#joci papai

[guysofeurovision]

[lunlumo]

round 1, group 4, battle 16/1

[anotherescsite]

Decade of Success and Failure - Semi final edition: Hungary

Hungary has not competed since 2019 yet their average score is very high. Best score and placing was in 2017 with Joci Papai and he is also responsible for their one non qualifier. The 2014 song had the lowest score though. Please come back.

[residentraccoon]

Updated list of my ESC winners

1956: Franca Raimondi - Aprite le finestre (Italy)

1957: Margot Hielscher - Telefon, Telefon (Germany)

1958: Domenico Modugno - Nel blu dipinto di blu (Italy)

1959: Teddy Scholten - Een beetje (Netherlands)

1960: Nora Brockstedt - Voi voi (Norway)

1961: Jean Claude Pascal - Nous les amoureux (Luxembourg)

1962: Marion Rung - Tipi Tii (Finland)

1963: Grethe & Jorgen Ingmann - Dansevise (Denmark)

1964: Gigliola Cinquetti - Non ho l'eta (Italy)

1965: France Gall - Poupee de cire, poupee de son (Luxembourg)

1966: Udo Jurgens - Merci, cherie (Austria)

1967: Sandie Shaw - Puppet on a string (United Kingdom)

1968: Cliff Richard - Congratulations (United Kingdom)

1969: Salome - Vivo cantando (Spain)

1970: Mary Hopkin - Knock knock who's there (United Kingdom)

1971: Severine - Un banc, un arbre, une rue (Monaco)

1972: Vicky Leandros - Apres Toi (Luxembourg)

1973: Anne Marie David - Tu te reconnaitras (Luxembourg)

1974: ABBA - Waterloo (Sweden)

1975: Teach-in - Ding a dong (Netherlands)

1976: Brotherhood of man - Save your kisses for me (United Kingdom)

1977: Monica Aspelund - Lapponia (Finland)

1978: Izhar Cohen - A-Ba-Ni-Bi (Israel)

1979: Milk & Honey - Hallelujah (Israel)

1980: Katja Ebstein - Theater (Germany)

1981: Lena Valaitis - Johnny Blue (Germany)

1982: Anna Vissi - Mono i agapi (Cyprus)

1983: Danijel - Dzuli (Yugoslavia)

1984: Alice & Battiato - I treni di tozeur (Italy)

1985: Bobbysocks - La det swinge (Norway)

1986: Sandra Kim - J'aime la vie (Belgium)

1987: Lilliane Saint Pierre - Soldiers of love (Belgium)

1988: Celine Dion - Ne partez pas sans moi (Switzerland)

1989: Birthe Kjaer - Vi maler byen rod (Denmark)

1990: Toto Cutugno - Insieme 1992 (Italy)

1991: Carola - Fangad av en stormvind (Sweden)

1992: Evridiki - Teriazoume (Cyprus)

1993: Ruth Jacott - Vrede (Netherlands)

1994: CatCat - Bye bye baby (Finland)

1995: Secret Garden - Nocturne (Norway)

1996: Eimear Quinn - The voice (Ireland)

1997: Jalisse - Fiumi di Parole (Italy)

1998: Edsilia Rombley - Hemel en aarde (Netherlands)

1999: Selma - All out of luck (Iceland)

2000: Brainstorm - My star (Latvia)

2001: Nusa Derenda - Energy (Slovenia)

2002: Malene - Tell me who you are (Denmark)

2003: Urban Trad - Sanomi (Belgium)

2004: Ruslana - Wild dances (Ukraine)

2005: Zdob si Zdub - Bunica bate doba (Moldova)

2006: Hari Mata Hari - Lejla (Bosnia & Herzegovina)

2007: Elitsa Todorova & Stoyan Yankulov - Water (Bulgaria)

2008: Mor ve otesi - Deli (Turkey)

2009: Alexander Rybak - Fairytale (Norway)

2010: Paula Seling & Ovi - Playing with fire (Romania)

2011: Eldrine - One more day (Georgia)

2012: Kaliopi - Crno i belo (North Macedonia)

2013: Zlata Ognevich - Gravity (Ukraine)

2014: Sebalter - Hunter of stars (Switzerland)

2015: Mans Zelmerlow - Heroes (Sweden)

2016: Iveta Mukuchyan - Lovewave (Armenia)

2017: Joci Papai - Origo (Hungary)

2018: Yianna Terzi - Oniro Mou (Greece)

2019: Keiino - Spirit in the sky (Norway)

2020: The Roop - On fire (Lithuania)

2021: Maneskin - Zitti e buoni (Italy)

2022: Zdob si Zdub & Fratii Advahov - Trenuletul (Moldova)

[gregpostok]

hircsárda?

https://akvariumklub.hu/programok/papai-joci-barokk/

[betweenthetimeandsound]

My ESC Top 250 (#160-151), featuring Tommy Seebach's first entry, Poli Genova's second entry, and a horse head.

Also, since we made it through another 50 entries, here are the stats before the top 150.

By Country:

Sweden: 7 (+4 since the last count)

Italy, Greece, and Israel: 6 each (though Italy has the most gained since the last--+3, versus +2 and +1 for Israel and Greece, respectively)

United Kingdom: 5 (+2)

Belgium, France and Spain: 4 (Belgium gained 3 more songs, whereas France and Spain just 1)

Croatia, Germany, Hungary, Ireland, North Macedonia, Portugal, and Slovenia: 3 (all of North Macedonia's entries are here, but Croatia, Ireland, Portugal, and Slovenia each gained one song, and Hungary two)

Azerbaijan, Bulgaria, Cyprus, Denmark, Finland, Iceland, Latvia, Luxembourg, Russia, Switzerland, Turkey, Ukraine, Yugoslavia: 2 (all of Azerbaijan, Bulgaria, and Latvia's entries are here; Cyprus, Finland, Switzerland, Ukraine, and Yugoslavia gained one song)

Albania, Armenia, Austria, Bosnia and Herzegovina, Czech Republic, Estonia, Monaco, Poland, Serbia, Slovakia, the Netherlands: 1

By decade:

1950s: 2 (all done here, unfortunately)

1960s: 6 (+1 since last count)

1970s: 12 (+7 since last count)

1980s: 20 (+3 since last count)

1990s: 13 (+8 since last count)

2000s: 22 (+11 since last count)

2010s: 25 (+14 since last count)

[booblompo]

[arabela25]

Az én apám, Joci Pápai | Hungary, Eurovision Song Contest 2019

[trinklied]

ESC 2019: Semi-Final 1 - Non Qualifiers

Portugal | Hungary | Belgium | Finland | Montenegro | Poland | Georgia [semi final 2 here]

[escbabble]

Tonight there are many national finals, here are two new artists selected to participate to Eurovision: Joci Pápai for Hungary and MARUV for Ukraine

[duskodair]

fun game for eurovision fans

its called not being salty and hateful af to national final winners just because ur personal fav didnt win

its really fun u guys should all try it

[guysofeurovision]

[jezebeel]

The moment in which Joci was announced as Hungary’s representative for Eurovision 2019 (x)

[lexa-el-amin]

BEST NEWS THIS EUROVISION SEASON SO FAR!!

[lordmeowdemort]

Hungary's song is making me emotional

[borisbubbles]

Eurovision 2010s: 20 - 16

20. maNga - “We could be the same” Turkey 2010

You could see it in my eyes, it should come as no surprise that the highest rock entry on this ranking is OF COURSE the avant garde rock entry. 😍

It certainly isn’t a stretch to call “We could be the same” avant garde because it’s an experimental extravaganza if ever there was, a rag-rag fusion of indie rock, industrial, hiphop and folk. 😍 More importantly one that WORKS. It’s really hard to put all of these genres together and not disturb the flow between each segment, yet that is exactly what maNga do. Their song runs like an oiled machine, supported by an excellent score of orchestral rock (the fiddle is an especially nice touch.) The snappy libretto keeps the ensemble well together, creating an atmosphere of pure coolness. 

This brave and creative entry is further supported by an act that has a well-defined aesthetic and artistic vision. (another sign of good avant garde. Pay attention because we are going to boot a LOT of them near the top of this ranking). MaNga don’t need much in terms of staging (since their song is already excellent), so a clever combo of strobe light seizure + dramatic helmet removal (FEATURING ACTUALLY CUTTING METAL AWAY WITH A BUZZSAW) is all it needs. 

FOR JUST ONE NIGHT WE COULD BE THE SAME

NO MATTER WHAT THEY SAY. 

Eurovision is all about taking the hand that you’re dealt and running with it. maNga did exactly that. They weren’t vocally perfect but again, rock is a genre where it’s okay to sound unimpressive because the score will always out class you. They don’t have the best song, but again, it was something special, brave and inspired. Every small aspect of “We could be the same” comes together into a whole that is much bigger than the sum of its parts and for that, I shall always cherish them. 

________________________________________________________________

19. Joci Pápai - “Origo” Hungary 2017

[2017 review here]

I was worried that Joci’s NQ in the latest contest would tarnish his legacy, but if anything “Az én apám”’s failure at being entertaining only made me appreciate “Origo” even more.😍 Let us not beat around the bush. “Origo” is art. Like all art, it’s largely hit-or-miss. You either love this wonderful fusion of rap, self-references to Samuraihood and gypsy folk traditions, or you’re a unevolved troglodyte with subpar taste.😈 Lol I remember the music journalists and juries HATING “Origo” and... honestly, I get it. Yes. I can understand that deeply personal anectodes and proudly displaying your cultural heritage can fly over the heads of those narrow of mind. It’s fine. Not every song has complex meaning. You can vote for the “Replays” of this world at your heart’s content. ^__^

Music is at its core a form of expression, of conducting emotion with sound, of telling a story. We use words as a crutch for our empathy, but truly good music doesn’t need to rely lyrics in order to spread its message around. The true message always lies in the score. “Origo” shatters those language barriers by slowly,

 but steadily

unfolding a melancholic and touching narrative

that strikes everyone silent.

________________________________________________________________

18. Krista Siegfrids - “Marry me” Finland 2013

A WILD DINGDONG HAS APPEARED

Only logical we continue from artistic complexity to figurative cotton candy. 😍 but the same musical principles apply here as well, actually. “Marry me” has an upbeat tempo flanked by wedding bells that already carries its happy-go-lucky marriage vibe across even before the first words are spoken. 🤗 It is there to indulge and delight, which it does with all the zest and pluck you’d expect from Krista Siegfrids. 

Anyway, I’m sure this will shock you but I FLOOOOOOOOVE Krista Siegfrids soooooooo fucking muuuuuch as a human and I am NOT backing down on my fanboyism. She’s one of the few Eurovision Alumni that ALWAYS makes me happy whenever she appears, either as a force of HIGH FASHION/UMK hostess or as a resident melfest flop queen.😍  HON SNURRA MIN JORD!!!

DINGEDONG EVERY HOUR, WHEN YOU PICK A FLOWER~

As it happens, “Marry me” is the perfect canvas for her over-the-top, realhousewifesque personality. "Marry me” just delivers non-stop: it has a light-hearted, infectuously catchy beat, doubles down on lyrical and visual comedy, carries a happy vibed with a deliciously psychotic undercurrent, supplemented a superb act featuring a groom-into-bridesmaids twist and some hilariously opportunistic lgbtq pandering 😍 OH OH OH OH OH

DING DONG!!!1!1!1!11!1!!

ps: this being the entry that caused TRT to withdraw indefinitely because they can’t get on board with some hot girl-on-girl action. STAY PRESSED LOSERTWATS!!!

________________________________________________________________

17. Laura Tesoro - “What’s the pressure?” Belgium 2016

“YOU’VE GOT A STUPID SMILE 😄” -- Alexander Rybak, when praising Laura Tesoro during the NF. (😍)

Lol this is where my degrees of separation come in, because I’ve met several people that personally know Laura Tesoro and... with one exception they ALL fucking loathe her. 😍 (and aforementioned exception is her cousin 😍)  The general concencus re: Laura is that she’s an insufferable conceited bitch. Now, this could have easily ended up terrible if LauraLaura was That Unfounded Girl but... um,

can we say she has grounds to be a bit high on herself? She was fucking awesome in Stockholm. If anything Laura’s diva id helped “What’s the pressure”. First of all, there is the admirable confidence with which she takes the stage and completely NAILS every twist and turn with minimal effort. This is pure performance TALENT and if you can’t see that you’re Helen Keller. 

And second there’s the message behind “What’s the pressure”, which is uplifting and cheerful in the hands of a normal person, but when brought by a narcissist like Laura becomes a hysterical exhibit of concern-trollery: “HEY PERSON SUFFERING FROM ANXIETY ~I~ *NEVER* SUFFER FROM ANXIETY. LET ME TELL YOU WHY YOU SUFFER FROM ANXIETY AND I DON’T” (god what an obnoxious human 😍 LOVE HER. 😍) 

All in all, I think Laura has the justification she needs to have an ego, something her aforementioned haters (begrudgingly) admitted after seeing her own the live twice.🤭  She is a living conduit of confidence juju, a performance wonder, a Diva trapped in the body of an antropomorphic labrador. Dynamite comes in small packages and Laura Tesoro is more lit than Chinese Newyear fireworks.  🎇________________________________________________________________

16. Hovi Star - “Made of stars” Israel 2016

I’ll be honest, Hovi Star is one of my favourite human beings to ever participate in Eurovision.🤗  He has proven himself an UNSTOPPABLE force of sass, delivering interview gold on a terrifyingly consistent basis. There are enough examples, but the ones I’m going with are his impeccable Ira Losco Snatch Game  and his hilariously petty, one-sided feud with Douwe Bob (Dutch reporter: “what do you think about Douwe.” Hovi: “Oh I don’t think about him.😊 At all.🙂  Ever. 🙃 *hairflip*” god what a King of stonecold putdowns 😍)

Having said that, even though I loved Hovi as a ~human~ going in, I was still caught off-guard by how much I loved “Made of stars”. See, you know what I think about stripped down power-ballads: I don’t think about them. At all. Ever. *hairflip*. 

However, this fucking song

pulls all of my heartstrings

with mesmerizing efficacity.

“Made of stars” showcases the best of Israel: they excel at classical drama: well-choreographed and sentimental, “Made of stars” is a genuinely touching ballad which Hovi magically imbibes with the spirit of Conchita. He whips up emotional tension so thick only his wit can penetrate it.

As an entry “Made of stars” is very emotionally intelligent and so, so brave. It has clearly defined yet subtle undertones of homosexuality that make me feel represented and loved. It is staged in good taste, elegant, introverted and clever, yet accessible, direct and poignant. The middle-eight’s crescendo-into-starfall creates a bone-chilling moment of beauty, of pride, of empowerment. 

For such a simple entry, it delivers a lot of great things, proving once more: it’s not what you perform, but how you perform it.

And this update spelled the end for Turkey, Hungary, Finland and Israel.

TURKEY

Not much to say, honestly. Turkey have three entries in this decade and two of them were good. They are a hit-or-miss nation for me overall, mostly because i LOVE them in the 80s and 90s and somewhat dislike them in the 00s. What mostly bothers me is TRT’s attitude towards the rainbow community AND their self-entitlement towards the jury vote/big five. Both are highly toxic and I’d rather they keep on sitting out until they’re willing to become a healthy part of the Eurovision community again. 

HUNGARY

Hungary are a good Eurovision country and their statistics reflect that. Boggie of COURSE ruined it by being the worst, but she’s an exception, not the rule. They are a really good country for indie gems and hopefully they’ll get their shit together. Could make a nice outsider winner pick in the upcoming decade, who knows?

FINLAND

Finland is such an underrated eurovision nation. I mean, look at that chart, and then ponder on the fact, with 7 good entries out of 10,  they NQ’d six times and that NONE of their four qualifiers reached the top 10. Finland are bullied beyond belief and it fucking needs to end. 

ISRAEL

This looks more underwhelming on paper than it is in reality. Israel’s probelm is never the song. Their songs are nearly always good. The problem is the live performance, where they get their accents wrong (ie: Mei dying from wideshotitis, Kobi being reduced to a sobstory, Dana being a giant penis joke, Harel fucking up vocally and Netta being reduced to a parody of herself). They just need to lighten up more, which they did post-Nadav resulting in a few great entries, and Toy. Overall, Israel are one of my favourite Eurovision countries, and for good reason: when they are good, they are fucking excellent.