I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.
You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?
Click on their name. And look at their profile.
I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.
"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.
"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.
Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.
Click my author name. Just click it. Just click it.
Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.
I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.
Click the author's name, and explore before you ask.
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i went on a deep dive of the Steve & Hopper ao3 tag yesterday and and it got me thinking about what would happen if Chief of Police Hopper ran into Steve and Eddie while he was on patrol after pseudo-adopting Steve, and it’s been long enough that Hopper is sort of a safe-person for Steve so Steve goes into full-fledged bitch mode when Hopper tries to pull cop stuff on them, and Eddie (who knew about none of this because Steve is a chronic under-sharer) is so totally baffled.
He’d spent years watching Steve sweet-talk his way out of trouble. Even before they started hooking up it used to drive Eddie goddamn insane, because if (when) Eddie pulled any of this shit Steve gets away with, he’d be totally screwed, but all Steve has to do is flash a sheepish grin and run a hand through his hair once or twice and say, all baleful, “I really didn’t mean any trouble,” and he’s home free.
It has its perks though, or so he's learned during his last few months of hanging around with Steve, so when Steve and Eddie’s make-out session is interrupted by the tell-tale red and blue lights of a cop car pulling up behind where Steve parked the Beemer a few hundred yards down a maintenance road, Eddie’s not all that worried. In fact, he’s got a pretty good amount of faith in Steve’s ability to spin up some story to keep them out of any real trouble, and as Chief Hopper ambles over to them, Eddie prepares himself for a whole show of, “Yes Chief, sorry Chief, it won’t happen again Chief.”
So imagine Eddie's complete and utter surprise when Hopper barks, “Hey, morons! What the hell do you think you’re doing?” and Steve only rolls his eyes and says, “What’s it to you?”
Eddie feels his jaw drop.
“Steve,” he mutters through gritted teeth. He tries to elbow Steve into shutting the hell up, but he misses because Steve has already taken several steps forward to meet Hopper, his face turned up in a kind of defiance Eddie doesn’t think he’s ever seen on him before.
“What’s it to me?” Hopper repeats, glowering at Steve, “It’s midnight. I’m on patrol. You’ve got one of the most recognizable cars in this entire damn town parked in a restricted-access zone with this idiot–” Hopper gestures at Eddie (Eddie didn’t think the pointing or the idiot were necessary, but clearly, clearly, he’s missing something here), “–who’s been dragged into my station more times than I could count.”
“The town line, Hop, is over there,” Steve says, pointing at an indiscriminate spot over Hop’s shoulder that may or may not be part of the Hawkins town line, “We’re not even in Hawkins anymore. You’re totally out of your jurisdiction.”
“You wanna know something about jurisdiction, smart-ass?” Hopper asks, “If my report says shit happened in my jurisdiction, it happened in my jurisdiction.”
“Wow,” Steve deadpans, “Way to not sound totally corrupt. Nice work, Chief.”
Hopper’s jaw twitches for a second, and he’s clearly debating if he wants to keep arguing with Steve who, to Steve’s credit, looks like he’s got debate in him for days. Ultimately though, Hopper decides against it and stalks back over to his squad car.
“If you’re not home by one there’s gonna be hell to pay. You hear me, Harrington?” Hopper yells, “One AM. Hell to pay.”
“Oh, sure,” Steve rolls his eyes, “Totally hear you. One AM. Loud and clear or whatever.”
Steve flips the cruiser both birds as it peels away, which Hopper only flashes his high beams at a couple times before he’s gone, kicking up a bunch of dirt and mulch and leaves in his wake, and Steve is wearing an exasperated expression as he turns to face Eddie again.
“God, he’s so annoying. Let’s just go to my house.”
Eddie gapes at him.
“What the fuck was that?”
“Huh?”
“What the fuck was that?” Eddie repeated, gesturing wildly towards where Hopper’s car had just been.
“Wha– you mean with Hop?”
“Uh, yeah?!?”
Steve just brushed him off, “Whatever, just ignore him. He’s basically my dad.”
“What?”
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