#im just stuck cause of character growth(?) that might not even be that tbh

[gifti3]

I slept on it and i still dont get it

[excaliburofficial]

OMG I SAW UR NAIGUS HEADCANONS AND THEY MADE MY SEROTONIN LEVELS GO OFF THE WALLS GRGRG DO U HAVE ANY HEADCANONS FOR KILIK RUNG?

YEEEEEEEEEEEEEE I GOT YOU FAM I GOT YOU

Thank you for the ask!! I'm glad my Naigus headcanons facts striaght from Okubo's email made you happy! :)

Kilik is honestly also a super cool character that needs more love I feel????? He just gives me such wholesome vibes idek so I'm really happy to be doing these since he's such a stand up dude tbh

Headcanons I have about Kilik Rung

He's a really rational thinker and obv very very competent but his real strength is his resolve

He has a very strong personal moral code and will always stand by and do what he thinks is right. A lot of integrity from Kilik!!

He's a very dependable person and an all around good friend. He's pretty emotionally intelligent person who says what he means and gives good advice and is very loyal to the people he cares about the most

What some might think is being hot headed is just a result of his passion and drive. He isnt really reckless or arrogant or anything, he just gets overwhelmed with his determination and passion in the heat of the moment

He doesnt really like ambiguity much and is a problem solver

He really liked things like Karate Kid and DBZ growing up and a lot of the lessons and messages really stuck with him

Got really involved in like combat sports like martial arts and wrestling pretty young because of how much the idea of personal strength in those movies/shows really meant to him

Hes very focused in general in personal growth both with physical capabilities and with his interpersonal relationships

He's absolutely the type to lift up the other people around him so they can be their best selves

He was interested in going to the DWMA largely because it seemed like a good fit for his lifelong interests and skills and goals and HE WAS RIGHT

But tbh he was actually a little hesitant specifically because he didn't think he could find a weapon partner that matched his more close/direct preference from his sport experience and karate movie influence but in the end decided to go ahead and try

After all he could learn to use a weapon pretty quickly if he needed to and who would pass up the chance to be a meister? Esp when he has the passion for it already?? Not Kilik no way cause he knows what he wants and will get it

Enter Fire and Thunder who were worried about finding a meister who would think about using a hand to hand combat style cause they kinda require it

And because Kilik is in general just this down to earth and intelligent (esp socially) person matching wavelengths with both of them wasn't really an issue

He's pretty popular at DWMA and will talk to just about everyone he sees like he's known them forever

He became such good friends w Ox because he saw that Ox was just kind of this super serious guy and was like "hmmm he could probably benefit from lightening up some"

And as it turns out they actually had a lot in common esp when we're talking about self improvement even if they have different approaches to that

He actually really respects Ox as his peer and they do a lot to lift eachother up, in fact Ox is probably one of the people he respects the most

Plus both of them having thunder attacks helps them bond haha

Is generally just a stand up guy overall who puts effort into everything he does

Outside of combat/DWMA stuff he's really into music! He has a wide variety of stuff that he listens to and has made a ton of different playlists for friends and different occasions

Idk if I necessarily think he's aroace but when we see him in the series I get the feeling that he's def more focused on his friendships and personal goals than romance or anything which like good for him

Really likes filling foods with complex carbs like pasta and baked potatoes but isn't a picky eater like at all which I might just say bc im hungry and could really go for a baked potato or noodles rn but ssssshh

Has at least 1 teddy bear that he's has since he was a baby and will never get rid of and still has his baby blanket

Probably really loves his grandma. Idk anything about his grandma except that he loves her a lot

Very proud of what he's been able to do WHICH HE SHOULD BE YOU GO KILIK and is excited to be able to do more and see what he and his peers are capable of

[jewpacabruhs]

bruv im still jus. wow. theres so much to say but. do u kno how good it feels... to be jewish, to accidentally fixate on one eric cartman & love him more than any other fictional character for almost seven years now, and then to see him in a little yarmulke, standing at kyle's side while he recites from the torah? do you know how validating that is?

i gotta get personal for a second here. idk how, but in the last few yrs my relationship with my own jewishness has been deeply influenced and intertwined with south park, as ironic and ridiculous as that sounds. i grew up secular, completely nonpracticing; as a child, i was only ethnically jewish, and saw jews as strictly an ethnicity, and a popularly hated one to boot. and it scared me. ive talked about it before, but as a child hearing about the shoah and about antisemitism, i couldn't understand. i thought it was looks for a while, which confused me, because ive got blonde hair and blue eyes and all my family that got caught up in nazi europe did/do too. i remember thinking as a second grader that i would've been spared for that reason; why didn't a good chunk of my family? but i grew up in a mormon neighborhood, with plenty of other blonde kids, and they stayed away from me like i had a disease. this was before puberty, before my hair got a little frizzier and my nose got a little bigger, when i looked just like any of them. but already, at age 8, i was an outsider. i wasn't one of them and i never would be, and they wanted me to know that.

and then i started to get it. it clicked even more once i got to high school and got called a kike every other day - but prior to high school, you know what i found, and you know what really pushed me towards understanding what being a secular jew in america meant? south park. and as a dumb little sixth grader with no critical thinking skills, you know what shaped my opinions on my own people? south park.

and that's good and bad. good because i do sincerely think kyle broflovski is excellent fictional representation for jewish people, maybe one of the top few ever shown on television. he gets on my nerves at times, but he's good through and through, he's well written and multi-dimensional, he's not a walking stereotype but he still has prominent jewish features that jewish viewers can look at and see in themselves, his morals and viewpoints and beliefs are obviously deeply influenced by judaism, hes deeply proud of his heritage and culture... and that all means a lot to me. and by the amount of jewish sp fans that adore kyle, it means a lot to them too.

the bad thing is, yeah, i can't deny it, during older seasons, cartman's treatment of kyle probably taught a lot of young and dumb viewers how to view jews in real life. have i, as a kyman shipper and cartman stan, justified that within a fictional and narrative context? yes. but it doesn't change the real-world effect; south park, but specifically cartman, since he's the mouthpiece, likely did cause some easily-influenced people to pick up antisemitic beliefs. did this contribute to the rise of the alt-right? debatable, but to some extent, possibly. was that m&t's intention and should south park be canceled and denounced? fuck no, i'll always love it lol, and fuck censorship. but it is something that should be taken into account.

matt and trey clearly regret that, and understand that it's no longer acceptable or fitting or needed in today's sociopolitical climate - or, okay, maybe they don't even regret it; they just understand that when fiction becomes reality, the fictional jackass isn't necessary when there's one right there in real life, sitting in the oval office, yeah? old cartman doesn't deserve or need a voice, not when real, awful people actually have one right now. and m&t are actively trying to change cartman for the better and really, really backpedal on his bigotry, while still doing it in a way that makes sense from a story-telling perspective. it's not a complete uncharacteristic change of character; it's shifting with the times and writing it into the character's arc so that it's a logical and plausible development in cartman's story.

cartman's behavior in the last few seasons is consistent character development. m&t themselves are pushing it, and clearly it's sincere; cartman's not faking. unless they're building up a surprise twist over the last, what, three to four seasons, that he was faking the whole time! woah! if so it better be a damn good pay off, because that's a lot of time invested. though that seems more forward-thinking than sp tends to be. they're intentionally stuck in the short-term, aren't they? plot-wise. but their character development is pretty long-term, and right now, cartman is consistently decent, and if it comes across as faking, it's because cartman's over-dramatic in how he speaks, and trey does that intentionally.

that's a tonal thing, and it's hard to say in a fictional character, but as someone who struggles with empathy myself, empathy and sincerity don't go hand in hand. you can lack empathy while still caring enough to sincerely and wholeheartedly apologize for something and mean that apology. not feeling remorse doesn't mean you can't apologize genuinely; the two don't go hand in hand. you can be mentally ill in any capacity, even a psychopath, and still deeply care about things or people, just not in the way someone else might. so you can headcanon that cartman's still a psycho/sociopath, though right now that's actually kinda going against canon, but don't rain on other's parades if they're happy he's exhibiting healthy growth. besides, and i repeat: what could cartman exploit out of faking sincerity for several seasons? nothing, so why bother? he wouldn't, unless it's literal in-show subconscious growth.

does that mean he's magically developed empathy? no. is it becoming less probable he's a legitimate sociopath/psychopath (while still possibly having better-disguised antisocial tendencies)? yes. does he seem to have better coping or anger management skills? somehow, yes! he seems to be legitimately healthier. does this mean he's no longer accountable for his past misdeeds, and even his present, less-severe ones? of course not! and you can still hate him all you want, but modern cartman is not the same as older cartman, and shouldn't be treated as such. because is this growth? absolutely.

he's clearly healthier, even happier. he's less angry, he's still a little shit but he no longer relies on bigotry or cruelty or anger to get the negative attention he thrives off, rather he gravitates towards being simply annoying. you know why he called ice? pettiness, immaturity, a little bit of spite, and a need for silly revenge. he's being intentionally petty, but going about it in a sly but no longer psychopathic way. less hannibal lector and more, idk, regina george, lol. extremely different on the antagonist scale. and cartman's been both.

and maybe it's personal bias on what type of human is worse within fiction, someone unstable and bizarre with violent tendencies (which is how he's come to be viewed in pop culture & some of the fandom, as a result of eps like scott tenorman must die), versus someone inclined towards pettiness and more silent and, i dunno, social-status-and-pride-driven types of revenge (cartman in general when he's not being particularly awful, tbh)... but i think it'd be pretty universally agreed that the latter is at the very least more tolerable, manageable, and even likeable - and certainly more redeemable. let's put it this way; if cartman continued on the path he was on, he'd be one of those tiki holding fucks, wearing a confederate flag hat, and he'd treat kyle soooo much worse. instead, m&t have turned him into a hypocritical false-woke ignorant dumbass - but that's strongly less problematique than it's counterpart, and it works.

because cartman simply serves a different narrative purpose now. and that's not sloppy writing; it's well-timed evolution of a character that stepped into a pre-9/11, pre-trump, pre-social media world! so much has changed, and south park is reflecting that in its characters, most notably in a character who was stuck in the, what, 1960s with his beliefs? that was fine way back when, but matt&trey are smart dudes - they understand that sometimes things have to change. besides, they love cartman, too. he's their favorite. but they understand that when real people act like him, it's not so comedic or satirical or funny, & they don't want to look at cartman, at their creation who they've invested twenty-two years in, and see the all-too-real hate of modern radical white america.

i think we know enough about matt&trey's social stances these days, and the empathy they've seemed to develop after having kids, to understand that they're no longer in their "apathy is best, everyone is stupid" phase. current south park is left-leaning and admittedly preachy at times, but i wouldn't want it any other way. g-d knows it's better this way than if they'd embraced and decided to appeal to their right-libertarian following instead. cartman's evolved in a progressive and positive way, and it's fucking dope, especially to us cartman stans who so badly want him to be good. and he is good right! he's doing so good!

and i know im up my own ass rn but yall know how much i myself have campaigned for jewish kyman/cartman and how much i just deeply and truly adore it, and to see it actualized in a canon episode to some extent? that meant the world to me. i couldn't believe my eyes. i was tellin lai - that's the most genuine, pure, almost violent happiness ive felt in my soul in years. that was like a straight shot of serotonin to the heart. that simple little scene made me so fucken happy yall dont even know. & theres a lot to be said about the political commentary and plenty of other people are analyzing that, but im a simple jewish kyman & cartman stan and boy ive been fed good fjskfkdkdkfk!!!

[savrenim]

Do you have any role-playing tips? Especially for a more ~serious~ character? Cause i want my character to bond with the rest of the party, but im not rly sure where to start, especially since ive established her as kind of closed off

OH WOW OKAY

super honored that you asked

gods lemme see, I have a lot to say and some of it might be contradictory because so much of improvising and character creation and motivation is character, so this is going to be stream-of-consciousness under the cut

things that you can do that are just you—get comfortable improvising things, DnD and roleplaying in general is improv, it’s all say “yes and” and “go with the flow”

—but also get comfortable saying “yes” to yourself and not second-guessing yourself

—ie if you say something or do something don’t second-guess it, let it have happened, let it be canon. and then from there, ask yourself why.

—seriously, the most interesting thing I have ever done and best way that I’ve ever built characters is I thought I had an idea who they were, and then they said or did something during a session that made me go “oh shit, why did they do that”, and it either connected to a thing in their backstory I didn’t realize or indicated that they had a stronger feeling about something than I realized and letting the thing that I’d done be canon that then I post went back and extrapolated from allowed the character to grow and mature and develop better than if I’d been wishy-washy or had stopped myself from doing the thing that came to mind in the moment because I was worried about whether or not it was “in-character” enough

—and you can use that to reverse-engineer a character that better fits the overall party dynamic

—for example, for the department campaign I’d completely accidentally created a character who was a bit of a prissy field librarian here for linguistics and to be the arcane consultant and had never seen a death before and believed strongly in all life was utterly irreplaceable and precious for a party that was way more classic DnD and way less character-driven and VERY murderous even though we’re the good guys on a classic “save the world from demons” quest just very chill about murdering moochs, and so slowly from interactions and reactions it turned out her upbringing was a more extreme high class controlling mother and her morals developed into a way more interesting “I am privileged and detached and am trying to say that I care about not killing but tbh as an elf who’s essentially immortal and the rest of you all die in 50 years anyways it is kind of weird to care about your lives and my family thinks I’m weird and really going through a phase for doing so and it’s hard to stick to that when you all seem chill with killing people so okay I guess we’re murdering people now, gotta stop the demons” and the more I leaned into that, the more interesting it became, because as she became a more powerful arcanist I started leaning into the “the more high level spells she cast the more she started power-tripping/the power affected her brain and the less she stuck to the morals she cared so much about at first that her friends didn’t” that, like. this has been a hella interesting, hella engaging character for me. if I had gone “Seraph Maewel has never seen anyone die before and she refuses to be a part of intelligent humanoid killing so we have to make sure we only knock people out and just kill the monsters and I’m going to throw up after every single fight that we accidentally do murder people” it would have been static and boring and sure, what I initially established, but it turns out what I initially established wasn’t best for the campaign and this was an interesting, in-character transition that happened naturally because I did things as I did them aligned with what I understood about the character and then thought about afterwards how it fit with everything I’d established before and what it implied that maybe was different than I thought

—also people change it’s okay and in fact VERY fun to do character growth arcs you don’t have to feel married to your initial conception of a character

—there’s another concept that’s a little bit tied? that is pretty much IC vs OOC choices, of, like, and this is my strong opinion because I’ve been a counselor who’s been in charge of making LARPs fun for little kids for years now? but basically, on a larger scale than the tiny individual interactions, it is your *job* to come up with IC excuses and still make genuine in character decisions that serve the party and that serve the narrative

—like, for example, a while back, I played a character who actively was planning to leave the party after a year. they hadn’t told the rest of the party they wanted to leave, because it was their business, but they were in a point in their life where absolutely nothing was going to convince them to stay with this group of people, *especially* the fact that they cared about them, mostly because they wanted to Prevent An Event That Had To Do With Their Backstory From Happening To Everyone. out of character, I knew that I couldn’t just Leave The Party, so I made sure the DM knew how my character felt, knew that I wasn’t *actually* going to leave and that my character might be getting uncomfortable or look like they were making plans to leave but that I trusted the DM to do the rest, and the way that it was resolved was my character really didn’t *want* to leave their new friends and just cut it too close when they thought they had more time and the Event Happened and after it happened there was no reason to leave. but I found IC excuses to keep choosing an OOC action that served the narrative way better than going “my character really wants to leave so guess I’m going to leave.”

—you honestly probably do things like that anyways? in terms of, like, there is a Plot Hook so you find an IC reason to care about it. but it’s a very useful skill to develop to look at a narrative, go “what serves this narrative best?”, and then once you answer that question go “so what reason does my character have to try to do something like that or as close to that as they can?”

—right now all of the above advice kind of sounds like “yooo change your character” and the answer is also, *don’t*. balancing meta stuff is a…meta thing? just make sure that you’re having fun, and that you’re playing the character that you want to play, and that you have Strong Feelings and act in ways that give you the Feels that you want and that you’re playing for you too. compromise is compromise all around you aren’t going to get anywhere if you’re the only person who gives any leeway then it’s not fun and easy to get bitter, roleplaying is collaborative and other people should work to reach out to you too and give you hooks

—biggest and maybe most important bit: your DM is your friend. esp if they’re trying to facilitate deeper roleplaying. tell them how yooo you want to try to get closer to the rest of the team, is there any sort of challenge that they can throw at you all that will facilitate teambuilding? a little bit of “we all saved each other’s lives” or “oh fuck we got stuck in this cave in together and have to work together in ways we haven’t to survive” or “oops we all have to be undercover and are relying on each other to keep up this act” or just any situation in a story or piece of fanfiction that you would see and go “aND NOW THEY ARE A FOUND FAMILY WHO CANNOT BE TORN APART”, well, let that happen to your group.

things that you can do immediately to have reasons to care about the party as a whole:

—if you can learn their backstories, do? group bonding happens with sharing of personal backstories, and, like, OOC, everyone wants to talk about their character and stuff. if you don’t like them, a good in character reason is maybe you’re paranoid and don’t trust them and want to do some goddamn background checks on the people that you’re working with. but once you know more things about them, you have so many more reasons that you can use to go “ah yup and here’s something my character would hella care about and maybe might be the start of a bond”

—as a closed off brooding character you still can have feelings that you are just the Dramatic Person In The Corner that you don’t show them but they’re there, that is everyone’s favorite character in tv shows as they wait for said character to Crack and admit that they have Emotions

—for example maybe pick another character in the party and oh wow you love them so much, they are your tiny son, you would never show it but nOpe they are yours now and nothing touches them

—pick another character that you absolutely hate and grumble about and glare at, except they are your asshole and nobody else outside of you is allowed to pick on them and if anyone threatens them you will murder that person

—Marian Daywrym, yet another DnD character of mine, has done both; three of the four other characters in the party are 16-ish year olds and Marian is a gruff 56 year old who oops has adopted three more children because tHEY ARE CHILDREN, and then there’s Djin, space rogue, her ex co-captain of a ship that broke up when they had a huge fight a decade ago and at this point the way that she interacts with Djin is mostly being incredibly passive-aggressive and mean to his face but pretty clearly would Die for him and if anyone else tries to be mean to him she is ready to Fight, and that is how my grumpy standoffish “I’m the medic and I’m here to do my fucking job and stay the fuck alive” space mom captain, who also has a policy of “don’t bond or poke into each other’s personal business no drama on this ship we all just want to scavenge in peace” ended up being So Emotionally Attached To Everyone

—but there’s actually another potentially interesting route to go, depending on what kind of Brooding, Closed Off character you are that isn’t “oops secretly now I love and would die for everyone”? which is basically…find someone in the party that you decide that your character maybe admires in some way? of, like, maybe they have an Ideal of they’re going to be a Hero Of Justice and you had that ideal as a kid and it only brought you suffering and pain and you never reached it and so fell off that path and that’s one of the reasons that you’re closed off and it’s Painful watching this person with such hope in their eyes try and you don’t know if you want them to succeed where you couldn’t because they deserve to succeed or if that’ll hurt more too, and that gives you reason to be emotionally invested in their storyline and find yourself taking them under your wing and also for everyone else to go “hey are you okay want to open up?” and for you to maybe feel vulnerable enough to talk about your backstory, looking at someone who reminds you of a less broken you. or not even ideals that you had, ones that are “wow are you really the sort of person that I wish I could have been?” or hey, maybe you’re the idealistic one, then is there anyone in the party that is essentially a “wow I resent you so much for starting from a similar point that I did and falling off the path and/or am fascinated because am I looking at what’s in my future, I need to figure out what makes you tick even though it’s like looking at a train wreck in slow motion of whether or not it’s going to happen to me”

—those are all the thing that come to mind to me right now but if you want me to Tell Me About Your Character And Your Party And Your Game I am always down to listen to people talk about their DnD characters (midterms season is coming up so I might be on and off of here but I swear if you ping me I won’t be ignoring you, just answering when I can)