FINALLY DONE WITH THE ISAT OC! SOLEIL!!!
The creature... So first things first is some info about them pre- disappearance of The Country. They're a loyal follower and avid worshipper of The Country. They love the Universe sooo much that they made a wish to be able to read the stars, and the Universe answered. I like to think that the stars are talkative, some can predict what will happen in the near future, some are just "chatting" to each other about the stuff happening in the world they overlook. It's a somewhat useful ability that Soleil used to use to be able to either predict someone's future (rarely though, the stars hold many different futures and it's hard to figure out which is whose) or use it during funeral rites to have a more reassuring experience to the ones mourning that their loved one arrived safely among the stars.
And then they found out about The Cursing of Chateau Castle-- they kiiiinda got Really obsessed with the book series that they wanted to know more about it but there wasn't any more copies of it in the Country's language so what better way to deal with that but teaching itself how to understand the Vaugardian language, and by doing that they got to learn more about the Vaugardian culture and was really amazed by it (considering that they spent most of their life with the Country's culture instead, learning about a different culture is a great feeling). One thing led to the other and it also led Soleil to travelling to Vaugarde (something that their family wasn't all that happy with but they stay silly).
And so we're back at the present time! Now to talk about some details on its appearance.
Its Craft type is Scissors! The eye on the center of its chest and the eye by its nape are in fact EYES and not just accessories (although they did try to make the eye on its chest appear to be like a mix between a star shape and the Change Symbol).
After spending some time in Vaugarde, they learned about Body Craft in which case they decided to experiment with it in regards to its eyes.
Since being in Vaugarde, there wasn't much use to its star sight and there also isn't a way to "turn it off." So instead, they decided to separate its Normal sight from the Star sight by adding another pair of eyes on its body.
The eyes on its face are blind. They can't see through it anymore but they Can still see the stars (they can't read it anymore however cuz of the Country's disappearance).
If they focus on the stars using those eyes, they'd get a REALLY bad headache and a star sign appears on its eyes. Nothing to be afraid of probably, its head just Really hurts.
The glass covering the eye on its nape is a one way mirror. You won't be able to see the eye but the eye can still see you.
With its vision split, it actually took them awhile to get used to that. It takes a lot of concentration and focus to see both from behind and from the front. When Soleil gets tired from doing that, they either close the eye on its nape (if the place is safe enough) or unfocus it enough to the point that most of its vision becomes blurry with only being able to see blobs of shapes and shadows which helps them be alert enough in case something comes running at them from behind.
All the round objects you see on its body are Bombs. They found out about Bomb Craft in Jouvente and was so fascinated by it that their inventor brain (inventing, crafting, and repairing stuff is a special interest of theirs). They now like making bombs and inventing new ones (only they have the recipe of those).
The bombs they invented only detonates via a Craft spell, it's basically as safe as an ordinary ball to handle unless detonated. Also the scissors at the top of their head has a cover on its tip. It's Very Sharp. They mainly use that (either the tip or the scissor blades itself) to cut the bombs dangling on its body.
Despite the multitude of bombs they carry, they aren't actually much of a fighter (they just like bombs). Most of its Craft spells are basic/beginner level. The one and only Powerful Craft spell they have is a shield/defense spell that they practiced several times. It's capable of negating all damage for 2 turns with a 5 turn cooldown, they wanted to master that spell to make it so that bombs won't hurt them no matter the close proximity.
Its hand signs are "broken." They used to mimic the hand signs that the Universe (I'm mainly referring to my design of the Universe) makes. But after forgetting about everything in regards to it, they can't remember what hand signs they used to make but the familiar feeling was still there.
A huge fan of The Cursing of Chateau Castle, to the point of practically making it part of its identity now that a HUGE chunk of its memory is missing. Its outfit is a modified version of what they think Lady Irene-Janine-Karine wears.
Its personality is a mixture of Lord Josephandre, Pierre-Jacques-Erneste, and Lady Irene-Janine-Karine (aka the Chateau Trio!!! Love those three...).
Its name, "Soleil" is just something they found in a book and decided to use for itself. They don't remember its name anymore.
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Hi Alex! I was wondering, since there's leviathans of all fuck off sizes, are there other species in this world? Like Wyverns that can fly above and swan dive to say hi to their leviathan buds?
Hiya! There arent any dragons if that is what youre asking, nor any other massive species.
Besides the leviathans and all the regular sealife, fauna in CD is mostly avian (primarily seafaring birds and jungle fowl on the islands)
There are some bigger birds around but they are nowhere near as big as the leviathans are. I think the max size for birds would roughly be around cutter class sized (the smallest leviathan class), and those DO dive for fish like ospreys, though leviathans might chomp at them if they get too close (the same would happen with wyverns too)
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As a note, there's a non-lore adjacent reason for it too, it's that I do not want the focus to shift away from the ocean and the leviathans. If I made giant flying things there would have to be logistics around that and I would not want them to interfere with what I already have.
Though now that I'm thinking about it, it could be really swag to have hunters who ride on big birds (I am immensely biased), though as much as I like it idk if I can make it work without pulling too much focus from the CD vibe haha
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@pax-thuban left these tags on a post:
#well. first of all. this is so. bittersweet
#like screaming and crying and throwing up on the floor etc
#second of all. maybe i'm looking too much into this but.
#it's interesting to see that there's blood splatters on tenzo's face /and/ his mask
#if i recall correctly. the mask covers his happuri as well
#the implication that tenzo lost his mask during battle. put it back on presumably /still/ in battle. continued killing
#idk. just hurts
#like something something anbu work forces him to feel more comfortable wearing a mask and conforming to a nameless org and set of ideals#and forgoing individuality
#or like. something something maybe he feels worse that his face got 'stained' because it's basically a reminder that 'cat' and 'tenzo'
#are one and the same and not two distinct entities no matter how much he wants to separate his identity and his anbu lifestyle
#and the fact that the happuri is blank and doesn't have a konoha leaf on it.... he doesn't feel connected to the community even as he kills
#for it...
#i feel like it's kind of obvious that it's significant that the comic shows tenzo taking off his mask as he shows his weariness/depression
#regarding anbu work and then how he thinks about kakashi as a jonin sensei. like representing himself as tenzo the individual rather than#'cat' a faceless tool of konoha in the shadows
#i also feel like it's kind of noteworthy that the perspective(? is that what it's called for images?) zooms in on tenzo's face
#first panel is mostly black and tenzo's body is off-center(?). like his face is centered but his body's not. and that leaves more room for
#the black background. but the second panel fills it up with the kakashi thought bubble and tenzo's body comes into the center to fill up
#the bottom half. and then the third panel makes tenzo himself fill up more space. there's less 'darkness' now
#not sure how to say it other than. his sole saving grace in anbu at the moment is preserving his self and bond with kakashi ig
#i also like how the black background isn't pure black. there's a tinge of red(? idk it could also be orange? but i'm taking it as red)
#like one hand. maybe a reference to the whole blood thing. a reflection of how he feels surrounded by that reminder of murder instead
#of just it being select patches on his skin
#on the other hand (and this might be looking too deep 😔) maybe how allusion to the sharingan. how even though he left root
#anbu still feels very similar to it that he feels reminded of how he was watched by danzo?
#sorry for rambling. i am in an analysing mood today
#but i'm also not that great at analysing visual art lmao
nooo no sorries! this is really useful and EXTREMELY flattering to receive such detailed thoughts, i feel like im back in a School Crit Circle or something, which is really fun and helpful. Critique like this rlly helps me understand what people are bringing to my art when I make it and how it's getting interpreted, which as somebody who wants to tell understandable stories via images, is useful to me beyond what words can describe!
like—there's no "right" or "wrong" when it comes to interpreting art, there is my intention, but my intention isn't necessarily what comes out (like how kishimoto somehow accidentally wrote two teenagers who he meant for us to perceive as straight, in the pains and throes of love for each other. like he wrote that, whether or not he intended to. i dont even actually ship s/n bc it doesn't have The One Ingredient for me, but its...also something thats hard to ignore about the text)
and similarly, since theres no way to objectively read a text, when you read it you're putting it in your own context, finishing the painting yourself with whatever colors you've got in your palette to use
that said! I can answer for my intentions in some of these
The blood and the mask: Practically, you're 100% right! Mask needs to be off to get at the happuri. That he's got blood on both his mask, and his happuri, means that at some point in the battle, he lost his mask and then put it on.
In terms of art, I did this because the juxaposition contrast between the blood and the small amount of joy he's taking in thinking about a scarecrow, felt really important, and I didn't want to lose that with the removal of the mask.
I also put the blood splatter in the same place, coming in from Tenzō's left, and splattering upward across his forehead area. Practically, this would mean that he was in the same position by a spatter of blood twice, but symbolically this implies that he is or feels like the same with or without the mask—like u talk about them being the same entity.
I didn't really do that intentionally though—like I didn't think about it. I just kinda was like "yea that feels right. anyway moving on."
No leaf on the happuri: I AGREE WITH YOU ABT THE SYMBOLISM...he doesnt feel connected to konoha in a Real way until he's co-captaining, I think. He needs to be allowed to LIVE in Konoha to be a part of it... That said, if I'm not drawing Captain Yamato Post-Sunlight-Exposure I straight up forget that he had the leaf at all–I know it's supposed to be a Danzō thing, but I keep thinking it's an anbu thing. Honestly, since I agree with the symbolism, whether or not I forget or make an intentional choice not to depict it really doesn't matter I suppose
The Zoom In: Kind of the same as the last! i felt in my heart that we had to zoom in...I didn't think about it in terms of ''lessening darkness'' although now that I've read you write that I like THAT reading much more—esp since so much of yamato's themes in canon seem to be about sunlight and darkness...there's an interesting reading of darkness lessening (because he takes up more space) without light gaining any footing (he's still, as always, situated in the dark) about like, the little things that one can do to manage their depression or a dark situation, even when they still aren't able to be fully FREE of it quite yet (if ever).
I think, when I was thinking abt it, I was thinking about making Tenzō seem very small and alone in the first panel, and then even after thinking about Kakashi, he's not quite so small in the panel, even though he still remains alone. This being said, the darkness reading is much stronger than the loneliness reading, even though they go hand in hand, I much prefer your interpretation.
the red in the black: This is interesting!!!! I like your interpretations a lot...in terms of materials this is only black india ink, so there's no red actually in it, but in the photo I can see what you mean—the ink I'm using is shiny because the "matte" ink is twice the price of it and I'm a cheapskate, and it inevitably creates shines of color when scanned or photographed.
Obviously though, the lack of intention or the material contrast doesn't mean you're wrong—I saw the colorful patches in the image and decided it was fine enough to post anyway, they're a piece of the art as it exists digitally! Open for critique and interpretation. I like the idea that the darkness is connected to the blood very much especially, because it is for Tenzō, isn't it?
anyway, ty v much for your analysis, i was incredibly flattered to receive it, and i think you're actually super good at it, in my opinion!
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