ynow thats such an asshole move to not post anymore. because face the reality no one gives two fucks about you and your probably not even the best on this platform. kindly fuck off ur dilly dallying. ill just atke ur fic and make it bette rbecasue u apparently cant continue it because no one likes it enoigh to fukcing comment. your shit, not me.
so it's an asshole move to not post anymore but nobody cares at the same time and my writing is bad? if the latter was true, shouldn't you be happy i'm not posting anymore? why do you wanna read something that is 'bad'?
i always find it so funny when people hide behind anons like if you're so tough and all to send me this, come off anon and talk to me face to face. i'm not scared. are you?
i also love the very blatant threat of plagiarism which is very much illegal and punishable by law? not sure why you would want to put that on the internet but okay? also, small tip from one writer to another: you might wanna fix your grammar before you put the 'better version' out, i can send you some helpful links
additionally, i adore the small compliment about 'probably' not being the best on this platform! thank you! so you think that i could actually be the best but you're not sure? made my day!
anywayssss, little reminder for everyone why a lot of writers left the platform! it's the sheer entitlement and the outrage of entitled people like you that we have to deal with when we make very valid points about this entitlement. im not obligated to write. you're not owed anything. writer's aren't shitty for not posting anymore. it's our platform, our stories, we can do whatever the fuck we want to. would you have been this angry if i just didn't have the inspiration to continue? or if i didn't have the time anymore due to personal life changes? would you have sent this anonymous message if something had happened to me? who are you to decide on the validity of my reasons to stop posting?
oh, and i did actually improve a whole lot, thank you very much! especially with corpse fics. too bad you won't ever get to read them <3
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Hi hi hi!! How are you?!?!?
Hope you're all well
Sorry even I was busy with high school😔
Just a Lil suggestion thingy for your writing ~
I was wondering how 'bout~
Reaction of Lookism & HTF characters to reader forgetting to kiss them in established relationship - like reader is an independent working person even before they met each other, and in all the hectic schedule of their work, they just forget?
It's alright if you don't want to, don't feel pressured❣️
It's just a random thought ⊂((・▽・))⊃
hi!! sorry this is soo late lol work beating my ass as usual🥹 i hope school's been more chill for you lately/that you get a break soon!!
i included your fave then ended up picking some more non j high boys for this since my last hcs were for the j high boys😌 and i don't write for htf on here at the moment and wasn't planning to but..maybe i'll add a lil bonus at the end lol. ty for the suggestion!🫶
Lookism boys reacting to S/O forgetting their goodbye kiss before work
(Johan, Jake, Samuel)
Johan Seong
would lowkey SULK like there's no tomorrow. would not bring it up first though
but he tries to tough out it out, like the babygirl turned malewife-in-training he is
when you get home, tries to get a kiss by holding Miru up to you next to his face, pouting
but the both of them just get a head pat from you
ends up grumbling about how that's not what he wanted but whatever
leaving you confused but you quickly pick up on what he wants, having become perceptive after all these years of being with him that your boyfriend is not forthcoming with wanting affection
a blushing mess and pretends to hate it when you finally shower him with kisses
Jake Kim
notices pretty soon after you leave the house that you hadn't kissed him this morning, or yesterday either now that he thinks about it
barely pays attention during his Big Deal meetings, just sitting there furrowing his brow, trying to figure out whether he’s done something to make you mad at him
was the omelette he cooked for breakfast that bad?? he was just trying to expand his cooking repertoire beyond just instant ramen...
texts you that he'll get dinner for the both of you tonight, then buys takeaway from your favorite restaurant and also stops to get your favorite snacks before coming home
it's when you get home and trudge your tired body to him to give him a hug that he realizes it wasn't because you were mad at him after all
grins when you finally plant a big kiss on him while enjoying your fave meal after a long day of work
Samuel Seo
is unbothered, mostly. He has his own work to attend to anyway.
but as his day goes on, starts to feel unsettled but has no idea why??
this mf ends up being even more prickly than usual at work
gets home even later than you do tonight, and you nonchalantly give him a kiss before getting ready for bed
feels his ears turning red as his mood immediately improves and he finally realizes why he's felt off all day
well since you're here anyway, he'll steal another kiss from you now for tomorrow. or five
+ bonus: HTF - Taehoon Seong
this little shit would nip it in the bud real quick
catches up to you fast with his long ass legs after you rush out the door without kissing him goodbye, yelling "HEY!"
"you forgot something, dumbass" "???"
after planting a kiss on you, smirks and shoves you "hurry up now, you're gonna be late"
and you of course smack him with your bag as revenge for shoving you and smile at your boyfriend while running off as he curses at you
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alternative reasons to avoid bringing your brother in law into a conspiracy or a conversation between caesar and cassius
this scene is set sometime after Brutus and Cassius have switched over to Caesar's side during the Pompey-Caesar conflict.
in a different comic, I wrote about about how cassius isn't a dog that needs to be tamed, but that depends on which side of the playing field you're on. if you're Caesar, Cassius is someone you need to leash down immediately, and the complicated social web of debt is one way to do it!
Cassius is inescapably tied to Brutus: the sandbox bond of childhood best friends, brothers-in-law with Servilia bringing Cassius into the family, and a third time with Brutus asking for Cassius' life. if you're going to bring a man who clawed his way out of a horrific defeat that killed your patron and later joined up with your rival in a civil war (twice aligned with the other two heads of the three headed monster you were a part of!) under your heel, reminding him of the only bond that could hope to rival with his family ancestry is one way to do it!
Cic. Phil. 2.26
Brutus, Plutarch (trans. Scott-Kilvert)
The Defeat of Rome: Crassus, Carrhae and the Invasion of the East, Gareth C. Sampson
Civil Wars, Caesar, III. 101 (trans. A. G. Peskett)
Servilia and Her Family, Susan Treggiari
Caesar and the Dangers of Forgiveness, Barry Strauss
tbh, there's probably an additional subtext (there is, I was thinking about it) on how Crassus used 'softer' means than force to bind people to him (again, the politics of debt and patronage) and how Caesar takes after him in some ways here. it didn't last, tho. in 45 BCE Cassius voted against giving Caesar honors. (Cass. Dio 44.8.1)
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i was looking back at some of ur old tes art since its so good and i LOOOOOVE the way you draw Dagoth Ur with the longer arms and being very top heavy it's such a unique interpretation and it's my favourite forever
TYSM !! :-) i love top heavy dagoth ur, its a fun way to draw him ... thanks for the kind message !!! ^_^
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*putting on a moustache and sunglasses*
So like what’s the deal with ghosted what’s that about
now see the deal with Ghosted is that it's not what happens within the events of the film that captivates me so much, though don't get me wrong i love this film to bits, but rather, it's the idea of what happens after the whole thing that makes me FUCKING NUTS
because the whole thing is relatively cut and dry in the sense that we don't have to guess about what happened before and we don't have to guess about how everybody is feeling in the present. we know (MOST) important characters backgrounds and what they're doing at Falkhill and slowly revealing Paul's context was pretty interesting if not a little abrupt at the end there but its the very last scene of this film down to the very frame that flips the whole hour and a half you just watched over on its head and prevents me from getting a good night's sleep because i can't stop thinking about it
ELABORATING WITH A LOT OF SPOILERS UNDER THIS
explaining the plot of this movie is hard without sounding like im writing a pretentious review and not just talking out of my ass on tumblr but for my followers who haven't watched this movie and dont care enough to: Ghosted (2011) is set in a british prison in which Jack (John Lynch) is a long time prisoner who's wife just dumped him apparently on the anniversary of their sons death (tough break) and is being advised by his friend and cellmate Ahmed (Art Malik) (who does NOT get HALF as much screen-time or plot relevance as he DESERVES,) to find something to put his mind to and be proud of outside of his failures
Paul (Martin Compston) is a prisoner who was just transferred out of a Young Offenders prison AS FAR AS WE'RE TOLD... though its noticeable from the beginning that hes not a very good liar and his story is suspicious at best
Clay (Craig Parkinson) is kindof The Guy of their prison wing whos dealing drugs to other prisoners and assumes the position of authority over everybody else, though compared to other inmates with bigger cliques, his foundations are shaky. the description of this film on letterboxd calls him "the wing beast" and i have never cried laughing so hard reading something in my life
Clay and Jack both hone in on Paul immediately for different reasons. Jack, after his pep talk with Ahmed, sees Paul as a source of "a little self belief, something to be proud of", but Clay scoops him under his wing for being relatively young and impressionable. This puts Jack and Clay at odds with each other.
after some plot, Paul gets into very big trouble with Clay and after An Incident is promptly plopped into Jacks hands, who had requested Paul move into his cell earlier but didn't have a good enough excuse for it. Well You've Got A Bloody Good Reason Now ect ect
Jack and Paul buddy up immediately and its noticable that Paul is sort of filling in the empty space where a son would be for Jack, however we discover that Paul has been lying about his past to everybody, including Jack. he lied about his family and he lied about having only just been transferred from Y.O. and hadn't been telling the whole truth about his sentence. what the truth ends up being, in a nutshell, is that Paul is accidentally responsible for the death of Jack's son, having been the one who started the house fire he died in (we were never even told that Jack's son died in a house fire before this, we are only told this in Paul's flashback at the end of the movie and are supposed to act, like, surprised?? whatever). consequentially, Jack flips his lid and prompts my personal favorite scene in this film in which he beats the living shit out of Paul with his bare hands and immediately regrets it the second the adrenaline wears off, hitting an alarm button within the cell that alerts the guards.
the guards whisk him away and he is put in solitary confinement, which we find out was actually the first sequence of the film where hes shown with an absurdly long beard, and considering every other fucking scene he's in is of him shaving his face, i assume this is to show just how long he's been kept in solitary confinement, which quite honestly was kindof exciting to realize at the end of the film.
and then. the end scene.
after solitary, Jack is put in cuffs and brought to see Paul who looked Extremely Dead after Jack had him, but hes not dead! just almost dead.
Jack is sat next to him and tries to apologize but starts to cry, reaching out a hand to hold Paul's but retracting it regretfully. Paul, having looked unconscious not five seconds before, moves his hand to place it over Jack's...
and then the movie ends. and i am left writhing on my floor in anguish BUT NOT BEFORE I EXPLAIN TO YOU THAT THIS
THIS is what the deal is with Ghosted
the pathetic gestures of "im sorry" and "its okay" are what kill me. sorry is nowhere near enough to justify anything that EITHER of them did, NOR should they be forgiven. AND YET.
and what gets my gears going is the thought of what everything looks like AFTER this scene. after they've bonded so close and after Jack already thought that Paul stopped lying to him, thinking that he could protect Paul from Clay now... after they started to fill the spaces for people they were missing in their lives... and after they've RUINED each others lives. They Have Ruined Each Others Lives and yet Paul probably would have had to DELIBERATELY ASK for them to bring Jack to see him because he just BEAT Paul within an INCH of his life and would NOT !! have brought Jack to see him upon Jack's own request!! Paul would have wanted to see him too!! after all this
what does their relationship look like now... the image of father and son has been all but shattered in each other's eyes, one can assume, but are they still close... does the guilt and responsibility drift them apart or does it pull them inseparably together? Ahmed tells Jack that "there is no such thing as coincidence, only fate" but what does their fate look like... does it end here or does it mean that they're together indefinitely? the end of this film swings the door wide open and i think about it. way too often. unacceptably often, even.
all in all theres no reason that this should be my favorite film but it is. if nothing else it's made me look into the other actors involved and branch out with a to-watch list as long as my arm that will only get longer once i branch out from there. is it the perfect movie? no this film is mediocre at best. have i made a number of my friends sit down and watch it and listen to me yell incoherently about it? of course i have.
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