#im using a mind map software on my computer
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zoyazenik · 2 years ago
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wait stop because using mind maps to plot out my romance novels is so much better for me like...???? how did i not do this before
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masterjedilenawrites · 4 years ago
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Blueberries and Cowboys: Chapter 2
A choose-your-own-adventure style fic. First, 2 platonic chapters for set-up/build-up. And then, the story will split into 2 paths depending on your romantic pairing preference: You and Thrawn, or You and Eli.
Chapter Masterlist
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Chapter 2: The Plan
Pairing: None...yet...
Chapter Warnings: Mentions of bullying
Length: 2k
AO3 Link (In case you like it better over there, it’s okay, no judgement)
The rest of the week saw the three of you using every bit of free time outside your classes and studies to gather information for Thrawn to build a solid plan.
Eli tailed his pesky classmate Arden everywhere, even skipping a class one day to break into his dorm, trying to learn anything about the guy that could be useful to get him involved in the plot. Thrawn analyzed the simulation software and protocols that would be used to administer the tests, mapping out every possible way Commander Burdick could hijack it. And you were the one spying on the Burdick himself. Since the commander didn't seem too interested in your grades, you were able to shadow him without suspicion, and had been able to slip a bug into his offices to eavesdrop on any potential conversations about his plans for sabotage.
Your classmates and the staff were none the wiser. That was the advantage of being social outcasts. Half of them avoided you all like the plague, and the other half already thought you were weird people doing weird things. So it wasn't long before you'd all gotten enough intel to work with.
It was late in the evening at the end of the week. You found yourself in Thrawn and Eli's shared dorm, which looked identical to your own in the opposite wing, because the Empire couldn't bother with things like individuality or comfort. Eli sat on the edge of his top bunk, his legs swinging casually, and his coat unbuttoned to reveal a wrinkled undershirt you knew he hadn't bothered to wash all week. Thrawn paced about in the middle of the room, his long strides only allowing him about four good steps before he had to turn around. He still had his uniform on, boots and badges and all.
You leaned against the railing of the bed, watching Thrawn as he went back and forth. Sometimes he sat still when he was scheming, with his fingers steepled and his gaze seemingly reaching into some unknown dimension beyond your comprehension. That usually happened when he was running through variables that didn't concern you, at least from his perspective. You and Eli had accepted long ago there would always be parts of his plans he would never share with you. He was kind of a control freak like that.
But tonight, he seemed to be more welcoming of collaboration, hence his steady rhythm of pacing in front of you.
"Only one variable remains, as I see it," he was saying. "We understand how the commander will manipulate the system to cause a redundancy in the simulation, thus rendering the test impossible to finish successfully."
You and Eli shared a glance; the only person who truly understood how that was going to happen was Thrawn. He'd tried explaining numerous times but when it came to codes and tech, the two of you weren't able to fully keep up.
"We also know through your investigating," Thrawn motioned to you with what you thought was an impressed look, causing you to feel a little pride, "that the commander plans to only sabotage my test, believing it will be too suspicious if Eli also fails. He will also manipulate his false code to originate from the computer of his former lover Eva Carroway, who currently works in HR. So if an investigation does ensue, it will be traced to her and not him."
You and Eli chuckled under your breaths. It had been a little amusing when you'd discovered Commander Burdick was using this plan to not only undermine Thrawn, but also get revenge on his ex-girlfriend. But even more hilarious was how awkward Thrawn treated the subject. He had been quite perplexed to learn people could be so vindictive after a break-up. And any time he explained that detail of the plan, like he was doing now, he hesitated over his word choice. You couldn't tell if he only pretended to be confused about romantic relations, or if that was truly an area he found himself lost in.
If Thrawn noticed your snickering, he didn't respond to it, only continued to recap the plan. "We have also determined how we will expose the altered code naturally, so it does not cast suspicion on us... What was the word you used?"
"Backfire," said Eli.
"Yes. It would not due to have anyone suspect that we altered the test ourselves, or to have our concerns disregarded altogether. Thus, arranging for the maintenance crew to get a mild case of food poisoning so their performance checks are postponed to occur right before the tests will take care of that variable. At the least, they will fix the altered code and I will take the test as normal. At the most, they will report it and the commander faces expulsion."
"So..." said Eli through a yawn as he stretched. "What's left to work out, then?"
Now it was time for you and Thrawn to share a look.
"Were you not interested in involving your classmate, Arden Fey?" asked Thrawn in his soft, contemplative voice.
Eli shrugged. "Yeah. But Burdick's already got his scapegoat, his ex. So it'll be easier to keep him out of it. Whatever."
You could tell he was trying to be nonchalant. But just this morning, he had spent the entire walk between classes ranting about some new insults Arden had come up with, and how badly he wanted to show the guy up once and for all. You knew your friend wasn't feeling "whatever" about it.
"It's not a matter of ease or difficulty," Thrawn stated plainly. He had stopped pacing and was standing with hands behind his back, highlighting the broadness of his shoulders and the height of his stance. His presence seemed to fill up the whole room, and not for the first time, you were glad to be his friend and not his enemy.
"Yeah," you added in encouragement. "We just have to get creative. Find a way to make Arden a more appealing scapegoat than Burdick's ex. In fact...."
You trailed off as an idea occurred to you. You darted out of the room, surely leaving your two friends perplexed, but you would only be a second. You sprinted down the corridor toward the lifts, where a bulletin hung against the wall with fliers and pamphlets. One notice was a bit larger than the others, a promotion of an upcoming gala event to celebrate the Academy's anniversary. You ripped it off and went racing back to the boys' dorm room.
Eli had come down from the bunk and held a concerned look, probably prepared to follow you if you hadn't returned so quickly. Thrawn was still standing composed, but there was a curiosity in his eyes that made you smile.
You held up the poster in front of your chest. "What do you think the likelihood is of us playing successful matchmakers this week?"
Thrawn understood your idea almost immediately, looking down on you with a pleased smirk. It made you flush a little, to know the Chiss was impressed. You rarely had a chance to contribute good ideas when his mind worked so much faster than yours.
Eli caught on next, and he started to grin, the happiest you'd seen him in a while. His smile was infectious and you grinned back. Happy looked good on him.
"We know Eva's not shy with younger guys," you explained. "Before Burdick, she was fooling around with some intern in the med bay."
"And Arden's vain enough," added Eli. "If he thinks anyone's interested, he'll go for 'em."
"So we get him to ask her to the gala as his date...." you said.
"Burdick sees the two of them together...." said Eli.
"And realizes he can get back at his lover in another way, by pinning the sabotage on another student...." joined Thrawn.
The three of you stood together, proud and satisfied that yet another plan had finally worked out. It was almost worth the stressful studying and petty bullying and all the other unpleasant things you had to endure at this god-forsaken school, just to have fun moments like this with trusted friends.
"We should attend this gala as well," Thrawn said eventually, holding out a hand for the poster. He inspected it thoughtfully. "It is only a few days before the tests, so I hadn't planned to pay it any mind. But now...."
"Yeah, we should make sure Burdick's as jealous as we want 'im," nodded Eli.
You were secretly pleased. The plan was already a win-win, but now you would be able to go to the event yourself, too. You hadn't mentioned your desire to go to either of them before, figuring they weren't interested and not wanting to sound silly if you suggested it. But you did love dancing, and it was so very rare you got a chance to wear something other than your Imperial uniform.
"It's a dance," you noted, in case they couldn't tell by the details on the poster. "We'll need to go in pairs."
"I suppose it would make the most sense for you and Eli to go together," said Thrawn quietly.
You looked between the two, realizing both of them were flushed slightly. Eli's cheeks were dotted with pink, standing out amongst his dark brown features, while Thrawn had more of a purple tint to his face now, a color you'd never seen there before. You could feel yourself growing warm and uncomfortable as well. It was only a dance... only a way for you to enact a much more important plan... but it was the first time your trio had had to engage in anything other than platonic friendship. The balance of your group seemed to be shifting ever so slightly in this moment, and you had no way of knowing if it was for good or ill.
You cleared your throat, pushing away any feelings that might have been brewing in your chest, and instead calling focus back to the mission at hand.
"Actually, I think I'd better go with Thrawn. Whoever doesn't go with me would have to find their own date, and no offense Thrawn, but I think Eli has the better chance of asking someone else."
You hoped they hadn't noticed how hollow your voice sounded, how hard you were trying to keep yourself emotionless.
Eli was pinker than ever. "Uh, I highly doubt that..."
"You're not completely hated around here, you know," you said quickly. "Definitely not with the girls. You're not bad looking, you can be charming if you try, and you're... you know, human." You glanced at Thrawn and added again quietly, "No offense."
Thrawn shook his head. His color and demeanor had already slipped back into his usual neutral self. "No, I agree. Those are the dynamics of our peers and we must work with it. I will take you to the gala, Eli will find his own date, and all three of us will push Arden and Eva together as well. It's a good plan."
You all nodded in agreement. But there was a knot in your stomach, a nervousness you didn't quite understand. You cared very much for both Thrawn and Eli. They were your best friends, your only friends. As a group, you were bonded by your ostracism, protecting and supporting each other on your journey out of this hell-hole.
And separately, you had something special with each, too. You and Eli came from similar backgrounds, and had the same need to disconnect from your surroundings and just have a bit of fun every once in a while. The two of you had spent many late nights together, either hopping between bars, exploring the city, making each other laugh uncontrollably, or quietly sharing the honest thoughts you both buried far too deeply inside. Some nights you'd done all of the above, and returned to your dorm feeling both exhausted and renewed.
But Eli didn't always appreciate the finer things in life, and that's where you connected with Thrawn. He wasn't necessarily an optimist, but he had this way of noticing the beauty that existed everywhere around you, even in the most simple or mundane of moments. Everything had the potential to be interesting. His calm but strong presence had kept you grounded and sane throughout your studies here so far. Sometimes you would talk, other times you would simply be in the same space. And either way, you felt better about life.
You didn't exactly want your relationship with them to change. But you couldn't help but feel this gala would do just that....
Next Chapter: The Preparation >
Blueberry Path | Thrawn x reader
Cowboy Path | Eli x reader
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antia-calviz · 4 years ago
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hi! i am a ridiculously huge fan of you art. just want to ask about your creative process and what advice you’d give to those trying to find an art style or start out digitally? any tips really on creating digital art! (and lastly, your most recent artwork of the handler blows my goddamn mind, the colours, the style, everything, it’s perfect)
hello! thank u so much thats so sweet! ill answer in parts!
creative process:
i think most times i think some shit up and i save an unhealthy amount of reference pictures, and based on that i try to figure out a cool/harmonious composition. i think the most important part in my process is mapping out the basic shapes / silhouettes, cuz its a “quick” way of knowing if yr design will work, like if it’s visually engaging. it’s gotta work from the silhouette stage. then i pretty much just fill in the details (face, lineart, clothes, BGs, etc).
art style:
art style comes on its own tbh. developing an art style has more to do with experimenting with stylistic and aesthetic choices so dont be afraid to try out different styles and tecnhiques! i cant stress this enough though, style is not as important as hard drawing skills like anatomy, lighting and color theory. id say start with the “boring” stuff and work your way from there! it will make your art exponentially better. master those pillars and then go crazy, go stupid.
digital art tips (ill do my best): 
theres’ a lot of hardware out there, ive only ever used Wacom and theyre really good! the simplest wacom tablet is guaranteed to do the trick and last for YEARS on end
try to not break/lose your tablet pen. theyre expensive
if you can, try out different software! tbh i only use photoshop cuz im a pussy and Clip studio scares me BUT please try different programs
WEAR GLASSES. even if you dont regularly need them, get you a pair of screen glasses cuz vision deteriorates quickly (been there done that), protect yr eyes
experiment with layers and blending modes! its really fun and you can achieve some crazy stuff by using them, dont b scared of em (i was)
if your software offers tools like 3D models, or some other stuff that will make drawing easier, USE THEM. it’s not cheating, and it will save you a lot of time and frustration
if your computer can take it, work in 600 dpi resolution at least (just learned this the hard way recently)
when doing personal work draw stuff you ENJOY drawing, pick things you can look at for 6+ hours without getting sick of it
try to practice on the tablet as often as possible, do it regularly, not only to keep growing/improving, but especially to maintain the progress youve made
draw things that scare you. most times its just a mental barrier, youll be fine even if you think its shit the first time. just keep going
progress is not lineal. sometimes youll like the result, sometimes you won’t and that normal and healthy. be prepared for that
when analyzing/critiquing your own work, pretend it’s somebody else’s. youll be more honest with yourself and less destructive
KILL YOUR DARLINGS, dont get attached to drawings. if you dont like something / a sketch is not working, it’s better to ditch it and start over
dont be too hard on yourself, and have fun!! 
this ended up being really long! i hope it helps! <3
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ambered-glazed-sheep · 5 years ago
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Please do go on about Doomslayer and his morals. I'm legit fascinated by him since starting the let's play I'm watching and I'd love to hear your take on him (I know literally nothing about the Doom franchise other than lots of blood and violence against demons and also badass music)
You know, a year ago when my friends asked me 'hey do you wanna play minecraft' and i said 'yeah sure' i would have never thought i would one day have a minecraft sideblog where i get questions about the personality of the main character of a shooter fps game (of all things!) that is known for its incredible violence.
But here you go:
(prepare yourself this has gotten way longer than i thought oh god, and also it has nothing to do with hermits whatsoever. warnings for language and descriptions of violence? and i assume the readmore won’t be working the way i want it to)
Ok so, Doom!
First of all, i know nothing about the old games, and i’ve only seen a minimal amount of Doom Eternal Letsplays. Most of this is based on Doom (2016). 
Ok so we all start out thinking Doomguy! It’s the guy you play in Doom. The hand that hold the gun YOU are shooting demons with. And sure, you can go trough the whole game with that mindset, but that’s boring and we are overthinking fictional characters in this house.
ID software actually managed to give Doomguy/Doomslayer a TON of personality despite him never saying a word, barely any cutscenes to show what he does when you don’t control him (at least in Doom 2016), and not a lot of other characters to interact with despite enemy monsters.
The game just leaves you little hints and snippets and that’s what makes Doomslayer so exciting to think about. Just the right levels between ‘cryptid half-god who never shows emotion and is a player-insert’ and ‘this dude’s got an AGENDA. he has PLACES TO BE’. You are him as you play, but sometimes he makes decisions on his own. But personally, i could never find myself to disagree.
First, you got the intro sequence. 
You got a unknown voice telling you: 
“They are rage. Brutal, without mercy. But you. You will be worse. Rip and Tear, until it is done.”
First of all, YO. WOW. HOLY SHIT.
The scene immediately shifts to Doomslayer waking up. He’s naked, he’s chained down somewhere, theresa SHIT TON of scars littering his arms and hands. First thing HE does, on his own behalf, is ripping off the chains by flexing a little (literal iron chains!!!), smashing a zombies head against the sarcophagus he lays in and completely obliterating said head into a bit of blood (mind you, three seconds after he woke up from a thousands of years long coma!! but we only learn that later), and then promptly gets up, picks up a pistol, and now it’s your, the players turn. This takes like 8 seconds in total. This man means BUSINESS. That’s the first thing we learn.
Second thing that strikes me is the interactions with Samuel Hayden. 
Doomslayer is patient when a computer voice tells him the status of the base. He is patient as he looks at the screens to see what is going on. (a demonic invasion, thats what). But then dear Dr. Samuel Hayden calls. 
Dr. Hayden says “Hi, i’m the boss here, i’m sure we can work together in a way that benefits us both uwu”. Doomslayer immediately grabs the PC screen and pushes it aside. His gesture says, i’m done with this. im sick of this dude. this guy is full of shit. And he’s right! And that after barely hearing two sentences from Hayden!
So the second thing we learn is that he has no time for people trying to exploit him. He hears Hayden, he has a gut feeling that this dude is a little fishy, maybe he just plain doesnt like higher ups and heads of facilities. But we learn that he IS. NOT. going to listen to this man, and his body language makes that very clear without being actually violent against the person (he doesnt destroy the Screen either! just pushes it aside very annoyed. He isn’t mindlessly destroying property here.)
This continues. 
Hayden goes ‘hey maybe don’t destroy that energy source!’ in the few seconds you dont control him, Doomslayer listens. He hesitates. He considers. Then he destroys the thing anyways. Hayden keeps telling him to stop, but Doomslayer doesnt listen. He’s got his own mind!
This was mostly about Haydens Company, the UAC, harvesting hell energy, and hurting people in the process. 
There’s a scene where Doomslayer rides an elevator. Hayden, over the comms, tells him that everyone that has died in the demon attack was a nacessary sacrifice that will bring a new future or some shit like that. the camera pans down to show some poor sods corpse at those very words. Doomslayer cracks his knuckles. he is NOT HAPPY about that, so we know he doesnt like it when human lifes are sacrificed. He destroys the communicator, so he doesnt have to listen to Haydens voice telling him lies and trying to sway him anymore. 
(then he takes out his shotgun, the doors open, metal starts playing and the doom logo is shown, but that’s more about making the player feel epic than showing doomslayers personality,,)
Now i would like to talk about VEGA, the AI that controls the mars facility. 
VEGA occasionally talks to us/the Slayer. He is very straightforward, tells us what to do and why to do it, and is generally very polite. In the story, Doomslayer listens to Vega. 
Now why does he listen to VEGA but not Hayden? 
I think it’s because Hayden tries to get him to do things that just benefit him, and Hayden is very manipulative in his words (or tries to be lol), while Vega just says (if you destroy this thing, that door will open. I think Doomslayer appreciates it when people are honest to him.
And in the end, Doomslayer on his own decides to save a backup of VEGA. VEGA didn’t ask him to, Doomslayer did that on his own. It’s not relevant to his mission, he doesnt need VEGA to go to hell to close portals and whatnot. But he does save him. Why? I think it’s because he cares. Because he’s come to like VEGA. Because Vega didn’t try to manipulate him and screw him over. 
Next up is the Slayers Testament. 
These are a bunch of writings/recordings that you find scattered in the hell levels. (i highly recommend listening to them/reading them, they are metal as fuck and give me such an immense feeling of power bc they are talking about me, the doomslayer)
These testaments were written by demons. They were genuinely afraid of the slayer. 
Quote:
Unbreakable, incorruptible, unyielding, the Doom Slayer sought to end the dominion of the dark realm.
As said, i don’t think these are purely talking about his physical strength. They are talking about his... well, mentality. His Codex. They see him as an unstoppable force. He is incorruptible. Let that sink in. Man walks trough hordes of demons and at no point ever thinks ‘yeah maybe this is a bit much’ or ‘they just keep coming this is pointless’. No. He’s unyielding. (Can you tell how much i love the words in these testaments? It’s just got such a nice ring to it.)
In battle, the Doomslayer is BRUTAL. He tears apart demons, rips their eyes out, all that. He stomps on heads like they’re water balloons and isn’t fazed at all. Nothing stops this man. (except players like me who fall off the map 5 consecutive times, but lets just imagine the doomslayer is actually like he would be if someone played the game perfectly. player skill shouldn’t be considered in my headcanons jahdjhgd) One could even argue he has fun at this, because there are some animations like ripping off a zombies arm and beating the Zombie with it, or feeding a demon it’s own heart.
I feel like that says a lot about his personality as well!
He doesn’t hesitate. He doesn’t doubt himself. He doesn’t question his cause! He fights to get rid of the demons, not just the ones in his way, but every. demon. He will go out of his way to kill more demons. You could either take this as him having fun, or him following his own moral codex to get rid of every demon, or him being a not-quite-human war machine, or wanting to protect humanity from them. 
I would say it’s a healthy mix of all that :D
In older games, there was this whole backstory snippet of him returning to earth, finding that the demons had invaded his planet but also killed his pet rabbit (Daisy), and he then goes onto a 2-game long revenge trip.Take that as you will.
The last thing i would like to mention is this post.
Please watch the video. Doomguy walks trough the rows of random human guards. This is the walk of a man who doesn’t owe them SHIT. Yes, he wants to save humanity. Yes, he cares. But he also knows who he is. He knows what he did, and what he will do. He doesn’t have to justify himself in front of these shady scientists and jerky guards.THEY owe HIM, in fact. This video emits the sheer CONFIDENCE of someone who has walked trough hell multiple times and knows none of these people could even touch him. Yes, he would never kill them. He would not harm humans. But he doesn’t care about making them uncomfortable with his presence, either. He doesnt ask for permission.
(i think by now i am using the exact same words they did in that post. really, its worth the read. i think there’s a lot of repeated things between this post and that post by now but i encourage you to watch that video. its worth it.)
Also, the impact he has on the people in this room! they trip. they walk backwards. they go quiet, stutter. they are intimidated. They know he’s technically here to help and save them, but now, standing in front of them.... just wow. it really puts things into perspective. it tells the player that all the demons that he’s killed, all that the doomslayer has done... its noted. it has an impact. 
I’m not really sure where i’m going with this anymore, but watching those NPCs react to the slayers presence just adds so much more to his character. it tells us how people see him, and boy.... do they see him. 
i think it also ties a lot into how the player is made feel, controlling doomguy. all these head stomping and limp tearing animations, the guns, people being scared, watching doomslayer destroy important equipment from first pirson or pushing open doors or whatever... it just gives me such an immense feeling of power! i can’t even describe it. (...it also has nothing to do anymore with the original question but holy shit did i love playing doom for the sheer atmosphere of it. despite me being horrible at playing.)
(at the end of this i’m realizing that all of this never addressed if doomslayer is happy and content murdering demons, or if he just wants his peace and quiet but can’t help himself every time he sees a demon. i would propose to leave that up to headcanons. mine is a mix of both but in a way that makes it not angsty. like he loves to have his calm moments, but is just as happy to rip some demon’s spine out. probably gets a little itchy and impatient if he hasn’t fought in a while.)
also if you’re interested in game design and way more professional people talking about why doom 2016 is great i reccomend this documentary
...anyways it’s past 1am and this has gotten way out of hand but
tl;dr: the doomslayer is metal as fuck, he has a lot of agenda he is following, and i love him so much
#amber talks#doom#where do i even begin with this?#i wanted to answer this in the morning but that was over an hour ago now#jdakjsdhasdjh i can't help myself theres so much to say about doom!!!!#you asked for this anon#it's just so... *clenches fist*#i forgot of course that the music is pretty much the best thing ever and i've been listening to it SO MUCH while writing litve#everything about this game is designed to make you feel powerful and HOLY SHIT is it working#id software did a great job#i watched a whole documentary on this it was great#...yeah i study 3d stuff this is pretty much in m#my field haha#i've just had all these feelings in me for months and now that someone showed the slightest hint of interest it's all coming out#sorry its so unorganized i tried to at least take one point after the other#now to write another essay on why the slayer and the mandalorian are very alike in some parts but mando is so much softer#(its because slayer has been trough hell and back while mando still has hope in the world)#(i mean mando is a jaded and tough bounty hunter but all that he is doomslayer is cranked up to eleven)#(shush now i said in another essay! go to bed)#(....its not gonna be an essay its gonna be a fanfic and its gonna be great)#(mando is such a softie......)#*pushes my mando/slayer agenda on my side blog as well* ah i see#long post#...very long post#hey i've hit 2k words with this!#....i've written litve chapters that are shorter#EDIT: WAIT FUCK I THINK I MIXED UP THE SECURITY GUARDS LINES WITH A FIC I READ ONCE#or did i gave EX that line in the last ask i answered????#i'm??? im gonna go to sleep lol
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interiorsnahas · 3 years ago
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How to configure drivers in rslinx classic
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#How to configure drivers in rslinx classic how to#
#How to configure drivers in rslinx classic drivers#
#How to configure drivers in rslinx classic full#
#How to configure drivers in rslinx classic software#
#How to configure drivers in rslinx classic Pc#
2.53.00.05 and having some problems with connecting to my SLC5/03.įortunately, each app will remember your preference, so you’ll only have to do it once.
#How to configure drivers in rslinx classic Pc#
I am running Vista on my PC which I dont think is supposed to be compatable with my version of RSLogix, but I can use it to write the program without any errors. However, when i try to connect connect to the PLC I get the following message: "Configuring the setting direclty to a Linx Gateway is not allowed.
#How to configure drivers in rslinx classic how to#
Add a new TCP driver ("Remote Devices via Linz Gateway") in RSLinx Classic, and then select your path through this driver." I tried doing what it says but im not exactly sure how to "select your path through this driver." I created the new driver and put the name of my serial driver(AB_DF!-1) into the Remote driver name field, but the PLC doesnt show up under this driver.
#How to configure drivers in rslinx classic software#
This software is used to configure the serial communications driver. What driver are you using in RSLinx Classic If this is really a serial card, then the best approach might be to run your client software on Windows NT in VMWare Workstation with the existing OS and the existing version of RSLinx. So is this just because my version isn't compatible with Vista or will O run into this same problem once i get the new ver 8.0(which i think is vista compatable). The RSLinx Classic Lite - RSWho - 1 dialog appears, showing the Ethernet pathways. VMWare will provide a Windows COMx serial port interface that you can map to a modern Windows 7 plug-and-play serial device on the host PC. Unfortunately, I dont have the support contract at the moment to get 8.0.RSLogix 500 Emulator brings a lot of capability & accessibility to those who don’t have access to hardware or simply want to test certain logic before deployment. Working in RSLogix 500 Emulate is straight forward once everything is working & talking properly. However, it’s somewhat tricky to get this going for the first time.
#How to configure drivers in rslinx classic full#
In this tutorial, we will be exploring how to get started in RSLogix 500, RSLinx & RSLogix 500 Emulate in order to bring a full program online within our computer. This tutorial builds upon the last few pieces of content which we’ve released. Getting Started with RSLogix 500 & MicroLogix 1100 PLCĬreating an RSLogix 500 Emulate Driver in RSLinx.Downloading RSLogix 500, RSLogix 500 Emulate & RSLinx.It is therefore recommended to check them out before jumping into this topic. Anc-120e rslinx classic ethernet/ip communication driver rockwell automation usb.
#How to configure drivers in rslinx classic drivers#
We’ve looked at how to set up drivers in our previous tutorial on Connecting to MicroLogix 1100 PLC. Does any ony have been unable to allen bradley rslinx Windows always says it cant find the driver and i have been unable to locate it on abs site. This vision led Hercules to create the very first dual-deck DJ controller for computers to feature a built-in audio interface, launched in 2003. However, this process is slightly different due to the fact that we have a “virtual” driver which will point to our PC. Just as before, we navigate into the RSLinx Classic interface and enter into the “Configure Drivers” menu. Once here & while the computer has RSLogix 500 Emulate installed, you should be able to select a driver which is called “SLC 500 (DH485) Emulator driver”. Keep in mind that this driver will only be visible if you’ve properly installed the tools we’ve talked about in the download section. If you haven’t make sure to follow the tutorial link below.ĭownload RSLogix 500, RSLogix 500 Emulate & RSLinx. Once you click on “Add New…”, a pop-up will appear and require you to make a few selections. Give your driver a unique name and set the number of your station to 0. This number represents the location of your PC the default number should be fine. Now that the driver is in place, you can check that it’s working correctly by expanding it within the main view. Downloading the Tools - RSLogix 500, Emulate and RSLinx. At this point, it should only show your workstation in location 00. From the next page, you will be redirected to a firmware download. It is thus important to hit the '+' button which will expand the display and show the different versions available for download. #RSLINX CLASSIC COPY CONFIGURE DRIVERS FULL# #RSLINX CLASSIC COPY CONFIGURE DRIVERS DRIVER# #RSLINX CLASSIC COPY CONFIGURE DRIVERS SERIAL# #RSLINX CLASSIC COPY CONFIGURE DRIVERS HOW TO#
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kaspianj · 3 years ago
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Technological stoicism
I would call myself a creative technologist.
Technology has always interested me since a young age and being able to visualize and most importantly, realize ideas and projects using computers has been a huge asset.
As a digital native, computers and software are second nature to me. Debugging and problem-solving is skills that developed in parallel to my normal development curve, with my technological skills deepening in width and extent.
My three brothers were a great source of information, motivation, and inspiration. But when they moved out of our family home, or when they couldn't provide me with the info I needed I had to search for knowledge and documentation myself. This quickly led me to develop high proficiency in English.
One problem I stumbled upon when I was around 9 years old was when trying to follow video tutorials during the early days of YouTube. I had just stumbled upon 3D rendering and was eager to render my version of the Death Star. The guy in the tutorial said to press control-C, but unbeknownst to me, he was from Australia. Hard for a 9-year-old to deduce.
Through trial and error, I learned all kinds of things. From discovering Google Image Search, setting up game servers for CS and GMod, pirating games, bootstrapping an internet radio station, managing our family server (which resided in a closet), creating maps of familiar places, running hoaxes on Facebook through 3D rendered "found" footage of robots, programming a matrix text-game in python, dedicating a summer to creating games in BGE, learning correct 3D modeling, learning Unity, UE4, 3Ds Max, Photoshop, AR, VR, UX, and the list goes on.
My approach to solving problems and apparent roadblocks isn't without its drawbacks though. I can be very stubborn regarding solving a particular problem because I sense a feeling of familiarity, which can be incorrect. I seldom read an extensive amount of documentation before diving head-first to solve the problem. I do what I deem necessary.
I have almost a perverse attraction to researching the best/newest/most interesting framework/engine/language for a particular problem. Albeit in the shortest, most effective time possible. This has led me to learn new things almost every week, experiences that often are interchangeable within similar paradigms or concepts.
Curiosity is a key aspect that I try to stimulate as much as possible. Mindfulness and being able to observe my sudden excursions in thought and action is another.
My biggest fear is to grow bitter in regards to tech or people. We'll see if my hypothetical medicine, curiosity, will cure this IME inevitable disease.
Hopefully.
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kieranconveyma · 5 years ago
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Practice 1 Assignment 2: Places of Mind
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These are my final renders I decided to use Arnold again for the final renders as I did originally attempt UE4 but am still getting to know the software as last weeks computer issues have put me a bit behind schedule with learning this although I am getting to know more and more in the software and am feeling a little bit better this week about this weeks submission, I did attempt to do a UE4 submission but my computer kept freezing when using one of the free Quixel Megascans but its a basic laptop, although this may be able to be fixed once I can properly use the Teradici and use the software on the uni machines. I changed laptops as of this week to my third one as this seems to the only one where Im capable of using the software although I am planning to sell and replace the laptop with the issues so will hopefully be able to speed up my workflow by doing this.
I decided to model the bridge after my local bridge near my house and attempt a recreation of Rochester Bridge but attempted to make it brass coloured and look more rusty to make it appear a bit less cared for due to the coldness and secrecy of the climate. I thought of doing it in some mountains in a polar like climate as I feel when you look at the North and South poles and the unexplored territory and with how adaptable humanity can be, there is a certain mystery with what could be out there so I included the mountains but tried to make the texture look a little like The Rockies on the Canadian and American border. I made a library on one side and tried to create a general, stereotypical building that you would expect from a library and also recreated my own nightclub from my imagination and made it modern. I looked at a tutorial on how to make a neon sign. I didn’t know what to call the nightclub, so I decided to call it Barr Sleibhe pronounced Barr Sliveigh which translates to Mountain Top in the Irish language which is pretty well unknown to most. My paternal family side is all Irish so decided to make a reference using this and I feel like this makes the nightclub look like a trendy name in a foreign land. 
For the ground and the snow I used a plane and did 100 H x100 W and used the sculpt tool to create all the bumps and curves in the ground for the snow which I feel has a very good effect, and then reduced the roughness in the texture. For the mountains I used a 900 H x 900 W in another document and cranked up the strength to 100 and the sensitivity to around 50 which created the mountains I then reduced these to create the affect and slope downward and created the cave doorway by conjoining each side into the secret place of the mind. I then imported this as a reference into my scene to keep the memory down.
I feel if I was to develop this further Id reattempt the backdrop and mountains in Unreal Engine and use a mega-scan map to show more evidence of the games development pipeline as Id like to get to know the games engines although I am primarily a props maker and 3D modelling set builder. I am also hoping Ill have some newfound knowledge in substance painter as I could then create better textures for my projects.
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whatspriceofthe · 5 years ago
Video
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Elgato Stream Deck - Live Content Creation Controller with 15 customizable LCD keys, adjustable stand, for Windows 10 and ...https://amzn.to/2ZqBldJ #Apple_iPhone #Apple_iPad #MacBook #Apple_Watch #Apple_TV https://amzn.to/2ZqBldJ - Elgato Stream Deck - Live Content Creation Controller with 15 customizable LCD keys, adjustable stand, for Windows 10 and ... I do a lot of editing in FinalCut Pro X. Im really bad at remembering shortcut keys. This solved my problem. I was able to design a layout with my most used function keys and now have shuttle, zoom, editing, timing and other functions - quite literally - at my fingertips. While designed for many on-line activities, this little gem can be programmed to control many programs. Im in the process of adding basic control keys for things like Logic X, word processing and other apps I use on a regular basis. The ability to create and assign your own icons is very cool allowing the visual cue to be exactly what triggers my mental response to "I need to make it go forward." Worth looking into if you do any repetitive tasks on your computer. So Ive read numerous reviews on this device prior to purchase, and my son (the techie) bought one first. He explained it in detail and told me his uses for it. Naturally, I bought one too after he sold me on it. I use it mainly for streaming, but also have some quick launch applications on it. You can basically program this device to perform just about anything with the touch of a button or two. The software is self-explanatory and programming just takes your time to determine what you want. I have made several folders on my home page (initial display screen) and use them for my purpose. Example: Folder titled music - when I press that button, I have a quick launch to my windows media player and also skip forward, backward, play/pause, volume up, and volume down. By using the stream deck I never have to change a screen or minimize to start, pause, or change volume on music while gaming. Another folder labeled "stream" has quick messages for my chat, current stream settings (starting, live, break, etc.) and additional folders for sound effects and messages for my chat, a record button, a voice mod button, and a stream viewer count. every folder can contain additional folders for a basic unlimited use of your buttons. Mine has 15 buttons, but given the possibilities, I could have gone with fewer. It would just require a few more clicks to get to my selection if I made too many folders.Long story short... If you are looking for a quick way to make your computer perform a function, then this device might be for you. Read about the capabilities and you are limited only by your imagination. I will add that you might want to have a plan. I re-mapped my keypad multiple times while trying to make up my mind. changed how I use my computer in a great way. Was not expecting it to be so small but it works and fits the setup amazingly. WOW! This is great for voice modding. It even suggests a program that has a bunch to try out. The buttons feel good when pressed, and you can control the brightness of them. you can program pretty much anything to them, keystrokes, apps, folders, etc. 10/10 would recommend. I got it for a present, set it up and did a stream on Twitch.IT IS WORTH IT! Makes switching settings/scenes on SLOBS/OBS so much easier. It made my transitions practically flawless! I regret not buying this sooner, it really makes my life so much easier. When I stream I can keep eye contact with the camera and just hit the buttons silently, no more hearing my mouse clicks on the stream. My transitions are smoother because I’m not worrying about them. I can focus on making great content. I started to do streaming then opted to do something else - What to do with my Streamdeck? Let me tell you there is alot you can do. I use it for Photoshop, My HTML Editor, Gaming Profiles and thats not even using the builtin macros and OBS Studio, Youtube, etc... stuff thats built in.. Ultimately I used mine for a gaming keyboard inside my MFD -- see the pic Update 2/9/184/5 stars- Elgato replaced the malfunctioning Stream Deck and it works like a charm so far. Thanks.Old Review for Stream deck with bad issues- 1/5 star original review rateWithin literally 4 hours of use, the colors of the lights went "negative" and formed a line of seemingly dead white pixels across the top 5 buttons.The buttons themselves still seem to work as intended but the thing sure is ug... by Shopping Reviews
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weddings2018-blog · 7 years ago
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Realistic Cisco CCNA Security 210-260 Passing Score Exam Dumps <<== Free Download 210-260 Passing Score Vce In Pdf Format Now
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maciaslucymua-blog1 · 7 years ago
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Heat Up 2 VST Crack With Serial Keygen Free Full Download
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sunkissedaquarius-blog · 8 years ago
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spberry-blog1 · 8 years ago
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Profit Builder 2 Current Information
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viralhottopics · 8 years ago
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Libor scandal: the bankers who fixed the worlds most important number | Liam Vaughan and Gavin Finch
The Long Read: With arrogant disregard for the rules, traders colluded for years to rig Libor, the banks lending rate. But after the crash, the regulators were on their trail
At the Tokyo headquarters of the Swiss bank UBS, in the middle of a deserted trading floor, Tom Hayes sat rapt before a bank of eight computer screens. Collar askew, pale features pinched, blond hair mussed from a habit of pulling at it when he was deep in thought, the British trader was even more dishevelled than usual. It was 15 September 2008, and it looked, in Hayess mind, like the end of the world.
Hayes had been woken up at dawn in his apartment by a call from his boss, telling him to get to the office immediately. In New York, Lehman Brothers was hurtling towards bankruptcy. At his desk, Hayes watched the world processing the news and panicking. As each market opened, it became a sea of flashing red as investors frantically dumped their holdings. In moments like this, Hayes entered an almost unconscious state, rapidly processing the tide of information before him and calculating the best escape route.
Hayes was a phenomenon at UBS, one of the best the bank had at trading derivatives. So far, the mounting financial crisis had actually been good for him. The chaos had let him buy cheaply from those desperate to get out, and sell high to the unlucky few who still needed to trade. While most dealers closed up shop in fear, Hayes, with a seemingly limitless appetite for risk, stayed in. He was 28, and he was up more than $70 million for the year.
Now that was under threat. Not only did Hayes have to extract himself from every deal he had done with Lehman, he had also made a series of enormous bets that in the coming days interest rates would remain stable. The collapse of Lehman Brothers, the fourth-largest investment bank in the US, would surely cause those rates, which were really just barometers of risk, to spike. As Hayes examined his trading book, one rate mattered more than any other: the London interbank offered rate, or Libor, a benchmark that influences $350 trillion of securities and loans around the world. For traders such as Hayes, this number was the Holy Grail. And two years earlier, he had discovered a way to rig it.
Libor was set by a self-selected, self-policing committee of the worlds largest banks. The rate measured how much it cost them to borrow from each other. Every morning, each bank submitted an estimate, an average was taken, and a number was published at midday. The process was repeated in different currencies, and for various amounts of time, ranging from overnight to a year. During his time as a junior trader in London, Hayes had got to know several of the 16 individuals responsible for making their banks daily submission for the Japanese yen. His flash of insight was realising that these men mostly relied on inter-dealer brokers, the fast-talking middlemen involved in every trade, for guidance on what to submit each day.
Brokers are the middlemen in the world of finance, facilitating deals between traders at different banks in everything from Treasury bonds to over-the-counter derivatives. If a trader wants to buy or sell, he could theoretically ring all the banks to get a price. Or he could go through a broker who is in touch with everyone and can find a counter-party in seconds. Hardly a dollar changes hands in the cash and derivatives markets without a broker matching the deal and taking his cut. In the opaque, over-the-counter derivatives market, where there is no centralised exchange, brokers are at the epicentre of information flow. That puts them in a powerful position. Only they can get a picture of what all the banks are doing. While brokers had no official role in setting Libor, the rate-setters at the banks relied on them for information on where cash was trading.
Most traders looked down on brokers as second-class citizens, too. Hayes recognised their worth. He saw what no one else did because he was different. His intimacy with numbers, his cold embrace of risk and his unusual habits were more than professional tics. Hayes would not be diagnosed with Aspergers syndrome until 2015, when he was 35, but his co-workers, many of them savvy operators from fancy schools, often reminded Hayes that he wasnt like them. They called him Rain Man.
By the time the market opened in London, Lehmans demise was official. Hayes instant-messaged one of his trusted brokers in the City to tell him what direction he wanted Libor to move. Typically, he skipped any pleasantries. Cash mate, really need it lower, Hayes typed. Whats the score? The broker sent his assurances and, over the next few hours, followed a well-worn routine. Whenever one of the Libor-setting banks called and asked his opinion on what the benchmark would do, the broker said incredibly, given the calamitous news that the rate was likely to fall. Libor may have featured in hundreds of trillions of dollars of loans and derivatives, but this was how it was set: conversations among men who were, depending on the day, indifferent, optimistic or frightened. When Hayes checked the official figures later that night, he saw to his relief that yen Libor had fallen.
Hayes was not out of danger yet. Over the next three days, he barely left the office, surviving on three hours of sleep a night. As the market convulsed, his profit and loss jumped around from minus $20 million to plus $8 million in just hours, but Hayes had another ace up his sleeve. ICAP, the worlds biggest inter-dealer broker, sent out a Libor prediction email each day at around 7am to the individuals at the banks responsible for submitting Libor. Hayes messaged an insider at ICAP and instructed him to skew the predictions lower. Amid the chaos, Libor was the one thing Hayes believed he had some control over. He cranked his network to the max, offering his brokers extra payments for their cooperation and calling in favours at banks around the world.
By Thursday, 18 September, Hayes was exhausted. This was the moment he had been working towards all week. If Libor jumped today, all his puppeteering would have been for nothing. Libor moves in increments called basis points, equal to one one-hundredth of a percentage point, and every tick was worth roughly $750,000 to his bottom line.
For the umpteenth time since Lehman faltered, Hayes reached out to his brokers in London. I need you to keep it as low as possible, all right? he told one of them in a message. Ill pay you, you know, $50,000, $100,000, whatever. Whatever you want, all right?
All right, the broker repeated.
Im a man of my word, Hayes said.
I know you are. No, thats done, right, leave it to me, the broker said.
Hayes was still in the Tokyo office at 8pm when that days Libors were published. The yen rate had fallen 1 basis point, while comparable money market rates in other currencies continued to soar. Hayess crisis had been averted. Using his network of brokers, he had personally sought to tilt part of the planets financial infrastructure. He pulled off his headset and headed home to bed. He had only recently upgraded from the superhero duvet hed slept under since he was eight years old.
Hayess job was to make his employer as much money as possible by buying and selling derivatives. How exactly he did that the special concoction of strategies, skills and tricks that make up a traders DNA was largely left up to him. First and foremost he was a market-maker, providing liquidity to his clients, who were mostly traders at other banks. From the minute he logged on to his Bloomberg terminal each morning and the red light next to his name turned green, Hayes was on the phone quoting guaranteed bid and offer prices on the vast inventory of products he traded. Hayes prided himself on always being open for business no matter how choppy the markets. It was his calling card.
Hayes likened this part of his job to owning a fruit and vegetable stall. Buy low, sell high and pocket the difference. But rather than apples and pears, he dealt in complex financial securities worth hundreds of millions of dollars. His profit came from the spread between how much he paid for a security and how much he sold it for. In volatile times, the spread widened, reflecting the increased risk that the market might move against him before he had the chance to trade out of his position.
All of this offered a steady stream of income, but it wasnt where the big money came from. The thing that really set Hayes apart was his ability to spot price anomalies and exploit them, a technique known as relative value trading. It appealed to his lifelong passion for seeking out patterns. During quiet spells, he spent his time scouring data, hunting for unseen opportunities. If he thought that the price of two similar securities had diverged unduly, he would buy one and short the other, betting that the spread between the two would shrink.
Everywhere he worked, Hayes set up his software to tell him exactly how much he stood to gain or lose from every fraction of a move in Libor in each currency. One of Hayess favourite trades involved betting that the gap between Libor in different durations would widen or narrow: whats known in the industry as a basis trade. Each time Hayes made a trade, he would have to decide whether to lay off some of his risk by hedging his position using, for example, other derivatives.
Hayess dealing created a constantly changing trade book stretching years into the future, which was mapped out on a vast Excel spreadsheet. He liked to think of it as a living organism with thousands of interconnected moving parts. In a corner of one of his screens was a number he looked at more than any other: his rolling profit and loss. Ask any decent trader and he will be able to give it to you to the nearest $1,000. It was Hayess self-worth boiled down into a single indisputable number.
Tom Hayes was a phenomenon at UBS, one of the best the bank had at trading derivatives. Photograph: Bloomberg via Getty Images
By the summer of 2007, the mortgage crisis in the US caused banks and investment funds around the world to become skittish about lending to each other without collateral. Firms that relied on the so-called money markets to fund their businesses were paralysed by the ballooning cost of short-term credit. On 14 September, customers of Northern Rock queued for hours to withdraw their savings after the bank announced it was relying on loans from the Bank of England to stay afloat.
After that, banks were only prepared to make unsecured loans to each other for a few days at a time, and interest rates on longer-term loans rocketed. Libor, as a barometer of stress in the system, reacted accordingly. In August 2007, the spread between three-month dollar Libor and the overnight indexed swap a measure of banks overnight borrowing costs jumped from 12 basis points to 73 basis points. By December it had soared to 106 basis points. A similar pattern could be seen in sterling, euros and most of the 12 other currencies published on the website of the British Bankers Association each day at noon.
Everyone could see that Libor rates had shot up, but questions began to be asked about whether they had climbed enough to reflect the severity of the credit squeeze. By August 2007, there was almost no trading in cash for durations of longer than a month. In some of the smaller currencies there were no lenders for any time frame. Yet, with trillions of dollars tied to Libor, the banks had to keep the trains running. The individuals responsible for submitting Libor rates each day had no choice but to put their thumb and forefinger in the air and pluck out numbers. It was clear that their best guesses were unrealistically optimistic.
A game of brinkmanship had developed in which rate-setters tried to predict what their rivals would submit, and then come in slightly lower. If they guessed wrong and input rates higher than their peers, they would receive angry phone calls from their managers telling them to get back into the pack. On trading floors around the world, frantic conversations took place between traders and their brokers about expectations for Libor.
Nobody knew where Libor should be, and nobody wanted to be an outlier. Even where bankers tried to be honest, there was no way of knowing if their estimates were accurate because there was no underlying interbank borrowing on which to compare them. The machine had broken down.
Vince McGonagle, a small and wiry man with a hangdog expression, had been at the enforcement division of the Commodity Futures Trading Commission (CFTC) in Washington for 11 years, during which time his red hair had turned grey around the edges. A practising Catholic, McGonagle got his law degree from Pepperdine University, a Christian school in Malibu, California, where students are prepared for lives of purpose, service and leadership.
While his classmates took highly paid positions defending companies and individuals accused of corporate corruption, McGonagle opted to build a career bringing cases against them. He joined the agency as a trial attorney and was now, at 44, a manager overseeing teams of lawyers and investigators.
McGonagle closed the door to his office and settled down to read the daily news. It was 16 April, 2008, and the headline on page one of the Wall Street Journal read: Bankers Cast Doubt on Key Rate Amid Crisis. It began: One of the most important barometers of the worlds financial health could be sending false signals. In a development that has implications for borrowers everywhere, from Russian oil producers to homeowners in Detroit, bankers and traders are expressing concerns that the London interbank offered rate, known as Libor, is becoming unreliable.
The story, written at the Journals London office near Fleet Street, went on to suggest that some of the worlds largest banks might have been providing deliberately low estimates of their borrowing costs to avoid tipping off the market that theyre desperate for cash. That was having the effect of distorting Libor, and therefore trillions of dollars of securities around the world.
The journalists sources told him that banks were paying much more for cash than they were letting on. They feared if they were honest they could go the same way as Bear Stearns, the 85-year-old New York securities firm that had collapsed the previous month.
The big flaw in Libor was that it relied on banks to tell the truth but encouraged them to lie. When the 150 variants of the benchmark were released each day, the banks individual submissions were also published, giving the world a snapshot of their relative creditworthiness. Historically, the individuals responsible for making their firms Libor submissions were able to base their estimates on a vibrant interbank money market, in which banks borrowed cash from each other to fund their day-to-day operations. They were prevented from deviating too far from the truth because their fellow market participants knew what rates they were really being charged. Over the previous few months, that had changed. Banks had stopped lending to each other for periods of longer than a few days, preferring to stockpile their cash. After Bear Stearns there was no guarantee they would get it back.
With so much at stake, lenders had become fixated on what their rivals were inputting. Any outlier at the higher that is, riskier end was in danger of becoming a pariah, unable to access the liquidity it needed to fund its balance sheet. Soon banks began to submit rates they thought would place them in the middle of the pack rather than what they truly believed they could borrow unsecured cash for. The motivation for low-balling was not tied to profit many banks actually stood to lose out from lower Libors. This was about survival.
Ironically, just as Libors accuracy faltered, its importance rocketed. As the financial crisis deepened, central bankers monitored Libor in different currencies to see how successful their latest policy announcements were in calming markets. Governments looked at individual firms submissions for clues as to who they might be forced to bail out next. If banks were lying about Libor, it was not just affecting interest rates and derivatives payments. It was skewing reality.
There was no inkling at this stage that traders such as Hayes were pushing Libor around to boost their profits, but here was a benchmark that relied on the honesty of traders who had a direct interest in where it was set. Libor was overseen by the British Bankers Association (BBA). In both cases, the body responsible for overseeing the rate had no punitive powers, so there was little to discourage firms from cheating.
When McGonagle finished reading the Wall Street Journal article, he emailed colleagues and asked them what they knew about Libor. His team put together a dossier, including some preliminary reports from within the financial community. In March, economists at the Bank for International Settlements, an umbrella group for central banks around the world, had published a paper that identified unusual patterns in Libor during the crisis, although it concluded these were not caused by shortcomings in the design of the fixing mechanism.
A month later, Scott Peng, an analyst at Citigroup in New York, sent his customers a research note that estimated the dollar Libor submissions of the 18 firms that set the rate were 20 to 30 basis points lower than they should have been because of a prevailing fear among the banks of being perceived as a weak hand in this fragile market environment.
While there was no evidence of manipulation by specific firms, McGonagle was coming around to the idea of launching an investigation.
In 2009, Hayes was lured away from UBS to join Citigroup. The head of Citigroups team in Asia, the former Lehman banker Chris Cecere, a small, goateed American with a big reputation for finding new ways to make money, had been given millions of dollars to attract the best talent and Hayes was his round-one pick.
It wasnt just the $3m signing bonus that had won Hayes over. The promise of a fresh start at one of the worlds biggest banks, with him at centre stage in its aggressive expansion into the Asian interest-rate derivatives market, had proved too tempting to resist. After persuading him to join, Cecere boasted to colleagues that hed found a real fucking animal, who knows everybody on the street.
Citigroup in Canary Wharf, London Photograph: DBURKE / Alamy/Alamy
Cecere set in motion plans for Citigroup to join the Tibor (Tokyo interbank offered rate) panel which, Hayes would crow, was even easier to influence than Libor because fewer banks contributed to it. Hayes wanted to hit the ground running when he started trading, and being able to influence the two benchmarks that helped determine the profitability of the bulk of his positions was an important step. Another was bringing Citigroups own London-based Libor-setters on board.
On the afternoon of 8 December, Cecere was at his desk on the Tokyo trading floor. He had an office but seldom used it, preferring to be amid the action. He believed that six-month yen Libor was too high. After checking the submissions from the previous day, he was surprised to see that Citigroup had input one of the highest figures.
Cecere contacted the head of the risk treasury team in Tokyo, Stantley Tan, and asked him to find out who the yen-setter was and request that he lower his input by several basis points. It turned out the risk treasury desk in Canary Wharf was responsible for the banks Libor submissions.
I spoke to our point man in London, Tan wrote back to Cecere that afternoon. I have asked him to consider moving quotes [lower].
Cecere checked the Libors again later that night and was annoyed to see that Citigroup had only reduced its six-month rate by a quarter of a basis point.
He wrote to Tan, Can you speak with him again?
The following day, Tan went back to the treasury desk in London as requested. He also forwarded the message chain to Andrew Thursfield, Citigroups head of risk treasury in London. The response he got back from his UK counterpart left little room for misinterpretation: it was a thinly veiled warning to back off.
Hayes, who sat just behind his boss, was not on the email chain, but Cecere sent it to him.
Thursfield was a straitlaced man in his forties who had spent more than 20 years in risk management at Citigroup after joining as a graduate trainee. He saw himself as the guardian of the firms balance sheet and didnt take kindly to being told how to do his job by a pushy trader who knew nothing of the intricacies of bank funding.
Rather than lowering the inputs, Thursfields team increased its submission days later, pushing the published Libor rates higher. Hayes would have to try a different tack. On 14 December he sent an email to his London counterpart, asking him to approach the rate-setters directly.
Do you talk to the cash desk and did we know in advance? Hayes asked, referring to the banks decision to bump up its Libor submissions. We need good dialogue with the cash desk. They can be invaluable to us. If we know ahead of time we can position and scalp the market.
What Hayes didnt realise was that no amount of schmoozing was going to get the rate-setters onside. Unlike some banks, Citigroup was taking the CFTCs investigation into Libor seriously. In March 2009, Thursfield had personally delivered an 18-page presentation via video link to investigators on the rate-setting process. The cash traders werent about to risk their necks for someone they didnt know who worked on the other side of the world.
It wasnt just that they knew they were being watched. Thursfield was not only a stickler for the rules but had taken a personal dislike to Hayes when the pair had met three months earlier. It was October 2009, shortly after Hayes had accepted the job at Citigroup, and his boss had sent him to London to meet the banks key players.
Good to meet you. You can help us out with Libors. I will let you know my axes, Hayes said by way of an opening gambit when he was introduced to Thursfield.
Unshaven and dishevelled, Hayes told the Citigroup manager how the cash desk at UBS frequently skewed its submissions to suit his book. He boasted of his close relationships with rate-setters at other banks and how they would do favours for each other. Hayes was trying to charm Thursfield, but he had badly misjudged the man and the situation. The following day Thursfield called his manager, Steve Compton, and relayed his concerns.
Once you stray on to talking about Libor fixings, I mean we just paid another $75,000 bill to the lawyer this week for the work theyre doing on the CFTC investigation, Thursfield said. Whoever is the desk head, or whatever, [should] have a close watch on just what hes actually doing and how publicly. Its all, you know, very much barrow-boy-type [behaviour].
The knock on Hayess door came at 7am on a Tuesday, two weeks before Christmas 2012. Hayes padded down the bespoke pine staircase of his newly renovated home in Woldingham, Surrey,to let in more than a dozen police officers and Serious Fraud Office investigators. A year before, he had been fired from Citigroup, and shortly afterwards returned to the UK, where he married his girlfriend Sarah Tighe.
Hayes stood at his wifes side as the officers swept through the property, gathering computers and documents into boxes and loading them into vehicles parked at the end of the gravel driveway. The couple had only moved in a fortnight before. Their infant son was upstairs in bed. Traffic was heavy by the time the former trader was led to the back of a waiting car. The 20-mile crawl from Surrey to the City of London passed in silence.
Bishopsgate police station is a grey, concrete building on one of the financial districts busiest thoroughfares. In a formal interview, Hayes was told he had been brought in to answer questions relating to allegations that between 2006 and 2009 he had conspired to manipulate yen Libor with two of his colleagues. Hayes responded that he planned to help but would need time to consider the 112 pages of evidence so would not be answering any questions that day. It was late when he arrived back in Surrey.
In June, Barclays had become the first bank to reach a settlement with authorities, admitting to rigging the rate and agreeing to pay a then-record 290 million in fines. From the moment Barclays had settled, sparking a political firestorm that burned for weeks, Hayess destiny had been leading to this point. The Serious Fraud Office (SFO), which had previously resisted launching a probe into Libor rigging, was forced to reverse its position and on 6 July issued a statement announcing it would be undertaking a criminal investigation. That week the government launched its own review into the scandal. The British public and its politicians were out for scalps.
On 19 December, eight days after his arrest, Hayes was at home on his computer when a news bulletin popped up with a link to a press conference in Washington. As cameras flashed, Attorney General Eric Holder and Lanny Breuer, head of the Justice Departments criminal division, took turns outlining the $1.5bn settlement the authorities had reached with UBS over Libor. The Swiss bank, they explained, had pleaded guilty to wire fraud at its Japanese arm. Then came the sucker punch.
In addition to UBS Japans agreement to plead guilty, two former UBS traders have been charged, in a criminal complaint unsealed today, with conspiracy to manipulate Libor, said Breuer. Tom Hayes has also been charged with wire fraud and an antitrust violation. Neither Tan nor Cecere has ever been charged with wrongdoing.
At that moment the full horror of the situation hit Hayes for the first time. The two most powerful lawyers in the US planned to extradite him on three separate criminal charges, each carrying a 2030 year sentence. Less than 24 hours later, a member of Hayess legal team was on the phone to the SFO to discuss cutting a deal.
Fighting the charges seemed futile: the UBS settlement made reference to more than 2,000 attempts by Hayes and his colleagues to influence the rate over a four-year period. He was the star attraction, the Jesse James of Libor, as he would later tell it. The US authorities had yet to issue extradition papers, but it was only a matter of time.
So began a race to convince the SFO to take on Hayes as a sort of chief informant, who in return would receive leniency and, more importantly, an agreement that he would be dealt with in the UK.
To secure this arrangement Hayes had to agree to tell the SFO everything he knew and promise to testify against everybody involved. Crucially, he also had to plead guilty to dishonestly rigging Libor. It was not enough to admit trying to influence the rate. He had to confess that he knew it was wrong.
During two days of so-called scoping interviews to test his knowledge of the case, Hayes talked openly about his campaign to rig Libor, for the first time in his life. At the SFOs offices near Trafalgar Square he admitted he had acted dishonestly and brought the investigators attention to aspects of the case they knew nothing about. The interviews covered everything from his entry into the industry and his trading strategies to how the Libor scheme began and the various individuals who helped him rig the rate. They barely had to prod to get him to talk. Hayes seemed to relish reliving moments from his past. His voice sped up when he talked about heady days piling into positions, squeezing the best prices from brokers and playing traders off against each other.
The first thing you think is wheres the edge, where can I make a bit more money, how can I push, push the boundaries, maybe you know a bit of a grey area, push the edge of the envelope, he said in one early interview. But the point is, you are greedy, you want every little bit of money that you can possibly get because, like I say, that is how you are judged, that is your performance metric.
Paper coffee cups piled up as Hayes went over the minutiae of the case. At one stage, Hayes was asked about how he viewed his attempts to move Libor around. The exchange would prove crucial.
Well look, I mean, its a dishonest scheme, isnt it? Hayes said. And I was part of the dishonest scheme, so obviously I was being dishonest.
Main photograph: Tom Archer/Barcroft Media
This article is adapted from The Fix: How Bankers Lied, Cheated and Colluded to Rig the Worlds Most Important Number by Liam Vaughan and Gavin Finch (Wiley, 19.99). To order a copy for 16.99, go to bookshop.theguardian.com or call 0330 333 6846
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from Libor scandal: the bankers who fixed the worlds most important number | Liam Vaughan and Gavin Finch
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