#joe keery a comedic genius!

[changebydjo]

SPREE (2020) dir. Eugene Kotlyarenko

[steveharrington]

can you elaborate more on steve being abandoned by the narrative?

yes <3 so i think there are two very unfortunate circumstances surrounding steve's character that have led to the current state of his plotline: 1. after not killing him in s1 like they originally planned, the duffers have never really had a plan for steve and 2. they are extremely influenced by audiences. when they were conceptualizing steve to fit in among the ensemble cast, the duffers were picturing him as a douchey boyfriend who unceremoniously dies. lonnie was originally going to come back to the byers house to save jonathan and nancy. there was no need to picture where he'd be 4 seasons down the road, so they just didn't account for that. then joe keery charmed them so hard that they literally couldn't bear to kill him, so steve ends season one still somehow alive.

but we've already established the nancy/jonathan plotline, because jonathan was once the duffers' self-insert who must defeat the evil jock and win over the girl. they couldn't just backpedal on that right away, so they needed to give nancy and jonathan a plotline alone, away from steve. but steve only ever functioned as an extension of nancy until this point, so what do we do with steve now? in an accidental stroke of genius that the duffers have admitted was a last second decision, they pair him with the children and make him into a babysitter. it almost instantly boosts steve into being tied with hopper and el for most popular character from the show, potentially even beats them both out. in 2017 when s2 aired, you could not escape mom steve jokes. it was everywhere, steve was everywhere, joe was everywhere, it was arguably the second coming of #justice for barb, which, in netflix business-y terms, was the exact viral meme type situation that the show wanted and needed to sell merch and remain relevant and say "see we still got it!!!"

you know who has the 2nd most lines in the entirety of season three? directly behind hopper? ahead of winona ryder? steve. think for a second about how absolutely insane that is. the character who was written specifically to die in season one. joe keery's name wasn't even in the season one credits, because he wasn't considered a series regular. and now he has the 2nd most spoken lines in the big blockbuster season because he rocketed up in popularity so intensely. season three marketing features the mall so heavily, creates a literal physical shrine to 80s nostalgia, and when the very first promo is released an entire year before the season airs, who's the star of that teaser trailer? and who, pray tell, is featured in the main brand sponsorship ad that plays in movie theaters worldwide? thats right its america's little darling steve harrington.

but here is the issue. the duffers look at what made steve popular and they see: funny exasperated babysitter, heartthrob action hero. they're like oh okay so we should keep putting him directly in the center of the action, bang him up every season to give him his classic bloodied aesthetic, but. he still needs to be funny. we can almost kill him, but we can't actually kill him because he's profitable. we can let him get horrifically injured because it's badass, but we still gotta let him crack jokes. it creates this very weird tone to steve's role in the story starting in season 3 because he's both the action hero and the comedic relief and protected by plot armor, so we get scenes where he's being literally tortured until he's begging for his life and gasping for breath but the tone is still.......fun? comedic? light and goofy? i think the duffers also forgot he's supposed to be a teenager.

now this is partially me making educated guesses but i feel pretty confident about this: once again, like gollum, joe keery uses his big shiny eyes and manages to evade death again in season four by being so likable and charming and marketable that netflix execs or shawn levy or maybe even the duffers themselves were like oh fuck we just can't do it. they were obviously tossing around the idea of taking mom steve all the way by letting him die sacrificially for dustin, so in season four they make eddie, transfer steve's relationship with dustin directly onto him, ctrl f steve's name in the death scene and just type in eddie instead, and once again steve is alive but he's directionless.

so what does he have now, in season four? i think the duffers have a whiteboard somewhere with steve's name and around it are little circles that say "funny" "cool" "DO NOT KILL" and steve is now stuck in this endless cycle of getting beaten up, popping back up somehow unharmed like a looney tune, saying something cute and oblivious, rinse and repeat. because that's what worked, that's what made him popular all the way back in season two. that's what the duffers are obviously keeping in mind when they're writing steve: popularity. not realism, not depth, not growth, just literally how to continue making him popular. meanwhile, other characters get to be part of the actual story. other characters get to serve a purpose other than selling merch. when el is bitten by a monster, she gets to actually feel pain and need help because that's realistically what any human would need. when hopper is tortured, he gets to suffer and ponder his existence and reflect on the relationships in his life. steve never gets any of that, because the writers just don't see steve as the 19 year old boy on his 4th straight year of traumatic events that he actually is.

they literally just see him as a money maker, there for cool viral moments and witty lines and maybe the occasional emotion experienced but only if it's about his romantic prospects. and the narrative that other characters get to have and be apart of just kinda runs parallel to steve. he's there, technically, but he's not really in the story. and it's like actually crazy because you'd think after all the funko pops he sold, he'd have earned an actual storyline!!!

[jackie-talks-about-starkid]

Firebringer (Rewatch #10, 11/15/2020)

YouTube publish date: December 31, 2016

Number of views on date of rewatch: 4,317,045 

Original Performance Run: July 6 - August 7, 2016 at Stage 773 in Chicago, Illinois

     Ticket price: General-$35, VIP-$60

Director: Julia Albain and Nick Lang

Music and Lyrics: Meredith Stepien and Mark Swiderski

Book: Brian Holden, Matt Lang, and Nick Lang

Cast album price and availability: $9.99 on iTunes      Release date: November 22, 2016

Parody or original: original content

Funding: $154, 670 from 3, 722 backers on Kickstarter (x)

     Original Goal: $88,000

Main cast and characters

Jemilla - Meredith Stepien

Zazzalil - Lauren Lopez

Molag - Lauren Walker

Keeri - Denise Donovan

Emberly - Rachael Soglin

Grunt - Joey Richter

Tiblyn - Tiffany Williams

Ducker - Joe Walker

Schwoopsie - Jamie Lyn Beatty

Chorn - Jamie Burns

Smelly-Balls - Brian Holden

Clark Baxtresser - Clark Baxtresser

Musical numbers

     Act I

“Fire” Characters: Company

“We Are People Now” Characters: Company

“We Got Work To Do” Characters: Zazzalil, Jemilla, and Ensemble

“What If?” Characters: Zazzalil

“Welcome to the Stone Age” Characters: Ensemble

“Just a Taste” Characters: Emberly and Grunt

“The Night Belongs to Snarl” Characters: Smelly-Balls, Schwoopsie, Ducker, Tiblyn, and Ensemble

“Into the Night” Characters: Zazzalil and Ensemble

“The Night Belongs to Us” Characters: Zazzalil, Jemilla, and Ensemble

     Act II

“Jemilla’s Lament” Characters: Jemilla

“Paint Me” Characters: Grunt and Emberly

“Ouch My Butt” Characters: Ensemble

“Backfire” Characters: Zazzalil and Ensemble

“Together” Characters: Jemilla and Zazzalil

“Chorn” Characters: Chorn and Ensemble

“Finale (Make the Most of It)” Characters: Company

Notable Notes:

“I Don’t Really Wanna Do The Work Today” became a meme that was so popular the Broadway cast of The Book of Mormon and that year’s touring cast of Rodgers and Hammerstein’s Cinderella made their own videos performing the song

Cultural Context: 2016

Beyoncé releases her visual album, “Lemonade”

Leonardo DiCaprio finally wins an Oscar for his performance in The Revenant

Hamilton won the Pulitzer Prize for Best Drama and that year’s Grammy for Best Musical Theatre Album

Fantastic Beasts and Where to Find Them opens in theaters

Content Analysis:

Firebringer has one of StarKid’s most inventive storylines in their collective works and has the added bonus of being an inherently feminist, woman-led piece. The story of a woman who invented fire and another woman who led the ancestors of the human race into creating a just and equal society sounds more like a provocative, experimental play rather than a comedy musical yet StarKid once again seems to be the only group of people that can pull off such a unique concept, successfully critiquing our current society while also presenting the storyline and characters in a way that makes the audience relax with each bit of commentary rather than tense up and ignore the performance. It’s refreshing to be an audience member of Firebringer. The musical numbers and character performances are entertaining in a way that feels comforting and almost happy-go-lucky despite the fact that the production takes place at an imagined pivotal point in the history of the human race. The dialogue and small comedic moments between the characters make fun of how dumb humanity can be at times, resorting to crude body humor and questionable social skills, but pull an about-face in the next scene by displaying the strength and ingenuity of the human race and our desire to succeed and prosper in an environment that seems dead-set on ensuring our demise.

As well as just generally being an enjoyable work of musical comedy, the dynamic of the piece is feminist in a way that is not explicitly stated but simply accepted by the characters within the universe and, by extension, the audience itself. Jemilla is a woman who is a well-respected and undisputed leader of an entire tribe, whose female mentor and former leader is just as highly regarded, and Zazzalil is a provocative thinker who kickstarts the tribe into advancing as a society by introducing fire and hunting into their daily survival skills, yet no where in the story do any of these strong female leads gets questioned for being women in positions of power. It is an indisputable fact accepted by all characters regardless of gender that these women are the leaders of their society and the fact that this isn’t brought up in any negative or positive connotation within the confines of the story’s universe is such a genius way to address feminism in a theatrical work. If they were to make a point of putting the women in a negative situation where gender discourse is the main cause of the threat to the characters only for the woman to bounce back in order to prove that she is just as strong or worthy as any potential male leader, it would have reinforced the idea that women need to prove that they are just as good as men rather than the society around them accepting the fact that all genders are equal regardless of identity. On the other hand, if they were to pat themselves on the back and make it a point of being progressive in choosing women to lead their tribe, it would have turned the choice into one of pandering rather than genuine belief on the writers’ part and on the characters. By not mentioning the feminist core of the musical within the story itself, Firebringer naturally shows the audience through fictional storytelling the gender equality that our society can achieve for itself without making the situation too unrealistic to be considered unattainable (not than unrealistic situations cannot be written and performed successfully otherwise, it’s comforting to see).

As for the actual book content of the show, it is not StarKid’s strongest in terms of consistency. The humor, the heart, and the quality of performance are always aspects of StarKid shows that the audience can depend on being as good as ever with each new production, but there are moments in certain scenes, such as Keeri’s initial confrontation with Zazzalil and Jemilla and Zazzalil’s reunion, that the dialogue between characters switches in and out of a natural flow of conversation, making it easy to lose interest in a dialogue heavy scene until another joke happens. Similarly, there are moments where lyrics in songs, such as “Into the Night” and “Paint Me,” are not musically or verbally compatible with the verses in which they are sung. The majority of lyrics are clever and match the tone and character of the performance perfectly, but there is an occasional clunky line or oddly-placed word that I found to be distracting enough to take note of during the song.

Overall, Firebringer is a lighthearted musical with great performances and cleverly intertwined social commentary that adds to the comedic tone of the piece rather than distracts from it. I wish that more musicals were written in the tone of Firebringer, in both the sense of overall quality, gender representation, and sexuality representation, which, like the gender placement of the main characters, is written so naturally that it’s almost hard to believe real life isn’t like the one represented onstage in which gender ruled without the patriarchy and sexuality lived in without heteronormativity is so commonplace it’s a nonissue.

[barbie2023]

knowing the “she was always staring at you” “who? mrs click?” line wasn’t in the script is so funny joe keery is a comedic genius who understands steves level of dumbassery better than the writers

[nightmareonfilmstreet]

[Recap] STRANGER THINGS 2, Episodes 1-5: What Goes Up, Must Come Upside Down

New Post has been published on https://nofspodcast.com/episodes-1-5-of-stranger-things-season-2-recap/

[Recap] STRANGER THINGS 2, Episodes 1-5: What Goes Up, Must Come Upside Down

Stranger Things just debuted its second season on Netflix. Last year’s breakout viral sensation garnered critical acclaim and audience goodwill for its heady mix of nostalgia and horror, appearing on multiple end of year lists and snagging two Golden Globe nominations.

So how does the “sequel” (as series creators The Duffer Brothers have taken to calling it) fare? Read on for my recap of the first five episodes of season two.

Overall thoughts on Season 2

Immediate thoughts upon finishing the season: it’s more of the same, though that’s not necessarily a bad thing. The Duffer Brothers clearly know the show and their audience and even if at times they’re prone to replicating elements from Season One, I would argue that the season wraps up in a more satisfying fashion. Noah Schnapp (Will) proves to be the show’s secret weapon: the young actor has an uncanny ability to play a range of different roles to perfection. Bonus points for a more successful climax in round two, as well.

Episodic Breakdown

As people make their way through the new episodes, Nightmare on Film Street has prepared episodic recaps so be sure to bookmark this page and come back when you finish each episode. Look for the recap of episodes six – nine tomorrow.

Will doesn’t fit in in the season premiere of Stranger Things “Mad Max”

Episode 1 – “Mad Max”

Online chatter suggested the first episode back was slow, but ‘MadMax’ is simply a table setter. We need this reintroduction to Hawkins, Indiana and its denizens in order to set up the season. That means introducing new characters like Sean Astin’s Bob, Paul Reiser’s creepy Dr. Owens and new schoolmates Billy (Dacre Montgomery) and the titular Max (Sadie Sink) – though neither of the kids are given much to do.

“Mad Max” has a few intriguing supernatural occurrences to whet our appetite, including the mysterious poisoning at the pumpkin patch, the lit up control board at Hawkins Laboratory and, of course, Will’s visions of the looming insect-like threat (which would be more striking if it hadn’t been spoiled in Every.Single.Trailer). As for everyone’s favourite Eggo-eating, telepathic feral little girl, the Duffer Brothers naturally keep Eleven (Millie Bobby Brown) hidden until the very end of the episode as one of several examples of characters keeping secrets from each other.

At once point, Dr. Owens tells Joyce (Winona Ryder) that things will get worst before they get better. For her, that’s terrible news. For Stranger Things viewers, that can only means good things ahead.

Odds and Ends:

The cold open features a series of unknown characters getting chased by police before one passenger displays Eleven-like powers that allows them to escape. This will clearly be paid off later (see episode seven in tomorrow’s recap – or rather don’t), but for now, it’s little more than a distraction from our reintroduction to Hawkins.

Danger looms for Will on Halloween night in 2��02 “Trick or Treat, Freak”

Episode 2 – “Trick or Treat, Freak”

First off, let’s address the ridiculous #JusticeForBarb storyline that’s dominating the Nancy (Natalia Dyer) and Steve (Joe Keery) story line. The Duffer Brothers clearly want to address the outcry for the fan favourite from Season One, but can we all agree that they’re leaning into it a little too much? Thankfully all it takes is one drunk party for the real fireworks to come out: Nancy drunkenly confesses about the inadequacies of her relationship with Steve and Jonathan (Charlie Heaton) gets to put the object of his affection to bed. Just remember kids: repression is bad because it manifests as a giant red punch stain on the front of your First Lady/Figure Skater costume.

The other element that stands out about episode two is that there’s a lot more comedy: the four boys are the only ones who dress up for Halloween at school, Lucas (Caleb McLaughlin) and Dustin (Gaten Matarazzo) struggle to speak to Max, Eleven passes her time watching soaps and dimwitted Officer Callahan (John Reynolds) mistakenly touches poisoned crops with his bare hands.

That last piece – the mysterious crop damage storyline – also begins to take shape as we learn that most of Hawkins’ farms have been affected by a mysterious poison, hinting at bigger things to come.

Odds and Ends:

Are the Duffer Brothers candy addicts? First Will and Dr. Owens debate Reese’s Pieces last episode and now there’s a prolonged discussion about the terribleness of 3 Musketeers bars? (Which, for the record, are delicious)

Initially it seemed like this episode was going to offer more insight about contentious siblings Billy and Max, but aside from their chicken-inspired driving on the highway, they remain obscure figures on the periphery. What’s their deal?

Bob and Joyce share a quiet moment in 2×03 “The Pollywog”

Episode 3 – “The Pollywog”

While I appreciate the effort being put into developing Sheriff Hopper (David Harbour) and Eleven’s relationship, I don’t think that the amount of screen time dedicated to this plot line is well spent. Three episodes in and we’re seeing the same content covered repeatedly: she was lost in the woods in winter, Hopper found her after a few feral encounters and they set up a temporary home with three “don’t be stupid” rules. We get it Stranger Things. At this point it just feels like the Duffer Brothers are delaying bringing Eleven back together with the gang.

Thankfully the second season’s dual mythology plot lines continue to develop nicely:

Hopper enlists Dr. Owens to investigate the contagion affecting the crops, which we learn is accounting for the odd smell that Billy and Max described in the last episode.

Meanwhile, Dustin names the “pollywog” creature that he finds in his trash D’Artagnan (because 80s!). A quick examination of the new species reveals that D’Art is a) afraid of the light b) growing exponentially and c) tied to the thing that Will spit into his sink at the end of Season One. Unfortunately the unnatural occurrences end in disaster when Will takes Bob‘s advice to confront the monster head on and he’s literally infected by the smoke monster from his visions. Oops!

Odds and Ends:

Was anyone else surprised to see Shirts vs Skins in gym class was a real thing? I won’t lie: all of these scenes felt remarkably homoerotic. It’s tantamount to a late night flick on Cinemax.

The aftermath of Will’s attack in 2×04 “Will The Wise”

Episode 4 – “Will The Wise”

After the cliffhanger possession ending of the last episode, we pick right up with Will, who claims not to remember what happened to him. After some prodding by Joyce, Will reveals that the creature wanted inside him and their parasitic relationship is deepened when Will refuses to take a hot bath, proclaiming “He likes it cold.”

When Hopper finally arrives at the Byers residence (following an uncomfortable battle of wills with Eleven after she abuses his 3 rules), there’s no narrative clarity about what’s happening, but it still feels like forward momentum. The result – Will confiding in Hopper and Joyce, Mike (Finn Wolfhard) revealing Will’s secret to Dustin and Lucas – makes “Will The Wise” the most satisfying episode of the season to date.

Unfortunately I simply cannot care about the stuff with Nancy and Jonathan and Barb’s mom. The only element of this story line that worked for me was the editing of the sequence in the park, which effectively highlighted Nancy and Jonathan‘s paranoia. The suggestion that these high school students could pull off a covert sting operation against the Hawkins Lab guys is a bit of a laugh, but we’ll see where it goes.

Odds and Ends:

Eleven‘s investigation into her history hits the jackpot when she discovers Hawkins Lab boxes hidden under the floor of Hopper‘s cabin. From there she’s able to connect with her very-much-alive mom, who identifies Eleven as “Jane” before disappearing in a literal puff of smoke.

I’m definitely losing interest in Billy and Max‘s storyline. Is there anything more to this than the fact that he’s racist?

RIP Mews. It always sucks when animals are killed on TV and that poor dead kitty didn’t deserve to be D’Art’s snack. 🙁

Will’s illness is finally address in 2×05 “Dig Dug”

Episode 5 – “Dig Dug”

This is essentially a “choose your own adventure” episode. Most of the characters venture off on their own: Hopper spends the episode foolishly investigating the tunnel system without back-up; Joyce, Mike, Will and Bob decode Will‘s drawings; Lucas catches Max up to speed, and Nancy and Jonathan and Eleven go on separate road trips.

I definitely appreciated the grotty visuals of what Hopper encounters in the tunnels (the blast to the face by a not-at-all-anus-like vine is particularly visceral and icky). Meanwhile Bob earns his high school “Brain” nickname when he deduces that the drawings are a map of Hawkins, though admittedly, hadn’t we all figured this out well in advance? It seems pretty obvious.

The two mythologies finally collide when Will‘s map leads to Hopper, whose survival ironically depends on his smoking habit. Luckily Joyce, Bob and the Hawkins Lab army show up just in time, ending the episode on another cliffhanger when it is revealed (unsurprisingly) that Will‘s physical health is connected to the tunnel vines and he winds up in Grand Mal territory.

Odds and Ends:

I’m glad that Dustin is no longer acting stupid about how dangerous D’Art is. It was evident from the start that the unknown creature was dangerous and “Dig Dug” confirms that as D’Art grows, he becomes more of an (unnatural) threat.

Let’s take a moment to recognize the comedic genius of Lucas‘ sister Erica (Priah Ferguson), who is officially the Dustin of this season. She’s equal parts annoying and hilarious. I love her.

Finally, Eleven‘s storyline continues to (annoyingly) exist completely outside of the main narrative. This episode she meets her Aunt Becky (Amy Seimetz), a Clea DuVall-esque woman looking after her mother. What follows is essentially a redo of Season One: Eleven‘s mom communicates via flickering lights and there’s a whole extended flashback that’s basically the Stranger Things version of Hodor’s “Hold The Door” backstory from Game of Thrones.

Check back tomorrow for recaps of the final four episodes of season two. In the interim, leave your impressions below in the comments!

[nightmareonfilmstreet]

[Recap] STRANGER THINGS 2, Episodes 1-5: What Goes Up, Must Come Upside Down

New Post has been published on https://nofspodcast.com/episodes-1-5-of-stranger-things-season-2-recap/

[Recap] STRANGER THINGS 2, Episodes 1-5: What Goes Up, Must Come Upside Down

Stranger Things just debuted its second season on Netflix. Last year’s breakout viral sensation garnered critical acclaim and audience goodwill for its heady mix of nostalgia and horror, appearing on multiple end of year lists and snagging two Golden Globe nominations.

So how does the “sequel” (as series creators The Duffer Brothers have taken to calling it) fare? Read on for my recap of the first five episodes of season two.

Overall thoughts on Season 2

Immediate thoughts upon finishing the season: it’s more of the same, though that’s not necessarily a bad thing. The Duffer Brothers clearly know the show and their audience and even if at times they’re prone to replicating elements from Season One, I would argue that the season wraps up in a more satisfying fashion. Noah Schnapp (Will) proves to be the show’s secret weapon: the young actor has an uncanny ability to play a range of different roles to perfection. Bonus points for a more successful climax in round two, as well.

Episodic Breakdown

As people make their way through the new episodes, Nightmare on Film Street has prepared episodic recaps so be sure to bookmark this page and come back when you finish each episode. Look for the recap of episodes six – nine tomorrow.

Will doesn’t fit in in the season premiere of Stranger Things “Mad Max”

Episode 1 – “Mad Max”

Online chatter suggested the first episode back was slow, but ‘MadMax’ is simply a table setter. We need this reintroduction to Hawkins, Indiana and its denizens in order to set up the season. That means introducing new characters like Sean Astin’s Bob, Paul Reiser’s creepy Dr. Owens and new schoolmates Billy (Dacre Montgomery) and the titular Max (Sadie Sink) – though neither of the kids are given much to do.

“Mad Max” has a few intriguing supernatural occurrences to whet our appetite, including the mysterious poisoning at the pumpkin patch, the lit up control board at Hawkins Laboratory and, of course, Will’s visions of the looming insect-like threat (which would be more striking if it hadn’t been spoiled in Every.Single.Trailer). As for everyone’s favourite Eggo-eating, telepathic feral little girl, the Duffer Brothers naturally keep Eleven (Millie Bobby Brown) hidden until the very end of the episode as one of several examples of characters keeping secrets from each other.

At once point, Dr. Owens tells Joyce (Winona Ryder) that things will get worst before they get better. For her, that’s terrible news. For Stranger Things viewers, that can only means good things ahead.

Odds and Ends:

The cold open features a series of unknown characters getting chased by police before one passenger displays Eleven-like powers that allows them to escape. This will clearly be paid off later (see episode seven in tomorrow’s recap – or rather don’t), but for now, it’s little more than a distraction from our reintroduction to Hawkins.

Danger looms for Will on Halloween night in 2×02 “Trick or Treat, Freak”

Episode 2 – “Trick or Treat, Freak”

First off, let’s address the ridiculous #JusticeForBarb storyline that’s dominating the Nancy (Natalia Dyer) and Steve (Joe Keery) story line. The Duffer Brothers clearly want to address the outcry for the fan favourite from Season One, but can we all agree that they’re leaning into it a little too much? Thankfully all it takes is one drunk party for the real fireworks to come out: Nancy drunkenly confesses about the inadequacies of her relationship with Steve and Jonathan (Charlie Heaton) gets to put the object of his affection to bed. Just remember kids: repression is bad because it manifests as a giant red punch stain on the front of your First Lady/Figure Skater costume.

The other element that stands out about episode two is that there’s a lot more comedy: the four boys are the only ones who dress up for Halloween at school, Lucas (Caleb McLaughlin) and Dustin (Gaten Matarazzo) struggle to speak to Max, Eleven passes her time watching soaps and dimwitted Officer Callahan (John Reynolds) mistakenly touches poisoned crops with his bare hands.

That last piece – the mysterious crop damage storyline – also begins to take shape as we learn that most of Hawkins’ farms have been affected by a mysterious poison, hinting at bigger things to come.

Odds and Ends:

Are the Duffer Brothers candy addicts? First Will and Dr. Owens debate Reese’s Pieces last episode and now there’s a prolonged discussion about the terribleness of 3 Musketeers bars? (Which, for the record, are delicious)

Initially it seemed like this episode was going to offer more insight about contentious siblings Billy and Max, but aside from their chicken-inspired driving on the highway, they remain obscure figures on the periphery. What’s their deal?

Bob and Joyce share a quiet moment in 2×03 “The Pollywog”

Episode 3 – “The Pollywog”

While I appreciate the effort being put into developing Sheriff Hopper (David Harbour) and Eleven’s relationship, I don’t think that the amount of screen time dedicated to this plot line is well spent. Three episodes in and we’re seeing the same content covered repeatedly: she was lost in the woods in winter, Hopper found her after a few feral encounters and they set up a temporary home with three “don’t be stupid” rules. We get it Stranger Things. At this point it just feels like the Duffer Brothers are delaying bringing Eleven back together with the gang.

Thankfully the second season’s dual mythology plot lines continue to develop nicely:

Hopper enlists Dr. Owens to investigate the contagion affecting the crops, which we learn is accounting for the odd smell that Billy and Max described in the last episode.

Meanwhile, Dustin names the “pollywog” creature that he finds in his trash D’Artagnan (because 80s!). A quick examination of the new species reveals that D’Art is a) afraid of the light b) growing exponentially and c) tied to the thing that Will spit into his sink at the end of Season One. Unfortunately the unnatural occurrences end in disaster when Will takes Bob‘s advice to confront the monster head on and he’s literally infected by the smoke monster from his visions. Oops!

Odds and Ends:

Was anyone else surprised to see Shirts vs Skins in gym class was a real thing? I won’t lie: all of these scenes felt remarkably homoerotic. It’s tantamount to a late night flick on Cinemax.

The aftermath of Will’s attack in 2×04 “Will The Wise”

Episode 4 – “Will The Wise”

After the cliffhanger possession ending of the last episode, we pick right up with Will, who claims not to remember what happened to him. After some prodding by Joyce, Will reveals that the creature wanted inside him and their parasitic relationship is deepened when Will refuses to take a hot bath, proclaiming “He likes it cold.”

When Hopper finally arrives at the Byers residence (following an uncomfortable battle of wills with Eleven after she abuses his 3 rules), there’s no narrative clarity about what’s happening, but it still feels like forward momentum. The result – Will confiding in Hopper and Joyce, Mike (Finn Wolfhard) revealing Will’s secret to Dustin and Lucas – makes “Will The Wise” the most satisfying episode of the season to date.

Unfortunately I simply cannot care about the stuff with Nancy and Jonathan and Barb’s mom. The only element of this story line that worked for me was the editing of the sequence in the park, which effectively highlighted Nancy and Jonathan‘s paranoia. The suggestion that these high school students could pull off a covert sting operation against the Hawkins Lab guys is a bit of a laugh, but we’ll see where it goes.

Odds and Ends:

Eleven‘s investigation into her history hits the jackpot when she discovers Hawkins Lab boxes hidden under the floor of Hopper‘s cabin. From there she’s able to connect with her very-much-alive mom, who identifies Eleven as “Jane” before disappearing in a literal puff of smoke.

I’m definitely losing interest in Billy and Max‘s storyline. Is there anything more to this than the fact that he’s racist?

RIP Mews. It always sucks when animals are killed on TV and that poor dead kitty didn’t deserve to be D’Art’s snack. 🙁

Will’s illness is finally address in 2×05 “Dig Dug”

Episode 5 – “Dig Dug”

This is essentially a “choose your own adventure” episode. Most of the characters venture off on their own: Hopper spends the episode foolishly investigating the tunnel system without back-up; Joyce, Mike, Will and Bob decode Will‘s drawings; Lucas catches Max up to speed, and Nancy and Jonathan and Eleven go on separate road trips.

I definitely appreciated the grotty visuals of what Hopper encounters in the tunnels (the blast to the face by a not-at-all-anus-like vine is particularly visceral and icky). Meanwhile Bob earns his high school “Brain” nickname when he deduces that the drawings are a map of Hawkins, though admittedly, hadn’t we all figured this out well in advance? It seems pretty obvious.

The two mythologies finally collide when Will‘s map leads to Hopper, whose survival ironically depends on his smoking habit. Luckily Joyce, Bob and the Hawkins Lab army show up just in time, ending the episode on another cliffhanger when it is revealed (unsurprisingly) that Will‘s physical health is connected to the tunnel vines and he winds up in Grand Mal territory.

Odds and Ends:

I’m glad that Dustin is no longer acting stupid about how dangerous D’Art is. It was evident from the start that the unknown creature was dangerous and “Dig Dug” confirms that as D’Art grows, he becomes more of an (unnatural) threat.

Let’s take a moment to recognize the comedic genius of Lucas‘ sister Erica (Priah Ferguson), who is officially the Dustin of this season. She’s equal parts annoying and hilarious. I love her.

Finally, Eleven‘s storyline continues to (annoyingly) exist completely outside of the main narrative. This episode she meets her Aunt Becky (Amy Seimetz), a Clea DuVall-esque woman looking after her mother. What follows is essentially a redo of Season One: Eleven‘s mom communicates via flickering lights and there’s a whole extended flashback that’s basically the Stranger Things version of Hodor’s “Hold The Door” backstory from Game of Thrones.

Check back tomorrow for recaps of the final four episodes of season two. In the interim, leave your impressions below in the comments!