Eugene Onegin at the Zürich Opera House
Music Direction Gianandrea Noseda Producer Barrie Kosky Tatyana Ekaterina Sannikova Onegin Igor Golovatenko Lensky Benjamin Bernheim Gremin Vitalij Kowaljow | 24.02.2023
So, I finally got around to writing about my experience seeing Eugene Onegin at the Zürich Opera House. Let's get into it!
The show started promptly at 7 pm, but we were allowed to enter the auditorium at 6 pm. Before the performance, there was a 15-minute introduction of the opera. However, since I'm not fluent in German, I could only understand about 80% of it.
The production, directed by Barrie Kosky, was set in an "idyllic forest" and remained more or less the same throughout the entire opera. The stage was a rotating turf surrounded by fake trees. The only time there was an additional set was during the Gremin’s palace scene, but it was dismantled during Onegin’s arioso, creating a distraction for the audience (or at least for me).
I initially didn't understand the director's creative directions, particularly the symbolism of the jam jar that appeared hold significant meaning, until I read this review that shed some light on it.
To my untrained ears, the performers were vocally exceptional. The auditorium was relatively small, and their voices reached even the farthest seat. Each performer excelled in their respective arias, but I was particularly impressed by Kowaljow’s rendition of Gremin’s “All men surrender to Love's power” aria, which I specifically wrote on my note as being sung “perfectly”. Sannikova and Golovatenko shared a believable chemistry, which is an crucial element of playing Tatyana and Onegin. Bernheim, who was on his home turf *ba dum tss*, received the loudest and longest cheers from the audience, which was so well-deserved.
Here are some notable moments of this production:
The whole scene of Olga/Lesky duet was unfortunately completely blocked from my view. However, there was a cute moment when those two were singing, Onegin and Tatyana were busy flirting with each other.
During the party scene, Onegin was jokingly massaging Lensky’s shoulders when he was being sulky. I assumed this was a character choice made by Golovatenko. It was quite funny.
The pre-duel scene between Lensky and Onegin was executed with more respect compared to the Komische Oper's version of this production. Onegin was not mockingly laughing at Lensky. At the end of their duet, they were just sitting side-by-side, with Onegin’s arm over Lensky’s shoulders, which made the subsequent duel seem pointless.
The duel scene in Act 2 was played off-stage. Tatyana’s scream echoed as Onegin returned to the stage with his once white now stained with blood, closing the act with the most dramatic end.
During the introduction session, it was explained that the rain effect used in the final scene was actually warm water to ensure that the performers would not feel cold while singing the most poignant duet.
Overall, it was a great experience. I did not dislike this production. Neverteless, I did wish that some of the moments were played differently. Despite being a simple opera, Eugene Onegin has a lot of nuances that unfortunately only few productions manage to capture.
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Brought to you by the biggest snow storm I've seen in YEARS😭
Imagine that it's snowing so heavily that you barely see anything outside the window, a perfect snow storm but the insulation in the shitty apartment building is doing nothing to keep you warm, not to mention the one heater you had was barely holding on.
It was...awful. Hopeless even. You felt like you'd freeze to death in this shit hole and nobody would notice, maybe except...Your pushy and weird but strangely charming neighbour, Simon. He sure unnerved you with that blank, empty gaze that flashed with something whenever he looked at you or with his weirdly touchy behavior where whenever he had the chance to grab you by the hips to 'move you' but given the chance that his apartment woukd be even slightly warmer, you'd take your chances.
Imagine going slowly to knock on Simon's door, your warmest blanket wrapped around your shivering form and imagine the look in Si's eyes when he heard your shy, quiet request as if you were scared and ashamed asking if you could please stay for the night with him because the heating is broken in your apartment.
'Bloody fuckin' hell, she wants to kill me' he thought and almost too eagerly let you inside his apartment. It was...something, sure, with its almost spartan furnishing and the low light combined with the chipped plaster and slightly torn wallpaper made the place look unsettling, but at least it was warmer than your own and you felt like you wouldn't freeze to death :(
Imagine Simon dismissing your thank yous and almost growling lowly at your quiet assurances that you'll be out of his hair by morning and that you promise you'll keep everything tidy and not leave any mess behind. Imagine his borderline disgusted look when you asked him if you could sleep on his couch; what do you mean his couch? Oh you silly girl, you're not sleeping on that old, tattered thing! You're sleeping with him in his bed!
Your look of confusion and embarrasment send a pleasurable pulse into his tummy and made his cock stir in his sweats as he rumbled out that he'd never let his dear, sweet neighbour sleep there, plus it is cold enough to freeze his balls off and he wouldn't mind that extra heat♡
Imagine whining quietly with delight when you sunk under the covers in Simon's bed, even if it looked cold and hard, his bed felt like the warmest and softest nest in the world, not to mention the huge human furnace pressed close to you. You could feel the large male pressing close to you, his hard chest and tummy pressed against your back, his strong arms around your middle and when you were almost asleep, you didn't even register thet you nuzzled your nose and cheek against his stubble.
But he sure did♡
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