OC in 15: Kendis Crawford-Louel
rules: share 15 or fewer lines of dialogue from an OC, ideally lines that capture the character/personality/vibe of the OC. Bonus points for just using dialogue without other details about the scene, but you're free to include those as well!
I was tagged by @deepinifhell and am woefully delayed in getting on this.
Tagging: @thedeadthree @thee-morrigan @nat-seal-well @nightingalesighs @laufire @lusavors @cypresswrites @thelittlestspider @mt07131 @roxaro @quaxorascal @tuomniia @andthatisnotfake @sunshineandviolets @sapphic-story [tagged fifteen peeps! i think! and as always no pressure!]
Most of the dialogue from old rp stuff repurposed for this meme, some from unposted stuff, and a few I made up for this. (As warning: some cussing)
-----
1] However, strangeness of the situation proves that the metal gates aren’t fully down around the castle, because she bites out, bluntly, “No! No. I’m not okay.” Her breath hitches. “Don’t. D-don’t follow that up with another question. I thought we talked about this.”
By ‘we’ and ‘talked’, she meant the time she summarily shut down his last attempt to dig deeper. It should’ve been obvious by now that Kendis didn’t like accepting what they insisted on dishing out.
-
2] "Yook, Kenny, yook!"
"What'm I lookin' at, teeny tyke? --- Well, now. Look at that! Is that me? In fact, I know that's me. That's the second prettiest person in this entire art of prettiness. And is the one right next to me you? It's got to be 'cause that's definitely the prettiest person in this."
"You siwwy, Kenny. Boys not be pretty!"
"Am I? Well, if you're sayin' that's right then I'll consider it. But being silly doesn't mean I'm wrooooong~. Boys can be very pretty, kiddo. People can be whatever they wanna be so long as they're --- kind, yeah? And you're the kindest, prettiest, most talented teeny tyke, I've ever known. Oh, now you're laughin' at me, huh? Well, Ima show you 'bout that teeny brat."
-
3] "Who invented white allosexuals, like for real? Someone return this woman to sender."
-
4] "We're not even four days into a fucking New Year and this shit stain is stinkin' up the place."
-
5] "And I get that it's different things for different people. But I rather lose a place, than lose the people that matter with it."
-
6] "I know you've probs been lied to lately. But you're really not cute."
-
7] "He obvi picked bad pics on purpose, you Italian booger."
-
8] "I'm like Siri. Except better looking, smarter, much louder, and not an AI slave to a hegemonic hell-hole that stole the name of one of the best fruits. Like ever."
-
9] "Um, excuse you. I'm not reckless. What 'bout me screams the self sacrifice type?"
-
10] "Hey. Hey! Look at me! That's it ... slow breaths. I've got you. Do you -- you're okay, slowly ... Do you remember what I told you last week? Just nod. I've got you. I've got ya. You remember this? That's my pinky. We pinky promised -- the biggest and most bindable way to lock in a promise, yeah? And you may not know this about me, but I don't make promises that I can't see through. I said you're gonna be okay. And I mean that. I'm gonna make it happen, okay? I'll -- I'm here now and I'll be there at the end. Prommy, prommy, prommy, prommy, pro -- oh, a laugh, huh? Ha. That's what I like hearing. Leave the worryin' to me, dude."
-
11] "If this human version of a mutated ingrown armpit hair follicle don't get up off my face in the next 10, 9, 8, 7, …."
-
12] “Ow! Fudging snowcaps! That bitch hur –” They stopped mid-yelling but simply began complaining underneath their breath.
-
13] "I'm --," Kendis gestured sharply with their right hand as if orchestrating their feelings or encouraging Morgan to jump in. Not that they gave her much of a chance when they quickly added, "You know."
"You're?" Morgan smirked, "You know? I don't think I do."
"Yes. You do."
"Nah, nothing's ringing a bell."
"Well, that's probably all the brain damage you got from the last fight."
"Right. I remember that. The fight where I got stabbed instead of you."
Kendis' nostrils flare and their jaw clenches so tightly Morgan almost feels a sympathy twinge in her own teeth.
-
14]
“Then why won’t you tell me you love me? Maybe a little reward so I can be brave?”
“‘Cause a face full of kisses wasn’t enough? Wow.”
“Sure, it was nice but this is a big deal. I think I deserve a bigger reward.”
“Aren’t rewards for after you actually do the stuff?”
“You’re right. How about you say ‘I love you’ just because you do!”
“You look cute when you pout an’ you’re gonna be late.”
“Please, Kendis? We’ve been dating for a while now and … That is – Unless – You don’t.”
“I don’t what?”
“You know you are always avoiding it, saying how you feel about me, and you’ve never come close to saying the words .. and sometimes I’ve wondered … I’ve been very patient the last several months –”
“Then keep on with that.”
“Okay. Okay. Kendis. Do you love me?”
“Can we talk about this later? This ain’t as black an’ white as you’re making it look like.”
“But it is. It is a very black and white question with a very black and white answer. Do you love me?”
“Austyn. Austyn? Stop that! What’re you doin’? Don’t. You’re – fuckin’ –”
“These are the notes I wrote you. Look at them. Look how far they reach on your floor. Look!”
“No”
“You never even wrote it back. I kept saying it and writing it and you never gave anything back … B-because … because you don’t.”
“I never gave – We’re not doin’ this right now. Again. Why’re you doin’ this right now? We don’t even have the time to really get into -”
“What is there to get into? It’s yes or no, Kendis! If you say that, then it will be all settled.”
“Maybe stop cuttin’ me off an’ let me speak.”
“You cut me off first! And don’t you start raising your voice at me!”
“You started that shit first, yourself! What is with you?”
“Why are you acting like I am overreacting? I’m not! It isn’t wrong to want to know whether or not my best friend is in love with me. It isn’t wrong to know if you really see a future with us together or if you’ve been just tagging along because I’m one of the very few other out girls in school.”
“You called me your best friend.”
“What?”
“You should know how I feel. You say I don’t give you nothin’ back but that’s a damn lie an’ you know it.”
“Then why don’t you say it? I say it all the time!”
“But are you really meanin’ it?”
“Uh - Wha – EXCUSE ME!?!!”
“Are you? How can I say those words to someone that's not a sure thing? You talk a lot about a future that ain’t here but what you really got to say for the now.”
“Wow. Asshole.”
“Takes one.”
“Fine. Don’t love me. I think it’s best if we take some space right now and reconsider our priorities.”
“Austyn. I didn’t mean – Austyn this is silly.”’
“Is it?”
“Why're we even doin’ this right now? What about the formal?”
“Don’t call me unless I call you.”
“Austyn!”
“Don’t.”
“You know what? Fuck you.”
“Apparently not even in the next few months, asshole.”
-
15]
Kendis narrowed her eyes but forced herself to take a deep breath, “You. Bumped into. Me!” Honestly, that was a generous and kind assessment. If Kendis had been human, she doubted she would’ve been able to stand with only a headache and a bad mood to show for it.
“Yeah, because you slowed down when you weren’t supposed to! I was keeping pace with you, speeding by the way, and then allva sudden –”
“I know you’re not blaming me for any of this, let alone your speeding, you Stranger Things reject.”
“Excuse me?”
Kendis felt that anger again – no, they could almost taste it. It was just wafting off the air from the shifter in front of them. It was churning up their stomach like sick, this anger that wasn’t their rage.
It was restless, like her’s was, but was also too hard, too cold.
Not right, not right. The warning blared in Kendis’ gut. Something was off and they needed to leave.
“Don’t!” They warned when the person reached out to grab at them, clearly making Kendis ready to skedaddle. The sharp yell struck out like a roll of thunder, loud and final enough to make this person hesitate, before Kendis’ voice dropped into a growl, “Don’t. Touch. Me.” [x]
21 notes
·
View notes
The wildest thing about getting to take a photo with Tom is that it didn't feel quite real, like he wasn't a real person standing there in front of me that I was about to be right next to. I partially attribute that to how fast the line was going, but even if I had a bit more time to process, I surely would have felt the same: that a man whose life, basically, I had been following since 2013, was in the same room as me and I was mere feet away.
I was lightheaded in the moments prior to the photo, although whether due to being hungry and needed water or overwhelmed suddenly despite not feeling it before (and thrown off by the girl in front of me trying to hold a brief conversation and the crew trying to escort her away), I'm not sure. I do wonder how Tom feels about the whole thing, about how fast it went.
We greeted each other, I got to shake his hand (his hand really is big, much larger than I expected, yet when he shook mine, it didn't feel overwhelming, and he didn't crush me), he put his arm behind me and mine behind him (his coat was quite soft; my mom speculated it's a nice/fancy wool), we smiled, FLASH, I thanked him (I can't recall if he thanked me), and off I went.
While fast, definitely 100% worth it. I've never had the chance to go anywhere else he's been due to time and money, but this time, the stars aligned.
I was lucky enough to have enough income to be able to do that plus get better seating for the live show, which was also definitely worth it; I wasn't as close as I would have liked, but better than higher up—and the general seating filled up really fast, so much so that when it got delayed due to autographs (I get the sense they overbooked him, because he had to go BACK after it was done), they told us not to leave the theatre because so many people couldn't get in.
Anyway, I absolutely loved being able to hear him talk in person, and he told pretty much all new stories this time! At least, new to me, but I'm pretty sure most of them had not been told before, probably because the audience got to ask the questions (using a Google forms from the week before that was only open for twenty-four hours AND I MISSED—and they had apparently 84 questions?? Surely they could have left that open longer, then).
I really hope I get the opportunity to see him in person again in some form or fashion; i.e. I'd probably do an autograph, or if he's got enough live event, just pay for good seating for that. I don't know if I'll get so lucky a second time, and I will definitely cherish this for a long while.
18 notes
·
View notes
Phullo there, I’d like to ask you a question! I hope I won’t be such a bothersome.
So, I’m planning to write a story about Laughingstock and since I find your storytelling very pleasing I figured it’d be a great idea to ask for your advice about the writing!
My Idea in general for this story is just Howdy taking a day off from working in his bodega. And basically, he’ll be just wearing normal clothes.. shocking truly.
And thennn, Barnaby and Howdy accidentally stumbled into each other’s path. They later then of course had a very long conversation that lasted until evening maybe.
Of course there’ll be some fishy moments like them looking at each other with goggly eyes and other cheesy romantic nonsense- but it’s just mainly them having their usual conversation with a ‘couple’ of jokes here and there. It’s supposed to be a sweet memory for them to remember basically.
So, what I’m really trying to ask you for is- how the heck do you start a story exactly and not make it into just the dialogues? Like, I want my story to be kind of long but I’m afraid it’ll be just them, y’know, talking and I really don’t want it to be boring.. therefore, I really need your help.
I am so sorry if it’s such a bad timing considering the fact that you just had an interview which I am very proud for you for that! Even if it didn’t go as expected at least you did good half of it.
Soo, yeah! I’d very much appreciate your advice and I am sooo sorry that this was soo long!!! And again, a bad timing too.. but hey if you got any time, please consider answering. Thank you..
Also any response yet? On the interview of course.
hmmm... in my experience and Knowledge Accumulated Over The Years via reading And writing... the best place to start is to just drop in. no story introduction, no "it was a dark and stormy night", just Start. it sounds like your story begins with Howdy taking the day off, so maybe kick off with him getting ready / choosing an outfit, or w/ him reflexively almost opening the store before he stops and chides himself for almost forgetting that he's taking the day off
to combat the dialogue, maybe detail him leaving the bodega to go into the neighborhood. what does he see? hear? feel both physically and mentally? is there anyone else out and about? set the scene! ive been struggling with this too lately since i haven't seriously written in a while and i haven't been reading actual books
WHICH! IMPORTANT TANGENTS!! read well-written books, Not fanfic! im not saying dont read fanfic ever or i'd be the world's biggest hypocrite, but also read actual books. it's important to study how published authors write, how stories are structured, dialogue and action. because these books have more often then not gone through a Rigorous screening process. multiple drafts, beta readers, publishers reading it with great scrutiny before agreeing to publish - of course there are exceptions, but a lot of books are the highest quality they can be, and will outshine most fics.
because, and i say all of this as good things, fics are unregulated. most dont have beta readers. a lot are from amateur authors new to the scene. there will be spelling mistakes, weird grammar & sentence structure, etc - most fics have Entirely different writing styles from each other. so if you only read fanfic, That is what your brain will learn, and it's gonna be harder for you to write.
published books have less variation in styles, and the styles are subtler. there's less spelling mistakes if any, so your spelling will improve. your internal vocabulary will expand. even if you don't consciously study what you read, your brain will pick up on & internalize patterns, how action works, how dialogue works, how to structure a story, all that good stuff.
if you want, i can recommend well-written books! i've been an avid reader since... like, ever. i've got recs galore! you can tell me your preferred genre & literary interest and i'll probably have something for you! and if you're not big on books, well... get out of your comfort zone lmao, books are fucking awesome and i guarantee there are plenty out there that you would love.
and when you're writing dialogue, intersperse it with little actions or the main povs' internal dialogue. if there's a natural lull in the conversation, explore that lull! what do the characters do in this moment? what's going on around them? sprinkle bits of setting in so that your reader knows where they are and what's going on.
plus, exploring the non-dialogue sections of your story can, and often will, spark inspiration in your brain for scenes and actions to fill out the story if you want it to be long (but also! if you just want to write the scene of their conversation, that's the beauty of fanfic - there's no requirements. do whatever you want lmao). when Howdy is going into town, maybe Wally calls him over for a quick pose - does Howdy say yes or no, and how does that decision change the story? maybe Julie invites him to join her in a game, or Eddie stops to talk to Howdy about him being out and about. maybe there are some complaints over the bodega not being open. what's the lead-up to Howdy and Barnaby running into each other? do they literally run into each other? what happens when they do? those are just a few possibilities of many!
remember, when you're writing, you're that story's god. you can do literally fucking anything. you decide what the characters do, where they go, what happens in their world. that mindset should help you bolster the plot instead of just "these two characters have a conversation", yk?
i hope this helps!
29 notes
·
View notes