Kull the Conqueror, Vol. 3 # 6 Page 07 by John Buscema, with Inks and Colors by Klaus Janson, Letters by John Morelli, and a Script by Alan Zelenetz.
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Appendix: Marvel New Universe Imprint:
To celebrate Marvel's 25th anniversary, then Editor-in-Chief Jim Shooter had hoped to create a new seperate comic universe, with a more realistic world, less fantastic heroes, with a month time passing between each issue, and utilizing top tallent. However, money and internal politics hampered it before it even started and it quickly became an in- house project and half of the first titles cancelled within the first year. The whole line finally folded within three years.
DP7 (32 issues, 1 annual)
The Draft (Graphic Novel)
Justice (32 issues)
Kickers, Inc (12 issues)
Mark Hazzard: Merc (12 issues, 1 annual)
Nightmask (12 issues)
The Pitt (One Shot)
PSI-Force (32 issues, 1 annual)
Spitfire and the Troubleshooters/Spitfire/Codename: Spitfire (13 issues)
Star Brand/The Star Brand (19 issues, 1 annual)
The War (4 issue limited series that concluded the line)
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The Destroyer #1: His Name is Remo
by Will Murray; Lee Weeks and John Morelli
Marvel
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You’re a damn fool, Katya. There is no escape. | Goncharov (1973)
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The fact that Joe Morelli is so minor that every poster identifies him by his weapon and yet his themes ARE the films themes, the fact that he's playing the stereotypical 'one last job' career killer but with actual depth because dammit he loves and is fundamentally unable to say no to goncharov, the fact that his theme has leitmotifs from katyas and andreys because he, on the basest level, mirrors their unwillingness to say no to the beastly man that made them all who they are (for better and for worse, in sickness and in health), the fact that he - as one of our two actually italian characters in this italian mob film - is killed on the steps of the cathedral he was married in (cmon you guys why are you sleeping on the intersection of faith and deceit), the fact that it was his father in laws fucking ice pick-
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no y’all don’t GET it. the fact that in every fucking scene when they talk goncharov stands to the left of andrey. that he stays out of the line of sight of his good eye. that in this way he uses the eye patch more than andrey uses it himself. it’s about the fear of being seen it’s about the developed behaviour of being hyper aware of your surroundings when you feel like you’ve been walking on eggshells your entire life it’s about subconsciously taking advantage of someone’s weakness it’s about unreliable narrators and limited pov but MOST IMPORTANTLY it’s about the fact that when andrey looks FORWARD into what lies ahead goncharov is never part of the picture because he chooses to stay out of frame out of his field of vision
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Sketches of Andrey and Ice Pick Joe..
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AL PACINO & JOHN CAZALE as MARIO AMBROSINI & JOSEPH MORELLI
━ Goncharov (1973) | dir. Martin Scorsese
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im so pissed at how dismissive people are of ice pick joe as if he didnt carry that entire movie on his back
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Goncharov remake fancast (I’m really proud of this)
Lin-Manuel Miranda as Narrator
Toby Maguire as Ice Pick Joe
Leonardo DiCaprio as Valery
Harry Styles as Andrey
Timothee Chalamet as Goncharov
Jennifer Lawrence as Katya
Kirsten Stewart as Sofia
Dwayne “The Rock” Johnson as Mario
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recommending Goncharov (1973) to my friends and family
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“buona sera, signorina, buona sera
it is time to say goodnight to Napoli
though it’s hard for us to whisper buona sera,
with that old moon above the mediterranean sea.”
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This scene of Joe and Mario sharing a quiet moment of undetstandment right before Joe's death in next passage of the movie really got me.
Know the feeling when you're just sitting with your pal in comfortable silence and just chilling and enjoy each other's company? Yea...
The horrendous things they were willing to do for the other's sake, the sacrifices... besties, that's love. Tragic.
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Marcus Morelli - The Australian Ballet - photo by Chris Rogers-Wilson
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