#jackson tisi

[louisbxne]

RAVEENA x WLW

Temptation (2018) Dir. Raveena Aurora & Jackson Tisi

Headaches (2020) Dir. Raveena Aurora

Love Overgrown (2022) Dir. Raveena Aurora

Love Interests/Girlfriends played by:

Giannina Oteto (Temptation)

Hitomi Mochizuki (Headaches)

Salem Mitchell (Love Overgrown)

[marriedtogiants]

No Más Murda Beats ft Quavo, Pharrell, J Balvin, Anitta from Married to Giants on Vimeo.

Editor: Nick Yumul Executive Producer: Amanda Henry Assistant Editor: Anu Chhetry

Director: Jackson Tisi Production: Fela EPs: Taj Critchlow & Fuliane Petikyan COO: Dean Rosen Head of Production: Amir Karimi Integrated Producer: Mikayla Fasullo

Colour: Alex Gregory Online: Cameo FX Online Artist: Sergii Mashevskyi

Sound: Alabaster

[drone-reference]

This is the story of Jim St. Germain. His book, "A Stone of Hope," is available online and at all major bookstores. Directed/Shot/Cut: Jackson Tisi Original Score: Gavin Brivik Sound Design/On Set Sound: Donavon Bryan Supported By: Breakout

[musicpromoapp]

Murda Beatz Enlists J Balvin, Quavo, and Anitta for New Song: Watch the Video

Murda Beatz Enlists J Balvin, Quavo, and Anitta for New Song: Watch the Video

Murda Beatz has released the new single “No Más,” featuring Quavo (of Migos), J Balvin, and Anitta. Murda co-produced the single with Pharrell Williams. It comes with a festive music video that was directed by Jackson Tisi and produced by Fela. Watch Murda Beatz party with his collaborators in Miami in the clip below. “It’s a record I’m excited about,” Murda said of “No Más” in a press release.…

[habergezgini]

Jackson Tisi'nin Life's Good filmi başladı

Jackson Tisi’nin Life’s Good filmi başladı

LG’nin yaşamın getirdiği olasılıklara karşı sinematik bakış açısı sunan projesi, geleceğin sanatçılarını ortaya çıkartıyor.     Geleceğin yönetmeni Jackson Tisi'nin LG Electronics'in (LG) desteğiyle yönettiği The Life's Good Filmi LG'nin YouTube kanalında görücüye çıktı. Dünyanın dört bir yanından yüzlerce genç film yapımcısı tarafından sunulan videolardan bir araya getirilen Tisi yapımı çalışma,…

[haberyazari]

Jackson Tisi'nin Life's Good filmi başladı

Jackson Tisi’nin Life’s Good filmi başladı

LG’nin yaşamın getirdiği olasılıklara karşı sinematik bakış açısı sunan projesi, geleceğin sanatçılarını ortaya çıkartıyor.     Geleceğin yönetmeni Jackson Tisi'nin LG Electronics'in (LG) desteğiyle yönettiği The Life's Good Filmi LG'nin YouTube kanalında görücüye çıktı. Dünyanın dört bir yanından yüzlerce genç film yapımcısı tarafından sunulan videolardan bir araya getirilen Tisi yapımı çalışma,…

[tavortiz]

Life´s good film

La oda cinematográfica de LG muestra la visión de los artistas creativos del mañana las posibilidades de la vida   La película Life’s Good, dirigida por el director Jackson Tisi, con el apoyo de LG Electronics (LG), se estrena el día de hoy en el canal de YouTube de LG. Esta pieza producida por Tisi y elaborada a partir de videos enviados por cientos de jóvenes cineastas de todo el mundo, ofrece…

[freegbedu]

VIDEO: Leon Bridges - “Why Don’t You Touch Me” (Part 2)

VIDEO: Leon Bridges – “Why Don’t You Touch Me” (Part 2)

Leon Bridges yearns for the touch of love on the latest single and video off his forthcoming album, Gold-Diggers Sound. Directed by Jackson Tisi, the Grammy-award winning artist laments on distance love and showcases the ups and downs of a relationship in this two-part romance film.

[marriedtogiants]

Home Depot - Do You from Married to Giants on Vimeo.

Home Depot - Do You Editor: Raj Ramnauth Director: Jackson Tisi DOP: Devin Karringten Agency: FCB Canada Producer: Sarah Michener CD - Les Soos & Nimy Leshinski Production: Fela Executive Producers: Taj Critchlow / Julien Christian Lutz Producer: Carina Mak / Amir Karimi Assistant Editor: Matthieu Belanger Colour: The Vanity Colourist: Andrew Exworth Online: The Vanity CG: Josh Clifton / Joaqin Manay VFX: Sean Cochrane / Naveen Srivastava / Michael Medeiros / Andrew Farlow / Kaelem Cahill / Adam Silcox-Vanwyk / Noah Matikainen Audio: Berkeley Inc.

[letstalkaboutstories-blog]

So...Let’s talk about characters

Or more specifically let's talk about characters who are people of color. Now before I get started I’m going to say that I AM NOT A STORYTELLING OR CHARACTER DESIGNING EXPERT and everything in this post is purely based on my opinion. I’m just a broke college kid, who was thinking about things during a 2-hour drive back to my parent's place, to spend a four day weekend. While I was trying to drown out the sound of pop music.

Which also means that this post is going to be pretty long. So I’m just going to let half be seen here, another half will be under a read more.

Oh and before anyone decides to chase me out of here, with a flaming torch and pitchfork. I would just to put up the shield that I too am a minority. Are we good? Good now, let’s talk about POC characters. 

 As someone who is planning on watching the Isle of Dogs, I wandered over to the tags to catch some cute gifs, and I noticed some discourse over the discussion of the ethnicity of both the characters and the voice actors. 

And well, as a viewer I would like to throw my hat into the discussion. Now for those who were hoping I would be on the side of, “no person who is of European descent should be involved in a POC film or a film that has POC characters” I’m sorry to say no. I will not side with you. 

And for those who suggested that we just shouldn’t set films or books or comics, in a foreign country or Japan. Shame on you, excluding a country and its people is just as bad as misrepresenting them. 

Any director, or writer, or even producer will say race is a very tricky situation. When it comes to having a film or book, you have to be careful not to offend or to make your character seem like a stereotype. And I’m here to tell you being overly cautious is dumb. 

Race like many other things about writing is something people tend to overthink about. I’m starting to notice this trend on Tumblr, where people become so focused on a character's skin color that they tend to overlook their personalities, characteristics, and quirks.

The things that make a character a character. 

Let’s bring up, for example, Rochelle from The Craft. Does anyone remember the Craft? The movie that started “light as a feather, stiff as a board” at slumber parties? This girl:

Now for anyone who doesn’t remember her as much as Sarah, or Nancy, or Bonnie. Don’t feel bad, because honestly, I have a hard time remembering that she’s in the movie too.

Now before anyone puts a hit out on me, I would like to put another shield and say that I am also a woman. Good? We good? Now let’s continue. For anyone who doesn’t remember her, she was friends with Bonnie and Nancy and was one of the girls who went all power crazy but went straight back to normal at the end of the film. While Nancy was living in an abusive household with her parents, and Bonnie had burn scars on her back that she desperately wanted to get rid of it. That drove them both into witchcraft as an escape.

Rochelle was just there, even though she had a plot where a side character who was a popular student and was being racist toward her. Now I’ll be talking about the unrealistic of the setting even during that time, of a girl being popular for being racist in a suburban area later. 

Lindsay Ellis -who was then known as Nostalgia Chick- said it best. “A character that exists solely to fill a racial slot usually end up being a really crappy, weak character. And in this case, the least important character of the group is defined completely and utterly by her race.” 

Is this in itself racist? No, not really. Does this just make Rochelle a badly written character? Yes, yes it does. 

The same could even be said for villain Characters who happen to people of color. Take, for instance, Samuel L. Jackson’s character in Miss. Peregrine's Home for peculiar children. Everyone was throwing a tisy over the fact that Samuel L. Jackson was playing a villain character purely because of his race. 

But you know who wasn’t? 

SAMUEL L. JACKSON, THE MAN WAS HAVING A TIME OF HIS LIFE AND WAS ONE OF THE FEW GREAT THINGS ABOUT THAT MOVIE. 

He was laughing it up and joking around, he was playing the role of a bad guy who ate the eyes of children and you could see he was having the time of his life. It shouldn’t have been his race that people took away from, it should have been the fact that he was a pretty darn threatening villain. 

And we’re doing the same thing to the Isle of Dogs, I’ve only seen a few people talk about the plot or the characters in the movie. That doesn’t involve them being upset at the fact that the dogs are voiced by white actors, while all of the human characters are voiced by Japanese actors...who are speaking actual Japanese. 

I think we as viewers or readers or comic lovers even. Need to look past the fact that a character is of a certain ethnicity in order for that to be a reason to like them. We should look at the character’s personalities and how they were portrayed. And if they just happen to be a person of color or not then that’s fine, but it shouldn’t be the main focus unless the story makes it the main focus. 

I love Shuri from Black Panther because she’s a genius, sarcastic, and tricked her brother into getting blown back by the kinetic energy in his suit, not just because she’s from an African nation. I love Meg from A Wrinkle in Time, because she faced depression, the loss of a loved one, traveled the flipping universe with her friend and brother to rescue her father. Not just because she’s black.

So write on scriptwriters, fanfiction authors, and just writers in general. If you want to write a character who just happens to be a person of color, or have a story that makes it important then go ahead. Don’t let anyone stop you, just make sure to add what all characters need: a personality. 

[hotfps]

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Directed by Jackson Tisi EP: Luigi Rossi Produced by Francesco Rizzo Director of Photography: Zoe Simone Yi Production Coordinator: Max Novick 1st AC: Julia Kupiec 2nd AC: Nina Gofur Steadicam: Franz Brun Gaffer: Ace Buckley Best Boy Electric: Alex Kary Additional Electric: Omar Nasr Key Grip: Matt Foundoulis Best Boy Grip: Robert Newman Additional Grip: Nico Tepper Swing: Linda Wu VFX Supervisor: Joachim Pfefferkorn Truck PA: Sean Fitzgerald Set PA: Andrew Baldwin Edited by Jackson Tisi VFX by Los York Colored by Parker Jarvie at Company 3 Processed by Metropolis New York

[whileiamdying]

Directed by Jackson Tisi EP: Luigi Rossi Produced by Francesco Rizzo Director of Photography: Zoe Simone Yi Production Coordinator: Max Novick 1st AC: Julia Kupiec 2nd AC: Nina Gofur Steadicam: Franz Brun Gaffer: Ace Buckley Best Boy Electric: Alex Kary Additional Electric: Omar Nasr Key Grip: Matt Foundoulis Best Boy Grip: Robert Newman Additional Grip: Nico Tepper Swing: Linda Wu VFX Supervisor: Joachim Pfefferkorn Truck PA: Sean Fitzgerald Set PA: Andrew Baldwin Edited by Jackson Tisi VFX by Los York Colored by Parker Jarvie at Company 3 Processed by Metropolis New York

[artwalktv]

Directed by Jackson Tisi EP: Luigi Rossi Produced by Francesco Rizzo Director of Photography: Zoe Simone Yi Production Coordinator: Max Novick 1st AC: Julia Kupiec 2nd AC: Nina Gofur Steadicam: Franz Brun Gaffer: Ace Buckley Best Boy Electric: Alex Kary Additional Electric: Omar Nasr Key Grip: Matt Foundoulis Best Boy Grip: Robert Newman Additional Grip: Nico Tepper Swing: Linda Wu VFX Supervisor: Joachim Pfefferkorn Truck PA: Sean Fitzgerald Set PA: Andrew Baldwin Edited by Jackson Tisi VFX by Los York Colored by Parker Jarvie at Company 3 Processed by Metropolis New York

[skistarmovies]

The Dream Factory  (Teton Gravity Research 2012)

SkiStar Movies Rating: 4/5 Stars

Sage Cattabriga-Alosa, Todd Ligare, Griffin Post, Dylan Hood, Chris Benchetler, Daron Rahlves, Erik Roner, Nick Martini, Dana Flahr, Dash Longe, Rory Bushfield, Tim Durtschi, Seth Morrison, Ralph Backstrom, Angel Collinson, Matt Philippi, Clayton Vila, Cam Riley, John Spriggs, Max Hammer, Colter Hinchcliffe, Forrest Shearer, Daniel Tisi, Jeremy Nobis, Doug Coombs

 Written and Edited by Blake Campbell

  I guess I’m definitely a Virgo.  I read textbooks for fun and I love documentary films that feed me the history of topics that wind me up.  So imagine a film that serves as both documentary and ski movie all in one.  The Dream Factory fills both needs beautifully.  It tells a great story about the history of steep skiing in Alaska and it’s replete with brand new, mind-boggling footage of terrifying descents down 50 degree pitches.  Yeah, I’m all over this one.

 As you would expect in a film centered on Alaska, The Dream Factory is about 90% big mountain.  While the exceptional team from Stept Productions are enlisted to hit some urban in Anchorage, this is a TGR film after all and their discipline is big mountains with big consequences.  With regular TGR riders like Sage Cattabriga-Alosa, Todd Ligare, Daron Rahlves and Seth Morrison, the footage never disappoints.  Mix this with writer and editor Blake Campbell’s unwinding of the story behind the sport’s pioneers, The Dream Factory makes for a compelling view.

 Having been skiing in Alaska since the early 1990s, the boys at TGR are perfectly placed to tell the story of the rise of Alaska as the Super Bowl of ski destinations.  While there have been planes and helicopters flying skiers to the top of the peaks since the mid-1950s, the modern story begins in earnest in the late 1980s when a bush pilot named Chuck McMahan started flying his friends to ski the Thompson Pass mountains near Valdez.  From there he and Michael Cozad purchase the shabby looking Tsaina Lodge on the Richardson Highway and that becomes command central for every powder hound and steep skiing adrenaline junkie who wants to get their freak on.  However, at the time, that meant like five guys so Cozad comes up with the idea of a skiing contest to market their burgeoning business and the surrounding terrain.  Thus, the World Extreme Skiing Championship was born.  Among the invitees was Wyoming’s (late) Doug Coombs who had honed his skills skiing the steeps of Jackson Hole in the Tetons.  Coombs goes on to win the first WESC in 1991 and goes back home to his fellow Jackson Hole Air Force buddies raving about what he’s seen in Alaska.  And so the word starts getting out.

 A parallel universe situation was happening in Canada where Eric Pehota and Trevor Peterson were scaling mountains in the Coast Range outside Pemberton, building the exact skills they’d need to make their mark in Alaska.   Taken altogether, these types of adventurous individuals set the tone for skiing’s foreseeable future.

 The fascinating dimension here is not the discovery of the mountains – I mean, everybody knew they were there.  It was the discovery of what you could do in those mountains that made the territory fresh again.  And given the sheer scope of what’s available, that particular discovery has a significance like finding another planet.

 The 90s then become a period of innovation. By 1993 Doug Coombs is operating a guiding service with a large clientele.  In 1997, ex-World Cup ski racer Jeremy Nobis retires from that circuit and brings his athleticism to the steeps, again changing how skiers viewed what’s possible in the mountains.  But, as the decade wore on, the Alaskan regulars began feeling that they had skied everything they could in Valdez and so, searching for new adventure and unskied terrain they take up about 500 miles away in a small fishing town called Haines and a range called the Chilkats.   That area provided the goods for many years and when that wore off, they continued to search for new peaks, places like Petersburg and the latest playground, the Northern Chugach.

 The Dream Factory effortlessly weaves new film of famous runs in with the documentary footage.  After Doug Coombs talks about building his skills at Jackson Hole’s Corbet’s Couloir in the 1980s before going to Alaska, the movie glides into a 2012 Corbet’s session with John Spriggs and Matt Philippi throwing down hard.  Where there’s film of Jon Hunt’s first descent in 1992 of Mount Dimond near Valdez, The Dream Factory follows with 2012 footage of Todd Ligare shredding the same line.   Those types of juxtapositions not only bring the history alive but serve to build the legend of Alaska as the zenith of the sport.  With the footage of those white faces and blue skies and hearing about the challenges it provides, there’s clearly a brand being developed and I’m not saying that disparagingly: I’m simply pointing out that you are left to believe that there’s nothing else like this on earth and if you’re a skier, you feel compelled to go there.

 The Dream Factory’s well-curated soundtrack includes a few majestic, spacey sounding tracks that match the otherworldly environment that is an Alaskan mountain range.  That type of touch makes for enjoyable repeated viewings.  Check Daron Rahlves’ segment which is underpinned with Chase and Status’ “Fire In Your Eyes” or Dash Longe’s closeout segment scored with C65’s “Let’s Go”.

 An interesting adjunct (and not necessarily a counterpoint) to The Dream Factory is (now defunct) Rage Productions’ 2008 movie Down Days which documents a month long ski trip to Alaska and the waiting on the weather that goes with it.  Down Days lends a bit of background to a couple of the segments in The Dream Factory where the heli-ski guides are waiting for the weather to clear or Eric Roner’s comments about “More often than not, this is what Alaska looks like”, as he’s watching the snow coming down in a way the prevents flying.    And if you want even more background, Mark Obenhaus’ 2008 documentary Steep is also worth viewing for the development of steep skiing.

 The Dream Factory has one adrenaline rush after another as the skiers lay down all sorts of park tricks on the steeps.  It’s a documentary that has you looking to the future of skiing with huge anticipation.     By Mark “The Attorney General” Quail

  Watch the Trailer for The Dream Factory

http://www.youtube.com/watch?v=-imGzglPweo

[magazinevim]

2021 Life is Good Kampanyası Charlie Puth ve Jackson Tisi ile Başlıyor

2021 Life is Good Kampanyası Charlie Puth ve Jackson Tisi ile Başlıyor

LG Electronics (LG), 2021 Life's Good kampanyasının iki heyecan verici bileşenden oluşacağını duyurdu: ünlü şarkıcı, söz yazarı ve yapımcı Charlie Puth işbirliği ile gerçekleşecek Life's Good Müzik Projesi ve yükselen yıldız Jackson Tisi tarafından yönetilecek Life’s Good Filmi.    LG’nin Life’s Good kampanyası, dünyanın her yerindeki gençlere yaratıcılıklarını ve yeteneklerini ortaya çıkartma…

[haberyazari]

2021 Life is Good Kampanyası Charlie Puth ve Jackson Tisi ile Başlıyor

2021 Life is Good Kampanyası Charlie Puth ve Jackson Tisi ile Başlıyor

LG Electronics (LG), 2021 Life's Good kampanyasının iki heyecan verici bileşenden oluşacağını duyurdu: ünlü şarkıcı, söz yazarı ve yapımcı Charlie Puth işbirliği ile gerçekleşecek Life's Good Müzik Projesi ve yükselen yıldız Jackson Tisi tarafından yönetilecek Life’s Good Filmi.    LG’nin Life’s Good kampanyası, dünyanın her yerindeki gençlere yaratıcılıklarını ve yeteneklerini ortaya çıkartma…