Once again, I hope SAG strikes too
We could lose acting, filmmaking, television as we know it.
(click for better images)
(link to post)
(link to post)
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UPDATE: THEY MIGHT!
Update: They've voted to authorize a strike!
(I debated adding this to the original post or not, since it's mostly being reblogged by people reblogging from someone that isn't me. But @animeengineer was kind enough to grab the link below, so I'm putting it in the original post)
I saw a tweet somewhere that said (and I'm so sorry I don't have the link to it or remember who wrote it):
I think 47+% of SAG members voted, and nearly 98% of the ones who voted, voted yes.
In comparison, I think the last time they voted in favor of a contract, around 25% of SAG members responded, and of those that did, about 75% voted yes.
Another Update: They're doing it! SAG-AFTRA is joining the WGA on the picket lines, and not just in solidarity!
This isn't the Official from SAG-AFTRA, but they are voting this morning and if they don't strike, that goes against what all the members and the board and such have authorized.
[Image ID: A tweet from Discussing Film (@discussingfilm) from July 13th, 2023 that reads:
SAG-AFTRA is officially going on strike.
This is the first time both the actors & writers are on strike in over 60 years. /End ID]
Game on, AMPTP. Game. On.
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Can a Particle Be Neither Matter Nor Force?
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All particles belong to two large groups: fermions like protons and electrons make everything we consider "matter", while bosons like photons and gluons transmit the fundamental forces. And that about covers the universe: matter moving through space and time under the action of forces. But what if we could create particles in between these two possibilities. Physics says these neither matter nor force anyons can exist, and they may have some pretty incredible uses. They’re called anyons.
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Texas Gate road signs are commonplace in Alberta, a mystery in the U.S.
Some drivers slow down when they see the sign, while others keep speed and let the metal bars ring out. And sometimes, superstitious passengers lift their legs and touch the roof of the car with the tips of their fingers, like you would cross a railroad track.
Cattle guards are everywhere in the Prairies. They're even found in national and provincial parks. In Alberta, they are known as Texas gates. That's how they appear on road signs, in some municipal legislation, and in Hansard references.
But ask a Texan, and they might not know what you mean. Even as a curator at the National Ranching Heritage Center at Texas Tech University, Robert Tidwell said a Texas gate isn't a familiar term.
"I've always heard them called cattle it," Tidwell said. "It never dawned on me that it would have a name like a Texas gate elsewhere." In France, they are known as "passage Canadien."
Tidwell says the name in Australia is similar to the Texas term: stock grids or cattle grids. It's not easy to trace the etymology of how "Texas gate" became a common term. Robert Bruce Shepard, a retired curator for the City of Medicine Hat, began researching when and why the term was popularized because museum visitors would ask.
"It's an amusing situation where people from the United States come in and say: 'Well, are only Texans allowed to use that road?'" He's come up with a simple answer.
"The name 'Texas gate' betrays its origins," Shepard said. "For Canadians least." Shepard is working on a manuscript focusing on the American presence in Western Canada.
"The first rancher in southern Alberta, where I live, was an unknown Montana miner who brought several dozen Texas longhorn cattle into what's now the Fort Macleod area south of Lethbridge," Shepard said.
Cattle guards were part of the American and Canadian rail systems before the 1900s. But when the automobile started to litter the landscape.
The latter half of the 19th century and the early part of the 20th century, the same groups of investors owned cattle operations in Australia, Canada, and the United States.
"There's a lot of cross-pollination," Tidwell said. "Cowboys bring technology with them whenever they're working." Cattle guards, Tidwell said, are typically constructed of metal — sometimes from reclaimed train rails but typically from tubed sections of metal.
You can buy them pre-made, and while there are patents for Texas gates and cattle guards, they never took off under any trademark. They're easily made at home, Tidwell said.
The grid of bars is spaced just so, with gaps in between, making livestock and other hoofed animals wary. That allows people in cars to access a piece of land without the need to get out of a vehicle and fiddle with a swinging or sliding gate — or even slow down, for that matter.
Tidwell points out they are an early form of automation, a way to keep things moving. The infrastructure proved especially useful where ranching meets oil and gas operations. Texas gates don't just keep animals in a paddock but can stop them from entering a dangerous site.
As a kid in Texas, Tidwell says his time on ranches meant learning how to get across cattle guards. "Your feet are small enough to get your foot caught in the gap between the pipes," he said. "I was always careful to get across a cattle guard as fast as possible."
Over one in the States, it means you've likely driven right onto someone's private property, Tidwell says. "It's like a sign to 'Oh, OK, I'm driving through someone's property to get to my destination,'" he said.
But in Alberta, the grates are built into paved roads and are commonplace, not found just on range roads and ranches. Banff National Park's animal paddock had a Texas gate installed by 1940.
Letters from then superintendent P.J. Jennings and other officials included a photograph of the Texas gate, enclosing negatives for distribution in case other parks wanted to copy the design.
"The construction of this gate appears to be exceptionally good," wrote parks controller F.H.H. Williamson to the Banff superintendent in 1940. "It should be satisfactory for the purpose intended and do away with the necessity of keeping a man at this point."
The paddock's keeper, living in a house nearby, no longer played an essential role — a cost saved by the Texas gate. In his thrice-weekly column, the Calgary Herald's Ken Liddell, who started writing for the newspaper in the 1950s, mentioned them often in a tongue-in-cheek fashion. The University of Calgary archives say Furrows and Foothills was a column about Western Canadian history and personalities.
"America has been called the country of inventions, but it cannot invent names," he wrote in the Calgary Herald in 1967. " In the northwest, there are half a dozen Red Deers, White Muds, Vermillions.… I'll probably think of that each time I drive over a cattle guard called a Texas gate."
In some Alberta municipalities, the Texas gates appear in bylaws — rules about where the ranching equipment can and can't be installed. When asked about their introduction in Alberta, a spokesperson for the transportation ministry didn't have an answer and pointed to a short blurb from the University of Regina and the Canadian Plains Research Center.
"The term is not to be found in many dictionaries or encyclopedias; it appears to have originated with the northern migration of cattle — the great cattle drives from Texas in the late 1870s."
For Tidwell, cattle guards are just a thing people rattle over, though as a kid, he'd dig around them with a friend to see what kind of treasures fell out of a neighbor's flatbed truck. The "couch cushion of the ranch" often had like lost keys or coins.
He hadn't heard of any superstitions about crossing a Texas gate or cattle guard, aside from folks with dental work being more careful and driving over them slowly.
"They say, 'I don't really care to have my bridge rattle out of my mouth' or, you know, 'have my dentures loosened,' something like that."
But from his office in Medicine Hat, Shepard thinks it's more of a piece of identity that tells a story of how modern Canadian ranching came to be. And it's something he'd like to further explore.
"To me, it's an example of what makes this part of the world unique and different and exceptional," Shepard said.
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Jenn Tidwell has been promoted to Animation Associate Producer at Rooster Teeth.
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THIS WEEK AT KOLAJ MAGAZINE
Technologies, Beauty, and The Incomplete Portrait
FROM THE ARTIST DIRECTORY
Beauty in the Mundane: Jen Broemel, Indianapolis, Indiana, USA
FROM THE ARTIST DIRECTORY
The Incomplete Portrait: Ivana Režek, Zagreb, Croatia
COLLAGE ON VIEW
BOP!
at Satchel Projects in New York, New York, USA
FROM KOLAJ 35
The Elements Start to Speak
Melinda Tidwell’s artist portfolio
FROM KOLAJ 35
Uncollage in Action: Knoxville
COLLAGE ON VIEW
Technologies of the Spirit
at 516 ARTS in Albuquerque, New Mexico, USA
Read the full update
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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present.
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Are y’all intentionally leaving Kdin out? She’s the pink girl in zero isn’t she
Nope! I did see that Kdin has RvBz in her twitter bio but she's not one of the VAs (at least not one of the main ones, idk about all the grunt soldiers)
The women in rvb are East (the pink one, Jenn K Tidwell), Phase (Hannah Mccarthy), One (Fiona Nova), Tiny (Brooke Olsen) and Carolina (Jen Brown)
I did actually think about including Kdin as a bonus before I made the post about women in rvbz, I saw her 'artist + flag' tweet just after I saw Jenns, its really cool to see people at RT being so open about their sexuality and gender 😊
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the whistling wind and cool valley breeze can only mean one thing…you finally made it to stardew valley! we’re so happy to have jen as foggy tidwell, the harlequin. please be sure to send your account within 24 hours, and may i be the first to say…welcome home! zazie beetz is now taken.
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SINKING - (Short Film) from Shaun James Grant on Vimeo.
A project I had the privilege of co-writing and directing a short film in partnership with Women’s Aid for 16 days of activism, an essential international campaign to challenge violence against women and girls.
This project was a true labour of love. Not just from myself but from so many wonderful individuals that were involved. Big thank you to all the amazing cast and crew who went above and beyond to lend their time to be involved in this humbling project.
A special thank you to the survivors and ambassadors for women’s aid who shared with me so openly their experiences, read our work, and trusted us to make this film, we are eternally grateful.
Best viewed with headphone or quality speakers…
STARRING: Emma Nihill, Ben Starr, Malik Kaddu, Alice Vilanculo, Lydia Lakemoore, Claire Cage & Angeli Gimziunate.
DIRECTED BY: Shaun James Grant
WRITTEN BY: Shaun James Grant & Luke Shenton Sharp
PRODUCED BY: Nailah Blissett, Morgan Faverty & Harri Kamalanathan
EXECUTIVE PRODUCERS: Otis Bell & Sam Holmes
POST PRODUCER: Roz Lawson
CASTING DIRECTOR: Hannah Ashby Ward
CINEMATOGRAPHER: Patrick Golan
PRODUCTION DESIGNER: Elena Muntoni
HAIR & MAKE-UP: Hannah Wastnidge
WARDROBE: Nina Sobers
ASSISTANT PRODUCER: Sophie Ede
PRODUCTION MANAGER: William Geraghty
PRODUCTION COORDINATOR: Jens Klit Nielsen
1ST AD: Ruby Lake
2ND AD: Rozz Moxon
LOCATION MANAGER: Elliott Meddings
CASTING ASSOCIATE: Grace Hudson
INTIMACY COORDINATOR: Adelaide Waldrop
FOCUS PULLER: Andrew Bradley
LOADER: Ade Swesolowska
CAMERA TRAINEE: Olga Lagun
KEY GRIP: Pete Olney
GAFFER: Laurent Aranud
STEADICAM: Jay Coates
SPARK: Krunal Saadrani
SPARK TRAINEE: Tomas Canelas
SOUND MIXER: Rowena Colman
RUNNER: Maddy Corner
CAMERA VAN DRIVER: Craig Moore
TITLE & POSTER DESIGN: Jo Gutherie
COVID TESTING: Your Doctor
CATERING: The Bean & petté street food and catering
CAMERA: Panavision
GRIP: Procam/Take 2
LIGHTING: SHL Film Lighting
NEGATIVE PROCESSING: Kodak
FILM SCANNING: Digital Orchard
.
POST PRODUCTION: Okay Studio
EP: Madeline Chapman
PRODUCER: Holly Tidwell
EDITOR: Jo Lewandowska
COLOURIST: Ruth Wardell
HEAD OF POST & VFX: Bevis Jones
.
AUDIO POST: Grand Central Recording Studios
HOP: Molly Butcher
SENIOR SOUND DESIGN SUPERVISOR: Gary Turnbull
JUNIOR SOUND DESIGNER: Lizzy Andrews & Rachel Scott
.
WOMEN’S AID:
CEO: Farah Nazeer
HEAD OF MEDIA RELATIONS & COMMS: Teresa Parker
SENIOR COMMS OFFICER: Alecia Brooks
.
PRODUCTION COMPANIES: Haus Pictures, Pavilion Works & OB Management
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Polští Carlex Design se specializují na interiéry a odvádějí vážně perfektní práci. Jedním z nejnovějších projektů je i kompletní přečalounění interiéru Volkswagenu Transporter. Tan nyní v podání této tuningové společnosti ukazuje, že i když potřebujete odvézt spoustu lidí nebo věcí, můžete jezdit zatraceně stylově.
Carlex Design se u Transporteru rozhodli spolupracovat s umělcem jménem Jeral Tidwell. To je grafický designér, který má za sebou spolupráci s takovými hvězdami jako jsou například Kid Rock, Foo Fighters, Sheryl Crow nebo Dick Dale. Všem těmto celebritám připravoval obaly na CD, plakáty ke koncertním šňůrám a zpěvákovi z Foo Fighters prý dokonce navrhoval i tetování. Jeho styl stojí a padá na lebkách všeho druhu a všeho designu, což se projevilo i na konečné podobě Volkswagenu.
Poláci se tentokrát nezaměřili jen na úpravu interiéru, ale i na změny na karoserii. Ta dostala nové, ostřeji tvarované nárazníky, karbonové kryty vnějších zpětných zrcátek, jiné boční prahy a koncovky výfuku. Poté se do práce vrhl právě Jeral Tidwell, který na šedo-žlutou karoserii vytvořil černou lebku. Umístil ji v zadní části auta. Lebka se objevuje i v interiéru, a to ve výrazně žlutém provedení. Na černých sedačkách, které jsou od Carlex Design čalouněny do kombinace kůže a Alcantary, to vypadá velmi dobře.
Upravený Volkswagen Transporter dostal také o 20 mm snížené pružiny Eibach a nová kola obutá do pneumatik Pirelli P Zero. Celý výsledek se dostal pojmenování Jeral Tidwell Limited Edition, nicméně slavný designér má smůlu. Volkswagen Transporter generace T6 se v Americe, kde žije, neprodává, takže si svůj výtvor koupit nemůže. Jedině, že by se Carlex Design pochlapil a jedno z aut mu poslali. Ani tak by s ním ale na silnici nemohl…
Příspěvek Carlex Design spojili síly se slavným umělcem a přetvořili Volkswagen Transporter pochází z auto-mania.cz
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Is It IMPOSSIBLE To Cross The Event Horizon? | Black Hole Firewall Paradox
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So you’ve decided to jump into a black hole. Good news: as long as the black hole is big enough you can sail through the event horizon without harm and get to experience the interior of the black hole before you’re annihilated by the central singularity. Or so we once thought. These days, quite a few physicists believe that the only way to avoid horrible contradictions in fundamental physics generated by black holes is for all them to be surrounded by screens of extreme energy that prevent anything from ever entering the event horizon. Sounds outlandish? Welcome to black holes. So let’s find out why many of our most brilliant physicists take these black hole firewalls deadly seriously.
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Does Space Emerge From A Holographic Boundary?
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Space seems fundamental. To build a universe, surely you need something to build it on or in. Many, maybe most physicists now think that the fabric of space emerges from something deeper. And perhaps the most existentially disturbing such proposal is that our 3-D universe is just the inward projection of an infinitely distant boundary. A hologram, or sorts. Let’s see how that can actually work, and what the holographic principle really says about the “realness” of this universe.
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Executive Producers: Eric Brown & Andrew Kornhaber
Executive in Charge for PBS: Maribel Lopez
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Spacetime is a production of Kornhaber Brown for PBS Digital Studios.
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Andrea Galvagni
Jerry Thomas
Nikhil Sharma
John Anderson
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Kane Holbrook
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teng guo
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Michael Lev
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Joe Moreira
Kent Durham
jim bartosh
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John H. Austin, Jr.
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Almog Cohen
Daniel Jennings
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Isaac Suttell
Oliver Flanagan
Bleys Goodson
Mark Delagasse
Mark Daniel Cohen
Shane Calimlim
Tybie Fitzhugh
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Craig Stonaha
Frederic Simon
John Robinson
Jim Hudson
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John Funai
Adrien Molyneux
Bradley Jenkins
Amy Hickman
Vlad Shipulin
Thomas Dougherty
King Zeckendorff
Dan Warren
Joseph Salomone
Patrick Sutton
Julien Dubois
via YouTube https://www.youtube.com/watch?v=DoCYY9sa2kU
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How Supernovas Act as Universe’s Largest Particle Accelerators
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Cern's Large Hadron Collider routinely collides particles at energies equivalent to a fraction of a second after the Big Bang. If this worries you, then the following fact will either put you at ease or scare the hell out of you. And that's that a particle with the energy of an LHC collision hits every square kilometer of the Earth every single second. And we only relatively recently figured out where these cosmic rays are coming from.
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Spacetime is a production of Kornhaber Brown for PBS Digital Studios.
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teng guo
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jim bartosh
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Faraz Khan
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via YouTube https://www.youtube.com/watch?v=2sSNWIJbV3Q
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Why Is The World Rushing Back To The Moon?
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The Moon has been one of the most important theoretical stepping stones to our understanding of the universe. We’ve long understood that it could also be our literal stepping stone: humanity’s first destination beyond our atmosphere.
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Hosted by Matt O'Dowd
Written by Matt O'Dowd
Post Production by Leonardo Scholzer, Yago Ballarini & Stephanie Faria
Directed by Andrew Kornhaber
Associate Producer: Bahar Gholipour
Executive Producers: Eric Brown & Andrew Kornhaber
Executive in Charge for PBS: Maribel Lopez
Director of Programming for PBS: Gabrielle Ewing
Assistant Director of Programming for PBS: John Campbell
Spacetime is a production of Kornhaber Brown for PBS Digital Studios.
This program is produced by Kornhaber Brown, which is solely responsible for its content.
© 2024 PBS. All rights reserved.
End Credits Music by J.R.S. Schattenberg: https://www.youtube.com/user/MultiDroideka
Space Time Was Made Possible In Part By:
Big Bang Sponsors
First Principles Foundation
John Sronce
Bryce Fort
Peter Barrett
David Neumann
Alexander Tamas
Morgan Hough
Juan Benet
Vinnie Falco
Mark Rosenthal
Quasar Sponsors
Grace Biaelcki
Glenn Sugden
Ethan Cohen
Stephen Wilcox
J. Tyacke
Mark Heising
Hypernova Sponsors
Michael Tidwell
Frank Plessers
Chris Webb
David Giltinan
Ivari Tölp
Kenneth See
Gregory Forfa
Alex Kern
Bradley Voorhees
Scott Gorlick
Paul Stehr-Green
Ben Delo
Scott Gray
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Robert Ilardi
John R. Slavik
Donal Botkin
Edmund Fokschaner
Chuck Zegar
Jordan Young
Daniel Muzquiz
Gamma Ray Burst Sponsors
Christopher Wade
Anthony Crossland
Grace Seraph
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Robert DeChellis
Tomaz Lovsin
Anthony Leon
Leonardo Schulthais Senna
Lori Ferris
Dennis Van Hoof
Koen Wilde
Nicolas Katsantonis
Joe Pavlovic
Justin Lloyd
Chuck Lukaszewski
Cole B Combs
Andrea Galvagni
Jerry Thomas
Nikhil Sharma
John Anderson
Bradley Ulis
Craig Falls
Kane Holbrook
Ross Story
teng guo
Harsh Khandhadia
Michael Lev
Terje Vold
James Trimmier
Jeremy Soller
Paul Wood
Joe Moreira
Kent Durham
jim bartosh
Ramon Nogueira
John H. Austin, Jr.
Diana S Poljar
Faraz Khan
Almog Cohen
Daniel Jennings
Russ Creech
Jeremy Reed
David Johnston
Michael Barton
Isaac Suttell
Oliver Flanagan
Bleys Goodson
Mark Delagasse
Mark Daniel Cohen
Shane Calimlim
Tybie Fitzhugh
Eric Kiebler
Craig Stonaha
Frederic Simon
John Robinson
Jim Hudson
Alex Gan
John Funai
Adrien Molyneux
Bradley Jenkins
Amy Hickman
Vlad Shipulin
Thomas Dougherty
King Zeckendorff
Dan Warren
Joseph Salomone
Patrick Sutton
Julien Dubois
via YouTube https://www.youtube.com/watch?v=ci5eJxAFsZc
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Interstellar Expansion WITHOUT Faster Than Light Travel
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In the far future we may have advanced propulsion technologies like matter-antimatter engines and compact fusion drives that allow humans to travel to other stars on timescales shorter than their own lives. But what if those technologies never materialize? Are we imprisoned by the vastness of space—doomed to remain in the solar system of our origin? Perhaps not. A possible path to a contemporary cosmic dream may just be to build a ship which can support human life for several generations; a so-called generation ship.
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Senior Creative Producer (ITVS): Andrea Bloom
Creative Director (ITVS): Carol Paik
Executive Producers (ITVS): Carrie Lozano, Lois Vossen
Vice President, Marketing and Communications (ITVS): Lisa Tawil
Original Production Funding Provided By:
The Corporation for Public Broadcasting
Acton Family Giving
John D. and Catherine T. MacArthur Foundation
Ford Foundation
Wyncote Foundation
National Endowment for the Arts
Hosted by Matt O'Dowd
Written by Christopher Pollack & Matt O'Dowd
Post Production by Leonardo Scholzer, Yago Ballarini & Stephanie Faria
Directed by Andrew Kornhaber
Associate Producer: Bahar Gholipour
Executive Producers: Eric Brown & Andrew Kornhaber
Executive in Charge for PBS: Maribel Lopez
Director of Programming for PBS: Gabrielle Ewing
Assistant Director of Programming for PBS: John Campbell
Spacetime is a production of Kornhaber Brown for PBS Digital Studios.
This program is produced by Kornhaber Brown, which is solely responsible for its content.
© 2024 PBS. All rights reserved.
End Credits Music by J.R.S. Schattenberg: https://www.youtube.com/user/MultiDroideka
Space Time Was Made Possible In Part By:
Big Bang Sponsors
First Principles Foundation
John Sronce
Bryce Fort
Peter Barrett
David Neumann
Alexander Tamas
Morgan Hough
Juan Benet
Vinnie Falco
Quasar Sponsors
Mark Rosenthal
Grace Biaelcki
Glenn Sugden
Ethan Cohen
Stephen Wilcox
J Tyacke
Mark Heising
Hypernova Sponsors
Daniel Muzquiz
Michael Tidwell
Frank Plessers
Chris Webb
David Giltinan
Ivari Tölp
Kenneth See
Gregory Forfa
Alex Kern
Bradley Voorhees
Scott Gorlick
Paul Stehr-Green
Ben Delo
Scott Gray
Антон Кочков
Robert Ilardi
John R. Slavik
Donal Botkin
Edmund Fokschaner
chuck zegar
Gamma Ray Burst Sponsors
Jordan Young
Arko Provo Mukherjee
Mike Purvis
Christopher Wade
Anthony Crossland
Grace Seraph
Parliament
Stephen Saslow
Robert DeChellis
Tomaz Lovsin
Anthony Leon
Leonardo Schulthais Senna
Lori Ferris
Dennis Van Hoof
Koen Wilde
Nicolas Katsantonis
Joe Pavlovic
Justin Lloyd
Chuck Lukaszewski
Cole B Combs
Andrea Galvagni
Jerry Thomas
Nikhil Sharma
John Anderson
Bradley Ulis
Craig Falls
Kane Holbrook
Ross Story
teng guo
Harsh Khandhadia
Matt Quinn
Michael Lev
Rad Antonov
Terje Vold
James Trimmier
Jeremy Soller
Paul Wood
Joe Moreira
Kent Durham
jim bartosh
Ramon Nogueira
The Mad Mechanic
John H. Austin, Jr.
Diana S Poljar
Faraz Khan
Almog Cohen
Daniel Jennings
Russ Creech
Jeremy Reed
David Johnston
Michael Barton
Isaac Suttell
Oliver Flanagan
Bleys Goodson
Mark Delagasse
Mark Daniel Cohen
Shane Calimlim
Tybie Fitzhugh
Eric Kiebler
Craig Stonaha
Frederic Simon
Tonyface
John Robinson
Jim Hudson
Alex Gan
John Funai
Adrien Molyneux
Bradley Jenkins
Amy Hickman
Vlad Shipulin
Thomas Dougherty
King Zeckendorff
Dan Warren
Joseph Salomone
Patrick Sutton
Julien Dubois
via YouTube https://www.youtube.com/watch?v=yWlpNm1C5gw
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Can Black Holes Unify General Relativity & Quantum Mechanics?
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Black holes are inevitable predictions of general relativity—our best theory of space, time and gravity. But they clash in multiple ways with quantum mechanics, our equally successful description of the subatomic world. One such clash is the black hole information paradox—and a proposed solution—black hole complementarity—may forced us to radically rethink what it even means to say that something to exists.
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Hosted by Matt O'Dowd
Written by Matt O'Dowd
Post Production by Leonardo Scholzer, Yago Ballarini & Stephanie Faria
Directed by Andrew Kornhaber
Associate Producer: Bahar Gholipour
Executive Producers: Eric Brown & Andrew Kornhaber
Executive in Charge for PBS: Maribel Lopez
Director of Programming for PBS: Gabrielle Ewing
Assistant Director of Programming for PBS: John Campbell
Spacetime is a production of Kornhaber Brown for PBS Digital Studios.
This program is produced by Kornhaber Brown, which is solely responsible for its content.
© 2024 PBS. All rights reserved.
End Credits Music by J.R.S. Schattenberg: https://www.youtube.com/user/MultiDroideka
Space Time Was Made Possible In Part By:
Big Bang Sponsors
First Principles Foundation
John Sronce
Bryce Fort
Peter Barrett
David Neumann
Alexander Tamas
Morgan Hough
Juan Benet
Vinnie Falco
Mark Rosenthal
Quasar Sponsors
Grace Biaelcki
Glenn Sugden
Ethan Cohen
Stephen Wilcox
J Tyacke
Mark Heising
Hypernova Sponsors
Daniel Muzquiz
Michael Tidwell
Frank Plessers
Chris Webb
David Giltinan
Ivari Tölp
Kenneth See
Gregory Forfa
Alex Kern
Bradley Voorhees
Scott Gorlick
Paul Stehr-Green
Ben Delo
Scott Gray
Антон Кочков
Robert Ilardi
John R. Slavik
Donal Botkin
Edmund Fokschaner
chuck zegar
Gamma Ray Burst Sponsors
Jordan Young
Arko Provo Mukherjee
Mike Purvis
Christopher Wade
Anthony Crossland
Grace Seraph
Parliament
Stephen Saslow
Robert DeChellis
Tomaz Lovsin
Anthony Leon
Leonardo Schulthais Senna
Lori Ferris
Dennis Van Hoof
Koen Wilde
Nicolas Katsantonis
Joe Pavlovic
Justin Lloyd
Chuck Lukaszewski
Cole B Combs
Andrea Galvagni
Jerry Thomas
Nikhil Sharma
John Anderson
Bradley Ulis
Craig Falls
Kane Holbrook
Ross Story
teng guo
Harsh Khandhadia
Matt Quinn
Michael Lev
Rad Antonov
Terje Vold
James Trimmier
Jeremy Soller
Paul Wood
Joe Moreira
Kent Durham
jim bartosh
Ramon Nogueira
The Mad Mechanic
John H. Austin, Jr.
Diana S Poljar
Faraz Khan
Almog Cohen
Daniel Jennings
Russ Creech
Jeremy Reed
David Johnston
Michael Barton
Isaac Suttell
Oliver Flanagan
Bleys Goodson
Mark Delagasse
Mark Daniel Cohen
Shane Calimlim
Tybie Fitzhugh
Eric Kiebler
Craig Stonaha
Frederic Simon
Tonyface
John Robinson
Jim Hudson
Alex Gan
John Funai
Adrien Molyneux
Bradley Jenkins
Amy Hickman
Vlad Shipulin
Thomas Dougherty
King Zeckendorff
Dan Warren
Joseph Salomone
Patrick Sutton
Julien Dubois
via YouTube https://www.youtube.com/watch?v=NSqT594RVWQ
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What Happens To Quantum Information Inside A Black Hole?
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Meet Alice and Bob, famous explorers of the abstract landscape of theoretical physics. Heroes of the gerdankenexperiment—the thought experiment—whose life mission is to find contradictions in the deepest layers of our theories. Today our intrepid pair are jumping into a black hole. Again. Why? Well, to determine the fundamental structure of spacetime and its connection to quantum entanglement of course.
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Hosted by Matt O'Dowd
Written by Matt O'Dowd
Post Production by Leonardo Scholzer, Yago Ballarini & Stephanie Faria
Directed by Andrew Kornhaber
Associate Producer: Bahar Gholipour
Executive Producers: Eric Brown & Andrew Kornhaber
Executive in Charge for PBS: Maribel Lopez
Director of Programming for PBS: Gabrielle Ewing
Assistant Director of Programming for PBS: John Campbell
Spacetime is a production of Kornhaber Brown for PBS Digital Studios.
This program is produced by Kornhaber Brown, which is solely responsible for its content.
© 2024 PBS. All rights reserved.
End Credits Music by J.R.S. Schattenberg: https://www.youtube.com/user/MultiDroideka
Space Time Was Made Possible In Part By:
Big Bang Sponsors
First Principles Foundation
John Sronce
Bryce Fort
Peter Barrett
David Neumann
Alexander Tamas
Morgan Hough
Juan Benet
Vinnie Falco
Mark Rosenthal
Quasar Sponsors
Grace Biaelcki
Glenn Sugden
Ethan Cohen
Stephen Wilcox
Mark Heising
Hypernova Sponsors
Daniel Muzquiz
Michael Tidwell
Frank Plessers
Chris Webb
David Giltinan
Ivari Tölp
Kenneth See
Gregory Forfa
Alex Kern
Bradley Voorhees
Scott Gorlick
Paul Stehr-Green
Ben Delo
Scott Gray
Антон Кочков
Robert Ilardi
John R. Slavik
Donal Botkin
Edmund Fokschaner
Chuck Zegar
Jordan Young
Gamma Ray Burst Sponsors
Arko Provo Mukherjee
Mike Purvis
Christopher Wade
Anthony Crossland
treborg777
Grace Seraph
Parliament
Stephen Saslow
Robert DeChellis
Tomaz Lovsin
Anthony Leon
Leonardo Schulthais Senna
Lori Ferris
Dennis Van Hoof
Koen Wilde
Nicolas Katsantonis
Joe Pavlovic
Justin Lloyd
Chuck Lukaszewski
Cole B Combs
Andrea Galvagni
Jerry Thomas
Nikhil Sharma
John Anderson
Bradley Ulis
Craig Falls
Kane Holbrook
Ross Story
teng guo
Harsh Khandhadia
Matt Quinn
Michael Lev
Rad Antonov
Terje Vold
James Trimmier
Jeremy Soller
Paul Wood
Joe Moreira
Kent Durham
jim bartosh
Ramon Nogueira
John H. Austin, Jr.
Diana S
Faraz Khan
Almog Cohen
Daniel Jennings
Russ Creech
Jeremy Reed
David Johnston
Michael Barton
Isaac Suttell
Oliver Flanagan
Bleys Goodson
Mark Delagasse
Mark Daniel Cohen
Shane Calimlim
Tybie Fitzhugh
Eric Kiebler
Craig Stonaha
Frederic Simon
Tonyface
John Robinson
Jim Hudson
Alex Gan
John Funai
Adrien Molyneux
Bradley Jenkins
Amy Hickman
Vlad Shipulin
Thomas Dougherty
King Zeckendorff
Dan Warren
Joseph Salomone
Patrick Sutton
Julien Dubois
via YouTube https://www.youtube.com/watch?v=Rogm_lpVZYU
0 notes