#ive never seen this. really really interesting

[woso-dreamzzz]

Injured (Alba's Version) IV

Alexia Putellas x Teen!Reader

Summary: The aftermath

*TW: parental neglect, aftermath of suicide*

It takes Alexia nearly a week until she realises you're missing.

You're self-sufficient and independent. You've never needed much and it's not weird for Alexia to not see you for days on end.

You come home from whatever you spend your days doing and go straight to your room.

You make your own meals, she's pretty sure because she never has to make extra. Just enough for a family of three. Two when Olga is away from work.

It's a fleeting thing really, the only way that she realises you've disappeared.

She knocks on your door, intent on finally having that conversation about what you're planning on doing with your future.

There's no answer.

"Now's not the time to sulk, y/n," She calls through the door," If you don't come out then I'm coming in!"

Still silence.

"One! Two!"

Alexia doesn't wait for three, shoving open the door.

She expects to see you on your bed, sulking or whatever it is you do when she's not around.

You're not there though.

Your bed is made. Your clothes are packed away.

There's nothing out of place. Nothing to prove that this room was even really yours apart from a few neat stacks of paper on your desk.

Alexa glances over them, frowning as if they'd give her the answer to where you've gone.

She's been home since last night, the first one up and awake in the house. There's no way you could have snuck past her.

"Jaume!" She yells out," Where's your sister?"

"I don't know! Out with friends or something?"

That's odd.

Alexia can't remember the last time you mentioned a friend to her. To be honest, Alexia can't remember the last time the two of you actually had a conversation.

She shuffles through the papers on your desk.

Yes, she thinks, you must be with friends because there's three tickets to a ballet performance on Saturday.

You must be wanting to take them with you.

It's only when Alexia sits up that night, waiting for you to come home, that she gets the sinking feeling you're not coming back.

She waits for hours until the early hours of the next morning and the sun begins to rise before panic lances through her chest.

You've not come home.

She checks her phone, wondering if she missed a text saying you would stay at a friend's house but there's nothing.

She checks your room, just to see if you've climbed in through the windows but they're locked.

You are nowhere.

She pulls Jaume out of school for the day. She calls Olga to come home from Madrid.

She scours all of the places she thinks you hang out but you're nowhere to be seen.

It's almost like you've never existed in the first place.

The call comes in the evening.

It's Alba.

"I can't talk right now," Alexia says after two missed calls," I'm-"

"I'm sorry," Alba says instead.

"What?"

"I'm sorry." Alba chokes her words out like they're so physically painful she can barely say them. Like she's so numb that even talking is difficult. "I tried but..."

"Alba? What's happened? Listen, I really can't talk right now. I'm-"

"I really did try. They did too but it was already too late."

"Alba, what is going on?"

"We should go to the hospital," Alba says," I'll send you which one."

In the deepest pit of her chest, Alexia already knows what has happened. In some deep, dark part of her, she's known since Alba called. In the worst, most hidden piece of herself, Alexia has known since the beginning.

It's an awful thing for an aunt to see.

It's a terrible thing for a brother to see.

It's even worse for a mother to see.

A picture goes up at the ballet company.

(Alexia didn't even know you joined one).

It's of you smiling, the headhsot that they used on the website, displayed proudly in the main foyer.

'Rest In Peace' sits under it and a little plaque with your name and how long you lived. It states your interests with no hint about trains at all. It talks about your reserved disposition but mentions how you endeared yourself to everyone.

Flowers sit under it, bouquets upon bouquets from the dancers and the staff and audience members who have seen you perform.

(Alexia has never been to a performance once).

Support pours in from people Alexia hasn't spoken to in years. Old coaches. Old teammates. Old friends.

Everyone seems to have a fond memory of you but all Alexia can think about is the last words she said to you.

She can't remember them.

She can't remember what she said or how she felt or what she was doing.

There is a gap in her memory from that moment.

Everyone talks about you so fondly, with such clarity that Alexia can't replicate.

You have gone on a wisp of breeze and Alexia is left trying to catch the impossible.

Her mind circles around herself, trying to work out where this all went wrong.

She loved you. She loved you so much.

Her beautiful baby girl who was a little nervous and a little quiet but beautiful all the same.

The little girl who loved trains and ballet and doing all the super feminine stuff that Alexia had to learn when she was a bit older.

The people around her tell stories of you, like Ingrid talking about how you used to love having her braid your hair back but Alexia sits there numb.

She's been numb since she saw your body in the hospital morgue.

She's been numb since the funeral where you lay in your coffin, perfectly peaceful like you were taking a long sleep.

She's been numb since they all returned to Eli's house for food and drink to celebrate your life.

Alba is not talking to her, has not talked to her outside what is needed since she called.

Alexia hasn't even noticed, too preoccupied with the realisation that she's a mother that just had to bury her daughter.

It was not a disease that took you. It was not a heart attack. It was not a random attack on the street.

It was you.

You made this decision, decided that this world was not worth living in anymore. That you could no longer cope with everything happening around you.

Things that Alexia has no knowledge on and, now, will never have any knowledge on.

You thought that this path was better than returning home.

You thought that everything would be better, more peaceful if you took your life away.

People have been cautious around Alexia, seeing just how close she is to tears.

She didn't cry during the funeral when you were lowered down into the ground with nothing but a neat blouse and a skirt.

Nothing to take with you now that you're gone.

Olga had to pack your things away in your room because Alexia could not force herself to even step through the doorway.

Your things are gone.

You are gone.

And Alexia will never know why.

[takesometimetoreflect]

i honestly think Hu Jing has one of the most interesting character arcs ive seen in a danganronpa canon or fanon game. i really feel like shes going to develop negatively as the series goes forward and you almost never see that kind of development in a ronpa.

i may find her annoying at times but i honestly think she's one of the more compelling drdt characters from a writing perspective. if dtdev plays their cards right she may be one of the most unique characters ive ever seen

[abyssal-ilk]

A thing that people always forget when chastising vivienne for being so apathetic to cole is the fact that she is a circle mage. People whom are forced to learn that you should not trust demons nor spirits or else they’ll put you down AS A RITE OF PASSAGE. Think back to what Mouse says in DAO. “Keep your wits about you, mage; true challenges never end.” She knows that for the rest of her life, demons will tempt her and try to possess her. She has seen mages turn into abominations, knows how they get them- of course she will support templars who have the skills to subdue them. And now to have a spirit scurrying around without supervision what is the last bastion against a Tevinter Sidereal… I too would be worried as hell if i were a circle mage.

EXACTLY!

not only is vivienne a circle mage, but there are also a few other factors that play into it that make cole so untrustworthy to her. vivienne underwent her harrowing when she was young– in fact, she was the youngest mage to have ever gone through a harrowing and survived it. we don't get to learn much about what she went through during her harrowing, but we DO have this banter between her and cole:

harrowings on their own are already traumatic enough, and with the added insistence from the circles that all spirits and demons are dangerous (which we see vivienne repeat above, "all it can do is harm."), it makes complete sense on why vivienne would be so put-off by cole! especially given how kind he is! she thinks that kindness is a ploy, and why wouldn't she if her harrowing was anything like the warden's in DAO?

and then that's not even acknowledging the fact that cole isn't just ANY spirit. he's the ghost of the spire. he's killed mages before and admits to doing so. and even though he was wrong to do so and realizes that what he did was wrong, that does not mean that vivienne automatically has to suddenly be okay with what cole did. of course vivienne takes cole being the ghost of the spire harder than everyone else in the inner circle. she is the only circle mage there. it is entirely plausible that she sees cole as a threat and views herself as being the person most able to recognize that threat because of what she was taught. it's why she struggles so much to empathize with cole on any level.

ive already talked about this briefly on another post, but cole is also fairly antagonistic to vivienne as well. it's easy to look at their dynamic and think that, well, cole is just trying to help vivienne but he... isn't? his version of helping her is prying into her thoughts without permission and continuing to do so even after she has shown clear discomfort with it.

cole drags her worst memories and thoughts out publicly in front of not just vivienne, but the rest of the party and anyone else who may happen to be standing near them. it's DANGEROUS, what he does, because vivienne is a player of the game. her position at court is a precarious one, and to have someone like cole who can just pick into her brain whenever he wants with no repercussions? it's scary! it's scary because vivienne has no defense against it, especially if the player supports cole and downplays the harm he does. and what can vivienne do about it? she's an ally of the inquisitor, and that makes her cole's ally by proxy. telling cole to stop doesn't work, insulting him doesn't work, trying to get the inquisitor to intervine doesn't work– nothing seems to deter cole.

which is why THIS piece of dialogue is so important to me:

despite everything i've said above, vivienne still cannot help but care about cole. no matter how dangerous he is, no matter what she was raised to believe, she still cares about him and worries for him. their dynamic is SO interesting to me and i really wish people dug into it a bit more rather than just dismiss it as vivienne being needlessly cruel to cole. it's so much more than that.

[googledetective]

my thoughts on the new episode as always, as I am currently losing my shit lol. I know a lot of people dislike me after last ep when I spoke up about my thoughts, but this time I'm ready to be more mature about it.

1. I love the Hu argue uhhh thingy! I forgot what it's called ngl! I love her and Nico's new sprites too, they were really all amazing and conveyed so much emotion!

And then Hu said this 💀

genuinely insane analogy to make here. I'm sorry, but that was actually insanely uncalled for imo.

2. I think everyone forgot Hu's custom weapon is wire, (if you realized and predicted this, huge props to you), and I did not expect Nico to try and frame Hu for murder like that. NicoHu divorce arc when??? Just kidding, but they're much more cruel then I originally thought. I completely understand trauma from not being accepted as the person you are which was likely in the form of bullying/abuse, but I was genuinely surprised that they really try and murdered Ace just because they didn't like him and they didn't want to go through that again. Very interesting. I also feel very bad for Hu, because she's poured her heart into trying to protect Nico, and even though her methods are EXTREMELY flawed, it must hurt to know someone you really tried to help would try to frame you for murder. This makes me wonder if Nico felt Hu was a threat to their sense of self like Ace was, if they were going to try and pin a murder on her. I'm glad Charles and J told Hu to shut up though, because she was becoming unreasonable. I really hope things turn out the best for her though, because it's clear she's coming from a place of kindness, even if her kindness is mostly self-serving.

3. As much as I don't really like the guy, I'm very glad to have seen Ace pop off. Everyone has treated him like shit, and even if he's treated everyone like shit back, he did not deserve to be almost murdered and then for people to just not care. I really hope Ace ends up making a friend if he isn't the killer, because he really deserves someone to care about him the way mostly everyone in the cast already has someone.

4. They both make very good points here. I think Ace deserves an apology, but a real one.

5. "of course I regret doing it, I'm not Levi" - Nico

THATS ACTUALLY INSANE- but that may be my favorite line of the ep. I'm glad Nico regrets the crime though, because I was scared for awhile they didn't and there might be another incident of the same thing again. This makes me think they won't try and kill again, but it's drdt so you never know, and I think they're a definite threat if they get provoked to that point so easily.

6. I feel so bad for Rose, but let me say, dare I say, I think Whit asking if Rose is okay might've been the sweetest thing Ive ever seen. A lot of people tend to forget that Whit is actually very compassionate, so I'm glad to see that part of him shine through again. Rose is so human, and I think she may be the most realistic character I've ever seen portrayed in a fangan. A lot of characters are able to just get back up after a murder, but she's stuck, and I think I would be the same way. Unfortunately there's zero mental health professionals (obviously, cause they all need to be in a ward) in drdt, but I hope that she maybe can come to cope in a healthier way with what's going on around her, because she doesn't deserve this mess. I didn't actually realize before that the cast had put her on a bit of a pedestal due to her amazing memory, but it makes sense. I'm not sure where I'm going with this, but I hope that Rose comes to peace with the turpentine and the tape thing because it really isn't her fault and that she can get help for her trauma due to Min and Xander, and Teruko's almost death. No matter how much people expect her to memorize a crime scene, she's human, and we all take things at much different paces.

7.

Hey David, didn't Whit teach us that trauma is a serious thing? You know I've been defending this guy a bit because of how he helped Eden and how I think he's trying to do what's right, but NEVERMIND. Because what the actual fuck is wrong with him to say something as messed up as these two statements. Rose and Arturo do not owe you anything, and they deserve to heal healthy, and at their own pace.

8. Teruko defending Rose was not in my ch2 trial bingo card, but oh my god, that really is sweet. I think Teruko really has started to change from talking with Rose.

I'm running out of images so I can't include her monologue, but it genuinely makes me happy she's starting to get some sort of character development. She really deserves it, and Charles really deserved being so fucking right about being social, lol. Also Teruko thanking Rose with that genuine smile on her face- brought me to tears. I hope they become friends :)

9. Ace and Eden, huh? To be honest, I'm completely torn and I can't see it being either one of them, but then again, I can't see it being anyone. I know so many people are complaining about not having a culprit reveal this ep, but I'm fine. I could wait another year and a half for the reveal. Actually, I don't think we need one at all. Maybe the true drdt is the friends we made along the way. Maybe it's better to choose delusion that nobody could've done it than it to have been Ace or Eden. Maybe, I killed Arei.

(I'm not that smart so I don't think I should be making killer theories, lol. I think it's safe to say I should stick to memes.)

10.

LMAOOOO. She right though.

11. "It pains me to come to Ace's defense" - David

another laughable moment, but a win for the Acevid shippers, I guess. I don't think David was lying though, and it was my suspicion all along that he had seen the body before anyone. I'm not very smart so I'm a bit confused as to whether later they're saying David actually did see her body (which is weird bc he'd have an alibi), or if he thinks someone else might've seen it and wanted to include that as a possibility.

12.

Teruko handled this whole situation super well, I was very impressed with her. Obviously you can't rule Eden out as the killer and Teruko explained that, but she was so compassionate and understanding about it that it made me cry. I never thought I'd say this, but here's a Teruko W. As for Eden pleading... I wish I could say more and I'm sure I'll be able to later, but it's just so likely she could be the culprit that I can't take anything she says at face value rn, and I was having trouble empathizing with her. Of course that's just my take, and I have already chatted with others who felt the whole scene was just a heartwarming experience, and that makes me really happy. This being said, the fact Teruko immediately turned to Ace as her main suspect TOOK ME OUT. I feel so bad for him he has literally done nothing but be suspicious to warrant this, while Eden is at the same level of suspicion. I really like that Teruko is playing favorites now, because Eden's been so good to her all this time.

13. I forgot to include David trying to get Teruko to not trust others!!! Shit!!!

Is that seriously how he plans to end the kg.. I can kinda see what he's going for bc so far the trope is in most danganronpa that you need to trust others to live and be fulfilled (not saying drdt is gonna follow that trope though). Hm.

Bro is actually down horrendous for Teruko though 😭

tierlist after watching this ep (kill me now)

[throwing-in-the-towel]

really random but i always find it so interesting when ppl gripe about missing things from la jolla or preferring songs from there bc as somebody who has seen the outsiders in both la jolla and on broadway… while i LOVED the outsiders in la jolla i quite literally immediately forgot all of the songs a day or two after i left the theater (excluding great expectations) LOL and i do feel like that speaks for the state it was in,,, i really feel as though every single change made was for the best,,, i think people confuse extra content with being better and like. as a fan i love seeing more. but practically speaking a lot of the cuts were so necessary for making the show more concise and giving it a better direction fjdjfjkf. same w the previews!!! i never saw the previews but with the clips ive seen of the curtis hug,,, as a fan of the characters i love that bc i love seeing the curtis brothers interact. but objectively,,, tonally it’s weird to place it there and makes the transition to johnny in the hospital just. off. IDK!! just kind of a tangent but i think the musical is at its best rn and i think if i had the choice to bring back anything from its previous states i wouldn’t

i agree with you a million percent!! i’ve notably said i honestly didn’t like the show as it was in LJ,,not that it was bad, it was just extremely unpolished imo! and i agree with ur previews take on the curtis brothers hug as well (it was cut by the time I saw the show in previews thank god LOL)! the hug didn’t feel earned imo! i think cutting it was absolutely the right move and it makes the ending dinner scene so much more emotional and important!!

[angstics]

As our chat comes to a close, I ask one last question: What’s up with all the homoeroticism in My Chem’s live show when, most nights, mixed in with the scene kids, they’re playing to a bunch of dudebros? After cracking up, Gerard answers honestly and passionately. “That’s the idea; that it’s an audience full of dudes. And if we can make them understand us, I think it will make them more open-minded people. And I think the most fulfilling thing about this tour has been that single thing. Like we love playing for our kids, but to play for a guy with no shirt on and a backwards baseball hat who would probably beat the crap outta me…but maybe not, cause that’s generalizing and I don’t want to generalize, but if you make that person say ‘You know what? I don’t know if this dude is gay or straight, and I actually don’t care because these guys are just going for it, and I could accept this guy, and I could accept all these guys on stage’, then that’s a great thing. And that’s actually why we’ve done a lot of the homoerotic stuff that we’ve done on stage throughout the years, cause it started in the basements, it started cause of a similar type of people coming to those shows. And it’s all about changing that perception, you know, and pushing the envelope in that regard. Yeah, there’re a lot of radical ideas out there and up on that stage and I think that’s why it’s really fulfilling, you know?” As we talk a bit more about it, I mention the infamous kiss between him and guitarist Frank Iero. “You know, it’s not a real common thing, we’ve been doing that kind of thing…not much…I seriously think it’s happened 5 times, in our entire…” “But now it’s been Youtubed,” I cut in. “Yeah,” says Way sheepishly, “Now they’ve made it a big deal. It’s not the kind of thing that was done for publicity. It’s done for the same reason that you would put on a slightly sexy or homoerotic show, like you’re trying to push that type of notion. And actually the main idea behind it is that if it makes people angry who just can’t accept that kind of thing, then that’s great. That’s actually what you want to do. But sometimes, honestly, what it is, is that you get caught up in a moment, and you’re thinking to yourself ‘What is the one thing right now that’ll just really aggravate every homophobe in the audience?’ and you just get caught in this moment, you just do it. Sometimes there’s not even that much thought behind it, it’s just like ‘I’m just gonna put my hand down this guy’s shirt’ and it’s more for me, it gets me really amped.”

(2008)

[painfully-unoriginal]

So for the art prompt thingy:

Could you try drawing Rocky and Serafine in the Invader Zim style (I don't know the name for the artstyle, sorry about that)

[falmerbrook]

Peryite is such an underrated daedric prince to me, conceptually. His sphere of influence has so much potential to explore. Like, disease and the natural order together? The way his followers see disease as a blessing? I love the implications there alone. He's the weakest prince, but his sphere has the potential to be so subtly destructive. One of his symbols, skeevers, represents that so well. The series has been kinda meh at exploring the princes philosophically but I feel like they are right on the cusp of something interesting with him, but since he isn't as flashy or obviously "bad" (or sexy) as the other ones he keeps getting put on the backburner. Gimme an interesting Peryite storyline pretty please. Explore things a little

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[jade-len]

you know it's bad when i read svsss and tgcf, stories about just two guys falling in love and getting together, and think, "god i wish i were in between them."

gay little domestic cottage core life with binghe and qingqiu? please and thank you. being sandwiched by hua cheng and xie lian, two pretty men who are hundreds of years old? i am blushing, kicking my feet and giggling

and again, it's not even that i would want only one of them. like in both of the relationships, the two love each other too much to the point it'd feel wrong if they were separated! it wouldn't feel complete, so you gotta be with both of them!

but that's the thing; i just?? i feel so incredibly guilty whenever i think about being loved by these mxtx couples??? like it's so stupid but i feel like i'm intruding in on something and it's like, everyone else seems to just want them together only, not wanna be with them. like it's fuckin taboo or whatever

i feel like with any other character from any other media it'd be fine to simp for and write/read x readers of them, but when it comes to these books, it's off limits! no way, what are you, crazy? yes, yes i'm unhinged and desperately want their love and affection simultaneously. i want to be in a happy little poly relationship with these overpowered beautiful men with long hair.

i can't be the only guy or whoever to feel this way?? to wanna be kissed by these characters? sandwiched?? i have two hands for christ sake and they all look so happy together and im just like "lord i wanna be with them so much". someone tell me i'm not alone cmon <\3

[kagoutiss]

green beetle black beetle

[cheemken]

Some Vertin thoughts I have, but do you ever think she and Matilda had this talk after seeing each other again?

I always imagine Vertin just coming up to her and hugging her, and Matilda being so flustered tried to push her away until she feels Vertin shaking like a leaf. Vertin's trying so hard to talk to her, saying she was so glad, so so glad Matilda backed out during the breakaway plan, cause she can't handle the thought of losing Matilda that night too

I think there's so much unexplored potential for these two. Like yeah, Sonetto regretted letting Vertin and the others go that night, but do you think it haunts Matilda too? That maybe she could've tried to talk them out of it, maybe then she and Vertin would still have their friends around

[thermodynamic-comedian]

thing is i don't really feel bad for any tma character. i get disappointed when a character i like dies, but i can't observe the series from an "i feel bad for these people" perspective, because it's so damn fascinating to observe it from a thought exercise perspective instead. not "would i feel bad if this bad thing happened to this person", but rather "would this person be bad if they did this thing?" or "if a bad thing happened to a bad person, would they deserve it? is pain something you can deserve?"

which is why malevolent is fucking destroying me because it's not a thought exercise or a philosophical ramble, it's a story. and i'm viewing it from the perspective of "this is a story that i am being told about awful things happening to people".

all of this to say, i feel genuinely bad for arthur lester and i don't know how to deal with that

[pinkravat-art]

i love it when comedians make media that is not strictly A Comedy. music, dramas, podcasts, whatever. they have such a way with words and the comedy bleeds into whatever they make. It's my favourite thing ever.

please gimme your faves, i want to know more writers like this

[neonhellscape]

okay its no secret i dont buy into marazhai being the persona he puts on. so as i've officially met him in game now, im making a list of all the in-game reasons i think he's a bit of an idiot [which i love btw. i find him far more compelling if he's a bit stupid/weird and he's trying so hard not to be but you just know nobody in commorragh is inviting him to parties]

the very first time you get a glance of him on a rooftop and. 'deal with this' "of course" proceeds to just walk off like 3 seconds after the other two

ambushes you. has you cornered. is in optimal position to kick your ass frankly, high ground and better weapons and utilising shock against you. ...he bitches at you for a while, gets insulted, then runs off into the forest with a maniacal cackle

heinrix fired a mild insult [considering what he's like to everyone else its barely an insult] and he took big enough issue with it to start saying how he'll break him and turn him into a pet. oh sure dude you're responding super well to this mild comment from the guy who accidentally insults everyone and their entire ancestral line at some point

i think it says something that he's learned to speak your language fluently too. that Has to be some kind of Yikes moment to admit publicly in drukhari culture. buried family secret great great grandfather drukhari-georg learned to speak mon keigh and now we claim he just spoke oddly because was shot in the head as a child to prevent the shame

he also knows the mon keigh lore that says youre a super special little guy as rogue trader and actually LISTENS to the fact you're the special little guy as rogue trader. and he does treat you as more equal/with more respect than the other characters. thats not just a drukhari culture yikes thats what gets you checked for a concussion or brain damage

literally socially atrocious enough its believed he's working with you [read: with you. not using you, not manipulating, cooperating. this is a big difference i feel] and only he himself doesnt believe it

ignore the fact he eventually DOES work with you which. is its own follow up statement

challenges you to fight him, to give chase then and there. i made him wait while i went through english government simulator where i queued for multiple days, did multiple day/week voidship trips back and forth, got distracted by accidentally starting jae's romance, pasqal telling me to servitorise her, getting blackout drunk with her, shipwide broadcast tm, giving her a voidship, her getting me a space cat, attacked by pirates, dealt with a plague, explored a few extra systems.......................

he destroys your palace. ...its rebuilt effectively within a week. most of the damage is in bodies which are just sent to the poor district to rot [almost feels worse than the damage done good job imperium]

the throne has claw marks. he could've blown it up or shot it or piled corpses on it but no he wanted to sit on the fancy chair and so turned into a common housecat mauling the sofa arm

how long was he just sitting there lounging on that chair? again see how long i kept him waiting. he was just sitting there trying to find a comfy position on this [for him] kinda small chair JUST so he could briefly taunt, break your window with his space motorbike, jump off the chair in a dramatic [but not gunna lie not that impressive] feat of gymnastics, then fly out. he doesnt even shoot at you as he leaves

i will continue my list as i see more that entertain me

[tumatawa]

Messily written trans Laios headcanons(?). My sense of vocabulary has gone kaput... I couldnt make it a comic but I drew one of the bullet points as a garnish

-Taken just fine by his parents since he seemed like a more suitable heir than Falin. Given father's old clothes but couldn't stand to borrow Falin's outerwear because it felt like he was stealing < she doesnt GAF

-The village chief neglected to tell anyone about his children's personal lives as he only keeps to himself and doesn't often appear with his family. There weren't many people (including children) Falin and Laios frequently socialized with either, so neighbors mainly chalked the sudden change up to misremembering them.

-Raised very traditionally as a man though in a more reserved manner due to his father's nature, who could only take from his own personal experiences. While it should feel gratifying on the surface, it all vaguely felt as if he was trying to bury something. Such an approach harbored feelings of guilt as Laios thought he was being "ungrateful", and tried to focus on the opportunity to find a place for himself and Falin. In later years, he'd find many aspects of masculinity and gender roles presented to him by his peers too arbitrary compared to monsters.

-By the time he's settled with Falin he's given the time to take things at his own pace and actually address his trans identity as it felt widely overlooked. Only tape-binds in the dungeon. In any other case he does not often use it. Does not fit into any specific binary. Can only be described by his own definition. It isn't "like" anything. No op. Will always keep the "older brother" title. Shortly after he starts opening up about his passion he'll have to uncover his nagging discomfort of wanting to transform into something else entirely.