word that gets used in this series while talking about Scully's fertility here, even though I think this scene is is meant to allude to it. Gross.
It's one thing for Scully to have the knowledge that she cannot conceive and to think she has the possibility of adopting her sister's child. It's quite another to discover that Emily is hers, and possibly the only child that will ever be hers, and that she was created unwillingly out of trauma. 😥
She doesn’t hesitate to call Mulder. She needs to find out Emily's history, needs to KNOW to have power over it. She doesn't care too much about the implications - what led her to her daughter, hearing her sister's voice. It doesn't matter, all that she cares about is Emily.
I love that Scully told Emily about Mulder before he got there. He's important to her and will be just as much a part of Emily's life as he is in Scully's. I wonder what she told her?
The picture of Mulder seeing the two of them on the floor together. Emily's grin is eerily similar to Scully's. What must Mulder be thinking?
He's so good with kids, too. Wish we'd seen more daddy Mulder. Such a waste.
Mulder calls her out on why she didn't call him sooner. He's starting to push a bit more, be a bit more demanding and critical when she does things that don't make sense (but that he knows are pushing the boundaries for her in terms of her belief).
Scully wanting him as a witness in her adoption hearing. But Mulder says he should have declined because he doesn't want to see her hurt. 😥 He has a feeling this can only end badly.
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Really shitty of Mulder to reveal the fact that he knew that Scully's ova were harvested during her abduction for the first time IN FRONT OF A JUDGE. Whyyyyy didn't he tell her this... oh, y'know... on the way over? So she's not sitting there with her mouth open completely vulnerable and exposed? it was necessary to tell the judge so that it would support Scully's adoption - that things were forcibly removed from her and then experimented with to create Emily. But he SHOULD HAVE TOLD HER BEFORE THIS. (I talk about this more in my analysis at the end.)
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Scully looking back at Mulder in relief that Emily's still there, cut short by realizing she's sick. Mulder immediately taking her in his arms. 😥
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"Are you two the parents?"
he subtle looks between themselves
then Scully saying she's the mother, even though its complicated - what else can she say without telling a stupidly long and complicated story?
Scully grasping Mulder's shoulder at the window & standing close, seeing what is happening with Emily in the room. Poor Emily, all alone in the room, causing someone else to be sick. 😥
Mulder going to Dr. Calderon and doing what he does (frustration manifesting as physical violence) while Scully stays by Emily's side.
"I want everything to help that little girl."
Scully in a mask. Her tenderness 😥 Her heart breaking when she has to put Emily in a scary situation - the sound of the machine.
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The idea that she's found a child but now she's dying and will lose her. D:>
Threatening the social worker - ensuring she can still make decisions about Emily. Though she's not the most objective, she has the most knowledge about the strangeness surrounding her.
God Emily is so stinkin' cute. Scully makes cute babies.
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Standing close outside Emily's room. Wanting to reassure Mulder despite what she's going through. HUG HER DAMNIT (though she'd probably not want him to right now).
He puts his arm around her, says he'll stay but Scully wants to be alone.
she doesn't want to be around him when she breaks down
this isn't about him, she can't spare any energy worrying about him
she can't let him in yet. Doesn't think he thinks of her in a romantic way and can't let him in out of pity. Needs to stay strong. Also she's pissed at him (see below).
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At the funeral, Mulder wanting to comfort. Gazing.
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Deep dive Emily analysis/fix. (Also “Per Manum” stuff.)
So there’s a contradiction in Emily/Per Manum. As written, both episodes contradict each other.
EMILY (Adoption Hearing for Emily) MULDER: She was missing for 4 weeks, that's documented in the file. JUDGE: And you found evidence that during this time, she was subjected to experiments where ... you say, they extracted her ova? MULDER: Yes, all of them. (Scully is stunned.)
(LATER ON.) SCULLY: Why didn't you tell me, Mulder? MULDER: I never expected this. I thought I was protecting you.
PER MANUM (Elevators of FBI Building) SCULLY: I was left unable to conceive with whatever test that they did on me. And I am not ready to accept that I will never have children. MULDER: Scully, there's, um, there's something I haven't told you either and I hope you, uh, forgive me and understand why I would have kept it from you. SCULLY: What? MULDER: During my investigation into your illness I found out the reason why you were left barren. Your ova were taken from you and stored in a government lab.
Events of Per Manum deal with the EXACT SAME CONVERSATION but in a MUCH LESS SHITTY manner (well, except for the use of the word "barren"). Mulder tells her what he knows in private, and is apologetic. The question being, which came first? Is Per Manum unreliable because it's a memory? Doesn't seem likely that Scully would forget exactly what happened, but it seems that it is the only possibility. Perhaps instead of telling Mulder straight out about not being able to conceive she only tells him about not wanting to accept it. Therefore Emily happens first then Per Manum. And once we get there in the series I’ll reveal when I think the flashback occurred (it’s within season 5).
EDITED/FIX’D PER MANUM SCENE:
SCULLY: I was left unable to conceive with whatever test that they did on me. And I am not ready to accept that I will never have children. MULDER: Scully, there's, um, there's something I haven't told you either and I hope you, uh, forgive me and understand why I would have kept it from you. SCULLY: What? MULDER: During my investigation into your illness I found out that your the reason why you were left barren. Your ova were taken from you and stored in a government lab.
(This also has the bonus of removing Mulder saying “that word” so yeah.
The reason for the extra stuff in Per Manum is just pure laziness, not wanting to re-explain to people who didn't remember stuff from Emily, not wanting to have additional flashbacks to the episode to save time.
The adoption hearing is where Scully shuts herself away from Mulder. She wanted more from him, wanted a second chance. With Emily, perhaps her priority shifted to her daughter, but she wanted Mulder included in whatever that relationship ended up being. When she learns that Mulder kept all of this from her, it is a very large step backwards. Scully won't initiate anything not only out of fear that Mulder doesn't feel the same, fear of a deeper connection, but also because he PISSED HER OFF. 
Hiding knowledge from Scully is very bad. She NEEDS TO KNOW, in order to have power over terrible things that are done to her. She goes into pathology to have power over death and dying. She focuses on finding out what happened to her when she was abducted, despite being recently returned, needing to know to have power over her fears about it. That he withheld these things from her takes away her power/her control over them.
At her brother's house, sitting on the couch unusually far away from each other.
Why didn't you tell me, Mulder? - Scully I never expected this. I thought I was protecting you. - Mulder
Anything else that might need to be said is interrupted by a phone call. Emily needs their help.
Scully wants to say more, wants to call him out for why his actions hurt her so much, but her focus switches immediately to Emily, on being there for her, instead of thinking too deeply about anything else. Also, Scully needs Mulder's help, and he did come from a place of wanting to protect her, so she focuses on who the "real" enemies are at the moment. These facts do not excuse the shitty things Mulder did, but provide a reason for her to ignore it for the moment.
Scully folds in on herself after losing Emily. It will be a while before she can open up to Mulder, to anyone. DISTANCES HERSELF because she needs to heal, needs to go back to the safely and familiarity of JUST work. She CANNOT risk any more right now.  She's be extremely hesitant to open up again. She's regressed emotionally to where she was before her cancer diagnosis, probably WORSE.
Scully's fears came true. Her fear of death/loss once she opened herself up.
She takes a chance on the little girl, Missy's voice and her instincts causing her to pursue the investigation - all she learns is that when she takes a chance, when she believes in something other than the expected, all she gets is pain and sorrow. (Although she wouldn’t trade having known Emily for anything, the experience is a terrible one to have to go through.)
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silver-wield · 4 years
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I absolutely can't get enough of you analysis and I was wondering if you could do one of cloud and tifa after the plate fell and after barret hugged tifa? when sephiroth visits cloud again. like how'd that have been from tifa's perspective too?
Sorry this took a while to get to, Nonny. I would've had it done yesterday, but instead I wasted my time banging my head against a brick wall. Lesson learned lol
Ok, spoiler warning for ppl who haven’t played – do I still need to do this? Eh ok, (I tag FF7R spoilers as final fantasy 7 remake spoilers) and it’s gonna be reasonably long.
Also, this is one person’s interpretation of the scene, so if you disagree that’s cool and we’ll agree to disagree.
You’re also gonna have to excuse the janky quality on some of the screens, I’m grabbing them from Youtube and it’s frustrating af trying to get the exact moment I want.
Please check my master post to see if I've already covered your question, thanx
Recap time!
The sky has fallen and our brave failures have escaped by the skin of their teeth! Cloud watches over Tifa until she wakes up, then follows her until they locate Barret.
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AH MY HEART! Cloud's so adorably concerned for Tifa. (also far too goddamn pretty! Someone shove mud in his face or something I can't stand it!)
Who knows how long he's been waiting for her to wake up. There's a couple of times it looks like he wants to reach for her – there's a definite twitch in her direction with his left hand – and then as she goes to get up, he takes her hand to her help her. Someone remind me, how often does Cloud offer Tifa his hand? A lot? Yeah, that's what I thought.
It's a very demoralised journey through the rubble to find Barret.
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Well, I was aiming for a screen showing him punching the wall, but this is better. His rage and grief burst out. He's punching the wall with his actual hand and not shooting at it with the gun. This is because he wants to feel physical pain to dull the stronger emotional pain. Those were his friends. He should've stopped it. You can hear him sob Marlene's name once that rage is spent. He thinks they're all dead, including his innocent little girl. It's a powerful moment for his character.
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Here's a hint of a grief stricken Cloud too. He cared about the trio. He wanted to save them. Nobody had to offer payment for his services. He tried to be the hero and failed. He doesn't know how to handle these emotions or how to comfort anyone either.
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Tifa blaming herself is typical for her character. She puts a lot on her shoulders and keeps her feelings locked up tight. She sees the situation from the pov that if they hadn't blown up the reactors then Shinra wouldn't have dropped the plate. Barret sees it as, if Shinra weren't destroying the planet then they wouldn't need to blow up reactors. It's a pointless back and forth, round and round with no true winner. They have different povs, morals and principles and that's why Tifa just agrees with him in the end. Why argue on top of everything else that's just happened?
Tifa is very much the peacemaker, who doesn't want people to get into unnecessary fights. She'd rather back down than fight if there's a possibility of another choice. She says this in chapter 3 with her “I know we have to make a difference, but not like this.” And to the Shinra manager she says “I don't want anyone to die”
She's a goddamn sweetheart who can pack a punch, but doesn't need to rely on her fists first.
This is why later on with Elmyra, she stops Cloud from arguing to go get Aerith. It's not that she doesn't care. It's that she doesn't see the point in forcing your opinion on someone. By giving Elmyra time to think through their side of things she's letting the situation settle and everyone can approach it calmly and rationally. Which is exactly what happens. Elmyra had time to think and agreed with them. Because of Tifa. Because she’s the mature one.
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The real!Cloud hand twitch lol we know what this means and I think I've already mentioned is plenty of times in other analyses.
Barret and Tifa's body language here is very placid, not romantic in any sense of the word. Her body is turned to the side and he has one arm around her shoulder. He's not got his head tilted down towards her and hers isn't tilted up at him either. Her arms are by her sides. This is minimum contact and barely qualifies as a hug. It's perfunctory comfort between friends. What it does is motivate Cloud – who harbours romantic feelings – towards the urge to comfort Tifa in the same way. He wants her to rely and find solace with him. Because his feelings are driven by romantic urges the way he comforts her is different.
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And we're on our way to Aerith's house, where Cloud suspects Marlene is. Barret's highly emotional – shocker – and begs Cloud for hope, then admits it doesn't matter what he says he'd get mad. Cloud accepts this with a bland face, what else is there to say? He can't admit he might be wrong, but he can't say with all certainty that he's right.
He asks Tifa about the Ancients and then we get a visit from Sephiroth.
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So after we see a future flashback of OG Sephiroth talking about the Ancients like before, Cloud gives us a blurry 1st person view and pan up of Sephiroth. Now, this one is a vision that only he sees, but that really doesn't matter to him. He sees that creepy ex-boyfriend stalker smile and freaks tf out. You can hear him whimper.
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So, we don't get much of the scene from Tifa's pov. She's noticed Cloud freeze, probably heard that whimper. She's definitely concerned – you can see her frown just before we move back to Cloud – but she's unsure what to do about it. She's not a doctor after all. She has no idea if the right thing to do is insist on talking to Cloud about it, or pretend it didn't happen. She has to take his lead, which is to forget about it.
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“Through suffering you will grow strong. Isn't that what you want?”
Cloud's a sweaty mess of fear at this minute, but you can still see this question on his face and his answer that no he doesn't want to suffer. The part of him that's real!Cloud definitely doesn't want to suffer, but it's too scared to do anything.
I find the possibility of this being a different aspect of Cloud's personality interesting. It's a vision, after all. So while we have real!Cloud in chapter 8 trying to encourage himself and repair the broken parts, we have this Sephiroth aspect that wants Cloud to remain broken and afraid. It's a good metaphor for how Cloud tackles his mental illness, and of the 4 different Sephiroths, the hallucination is the one that speaks the most and talks about Cloud as a person. It's the one that tells him to run away in chapter 2. It's the one that calls him a failure. It's the one that murders Tifa.
It's a manifestation of his mental illness. Not totally because there's more happening than just that, but of the 4 Sephiroths we see, this one is the one that causes Cloud to freeze the most. This one is the one he's terrified of more than the rest. The one that's not actually there.
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I had to choose between this and Cloud looking terrified, but this one has Tifa edging into the frame with a concerned look on her face. Cloud's lost in his own head, probably overthinking everything Sephiroth just said to him. He dismisses Tifa again – remember, he doesn't want her to have a bad opinion of him, so he's pretending to be ok as usual. A lot of his reluctance to confide in her is his fear of her being disappointed in him. A lot of Tifa’s reluctance comes down to the aforementioned need to avoid confrontation. She doesn’t want to fight. If Cloud refuses to talk, she’ll respect that. She’s not pushy.
Conclusion.
Tifa and Barret have known each other for 5 years, give or take, but Barret doesn't even know the story of Nibelheim because Tifa keeps emotional things to herself. The way she's struggling to contain herself is mistaken by him as anger. It's not anger. It's self-blame. And because Cloud understands Tifa better than Barret – despite them having been apart for years – his real self has the urge to comfort her. He doesn't know how because he lacks social skills and emotional maturity, but after seeing Barret's example he understands this is the way he wants to support her.
I just added my suspicions about this version of Sephiroth to another post, so to sum that up, I think most of what he says is induced by Cloud's own feelings of failure and fear. The times Sephiroth shows up can be attributed to the connection Cloud has through Jenova, but the content of Sephiroth's speech comes across more like it's Cloud's inner self dragging him down. Sephiroth is the darkness within Cloud – the representation of his mental illness that won't ever become a memory, that's something he has to fight against every day. The fractured parts of Cloud's psyche aren't strong enough on their own, which is why the one in chapter 8 was chased away. It's only once they're reunited because of Tifa that Cloud becomes stronger overall to fight against his inner demons.
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