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good-beanswrites · 5 months

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Hi Beans, I’m finally here. Diluting the sad with fun and very OOC.

I don’t really have a lot of ideas about what to write, but I remembered that I shared my idea of Es with the chivalrous Argenti's personality. So. AU in a vacuum (maybe an actors AU, maybe not), where Es thought that it would be funny to surprise the prisoners with the behavior of a knight(maybe Jackalope came up with that idea, maybe just strange sense of humor). What about the prisoners' reactions? (gallantry and compliments to plants attached) I think Mahiru would have joined the drive even if she didn’t really understand what happened. Fuuta would probably say "ugh, cringe" and that would make him a great target for the rest of the day.

YESS ahahaha, this is such a fun idea! I wrote a little scene with a few characters, but honestly it's hysterical picturing any of them trying to figure out how to react to this new and sparkling Es... I went for a version where not even Jackalope was prepared, but I can certainly see him suggesting something crazy like that to shake things up omg. Thank you so much for the request! The original meme was made by Mug, and I couldn't help but do a doodle myself ✨🌹

Amane was the first to witness it. She fled as soon as possible, finding sanctuary in the common room. The others were surprised as she stumbled in, face pale and eyes wide. Very little could frighten the girl; it was not a good sign.

Yuno moved to comfort her. “What’s wrong?”

Her eyes went distant with the harrowing memory. “It’s Es,” was all she said.

“Did they do something cruel?”

“No. Worse.” Amane shivered. “They were… nice.”

“They were what?”

Amane opened her mouth, but paused at the sound of heels clicking down the hallway.

She stiffened. “If you need me you can find me in my cell.” She disappeared as quickly as she came. The others, who had been listening in on the odd conversation, gaped after her. They tried to piece together what had been so unsettling. Still, Es’ boots approached.

All eyes landed on the doorway.

And Es appeared. They looked very normal. Jackalope hopped up behind them. All shoulders sagged in relief. Es surveyed the room, slightly surprised to find everyone staring.

Then, they smiled.

It was a genuine, bright smile. The blue-gray of their eyes sparkled with a new light. Their lips parted to release a lighthearted laugh, unlike anything the prisoners had heard from them before.

They glided through the room, heels clicking lightly behind them until they came to Muu. The others stood frozen in place.

Es swept their cape aside with a grand flourish of their arm. They held both her hand and her gaze with warmth.

“Why, hello, Muu! You’re looking as positively lovely as always. Has this fine morning treated you well?”

“Um…” She looked to everyone, her face pleading for a little guidance. They were too busy looking eagerly to her in astonishment. “Uh… yes?”

“I’m pleased to hear it.” They reached behind themself. The room let out a soft gasp as they produced a pale pink flower from underneath their cape.

“For you, my dear.”

They didn’t wait for her to finish stuttering a confused ‘thank you’ before they turned to whoever was standing closest. Mahiru’s own face lit up as Es turned their glimmering gaze her way. Fuuta scoffed, muttering something about this being the lamest, cringiest thing he’d witnessed. Es pretended not to hear.

“Shiina Mahiru… a smile like yours is rare to find in a place like this. I thank you for it.” They pinched their chin and angled their head, thinking. “The meaning of your name has to do with light, correct?”

She nodded, unable to keep the giddiness from her face. The others watched as Es moved their glove behind once more. Surely there was no room for any more flowers hidden there…

Surely they were all mistaken – Es flicked their wrist to present a small gathering of yellow blooms.

“Something radiant for someone as bright as you.”

She fell over herself with gratitude and giggles. She tried to tuck it into her hair, and Mikoto stepped over to help her. The pair raised their eyebrows at each other in disbelief.

This time, Es retrieved their gift before turning to their next victim. A classic red rose. They caught a prisoner’s gaze.

“Oh, no. Nope. No way.” Fuuta held up his hands, as if it could ward them off. “I don’t want your stupid-ass flowers.”

“Now, now, I see you’re playing hard to get, as usual.” They brushed their thumb along the thorny stem. “You know, the rose has a very similar approach.”

Fuuta’s face now matched the flower’s color. “Wha–” He stumbled backward, then took off running to the door. “I don’t know what weird mind games you’re trying to pull, but I’m staying out of it!”

Es only clicked their tongue gently when he disappeared. “Always making things difficult, that one. All part of his charm, I suppose.”

They followed to the entrance. Turning briefly, they flashed their smile once more.“It was wonderful to see you all! I will await our next meeting eagerly.”

With a fluttery wave, they vanished.

Everyone’s attention shot to Jackalope, who had paused in the doorway. No one could understand his voice, but his little rabbit face seemed to say, Hey, don't look at me. I have no fucking idea.

#milgram #es #muu kusunoki #mahiru shiina #fuuta kajiyama #featuring others #asdfsadfs its so silly i love that for them 😂#i hope i wrote them alright -- i dont usually analyze that character type for writing too much 😅#i think yuno and muu would be suspicious at first since theyre used to fake people but would see it was all harmless and accept es' kindnes #haruka and mahiru are super flattered all the time <3 mikoto enjoys it but doesnt really take the compliments to heart #fuuta is downright disgusted but YES it makes him the biggest target 😂#shidou and kazui dont quite understand #but theyre both poetic guys and would probably nod along and muse on what es is saying about flowers and beauty #i wrote amane uncomfortable for the comedy but honestly i think shed enjoy it too after getting over her confusion #kotoko just tries to talk to es as normal #theyll give her a poetic speech complimenting her only to be met with #'yeah i know but thats not important. now as we were talking about...'#no one knows where they keep getting all these flowers from #asdfsdf the art had me cackling the whole time -- if you post yours lmk!!! it was so perfect omg #drabbles

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swingstep · 2 years

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Please drop mrd theatre au lore????

OH HOO BOY so. genuinely did not remember i never explained that au huh ksjdngd its been a hot minute since ive messed with that one, but lets see what i can dig up for it. as a disclaimer, its kind of an... abstract au, very rough around the edges as well. dont expect it to be anything too concrete WAHAHA

anyhow. tldr: the mrd theatre au is exactly what it sounds like: the plot of the game described entirely through the lens of a theater production! alternately referred to as the dance au, because... its a musical! major events are described through dance, each piece pushing the story forward with the power of music and expression. literally-- the story won’t move on without it. starring mad rat as the lead role, rat god as the director, and heart as... That One Guy, Sure!

the abstraction kicks in in its presentation though-- it's told through the framing of a stage-- however, the story itself is Real to the characters. their world is real, and as characters, they see it as such. to everyone else, it's exactly as its namesake: a play. the term "actor" and "character" go hand in hand, practically synonyms. actors are the characters. the narrative is their world. all in all: the theatre au is an inspection of the meaning of Reality and Perception, the meaning of what it is to be a Character or a Person, and a play on Stories and Roles. more under the cut.

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As it does in canon, the narrative starts with Mad Rat waking up, and Rat God telling him his situation. Y'know, he died, she's giving him a second chance, etc etc. However, she Specifically tells him that he is, in fact, a character in a play and, as someone outside of the narrative, she knows what to do and what paths to follow. As long as he followed her, he'd be able to make it to the end of his story a-ok, and finally get the ending he deserved!

In the beginning, Rat God starts out with a whole musical number as she narrates the scene (to both the audience and Mad Rat) to catch him up to speed on where he is, who she is, and why he died. As she finishes, hands off the (metaphorical) mic to Mad Rat to get a word in for his debut scene. Unfortunately, Mad Rat, having just recovered from a terminal case of Being Dead, Does Not In Fact Have The Nicest Voice. Seeing this, Rat God quickly interrupts and redirects to another option: Dance. Which is where a major quirk comes in: every character has a specialized dance style!

Rat gods style is tap/swing, which is what the intro scene Truly is! It's Rat God introducing Mad Rat to the concept of The Show in a duet swing performance. Specifically, in this performance, Rat God takes the lead role in this one for several reasons: 1) She's Extra and Likes Showmanship. 2) She's ensuring Mad Rat goes in the direction he's supposed to-- making sure he's following along. And 3) She's effectively re-teaching Mad Rat how to move after. Y'know. Being Dead. Swing is a heavily motion-focused and improvisational dance: Mad Rat Does Not Know How To Dance. However, Rat God is good enough at it that she can take the lead and turn his stumbles and missteps into motion and flair. It's essentially the tutorial stage!

The narrative is pretty much the same through the first third of the game, more or less. Mad Rat meets Heart, who doesn't really Dance but rather just cheers him on, and they begin "travelling" together, with periodical "intermissions" where Rat God, off to the side of the stage presents recaps, narration, and questions-- but it's never clear if it's to the audience or Mad Rat. Maybe both. What's really important is the Framing, though. Mad Rat (kind of) acknowledges he is just a Character, but doesn't really Understand it.

Despite the knowledge, he still functions through the frame of a Character. He perceives the stage as The World Around Him rather than A Stage, while Rat God is the opposite. This leads to Mad Rat essentially just Following Her Lead. Which ends up just seeming... brazenly reckless and incredibly dangerous-- because Mad Rat doesn't think it will lead to anything. Obviously he's the main character, so he's probably going to just... get to his goal and whatever happens happens, right? Rat God said which way the story goes so... whatever, right?

Which all culminates at Heart's intervention: Heart notices all of this and gets worried. Whatever this Mess about "shows" and "story" and "directors" is, Mad Rat is still being really really flippant about how many Near Death Experiences he's had (not to mention the whole "Seeing Things That Heart Doesn't" thing.) So he decides to step in.

This is the first time we ever see Heart dance! He'd always insisted on being moral support/backup for Mad Rat, not really stepping in in any major way. Turns out, he's really good at a lot of dance styles. It's the first time we have a music genre outside of showtunes and the adjacent. It's heart basically trying to tell him that, whatever bullshit about "Narratives" he's following, Mad Rat is still Here. He's still a contributor to the world around him-- he can affect It, and it can affect him. It doesn't matter what he knows about Whatever This Is because it all wont matter if he gets himself into Real Trouble. Which is a convenient segue to the next arc-- they go off-script.

The following arcs are pretty much just those two figuring out what to do and where they’re going. Mad Rat, up to this point, was just (kind of badly) trying to imitate the swing style from the beginning, but slowly starts figuring out his own specialty on his own. Mad Rat kind of dabbles through a lot, but is Particularly good at breakdance/krump. It’s a bit of a slow process, but he slowly forges his own place in a world he technically does not belong in.

All the while, Rat God is suspiciously quiet. They weren’t supposed to go that way, or do any of that, But she could improvise. She passively tried to mess with them from offstage-- changing the background scenery, tossing obstacles after them-- but they just. Kept going. Mad Rat even began Understanding the nature of The Stage and learning how to use that to his advantage, predicting the way things would move or shift, and using that knowledge to move even faster. It was only after Mimolette’s scene (which was Not supposed to be this early in the script, to Rat God’s chagrin,) that she Really started to get particularly miffed. They’d completely gone off-script, avoided Everything she sent after them-- but there was still an ending that needed to be told, and she was going to tell it no matter how messy it was to get there. Which leads to an intervention of her own.

As the director, she had direct control over a lot of things-- but she herself could never interact with the Narrative. She had no real Hold, as it were. She was barely a concept to the characters in the narrative-- they could not really perceive her. So, she decided to break that rule-- and interact with them directly. Rat God’s scene is incredibly similar to that in canon: Incredibly Chaotic and Hard To Track. She mostly keeps to swing, as that’s her specialty, but regularly switches it up to try and throw Mad Rat off. But things are different than their first dance.

Mad Rat has a grasp on himself and his goals. Rat God’s plan is already off its rhythm-- it was clear from the start that this was a last-ditch effort on her part to kill him. Despite her still trying to take control, Mad Rat was nothing if not stubborn. He was just as good at deflecting and navigating the scene as she was. But it’s hard to truly get rid of something like Rat God. She isn’t done until the Story was done. There was still a story to be told, so here she stayed. She could keep going as long as he could, and longer. So knowing what he did now, and understanding the circumstance, he did the only think of. The two had, to some extent, switched places: Rat God taking the stance of a Character/Participant in the scene, and Mad Rat seeing the full scope of The Stage and how it worked. The show was still going, so all he had to do was end it.

Tricking her into a monologue, he truly exits the frame of the narrative for the first time, grabbing one of the curtain ropes and letting it free, closing the curtains on the stage-- with Rat God behind them. And... silence. In the end, it was just the closed curtains, the audience, and Mad Rat and Heart in front of them. They saw the audience, truly, for the first time-- that larger force constantly watching over him from beyond his view, pushing the show forward not of their own actions, but of their presence alone. This is who it was all for. And seeing this, Mad Rat makes the decision... to ignore them.

They weren’t important anymore. The show was over-- the audience had no more use here. No more power here. They meant nothing to him. Nothing to them. He has one last talk with Heart-- they knew they weren’t alone, not truly-- but all that mattered right then was just the two of them. What they’d seen, what they’d been through-- it all had to come to an end eventually. But not by the hand of someone who had no stake in their story-- in their lives. Mad Rat gets to make his own choice about his future: And with no story left to tell... he gets up, and walks off the stage.

The Story Is Over.

#pikasks #mrd theatreAU #long post #no fandomtags we die like men #anyhow. thanks for enabling another essay of an infodump ur a real one <333 kdjgnkdjf #this au means The World to me but because its so... [waves arms around.] its very hard to explain in a way that feels Correct.#a lot of it is Vibes alone. feelings and concepts and notions of motion and song. as it is in canon too i think.#as with canon; its a play on tiers of personhood and control-- of who truly gets to choose fate; or if it really exists at all.#its about grabbing on with such fervor that the fabric of the world around you bends to your will.#about the inescapability of Role and Expectation; of Progress and Actions. how nobody in this story; truly; could choose how it ended.#not alone; at least.#rat god is equally bound to her role as director. she has no sway in this world. no matter how deeply she may want it.#the difference between her and mad rat is something tragic; to me.#two people in such similar roles reacting so differently they mirror each other perfectly.#surrender to a role you have no control of and hope it eventually benefits you-- or fight tooth and nail against forces stronger than you.#but these are the tags. im just waxing poetic at this point.#if you want a more clear read of the vibes this was inspired and started entirely by the mrd piano medley by tmsy.#please go check it out it slaughters me. id point out a specific part but its kind of all of them.#anyhow. thanks for reading and also enabling me. have a lovely day !! <33

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