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#its the effort that matters
catmask · 1 year
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does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.
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coddda · 3 months
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I wish we could have met in some other way.
Lawlight Week Day 2: Soulmates
If you saw me repost and re-edit this several times uh No you didn't </3
Still frames/Individual gifs:
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If you know what every frame is from you get a free cookie. by the way
#death note#dn#light yagami#l lawliet#lawlight#oh god here we go#death note jdrama#death note 2015#death note 2006#death note musical#lctw#l change the world#dntm#lawlightweek2024#my art#collapses i am NEVER putting this much effort in one piece ever again /hj this was the Only one i had mostly prepared in advance#ironically the most painstaking part about making this entire thing was converting the images into an animated file#that wasn't either horrifically compressed or just. wouldn't loop. why do gifs have to look so BAD it's so inconvenient#and THEN i realized I had to forcibly Stitch the two animations together so they would actually be synced and it wouldn't look dumb#and the end result is STILL so compressed. because Tumblr. uhhh just don't click on it it'll look so scuffed LOL. anyways#this is what i get for watching Every Adaptation of Death Note. i am a death note multiverse truther#usually i'd have something clever to say in the tags but. this drained the life out of me just uh.#yeah. they're doomed in every universe. this is the only way they could've met. they are doomed by their own natures and the#circumstances that surround them. there is no universe where light tries to prevent L's death. and even in the cases where L Doesn't die#there is no universe where L can save light. there is no universe where he can truly “catch” Kira and make him see where he went wrong#(<- if you read LCTW you know. :) )#in every universe and adaptation L will call Light his first friend. in some universes they'll take that notion more seriously than others#no matter what one of them will die due to the other. its the only constant. it's the only way it can ever be. they are the others downfall
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gordon-freeman-phd · 3 months
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they don't know how to keep your name out of their mouths
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razberrypuck · 3 months
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anyway Dr. WD Gaster being a soft and kind soul makes his character infinitely more interesting to me than him being evil or even just kinda mean. like his passion for his craft lies not in fucked up experiments, but in a genuine love for learning and the opportunity to teach others and do good by his people. he's definitely strange (all scientists are) and kinda intimidating but he's literally the most thoughtful and considerate person ever it's just a little bit hard to tell because of the way he speaks does anyone HEAR me. he's one of the few characters that WOULDN'T benefit from the mad scientist trope.
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puppyeared · 3 months
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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dirtytransmasc · 1 year
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saw someone say they're we're happy Alicent's and Otto's deaths forced them "realize what they had done" and like...
Otto's one thing, I get the animosity. but Alicent? your getting hot and bothered over her realizing she failed, she failed to save her children, she failed to protect them, to them alive? that she tried so hard, so fucking hard, making every hard decision, trying to get between her children and the fate they were damned to by Viserys and Rhaenyra? that she damned her kids, who were already damned to die to begin with, and had to suffer the guilt of them dying to her own hand? that she's going to drive herself mad with grief over her children, her grandchildren?
like... it's not satisfying (especially for show Alicent) watching a woman go so mad with grief it literally kills her because she fought with everything she had to save her children only for them to die anyway. ever since her father's exile, when Rhaenyra's lies took Viserys's favor, when Viserys ignored the Rhaenyra's sons bastardhood at the risk of the whole house, or when Luke took Aemond's eye and Viserys demanded good will; she knew her children's lives were forfeit. then Daemon killed Vaemond and her children's coffins were built, catching cobweb's all the while. she knew and she fought it desperately, taking risk after risk, living in fear until her moment came, she could out Aegon on the thrown, she could protect her kids, maybe, just fucking maybe they'd be safe... only for it to lead to a war that would kill her entire family.
her death, slow and tragic as it was, is heartbreaking. she didn't deserve it, she deserved to feel safe, to feel as though she could allow her past friend take the thrown without her children being at risk to feel as though she and her children weren't being circled by wolves and picked at by vulture's. she didn't deserve to live alone and die alone. she didn't deserve to have her hands coated in her children's blood.
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some silly Wally & Barnaby western au scribbles
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coughloop · 1 month
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another thing that annoys me is when people who live in a city cant name the closest major intersection to where they live. they cant even name a street thats more than 3 blocks away. how do you get anywhere? do anything? does someone put you in their backpack and blind fold you everytime you leave the house? do you know about street signs?
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genderkoolaid · 2 years
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tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.
while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.
thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."
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coulrology · 2 months
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who will I say goodnight to when you’re gone?
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stardustcleaningguy · 2 months
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did some quick screenshot/panel drawovers explaining my vash visual hcs so ill post them here too i guess
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pencilofawesomeness · 5 months
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I was so caught up in the euphoria of making shit up, I forgot I wasn't uncontested. Wild that canon exists and is ongoing. Wild.
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arsenicflame · 1 month
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i think the moment i fundamentally lost all respect for s2 was when they treated that pathetic "sorry about your leg" as though it was a good enough apology for everything
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sadkachow · 1 month
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how the fuck did my english class manage to take a semi-positive stance on generative ai
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We always see the Yotsurugi siblings wear formal attires – Kongo's funerals shows that more than the other scenes since, well, it's a funeral
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Except Hibaru – for reasons we know – they're all well-dressed, Shikaba aside that is. Even Kuran and Taira, whom we see later mostly dress comfortably, have their tie up and their suit properly on.
Shikaba? Nope. He doesn't have a tie, his jacket is not on, he's not sitting right, he's probably wearing his sandals for all we know. They all made an effort but him.
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(+he's the only one sitting during these introductions. And the only one not having his back straight. He's just enjoying the breeze)
But the eldest they are, the more they dress properly at all time. The youngest seem less enclined to (that being said, Kou and Terasu do keep wearing buttoned-up shirts, Kou even keeps his tie on, even as a kid)(– and Kuran wears a proper suit both when meeting with his siblings and when attending Kongo's funerals!!)(– that being said, he's still not present on the 'diamond bond' panel)
But as I pointed out some time ago, Hibaru and Terasu make themselves presentable before going to see Kongo. Despite him being in critical condition and about to say his last words - they take the time to properly button up their shirt and jacket.
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There is a way to behave around Kongo. You have to be proper. Perhaps, Hibaru and Terasu didn't want to appear 'wrong' when visiting their father on his deathbed, but then again, if they're so worried and want to talk to him as quick as possible (when they're already late) why take the time to be proper before opening the door?
All the other siblings we see in the hospital are in the same position – that being said, for this theory of Shikaba not caring, or being allowed not to care, about his clothes and behavior, we would need to see how he was near Kongo when he was alive.
So far, the only other scene we see them with Kongo is during Terasu's welcome to the family. Once again, they're wearing suits, the atmosphere is cold if not impersonal. Terasu wearing a hoodie and sweatpants plus snickers isolates him even more (as if the white chairs among the black ones didn't). Interesting how he was allowed to wear that at his biological father's funeral but wore a formal suit to Kongo's (albeit that's probably because he was so young. But then again. Was it only that.)
Knowing Kou is here and is already wearing his clothes with '11' on it (one thick line=10, one thin line=1; both=11), Taira and Shikaba must have been already adopted despite us not seeing them (and by such, we can't tell if Taira is wearing formal clothes or not and if Shikaba still don't care)
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As for the family picture; only Hibaru and Shikaba stand out clothes-wise. Hibaru because his top is open, and Shikaba because he has an additional jacket. (There's also Reri bc she isn't wearing the gi properly but I'm not sure what that's about yet)
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The whole point of this post was to point out that Shikaba (beside Hibaru – perhaps(see hospital scene)) is the only one allowed to wear casual clothes and act less stiffly than his siblings around Kongo (or at his funerals). Or not caring to follow the rest acting so formal.
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Same when it's just them — they're all nicely dressed and then there's Shikaba not caring much (looking at the 'diamond bond' panel, Taira is probably wearing his shirt not buttoned all the way up here too, and his jacket must be open as well)
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lollytea · 1 year
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Tbh I think the Barbie movie handled its theme of existentialism better than the feminism.
#the feminism of the barbie movie is nothing new#its nothing you wouldnt have seen in a 2016 tumblr post#and in its efforts to platform the struggle of misogyny it unintentionally shrinks the issue of other forms of bigotry#like it IS about a cis conventionally attractive white woman and the prejudice that she applies to her#because shes a woman. so is not on the TOP of the privilege scale and is going to face bigotry as a result#like Greta Gerwig clearly wrote what she knew#and she didnt feel she was educated enough to touch any other topics#the mistreatment of women is a layered topic and it is a complex matter depending on the varied range of women in this world#queer women trans women women of colour#they dont all experience misogyny in the same way that Barbie does#so its definitely not a very rounded discussion#like even Gloria focuses entirely on the pressure of just women in general#like you can claim that shes speaking from her own experience but. its very mouthpiece-ish#her speech is for the purpose of whacking you over the head with the film's message#yknow i think the focus leans too heavily as ''look what we as girls have in common''#but doesnt touch enough on ''but look how we differ too.'' a balance between those two concepts would have been nice#i feel like Sasha being like ''hell yeah white saviour barbie!'' was like a lazy acknowledgement that theyre AWARE of this issue#but like. theyre too deep into the script now#anyway yeah i was just thinking about this cuz of that gifset#Barbie feeling unsafe and being objectified in a public space#while Ken faces no issues whatsoever. even tho he is a loudly colourful flamboyantly dressed man on rollerskates#because we are going for a misogyny message here. so we need to poof homophobia out of existence for a bit okay??#like this is basically what i mean. putting misogyny under the spotlight#and as a result quietly pretending other social disadvantages dont apply right now. bending reality to reinforce the message that we want#this isnt like. a scathing criticism on barbie btw. i dont have a film critic brain#im dumb and i love everything#also im really not the person whos qualified to talk about this#this is just some word vomit because i cant stop thinking about it#anyway i think the themes of what it means to be human and live and breathe fucked royally#i loved that stuff
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