#it was Very Interesting

[pynkhues]

Hey, really love your succession meta, I hope this is welcome in your ask box. Idk if this is something you talked about already, but there is this persuasive assumption in the general fandom space that roman was the only kid who suffered physical abuse ever that in my opinion isnt really supported in the text/subtext. The way the past abuse of all the roys is talked about, to me, always implied a wealth of countless, other traumatic experiences that are simply not talked about and may very well be physical abuse. To me it feels like it was set up this way to fire up the viewers imagination and illustrate the sheer, unspeakable magnitude of the abuse. I just cant see Logan never losing his temper and getting physical with the other sibs but I struggle to put into words why. What are your thoughts on this? Do you think Rome was the only kid facing physical abuse? Youre always so eloquent in your analysis and demonstrate a complex understanding of dv dynamics. I appreciate your work :)

Hey! Thank you for your kind words, anon, and it’s definitely welcome in my inbox!

Yeah, I’ve noticed that assumption about Roman a lot too, and it’s not one I personally agree with, although I do understand why people make it. Roman is, after all, the only one of the four children that the show explicitly depicts receiving physical abuse, and he’s the only one who really has his abuse talked about by the other children (interestingly, on both occasions Roman’s abuse is actually weaponised against other characters, not against Roman. Kendall uses it as a way to try and hurt their father in 4.02, and Shiv uses it as a way to say that Kendall deserves greater punishment from their father than he’s receiving in 2.01).

I actually would say that we’ve had pretty explicit evidence that Kendall received physical abuse too, namely in the way that Logan came at him at Connor’s ranch after Kendall’s relapse in 1.07 (especially because I’d argue Kendall was doing in that scene what Roman has done a few times now by seeking out the hit, and the reason Logan held off was less about not wanting to, and more that he punishes his children by not giving them what they want), and in Logan hitting Iverson with the tin of cranberries in 1.05. I talked about the latter in this post, but I’ve always read the blocking of Kendall behind Iverson as a way of having a flashback without having a flashback, and the way that the episode ties Kendall and Iverson’s experiences as the same I think underscores that.

(It’s hard to comment on this particular point without seeing the scripts, but Arian Moayed has said in an interview too that the script for 4.04 had Stewy say that he’d seen Logan through a shoe at Kendall which I do think is likely meant to echo what Shiv says about Logan beating Roman with a shoe in 2.01 too, but given the scene was condensed, I’ll leave it out as canonical evidence at this point).

As for Shiv and Connor, yeah, I do think there was physical abuse for both of them as well, and I think it was probably fairly common for Connor when he was very young, and probably infrequent enough for Shiv for her to push it down (honestly though, given her character, I wouldn’t even be surprised if a part of her re-wrote it in her head as a positive after the fact. Getting hit means, after all, that she’s one of the boys).

So it does beg the question of why Roman’s abuse is easier for them all to acknowledge. I have a few theories about that, but ultimately, I think it comes down to an adolescent othering of Roman by Shiv and Kendall, and all four of their relative proximity to each other in their formative years.

Alan Ruck has said that Connor’s about fifteen years older than Kendall which puts him in a unique situation growing up where I imagine there’s a lot about his childhood through to his young adulthood that the Golden Trio simply don’t know due to the age gap. They obviously know bits and pieces – what happened to Connor’s mother for instance, Logan’s temporary abandonment, and the situation with the cake – but I’d generally say that those are life events that scaffold a childhood, they don’t provide the detail of it.

The child desertion that came with Logan’s temporary abandonment too would also have been extremely formative to Connor as a character. We don’t know when this was (although I do have my own theories on that too), but it would’ve fundamentally changed any existing dynamic between Connor and Logan, and I think we see that quite clearly in the man Connor is. His people pleasing, his co-dependency, his need to control the terms of his relationships (notable in the entire context of his relationship with Willa), his fear of rejection, and his fawn response to certain situations are all symptomatic of childhood abandonment. I imagine a lot of that started after Logan’s desertion, but then likely were compounded with Logan’s re-entry into his life, and I think that grew into his sort of subservience and performed affability which was likely inherently tied to the fear of being abandoned again.

In that sense, I think there was probably less physical abuse with Connor as he got older because he learnt how to navigate their father’s temper and stopped testing it / always acquiesced out of a fear of being deserted again. If most of his physical abuse was when he was a child or a teenager, well, Kendall, Roman and Shiv hadn’t even been born, there’s already a remove for them in terms of their relation to it.

With Kendall, Roman and Shiv, I’ve been thinking a lot lately about Roman being sent away to school in Delaware while Kendall and Shiv were both living with their father still and going to school in Manhattan. There’s a childhood separation there when it comes to Roman, yes, which breeds its own sort of ‘othering’, which I’ll come back to, but I do think there’s a lot of evidence in the show that depicts Kendall and Shiv as forming something between a ‘half and half’ and a ‘trauma-shield’ sibling relationship.

I’m getting a bit scientific here, so I hope you don’t mind, but a half and half sibling relationship is described as consisting of ‘the reenactment of traumatic events with their sibling due to the flawed attachments the sibling has to their caregiver. This sibling relationship is often the most violent, and is seen as a love-hate relationship with each other. This often plays out as the siblings’ relationship becomes too important as a substitute source of nurturing and threatening as a potential cause for abandonment. The siblings are confused about their psychological connection to a caregiver, and act out a push/pull relationship with each other to achieve maximum comfort from that caregiver.’

On the other hand, the trauma shield sibling relationship is when siblings ‘use each other as a shield from the abuse and interrupt the development process. They become fixated at the same developmental level and exhibit similar interpretations of their struggles despite the chronological age difference.’

The show regularly depicts Kendall and Shiv as being mirrors to one another – they are the winning dog, the rightful heir, the only real competition to one another, and now the only two to be parents and continue the lines of succession – and I think we’ve seen the effect that’s had on both their lives. They have moments of genuine intimacy and trust, they defend each other, they reach for each other when things are blowing up and become active participants in each other’s attacks on others, just as they also are the most ruthless with one another, the most violent, they weaponise each other’s weaknesses (both real and perceived) and have tried to ‘kill’ each other more than any other iteration of the siblings.

I also think that they both are in extreme denial about the abuse they received, and I think that they enable that in each other and shield each other from the realities of it which is easier to do when Connor and Roman weren’t there for it, and easier to do when they have each other to reiterate the artifice of their lives. God, one of the things that’s so great about the karaoke confrontation in 4.02 is that it kind of lays that out. Kendall and Shiv work together in that scene in a way that shuts Roman and Connor out at best and at worst uses their abuse and neglect to make a point while never saying anything about what Logan’s done to them. Shiv might bring up Logan advising Tom on the lawyers, but even that is a way around the things we’ve seen Logan do to her, and Kendall’s literally behind her the whole time. They’re in-step in their refusal to acknowledge what their father’s done to them, just as they’re in-step in forcing their brothers’ abuse out into the open to make a point.

I think this dynamic likely established itself around the time Roman was sent away to school, because I think Roman being sent away fed into Kendall and Shiv’s shared narrative that they were the prized children. It likely did have this degree of othering for Roman which emphasised his perceived weakness in the eyes of all three of the Golden Trio, and I think he likely had readjustment periods when coming home for the holidays that did see him hit more. I think those periods likely let Kendall and Shiv off the proverbial hook until he inevitably went back to school, where they could control their own abuse narratives again through their shared understanding of what the ‘story’ was.

This has gotten very long, haha, so look! This is a roundabout way of saying that I think Logan’s parenting style has been divide and conquer for as long as he’s been a parent, and that that has coloured all four of their understandings of their own abuse. The difference is that Connor and Roman were cast out, and the fact of being cast out at all means that abuse and neglect has a light shone upon it. It gets some oxygen, it gets to breathe, which makes it real. Kendall and Shiv weren’t cast out, they were kept together in their father’s house in Manhattan, and I think getting to stay behind closed doors in the dark let them hide even from Connor and Roman. It didn’t see the light, it didn’t get any air, so it was never real. I think it allowed them the ability to hide, deny or re-write their abuse, and I think they used (and still use) each other to do it.

[fort-cozy-mcblanket]

I read Mike Massimino's memoir just for these few pages towards the end.

[turtleations]

Interview with SUGIZO (Luna Sea / G) (summarized)

Published in the hide BIBLE (by Akemi Oshima) 2008

Note: Still not good at Japanese, but I like to delude myself that I am gettling slightly better. Feel free to correct me if I am wrong about something anyway.

I have changed the format of these "summaries". This is as close to an actual translation as I can currently make it, and in many places it is an actual translation, just moved from first to third person. You can often tell where from the awkward English.

I also included the prompts of the interviewer to make it flow more naturally, though I often paraphrased them.

Sugizo's thoughts on hide as a guitarist after X JAPAN’s reunion live

There isn’t a lot of talk about hide as a guitarist, with there being more attention on him being an expressive support or a unique performer. Sugizo thinks he was actually a quite technical player. X’s songs are rather difficult – especially the ones made by Yoshiki deviate from so-called normal rock, and it’s not easy to find players suitable for that. Remove even one nuance from it and the whole construct becomes unstable. This goes especially for the precise guitar harmonies and arrangements, as Yoshiki’s approach to writing music is close to classical compositions. Sugizo once again realized that with the reunion. In classical composition, every last note is planned and to tamper with even one of them is a sacrilege against the composer. Every note is intentional, a part of the composer’s soul, and the player had to protect that intention before anything else, like expressing their own individuality. Sugizo now came to understand how close X was to that way of composing. His own intention was to play hide’s parts without tampering with them. How could he put his own nuances in there, when by staying faithful to the original, he believed he could show his respect for hide and also for X JAPAN? He wrestled with those feelings and couldn’t relax while playing, finally understanding that during X JAPAN’s lives, and especially Yoshiki’s songs, you couldn’t move much because you had to concentrate so hard. It wasn’t just about looking cool – you don’t move because you can’t move.

Is that so?

Of course you also have free parts, and parts where you interact with the audience, but most of the time it’s so tight and you have to focus so hard you can’t move.

Nobody moved during “Art of Live”.

The same goes for “Blue Blood” and “Silent Jealousy”. Sugizo played with them himself now, but X JAPAN is at the top of the Japanese heavy metal bands that came up in the 80s. They set the precedence for how far a performance could go, how high you could sing, how offensive you could be, how difficult you could make it, how flashy you could look. X has pushed forward all the elements of the metal scene and was the first band acknowledged by the general public. Therefore, the peak of the metal scene was the start of the new visual scene as seeds sown by X. That said, Luna Sea’s methods and musical structures are completely different from X. He thinks that X’s way of expressing themselves was the final form of all the metal bands. Maybe there isn’t as of yet any other band in Japan going that far, that high, that flashy. One needs a clear stance to realize a clear standard. If you don’t diligently research them, you can’t play X’s songs. On the contrary, you have to bring this degree of understanding. And now Sugizo has become an X-music-critic (laughs).

With Sugizo chasing after X, being used to a different system, how has he decided to support them?

A long time ago, Yoshiki brought it up with Sugizo. But back then he said, “Impossible. No one can fill the hole left by hide-san.” There is no person whose existence is that big. At first, Sugizo was quite negative towards the idea, because the fans would kill him. He knew he would be drowned in criticism, and that was a difficult thing to take on. And he didn’t quite know how he felt about it himself. But when the reunion became a more concrete concept, Yoshiki asked him again and he started thinking about it objectively. He had been active at the same time as hide, but could he do this for three hours on stage? Of course, they could have done without someone on stage, but there are limits to what you can express without a live human player, and out of everyone in the current Japanese scene, Sugizo felt he was the only one who had the necessary meaningful and existential connection to hide to take over this part. No other reason. He did it out of respect, and because it wouldn’t happen if he didn’t help out. Even if he feared criticism, he needed to do it for his irreplaceable friend and for his respected seniors. He meant to support them and express hide’s existence through his own play as closely as possible. He wasn’t really at the forefront, rather, he became a medium. If he could channel hide’s dying wish into sound through himself, he would consider it a success.

About I.V.

I.V. had a completely different feeling. Here, Sugizo could do his own thing – in fact, Yoshiki, the creator, told him to. Not just that, but the intention of hide was transmitted through Sugizo’s fingertips. So even with criticism and attacks, in the end he was grateful and there were a lot of positive aspects to it.

On the impression he had on being on a really big stage with X

Such a giant band in every sense: The scope, the size of the stage, the amount of time by which the performance was delayed (laughs). The scale was too big; this isn’t a normal rock band anymore. The size of their existence and the showmanship with which they entertain everyone. Luna Sea is a normal band in comparison, just a small fish. Sugizo felt lucky that he got to experience that – that he got to exist in the whirlpool of those two bands is a precious experience. And one more thing: The affection of the staff was amazing, and he understood well hide’s part in it. He understood well that without hide, there can be no X JAPAN. And thus, this X without hide was stuggling. Not just from the outside, but from the inside as well. Sugizo came to realize just how important hide’s role within the band had been. They started out started wobbly, but ascended on the third day – this band is truly divine. It felt like he was diligently playing guitar with hide, and competing with him musically, for the first time ever. Although they have been close like brothers and often went drinking together, Sugizo had never experienced hide on guitar like this before. Nearly twenty years after meeting him, this was the first time he really felt like they were together. It was an amazing experience. Sugizo’s close friends Wes (Borland, ex-Limp Biskit) and Richard (Fortis, Guns & Roses) were also stuck by admiration for X JAPAN’s greatness and hide’s awesomeness. In any case, for Sugizo it was a very valuable experience.

The impression hide left on Sugizo

Thinking about it now, he was a person like Mozart. Someone who was like a force of nature until the first half of his thirties, went all out, caught everyone around him in his inescapable nexus, and then died. The people who survive, like them, grow tattered as they reach old age, while experiencing the sorrows and the joys of aging people.

About their first meeting

Sugizo doesn’t remember it well because it was a messy time. But drinking places come to mind. At that time, Luna Sea had only just formed, and X was already at the top, but they drank at the same Issakayas. At first, that was scary, but while drinking with hide, Sugizo soon found out that they were very kindred spirits and they unexpectedly became friends. So, he can’t remember where and how they met for the first time. But it was certainly in Meguro, close to Rokumeikan, at a normal Izakaya like Tsubuhachi or Shoya.

His impression of hide back then

Like someone out of a magazine. It felt like, “Oh, there’s a person from a magazine right in front of my eyes.”

Wearing a hat and sunglasses?

This was hide in a private setting. At that time, when going out in front of people in private, he wore a big black hat and cats eye sunglasses. He must have worn something like that, which is just what Sugizo imagined people from magazines would look like. While they drank, their talk suddenly turned to music: “I like JAPAN” [British punk and pop band active from 1974-82 , and in 1991], and they found a connection. “Fast, that’s good!” – “Fast music is the best!” – “But, I hate the later period.” – “No way! I love the later period just as much.” – “Looks like we have different tastes,” and such (laughs). “Who’s your favourite guitarist?” – “I like Frank Zappa the best.” – “Zappa, huh? I don’t like him at all.” He remembers well how they went back and forth like this.

This was before Luna Sea signed up with Extasy?

Before. But they were active at Rokumeikan, so inevitably, someone knew someone who had a connection. At that time, there weren’t many other bands with their kind of sound, so they were pretty isolated. Hide must have thought that they were “weird and interesting”. Hide and Sugizo’s aesthetics matched, they took a similar stance on expressing themselves, and so they became good friends. Around them, there were a lot of artists in the style of previous generation metal or hardcore bands like VIRUS or AION, but Luna Sea was different from those and something new. Sugizo thinks they were in a similar vein as D’erlanger or ZI:Kill, but you could also see it differently.

Their motivation for joining Extasy

On top of being friends with hide, Yoshiki came to see their live at Rokumeikan. They came and went at Extasy drinking parties, and in the autumn of 1990 it was decided that Extasy would bring out their album.

Did hide recommend them?

Probably. Sugizo thinks that hide said to Yoshiki, “There’s an interesting band,” even though he never directly told them that he was the one making that introduction.

The impression was that hide was advertising Luna Sea to a lot of people.

In that regard, hide didn’t change until the end. He was always looking for new sounds and new images. No matter what their career level was compared to his, hide always had his antennas out for new, exciting, interesting artists. And then he would continue to socialize with them. A very hide-like thing.

That’s how LEMONed came to be.

Right. Luna Sea was probably the first band where hide said, “That’s interesting, let’s do it!”, and mobilized for them. But that time was a muddy mess.

Meaning?

The drinking parties were messy. At the establishments, artists, fans, people from the media were all jumbled together. It was great fun, but Sugizo has quite enough of it (laughs).

Lack of stamina?

Since Sugizo had been in his early twenties, that had not been a problem. He drank to the point of collapse, had violent fights with anyone and anything, and work up the next day with wounds all over his body.

His memories of hide from that time

He has countless of those, since they hung out together so much. Over the course of maybe two years, they were drinking together every two to three days. They drank until morning, went to the onsen, did radio gymnastics with everyone else, were in a fight in Asagaya. When they were drinking in Asagaya together with Ken and Kyo from Zi:Kill, they got into a big fight with some guys who looked like college students. At some point in the middle of the fight, Sugizo became aware that hide was nowhere to be seen. A few minutes later, hide came back wielding a dustpan and yelling, “You assholes!” He was the kind of person who would go and calmly search for an effective weapon while they were all hitting each other with fists. In the end, they all got banned (laughs).

But that effective weapon was a dustpan (laughs).

Ken was hitting his opponent with the shoes he took off, but suddenly realized that those were the slippers provided by the place they were drinking at and didn’t do any damage whatsoever (laughs). He wanted to hit his opponent with his boots or whatever, with all his strength, but he didn’t hurt him at all. It was terrible when everyone had to laugh in the middle of the fight. They rarely suffered serious injuries, in any case.

Small injuries?

Scratches and stuff. Sugizo doesn’t really remember, but when he got really mad, he got stopped by his friend George from Ladiesroom in the beginning (laughs).

That happened?

Hide also stopped him. When Sugizo went off and had a hard time, hide would come and have a drink with him. He was always looking out for him. Even though they raged a lot, there was never an intention to really hurt the opponent. It was violent, but it was fun.

Everyone says that.

Even after violent fights, everyone joked about it the next day. Also, hide loved messing with people. When they went to an onsen in Hakone, hide hid all of their clothes in a crack (laughs). Since it was dawn and there was no one around, it wasn’t a problem and it was never worse than silly mischief. Sugizo looked around, but there was nothing to wear except the noren [cloth sign at the entrance], so he spontaneously made the executive decision that that would serve as his clothes. He likes onsens, but to exchange the yutaka [light kimono, usually provided by the onsen] with a noren… (laughs). Further, hide ate a lot in the morning. Since they fooled around all night, the others didn’t want to eat anything, but hide enthusiastically gulped down everything on his own. They would ask him how he could eat like that, but he would explain that he’d get in trouble if he didn’t eat in the morning and devour like 3 bowls of rice. Then they’d got to an amusement part and slide down a grassy slope in a cardboard box, playing like children.

Adults don’t usually play like that.

Hide had a driver’s license but never drove. When asked why, he explained that he had once been in a collision accident. He couldn’t forget the feeling of the car hitting a person and so, he didn’t want to drive. Sugizo understood, but he thinks that hide’s power of imagination was too strong. When talking about going to the shooting range in America, hide asked, “Sugizo, did you ever shoot a gun?”

“Not yet, but I would like to try it.”

“You’s better not.” At the shooting range, hide would suddenly think, “What if I turned now and shot the person next to me and their blood splattered everywhere,” and just be horrified. Once he started thinking like that, one thought would lead to another and he would become terrified. So he didn’t shoot, and he didn’t drive. Sugizo understood that, because he, too, had an overactive imagination since he was a child. He doesn’t eat a lot of meat anyway, but when he thinks about the time when those creatures were alive, he feels bad. When he thinks about how they are roasting the dead body of an animal, he has to imagine their dying wails of agony. Both he and hide are people with an extreme power of imagination.

They can make their music come alive through that.

It’s great when it comes to music and expressing yourself, but when it comes to your normal life, it’s very inconvenient. When it comes to creating, one thing Sugizo often remembered later was one time he and hide went drinking before hide had a contract for his solo activities. He talked about wanting to do solo work but having doubts about it. Sugizo told him he should definitely do it, because solo-artist-hide would be interesting. A few weeks later, hide said, “I mostly decided on a solo contract, but Sugizo, I was surprised.” – “Why?” – “Can’t tell you yet.” And then he didn’t. Turns out, he ended up with the same record label as Luna Sea. Sugizo remembers well how often they talked when hide first started his solo activities.

Did they talk about what they wanted to do?

Sugizo doesn’t remember the contents of those conversations well, but hide talked about wanting to do pop. Since his starting point was KISS, he probably originally liked rock with big shows. That was 15 years ago. It makes Sugizo feel nostalgic.

What did hide say about Luna Sea?

Sugizo doesn’t really remember him talking about musical things, only drinking and having fun. But he liked their early pop songs like “Déjà Vu” and “Wish” and told them they should do more like that. “Believe” was their first single. When hide saw the PV, he said, “You should have related a pop single like this sooner.” They had the same hair and make- up artist, Okayama Tetsuya, and they often went to his place to drink.

Hide often came to Luna Sea’s lives.

Hide said that Luna Sea’s sadness was unbearable. “It came with a bang,” and “Deeply moving like Dinosaur Jr.”. Sugizo doesn’t understand that at all (laughs). Sugizo likes Dinosaur too, and got a melancholic feeling from them, but he thinks this was an impression specific to hide. “That feeling tightening your chest is nice, but there are no such elements for me.” Maybe he saw such tones in bands like Luna Sea or Zi:Kill.

He also often went to see Zi:Kill.

Hide liked Tusk. He also had a close relationship with Ken, but if pressed, Sugizo would say that Ken was being messed with (laughs).

He was often made fun of. (laughs)

But maybe hide and Sugizo were opposites when it came to their personality. Hide was blood type AB, and there are aspects of AB-types that Sugizo can’t understand. There are things that are normal for AB-types, but mysterious and incomprehensible for O-Types like Sugizo. Hide was no exception. “What is that guy saying so quickly?” Sugizo often thought. It was not a problem, because hide was in a position of seniority to Sugizo, but if they had been of equal standing, they would probably have fought if spending a lot of time together. Actually, their way of thinking and their interests were so different in hide’s last years that, while it never got to the point of fighting, they had a lot of disputes.

Conversely, that was the extent of the relationship they could have.

Sugizo wonders about that. At that time, X JAPAN set up base in L.A. and only had activities about once a year, so hide was rarely in Japan anymore. When he was home, they occasionally met for drinks, or they ran into each other at the “Music Station Special” and went out drinking afterwards, but that was the extent of it. Sugizo worked from London at the time but was never in L.A., so their points of activity were just different.

Sugizo also did his solo recording in London.

Nowadays, Sugizo often goes to L.A. and hangs out with Yoshiki, but the last one or two years before hide died, there was some distance. Nevertheless, whenever they were both in Japan, they met without fail. In the 90s, Sugizo was in L.A. not even once.

Is that so?

The first time he went to L.A. was in 2000. Since then, he’s been there almost 30 times. At first, it didn’t fit the image of hide’s L.A. The feeling was a little darker. But it matched, thinking about hide’s roots.

In the beginning, hide said he didn’t like L.A. very much.

KISS is an American band, though. And hide made Zilch in L.A. Zilch was great. But now [Paul] Raven has also passed away… Sugizo was close to the members of Zilch, somehow, they were all connected.

Did he hear stories about Zilch?

Yes, he did. “I’m not going to produce, I want to focus on performing,” hide said. “It’s going to be mainly in English, so I’ll focus on singing and playing the guitar. We’ve got a good producer.” The producer in question was Ray [McVeigh]. Sugizo thinks hide and Ray met because Ray was producing Oblivion Dust. Sugizo heard about it about one year before Zilch really started.

In his solo works, hide did everything on his own.

He probably wanted to relax and take a different approach to music. Sugizo remembers, there is a song called “Drink or Die”, that hide came up with when they were drinking together. “I want to make a song about ‘drinking or dying’.”

“About drinking until you die…?”

“Yeah, that’s it, that’s the song I’m going to make.” (laughs)

He swiftly wrote down the lyric on some paper right there in that place.

He did. The group they always hung out and drank with was called the “Legion of Hell”, and he said he wanted to make a theme song for them. “Legion of Hell” was of course a KISS reference. (or was it?) When he drank, that guy often went wild.

Him, too?

When the others went into s drunken frenzy, hide would, too (laughs).

Sugizo didn’t?

Sugizo doesn’t frenzy (laughs). Sugizo doesn’t change when drunk, but hide could change completely, as if a switch was flipped. It would go into a fun direction, or he could play too hard and get injured. He’d mess up and break his bones. One time, he ran off with joy and didn’t notice a wall in front of him until he ran into it face first. After that, he was down for a day (laughs).

Referring to their shared photo session?

They were photographed together in connection with a magazine interview, but hide managed to run into a white wall so hard his make-up left the imprint of half his face on it (laughs) He was in high spirits, got injured, and went down. He was an entertaining guy. He could change completely from one moment to the next, get silly or start fighting. Then, suddenly, he’d give a lecture.

Lecture, in what sense?

He was a guy who would suddenly lecture you if he was drinking. Sugizo got those lectures, their other buddies got them, too. For example, both Sugizo and Yoshiki liked the word “art” and probably used it a lot. Hide, on the other hand, hated that word and would tell him, “Sugizo, don’t call every single thing you make art.” And, “What I do is also often called art, but that’s not what it is. It’s simply me doing things I enjoy. Those on their high horse speaking of “art” can go fuck themselves! Listen, Sugizo! Don’t say shit like that.” (sour smile)

He certainly wanted to emphasize that.

Hide had a lot of particular views, and if you went against those, it rubbed him the wrong way, Sugizo thinks. Anyway, the talk is all over the place. They spend so much time together, but hide has been gone for ten years, and the chronological order is all messed up. In those ten years, Sugizo changed a lot. In any case, in that time, he wanted to talk, to drink, to mingle with a lot of people. In that, he and hide matched perfectly. Nowadays, Sugizo wouldn’t be able to spend his time like that anymore. That said, he also doesn’t spend a lot of time peacefully at home.

He often got summoned.

Very often (laughs). He’d suddenly get told, “Come over now.” He did it, too, which is strange. They should have been very busy back then. How did they have time for that?

No cell phones back then

None whatsoever. How did hide manage to contact him? Sugizo didn’t have a cell phone until 1995. The time when they were constantly hanging out was around 1992, 1993, so there shouldn’t have been any cell phones available in the beginning. If Sugizo was in the studio for something, hide would find out about that, too, and contact him there. His talent for research was astonishing (laughs). Since he got along well with everyone in the office, he always got info on who was where and did what. Sugizo still can’t believe he was that informed in a time when cell phones weren’t a thing yet. Speaking on which, after drinking in Roppongi one time, they all went to eat ramen. While eating, hide asked if those ramen were tasty or not. “I honestly can’t tell the taste.” (laughs) He asked them, “Because I don’t know if they are good or not, tell me.” They then told him, “They’re good,” and he said “Yay!” and ate happily. It was one of those times where Sugizo thought he was weird. (laughs)

Hide’s lacking sense of taste is a topic within his circle of friends.

Between Yoshiki and hide, they also fought, each accusing the other of being taste-blind. It was pretty ridiculous. Also, when Luna Sea were still indies, when they were visiting hide’s place to drink, it happened that when morning came, hide would suddenly prepare a meal for them. He could cook, that guy. Suddenly, at six AM or so, he would go and make fried kimchi or something. He was a strange guy, but he was also a bundle of affection. Sugizo thinks he just loved taking care of people. “Come to my place and I’ll feed you!” He gave them lectures, chased them everywhere (laughs). Sugizo always responded to that affection, because it made him really happy. Above that, he always rushed to respond, because he wanted to be seen as someone who always came quickly, no matter what was going on (laughs).

Even if the other members couldn’t come, Sugizo always did.

Thinking about it now, Sugizo really went for it. And there was the “salt incident” that was really fun. Whenever Sugizo used the phrase “Did that have the right amount of salt?” [Meaning something like, “Did that match your expectations?] on some grandpa or someone in some town, and hide laughed his ass off. “Young people don’t talk like that these days. Can you also ask the audience at Luna Sea’s live if you gave them the right amount of salty flavour?” So Sugizo said, “If the opportunity come up.” (laughs) Thus promised, several days later, Sugizo addressed the audience at an outdoor concert in Hibiya with, “Did that have the right amount of salt, you fuckers?” and hide lost it again (laughs).

Before that performance, hide excitedly wondered if Sugizo would really do it.

The strange thing is, hide was bad at dirty talk. One day, he askes Sugizo, and seemed to struggle with it, “The boy’s bit, ca… can you say that?” Sugizo thought he asked weird questions. And when he in return asked, “Do you mean ‘penis*’?”, hide was excited. “Amazing! You can say it! So manly! I admire you!” It was a great commotion. “None of the X-members can say it.” So Sugizo said, “Ours is a band that makes a lot of dirty jokes. So, it’s okay for you to give it a try.” And hide tried, “Pe… pe… No! I can’t say it!” and hung his head (laughs). Sugizo thought he was weird, but Yoshiki can’t say it even now (laughs). But, after starting his solo activities, hide managed to yell the word “Penis!” on stage. Sugizo thinks it was their influence, pulling him down to their level (laughs). In the beginning, he was above such things.

[*) Ironically, the word is censored throughout the text.]

His mental state changed (laughs).

For the sake of showmanship, he knew no shame. After the performance, they told him, “hide-san, you changed. Now you can say the word “penis” on stage with all your might!” and hide was super happy because he, too, had become a grown-up (laughs).

He grew up, right. (laughs)

Sugizo thinks that hide was such a great person thanks to his amazing family. Both his father and his mother were very warm people and thus able to raise a person like that. Sugizo was quite jealous of the good relationship hide had with his parents. It’s well known that Luna Sea is a band where everyone came from a broken home environment, so the warmth of a household, the affection of father and mother is something they barely experienced. That’s why hide was such an incredibly warm guy himself. The Luna Sea guys were all rebellious, messed up people. Even though they are now in their late thirties and have mostly left their childhood traumas behind, in their twenties it was still very present. The still dragged their childhood environment and traumas with them, had trouble with their personal relationships, didn’t express themselves well – there were all sorts of issues. To Sugizo at that time, hide’s family was something he envied him for. Even now hide’s parents are wonderful to him. Whenever he meets them, they invite him to their home. “Pata-chan comes often, so, come with him.” They are so full of affection, it’s amazing.

Has he ever done a session together with hide?

Yes, at the power station, when Sugizo was still indies. Hide sang, Sugizo played the guitar, Shinya was on drums, and on bass was Sexy Rose Harry. They played songs by Damned and Ziggy Stardust. Nostalgic. That was in 1991, a long time before hide started his solo activities, but Sugizo wonders if he wasn’t developing a vision for that back then. The way he sang changed a lot. He got serious about it. If he had to sing, he abstained from alcohol, went to bed early to stay healthy. He said to Ryuichi, “Singers are really respectable. I’m not there yet.” And then he worked hard to get there.

Did he see Sugizo’s solo activities?

He probably did, but since that started just before he died, they didn’t discuss it much. Luna Sea started their solo activities when X was in the process of breaking up, so hide was dealing with his own problems. He talked a lot to J, who was based in L.A., but didn’t have a lot of opportunities to talk to Sugizo or the others. But Sugizo hung out with the members of Spread Beaver, since he’s friends with all of them. In the year before hide died, they only met a few times and didn’t get to talk about their solo music much. If they had, Sugizo imagines it something like this: hide would have asked him if he was still playing with “art”, Sugizo would have insisted on going with that, and then hide would have told him not to, and they would have gotten into an argument (laughs).

Is there anything he would like to say to hide?

The things hide did have now blossomed to their full meaning. Hide and the things he wanted to express are now loved throughout the world. Sugizo wants to say, “Congratulations!” The distance between the countries is disappearing and hide’s music is now going out into the world. Some people had problems because CDs are not selling anymore, but there are now other ways for music to be distributed. Sugizo often wonders what hide would be doing if he were still alive in this time. He would probably be at the forefront of some brand new thing. When he thinks about such things, Sugizo wants to say, “It was too early, hide-san!” If you live a long life, various people are going to die before you. Those who die young are eternally beautiful, those left behind are, struggling and shining, growing older day by day. Sugizo, for his part, plans to keep doing music with all his strength until he goes to the place where hide is. He wants to keep doing music to the point where he gets as far as hide has gone.

[microwavepopcorn]

[sirgawainofgalifrey]

So Nimona is like The Princess Mononoke if San was the Spirit of the Forest and the Emperor was the Lady of Iron Town Lady and if Ashitaka was San's father figure instead of her love interest and if he was in love with Lady Iron Town's body guard dude.

Is that about right?

[peapod20001]

Bro we got to use a vr to test our eyes

[deansemptyribcage]

Coming to terms with being a wincest shipper

The first time I read a fic with wincest in it, it was completely by accident? Like, I’m not even joking, I had never even considered reading about it before. Ofc I noticed all the little looks and the sexual innuendos between the two, but it never crossed my mind that other people had. So, anyway. Back then I was still very much in denial about finding it hot, bc who wasn’t in denial at first? 😅 So the fic. It was a destiel (yes, I ship both destiel and wincest, shoot me.), or it was supposed to be. It starts off with Cas and Dean in college, I can’t remember if they were just friends and Cas was in love with him or if they actually started dating, but either way, not all that important. Dean moves his baby brother (Sammy, duh) into his dorm room after something happens with their family (I can’t remember if John dies or if he’s just abusive and Dean can’t let it continue happening to Sam, it’s been years since I read this) and Cas gets incredibly jealous. Every time Sam shows up in the fic (which is nearly every scene with Dean in it) Cas’ jealousy increases. He gaslights himself, trying to convince himself that there can’t be anything going on between the two, they’re brothers for crying out loud! After months (I think it was months) of acting cold towards Sam, he finally gaslights himself enough to really convince himself that nothing is going on between the two, so he goes to Dean’s dorm to apologize to Sam for how he’d previously acted. He really thinks he’s crazy for being so mean to Sam for something that was all a figment of his own imagination, he must be crazy, right? Well, upon walking into the dorm room, he finds Sam and Dean doing the do. It’s obvious that the writer of the fic wants you as the reader to feel disgusted and repulsed by this revelation, wants you to feel it’s criminal, seeing as that is exactly how Cas feels and acts. Cas even calls the police and gets Dean arrested and the two separated. Which, being the reader, I was trying to convince myself that I also saw that as repulsive and criminal, but I didn’t. And that, my friends, is how an anti-shipper showed me that I really fucking liked wincest. Anyway, how did yall first come to terms with your love for wincest? 

[fieryvoid-scout]

I'm too lazy to figure something out with mobile, lol. this been great for my executive dysfunction tho

for the first time in my many many years of being on this hellsite I am now a pc main instead of mobile main (thank you dashboard unfucker)

[ilikethequiet]

I watched Good Omens and some things definitely happened in that, overall it was quite good and I’m really going to need a season 3 to wrap things up.

[mics59]

Old (2021): 9/10

That was scary, but I dig this existential horror thing

[flourmelon]

And now a few words of enlightenment for animal rights advocates: for many, the sight of my kind with one of these plague bags, excuse me, with one of these rodents between our teeth is a heartrending sight.

Felidae

—Akif Pirinçci

2.11.2023

🐈💾🏡🪦🏮

[satorus-leftarm]

nothing like spending new years eve listening to tbh+c while innocently scrolling through pinterest and suddenly falling down a rabbit hole on alex’s past dating life by reading pinterest comments-

[wahoopli]

last night I hung out with two women who have only slept with cis men and man. things are rough out there

[charliesinfern0]

I can’t do any art :(

[superpaperclip]

Now I can check “listening to a very adventurous karaoke version of Genie In A Bottle on violin” off my bucket list I guess

[allagashed]

whenever i say “screaming crying throwing up” this is what i mean