#it makes no sense bc they had her since she was an egg

[sikyurame]

Kinda wanna attempt to write a story about Willow’s first christmas with Donald and Gyro

But asdfgg effort…

[enchantedanimal]

All of the QSMP eggs as dragons!

Now for my design notes/headcanons! (There's a lot lol)

- The color pallettes are (for the most part) based off of their parent/parents. In lore terms, l'd imagine that more time they spent around their parents before they hatched, the more their color developed to mimic them. It would usually be used as a survival strategy with their dragon parents, however sometimes their personality overcomes this and they develop their own color.

- Being dragonets, none of them can fly due to their currently underdeveloped wings.

- Tilin's yellow spots would make Quackity think that Wilbur was supposed to be the other parent.

- Tallulah's colors/features are close to that of a duck. It would likely be a coincidence, but it'd be enough to Quackity to feel like the island was mocking him.

- Tallulah's "hair" is feathers. She's the only one with feathers, and it may either be a cause or effect of her being left in the attic (possibly being mistaken to be an egg from a different species and not a dragon, or the coldness of the attic caused feathers to form).

- Tallulah and Tilin have the same colored eyes since Quackity once said that she reminds him of Tilin.

- Chayanne has fins bc he likes doing mlg water bucket clutches and fishing with Missa.

- Chayanne's tail fin, Leonarda's ear, and Richarlyson's wing are ripped in a spot due to loosing a life. Bobby lost one of his after I designed him but one of his horns would be chipped, and forgot Ramón only had one as well so let's just pretend he's got a scar on his left leg lol.

- Its kinda subtle, but Chayanne has protruding bottom canines, similar to my (and many others') Techno design.

- Fun fact that usually in my style I have the neck spines start from the top of the head. Ramon is purposely "bald".

- Ngl I don't have much to say about Trump bc he died so quick (rip) and I never saw much about him; but his hat is too big for his head.

- Bobby is a wyvern bc it's easier to slap everyone with his wings. He also headbutts and slaps ppl with his tail (those hurt more).

- Bobby's colors are less based after his parents, but the orange/blue complementary colors are kinda more of a nod to Jaiden being an artist (which doesn't make a whole lot of sense now idk my brain just defaulted to that), but feel they match his personality as well. Also his scleras (part of eye that's not the iris/pupil) are black unlike the rest who's are normal.

- Leonarda has a tiny mushroom pin on her hat and their back has mushroom-like spots for the hat she always wears.

- People keep saying that Leo somehow looks like Foolish which is funny bc that wasn't even intentional- in fact was worried that she would be one of the only ones who didn't resemble her parents enough. I did try to make her slightly taller but I'm going to guess that it's the jawline lol

- [Edit bc I just thought of it] Leo's wings are bigger bc they've grown faster due to using them more to glide off of Foolish's/Veg's builds

- Dapper is built to be more bipedal than quadrupedal (their dewclaws on their back feet act more like a normal toe for better traction/ stabilization). This makes it easier to grab (or steal) things for their collection. And hold a taser.

- Richarlyson is based after an iguana! thought it would fit well (it's kinda hard to base him off of 5 different people lol)

- Had to go off of a secondhand info + auto translations (I can understand a decent amount of Spanish but have no idea when it comes to Portuguese so this could be off) but think there was something about Richarlyson having a bad leg both in and out of rp, and think maybe Cellbit said something about him having a prosthetic for it and I thought that was so so cool! It's based semi loosely off of a dog hind leg prosthetic and a human running one; probably wouldn't actually be functional but tried to keep the general shape of the leg.

- Richas and his dads cover it in stickers :)

- Juanaflippa's tail and probably the lower half of her front legs (which aren't visible) are semi transparent from Charlie (yellow comes from Mariana), and it shifts around a bit! It looks more like slime than it feels like it. I've been calling her Bananaflippa endearingly

- Gegg intentionally looks like Juanaflippa a bit (but he's way more slimy)

- Gegg's inventory basically consists of him absorbing random things which are sometimes visible (he is so full of avocado toast). He's like Bob from Monsters vs Aliens or smth idk haven't seen that movie in forever.

There some smaller less exciting details and other headcanons I have for them (such as extra accessories they'd have like Tallulah wearing sweaters) but that's about it! Feel free to ask about anything I like talking about them lol

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[annwrites]

dance with me.

— pairing: billy hargrove x fem!reader

— type: ficlet

— summary: you & billy run into one another at the halloween party

— tags: dancing, billy pining

— tw: drinking

— word count: 2,390

— a/n: this is an outtake from my thoroughfare series. i know it prob doesn't make much sense for it to be, as this takes place at the end of october, & that series clearly takes place in the middle of summer, & i stated in it that billy had only been in hawkins 2 months before he & reader ran away. but we're going to pretend like it fits anyway lol.

if any of this is inaccurate to what happened during the ep which featured the halloween party, it's bc it's been a few yrs since i watched season 2.

pay attention for an easter egg (song they dance to)!

You have half-a-mind to turn back around and go back home. But in no way is being there preferable, either. You’d vowed to yourself that you were going to have a good time tonight. Well, at the very least a halfway-decent one. Even if you were completely out of your depth—your comfort zone. You’d never gone to a party before. Solitude was where you thrived. Around other people you just sort of…froze up. 

But, he’d been on a tear this last week. Had broken a couple of plates and a picture frame in a drunken fury just two nights ago. You needed a night away—just a few hours—a reprieve. Even if it was going to be surrounded by other drunks. At least these were fellow kids, if nothing else. And they wouldn’t be wanting to take things out on you if it turned out alcohol didn’t suit them. Unlike someone else.

You glance to Nancy at your side, then to the domicile ahead—thumping music blaring loud enough that you can hear it from the sidewalk—and silently follow along behind her as the two of you head inside. 

Once you’ve passed the threshold, she turns back to you. “I’m going to look for Steve! He should be here already!” She yells over the deafening rock music.

“Want me to help and look for him, too?”

She nods fervently, and the two of you split up.

You make your way through throngs of people—couples making out, friends joking with one another; a boy who’s already half-drunk nearly spilling his beer on you—before you spot a door leading into the backyard. 

Unless he’s outside…Nancy may very-well have to find him all on her own, because you were absolutely not going back in there just to be squished between sweaty, hormonal adolescent bodies again.

Perhaps this was a mistake.

That opinion only cements itself further when you step onto the back patio, shutting the door firmly behind you, and look straight ahead to see Billy Hargrove doing a keg-stand as a crowd of your peers stand around him chanting “chug, chug, chug, chug!”.  He stands back on two feet once again, puckering his lips, spitting beer into the air and you roll your eyes. Those surrounding him start cheering and patting him on the back.

Like getting drunk is something to celebrate. 

And of course he’s shirtless. Because a leather jacket and jeans is obviously a Halloween costume. 

Just as you begin to turn away, arms now crossed, wondering if you shouldn’t now go back inside, Billy stops licking his lips, and laughing, or so much as paying attention to the other obnoxious idiots surrounding him when he sets eyes on you. 

Why the hell were you wearing pajamas to a damn Halloween party? Was that really supposed to constitute being a costume? Then again, he shouldn’t be complaining. You’re not wearing bottoms. He suddenly decides he likes whoever the hell the character is.

He shoves past those around him—which even includes numerous girls with hearts in their eyes—and makes his way over to you instead. 

He grabs your arm lightly, turning you back to him as he stares down at you with a smirk. “Well, well, look who it is.” 

His eyes trail from your bare legs, back to your eyes, and you feel ready to squirm away from his grip. 

He cocks his head to the side then. “Who the hell are you dressed as, anyway?”

You pull your arm away from him. “Audrey Hepburn. Breakfast at Tiffany’s?”

He raises a brow. “Uh-huh.”

You shrug. “She was an actress. Before our time.”

He gives you a sultry look. “Well, whoever she was, she was clearly one hot chick.”

You blink up at him for a moment. 

“What? Not going to try and guess who I am?”

He watches as your eyes trail along his body and his jaw clenches at the sight of you taking him in. He hopes you like what you see. 

Until you gaze back up to him with an indifferent look on your face, the fire quickly extinguished.

“I feel like you just wanted an excuse to walk around shirtless.”

A corner of his mouth tugs down in a frown. “You’re one to talk.”

“I have a shirt on.”

He glances down to your legs, then back into your eyes with a raised brow. “Somebody specific you’re trying to catch the attention of tonight, sweetheart?”

He leans an arm against the side of the house. 

“Not really,” you reply looking behind him.

“C’mon, one guess. Maybe I’ll reward you if you get it right.”

You look back at him then, and he can’t believe he’s actually piqued your interest with that. 

“Do I get to choose the prize?”

He heart skips a beat. “Anything you want, darlin’.”

You study him again. “Let me guess… A greaser, from The Outsiders?”

He licks his lips. “But which one?”

It’s so incredibly obvious. At least to you. “Dallas?”

“Winner, winner,” he says, leaning the least bit toward you. “So, what’s that pretty lil’ heart desire?”

“Stop pulling my hair in class.”

He snorts. “That’s likely.”

You roll your eyes. Waste of time, clearly.

“He was damn good in that movie, wasn’t he?” He just throws it out there to keep you a bit longer.

“Hm?” You ask, looking behind him again. 

“Matt Dillon.”

You look back at him and he could swear you blush a little. On the one hand, maybe he should feel flattered since he’d dressed as his character. On the other, it’s clearly the actor that you have the hots for. Not him. No, never fucking him. Why does he try so goddamn hard with you?

“The book was better. But Matt certainly made the movie worth watching,” you say with a smile.

He frowns. “What? No love for my man, Ponyboy?” The blond, he wants to say, but doesn’t.

You glance behind him again. 

“If you’re lookin’ for fun, I’m right here, honey,” he says, smirking.

“I’m looking for Steve, actually.”

His smile drops instantly, arms crossing. “The hell do you want with him?”

You glance back to Billy for just a moment. “Stay golden, Billy,” you stay, going to step past him, until he grabs your wrist.

You look down to where he’s now touching you. Gently, but firmly, then back up to him. “Let go.”

He sneers. “The fuck is it with you, huh? I mean, what is it with him? What does he have that-” He stops himself short and watches as your brows furrow.

Too much. He’d drank too much.

“You realize he’ll never go for you, right? Too stuck up Nancy’s bony-ass instead.”

Did…did he think you liked Steve? Oh God…did Nancy ever think that as well? “I’m trying to help Nancy find him.”

He softens a little, thumb rubbing against your wrist. “I say we leave her to it, then.” 

His smirk returns and you mentally groan at whatever is about to come out of his smart mouth. 

“How about you and I take off and go make our own party?”

You roll your eyes, wrenching your wrist away. “I’d really rather not.”

He watches as you walk away, enjoying the view. 

It’s perhaps an hour later before Billy finally bothers coming inside, looking for a cold bottle of beer in the fridge, and it’s after he’s found one that he enters the living room and catches sight of you sitting on the couch, staring up at Nancy and Steve wrapped around each other, talking. 

His jaw clenches at the longing look in your eyes. Like Steve is something fucking special to be had. 

He has no idea it’s just you thinking of how lonely you feel in comparison; wishing you had someone of your very own to love.

He glances down to your hands, a red solo cup held between them, then back to you. Getting drunk to soothe your aching fucking heart, huh?

He takes a swig of his beer, thinking that it makes two of you.

He pushes past others to get to you, before plopping down beside you on the couch. And you don’t even bother looking at him. 

Meanwhile, at least three other girls are eyeing him up from across the room. He doesn’t so much as wink at them before turning back to you.

He grabs the cup from your hands, which finally gets your attention. 

“Hey!”

He takes a drink, then holds it away from him with a confused expression before shoving it back against your chest. “Water? Really? You come to a party and get yourself a cup of water, you’re that big of a fucking square?”

You roll your eyes, taking a sip. 

He swirls the neck of his beer bottle in front of your face. “C’mon, try some, sweetheart. Might like it.”

“No, thanks,” you say, looking back to your friends.

He pushes his luck further. “Never know how good somethin’ can taste until you’ve put it in your mouth.”

You groan in frustration, standing, heading back outside then, just wanting him to leave you alone.

He of course follows you out, watching as you seat yourself at a table on the back patio, resting your chin against your fist, watching others dance.

He considers for a moment, taking another drink, then setting the bottle on the table, holding his hand toward you. “Dance with me.”

Your head jerks up and in his direction then. “What?”

He shrugs. “One-time offer, sweetie.”

You glance down to his hand, then back up to him. 

He grows serious then. “Just dance with me. Please.”

This side of him you don’t get to see often. And you think the same thing now about it as you usually do when he shows it to you: you feel like, somehow, you’re the only one he gives it to. You’re unsure why, exactly. But you don’t dare ask.

Instead, you slide your palm into his—you could swear his hand is shaking a little—and he leads you into the middle of the yard. 

Just as he positions the two of you in the middle of it, the song changes. Bob Dylan humming the beginning of the tune. 

Billy rolls his eyes, staring upward. “Of course it changed to a fucking slow song.”

…And you know the moment is over.

You go to step away, until he twines his fingers between yours, pulling you back to him. “I didn’t say to leave.”

You’re not sure why you’re even giving him the time of day, but granting him moments like these, you feel, are important. He’s trying. To be decent. And if you shut it down—these moments are already rare enough as it is—he’ll one day stop trying altogether. You hope this can be a step toward him being just a bit more mature going forward. To you, if no one else.

You go to wrap your arms around his neck until he shakes his head. “None of that junior-high shit. You’re dancing with a man, not a boy.”

You stare up at him at the statement. 

He positions your right hand atop his shoulder, taking your other in his left, placing his right against the small of your back. “Need to be a bit closer, doll,” he says, pulling you toward him, making you now chest-to-chest.

You ignore your heart beating just a bit faster now.

He begins to sway back and forth, staring down at you. The look in his eyes that of…tenderness? No. He’s just tired, or he’s drank too much. He’s not looking at you any kind of way. Is he?

He then presses his forehead to yours. “You look really pretty tonight. I don’t think I told you that.”

His eyes flutter closed. 

You’re quiet for a moment. Then, “Thank you,” you reply quietly. You return the compliment. “You look very handsome.”

His lip twitches. “Me or Dillon?”

You shake your head lightly. “You, Billy.”

He hums his response, fingers at the small of your back curling inward, bringing you impossibly closer to him. 

He pulls back the least bit, resting his cheek atop your head, closing his eyes again with you tucked under his chin, your head against his chest. He could stay like this for… He can’t think like that. It’s just one short dance. That’s all. It means nothing.

Until he looks down at you again. 

And you look up at him with wide eyes.

His heart pounds, his hand shaking in yours as he begins to lean down. If you let him… This could be the start of something. Even if he knows he’ll do anything he can to destroy it. Because that’s what he does. To anything good he touches.

Your breaths come in short and shallow, your lips only slightly parted, your heart fluttering… And then you hear someone calling your name.

And the moment is over.

Billy stares behind you, expression morphing into seething hatred. “Always fucking ruining everything,” you hear him mutter.

Your brows furrow. “What?”

He lets go of you then, stepping past you. 

“Y/N, hey, it’s time to go. Nancy’s ready to head home, so I thought I’d give you a ride, too.”

Steve then catches sight of Billy, who’s heading straight toward him and does not look happy. 

“What the fuck is it with you? Always in the goddamn way. I’ve fuckin’ had it! If she wants a ride home, I’ll give her one. She doesn’t need her white fuckin’ knight right now.” 

Just as Billy raises his fist, Steve unable to do anything more than brace for impact, you quickly throw yourself between the two of them before he swings.

You stare up at him, arms outstretched on either side of you, trying to shield Steve, knowing—rather, hoping—Billy won’t do anything so long as you—or, at the very least, a girl—is in the way. 

Billy stares down at you, teeth clenched, fist hovering next to his head, then glances back to Steve. 

“Billy, don’t,” you say softly.

He squeezes his fist more tightly. 

“What’s wrong with you?” You ask, a mere whisper.

His face falls, then, as well as his fist. He swallows thickly. His eyes search yours, looking for the girl he’d had in his arms just moments ago, but sees she’s taken another’s side now.

“Fuck you,” he says before stomping away.

[chayannesegg]

honestly I think it’s kinda interesting how phil’s relationships with wilbur, tallulah, chayanne & tubbo are all reflecting back into his view of sunny tbh. like he has such complex delicate interwoven dynamics with all of them and it all gets thrown onto sunny, this poor kid who he loves in theory, but in practice is a stranger to him. 

like wilbur left tallulah in phil’s care and didn’t come back. even now way after he was initially supposed to, wilbur hasn’t returned (that one day aside). and phil, who had already taken on a big commitment watching tallulah, has been left permanently with two eggs in his sole care. and even though he loves tallulah and wil, and won’t want them out of his life, this is a stress for him. it’s a big undertaking for anyone, to care for two kids alone, but especially since tallulah required a lot of changes in his life.

for better or worse, in many ways phil sees chayanne as an extension of himself. they’re similar in a lot of ways, and often on the same page, and it means phil often struggles to catch up when chayanne’s emotions aren’t on the same page as him. we’ve seen this week, phil having such a hard time understanding the depth and breadth of chayanne’s grief. when he catches on, he usually does a good job empathising and talking it through, but when he doesn’t, he really doesn’t and it can be hard to watch. 

the same is NOT true for tallulah. he has, through hard work and practice, learnt how to identify her emotions. he had to. she needed it. she would have been miserable otherwise. she desperately needed asked for the emotional care and birthdays and consideration that chayanne would never ask for. and he’s good at it—tracking her moods, knowing what upsets her & what she cares about in a way that doesn’t come as naturally with chayanne (or sunny or tubbo or anyone else really expect maybe wilbur). but that took A LOT of time and effort, months of work, and I do think he’s a bit wary of the idea of having to do that again, even when it comes to people he loves like chayanne (or god forbid tubbo).

now tubbo is not wil. tubbo is not phil's son. but he’s still not dissimilar to wil in phil’s mind. whatever the backstory is, phil introduces tubbo to tallulah as an old friend of him and wil’s. he makes tubbo his kids’ godfather. he calls tubbo his boy. he looks out for him. but past those first few weeks, their relationship doesn’t progress. they mean a lot to each other bc of their pasts, but they don’t put any work into upkeeping their relationship and phil in particular doesn’t reflect at all on what how that changes their dynamic. and it does change it—this is clear in purgatory, with phil having zero trust in tubbo to protect chayanne and tallulah, and after, with tubbo endlessly poking at phil’s sore spots trying to illicit a reaction he’ll never receive. 

it's also clear in the way phil has no understanding of what’s going on with tubbo. if he’s struggling to grasp chay’s emotions, he’s not even touching what’s going on in tubbo’s head. tubbo’s death makes no sense to him. it’s sudden. it’s random. it’s illogical. it’s stupid. he wasn’t joking about having two lives? he still took a death bet with richas? he’s not come back? he can’t come back? he’s left phil with distraught kids for no reason with no warning. he doesn’t see the erratic suicidal behaviour, the unending depression, the desperation to be loved. he doesn’t want to see it. he doesn’t want something to be wrong with tubbo, but he also doesn’t even know how to see what’s wrong. he’s annoyed he’s having to deal with it and he desperately desperately wants to believe this is all happening for no reason.

bc at the forefront of phil’s mind is still his love for tubbo. of course, phil would drop everything to help tubbo (if he could recognize something was wrong). of course, he would care for sunny as his own. of course, he would make the same sacrifices he’s made for wil. and he assumes he’ll have to. he thought that sunny would now be under his care. that he’d have to figure out the logistics of a third egg to care for. with wilbur, phil was the only person who could ever have taken care of tallulah. the only person he trusted, the only person who knew tallulah enough. now this isn’t true for tubbo. it’s a genuinely illogical assumption for phil to make: three eggs would be a genuine burden on him; they've never spoken about it; there’s a long list of people who would tubbo expects for sunny before; and he doesn’t even know sunny well enough to name these people for her as comfort.

but still in the moment, alone with tubbo’s eggs and dealing with everything he left behind, phil can only think that the exact same thing that happened before will happen: he alone will be left to care for another scared hurt kid of someone he loves.

and here we come to sunny. a kid whose dad he loves. a kid whose dad he doesn’t understand. a kid whose dad is suddenly gone like his son is gone. a kid who would need him like his daughter needs him. a kid who his son needs to protect. a kid he cares for. a kid he can’t afford to care for, a kid he wasn’t expecting to care for, a kid he doesn’t know how to care for, a kid he would care for if he needed to, a kid he doesn’t know why he’s been left to care for. a kid who is somehow a reflection of all these people he loves but not someone he knows at all.

idk i think this tension comes out in the a lot of the comments phil makes of and to sunny. he doesn't know them well enough to distinguish them from his relationships with other people. and as long as no one challenges him on that, we'll continue to hear these misplaced comments from him, that come across so insensitively, even as he tries his best to genuinely help them and their dad.

[am-i-interrupting]

hazbin hotel (Velvette) hcs with a Regina George reader. Like she is another influencer as big or bigger than Velvette. But one of her (reader's) influencer "friends" (not Velvette just some rando fake charecter, doesn't matter) that she was often seen around had started rising above her so she leaked all the shit talk her and the other influencer had and then also added herself and basically just rose back to the top after pushing the influencer down. And it's like Velvette knows that you were the one who did that bc of Vox's cameras and shit but she (and the other Vees) can't really reveal it since then everyone would know Vox has cameras on them. idk if this makes sense lmao

You were good at what you did.

You were good at getting public favor and keeping it.

You stayed up to date on every trend, every drama, every scandal, every gossip or rumor. You knew it all.

You were big, very big.

There was only one person above you and that was the queen of social media herself, the overlord Velvette.

So it was unusual for someone to come even close to your status.

That is, of course, until you made the mistake of hanging out with a wannabe who knew how to be.

The thing that she didn’t know though, was that when you had dirt on someone you kept it.

You had everything even slightly controversial someone said around you filed away with photographic or videos evidence.

You also had connections and you weren’t afraid to use them.

So you anonymously leaked some of the shit talking she thought would be kept secret and sprinkled in some forged documents of her shit talking you.

The public ate up the scandal.

Oh, you were such a poor thing. Such a sweet, unsuspecting victim of such a rude, careless wannabe who was just using you.

She was irrelevant within the week and you were getting a spike in attention.

It worked in your favor with an upcoming event just around the corner anyway. A win all around for you.

Velvette knew.

Fuck, she was almost proud if she wasn’t unnerved.

The two of you weren’t close, nothing beyond a professional relationship with a few collabs here and there.

She was concerned now though, about how you might be able to turn the public favor your way if she did something you didn’t like.

She was walking on egg shells the entire time.

You noticed the change in behavior but didn’t say anything.

It wasn’t until months later that you collaborated on a project that you saw her again.

“You’re being less of a bitch than usual.” “Just protecting my ass.” “Aw, and why would you need to do that?” “Don’t act like you don’t know why.” “Oh, I do, but how do you?”

Velvette just glared at you.

“It’s a nice ass, worth protecting.”

You smacked it as you passed her to get something.

[mammalsofaction]

HUMAN PERRY AU BACKSTORY

I've been having a lot of thoughts lately about Human Perry headcanons as I read a bunch of fic and rewatch phineas and ferb. You know you're hitting the nail on the head when scenes from a fic you might never write dog your every waking step and haunts your dreams so, I thought putting it on paper will help.

A lot of fics like to suggest that Perry's full name is Peregrine, which is understandable, but ever since I've rewatched 2D and found out their first name for him was actually Bartholomew my life was never the same. So Perry's actual name is Bartholomew. But nobody actually calls him that least of all himself.

FAMILY RELATIONS

-I really like winding headcanons that Perry is Ferb's biological mom's BROTHER, which honestly makes so much sense as to why both he and Ferb have green hair. Here are some add-ons that may get depressing;

Ferb's mom was Eve, or Evelyn. Her codename was E, for Echidna...because egg-laying mammals native to Australia. They were both orphans, and attached to the hip. They were each other's partner in crime.

-They were scouted for OWCA one day, bc the agency liked picking up kids with potential as young as possible. So Perry and Eve were trained for the agency since the start (which is why Perry is such a good agent at what seems to be a young age)

MY HEADCANONS FOR OWCA

-Owca is a largely independent authoritarian enterprise with branches all over the world. They aren't the only ones, obviously.

-OWCA also prefers training agents as early as they could. Sometimes that entails scouting talent. Sometimes that means taking in kids of employed agents. Either way, this means OWCA has elementary and high schools that are more akin to militant training camps. It's not cruel. The kids are well cared for and well fed, but OWCA prioritized competency, obedience and discipline.

On every level of OWCA recruitment, training and employment, there is a fedora, and band to mark whichever level you are on the totem pole.

1) Middle school kids are given a bandless fedora.

2) High school kids (soon to be graduates) are given a white band

3) Fresh graduates, training into full employment, are Yellow Bands. Here you start being assigned to full branches, and trained by field work professionals. Think OWCA Files.

4) It's fairly easy to graduate from Yellow Band into a Purple Band. Purple Bands are largely refereed to as Junior Agents, but that's not quite accurate. Purple Bands are the highest reporting authority in any division that ISN'T FIELD WORK. The OWCA Tech, Clerks, RnD and Science Divisions all have Purple Bands to signify they are fully employed, or Superior Officer. Pinky has a Purple Band.

5) It's VERY DIFFICULT to graduate from a Purple Band to a Black Band, not least because there IS NO PREDETERMINED TEST. Black Band agents are Superior Agents, only one level below Division General. There's no telling what could turn you from a Purple to a Black, because the agent has to prove unwavering obedience and faith to the agency in dire circumstances. It's saying "I am willing to do anything for the Greater Good."  Often it entails a death of some sort. OWCA often says Black is the band soaked in blood. Black Band agents have licenses to kill. It's why Black Band Agents are few and precious far in between.

6) After a black band, and you live long enough to retire, you can choose a bunch of things. Most agents choose to become Division Generals or Branch Managers: think Major Monogram. They're basically glorified "Guy in the Chair". Some agents choose to become educators, in which case they are given White Fedoras. White fedoras arent exclusive to black bands though; there are plenty purple band white fedoras. In fact most educators are purple band white fedoras.

-Perry's Black Band Event was Eve's death

-At the time of Eve's death, she had already been married to Lawrence. Ferb was barely a year old, maybe 10 months old?

-Lawrence was told it was a car accident: drunk driver. Truthfully it was a mission gone wrong, involving an underground child trafficking ring, and she stayed behind to give them all the chance to escape. She didn't have the chance to escape when security explosives around the building detonated, and she got caught in the crossfire. Perry had to leave her behind.

-This is why Perry refused to get a partner btw, aka his Lone Wolf tendencies come from.

-In the aftermath, OWCA agents approached the family to give them their condolences, and offer to take Ferb into the fold. For the first time since Eve's death, Perry practically lost it. He didn't hurt anyone, he's much too professional, but he knew Eve didn't want Ferb to get wrapped up in OWCA, and for good fucking reason. Due to their training, neither he nor Eve had much of a childhood, and he refused to subject Ferb to the same kind of life experience.

OWCA was NOT happy. Things were tetchy for a while, at least until Perry was approached by Major Monogram. Francis had a wife, and a son, and he understood where Perry was coming from. He suggested taking a permanent residence in Danville, which was his branch division. It was more stability than Perry ever had working in England, where he and Eve was originally stationed, and it was easy enough to come up with a work-related story to convince Lawrence, who was more than ready enough to leave the house where he and Eve originally lived.

-It was after moving did Lawrence meet and fall in love with Linda.

Edit; I've decided to change Ferb's bio mom's name bc I found something that fits better to me :) She's Eve now

End Backstory.

[guckies]

Really really trying my best to listen to tubbo’s theories but they are so easily picked apart bc of his own bias and interpretation of the events that have happened. So I’m gonna go through it because I can and also a lot of people seem to just take it at face value which it really isn’t. There are a lot of factors that play in here.

The Maze - why would they have been brought to the maze and to the spinner room directly if not to spin the wheel especially since the way in was fixed the same day. They were brought there by evil cucurucho(who is connected to the watcher) for a reason and it was to spin that wheel, so blue was always meant to exist. Also it was 3 of them there so they’re all guilty of letting it happened it wasn’t just tubbo who was at fault for spinning the wheel.

Eggs on egg island - it’s likely but if he had the eggs on the island previously, he could have also just killed the eggs then but he didn’t because they’re leverage and mind games bc how do we even know if he has the eggs. Also how would the eggs even be able to give info or know the future unless they’re with the game maker. The eggs being split into 3 teams on the island also confirms it was meant to be 3 teams. Therefor blue isn’t an accidental team.

Why would the game maker make blue cursed, try to eliminate blue if they were never meant to exist and therefore kill the eggs cause they’re cursed? (Tubbo was talking along these lines i just paraphrased because how do you simplify it)- By that logic it makes red the cursed team because it was only meant to be green and red; and the cursed team has always existed as far as we know, it wasn’t just invented bc a team got in when they weren’t meant to. It’s so obviously the game makers design. Either way if there wasnt meant to be a third team then he would have just made two teams but he didn’t, cause the wheel spins are connected to the eggs by the info given. As well if he cursed blue despite them supposedly not meaning to exist to kill their eggs, makes no sense. Then he would have no power over them because he has all the info, so him “trying” to kill “cursed” blue wouldn’t make sense.

The egg war - blue didnt even try, even with the makeshift agreement not everyone actively agreed agreed to it, they all just assumed. Their egg was removed because blue was basically dead bc they didn’t prep, green maimed the egg almost all the way, blue had low team numbers and they weren’t enjoying it, so they were taken out to speed the game up.

The egg videos before they arrived at egg island - the videos are kinda bs because they were only on twitter and it is essentially the eggs motivating them to win because they don’t want their parents or siblings to die especially if they’re all separated. So basically just promotion. Also how could the eggs know anything happening in their game, the game maker would just make a new game cause it would ruin his fun. Also also the eggs literally never ever have outside knowledge apart from richas and his separate identity so it doesn’t really add there either.

Tickets - Most custom tickets are on red apart from quackity who isn’t there because ElQuackity took his place and stole his ticket so how are we meant to know if Quackity is actually meant to be on green. Because the watcher would know if it was or wasn’t Quackity. I think he was just playing along with ElQuackitys game because he wants them to suffer. ElQuackity being in the green was probably a move to make it “fair game” or some bullshit or also to make him work with other outside knowledge people like Fit, antoine or kameto. Still doesn’t change that red have 2 out of 3 known custom tickets (4 out of 5 in meta but yk). Also if they were meant to have custom tickets, Bagi would have had one because she’s had hers for like a month maybe, literally ever since she joined also carre would have to but they don’t so obviously they have to mean something.

The screen of people - this has happened before with foolish during the election arc. They had a screen of people who were connected to the feds by a direct way except foolish. Who at the end of the election arc only got a cucurucho task to arrest tazercraft which is just normal cucurucho things tbh; He wasn’t connected to them in away way we know of. Also I think the admins often put some relevant lore people to show that they are being watched and that the game maker has info because it wasn’t everyone on all teams on that screen just a select few people. Aside from that I think it was more to do with him watching the 3 groups on quesadilla like the fed, the order and the code revolution.

A little thing about the train - Out of everyone who came on train the only team to have all active members that played the event come through the train was red cause half of their players are missing. Both green and blue had members just show up at purgatory (ElQuackity, Mariana and Pac).

[the-sage-libriomancer]

i try not to overthink the worldbuilding in Scoob and Shag because it's a thin premise that can't withstand much scrutiny (especially stuff relating to Toone), but i did have some thoughts that don't blow up the story's logic, so.

-first of all, the concept of "cartoon characters = actors" is inherently fascinating. especially since a lot of the actors seem to be government workers as well, implying the government used their own staff along with professional actors (like Yoge). what was the criteria? did they just have to look human? did Toone write show premises around whatever "characters" they had available? maybe that would explain some illogical plots and clunky lines in saturday morning cartoons - the actors didn't have much acting experience, and for all we know the writers were entry-level accountants.

-ballyhoo is also fascinating. it's basically a living metaphor for how an audience can influence their media: a toon's ballyhoo is directly empowered by how much love the human population gives them, just like how enough love of a fictional character makes them popular enough to keep appearing in media. it increases their strength (bc they have influence over the world) and extends their lifespan (bc they don't "die" until people stop caring about them), and all the ballyhoos are named after tv/movie terms like Picture in Picture or Jump Cut, implying that using tv/movie screens as a medium influences what sort of abilities they can get.

-the fact that too much ballyhoo causes you to instinctively, uncontrollably break the fourth wall is super fun and super fascinating and (as Bugs demonstrates) super horrifying. too much energy from meta sources causes the confines of your narrative to break down, leaving you in a weird spot in-between your world and a world you can't see.

-i can't stop thinking about The Inspector's backstory. it's just so tragic. born an android, given a literal soulmate shortly after creation, constantly looked down upon for not having a ballyhoo, losing his soulmate to old age, then losing his home to a war caused by the very thing you were devalued for not having. Bugs said that a toon's ballyhoo can extend their lifespan (likely bc a character who's beloved by fans doesn't really die), so the fact that Penny got old and died means she wasn't popular enough with the humans, which makes sense - Inspector Gadget is the iconic one after all. he's the one who everyone loved and remembered, and it was completely useless to him because he didn't have ballyhoo. no wonder he never smiles.

-i just realized that the Inspector was forced to leave Penny's grave behind when he escaped Toone. he can never visit her again :(

-speaking of screen partners, i love thinking about how the dynamics in cartoon series translate into real life and vice versa. it's a chicken and egg question: did certain characters land roles together because they were friends, or did they become friends because they worked together as actors? were Spongebob and Patrick actually buddies? did Felix the Cat work with Mick back in the beginning days of sending broadcasts? what's Scooby's professional opinion on Scrappy-Doo?

-(i wonder if you could justify the short period in Scooby-Doo history where Shaggy and Scooby were the only members of the gang regularly appearing in shows as "the government needed a way to keep the dangerous terrorists busy so they literally Could Not let those two stop appearing in things" asjhshbjahsjahsja)

-i I love that all the commanders are cartoon characters who were so popular/beloved that they seeped into (usamerican) popular culture: Mickey Mouse, Homer Simpson, Bugs Bunny, etc. They were the most powerful because their cartoons became the powerhouses of their respective eras - you can't get more loved than them.

-i wonder if the Simpsons were basically an ageless family back on Toone because they're still popular even after 40+ years, halting their aging. actually, i bet a lot of toons stopped aging after ballyhoo became commonplace. if your lifespan was defined by how loved you were by a fickle human audience, how do you think that affected relationships? it must've been hard if you had a tangible, literally life-affecting gauge of how popular you are according to alien beings you've never met.

-i was thinking about why Kermit is included as an mc when he's a muppet and the other toons are strictly western animation characters. the doylist explanation is that the author hadn't decided to limit the media used (similar to how Mario and Goku appear in early episodes), but i have a watsonian theory. i think Kermit is from the old Muppet Babies saturday morning cartoon, all grown up. he might've been a child actor who stayed with the government even after aging out, possibly explaining why there aren't any other muppets: they left the business and probably didn't escape Toone as a result.

-relatedly: my headcanon is that traditional (i.e. not toon-led) animation IS possible in this universe, and any animated project not usamerican is created that way. so anime is to the toons as a cg character is to humans, and the Goku pic is the equivalent of...i dunno, a photo of Avatarized Jake Sully lol.

-the fact that anime characters apparently didn't exist on Toone is probably for the best. can you imagine how powerful characters like Sasuke and Bakugo would be lmao.

-lastly, i was thinking about the old gods (or whatever they are). i'm pretty sure they're beings who exist behind the fourth wall. when Dee is pulled into the purple one's domain, she at first sees it as a wide open area in space, but then she starts processing it as more of a glass cube, with one huge window screen, large tubes, and wires running through the floating spheres - not unlike being held inside a tv. the purple god even says that staying too long will cause her mind to "shatter under the weight of reality" which...i think discovering you're actually a fictional character in a webcomic would do that to you. so the gods "interfering" is them going against the story's narrative to give the characters a boost. (this might tie into who Bugs is talking to when he/she addresses the camera - it's not technically us, it's the gods behind the wall.)

i have other thoughts but uh. this post is probably long enough.

[burst-of-iridescent]

atla live action thoughts: episode 2

SPOILERS AHEAD

tw: opinions

things i liked:

love, love, love the depth they're adding to suki here. it feels as though they've drawn on the bits we get from the original and deepened it - it makes total sense that suki would feel stifled after having been trapped on kyoshi her whole life, and it adds more weight to her being inspired by sokka to leave kyoshi and go to ba sing se in the future

really enjoyed maria zhang's performance as suki. she brings the fierce strength, but there's also a softness and vulnerability to how she plays the character that's really nice to see

as much as i love suki kicking the sexism out of sokka, toning down the overt misogyny was a good idea, especially since it pretty much disappears from sokka's arc after this episode. i think they did a good job addressing the spirit of the original in having sokka try and show off to suki only to be severely humbled and still choosing to better himself by going back to learn from her

aang and katara laughing at sokka's horrendous flirting... biblically accurate book 1 trio dynamic

i wasn't sold on iroh in the first episode but paul sun-hyung lee 100% won me over here. the scene where he tries to convince zuko to eat quailpole egg felt right out of the cartoon lmao. i do like that this iroh seems to be trying to steer zuko to the right path earlier and more obviously

thank GOD aang still seems to be affected by what happened at the southern air temple. i love the scene where he was hesitant to train because the only person he'd ever trained with was gyatso. going from discovering genocide to riding the unagi was always a major tonal whiplash in the cartoon and it barely worked in animation so i'm glad they're giving aang's trauma the weight and respect it deserves in live action

the action and bending continue to impress, as do the visuals and cinematography. the show is just so visually beautiful to watch and it feels like a fantasy world take notes percy jackson

things i disliked/am conflicted about:

don't really get why we're delving into kyoshi so deeply here. it's not a bad change but neither do i see the need for it when we could've spent the time on other things. if anything, the avatar who should be more fleshed out at this point in the story is roku

katara receiving the waterbending scroll from gran-gran instead of stealing it... i get it, but i also don't love it. it really spoke to katara's desperation and will to become a waterbender that she stole from pirates just to get a chance to learn, and it also highlights the tragedy of what happened to the southern water tribe benders that she had not a shred of her culture or heritage left to guide her

i don't think sukka had to be pushed so heavily in this episode lmao. once or twice was fine, but it was starting to get a little cringe by the end. also not a fan of them kissing at this stage, especially if they're keeping the yue/sokka romance. maria and ian do have pretty good chemistry though

why are we going to the north pole because aang had a vision of them being in trouble?? wasn't needing to learn waterbending enough?? i don't mind them foreshadowing the ending battle but aang needing to learn the elements is the driving force of the show and it doesn't feel like we're getting that here

why is zhao... like that. there is no WAY animated zhao would've ever proposed working with zuko. this zhao feels a lot more like a long feng or a littlefinger than the reckless, hot-headed original who was meant to be a foil to zuko. the whole reason for introducing zhao is to show us that zuko is not the worst of the fire nation by a long shot, but between the two in the live action zuko still feels like the more unlikeable one and that's worrying. i hope we're still getting the zuko v zhao agni kai bc i have no idea where this storyline is heading

aang can only talk to the past avatars in the avatar's shrine? i can foresee this causing issues later on in book 2 and 3, if they happen

i'm guessing the zuko/katara "fight" here is supposed to replace the "i'll save you with the pirates" (RIP you were always gonna be too iconic for netflix) but it just feels out of place. what do we really get from this scene that we didn't know before? in the original scene, this is the moment we see katara master a new waterbending move AND use it in a fight but she's already bending earlier in the episode so it doesn't have the same effect. zuko seeming ready to burn katara while she's cowering and defeated also doesn't feel like something zuko would do. the dude spared zhao, of all people.

overall episode rating: 7/10

[puffballthesheep]

LOVE ME BACK — PIECK FINGER.

vamptober — slight edging ; find masterlist here

synopsis. In the hidden depths of Attack on Junior High, a captivating character named Peick appears, emanating a captivating vampire-like presence. The reader finds solace with her comrades Zeke, Reiner, Porco, and Annie, longing for a sense of belonging. Filled with seething rage, Peick sets out on a mission to unleash her fury upon the one who rejected her love.

length. 5.2k words (I attempted to make ts short)

contents. minors do not interact, fem! reader, vampire peick! high school au (reader is a senior student), age gaps (100+ difference), vampire, manipulative peick, blood, gore, dead bodies, hurtful words, heavy make out session, slight edging, slight smut, names (love, dear, sweet & ect.)

Notes. this took so mfkn long to write bc first I can’t make anything short, nor can I function w/o it being long, but anywho whoever requested this, wassup dude, I been doing good n I hope u are too, but now we finna get into it but If I were you I'd lock my doors before reading this 🤸🏾

Eighteen-year-old (name) had experienced a great loss at a young age when her mother passed away, yet she had been blessed with an incredible relationship with her father who had raised her alone since then. Growing up in the peaceful suburbs, the two of them had grown incredibly close over the years, having an almost psychic connection - they would always know what the other was thinking and even feel when the other was near.

One morning, (name) came downstairs to have breakfast with her dad, and with a smile she said cheerfully, "Good morning, dad! Thanks for breakfast this morning." As she started to eat, her dad asked her how she had slept. She took a sip of her orange juice before answering, her eyes twinkling with joy as she said, "Pretty good actually, no nightmares or anything," and she shrugged as she set down her cup, before taking another bite of her food. "That's good to hear," her dad said warmly, his face beaming with love.

The two of them chatted as (name) enjoyed her breakfast of pancakes, eggs, and sausage, the aroma of the food filling the air of the quaint kitchen. Suddenly, her dad said he had a meeting later and he'd be home late, so not to wait up for him. (Name) nodded and looked up at the clock on the stove, realizing it was almost time for her to leave for school. She stood from the table, put up the leftover food into the refrigerator, and grabbed her backpack. "Bye Dad, I love you," she exclaimed, her voice filled with warmth. Her father smiled and waved as he was putting away his dishes and getting ready for work. "Love you too, have a good day at school," he said with a kind smile, his eyes twinkling with emotion and pride.

As the final bell reverberated through the halls of Attack on Titan Junior High, signaling the end of yet another mundane day, (name) found herself enveloped by her group of friends during passing period. "Well, well, if it isn't (name). It's been ages since I've laid eyes on you," Reiner, with a beaming smile, pulled her into a tight embrace, his arm naturally draping over her shoulders. Looking up at him, (name) playfully squirmed out of his grip, a mischievous glint in her eyes. "Maybe because I get to class, unlike some of you," she retorted, her voice laced with a touch of sarcasm.

Not one to back down, Porco quickly stepped forward, his emotions getting the best of him. "But hey, at least some of us manage to make it to class and get our work done," Porco fired back, his words dripping with a ruthless edge. (Name) let out a soft sigh, fully aware of Porco's tendency to wear his heart on his sleeve. "Ah, Porco, always ready with a comeback," she replied, raising an eyebrow in a knowing manner. The mention of Porco's impending Saturday school attendance struck a chord, and (name) couldn't help but smirk as Reiner let out a hearty laugh, his firm grip on Porco preventing him from lunging at her in frustration, as he often did whenever she struck a nerve.

Leaning against the wall with a casual air, Zeke joined the conversation, his voice calm and composed. "You know, (name) has the best grades among all of us. I'm genuinely proud of you," he remarked, his admiration shining through. (Name) scoffed, readying herself to make her exit. "Eugh Zeke! Can't you stop sounding like someone's overprotective father? It's just plain creepy, especially when you already look like you're in your forties in the twelfth grade."

Just as (name) was about to leave, her path was unexpectedly halted by Bertolt, who gently placed a hand on her shoulder. Curiosity flickered in (name)'s eyes as she turned back to face him, her tone guarded. "Whatchu want?" she inquired, her voice tinged with caution. Bertolt handed her a stack of photographs, captured through his camera lens. Being the resident photographer, (name) possessed the unique skill of working in the darkroom, a talent unknown to her friends. "Could you possibly take these to the darkroom and meet me there after I find Annie?" Bertolt requested, his eyes filled with hope. Glancing at her phone to check the time, (name) nodded and then proceeded to walk away, leaving Bertolt to his search. "Sure thing. Enjoy your quest, but I can inform you that Annie hasn't graced us with her presence in days."

Reiner and Porco watched (name) depart, the latter still holding back a torrent of insults, assuming that she was too intimidated to confront them again. "She's always slipping away," Reiner murmured, a hint of sadness echoing in his voice. Porco, unable to contain his frustration, unleashed a string of profanities. Suddenly, the authoritative voice of Assistant Principal Levi cut through the air, causing the trio to turn their attention towards him. With a stern expression, Levi addressed Zeke directly. "Zeke, report to the principal's office immediately." Reiner and Porco exchanged glances, astounded by Zeke's audacity to smoke a cigarette in plain view of everyone. "What a delightful evening we're having, isn't it, Mr. Ackerman?" Zeke remarked, his words dripping with disdain. Zeke nonchalantly dropped the cigar and extinguished it with his foot, begrudgingly following Levi's lead. "Tch, shut it, you piece of shit," Levi retorted coldly, the tension between them palpable.

Unbeknownst to her, as she weaved through the bustling school hallways, a cacophony of noise enveloped her senses. The crowded corridors echoed with the hurried footsteps and animated conversations of students. Amidst the chaos, an eerie atmosphere hung in the air, gripping her with an unsettling feeling of being watched.

Glancing around, she found everyone engrossed in their own affairs, oblivious to the hidden observer. However, her gaze inexplicably landed upon Pieck, a former member of her friend group who had become a subject of her disdain. Pieck stood alone, seemingly detached from the bustling crowd, and she knew better than to trifle with her.

Pieck's appearance had changed subtly over time. Her once-tanned complexion and deep brown, sometimes gray eyes had transformed, giving way to a hint of red. It was a drastic alteration that intrigued her, though she concealed her fascination beneath a veil of hostility, conforming to the unkind treatment perpetuated by her friends.

As she passed by Pieck, their eyes met, and the chilling effect of Pieck's gaze sent shivers down her spine. Pieck always seemed to gravitate toward the shadowy corners, exuding an aura reminiscent of a vampire's allure. Yet, she dismissed such notions, knowing better than to believe in mythical tales.

Despite the bullying that she subjected Pieck to, she met her actions with an unwavering sweet smile, leaving her perplexed and questioning her own motives.

Determined to avoid further interaction, she rolled her eyes in defiance and briskly turned the corner, attributing her unease to the unsettling encounters of the day. With a sigh of relief, she pushed open the heavy door to the darkroom, immersing herself in its mysterious embrace.

As the door closed behind her with a resounding thud, the room enveloped her in darkness. Gradually, her eyes adjusted to the dimly lit space, revealing an enchanting sight. Pulsating red lights bathed the room, casting an ethereal glow that danced upon every surface. A chill, inexplicable yet tantalizing, crept down her spine, captivating her senses in an instant.

In the dimly lit dark room, she set the photos down on the table, soon feeling chills run down her spine. As she turned around, her heart nearly leaped out of her chest, and she let out a loud scream. There stood Pieck, a girl she just saw in the hallway, yet her vampire-like appearance commanded attention. Pieck's hinted red eyes, dark brown and almost black under the blood-red lights, seemed to possess an irresistible power, drawing her in.

Suddenly, she was snapped out of the trance by Pieck's voice. "Good afternoon, (name)..." Her soft, delicate, tired voice sent a wave of excitement through her. She couldn't help but admire Pieck's beautiful, disheveled hair, lazy eyes that complemented her Greek nose, and full lips that begged to be kissed. Despite the pressure to dislike Pieck, driven by the disapproval of friends, she secretly felt an unexplainable attraction towards her.

Pieck's gaze seemed to search for something deep within her, as if she hadn't entered the dark room without making a sound. She finally gathered the courage to speak. "Pieck... how did you get in here so quietly?" She began to walk past Pieck, her backpack hanging from her right shoulder.

Pieck watched her intently, carefully observing every movement. Her cold, icy hands sent a shiver down her spine, further fueling her 'dislike' towards her. "Uh, can I help you?" She prepared to break free from Pieck's grip, but suddenly found herself pushed against the wall, with Pieck's finger pointing directly at her, holding her wrists above her head.

As she stared into Pieck's eyes, the room's atmosphere turned chillingly cold and the light of the red lights reflecting off Pieck's eyes. Trembling under her touch, she was astonished by this sudden change in Pieck's demeanor, as she was usually gentle and polite. It infuriated her to admit her feelings for Pieck, especially after speaking negatively about her. Unbeknownst to her, Pieck was more than just a human; she possessed an uncanny ability to read people.

Despite her attempts to break free, Pieck's grip remained unyielding. Pieck's small frame overpowering her seemed inexplicable, reinforcing the perception that she was peculiar. "Let me go!" Even with a tight grip, Pieck's movements were slow and delicate, while her eyes seemed to hypnotize her.

Pieck spoke softly once again, her voice carrying a hint of sadness. "How can I, when you know just how much I love you, (name). Why do you ignore me?" Her free hand traveled from her shirt to her hair, twirling a lock around her finger. Pieck listened to her heartbeat, every move she made on her accompanied by the red dim light that accentuated her every motion, revealing a glimpse of her razor-sharp fangs.

Pieck's words quickened her heartbeat, as they shared the same feelings but couldn't express them. "Pieck, why are you doing this...?" She asked, struggling to free her hands from Pieck's grip. "Listen to me, (name). Tell me how you truly feel... no more lies."

Pieck knew there was something about her that she held dear, but she refused to grant her desires. After numerous attempts to escape, she kneed Pieck in the stomach and forcefully pushed her away. The impact was hard enough to cause Pieck to spit up blood, and she slowly lifted herself up with the support of the file cabinet next to her.

Turning back, she picked up her backpack and uttered hurtful words, "Wanna know how I really feel about you? Nothing but a disgusting disgrace. Loving me? Oh please, move on because who would ever love you?" Pieck's heart sank upon hearing her cruel words, reaching out her hand, ready to say something. "Don't leave me alone, (name)..." Her voice filled with sorrow, as she had nobody left in her life, with her mother gone and her father gone as well.

She opened the door to the dark room, preparing to step into the brightly lit hallway, making Pieck flinch. But before leaving, she turned back, saying, "You know... no wonder why people despise you. I'm certain you were the catalyst behind your father's tragic demise... you're nothing more than a repugnant disgrace and an insufferable burden. It's no surprise you find yourself utterly alone." She closed the door behind, leaving Pieck in there alone.

Pieck took her hand out of reach and wiped the blood from her mouth, knowing (name) had made a big mistake. This was the last chance Pieck gave her.

Just like that, she left Pieck in the dark, red room, unaware of how far Pieck would go to hear the words she desired. As she turned to her left, she saw Bertolt standing before her, wearing a puzzled expression. "What happened?"

At the eerie hour of 6:30 in the evening, (name) returned home from school, a lingering sense of unease enveloping her. The house, usually filled with the comforting presence of her father, was now shrouded in an unsettling silence.

With a heavy heart and a hint of trepidation, (name) settled herself at the kitchen table, desperately attempting to immerse herself in her homework. But then, out of nowhere, a searing pain pierced her delicate neck, causing her to wince in agony. The pain subsided momentarily, leaving her bewildered and unnerved. Determined to dismiss this inexplicable occurrence, she carried on with her work.

However, the pain returned with a vengeance, intensifying with each passing moment. "Ow! The fuck is this pain coming from?" she cried out, seeking solace in the freezer's icy grasp. Placing an ice pack on her throbbing neck, the pain gradually dissipated. Puzzled yet resolute, she pondered the enigma that had befallen her.

As the clock mercilessly ticked towards 8 o'clock, her father's absence weighed heavily on her mind. Homework completed, she ventured into the living room, hoping to wait a little longer for her father's return.

Engulfed by the flickering light of the television, hunger began to gnaw at her insides. With a resigned sigh, she reached for her phone, intending to order pizza from a nearby establishment.

"Hello, I would like to place an order," she spoke into the phone, her voice trembling ever so slightly. After conveying her desires, she set the phone aside, letting the monotony of the television lull her into a state of drowsiness. Unbeknownst to her, sleep gradually entwined its insidious tendrils around her weary frame, veiling her consciousness in a nocturnal embrace.

Suddenly, she was transported back to memories of her childhood, back in the house where her late mother once resided. Sitting at the kitchen table, she cast her gaze towards the stove, where an ethereal figure stood with its back turned, preparing a morning feast. Approaching the table, the figure placed a plate of eggs before her, whispering a chilling warning into her ear: "Don't open the door."

Abruptly, her surroundings shifted once more, this time to the side of a bustling highway. Amidst the cacophony of vehicles, a distant figure beckoned, its voice rendered incoherent by the clamor. Straining her senses, (name) discerned her father's voice, urgently imploring her: "Don't open the door!"

Startled, she jolted awake, her mind racing to comprehend her surroundings. The couch, her only companion in the dimly lit room, offered no solace. "what a weird dream. It felt so real," she mused aloud, its vividness leaving an indelible mark upon her psyche. Yet, her respite was short-lived, as the doorbell abruptly shattered the silence.

*Ding dong.*

Her body, guided by a mixture of curiosity and apprehension, propelled her towards the door. However, as she passed the window, she recoiled in terror. Darkness had descended upon the world outside, a foreboding sign that time had slipped away unnoticed. Doubt plaguing her thoughts, she retrieved her phone, only to discover that the clock now displayed the witching hour: 3 AM. Her heart pounding, she turned back to face the enigmatic intruder lurking beyond the threshold.

"Dad! Are you home?" she called out, her voice trembling with a mixture of desperation and fear. But the doorbell persisted, its relentless chimes growing more frenzied with each passing second.

*Ding dong, ding dong, ding dong.*

It struck her then - something was dreadfully amiss. A chill crept up her spine as the memory of her dream resurfaced, her father's caution echoing in her mind.

"Don't open the door!"

With trembling hands, she refrained from unlocking the door, instead choosing to seek confirmation from her father through the peephole. There he stood, unflinching, his eyes fixated on her with an intensity that sent shivers down her spine. This inexplicable stillness, coupled with the incessant ringing of the doorbell, struck terror into her very core.

*Ding dong, ding dong, ding dong.*

"Dad! Is someone with you? answer me! I refuse to open the door until you respond!" she pleaded, her voice teetering on the edge of hysteria.

*Ding dong, ding dong, ding dong.*

Overwhelmed by panic, (name) collapsed, as she pressed herself against the door, desperately avoiding any action that would invite further dread. She couldn't explain it, but an overwhelming sense of terror gripped her, eventually lulling her into an exhausted slumber beside the door, the relentless toll of the doorbell serving as a haunting lullaby.

As the morning sun bathed the world in its gentle glow, (name) stirred from her restless sleep. Recollections of the previous night flooded her mind, urging her to action. She cautiously rose to her feet, distancing herself from the door that had become a harbinger of nightmares. Glancing out the window, the sight of daylight offered a modicum of solace.

Summoning her waning courage, she approached the door once more, swallowing the fear that threatened to consume her. Peering through the peephole, she met her father's gaze once again. she opened the door and only this time something was horribly wrong. Her father's severed head, grotesquely suspended from a hook, greeted her horrified gaze. The weight of despair settled in her stomach, threatening to engulf her entirely. Clutching her abdomen, she stared at the blood dripping onto the doorstep, uttering a feeble question into the abyss.

"W-who could have done this?"

Her eyes fell upon a note lying on the ground, soaked in crimson. Trembling, she picked it up and read its chilling message:

"Now, who's all alone now?"

The note slipped from her trembling grasp, and in that moment, the door slammed shut with an otherworldly force. Just as she turned to face the darkness that encroached upon her, (name) was violently yanked backward, her screams drowned by the suffocating embrace of the abyss.

(name) awoke to find herself trapped in an unknown and eerie place. The stench of blood assaulted her senses, causing her to gag as she cautiously surveyed her surroundings. The walls were cold and made of rough stone, barely allowing any light to penetrate the darkness. Above her, a single flickering light bulb hung from the ceiling, casting sinister shadows that danced along the walls.

Suddenly, a chilling sight caught her eye. A table stood in the corner, and blood dripped steadily from its surface, pooling on the floor below. As her eyes adjusted further, the true horror came into focus. A headless body lay upon the table, its life force gruesomely drained by some unseen force. (name)'s heart sank as she recognized the victim - her own father - his lifeless form bearing cruel bite marks.

Her breath caught in her throat as her gaze shifted to another figure, their body still bleeding profusely, crimson liquid flowing perilously close to where she was bound. With growing dread, she followed the trail of blood, her eyes widening in terror as the truth unraveled before her. The wounded person, dressed in a gray hoodie and jeans, was none other than Annie, her friend. Weak and trembling, Annie turned towards (name) with pleading eyes, her blonde hair matted with blood.

"(name)...help...me..." Annie's plea was cut short as death claimed her, right before (name)'s horrified gaze. A gut-wrenching scream tore from (name)'s lips, echoing through the blood-soaked chamber.

The single light bulb overhead flickered ominously, casting erratic shadows that danced upon the walls, heightening the sense of impending doom. (name) desperately struggled against her restraints, feeling the cold, rusty chains digging into her flesh. She strained to stand, but the unforgiving grip of the chains held her captive, an agonizing reminder of her helplessness.

As she cast her gaze towards the middle of the stone door, footsteps grew louder, each one a chilling symphony of dread. The light bulb's flickering intensified with each approaching step, accentuating the darkness that enveloped her soul. The door creaked open slowly, revealing the figure responsible for her torment.

A shiver ran down (name)'s spine as Pieck entered the room, her disarming smile mirroring the gentle facade she had worn the day before. Clutched in her arms was (name)'s father's severed head, blood still dripping from her mouth. The sickening truth became undeniable – Pieck was a manipulative and sinister vampire, masquerading as a sweet and innocent creature.

"Peick!! You did this, didn't you? Why would you..." (name) choked on her words, her voice trembling with fear and disbelief. Pieck's crimson gaze bore into (name), her expression devoid of remorse as she callously dropped the decapitated head to the cold, blood-stained floor, splattering the crimson liquid onto (name)'s tear-streaked face.

(name)'s heart pounded in a terrifying mix of fear and sorrow, overwhelmed by the loss of her father and the horrifying uncertainty of her own fate. Pieck moved closer, her graceful steps belying the monstrous creature she truly was. She knelt before (name), placing a hand on her trembling thigh, while her other hand wiped away the tears that stained (name)'s cheeks.

"(name)...don't cry. You brought this upon yourself," Pieck whispered, her voice both soothing and haunting. She tilted her head, her bloodstained lips curling into a sinister smile, revealing her sharp, elongated fangs. (name) recoiled at the sight, transfixed by the blood that stained Pieck's teeth, her long tongue leisurely licking away the crimson droplets.

Terror consumed (name) as she finally found her voice, tremblingly uttering, "You aren't human, are you?" The realization of the monstrous truth sank in, sending shivers down her spine.

Without breaking eye contact, Pieck continued to explore (name)'s body, her touch moving from the thigh, to the side of her stomach, and finally to her breast. Her thumb caressed the delicate flesh, while her other fingers sought the pounding heartbeat beneath (name)'s chest.

"I'm surprised you didn't realize it sooner, (name)," Pieck whispered, a sadistic pleasure lacing her words. As (name)'s heartbeat raced with increasing panic, she struggled to breathe, her gasps for air growing more desperate. Drawing nearer, Pieck's voice slithered into (name)'s ear, sending a bone-chilling shiver down her spine. The words dripped from her lips like venom, a sinister promise hanging in the air.

"Breathe, my dear. I won't harm you... yet."

Pieck's presence alone was enough to unleash a torrent of fear within (name). As she leaned back, a sickening curiosity mingled with her terror, unable to resist the allure of Pieck's touch, even in the face of impending doom. But reality crashed down upon her when she looked down at the ground, her eyes fixating on her father's severed head. In a desperate attempt to shield herself from the grotesque scene, she clamped her eyes shut, refusing to witness the horrors before her.

Suddenly, an unnatural weight settled upon her lap. Her gaze shifted downward, revealing Pieck perched upon her, her icy hands caressing (name)'s cheeks. She compelled (name) to meet her gaze once again, their lips tantalizingly close. However, Pieck abruptly withdrew, her movements betraying a calculated cunning. With a slight tilt of her head, she fixated her piercing gaze upon (name) and silence descended like a suffocating fog.

"Why did you say those hurtful things to me, (name)..."

(name) froze, the memories of the cruel words she had hurled at Pieck resurfacing. In that dire moment, she struggled to conjure any justification, realizing that her desperate attempts to fit in had only birthed destruction. "I... I didn't mean it," (name) stammered, devoid of any coherent explanation. "All I wanted was to hear you say that you love me..."

Peick's soft plea echoed through (name)'s ears, weaving a spell that threatened to ensnare her mind. Her eyes, hypnotic in their intensity, seemed to coax (name) into surrendering to her will. Doubt crept into (name)'s thoughts as she began to forget the atrocities committed against her father and Annie. Deep down, she started to believe that she was to blame for their suffering. "No... it's all my fault... I caused my father's death..." (name) whispered to herself, her gaze falling into her lap.

Tears welled in her eyes as (name) succumbed to the hypnotic allure of Pieck's gaze and voice. "I love you too, Pieck... I couldn't tell you because..."

A wicked grin twisted across Pieck's face, her eyes narrowing with a malevolent glint. She relished in her manipulative power, reveling in the opportunity to make (name) forget her sins. "I always knew you loved me, (name), my sweet. The words I've longed to hear... It didn't have to come to this, but you drove me to it, my dear..."

Pieck's grip tightened on (name)'s bound hand, refusing to release her hold. Finally, (name) snapped out of the bewitching trance, realizing the depths of Pieck's depravity. "No, Pieck! What you've done cannot be undone! Yes, I loved you, but how could I ever love you now?! What you've done is unforgivable!" (name) cried out, her eyes drawn to the lifeless bodies of Annie and her father, a grim reminder of the carnage wrought by Pieck's insidious actions.

In the face of (name)'s defiance, Pieck fixated her gaze upon her, an insidious silence punctuating her ominous presence. With a sly sigh, she sharpened her nails, a wicked transformation taking hold. "(name)..."

Pieck exhaled, refusing to relinquish her grip on (name)'s conscience. "I never wished for it to come to this, but you continuously rejected my attempts to connect with you... I tried to do it the right way, but you denied me at every turn... I only wanted to know why..."

(name) cast her gaze downward once more, her heart heavy with guilt. She recognized her own fault in pushing Pieck away, knowing all too well the countless times Pieck had tried to bridge the divide. Compassion stirred within (name) as she contemplated what it must be like to stand in Pieck's shoes. "I know... and I'm sorry! I shouldn't have pushed you away or uttered a word about your father... But why did Annie have to suffer too?"

Pieck's smile contorted into an eerie gentleness as she gazed upon her lifeless victim, Annie. "Poor, poor Annie," she cooed, her voice dripping with false sympathy. "She'll be back soon, my heart...but for now, just focus on me." The words of protest began to form on (name)'s lips, but a sinister calm washed over her, drowning out any resistance. Pieck was up to her dark deeds once again.

As (name) shifted uncomfortably, a chilling sensation spread across her body. It was then that she realized she was lying in a pool of her own blood, her life essence draining away. Panic gripped her as she struggled to comprehend the horrifying reality unfolding before her. "When did..." (name) managed to stammer, but Pieck interrupted with a gleeful grin, relishing in the terror she had instilled.

Unbeknownst to (name), Pieck had viciously slit her back while she was caught in a fit of righteous anger, berating Pieck for her unforgivable actions. The cunning vampire ensured that (name) remained fixated on her, her mesmerizing voice and piercing eyes numbing any sensation of pain. It was all part of Pieck's twisted plan to manipulate (name) into becoming her companion for eternity.

Pieck forcefully turned (name)'s face towards her own, their eyes locked in a macabre dance. "Everything's fine, (name)," Pieck hissed, her voice laced with a sickening sweetness. "(Name), I still want to be with you. I'll protect you. I just want you to be with me forever..." Dizziness overwhelmed (name), her mind clouded and her willpower crumbling. A faint smile crept across her face as she succumbed to Pieck's wicked charm. "I'm sorry for everything I've done...I love you too, but I was wrong..." (name) whispered, their voice barely a breath. Pieck hushed (name) with a tender gesture, then pressed her lips against (name)'s, a kiss filled with twisted passion.

Pieck's hands slithered from (name)'s cheeks down to her shoulders, intensifying the heated kiss. Her tongue hungrily sought entry, licking at (name)'s bottom lip, leaving a taste of the blood she had recently fed on. Their tongues clashed in a battle for dominance, fueling Pieck's insatiable bloodlust. Her nails dug deep into (name)'s shoulder, drawing fresh blood that sent shivers down Pieck's spine, igniting a primal desire within her. The once gentle vampire grew more aggressive, her hunger escalating.

Within the depths of their twisted embrace, (name)'s faint moans echoed, a symphony of pleasure and pain. (name) weakly placed their hands on Pieck's sides, attempting to push her away. Pieck's concern was thinly veiled as she gazed down at (name), a hunger in her eyes that matched the thirst coursing through her veins. "Pieck...I feel so weak," (name) managed to utter, struggling to catch their breath. "You're doing so well, my sweet," Pieck murmured, her voice laced with sadistic satisfaction. "Just hold on..."

With a renewed hunger burning within her, Pieck reclaimed (name)'s lips, savoring every moment of their macabre union. The overwhelming scent of (name)'s blood intoxicated her, driving her to taste every inch of their being. Kissing down (name)'s jawline, she gradually made her way to the vulnerable expanse of (name)'s neck.

(name) willingly offered up their neck, granting Pieck unrestricted access. Even as their life force slipped away, (name) squirmed beneath Pieck, feeling a perverse wetness between their legs. Pieck seized upon this opportunity, grinding against (name) with a primal hunger, their moans intensifying as the friction between their thighs ignited a twisted pleasure. While Pieck marked (name)'s neck with countless hickeys, her hand returned to caress (name)'s cheek, her thumb pressing gently against their skin. As Pieck's fangs grazed (name)'s neck, a surge of pain mingled with a familiar sensation, reminiscent of the mundane discomfort of doing homework at a table.

Deep down, (name) knew this was wrong, but they were ensnared in Pieck's web of manipulation, unable to break free. As Pieck sank her razor-sharp fangs into (name)'s neck, the pain was numbed, replaced by a tingling sensation that mirrored the bite of a pen on paper. (name) turned their head slightly, groaning weakly as their strength waned, their eyes fixated on Annie's lifeless body. "We have... to save Annie..." they whispered, their voice fading.

Pieck withdrew, her fangs dripping with the crimson elixir of her beloved's life force. Her wild, disheveled curls framed her bloodstained face as she wiped her lips, gazing down at (name), teetering on the precipice of death. A wicked grin spread across her visage as she kissed (name)'s forehead. "Very soon, my love," she whispered, her voice echoing with sinister delight. "Soon, you will be just like me... and we can live together forever."

(name) mustered the last remnants of their fading energy to gaze at Pieck, a feeble smile gracing her lips. Unbeknownst to (name), a new set of fangs had sprouted in her mouth during this unholy transformation. Pieck watched with rapt attention as (name) underwent their metamorphosis, relishing in the macabre beauty of her creation.

y’all the theme of this ‘lil’ one shot is basically to be yourself, don't try and play who you're not to fit in with the crowd cs y’all saw what happened to ol reader girl, but anywho y’all prepare yo self for a hange x fem! reader x yelena vamp one shot cs das what’s comin next 😭

[ryctone]

Me before: You know, I don't really wanna make Pumpkin Scone canon to the Custard Guard universe bc it would make stuff complicated :/

Me now: *Creates extensive lore about her*

Sighs.

Anyway, here are the girlies; Pumpkin Scone Cookie and Angel Fruitcake Cookie! (+Dusk Wyvern) :

- Both Pumpkin Scone and Angel Fruitcake attend Casserole Academy, a school in the Crème Republic (bc I doubt the Paladin Academy is the ONLY school there, I would be very concerned if that were the case /LH), it does teach magic, not as complex as the Parfaedia Institute but it does the job.

- I would say they're around 17-18 years old.

- Pumpkin Scone is Pumpkin and Clotted Cream's daughter. She keeps to herself a lot and can't take a lot of social cues often, being homeschooled most of her life due to her parents fear of everyone discovering she can use dark magic... Many cookies found out anyway when she entered her current school so ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯. She wants to become an book author and the reason she's studying is to get a degree and not much for the magic aspect of the school. Pumpkin Scone is often casted out by the other students for wielding dark magic, despite her type of the magic not being malicious.

- Angel Fruitcake is a distant relative of Elder Sablé from her mother's side and started living at House Sablé after an incident that caused her parents death as a baby; is technically under the care of Sablé's niece (Lady Sweet Bun) but this one just leaves the maids to take care of her and simply views Angel as another way to take over as matriarch of the House. Is very optimistic and has good sense of leadership, popular amongst the other students for being related to an Elder of the Convocation but wants to be seen as her own cookie. Wants to be a musician and knows how to play many instruments, from the cello to the flute, even if Lady Sweet Bun doesn't approve of her dream.

- Both are best friends

(Friends-to-Lovers trope go brrrrr /hj).

- Pumpkin Scone owns a wyvern companion called Dusk, who is a really rare kind and slightly bigger than a normal wyvern; found him as an egg when she was younger and had been inseparable ever since. He's a bit mischievous with a playful nature, chomps on cookies' heads when he takes a liking to them but means no harm, it's just the way he shows friendship.

And that's all! I care em very much,,

[yourlocaldragondealer]

Do you ever just think about saphira? like she hatched out of her egg and immediatly had the responsibility of an entire world placed upon her shoulders and had to hide like half of the first book and after that, still a child, she had to fight and claw her way through life bc she was made a war hero before she even started pecking on her eggshell. her time in carvahall is a dusty memory. she needs to learn and train and learn more and train more and then fight and fight and fight. dragons are born for fighting. they are not born for war. do you ever think that maybe after they leave Alagaesia, shes flying over the talita the entire day but shes restless at night because shes so used to flying and clawing until her muscles burn and her tongue doesnt taste bloody enough and she wakes up because eragon is having a bad dream or a flashback and his fear is her fear. dragons dont get flashbacks, when they win they just carry on with more pride. but for a moment shes back on the battlefield and sees somebody wounding her rider and thinks hes going to die and she freaks out. and when she collects herself she feels ashamed because shes a dragon. shes wiser than that.

Like i feel like theres a whole part of her character that never got explored bc she was always so "wise" and collected and this really strong, emotionally unbreakable character (theres very few scenes she actually seems devastated and its when somebody dies). We always only see her comforting eragon but nobody comes out of war that unscathed, theres no way she isnt traumatized. but its never addressed - similar to how there are very few scenes with eragon openly struggling/being overwhelmed with the responsibility of having to save a kingdom and fight a war at sixteen. but that kid is so emotionally detached it actually kinda makes sense. Saphira is more aware of her emotions but she still never seems to struggle with a lot of internal conflict (except for being the last female dragon which i get but its only one of many topics that i feel like should have been addressed). we see her even kind of enjoying fighting and in a way i get it, dragons like hunting and have a lot of bloodlust and stuff but theres just no way eragons moral dilemmas never got to her. shes still a more than decent person and i wonder if she ever feels ashamed for her nature but knows she needs to be strong for eragon so she just doesnt tell him.

idk i just think it would be very interesting to know whats going on inside her head, since we only got to see it like once or twice.

[faunabel]

fun fact i think my house is haunted

i lived in a haunted house as a kid which is a totally different story

my current house, however... so ever since first coming here, sometimes i'd get the darkest images in my mind when trying to sleep at night of dark creatures standing over me, etc. despite not watching any sort of scary videos to get paranoid. also one of the rooms felt Off as Hell. i'm v sensitive to energies so i can sense when something is up.

the big thing here however, is a few months ago, i was standing in the kitchen, and i saw an entity that looked like a shorter version of my mom walk diagonally across the hallway into the laundry room. like normally u go down then right, but she took a straight diagonal line into the room.

i needed to ask her something so i went over and peeked my head into the laundry room. nothing. the light was off. nobody was in there. my mom walked around the corner just a second later.

of course i'd assumed it was my mom because who else would it be. but NO. nobody was in there!!! i just saw someone walk in there and there was nobody!!! and she had no idea what i was talking about.

so yeah my house is haunted but im chill about it bc i have enough experience w/ this kind of stuff to know how to protect myself. but it still freaks me out if i think abt it too hard.

btw if u ever experience something like this, very easy to make it stop. just tell it to leave u alone and dont give it any attention. it will stop. but if u feed it, that will egg it on, so just relax and ignore it.

[sezija]

Ok i think i’m actually going insane not talking abt this so fuck it

Dragonwalker Hiccup AU

My fic of it, set during HTTYD1; basically just a prologue

Ramblings underneath (like, a lot. i’m warning you.)

So basically, Dragonwalkers are humans who, when they fall asleep, turn into dragons. Just go watch Wolfwalkers actually it’s a very good movie and the concept is very hard to put into words, i’ve found.

Anyway; thoughts. Many MANY of them. :)

Valka’s had her dragon form (a night fury) her whole life, and lived on an island w her family AND a family of Night Furies. (Night Furies live in family packs, w the parents leading/raising/teaching their children (they only have 1 egg at a time, and only lay up to 3 in their whole life) until they’re old enough to get their own mate and start their own pack. (When a Night Fury pair’s children all have left and started their own families, they will sometimes join their children’s packs since they can’t hunt and fight on their own that well as they get older.))

And bc thw sucks and Grimmel, a man who is still alive, somehow killing off an entire species of dragons is stupid, i’m using my sibling’s idea, which is that Grimmel’s family has been hunting Night Furies for generations. It’s a family tradition basically, tracking and killing them until none are left. (And every person in his family has been killed by Night Furies, further motivating them.)

So Valka’s family (dragon&dragonwalker) were all killed, and only she escaped, ending up on Berk. Fell in love w Stoick, tried to make the vikings stop killing the dragons, was taken by Cloudjumper, the usual. She reunites with Hiccup early, during RTTE, just bc i want them to kick dragon hunter ass together. The war w Drago happens later.

Also i’m completely discarding the whole “king of all dragons” thing, it doesn’t fit w how i want this world to feel. Also toothless sucked as Alpha, i dont want that. And what i’ve always liked abt the HTTYD dragons is that they’re animals. The whole “king of all dragons” kinda,,, ruins that. So that’s also gone now.

I’ve been having a lot of thoughts abt how dragon flocks/packs/pods work, and these are my current ideas;

A “Flock” is a group of dragons of different species, under the control/protection of an Alpha (the Red Death’s flock, (Valka’s) Bewilderbeast’s flock, that one flock of dragons in RTTE s2e8-9 “Edge of Disaster”)

A “Pack” is a group of dragons of the same species, under the control/protection of a leader/queen/etc. etc. (speed stingers, fire worms, terrible terrors, (night furies in this AU))

A “Pod” is the same as a Pack, except for Tidal-class dragons specifically (a pod of seashockers, scauldrons, etc.)

The whole franchise is very inconsistent abt this so i’m working w what i have ok

The “Great Beyond” was separated from Berk/Berserkers/etc. by a heavy wall of fog all around them. There were some spots you could cross, used by traders and such, but the rest of the world has stayed pretty separated from this one corner of the world that experiences Dragon Raids.

However, after the Red Death’s demise, the fog has been slowly dissipating, allowing more to cross over; this way, the riders taking hours and hours of exhausting flight to reach “the great beyond” AND Gobber somehow making his way to Dragon’s Edge on a small, rickety boat both make sense; the more time passes, the easier it is to cross.

A lot of the conflict in the series comes from the human characters not understanding why the dragons are doing something, so giving Hiccup the ability to communicate with them takes away a lot of it, which i’m not happy abt bc it means i need to come up w my own stuff >:( (communicating w the dragons is actually kinda difficult in human form, since his hearing isn’t good enough to hear a fair amount of their vocalizations, and his throat isn’t made for producing those sounds.)

Anyway, my thoughts have been specifically focused on one episode of RTTE, my favourite one since i first saw it, up there w Dire Straits and Enemy of my Enemy; s3e8 “Stryke Out”.

In this AU, hiccup is taken by dragon hunters in his dragon form, taken to a dragon fighting ring. He’s worth a lot to them, being a Night Fury (this is what the art at the top of the post is depicting). He’s caged up for a few weeks until the news of a Night Fury in the ring spread enough, and he has to start fighting. The Riders figure out where he is due to these rumours, and interrupt his fight with the Triple Stryke 3 days into him being forced to fight the other dragons, the same day Ryker came to collect his cut of the money again.

Anyway, that’s all i rly wanted to get out rn. Just. Obsessed. Hiccup becoming crueler and much less forgiving towards dragon hunters after this experience. He’s seen their cruelty many times before, but being caged and muzzled and forced to hurt other dragons if he wants to live, dependant on them for food, even for the capability to eat it, bc of the hook they put in his mouth, really just... changes him. God i love torturing my faves <3

He would take the Dragon Fliers&their Singetails so personally here.

anyway, art;

(i forgot to add his chin scar in many of these oof)

[sneezemonster15]

A lot of adults women behave like incels but less violent and more manipulative. They usually love the cringe romance movies where the main girl is average looking and not like the other girls and manage to make the badboy soft. Generally they hate hot girls bc they are jealous (see the way Skr stans talk abt Ino and feel victorious bc they "won" against her, the hot girl). Those women are full of insecurities, thats why Skr is so relatable.

The way Skr tries to not think about the fact Sske dont wanna spend time with her is the same way some irl women ignore that their husbands are cheating, and if they cant ignore it they will attack the other women but they will NEVER leave the guy. All their self worth is based on having a bf/husband.

Then there are some lesbian/bi women who stan her as an act of feminism. She is a female character who got what she wanted so its a win apparently. Fortunatly those ppl are minority bc as a queer woman and feminist, it is very embarrassing to read those takes. I'm all for uplifting women and for them to get everything they desire but not at the expense of non sexist men. Plus, Skr dont even look so happy at the end of the day. So is it really a win for her and women?

Yeah that makes sense. But it's sad isn't it? Because even trying to have a dialogue with them isn't helpful. There's no point having it if they aren't ready to be receptive to it.

Sakura really sees no contradiction between what she says and what she does.

And yet...

Lol. Till only two days ago, she was found styling her hair in the middle of chuunin exams, all skinned knees and having suffered minor injuries, while her team mates were working. She let her hair grow in the first place because she thought Sasuke liked it. Lol.

What impression can it possibly give to the reader? Kishi had to stress on it too, with another character this time.

Why would Kishi stress so much on Sakura and her obsession with her hair, just to make her say something totally hypocritical five chapters down? Lol. Kishi is very clever about writing his characters act according to the character traits given to them. Like for example, the panel below, Kakashi acts according to his character (where he has a blindspot for Sakura's negative shades) thinks Sakura is not the type to brag when she is actually exactly the type to brag.

Lol, Sakura's whole personality is about being obsessive for Sasuke which in turn makes her violently jealous of Naruto and Ino. She beats Naruto up regularly for no apparent reason and harasses Ino, even though that girl did nothing but try to help her. And she brags, it's the only thing she does properly. Lol.

And yet, she is always bragging, showing off. From start to end.

And I am positive I am missing some panels here lol. She is always looking for external validation. She revels in it. While external validation itself is not a bad thing, since humans need some amount of external validation to measure their abilities, and Naruto does it too, but for him, it's rooted in his quest for acknowledgement and acceptance, so he could make friends and not be ostracized from community. Sakura does it because of her ego. While Naruto has his principles rooted in his belief systems, his emotions and his dream that egg him on to do better, Sakura finds her motivation in the desire to show off and impress people, mostly Sasuke.

She disrespects Ino, Tsunade, and she fights Kaguya while she says this?

Girl, why are you so embarrassing? If you wanna attack her, just do it. Why even mention her being a woman? She wasn't mocking you, she barely even noticed you. You aren't worthy enough for her to notice.

Lol. And things she says about being a woman are just so cringe lol.

No one underestimates her because she is a girl, in fact Kakashi coddles her because she is a girl. She is underestimated because despite training, she is just weak and unskilled, as compared to her cohorts. And if she is skillful, we don't see it in the same proportion measured against the way she talks about herself. Tsunade never had to sing about her being a woman and yet people are bloody scared of her strength. Temari never had to mention it, neither did Kushina. Chiyo certainly briefly talks about how women always get the short end of the stick in their male driven society, but she not only belongs to a much older generation that has seen a hell lot, she is a master puppeteer and a superior warrior in her own right, she has earned it.

It would have been fine if only Sakura had actually consistently kept her word, proven herself through actions and not just empty words. Because when she doesn't, it reduces the value of those words. I don't know if she really meant it when she said women were fickle. Who? Tsunade? Kushina? Chiyo? Temari? Nope, they didn't give any such impression.

She constantly condescends to Naruto despite him having proved himself to be skillful, strong, the one who wins team seven several battles while she stands in a corner shaking and sweating. Thing is, she realises she makes mistakes. She acknowledges Naruto's strength as well, but she doesn't do anything to change. The whole point of a realization is to work on it and correct your behaviour. She is condescending towards Naruto till the end. Konohamaru takes her down a peg when she is being disparaging towards him and Naruto when they are doing the oiroke jutsu contest. She even hits Konohamaru, and he gets pissed off. So he makes a reverse oiroke jutsu just to show her true face, and that face has a streak of blood trickling down her nose lol. But when Naruto uses it against Kaguya, she again condescends to him. Narusakus are kinda embarrassing tbh, Sakura doesn't get Naruto. She thinks she does but she doesn't. She thinks she gets Sasuke but she obviously doesn't. And yet, she makes her 'strategies' in kage arc around her knowledge of Naruto and fake confesses to him. Naruto rejects her. Lol. She goes to Sasuke and tries to kill him (with a kunai...) by tricking him, only to be attacked, twice. Even when she drugs her cohorts before going to Sasuke, they clock her real plan. Lol.

She overestimates herself, even though it's clear that if she only thought things through, she would be much more successful. She is really blind to her own shortcomings even though she tries but remains unsuccessful, which is even sadder.

She does know Sasuke doesn't wanna spend time with her, she also gets a sense that she will always be much lesser than Naruto in Sasuke's eyes, she knows but she doesn't care. Even if it means long term misery for everyone involved.

Yes, I am sure some women find her character relatable. But relatable doesn't mean everything. I relate to Sasuke and I am very wary of establishing emotional connections but I know it's not something ideal or healthy. Connection is what people thrive on. If I ever started to relate with Sakura, I would really be compelled to take a hard look at myself. Lol.