#jesus i think that's all

[vaguely-concerned]

So much of Garak as a person starts to make sense once you know his childhood was a fucking gothic novel. His main playground was a graveyard and he'd play pretend by perfoming improv eulogies to an imagined audience. For a long time his main touchstone for most important figures from recent history is 'oh yeah I know about that guy my dad buried him. great flower arrangements for that one'. He finds out later his 'parents' are actually a brother and sister who had to get married to avoid the utter shame and social devastation of having a child born out of wedlock, and they live in the basement of his biological father's house. (the madwoman in the attic vs. the tiny elim in the basement.) His biological father calls himself his uncle and locks him in a closet whenever he fails to live up to his insane and unpredictable expectations and everyone just has to act like that's normal and expected, and his will hangs over everything at all times, unseen but always felt keener than anything else. The father who actually raised him grows the world's most beautiful (and as it turns out, most poisonous) orchids and keeps the mask of a god hidden in a box in his work shed. Everyone in the house is choking down secrets like it's the only air they know how to breathe anymore.

What I'm saying is that right from the get-go this guy never had the faintest shot at turning out normal, so I'm glad that by middle age he's found a way to get a bit silly with it as he continues to be deeply deeply not normal about anything ever <3

[brainrunbygoblin]

time is a flat FUCKING circle

[artfulacrostic]

[ironinkpen]

The interpretation of Rise Raph as a 'perfect responsible soft boy uwu' is so BORING I'm sorry, Raph is a rowdy adrenaline junkie with anxiety and I won't take this slander any longer

Raph secretly kept an enemy soldier in their actual literal house as a sparring partner. Raph glued his brothers together and dragged them out to fight crime. Raph once asked Leo to punch him in the face to prove he 'takes damage like a boss.' Raph tried to lift a school bus, twice. Raph offered to help his favorite wrestler beat his little brother up. When Leo suggests evacuating Bullhop, Raph says no bc the best defense is a good offense babey. Raph's idea of a 'friendly chat' with April's upstairs neighbor is to put on a black ski mask and go stand menacingly at their door. It takes Raph 10 episodes to conclude that they should MAYBE start training. Raph's plan to get a potentially priceless (and potentially FRAGILE) museum artifact is to punch a car in the middle of a busy street and also cut it in half with his brother still inside.

Raph's never met a problem he wouldn't try to punch in the face and does not know the meaning of the words 'excessive force.' He roughhouses with his bros and drags them out to fight villains and thinks any plan that doesn't involve an all-out brawl is boring and lame. He'll do anything to protect his family from harm and be a hero, but also he eats wet salami off the floor and once single-handedly destroyed a library.

I just adore how, at his core, Rise Raph is such a classic Raph—impulsive and stubborn and caring and passionate. He is a very sweet, strong, honorable guy who has a very powerful sense of personal responsibility... and he is also the exact kind of jock who throws you in the pool at a party without checking if you have your phone in your pocket first.

[jeffersonhairpie]

jesus christ superstar is about leftist infighting and hating your best friend and loving people wrong and the myopia of fame and inevitability and understanding that you were the cog that might not have turned and how love will not save the world because it is not enough and how people are fickle and how leaders are cowards and how the buck has to stop somewhere and how love doesn't stop just because it's useless or bad and saying 'i told you so' and how good will can never trump The Plan and how together we are so very strong and how God is not going to save us and how the story is incomplete because we have to finish it ourselves

[vivelarevolution13]

tbh I still think Brock Rumlow was an interesting character and upon further examination way more unsettling a villain than most to me because like. Let’s be real, the second you lay eyes on Robert Redford as Pierce monologuing in his pristine suit and glass office high up in the sky he just screams Evil Politician! at you. You can see it coming a mile away. Meanwhile Rumlow is….Just Some Guy. On the surface, he’s just some side dude. He’s not enhanced, he’s not in some major position of power, he’s just someone who’s really good at what he does and seems dedicated enough to the work and functions well with his team. He respects Steve, might admire him even, but not so much that he gets starry eyed like everybody else. He’s lighthearted but focused, he’s no nonsense, he’s the everyman Steve can relate to way more than spooks like Natasha or Fury.

And okay, maybe what Rumlow does for a living is beat intimidate and kill people, but it’s not like that’s the primary objective, right, because SHIELD are the good guys and this is what Steve does now, too, anyway; except that Steve doesn’t really use any weapons other than the shield, he holds back, he doesn’t carry a gun anymore which is usually fine since he’s dangerous enough without it. But when that leaves him vulnerable, he’s covered: Rumlow’s got his six, and he does it well, and he earns some of his trust. This is familiar to Steve.

And maybe Rumlow’s a little too good, fine, maybe he shoots a guy in the head within the first fifteen minutes of the movie when he doesn’t necessarily have to and then cracks jokes immediately after but that’s alright too, because that guy had Steve at gunpoint and that guy was Bad whereas Rumlow is One of the Good Guys just doing his job, right. Rumlow’s joking around because he’s used to the violence, they’re all used to it, and this is just how it works. They’re just soldiers doing the grunt work and following orders, and this is familiar, too.

Except that they’re not soldiers and this isn’t a war, except that the work is for an intelligence agency whose job it is to hoard and steal information and monitor civilians and orchestrate and sabotage and meddle in internal and external state affairs. Except that the Good Guys, in reality, are extremely grey at best. Except that many of the Good Guys turn out to be Nazis on top of everything else, and it’s not that far of a stretch.

But when it’s all starting to unravel, you’re still thinking well maybe some of these guys didn’t know. Maybe they didn’t do it out of individual belief, and if faced with the right choice, they can be redeemed.

That is until you realize that Rumlow maybe didn’t respect Steve and what he did so much as what Steve could do if only Steve weren’t “weak” in other ways, if Steve had chosen the right side. That it not being personal is less a cop out and more a taunt the same way just following orders has always been, for Rumlow and many many men that came before him and will continue to come after. Until the vault when, by the most charitable of interpretations, Rumlow looks at the Winter Soldier letting himself be smacked around and crying and getting shocked like he’s maybe a little unnerved (if not just downright fascinated) by the whole thing, but not enough that it really changes anything for him, because the end justifies the means and it’s not really his problem, anyway.

Until Sam shows up and Rumlow looks at him like a bird of prey and says This is gonna hurt with a fucking smile on his face, and then you think: shit, man, obviously. How was it not clear from the start.

To me, what makes someone like Rumlow a good villain, even a side one, is not that he’s straight up Insane & Evil™️ or suffering from Tragic Backstory Syndrome or all hopped up on magic superstrength juice or whatever, but precisely the fact that he’s Just Some Guy with a cockroach survival mentality who operates well within the established system and just so happens to be really good at his job - a job that he might’ve even joined thinking it was for a good cause, or because he had something to prove, or simply because it gave him one hell of an excuse to be a bully. Because he either wholeheartedly believes in HYDRA or he just doesn’t give much of a shit either way so long as he gets his due in the end, and both are just as bad.

Because when you strip away all the grand scale superhero theatrics, you’ve seen this before. You’ve seen Rumlows in your school and in your neighborhood and in the military and the cop car patrolling your street. They’re the ones who sometimes say or do somewhat offputting shit but you figure it’s fine because they’re otherwise real nice or charismatic or normal looking, or maybe they work a job that’s framed as helpful or protective or inherently good despite the power dynamics at play, or they share your background and interests and you chat about the weather being crap this time of year.

And every time one of them turns out to be a violent, hateful piece of shit, you’re still somehow surprised then, too, when you really shouldn’t be.

[fictionadventurer]

John's Passion narrative has a never-ending fascination for me, because it's where you get Jesus at his most divine--knowing everything that was going to happen, making the guards fall to their faces when he speaks the name of God--while the people around him are at their most human.

There's an entire political drama going on. Pilate the Roman pagan getting dragged into this provincial Jewish religious dispute. These Jewish leaders and Jesus providing different visions of truth to a politician who doesn't care what the truth is. There's extremely sharp political back-and-forth between the Roman and the Jewish authorities--the Pharisees trying to force Pilate's hand by saying that everyone who makes himself a king opposes Caesar, then Pilate backing them into proclaiming Caesar as their king and twisting the knife of pettiness by labeling Jesus as the Jewish king in four different languages while He hangs on the cross.

Petty, personal, political human drama taking up all their attention.

And meanwhile, God is dying.

[ruporas]

post ep 11

[andy-clutterbuck]

The Ones Who Live | 1x03 - Bye

[ghostespresso]

staff logging on to tumblr dot com today

[yea-baiyi]

i keep thinking about the odyssey i am THINKING about wei wuxian as odysseus. you were dead. its been years since you’ve seen your family. the child you left behind is almost a man. you wear a face they don’t recognise, you sneak in through the back door. the dog gives your identity away. the world knows it’s you when you draw your weapon. the person you love recognises you by the original symbol of your love—a secret that no one else in the world knows about, still, because they kept it safe for all these years. you get the chance to go back and despite everything, you found home waiting for you; he kept your place and raised your son and he was still there waiting for you when you got back. tell me o muse, about a complicated man i am extremely not okay

[theloveinc]

I always think it's a little surprising, irritating, endearing, something when big, tough men find solace in being gentle with their daughters.

There's reason to do tough things with them, too, to make sure they grow up strong and independent, but I think of a man like Simon "Ghost" Riley, who spent a huge percentage of his life being beaten down consistently by almost all the men who were around him.

And sure, he trusts the men in his task force with his life now, no question about it, but... I think the sudden calm he experiences when he starts to raise a daughter is beyond strange for him, but also weirdly... healing, too. Enjoyable.

That's not to say he doesn't, and hasn't, enjoyed the boyish things in life, the watching sports, the playing in the dirt, the pretending to hold guns part of growing up... but he finds himself sitting through your daughter's ballet class, overwhelmed by the calm that surrounds him, actually able to focus on the intensity of her pliers, her releves, the way her pink skirt ripples when she leaps into a sauter.

It's a new realization, a new kind of war (between him and learning how to be a parent), but it's one that doesn't revolve around the consistent anxiety that warps his stomach when he watches boys, little or not, teeter the line between roughhousing and fighting, picking on one another for shedding accidental tears that, really, cause no harm.

With your daughter, he's set in charge of watching her play with her friends and finds there is no lump in his stomach when she giggles with them, no dark possibility drifting in the back of his mind that she'll reach out and get her arm broken by someone she trusts--the fights she fights with her peers all between the characters they play and not between their fists, their games of laughter and drama and screaming but not of raging violence.

There's people who ask him, people who joke, wouldn't a man like him prefer a son? He must've been so disappointed... Yet, Simon still has yet to think of the best way to tell them that he honestly enjoys having a daughter a little bit more, that she runs to him and not for a second is he afraid she's hiding a snake up her sleeve, because she's only ever greeted him with flowers.

[apollo18]

Concept: the justice league finds out that Blaze and Satanus, the rulers of hell, are kids of their ‘even more of a boy scout than Superman’ coworker’s “boss” and think Shazam is the Christian God. They ask Billy really vague questions that lead Billy into confusing them even more and they become convinced that Marvel’s Wizard guy is God with a capital G and Marvel’s either an angel or the second coming of Jesus.

Meanwhile Shazam doesn’t even know what the Bible is and his knowledge about religion is so outdated he still thinks Solomon’s Judaism is new age and not worth his time to research such a ‘fad’ religion, but he knows humans will make a religion out of anything as well as bastardize existing ones and very well could have mixed up actual tales that involve him, his allies, and his children into some sort of melting pot of a religion.

So when someone finally asks Marvel outright if his “boss” is God, Billy goes ‘wait… old guy in white robes and sandals, with long white hair and a beard… lives in space… aka the “heavens”, whose a ghost(Holy Spirit), and knows everything(historama)??? I need to dig deeper into this hold on guys’ and goes off to ask the wizard.

So when Billy asks the Wizard he just tells Billy “well, my boy, if so many things match up, maybe it is so and the tales of myself and my champions grew so estranged from their origins or mixed in with other beliefs that it can explain the things that aren’t true to our reality.”

Then The Canonical Character To The DC Universe, Jesus of Nazareth, shows up.

[virgo-dream]

Ferdie Kingsley as Jesus in Good Omens Season 3 summoning circle 🕯️🙏

like to charge, reblog to cast

[codacheetah]

My horrible little star they have every disease

Beanie baby Loop... oh poor thang... based on the much more dignified creature by @insertdisc5

[pherre]

my take on the steeplechase trio (and montrose’s mask variants)