#jamestissot

[srednod]

James Jacques Joseph Tissot, Triumph of the Will - The Challenge (detail), ca. 1877

[tynatunis]

#Repost @unoperaalgiorno Holyday - James Tissot (1876 circa) - Tate, London * * * #historyofart #arthistory #art #artwork #masterpiece #artoftheday #paintingoftheday #artmuseum #artlovers #jamestissot https://www.instagram.com/p/Cp5uXBVIUGX/?igshid=NGJjMDIxMWI=

[terciariosfranciscanos]

La multitud extendió sus mantos por el camino; algunos cortaban ramas de árboles y alfombraban la calzada. Y la gente que iba delante y detrás gritaba:

-«¡Hosanna al Hijo de David! ¡Bendito el que viene en nombre del Señor! ¡Hosanna en el cielo!» Mt21

#JamesTissot

[portraitsgallery]

James Tissot, Self portrait, 1865

[bm-european-art]

Capital from the Mosque of El-Aksa (Chapiteau de la mosquée d'El Aksa), James Tissot, 1886-1887 or 1889, Brooklyn Museum: European Art

This is one of five drawings (00.159.356.1-.5) sketched on and later cut from one sheet of paper. The drawings were sketched in three registers and the placement of this drawing was the third register, bottom left. Size: Sheet: 4 3/4 x 6 1/16 in. (12.1 x 15.4 cm) Mount: 6 1/4 x 6 5/8 in. (15.8 x 16.9 cm) Medium: Ink on paper mounted on board

https://www.brooklynmuseum.org/opencollection/objects/168132

[mia-paintings]

On the Thames, A Heron, James Tissot, c. 1871-1872, Minneapolis Institute of Art: Paintings

When James Tissot fled to England in 1871 as a political refugee following the Franco-Prussian war, he discovered that English suspicion of French painting technique and a preference for sentimental narrative would require him to adapt his work for the British market. In On the Thames, A Heron, one of his first English works, Tissot created a successful amalgam of these two aesthetics by serving up to British tastes his French technique wrapped in the sweet Victorian charm of beautiful young women boating on the Thames. Also presented here is the artist's full comprehension of the aesthetics of Japanese design in his use of a high vantage point and the juxtaposition of two separate pictorial elements in compressed space. Further the instantaneous realism and framing of the composition also suggests the influence of photography. Size: 36 1/2 x 23 3/4 in. (92.71 x 60.33 cm) (canvas) 45 1/4 x 32 3/4 x 4 7/8 in. (114.94 x 83.19 x 12.38 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/2239/

[harvard-art-museums-prints]

Le Journal, James Tissot, 1883, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Deknatel Purchase Fund Size: 37.8 x 29.3 cm (14 7/8 x 11 9/16 in.)

https://www.harvardartmuseums.org/collections/object/272573

[met-european-paintings]

Tea, James Tissot, 1872, European Paintings

Gift of Mrs. Charles Wrightsman, 1998 Size: 26 x 18 7/8 in. (66 x 47.9 cm) Medium: Oil on wood

https://www.metmuseum.org/art/collection/search/438098

[harvard-art-museums-drawings]

Trafalgar Tavern, Greenwich, James Tissot, 1878, Harvard Art Museums: Drawings

Harvard Art Museums/Fogg Museum, Bequest of Evert J. Wendell Size: 35.5 x 25 cm (14 x 9 13/16 in.) Medium: Black ink on off-white wove paper

https://www.harvardartmuseums.org/collections/object/298868

[cara-arte]

Les Demoiselles de Province, By James Tissot.. (French 1836-1902)

follow @cara_arte https://www.instagram.com/p/CTYqwBvDrY_/?utm_medium=tumblr

[fmlheyyo]

Jily walking on side of the street

James unconsciously pulls Lily to the other side of him, so that he's on the side of the road where vehicles pass them.

Meanwhile, Lily wonders how that arrogant kid turned out to be such a loving and caring boyfriend.

[santhatela]

A espera ▪︎ James Tissot _____ Tamanhos Disponíveis: Baby ▪︎  Fit  ▪︎  Plus  _____ #realismo #arte #pintura #decoração #museu #santhatela #parededecorada #decorarsala #decorecomquadros #decor #sala #decorarte #decorarparedes #galeriaonline #artenadecoração #jamestissot #canvas #exclusivo https://www.instagram.com/p/CQGwMSJBzgV/?utm_medium=tumblr

[terciariosfranciscanos]

Hermanos: Ya que habéis resucitado con Cristo, buscad los bienes de allá arriba, donde está Cristo, sentado a la derecha de Dios; aspirad a los bienes de arriba, no a los de la tierra. Porque habéis muerto, y vuestra vida está con Cristo escondida en Dios. Cuando aparezca Cristo, vida nuestra, entonces también vosotros apareceréis, juntamente con él, en gloria.

James Tissot, The Angel Seated on the Stone of the Tomb (L'ange assis sur la pierre du tombeau), 1886-1894 #jamestissot

[bm-european-art]

Capital Letter V, James Tissot, 1886-1894, Brooklyn Museum: European Art

Size: Sheet: 4 5/8 x 4 5/8 in. (11.7 x 11.7 cm) Mount: 4 13/16 x 4 15/16 in. (12.3 x 12.5 cm) Medium: Ink on paper mounted on board

https://www.brooklynmuseum.org/opencollection/objects/168157

[mia-paintings]

On the Thames, A Heron, James Tissot, c. 1871-1872, Minneapolis Institute of Art: Paintings

When James Tissot fled to England in 1871 as a political refugee following the Franco-Prussian war, he discovered that English suspicion of French painting technique and a preference for sentimental narrative would require him to adapt his work for the British market. In On the Thames, A Heron, one of his first English works, Tissot created a successful amalgam of these two aesthetics by serving up to British tastes his French technique wrapped in the sweet Victorian charm of beautiful young women boating on the Thames. Also presented here is the artist's full comprehension of the aesthetics of Japanese design in his use of a high vantage point and the juxtaposition of two separate pictorial elements in compressed space. Further the instantaneous realism and framing of the composition also suggests the influence of photography. Size: 36 1/2 x 23 3/4 in. (92.71 x 60.33 cm) (canvas) 45 1/4 x 32 3/4 x 4 7/8 in. (114.94 x 83.19 x 12.38 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/2239/

[met-european-paintings]

In Full Sunlight (En plein soleil), James Tissot, ca. 1881, European Paintings

Gift of Mrs. Charles Wrightsman, 2006 Size: 9 3/4 x 13 7/8 in. (24.8 x 35.2 cm) Medium: Oil on wood

https://www.metmuseum.org/art/collection/search/438887