you're going about your normal day when, suddenly, surprise! you've been pokémon mystery dungeon'd!
unfortunately, due to budget cuts, the pokémon assigning quiz has been canceled. instead, you must spin THE WHEEL, assigning you a random, unevolved, non-legendary and non-mythical pokémon. you must now go on some sort of world-saving adventure as this pokémon. good luck!
tell me in the tags what you rolled, and how you feel about it - for bonus points, you can spin the wheel again for (or just take your pick of) a pokémon to be your partner.
bonus rules:
you're not shiny unless the wheel tells you you're shiny
take your pick of regional forms and evolutions (for example, if you roll vulpix, it's up to you whether that means normal or alolan vulpix)
apply whatever logic you like with regards to gender
have fun and be yourself!
22K notes
·
View notes
man I wish people understood how much it sucks ass to be neurodivergent and trying to find the middle ground where people like/tolerate you. like, I'm either "boring" (trying to wait my turn in conversations, holding space for other people, taking a back seat to let others get some spotlight) or "too much" (too loud/talking too much, getting excited to share, trying to participate in group conversations/activities). No one really talks about how much of being neurodivergent is just sort of trying to make yourself palatable.
I feel like so much of my life has been spent trying to find this effortless sort of middle ground everyone else seems to automatically already know, and I'm always swinging too far one way or the other. I'm lucky to have neurodivergent friends who grok me, but goddamn I wish that I could just like, exist without the constant background script in my brain that's like "you're being too loud. You're not talking enough. you're being self-centered. you're being boring. you're wrong, you're wrong, you're wrong." I feel like I'm back in high school trying to make friends but stuck as the eternal "weird kid"
it's just... lonely and sucks bad.
32K notes
·
View notes
corrupted godhood. reluctant false messiah. prophecy as a creeping all consuming malady. does the oracle see the future or make the future? the horror of trapping yourself inescapably on purpose. the chains of destiny dragging you towards the path you are fighting tooth and nail to free yourself from. there never having been a chance to begin with. no other choice to make. but making that choice regardless.
8K notes
·
View notes
Having completely normal thoughts about Dune Part Two.
7K notes
·
View notes
So there is this thing that the two Villeneuve Dune movies do together that I cannot stop thinking about, where they will present something (often, a weapon) in a context the first time around where it looks a certain way (often, very sexy and cool). And then they will present it again in a way that doesn't exactly negate your reading of the original context but makes you recoil in horror from the new context.
Paul and Jessica using the Voice to escape from their Harkonnen captors? Very sexy and cool. Look at them working together, mother and son, a couple of space witch badasses.
Jessica using the Voice on Chani to force her to participate in reviving Paul after he drinks the Water of Life? Horrifying. Saying you will be part of this myth that has been created to serve political ends that have nothing to do with your liberation, and if you don't do it voluntarily to save the person you love then I will make you do it.
Chani and Paul working together to take down the ornithopter gunship using those little shoulder-fired rockets? Very sexy and cool, we love guerrilla warfare against an occupying army. (I'm not being facetious here, this sequence is extremely satisfying to watch.)
The much later image of Paul silhouetted against the blast from the missiles from his family's private nuclear arsenal blowing up the shield wall? Nightmarish.
The way the climactic battle to retake the palace at Arrakeen extends into the night so that it begins to look very very much like the initial Harkonnen attack on the same place? I'm sure this is intentional; the whole third act is about taking a giant sledgehammer to the idea that the Atreides are the better or more civilized imperialists.
Perhaps my favorite example of this is the Atreides signet ring. When Paul first puts it on in the first movie, it's a symbol of him accepting that Leto is dead. It's a melancholy moment, but it's also a sign of Paul accepting the responsibility of his birthright as the new Duke.
Early in the second movie, when he is trying to be equal to the Fremen, he takes the ring off. And you just know that when he decides to put it back on again, that will be the sign that everything's about to go to shit. And when it happens it's a very similar moment--it is Paul accepting his birthright, just a different kind. But the accompanying feeling is oh no.
6K notes
·
View notes