hii could i req an soft dom arlecchino x sub/fem reader?? something w a really needy whiny reader n maybe like a mommy kink or thigh riding IDK tysm for ur time !
{☆} characters arlecchino
{☆} notes drabble, fem reader, sub reader
{☆} warnings 18+ content
"Slowly, doll. We're not in a rush." Arlecchino reprimands lightly, squeezing your hips with just enough force to keep you unmoving on her thigh– she was still being gentle, but the subtle warning in her tone spoke to how easily she could push you against the desk and turn you into such a mess that you couldn't even remember your own name..just that you were hers.
But the barest hint of stimulation from her slacks pressed against your throbbing cunt had you twitching, barely able to form words. All you could think about was the scorching, twisting need building in your stomach, desperation for relief slowly climbing until you'd think she was doing this on purpose to drive you mad.
"Please– 'm a good girl, right? I've been good.." You choked out, only to be met with the rough, husky laugh echoing in your ear that made you feel dizzy with a rush of need, her nails gliding along the skin of your hips as she pressed you down even more firmly– you couldn't see her face but it was easy to imagine the crooked smile twisting her lips at the way you inhaled sharply and tried to buck against her thigh.
"Shh. I know, doll. I've got you, just relax." She murmured in that sickly sweet tone that always had your knees buckling, the raspiness of her voice sending shivers down your spine. It was almost impossible to relax with her so close, the notes of metal lingering on her skin despite how well she presents herself– but you trusted her, despite how you know you shouldn't.
"There we go. Good girl." Arlecchino's grip on your hips loosened just enough for you to move if you so wished, and oh did it take every ounce of restraint to not do just that..she hadn't said you were allowed to, and you weren't about to spoil her good mood by being a brat. Not tonight, anyway. "Do you want to cum, doll?"
The fervent nod you offer in place of words draws a laugh from her lips, one that is almost mocking, making your face flush in embarrassment– but the sudden tap against your hip makes your mind go blank to the point you forget it all together, focused only on the feeling of her thigh rubbing against your cunt as you bucked against her thigh, the fabric slick and wet against your inner thighs. You'd have half the heart to be embarrassed about that, too, if not for the sudden brush of her thumb against your aching, neglected clit. Just that small touch has you speeding up your movements, practically drooling as you whimpered like a dog in heat.
"That's more like it, doll. Such a pretty girl." Arlecchino hummed, her other hand trailing up your stomach, between the valley of your breasts and ghosting across your throat before settling on grabbing your jaw in a firm, yet almost tender touch as she tilted your head to the side just enough for her to pull you into a burning kiss. It left you lightheaded, grinding down against her thigh as she claimed your mouth as her own, her thumb still ghosting over your clit sporadically.
She'd spent so long teasing you, constantly touching you but never where you needed her, that you already felt like you were going to snap like a wire. She must've been in a really good mood, then, when she pulled away from the kiss with an almost predatory lick of her lips, yet she settled on pressing kisses to your skin rather then the usual sharp bite of her teeth as they sunk into the curve of your shoulder.
"Are you close? Go on. I want to see your face when you cum– you look the prettiest when you finally break apart, doll." Arlecchino mused idly– as if she wasn't talking to you while you continued to rub your aching cunt against her thigh, chasing your own release through shaky, strained breaths. Her thumb swiped over your lips, brushing strands of hair stuck to your skin from your face– at the same time as she swiped her thumb more firmly against your clit, creating a vicious contrast that had you both melting at the barest hint of almost softness from her and the touch of her hand between your legs, dragging you into an orgasm that leaves you trembling and, had she not shoved her fingers into your mouth, screaming, tears pooling in the corners of your eyes.
"All done, little doll. Take it easy." She murmured, voice so quiet you almost didn't hear it, thumb swiping across your cheek to wipe away the stray tear, her hands pulling away to settle on your sides. "You did well– good girl. Let me take it from here."
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Tradition vs Modernity vs Comradery
+ context & lore:
In the first drawing, Fernando is wearing a capote de paseo, which is what bullfighters wear before the match begins, as seen below:
In the second, Seb is shouting the very familiar "Olé" which is shouted by the crowd to praise the matador. He's a little brat, so of course he's yelling it for himself, but he did get many 💐
The third(which was a random sketch I had that I didn't think I'd finish tonight, so ignore if its messy) has very important context to me. Before going to the final act and killing the bull, matadors dedicate their montera(hat)(and symbolically: their kill) to a a specific person in the audience(or just the public as a whole.) Seb and Fernando are finally in the same color! Seb is bowing!!! And Fernando is honoring Seb!!!! Also ignore that I drew Seb's post-retirement hair. Though, maybe this drawing is supposed to represent Fernando making a dedication to his now-gone rival 😔(Seb: stop telling people im dead!)
Now, some more lore :D
So I talked about this in my last matador post but I'll expand more. I think it's very funny to characterize Fernando in this au as this fun-hating traditionalist. Because you have to understand; he's only this way when it comes to Seb. Because you absolutely KNOW he was doing silly, unserious shit back when he was younger. But absolutely god forbid Seb do anything silly.
It's very ironic because there literally is a part in the third act of a bull fight where it's basically encouraged to be a bit silly. This is a tad morbid, but basically right before they deliver the killing blow, some show their mastery over the bull by doing some superfluous action(ex. kissing the bull, kneeling in front of the bull.) There's some guy who literally would lean on the bull and mime taking a call. But anyways, Seb would def do this. I've not been able to draw it exactly how I want, but he would bend down and do his little bull horn symbol and mime charging at the bull. (Fernando, trying to make up reasons to hate Seb: oh my god, look at this blatant disrespect, look how he is disrespecting the bull, I cannot believe how rude this boy is!)
Also there's something to be said about how the matador shows mastery over the bull by kissing it or bowing to it...and Seb is technically the bull in this au and Fernando is the matador. There's just this unfortunate level of weird power inbalance that still lingers even though their rivalry is over and can't be affected anymore. There was no succinct answer about who truly was better because Seb was forced out of it. So there's always gonna be this level of "is he just pitying me? Is he just mocking me? Is he just patronizing me?" on Seb's part whenever Fernando praises him or makes dedications to him. And Fernando's always going to be haunted by the fact that there's no answer to who is truly better because he'll never know if Seb had reached his full potential or not. Anyways, they also have nasty sex while wearing their costumes and do weird bull/matador roleplay :)
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Part 2 Part 3 Part 4
STEVE LOOKS AT HIS BIG EMPTY HOUSE AND THINKS FUCK IT
(ft. baby Steve and Hopper accidentally teaching El the word 'orgasm')
cw: child neglect, underage drinking, sexism, brief fatphobia, Italian (like 2 words)
plugging my steve playlist
At first, eating fast food every day sounds like a dream come true. His parents don't allow him to eat pizza - we don't want you to become fat, Stephen, what would the people think? - but when he finally breaks the double digits and they deem him old enough to stay home alone, the freezer is filled with frozen pizza. "You know how to get takeout, right?" his mother asks. Steve doesn't mention that he needs to get on his tippy-toes to reach the tall table with the phone and nods. And then he is alone.
Tommy Hagan says that he loves it when his parents aren't home. His brother wants to be left alone, and so he is sent upstairs and can watch as much tv as he wants, even the horror movies he isn't allowed to yet. Sometimes, when his brother invites friends over, he can even sneak a bit of alcohol. He loudly proclaims that alcohol is cool and fun and awesome, but one time, when Steve and Tommy are alone, he whispers that beer actually tastes really bad and makes him sleepy and that sometimes it gives him a tummy ache.
And it is somewhat exciting, at first. Having the entire house for himself. He can watch as much TV as he wants, even the scary movies his mom hates. (But at night, when he dreams of monsters and demons and blood, there is nobody there to reassure him that it isn't real). He can eat whatever he wants whenever he wants. (One night he puts all the pizza in the oven and plays a game against himself: eat as many slices as possible. The next day the teacher sends him home with a bellyache and he barely makes it into the bathroom before he is throwing up. He can't even look at pizza after that without feeling nauseous)
After that disaster he discovers the wonder that is takeout. (The table is so incredibly tall and every time he reaches for the phone there is a split second when his heart stops and he is sure that the phone will fall on the floor and break into a hundred pieces and he won't be able to hear it when his parents finally decide to call (they haven't had time yet, his father is a very busy man) and they will find out and they will hate him forever. But he always manages to catch it, so it's fine.)
Hawkins is a small town, which means that Steve's options are severely limited. His parents left him three pamphlets from different restaurants he can call. The first is Italian. Steve remembers heaving on the toilet and throws that one away. The second is a Diner. His stomach is already growling and reading has never come easy to him, so he calls without even reading the last one.
By the time his parents return, he knows the number of the diner by heart and is already on first-name basis with most of the staff. His favorite is Daisy. She always asks him how he is doing and sometimes she sneaks in sweets he didn't order.
He misses Daisy when his mother starts cooking again, and then he feels bad for missing her because his parents are finally home! He never really appreciated his mother's cooking until he had to go without. He has vague memories of refusing to eat his vegetables when he was small, but the feeling of eating something not greasy is so good he even takes seconds. His parents smile and he feels his heart fluttering in his chest. "See, he is already growing up", his father says, and Steve beams.
He wants to help in the kitchen, but his parents don't allow it. ("Only women belong in the kitchen", his father thunders. "You're just making a mess! For gods sake Stephen, leave me alone! Aren't you too old to keep running after your mummy?!", his mother complains.)
--
Steve isn't sure when exactly he decided that he didn't care. Maybe it was when he went to Carol's house and realized how empty his fridge is in comparison to hers. Maybe it was when he started exchanging his readymade supermarket sweets for other people's lunches, so he could at least have something that isn't prepackaged. Maybe it was when Daisy suddenly stopped going on the phone when he called the diner and the new worker (he doesn't know her name) got really annoyed with him when he wanted to talk about his day. (He is scared that he is the reason she is gone. That all the secret sweets and fries she would add to his order got her fired. But he doesn't know how to contact her, or even her last name, so he can never find out for sure)
All he knows is that one day he looks at the kitchen and knows he can't do frozen or canned meals anymore.
--
Steve goes to the living room and searches the huge bookshelf with narrowed eyes. (He once asked his father why they had so many books if neither he nor his parents like to read. He said that he should stop asking stupid questions.)
He chooses to see it as a good sign when he finds a cook book in the lowest shelf. The bookshelf is even taller than the telephone table, and if all the recipes were too high up he wouldn't be able to reach them even with a chair.
He makes for a noticeable picture, a tiny boy dragging around a huge book and an even bigger bag. (He had never gone to the supermarket before. When his parents go on a business trip they always leave him with enough food to last until their return, and when they are home food always seems to magically appear in the kitchen - or he assumes it is in the kitchen, he isn't allowed in there when mother is home. He thought grown-ups just magically knew what they needed to buy, but he took one look at the ingredients list and knew he would never be able to remember everything. When he sees a woman taking a shopping list out of her bag, his tiny mind is blown.)
Sometimes he can't reach a shelf. Then he stretches and glares until an adult notices and takes pity on him. They offer to help him with the book or with the bag but he refuses. Father says he is already a big boy, and big boys don't need help. It doesn't count when people just do it without asking. He would've been able to reach the flour all by himself if no one had interrupted him. Probably.
His first attempts in the kitchen are disastrous to say the least, and his respect for his mother only grows. One time his neighbors even call the firefighters. He was terrified when he heard the sirens nearing his house - was sure that his parents found out that he was messing in the kitchen even though they explicitly forbade it and that he was going to prison and that he would never walk free again. Luckily that didn't happen. He doesn't mention that part when he recounts it to Tommy and Carol the next day. And if he exaggerates the fire a bit, there is nobody there to dispute him (it's okay if it makes him look cool.)
(The firefighter asked where his parents were. He said they were on a business trip. Another one asked when they would be back. He answered in a week. The first said he should call his parents, and Steve explained that they didn't like to be bothered. The second one frowned, and Steve asked if he was in trouble, but he assured him that he wasn't. The first one said he should call them anyway, that they would want to know this, and so he did.
His father answers the third time he calls. He sounds annoyed - Steve can perfectly picture his angry frown - and so he explains that he didn't want to call him, he promises, but the firefighter said he should.
"What happened?" his father asked, still annoyed.
And Steve hesitates. His teacher says that lying is wrong, but when he was honest and told his mother he wishes they were home more often she said that he should stop being so selfish, that it's not a good look, that it's ugly. So he doesn't say that he accidentally charred another chicken (the book said that if it is even a little bit raw it can make you sick and being sick isn't fun when you don't have anyone to take care of you) and forgot to turn off the oven. He knows his parents don't want him in the kitchen. They will probably feel like they should come home early, and of course they won't because father's work is important, but they will feel bad while they are gone and Steve doesn't want his parents to feel bad. So he starts talking about his day, hoping to be able to come up with something by the time he gets to the part where he has to explain the fire. Luckily his father doesn't have time to listen to his ramblings and hangs up before that.)
The next day Steve goes to the supermarket, the trip already a part of his daily routine (this time with a list, like a real grown-up), and tries again. He learns what fancy words like "bardare" or "irrorare" mean and that you need to preheat the oven before you use it. He still messes up, but it's okay.
After all, he's got a lot of time to learn.
--
Steve is glad that he wasn't the only one.
And he feels horrible when he thinks that. These fucking monsters are terrifying, he was sure he was going to die more than once. (He still can't believe that he didn't).
But if he had to go through all of this alone, he wouldn't be having a We All Survived An Attack By Monsters From Another Dimension/Will Byers Is Back/The Weird Supergirl Needs Friends/Isn't The Sheer Amount Of NDAs We Needed To Sign Literally Insane/Just Like What The Fuck In General-Dinner right now. He feels a bit like an outsider - which is ridiculous considering his literal girlfriend is also a part of it (or at least he hopes she still considers him her significant other). But he has nothing better to do and he doesn't want to worry Nancy, so he compromises with himself and brings food as a sort of apology.
(he isn't sure what he is apologizing for)
He arrives early to help set up the table, and Joyce places his dish right in the center.
The first one to taste it is Hopper. Steve doesn't blink when Hopper guides the fork to his mouth and he doesn't breathe when he starts chewing. For a moment it seems like time stopped flowing (he is eerily reminded of the first time he saw that monster, the demo-monster-whatever. The realization that the world is so much scarier than he originally thought). Then, Hopper's eyes widen. He makes a sound that would not be out of place in a bedroom. The kids (and isn't it awful that they are so fucking young they are like half his age they shouldn't have to deal with this) stare at him in varying degrees of disgust.
"Holy fuck Joyce, I think I just had an orgasm. I would literally sell my fucking kidney for this lasagna."
The kids look as if Hopper had stripped down and started pole dancing on the table. Nancy's little brother makes an unimpressed "ew." Supergirl imitates him, although she doesn't look too sure about why she is doing that. Steve can't help the small smile forcing itself on his face.
"Oh no", Joyce says, "it's Steve who brought the lasagna". The entire rest of the table stares at him (as if he was the one who has fucking mind powers and okay maybe he isn't over everything like he tried to convince himself he is) and he can feel his cheeks reddening.
--
(Later, the kids give him a self-made "I survived a Demogorgon and all I got was this stupid apron"-apron. He wears it every time he goes into the kitchen)
Unexpected talent #1: cooking
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i think the main issue in arguing with zionists is that, well, they believe in zionism! if israel did deserve to exist, then the genocide and injustice in palestine could be argued for (not like it should be, but it certainly could) -- and zionists believe israel deserves to exist.
i, unfortunately, have a large amount of experience interacting (personally) with zionism and zionists. most of those i've talked to feel for the palestinians, and the violence they are facing, but they fail to realize (or they staunchly deny) the very, very active part israel and the IDF have had in that -- and how it's representative of what the nation has always done.
at the same time, they focus more on israeli hostages than palestinian ones -- and i know, of course, that these zionist jews i've interacted with are either israeli or have loved ones in israel, and so have a very personal stake in the safety of israeli hostages (which may very well be friends or family members), but i find it strange how much emphasis they put on hamas' cruelty in taking hostages while the IDF is doing the same thing (in essence; the exact details of who's doing it worse are important to note, but not relevant right now, because folks should realize that their side is being at least as cruel as the enemy's).
recently i was drawn into an argument with an israeli zionist (who, unfortunately, is very close to the action and tragedy by being israeli), and she was incredibly offended by my anti-zionism and my opposition to israel's abject cruelty to palestinian citizens, as it seemed (to her) like i was bypassing the cruelty hamas has enacted on israeli citizens -- which is very telling. i've noticed that we as jews have the tendency, whatever the situation may be, of focusing more on our pain than the pain of others, even if we are the ones hurting them. that person has every reason to be scared and hurt, and i'd be lying if i said her response wasn't at least somewhat sympathetic, but her pain in this horrible, violent conflict does not invalidate the pain on the other side. jews, throughout this recent crisis, have consistently not talked in depth about the constant losses in palestine -- am i suddenly being callous by focusing on those losses, and not our own? (YOUR PAIN AND THEIRS AREN'T MUTUALLY EXCLUSIVE, YOU DOLT! sorry...)
because it all comes down to believing in israel! my mom has always told me about how beautiful it is there, about her time living on a kibbutz... and sure, it might be nice. i can't argue with that. but why is it that our nationalism for israel is so strong, so virulent? i have not seen patriots as loyal for any other country. and when you criticize israel, israelis feel like you're criticizing their entire existence -- and many non-israeli jews do, as well. because zionism has been built so deep into the modern religion! it's made to be a necessary piece! belief in it is the default!
and, from the inside looking in, i can't be surprised that many jews take anti-zionism as being antisemitic -- because, to them, israel and zionism stand as the pinnacle of safety and support for the jewish people. it is impossible to argue with them about anything above that base layer, as the base layer itself serves as a foundation: so long as a jew thinks that israel is right, deserved, and necessary, no proof will sway them into hating israel. it's just impossible, and that's very frustrating.
for me in particular, i find it very frustrating, as this single idea has turned so many people i know to support a genocidal entity. they believe in and support israel, so they stand with it now -- even if they condemn its current actions, they neglect how those actions are just an extension of its inherent existence -- whether they think israel's doing the right thing or wrong thing right now, they don't really care at the end of the day, because israel, to them, is necessary in keeping the jewish people alive. they stand with it, thinking that jews can only stand at all if they do.
but a genocidal crutch is no crutch at all: it only breaks us more. zionist jews make me so mad, and the worst part is that i could never express that to them in a way they'll understand.
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