saw someone say they're we're happy Alicent's and Otto's deaths forced them "realize what they had done" and like...
Otto's one thing, I get the animosity. but Alicent? your getting hot and bothered over her realizing she failed, she failed to save her children, she failed to protect them, to them alive? that she tried so hard, so fucking hard, making every hard decision, trying to get between her children and the fate they were damned to by Viserys and Rhaenyra? that she damned her kids, who were already damned to die to begin with, and had to suffer the guilt of them dying to her own hand? that she's going to drive herself mad with grief over her children, her grandchildren?
like... it's not satisfying (especially for show Alicent) watching a woman go so mad with grief it literally kills her because she fought with everything she had to save her children only for them to die anyway. ever since her father's exile, when Rhaenyra's lies took Viserys's favor, when Viserys ignored the Rhaenyra's sons bastardhood at the risk of the whole house, or when Luke took Aemond's eye and Viserys demanded good will; she knew her children's lives were forfeit. then Daemon killed Vaemond and her children's coffins were built, catching cobweb's all the while. she knew and she fought it desperately, taking risk after risk, living in fear until her moment came, she could out Aegon on the thrown, she could protect her kids, maybe, just fucking maybe they'd be safe... only for it to lead to a war that would kill her entire family.
her death, slow and tragic as it was, is heartbreaking. she didn't deserve it, she deserved to feel safe, to feel as though she could allow her past friend take the thrown without her children being at risk to feel as though she and her children weren't being circled by wolves and picked at by vulture's. she didn't deserve to live alone and die alone. she didn't deserve to have her hands coated in her children's blood.
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another thing that annoys me is when people who live in a city cant name the closest major intersection to where they live. they cant even name a street thats more than 3 blocks away. how do you get anywhere? do anything? does someone put you in their backpack and blind fold you everytime you leave the house? do you know about street signs?
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tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.
while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.
thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."
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We always see the Yotsurugi siblings wear formal attires – Kongo's funerals shows that more than the other scenes since, well, it's a funeral
Except Hibaru – for reasons we know – they're all well-dressed, Shikaba aside that is. Even Kuran and Taira, whom we see later mostly dress comfortably, have their tie up and their suit properly on.
Shikaba? Nope. He doesn't have a tie, his jacket is not on, he's not sitting right, he's probably wearing his sandals for all we know. They all made an effort but him.
(+he's the only one sitting during these introductions. And the only one not having his back straight. He's just enjoying the breeze)
But the eldest they are, the more they dress properly at all time. The youngest seem less enclined to (that being said, Kou and Terasu do keep wearing buttoned-up shirts, Kou even keeps his tie on, even as a kid)(– and Kuran wears a proper suit both when meeting with his siblings and when attending Kongo's funerals!!)(– that being said, he's still not present on the 'diamond bond' panel)
But as I pointed out some time ago, Hibaru and Terasu make themselves presentable before going to see Kongo. Despite him being in critical condition and about to say his last words - they take the time to properly button up their shirt and jacket.
There is a way to behave around Kongo. You have to be proper. Perhaps, Hibaru and Terasu didn't want to appear 'wrong' when visiting their father on his deathbed, but then again, if they're so worried and want to talk to him as quick as possible (when they're already late) why take the time to be proper before opening the door?
All the other siblings we see in the hospital are in the same position – that being said, for this theory of Shikaba not caring, or being allowed not to care, about his clothes and behavior, we would need to see how he was near Kongo when he was alive.
So far, the only other scene we see them with Kongo is during Terasu's welcome to the family. Once again, they're wearing suits, the atmosphere is cold if not impersonal. Terasu wearing a hoodie and sweatpants plus snickers isolates him even more (as if the white chairs among the black ones didn't). Interesting how he was allowed to wear that at his biological father's funeral but wore a formal suit to Kongo's (albeit that's probably because he was so young. But then again. Was it only that.)
Knowing Kou is here and is already wearing his clothes with '11' on it (one thick line=10, one thin line=1; both=11), Taira and Shikaba must have been already adopted despite us not seeing them (and by such, we can't tell if Taira is wearing formal clothes or not and if Shikaba still don't care)
As for the family picture; only Hibaru and Shikaba stand out clothes-wise. Hibaru because his top is open, and Shikaba because he has an additional jacket. (There's also Reri bc she isn't wearing the gi properly but I'm not sure what that's about yet)
The whole point of this post was to point out that Shikaba (beside Hibaru – perhaps(see hospital scene)) is the only one allowed to wear casual clothes and act less stiffly than his siblings around Kongo (or at his funerals). Or not caring to follow the rest acting so formal.
+
Same when it's just them — they're all nicely dressed and then there's Shikaba not caring much (looking at the 'diamond bond' panel, Taira is probably wearing his shirt not buttoned all the way up here too, and his jacket must be open as well)
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