On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them
But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious
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Average Drama Enjoyer observes some peak drama.
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it's pretty wild to me that people don't see that aang running off to save katara in CoD is his luke in empire strikes back moment, where he runs headlong into his want and attachment and he's narratively punished for doing so and not learning his lesson - aang runs after katara despite guru pathik's warning, like luke runs after leia and han from yoda on dagobah despite yoda's warning; similarly, as a result, things go to hell in ba sing se like they do on bespin - aang enters the avatar state before he's ready and gets killed, and ba sing se falls to the fire nation, luke fights vader before he's ready, loses a hand, and symbolically commits suicide after vader tells him he's luke's father.
the difference between their character arcs is that george lucas and co. actually went thru with luke's hero's journey and understood the fundamental difference between attachment and love, whereas I don't think bryke understood this difference and then dropped this from aang's arc pretty much completely and replaced it with aang digging in his heels into his want and attachment and he gets rewarded with energy bending from a lion turtle, the avatar state from a random pointy rock, and his forever girl from the self-indulgent white men that couldn't bring themselves to give their hero a compelling character arc that meant he might not have gotten everything he wanted at the end.
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hey btw before you start being angry at the 10 year old sephora kids and the ipad kids, remember that we should feel bad for them. because the world has failed them. it is not these kids faults that the world is so focused on materialistic things and that their parents don't know how to talk to them. that is the fault of social media and bad parenting. i said what i said.
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Cover Illustration for Monthly MdN Special Issue : Osomatsu-san ( vol. 264, april 2016 )
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deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
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They are everything to me.
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Why's it when Miles accidentally pulls half of Gwen's hair out it's funny cuz he didn't do it on purpose which is the truth but when she opens the packaging of his toy she should burn in hell even though she didn't get the idea why he kept it in the box and wouldn't do it if she knew what was the reason????
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PLEASE PLEASE PLEASE TELL ME MORE ABOUT YOUR MAGICAL BOY AU FOR THE SBI I NEED ALLLLLL THE TEA
This probably doesn't explain anything because im terrible at putting words to my ideas but here's SBI in the AU
and this is something about Philza's conclave
there's also more info about SBI specifically in the character pages I made for them :D
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also more codelyokoposting but I really really dig XANA as a villain. It's not a person with a complex background that led them down the path of evil, it's not a morally grey character you sympathize with but condemn. It's a powerful AI capable of controlling almost anything in the real world. It doesn't have a face or a body, we only know it for its symbol and for the monsters it controls in the virtual world. It's willing not just to kill people through various methods (poisoning, drowning, car crash, fucking space lasers too?) but also Earth as a whole (it tried to blow up a NUCLEAR PLANT and crash two trains with toxic chemicals in them). And we don't even know why it does this, at least not for now. It may not even have a particular reason, just some sort of virus or malware in the form of an AI that seeks nothing but destruction without any goals in mind. This "pure evil" characteristic doesn't come off as childish, like in some children cartoons, it's just kind of scary to think that such an incomprehensible and destructive force exists, almost feels like a natural disaster
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im doing a lot better now!
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"we need more complex female characters!" yall couldn't even handle cressida cowper
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My name is [BRUTUS] and my name means [HEAVY]
so with a [HEAVY] heart I'll guide this dagger
Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after.
Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers.
Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him."
Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement.
Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
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I am so not immune to a Medea moment. my beloved has left me. we had a life and a love and a child. my beloved has left me for another. I have lost my life and my love. I still have my child. my beloved deserves to pay. all he has ever really loved is our child. here is a stage. here is a role. here is the chorus to sing my sins. here is my beloved with his horrified gaze, fixed on me. here is my beautiful daughter. here I am, in her countenance, her phrasing, her cruelty and her mirth, mother that I am. punishing him. letting the light in. letting my daughter burn. and here I am, in those beautiful eyes of the girl I helped raise, the very last thing she ever sees before she dies. I am her and she is me; and all that is left of us both is utter agony
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WORDGIRL ART OF THE ACTUAL WORDGIRL IN MY BLOG?? Lol, so yeah, I realized that after like 3 years I haven't updated Teenage Wordgirl's superhero outfit and even then I didn't make it official. Until now!! This is for Future AU but in general I just wanted to give my idea of a Wordgirl suit.
Old version of it here:
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griddlehark au where one of them is a server at a gimmick restaurant where the waiters are mean to you and the other is a regular customer
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