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#john x helen
evren-sadwrn · 3 months
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i love how in scenes where john wick thinks about his wife, there’s always either light or the color grading turns into yellow/gold
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helen will always be symbolized through sunlight/light because SHE is john’s light. the reason for his defiance against the high table and the reason he is so disciplined into getting the freedom he deserves away from the criminal underworld
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romangoldendreams · 6 months
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If he had any damn purpose in this life, it was to save her.
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thewhumpcaretaker · 3 months
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Cover I drew for my WIP, The Broken Veil, a Helen Wick x John Wick fanfic. Check my pinned post for updates!
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askjohnwick · 2 months
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The Broken Veil Masterlist
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The Broken Veil, a John Wick x Helen Wick fic, has migrated from The Whump Caretaker, my main blog, to this side blog. I don't intend to write more, but please feel free to enjoy and to review what is available.
AO3
Cover
Chapter 1: Let Me In
Chapter 2: The Price to Pay
Chapter 3: Miracle
Chapter 4: Always Exist
Chapter 5: Bloodless, Airless
Chapter 6: The Horde
Chapter 7: How to Shoot
Outline for Rest of Fic - in case you wanted to know where it was going
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r1-jw-lover · 2 months
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HULLO!!!!! :P
rank your top five fav ships from the john wick series !! :3
Hi, thank you for the ask. Just wanna put a disclaimer that my first venture into the JW fandom was through the fourth film, so my ranking list will be heavily biased on that movie.
John x Caine
It's not even one year since JW4 is out and John/Caine is already on the top ten most written ships on AO3 within the John Wick fandom.
This pairing has just the right amount of bittersweetness and melancholy for me, and putting it on top of the actors' chemistry, the gay divorced vibes, the bickering, friends to reluctant enemies, the parallels, being each other's mirror, their deep trust, understanding and care for one another, you get my number one JW ship on this list.
The friendship between John & Caine is definitely one of the most developed and convincing out of all the friends John Wick had in the series, and in spite of the circumstances forcing them to be pitted against each other, they still managed to find comfort in the other's presence regardless, and I think that in itself is beautiful.
2. Koji x John x Caine
You know what else is better than putting Keanu Reeves and Donnie Yen together in the same movie? Putting Keanu Reeves, Donnie Yen AND Hiroyuki Sanada together in the same movie.
You have already seen the incredible fanart [1, 2, 3] by the wonderful @ibahibut. They are THE old men yaoi of the recent decade of cinema, period.
The dynamics between the three of them are immaculate. Not only you have John & Caine (explanation above), John & Koji are very supportive of each other, and Koji & Caine have both the closeness and the inevitable tragicness that undercurrents their brotherhood.
All in all, I desperately need a prequel series of this trio.
3. John x Helen
It's the only canon romantic relationship in the series so it has to be on the list. Other than the fact that one of them is dead, I think that John/Helen is incredibly sweet, which make the heartaches even more painful.
John's grief for Helen's passing is one of the main driving forces for the character throughout the series. His almost religious love and devotion to his wife is all the more apparent given that Helen is the reason John had fought to stay alive for as long as four movies.
At the end of the day, John only wished to die not as the Baba Yaga but as a loving husband, finally succumbing to his wounds with Helen being his last thought before dying. (TAT)
4. Akira x Mia
Gosh, I love my lesbian rarepair too much. I initially shipped them merely for the shits and giggles (i.e. Akira getting back at Caine by dating his daughter lol), but then I also come to realise their potential as a pairing story-wise.
Outside of the obvious enemies to/and lovers vibes, I could imagine both Akira and Mia inheriting a lot of angst from their respective "father problems" that they must resolve between each other. Will Akira ever tell Mia about her plan to kill Caine? Will Mia ever understand Akira's revenge against her father? Will Mia decide to step into the fold of assassins because of Akira? Will Akira leave the High Table to be with Mia like how John did for Helen?
As a conclusion... Gosh, I love my lesbian rarepair too much.
5. Marquis x Wuxia DJ
The funniest and best crack ship ever made up in the John Wick fandom, and there's just the two of us, hahahaha. They give off high-school exes who are so, so fashionable and serve cunt while talking shit about the other behind each other's backs.
It's number five on my list because it's that good.
Honorable mention: Cassian x Gianna
Before the fourth movie is released, Cassian & Gianna is the only pairing I could see happening in the background. Cassian's loyalty to Gianna even after she died is very touching, and Gianna seemed very appreciative of it from the short interaction they have in JW2.
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icebluecyanide · 8 days
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One thing I thought worked really nicely in the show was how Julia Rothman didn't once mention Helen in her first story about John.
We hear her talk about John's feelings for her and show Alex the letters, and then we get the small mention of Alex being six months old when John died, and just from that we get the sense that there's something she isn't telling Alex. Because there was another woman involved, it wasn't just her and John and there's just this question lingering of who Alex's mum is and what Julia must have felt about her.
And then later we find out she felt betrayed and used and nearly everything in her plan was about revenge exactly for this betrayal (and the Department taking down Scorpia). And there's already a hint of it not being the full/right story in the discrepancy in her first story to Alex.
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kiwisbell · 3 months
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helen ; chapter one
dear joel
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Si vis pacem, para bellum. Or, the inciting incident.
series masterlist | my masterlist pairing: joel miller x f!reader tags/warnings: 18+ (MDNI), john wick AU, (retired) hitman!joel, husband!joel, graphic violence, established relationship, artist!reader, love as worship (and blasphemy), blood + injuries, murder, cars, joel lifts reader once, reader has hair, oral sex (f receiving - aka munch!joel returns), married fluff, angst, threats of rape/SA, home invasion, disgusting awful men, childhood/religious trauma, the typical alcohol + smoking + profanity, erotic paintings, dividers by @/saradika word count: ~ 8.2k a/n: so i'm posting this and sprinting away because i'm terrified. that being said, this story means more to me than words can say and i sincerely hope you enjoy what i have to offer. thank you so much for reading, and please let me know what you think!! gigantic thanks to @cavillscurls for beta reading this chapter and being generally incredible throughout this whole process. i couldn't have done it without ya baby ❤️ next
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PREFACE
“Love is my mover, source of all I say.”
— The Divine Comedy: Inferno, Canto II.
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The blood is tangy, near-sweet, as he swipes his forearm over his mouth and smears crimson on his shirtsleeve. It tingles faintly on his lips and crackles, warm as the melt from a late-winter snow. He feels it settle in the grooves of his palms, the hairs of his beard. He’s drowning in it. 
Joel Miller grins as the punch rocks his jaw. 
His opponent hits hard, but he’s slow. He’ll take five punches in the time it takes to wind up for one. Joel brings his arm up to block the next and delivers a blow to the sternum with his knee as his opponent’s guard drops. Wide open, the man stumbles a few steps back, choking down the telltale wheeze of being winded. Joel marches forward, relentless in his crusade, grasping him by the scruff of his neck, teeth bared like a mad wild dog, and bears his skull down on the side of the railing. Around them, the wind howls and lashes at his clothes, but he still hears the pained scream as if it were poured into his ears. 
The man drops to his knees, and Joel grabs him again, bashing his head repeatedly against the steel bar, the lapel of an Italian leather coat bunching between his fingers, tainted by rainwater and the fist of the man who's about to take his life. 
And fuck, Joel wants to make it last. 
But there's a knife in his opponent’s hand, conjured from the darkness of his coat pocket, and Joel must release him to avoid the lethal slash of the blade. Blinking blood and lashing rain from his eyes, the man lunges with a snarl, and Joel recovers from his lost victory, stopping him with his fingers curled around his opponent’s wrist. He brings his hand to the crook of the man’s elbow and uses his leverage to snap the bone.
Yowling, the man drops to his haunches, the knife clattering to the ground. Joel, chest heaving, stands over him, flexing his fingers as he readies his fist for the killing blow.
His name leaves the man’s bloodied mouth, accompanied by a mouthful of crimson-tainted saliva spat on the ground at Joel’s feet. 
“Joel…” He lifts his head, cradling his own broken arm, and sneers. There’s a chilling glow of satisfaction in it. “Did you get your perfect life, Joel? Do you really think you’ve won? It won’t ever stop. Not after you’ve killed me, not after you’ve killed all of them. Is that what you’re going to do? Kill them all?”
Joel staggers backward to pick up the knife, clamping his hand over the curve of his opponent’s shoulder, and drives the blade down into his neck.
“Yeah.”
He leaves him slumped against the railing, choking on his own blood, and limps his way to one of the beaten-up Range Rovers whose front right bumper was totaled in the crash. Joel groans as he settles into the front seat, gnashing his teeth together as he lifts the hem of his dress shirt to inspect the damage. 
The bullet has pierced the soft flesh of his stomach. Blood blossoms bright through the white fabric and spirals outward. Joel blinks away rainwater and pulls his phone from his pocket, the screen smeared with blood. He doesn’t know if it belongs to him.
He grits his teeth and makes a call. 
In the back of his head, Joel vaguely recalls an old song of prayer. He used to watch others sing it while he lingered in the shadows at the back of the cathedral. He would memorise the shape of the words leaving their mouths and wonder how a benevolent God, who had shaped man—perfection—from red clay, could have made him. 
He would lower his head as if swept up in a tide of repentance, examining the bones beneath his hands. The flickering of tendons. The bulge of veins as he delicately folded his fingers into a fist.
Red clay. Blood. The old dance of serpent and man.
He was fourteen when he escaped.
Joel looks down at his bloodied hands. They’ve grown since then. They’re stronger, thicker, scarred. There are no pictures of him as a young boy, but if he saw one, he knows he would not recognise himself. Not his eyes nor his hands nor the set of his jaw. God makes man makes boy. He is destined for Hell.
The call goes to voicemail. 
Joel curls his hand into a fist and whispers a prayer.
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Something cool and wet collides with Joel’s forehead as he stalks into the airport. It’s begun to rain. 
His target gate is close, and he's early. The press of bodies begins to crowd him. Prickling body spray and sickly-sweet perfume and sunburned skin from Spring Break return flights. Joel shoves through them, unseen, unnoticed amid the rowdy din of reunions. The collar of his shirt sticks to the nape of his neck. It’s the sensation of being strangled, clammy palms slick against his own skin. He adjusts his jacket and tightens his grip on the black fabric dangling from his hand. 
Joel waits by the gate, his eyes flitting between its apex and the people milling about him, reuniting with partners and parents and children. Nobody seems suspicious, but his fingers still dance upon the blade hidden in the inner lining of his leather jacket. Those performing wide berths around the scowling man try not to make eye contact. Most don't notice his presence at all. 
He waits, flicking his sleeve up every couple minutes to check the time on the inside of his wrist. Every tick of the thin hand registers in the pulse of his heart against his ribs. 
He hears the suitcase before he sees it—and it’s hard to miss. One wheel is wonky, and the case stutters in its path along the polished floor. It’s huge, pink, hideous. 
His hand dropping from the blade in his pocket, Joel makes his move. 
You see him approaching and drop the lopsided suitcase, shrieking as he takes you up in his arms. 
He swings you around twice, holding you firm against him, your fingers grabbing desperately at the locks of his curly, brown-grey hair. Joel nestles his face in your throat and breathes in: vanilla and shampoo and the unmistakable scent of a you he can never shake. Home.
You shudder into him, your feet barely scraping the floor as he holds you around the waist, one hand cradling the back of your head. Joel lets his eyes close. 
Daisies made of diamonds dangle from your wrist, connected by a fine golden chain. He can feel the faux petals dig into the back of his neck, etching their shape into the phantom pain of the ink peeking out from his collar. Sometimes, his skin would pull back with the needle, briefly protruding from his body like a tent made of flesh, as if grasping feebly onto some innocent time before the black hands of Dürer were permanently his. His to remember. His to loathe. 
There is a slight in the way his gift to you, wrapped snugly around your wrist since the first anniversary, kisses the old wound, the tip of the cross, and all he feels is the echo of agony. He holds you tighter.
“Can’t breathe, honey,” you croak, shoulders shaking with laughter. 
Joel mutters an apology, loosening his grip on you just enough to pull away and cup your face in his hands. His thumb traces the curve of your jaw, and you beam up at him, smoothing back the hair you’d tousled with your fingers. A curl swoops back down over his forehead.
“Hi,” you say softly. 
“Hi,” says Joel, already on his way to kissing you, his mouth slanting over yours. 
He tastes of mint and smells of his dark cologne, pine, Joel. Your Joel. And you kiss him like it—your hand cupping the nape of his neck, the other sliding up his strong, broad back, your lips meeting in a consuming kiss that knocks you off-kilter. He bends slightly over you, keeping you upright with a large hand on your lower back. 
“Never leave again,” mumbles Joel, grinning against your mouth, his hand sliding down your arm to your left hand, where two glimmering bands rest on your third finger. Your hands intertwine, and he bumps his nose into yours. 
You give him another short kiss. “Get me out of here.”
Joel slides your raincoat over your shoulders and you slip your arms through. He presses his lips to your forehead and closes his eyes, letting himself linger briefly in your space before he scoops up the handle to your affront of a suitcase and escorts you out back to the car. 
He opens the passenger-side door to let you slide into your seat, securing your case in the back, and makes his way around the vehicle. You reach for the collar of his jacket and pull him toward you for a kiss, grasping his jaw between your thumb and forefinger. He grins crookedly when you pull away, bushing the pad of his thumb across your cheekbone. 
“Missed you,” he says.
You sink your teeth into your bottom lip. “Yeah? How much?”
He reaches across the console and kisses you deeply, making you gasp into him as his hand slips underneath your silky little blouse and fits his fingers in the grooves between your ribs. Your skin prickles with goosebumps under his touch as his exploration migrates to your belly, sliding south, ever lower, his hand playing at the waistband of your panties—
“Okay,” you laugh, smacking his hand away. “Okay. You’re paying for parking, Miller.”
“I’ve got money,” he says plainly, dipping his head to kiss you again, his pupils fattening as he tries to gorge on all of you at once. You place a hand on his chest, enjoying the strong pulse of his heartbeat where you typically rest your head, and gently push him back. 
“Take me home,” you coo, your gaze sweeping fondly over the face that hasn’t changed, that you cannot forget, “and show me how much you missed me.”
His wedding band coolly kisses your cheek as he retracts his hand, reluctantly turning his key in the ignition. “Yes, ma’am.”
He’s always been a meticulous driver, expert in the way he flattens his palm on the wheel, his other on the back of your headrest, turns the car out of the spot, and merges onto the freeway. When he no longer needs his other hand, he gives it to you, and you bring his long-scarred knuckles to your lips. 
His hands are marked by years of use, of abuse, speckled with little white scars, freckles, divots, curves. You already know the lines in his palms, have traced them and painted them and put them under sensitive study with your body. But you turn his hand over nonetheless, your own fingertips careful in their examination, following their contours as if searching for a change. But they’re the same—he’s the same—and so you tuck your fingers between his and bring your palms together in a warm, awaited kiss.
It’s only been a month, but you study his profile as if years have passed. He’s still Joel, still surly, plush lips curved into a permanent pout, the space between his brows marked by a ponderous gash, the vein in his throat fluttering in silence when a driver cuts him off or he spots a car following too closely. He’s a good study, practised in his stoicism. 
His nose is artful. Its convex slope, pronounced, strong, curves deliciously into his upper lip, the soft greying hairs in between a space of waiting. His mouth, soft, learned, often languageless, is what you know best of him. You know it like your own—can trace its shape in the dark, hands behind your back. The strong jawline, the slight wrinkles beside his eyes, ones he never had before you met him, the patches of skin disrupting the fullness of his beard: they’re the picture of the man you married, and there’s always something you’re disappointed in discovering you’ve missed. A something you’ve never noticed, a something you wish you could go back and add to all your canvases. 
When you left him at the airport, it was a freckle just beneath the hollow of his throat. Now, it’s the frayed hairs just behind his ears, crimping in frizzy patterns that don’t match the languorous curls on the rest of his head. They look singed, as if he’d put a match to himself. 
Maybe it’s making up for lost time, for all the days you’d missed being away from your Joel. But there’s a second, smaller something: the little round scar beneath those wild hairs. You lift your hand to it, and before your thumb can make a pass over the white, puckered skin, he speaks. 
“It’s a burn.” Merging off the freeway, he pulls into a gas station. His fuel ticker is tapping gently at the E. “From a cigarette.”
Your heart tips off the edge of a yawning chasm, and your hand pulls back in a wary twitch of your fingers. Throat tightening, you feel a distinct pressure behind the T of your nose and forehead. “From the people who raised you?”
A muscle in his jaw spasms, and he lifts your joined hands to his mouth. “None of that,” he says softly, meeting your eyes that well with unshed tears. 
No tears for me, he once said to you. Not until I’ve earned ‘em.
You sniffle, watching him nuzzle his cheek against the soft flesh of your wrist, his lips finding your vein and following it halfway up your forearm. 
“Tell me about your show.” 
You let him tuck your tears away in the grooves between his joints and smile. “Successful, but lonely. So many people knew my name, and I’m pretty sure I knew about a quarter of theirs. Made me feel like some snobbish pig.”
“Nah, that’s my job,” says Joel. “Everybody loves you, baby.”
You roll your eyes. “Either way, the gallery was a hit. The triptych sold for the highest at the auction.”
Joel smirks. “The nude ones?”
“Yeah, dirtbag. The nude ones.” Your smile is dry, still somehow saccharine. 
“I liked those,” says Joel, fingers playing upon your upper thigh. 
“Perv.”
He playfully smacks your thigh. “Goddamn right.”
“It was good. It was. But I missed you.” Your voice breaks, and Joel squeezes your fingers in response. “Could hardly sleep without you there.”
He nods like he knows. And you know he does; he barely sleeps, even if you’re on top of him. “I know everybody loves you,” he says, “but next time you go away, remember I love you most.”
You blink away the shimmer of tears so you can see him clearly. “Casanova.”
“That's right,” he says, nosing his way into another kiss. “Don't ever leave me again, baby. My heart can't take it.”
You shake your head, laughing into his mouth as your tears slip onto your tongue. “Never again,” you whisper, “unless the hotel food is good.”
He nods. “I’ll make an exception, long as I can go.”
You grin. “You know… if I’m at home all the time…”
“We’re not getting a puppy.”
“Joel—”
“No.”
“Don't you want to make your wife happy?”
He faux-snaps at you like a dog, catching his teeth around your earlobe. “As a goddamn clam.”
You gasp as you feel his mouth suckle gently at the sensitive spot beneath your ear. “I… I want… We should at least talk about…”
“Hmm?” 
He’s playing with the hem of your blouse, deft fingers leaving warm imprints on the soft skin of your belly, fingers enveloping your precious heart when he places his hand on your upper back. The organ pounds under his touch, pouring its blood into his palms. 
You haven’t felt his touch in so long.
“I want…”
Joel hums again, prompting, his pinky finger dipping under the strap of your bra and pulling back, snapping it against your skin. 
“What was I talking about?”
He chuckles, bringing his lips back to yours. You grasp for him greedily, trying to fix him to you this time, your fingers bunching the fabric of his T-shirt. But he’s pulling back, his forehead falling against yours. 
“I’ll consider it,” he says, “if you can convince me.”
Giddily, perhaps stupidly, you smile. “I’m very prepared to convince you.”
“Uh-huh. I don't doubt you, baby. How ‘bout you let me fill up the car first?”
The throbbing bass of house music Dopplers as another car approaches the gas station. Three men exit the vehicle, one of them already lighting a cigarette while the other two make for the convenience store. One is wearing a backwards cap and the other a pressed suit. 
Nice move, you think, sinking back in your seat a little as Joel slides out of the car, smoking by a gas pump.
“Nice ride,” says the man at the opposite pump, puffing at his cigarette. 
“Thanks,” says Joel with a polite smile, locking the nozzle in the fuel tank and folding his arms over his chest. He’s hovering by the passenger door, halfway to blocking you from view.
The man surveys the hood, his fingers gently tracing the cool silver. “Boss Mustang 429. She a ‘70?”
“‘69,” says Joel.
“Very nice,” muses the man, drumming his hands on the hood. You feel the crude vibrations in your spine and straighten in your seat. This man—this kid, all his puffing and grinning and loud music—is bad news. Your stomach coils taut when his gaze shifts from Joel to you, staring hard through the windshield. 
“How much?” he asks Joel. 
You notice the minute stiffening of the muscles in Joel’s shoulders. “What?”
“How much for the car?” 
Joel pushes off the car and dislodges the pump, brushing the kid aside on his way back to the driver’s side. “It’s not for sale.”
The kid wanders to the passenger-side door before Joel can turn on the car and roll up the window. He leans his elbows just inside, his face mere inches from yours, and you can smell the sickly, cloying smoke of his cigarette as he blows it in your direction. 
He says something to Joel in Spanish that makes your husband’s hand still on the wheel.
And your Joel, your courteous Joel, your never-the-shit-stirrer Joel, narrows his eyes at the kid and says something in kind, his voice a low scrape that shudders through you.
It’s too fast for you to hear, and you never learned Spanish, and you were under the assumption (until right fucking now) that Joel never did, either. But he starts the car and rolls up the window, and you’re peeling away from the gas station before the kid can reply. 
“That was…” You cast around for the words and instead rest your eyes on Joel, whose jaw looks ready to snap. “Joel, honey, when did you learn Spanish?”
He’s silent for a long while, and you would assume that he didn’t hear you—if you didn't know that he has stellar hearing. When he pulls onto the long stretch of road, signalling your first firm tug away from the stifling noise of civilization, he finally speaks. 
“Picked it up in the Marines.” 
“What did he say to you?”
Joel’s skin is stretched taut over his knuckles. “Somethin’ stupid.”
You hum, letting him linger in silence for the remainder of the trip. Scenery, green and grey sky and the drizzle of rain, swoops by the window, and you're going home. It isn't much different from what you found in Vancouver, but it's familiar. It’s the smell of the air after the rain and the way your shared home comes into view the same way it always has. 
It isn’t a modest home. You and Joel had it built before the wedding, both eager to get away from the city and exist in relative peace when your job allowed it. It sits low and broad, geometric pillars framing the front porch, sleek modern lines in black and white. Your compromise: he assumed responsibility for the exterior, and you took everything within. Joel pulls into the garage, next to your beige SUV, and helps you and your hot-pink luggage out of the car. 
The walls are littered with canvases. Mostly, there are paintings of Joel. The first time you brought him to your studio, a few weeks into the relationship, he’d sat stone-still for hours. You don't recall even a twitch of a finger. He’s in shades of blue, red, green, grey. He’s sitting, standing, lounging, sleeping. His lashes lie in repose over his cheeks, eyes closed, sometimes open, often averted. You’ve captured him in bed, by the pool, in the kitchen, in your studio. Like a spider, you’ve ensnared his shyness, his care, his devotion, weaving it into a tapestry of oil, watercolour, pastel. 
You’ve never sold a single one. This Joel—whose eyes are sometimes closed, sometimes open, often averted—is for your eyes only. 
The curls at the nape of his neck are creeping under the collar of his jacket. Winding your finger around a rich brown lock, you give him a tug. “You haven't been taking good care of yourself.”
Joel brings your hand to his mouth, kissing the rings on your finger that bind you to him. “You told me you liked it long.”
“You told me it itches.” You shrug his jacket off his shoulders and trail your hands up his muscled arms. “It's not about me, honey.”
Joel hums, cradling the crown of your head in his palm and pressing a lingering kiss to your forehead. “When will you learn”—another hand around your hip, tugging you forward by the small of your back—“that everything is about you?”
You narrow your eyes at him. “That's a good answer, Mr. Miller.”
He grins crookedly, backing you against the kitchen counter. “Yeah?”
You scratch his scalp and feel his mouth descend on your jaw. “Mhm. You’ve been practising.”
“Didn't have much else to do,” he grumbles, fisting the fabric of your blouse and untucking it from the waistband of the old jeans sitting low on your hips. “My wife was gone.”
“You're getting whiny,” you chide, smacking his hand away from your fly. 
“Is it working?”
“You really wanna make your wife happy?”
“Yeah, baby. Yeah.” He looks down at you like he's close to pleading. 
“Then you'll let me cut your hair,” you purr. 
His pout lasts as long as it takes for you to get his hair soapy and your fingers in his curls, massaging slow and sweet. You take your time ridding him of the excess length, chopping carefully, your hands assured of their strength. You tell him to tilt up and look down and to the side, honey, and he obeys because it's your hands, and your voice, and he's pliable as molten glass. 
You get lost in the musical shhhick of the scissors cutting through hair, humming a tune that does not match, and he's reminded of ballet. Watching you in the mirror is like seeing the dance through a glass he cannot permeate. You may be touching him, but most times he's struggling to grasp you in your entirety. 
He sees an angel in his sleep, reaching out with a hand made of gold to guide him up from hell. 
You tell him more about the gallery. You tell him about whale-watching and being too seasick to take photos for him like he'd requested. Joel wants to shake his head but he stays still and tells you it’s okay, baby, all I wanted was to know you were happy. 
And you tell him I was happy. But it would've been better with you.
And he's joking, telling you I’d be throwin' up on the other side of the boat, but his body feels cold when you set down the scissors and leave his side. 
“How’s Tommy?” you ask, rubbing gel between your palms. This, he knows, is your favourite part: styling him up all pretty like your personal doll. 
It’s his favourite part, too. He holds you around the waist while you work. “He’s panicking.”
“Oh, come on,” you laugh. “He's read every book on the shelves. And your brother doesn't read.”
“Books can't prepare you for the real thing,” says Joel. “‘Least, that's what Maria told him.”
“Maria’s probably right.” You thread your fingers through his locks and watch with a smile as he closes his eyes, his forehead dropping to your belly. “But that doesn't take away from the fact that Tommy will make a great dad.”
Joel hums, pressing a kiss to your belly. “He’s been askin’ after you to paint their nursery. Want me to tell him to fuck off?”
You're beaming, curling one lock of hair around your finger and dangling it teasingly over his forehead. “Tell Tommy I'd be delighted. Maria shouldn't be doing any of that, pregnant as she is. You should smack some sense into your brother.”
“I tried every day when we were little. Didn't take.”
You give his styled hair a finalistic tug and brush it back from his ears. “Such a good model for me,” you coo, dropping into his lap, “just like always.”
“And what do I get?” he says, watching his own hand cup your breast, thumb ghosting over the soft swell, obscured by layers of fabric. 
Your wicked eyes feel heavy on his skin. “What you always get.” 
You take his hand in yours and lead him to the bedroom. You’ve done this a thousand times, it seems, this methodical undressing, made new with every hour spent apart. The dance replenishes in the sunlight, coming alive as spring blossoms, never stale, never withered. There is something new to discover each time. 
Joel kisses you, staggering backward until he’s sitting on the edge of the bed. You climb onto his lap without breaking the kiss, your arms winding around his neck as he tucks you into him. His cock is a hard, heavy weight between your thighs, accustomed to the touch of his hand alone in the month you've been apart. 
The revitalising warmth of skin-on-skin strikes him true, blooming like blood from his heart. He clutches you so close that your heartbeat skitters from your chest to his, your mouths exchanging breaths, your bodies sharing heat. He knows nothing but the shape, smell, sound of you. 
He trails his knuckles up and down your spine and wonders if he can make certain that he will die like this. He doesn't want to know an afterlife. It will spoil the memory of his very last moment, when he brings you in close and kisses your soft cheek and lets the darkness gently pull him down. 
The sisters at the orphanage would tell him things. You will never know peace until you know Him. You cannot know a person’s love until you know His. You will never understand, child, what it is to breathe, until every breath you take is in His name. Joel drags his open mouth up the column of your sternum, its golden pillar, his tongue dipping to taste the nectar that pools in the hollow of your throat. He tastes you instead, and he feels he has not cheated God. 
You gasp his name as he licks molten salt from your skin, and he feels the golden hand curl around his heart. His lids grow heavy with every taste. Intoxicated, he seeks more, putting his mouth to the crook of your neck. Your back arches, your chest flush with his own, melting and moulding together. Every second of time spent apart withers and dies. 
You have taken Joel to bed and felt him angry, happy, morose, insatiable—but the Joel you’re feeling now is tired. A drowning man finally cresting the surface, he touches you like he never will again. Your skin bunches and folds under his too-eager hands, rubbing you raw. Your muscles pull taut as you try to accommodate his frantic mouth. He bites you and your lips part in a silent scream. He pulls your hair and you gush, your chest hot, prickling with friction and sweat and heat. 
There is anguish in the way he holds you. It feels deep as a wound, old enough to still ache when it rains, old enough that you were never around to know him when it was cut into his body. You want to rescue him from the wordless pain, the agony that has no name. 
You want to know what has made him this way. Because there are times when you see your husband and it strikes you suddenly that a different person exists in the black of his eyes. Because there are parts he keeps hidden, for your sake or his. Because there is a little boy in his chest who's been hurt and you do not know how to save that sliver of him. 
Leftover hairs from his trim sting as your bodies slide together. Your scalp prickles at the desperate way he holds you at the crown of your head. You whisper his name and he looks up at you in the darkness, and there is water brimming beneath his irises. 
“Tell me what you need,” you say. 
He brings his hand between your thighs and touches the wet, warm place he seeks. You nod, letting him roll you onto your back, his mouth trailing kisses down your navel. When you squirm, he pins you by your belly, his palm flat to your skin. When you mewl his name, your chest heaving, he nods his head in reply, dipping his head and sliding his hot tongue through your slit. 
Joel is the prayer you chant. He kneels at the edge of the bed, bringing your thighs around his ears, closing his lips around your clit. You cry out, your hand flying to his hair, tugging him closer, eliciting a groan from his chest. It rumbles through you, his face buried in your pussy, his hands fastened around your thighs. He places searing kisses between your legs, lighting you ablaze, leaving scorch marks wherever his lips touch you. 
“Tell me you're mine,” he says, and the fractured sound of his voice cuts into your skin. He's watching you, his pupils puffy and seeking, hands squeezing, desperate. “Please.”
You whimper at the sight of the kiss he places on your clit. “I’m yours,” you tell him, reaching for his hand and threading your fingers through his. “I’m your wife, Joel. I’m not going anywhere. I’m yours and I love you.” 
He lowers his head, an apostate seeking redemption, and his tongue slides heavily over your clit. At the suction of his mouth around the slick pearl, you gasp, “Oh, God,” your head thrown back, your spine arching into his palm. The cut of the diamond on your finger is sharp against his skin. 
Joel relishes the cool bite of the gem as he licks through your folds and his saliva mingles with your wetness. He kneels with fervour, presses his mouth to you as if whispering his confessions through the lattice, and makes you his. 
The flat of his tongue is scalding, his palm a brand. He licks and sucks until you’re quivering, suffocating his hand in yours, and he wants to bare the imprint of your sigh forever. He should be the one submitting to you, and here you are, lending him your body to please, if only for another moment. Joel flicks his tongue over your clit, takes it into his mouth, and makes you sob his name. 
I’m yours. 
Yours. 
And it sounds so permanent that, for a second, he believes it himself.
You come with your back curving and your hips grinding and your nails in his skin. Joel doesn’t stop until you’re begging him to, until you push yourself onto your elbows and tell him to come here.
You swing your leg over him and bring your mouth down to his. Joel squeezes his eyes shut and kisses you so deeply that it bruises him somewhere he cannot reach. His hands cupping your face. His cock heavy between your bodies. The sun lowering, casting you in bronze. He loses his grip on the world.
“Now,” you whisper in the growing dark, “it’s your turn to tell me.”
You lift yourself onto his cock and bring yourself down, and Joel’s fist opens against your back. “I’ve been yours since the restaurant,” he rasps. 
You beam at him, and dusk ends.
There is a thumping beyond your bedroom door.
Joel hears it before you. In a flash, he hooks his leg under your knee and rolls you over, pinning you under his body. He reaches for the nightstand on his side, throws open the drawer, and pulls a gun. 
You grasp his shoulders, nails digging into flesh. Eyes meet in the slippery darkness. Wide, careful. Words wordlessly exchanged. 
Your fluttering heartbeat begins to pound in your ears. The noise migrates down the hall. 
Footsteps. 
In the kitchen, glass shatters, and your stomach swoops, down and back up, lodging in your throat. 
“Joel,” you whisper, your own voice trembling out of you. He shakes his head, his finger coming to his lips. Your body begins to tremble. The chill digs a pick into each knob of your spine as it climbs up to your brain stem. 
Your home begins to pound with its very own heartbeat. You can hear its tightly-wound tension in the walls. Nobody breathes except for your husband, slow and steady, hovering over you with a gun in his hand. 
You hadn’t known he owned a gun.
His hips ground you against the bed and his fingers intertwine with yours, bringing your hand to his chest. His heart pounds strongly into your palm, his eyes narrowed, fixed to you. But you know his focus is split down the middle, divided between keeping you safe and listening. 
Your breathing peters out until it’s silent as the breeze outside the window. A man’s voice carries from the kitchen, and another answers. Joel shifts slowly off the bed and brings you with him, handing you his T-shirt and boxers. He tucks himself into his jeans and pulls another shirt over his head while you silently dress. The fabric slips from your hand as your trembling fingers struggle for a purchase. Once you’re dressed, Joel pulls you into him, pressing his lips to your forehead. 
“Under the bed,” he whispers. 
Oh, fuck that.
“You want to go out there and confront them by yourself? Are you fucking crazy?”
He shuts you up by lowering his mouth to yours in a scorching kiss. “Do not fuckin’ argue with me,” he rasps, his teeth scraping against yours. You open your mouth to do exactly that, but another glass shatters, and you flinch away. 
“Under. The. Bed.”
And he’s gone, leaving you alone, helpless, the predatory prowl of his gait something unfamiliar to you. It’s learned, utterly silent, the curve of his elbow guiding your gaze to the gun held behind his back. His head juts out before him, peeking around corners.
There are dust bunnies underneath the bed. You’re a better cleaner than Joel, but he makes an effort. He gets lost in it sometimes, sweeping his way through the house as if there’s a grid on the floor, precise in his methods. He doesn’t attend to the details, like the corners of the trim or the grooves in the floorboards. And yet, your floors are polished. Your plants are watered. He cares for you in quiet ways, when words fail. 
Your heart thuds against the hardwood through the thin fabric of his T-shirt. It smells of rain and him. There are no more noises coming from the kitchen.
You drop your head into your folded arms and will yourself to breathe. The claustrophobic space between the bed frame and the floor edges in on you. The only light disrupting the vignette is the small lamp. You’re alone. 
When you lift your head again, a pair of heavy black boots stares you right in the face. 
You bite down on your scream as your heart swoops down into your stomach, pressed hard against the cold floor. Though you do not breathe, the thrum of your heart echoes in your throat as the sputtering of an engine in the dead of winter. The boots leave scuff marks on your floors, the boards groaning under the weight. The owner is heavyset, likely male from the size of his feet. And he's calling for you. 
“Here, pretty kitty.” He pitches his octave high as he taunts you. “Come on out, sweet girl. Don't make me mad.”
You watch the path of his boots across the floor as he approaches the nightstand, throwing open the drawer and rummaging through your belongings. 
Objects roll under the bed with you as he periodically drops them, careless in his vandalism. Your journal lands next to your head with a thunk, and you hear the low buzz of your vibrator in his hand. “Hmm, kitty likes to play.” And it lands on the floor, rolling to a cool stop in the groove between two boards. 
Petrified, you can only watch him stalk across the room, his heavy footfalls thundering in your ears. He whistles a tune you don't recognise, and you wonder what's taking your husband so fucking long. 
Joel, cries your heart as the man halts in his tracks, lowering himself to the ground, taking a knee. JoelJoelJoelplease—
And there's a spark of recognition when your eyes meet in the dark, like you've been acquainted with their black depths, before you're scrambling out from under the bed and kicking him square in the face with the heel of your foot. 
He grunts, holding his nose, free hand grasping for you like wisps of smoke. You crawl to your feet and begin to run, only for him to wrap one cold hand around your ankle and pull. 
You crumple back down to the floor with him, barely saving your own skull from cracking on the hardwood as you throw your hands in front of your eyes. The impact to your elbows radiates up to your neck, and you scream your throat raw, kicking out at your assailant, your blood roaring, weeping. 
With a firm kick to his throat, you force him to let go, his hand flying instinctively to his windpipe. He wheezes something crude, probably, but you’re running—limping, mostly, slamming the bedroom door behind you with a shattering thud that quakes the frame.
“Joel!” you cry, turning the corner in the hall, feeling the walls as you go as if your own home has become foreign to you. What if he’s dead? What if you’re about to stumble over his body in the dark—the only body you’ve ever been able to know as something more than a vessel for art, for a painstaking study? That body, the body you could trace in the black with fingertips, not brushes, does not make itself known. 
“JOEL—!”
A hand comes to rest on your cheek. It is not Joel’s hand. It is no hand at all, but the edge of a blade, a cool stinging thing that nicks the tender skin beneath your eye. 
Blood from his nose drips down his mouth, staining his teeth red. You feel a small thrill of victory. 
Joel is on the kitchen floor in a heap, vaguely stirring from the impact of a baseball bat to his ribs. The bat which a second intruder now uses to smash the framed pictures on your wall. Glass rains down on him. Shards have cut Joel’s soft belly, shredded the fabric of his shirt. Your captor holds you by the hair.
A third man smokes a cigarette, sitting on your countertop, swinging his feet back and forth, and it strikes you that he’s really only a kid. Twenty-five at most. You know young hands, young eyes. Your pencils and paper know them better. 
“Nice of you to join us,” says the man from the gas station, making shapes of the cigarette smoke. You watch the way it curls around the low-hanging light. 
“Joel,” you whisper, the salt of your tears stinging in the wound on your face. “Baby, please… get up…”
“He’s fine, chiquita,” says the kid. “Don’t waste your energy.”
Joel’s eyes peel open, his hands blindly grasping for something he does not have. He’s curled in on himself to protect himself from the inevitable next swing of the bat. You wonder if he’s been struck in the head, and you can feel pieces of your heart slowly wilting as petals untended.
His gun, you realise, your eyes dropping to the belt of the man who holds you hostage. It’s tucked into his waistband, but you cannot reach it with your arms trapped in front of you. His arm is a heavy band around your chest, glueing you to him, helpless. You’re fucking helpless and you cannot get to him and he will die.
Your Joel will die and he will know pain in the way you want him to know love. 
“Let him go, please. You hurt him.”
The kid sniffs, tossing his cigarette to the floor beside Joel and jumping down from the counter to stomp it out with an expensive sneaker. “He disrespected me,” says the kid, leering down at your half-conscious husband like a speck of dirt on a polished glass. “But he doesn’t matter.”
You choke on your sobs, writhing in your captor’s grasp in a futile effort to feel not-so-suffocated, not-so-stuck. “You can have anything you want. Please, take anything. We have money, we have cars, we have paintings. They’re worth something, I promise you. Just—just look up my name. They’re worth a lot, please, just take them and leave us alone, please—”
The anger explodes through the gash in his face where he’d put the cigarette, that yawning maw eager to swallow blood and pain. “I don’t want your fucking paintings!” he screams, stalking toward you and yanking you free of the other man’s grasp. 
Your stomach swoops as he shoves you, hard, to the floor. This time, your arms do not take the blow. It is your temple that absorbs the impact, striking hard on a floor already flecked with blood. Black seeps through paper. Your eyes darken. A man—you do not know which—is speaking.
“Go on, Emil, have some fun with the bitch,” he says. “We can put her up in the kennel when we’re done with them both.”
You hear the rustling of a belt as the man above you flicks open his fly, laughing all the while. 
You're still blinking hard to clear the fog when you hear a growl rumble in your husband’s chest, the faraway noise of a fist meeting flesh, the scuffle of feet across your freshly-washed floors, the first gunshot. 
Your cheek meets cool hardwood as you succumb, the shape of your Joel’s rage etched into your eyelids. 
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There’s a painting on the wall depicting two bodies in orgasm. Curved spines, feverish hands, dimples where fingers meet flesh. There is a hole in the canvas where the woman’s heart should be. A splatter of blood taints the image where the man drags his open palm down her back. 
His face is obscured, but his mouth is on her throat, exposing the cut of his jaw. The scruff of his beard. Careful strokes of oil paint join their bodies in harmony. It’s knocked askew on the wall. 
He’s rusty. 
He can feel it in the taut pull of his shoulder as he brings his arm back for the death blow. The blade comes up against the rough skin beneath the man’s chin, slicing him open just beneath the scruff of his beard. Blood bruises the hardwood floors, and although the man is already dead, Joel grasps him by the hair at the crown of his head and brings him down against the wall. 
His shoulder aches. His finger joints crackle. His knuckles are already bruised, his abdomen sore. He spits out pinkish saliva and turns his attention to his next job. 
His gun now back in his hand and its thief dead, Joel puts a bullet between the eyes of the third man, and another in his chest. The baseball bat clatters to the floor.
He thinks of the first time he wanted to kill for you and couldn’t. 
A man at the bar had groped you while you were out with friends. A little tipsy, you told Joel as he tucked you gently into the passenger’s seat, wrapped in a pretty black dress, and fell promptly asleep. He remembers the cool flutter of your hair from the air vent. He remembers the way your lashes spread like spider legs on your cheeks at every red light, the way the street lamps turned you golden. 
He remembers the man’s name. His face. His address. Some of the little wrinkles in his brain still hold echoes of information he'll never need again. But he keeps it tucked up there anyway. Maybe it reminds him of what he could never do, now that he had you. 
It seems the rules have been bent. 
Glass crunches underfoot behind him. Joel turns just in time to see the retreating figure, the fucking coward, sprinting for the door. He fires a shot that chips a piece of drywall and goes nowhere significant. Cursing himself, Joel hears the roar of his Mustang come to life as the kid leaves with his fucking car. 
Everything has a price, he'd said, blowing smoke in your face. Including your bitch. 
Joel curls his hand around the hilt of the knife. Blood begins to crust along the edge. Some of the blood, he realises, has been stolen from your sacred body. There is a cut on your cheek. 
And does your bitch have a price? Joel had replied, glancing behind the kid at the lackey he'd brought along. He seems to like you. 
You teeter on your way to standing, and Joel rushes to catch you before you can hit the floor. He flicks on the safety and sets his gun aside, cupping your face in his bloodied hands. 
Your eyes, blurred with tears, struggle to meet his. They're fixed to the man in a heap over Joel’s shoulder—the man who'd cut you. 
“Baby,” he says. 
Trancelike, you shake your head. 
“Baby, I gotta see you're still with me. Don't look at him; he ain't important right now. You’re important. Hear me?”
His voice is gentle, guiding, his thumbs hooked just behind your ears, hard eyes flickering between each of yours. 
“You killed them.”
“Yeah,” says Joel as the pad of his thumb traces the soft skin beneath the cut on your cheek. Your fingers curl around his wrists as if you’re trying to strangle him, temper him. 
“You’re hurt.” Your soft cry inverts his ribs, sits heavy and wrong in his chest. When your glassy eyes slide to meet his at last, Joel remembers the second time he wanted to kill someone and couldn’t. 
A man from your past had visited your apartment and told you he wanted to try again. You'd politely escorted him out and laughed it off. Terrible in bed, you’d joked. 
Joel remembers kneeling in the cathedral, surrounded by the lick of a thousand votives coaxing sweat from his glands, as he tried and tried to find faith and only felt the agonising scrape of the floor against his kneecaps. 
He remembers the first time devotion meant something to him. In the name of your second gallery showing. Paintings lined the walls depicting couples in embrace. “Which one is us?” he asked. 
“I don't sell those,” you’d replied. 
“Why not?”
“Because you're only for me,” you told him. “But I’ll tell you a secret.”
He’d ached to hear it. Even leaned in, a co-conspirator. 
“There isn't any devotion in these paintings. They're all hired models.”
“Then why bother at all?” he'd asked. “Why call it that?”
“Because I like showing people that there’s love in the world. And because devotion means something to me now.” You’d looked up at him and tucked your hand in his and he knew what all those nights spent kneeling meant. 
Faith, he thinks now, glaring at the shallow cut on your cheek, is knowing your purpose. 
The wound is his purpose. 
“I’m not hurt, baby girl. We need to pack a bag, okay? I have somewhere for us to stay.”
“Are they—are they coming back?” you ask, your bottom lip wobbling. 
Joel swallows bile and a bit of blood. “No. No, they won't be comin’ back. But we need a safe place while I take care of things.”
“Take care of things.” 
Your echo is ominous in his ears, and when your eyes leave him again to watch the way the blood trickles into the grooves between the floorboards, Joel knows what you will say next. 
“Who are you?”
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Masters of the Air - "Part Two"
6/?
(yeah, I'm still making these. no, I'm not making them in order.)
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daemonsdarksister · 9 months
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Thomas bloody Shelby - peaky blinders
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greenmanalishi · 1 year
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*CHAPTER 4 SPOILER*
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evren-sadwrn · 3 months
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anne magill, “shimmer” | anne magill, “walking home through the park” | delta rae, “chasing twisters” | john wick chapter 4 screenplay | thomas pynchon, “gravity’s rainbow” | jessie burton, “the miniaturist”
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johnwickb1tsch · 4 months
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picture of domesticity ~ john x wife!reader fix it imagine
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So... what if you were married to John Wick and the writers didn't kill you off just to give the male protagonist the excuse to go on a rampage? And everything John goes through in the movies is so he can come home to you, rather than agonize in just the memory of you?
You're in the car with your new puppy Daisy on your lap when Iosef proposes to buy the 'Stang. John does not like it when he leans in the window, leering at you as much as the car. You don't understand the exchange the men have over your head, though you understand John's body language all too well.
When the creepy boy goes you turn to your husband, hugging Daisy to you. 'It's so hot when you speak Russian," you say, trying to lighten the tension in the car.
He looks at you with an eyebrow raised, the corner of his mouth ticking up despite himself. You've always had that effect on your so- serious husband.
"What did you say?" you ask.
"I called him a bitch."
You giggle, scratching Daisy's ears. "John!"
"What? He said it first."
You sigh and reach over to take John's hand, feeling the tension thrumming down his arm. Usually you can calm him down with just a touch, but this time he remains wound as a spring. You have just been for a drive in the country. 'Let's go home, baby."
He does not calm down when you get home either, though. He is quiet in his agitation. But you know his every tell by now, and you know something isn't right.
He disappears into the basement for a little while. When he returns, he doesn't smell like book glue, but something more chemical.
Gun oil, you realize.
It's been a long time.
"Is everything OK?"
Now you are beginning to worry.
"I'm sure it's fine," he says, opening his arms to you. You snuggle on the couch with Daisy for the rest of the afternoon.
When you wake to the sound of a crash downstairs you almost are not surprised. John's side of the bed is empty. Daisy tries to dash away towards the ruckus, but you secure her in the closet, but not before withdrawing your Beretta 9mm from the jewelry safe.
It was a wedding present.
By the time you descend the stairs, the intruders have been rendered into corpses. John stands in the kitchen with a blood spattered face, looking feral. It catches your breath in your throat.
You are not half as horrified as you should be.
You have not seen that suit in a long time.
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Only later do you find out it was the son of your husband's old associate, Viggo Tarasov.
John says the matter is closed, but you aren't so sure.
When a beautifully dressed Italian with impeccable manners appears at your door, your heart falls to your feet, and you just know they are going to try to take him from you again...
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lycheeloving · 2 months
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trying my hand at John Wick texts. broadening my horizons, etc
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thewhumpcaretaker · 6 days
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this might be weird and feel free to ignore, but what are your headcanons about HelenxJohn sex/love life? Dominant Helen and Sub John just sounds so delicious.
NSFW below the cut! <3
Helen is very much a gentle domme. The whole time she's pegging him or overstimulating his poor cock, she's praising him for how well he's taking it. Planting little kisses on his cheeks and forehead.
John likes to be tied up. It's the one time he doesn't have to worry about what to do next and doesn't feel like he's a threat to anyone.
John's bad at using his words but Helen teaches him. Only boys who beg for what they want get to come. "What was that? Say it, John. Full sentence."
John initially struggles to use his safeword because he's accustomed to just powering through unpleasant sensations and emotions, but Helen teaches him that too. She's also very good at reading emotions and notices when he's getting upset, so things rarely get to that point.
Their dynamic involves a lot of service. John giving her lavish gifts, massages, breakfast in bed, oral...
To calm down afterwards, Helen loves to give him a bath and sit behind him, washing his hair while he just closes his eyes and leans into her.
No matter what, Helen's number one priority is making sure he's safe and feels good. She is as hopelessly in love with him as he is with her, and that's the reason he trusts her with his body in every way.
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askjohnwick · 24 days
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Established relationship - Helen Wick, alive.
He’s bleeding on her freshly washed sheets again, but Helen doesn’t mind. As long as he’s here, as long as he’s safe, curled up on her lap with her fingers running through his tangled, damp hair, with her arm cradling his broad back the best she can.
The dressing she put on him after their shower is bleeding through again, onto the bed, onto her clean thighs, and she just might have to mention a hospital visit this time, although his anticipated protest and look of betrayal is almost not worth it.
“John,” she coos, “John what am I going to do with you?” She kisses his forehead, his cheek, buckles a little bit under the mass of him and ends up back on her elbows with his face buried into her bare chest.
John is clean. He is warm. He is loved. After all that he did today, she dares to wash away his blood and his shame. What did he do to deserve this? He allows himself to melt against her and just drift, completely limp, her voice carrying him. He keeps his eyes closed because if he opens them long enough to look at her, the resulting shot of happiness might exceed a fatal dose.
The pain stabbing through his body feels inconsequential, or perhaps even necessary - without its offset, could he possibly bear the sweetness of this moment? Her voice, saying his name…he will never get used to that. Her forehead kisses…A rush goes through his lungs, fluttering down into his diaphragm and the pulsing places of his wrists, which almost ache with a desire for this, this here and now, to be preserved for eternity.
For a moment, he just leaves his face buried against her, too overwhelmed to speak. Then, his words come out more ragged than he meant them to. "This. Just exactly this." Another rush squeezes his heart as he feels her pull him closer, another wave of euphoria. He is the luckiest man alive.
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bonkchai · 1 year
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Begging the COD mw2 fandom to actually spread their interests in characters and be more open to the characters they do stuff for because there’s so much potential to so many more characters outside of the mw2 cast. I feel like if the mw2 fanbase expanded their interests more, I think they’d find so many other interesting characters to write for just outside of the mw2 game and I’d love to see it because of how genuinely awesome and creative the fanbase can be.
To list a few of my personal favorites from a few other COD games
Velikan, Krueger, Nikto from MW (2019)
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Captain price, Kyle “gaz” Garrick, Alex Keller, Farah Karim from MW campaign (2019)
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Lucas Riggs from Call of duty: Vanguard (2021)
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Frank Woods and Helen Park from Call of duty: Black ops Cold War (2020)
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Logan Walker, David “hesh” Walker, Keegan P. Russ from Call of duty: ghosts (2013)
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Also I feel like it should be said but: there are more operators at your dispense in COD: MW2 (2022).. not just König. I love him dearly but sometimes it feels like people forget any other operator exists just for him.. spice it up a little, will you? (oni and gromsko my beloveds.)
Anyways, that was my stupid ramble LOL, forgive me
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