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Babs, Buster and a sled named Rosebud whoosh down the snow covered hillside, on this production cel, from a scene I animated for, the opening of “It’s a Wonderful Tiny Toons Christmas Special” 1992. 
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punster-2319 · 1 year
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A little late, but as of yesterday (December 6th) it’s been 30 years since Tiny Toon Adventures ended its initial run with the Christmas-themed episode “It’s a Wonderful Tiny Toons Christmas”.
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Imagine if Bill Melendez hired Jon McClenahan to do retakes for Happy New Year, Charlie Brown to avoid repetition and add in more acting for the characters in some scenes, such as the one with Lucy and Schroeder and the part with Charlie Brown and Peppermint Patty on the phone. This would be done for future airings.
Peanuts © Charles M. Schulz/United Feature Syndicate
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pokepony · 4 years
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Animaniacs Animation Studios: StarToons
Alright, today we got the American studio.
StarToons is a funny case to me. At first, I didn’t like it much ‘cuz of how cartoony the animation was. Like I said, I thought (and still do think) TMS was more “sophisticated” while StarToons was more exaggerated. But over time, I grew to really appreciate it. (But in my defense, the earlier episodes were pretty trash ngl. :P)
The main reason why I appreciate it? Jon McClenahan.
He was the head of the studio and he always encouraged other animators to do a part. It was never just him and he never took outright control of everything, and seeing all their styles only makes me admire it more, especially when they blend together.
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Helps that his style is really appealing. Broad faces and expressions (can you tell that I have a big thing for expressions lolll) that give a confident aura to the animation.
Small thing that I grew to love about his style is that Wakko’s hat bill is drawn pointing straight down.
Jeff Siergey’s style is like really liquid-y. His faces have a squishy feel which helps the animation look bouncy.
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By contrast, Spike Brandt’s style is more broad (not as much as McClenahan) and more sharp. My favorite part of his is how devious he can make the kids look with the half-circle eyes.
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Also, other small thing: in “Macbeth”, I love that Yakko’s ears are drawn in the same angle as he turns his head.
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One animator that I’m hella sad that we didn’t get enough was David Pryor.
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He joined during season 5 and you can see his work in the Macadamia Nut parody, “Magic Time”, and the “There’s Only One of You” song from “Hooray for North Hollywood Pt. 1″. His designs took inspiration from McClenahan and you can tell by like the head shape, but the more angular look makes it distinct, and I really like it.
Lastly, I want to leave Neal Sternecky as an honorable mention.
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In the show, I’ve only recognized his stuff in “Chairman of the Bored” and “Macadamia”, but he’s also featured in the comics. His style is really loose and smooth (I particularly like it in “Macademia”), and I wish we saw more of it in the show.
So sad that they shut down in the same year I was born in yikes. I hope the crew’s doing alright.
Favorite Segments (in episode order)
“Chairman of the Bored” (Ep. 32)
“Ragamuffins” (Ep. 59)
“Dot - The Macadamia Nut” (Ep. 92)
“Magic Time” (Ep. 94)
Very special mention goes to “There’s Only One of You”; I know I said that songs were exempt, but since the rest of the episode is animated by Wang, I figured this was a fitting exception.
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fredfilmsblog · 3 years
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FredFilms promises...
Creators first.
I've always believed that we owe you, our fans and now at FredFilms we all take it as gospel. We owe you our best work, of course. But beyond we examine everything about ourselves constantly, to assure ourselves and you that we’re trying to stay on the right track. To that end, whatever work I’ve done –whether it be in the music business, the network television business, and certainly, cartoons– has been done with making public promises that try and assure you that we’ll deliver.
To that end, I thought it would be good to print out a new set of our limited edition postcards to make the FredFilms promises completely clear. This one’s the first.
As throughout my entire cartoon career, and now at FredFilms, it’s been my  mission to let exceptional creators do their thing. We’re not in the business of micro-managing our creative talent. Instead, we seek out and nurture creators who have a story they need to tell and give them as much room as possible to tell it.. We go to festivals, art schools, comedy clubs, and explore the dustiest corners of the internet to find folks we know we have to work with.
We believe there are new stories to be told. 
We promise.
.....
It might seem extreme, but I thought it might be interesting to list all of the creators that have worked on my productions, starting in 1995 with What A Cartoon! at Hanna-Barbera and Cartoon Network in 1995. If you look at any of the 140 individual links (!) you’ll see that almost all of them have had estimable careers in cartoons or animation adjacent (comics, video games, VFX and the like). Some have created hit series with me, some without (sigh!) and some have become quite famous. One way or the other, they’ve all been amazing.
Raul Aguirre
Natasha Allegri
Robert Alvarez
Amy Anderson
Tex Avery
Ralph Bakshi
Joe  Barbera
Damien Barchowsky
Charlie Bean
Jerry Beck
D.R. Beitzel
Mike Bell
Tim Biskup
Bob Boyle
Chris “Spike” Brandt
Eric Bryan
Michelle Bryan
David Burd
Bill Burnett
Breehn Burns
Jaime Diaz
Angelo diNallo
Kyle A. Carrozza
Elyse Castro
Tony Cervone
Alison Cowles
David Cowles
Rick Delcarmen
Jeff DeGrandis
Andrew Dickman
John R. Dilworth
Davis Doi
Greg Eagles
Jerry Eisenberg
Warren Ellis
Greg Emison
John Eng
Jun Falkenstein
David Feiss
Eddie Fitzgerald
John Fountain  
Manny Galán
Dana Galin
James Giordano
Alan Goodman
Tom Gran
Mike Gray
Antoine Guilbaud
Bill Hanna
Meinert Hansen
Russ Harris
Butch Hartman
Andy Helm
Adam Henry
Bill Ho
Larry Huber  
Gabe Janisz  
George Johnson  
Don Jurwich
Kang yo-kong
Ken Kessel
Jiwook Kim
Alex Kirwan
Kevin Kolde
Grant Kolton
Erik Knutson
Dahveed Kolodny-Nagy
Diane Kredensor
Harvey Kurtzman  
Juris Lisovs
Seth MacFarlane
Steve Marmel
Miss Kelly Martin
Eugene Mattos
Craig McCracken
Jon McClenahan
John McIntyre
Harry McLaughlin
Dan Meth
Mike Milo
Zac Moncrief
Russell Mooney
Jesse Moynihan
Justin Moynihan
Adam Muto
Andre Nieves
Jeret Ochi
Joe Orrantia
Victor Ortado
Rory Panagotopulos
Paul Parducci
Van Partible
Lincoln Peirce
Jonni Phillips
Jason Plapp
Polygon Pictures
Bill Plympton
Carlos Ramos
Michael Rann
Russ Reiley
Christopher Reineman
Rob Renzetti
G. Brian Reynolds
John Reynolds
John Rice
Bill Riling
Mel Roach
Eric Robles
Mike Rosenthal
Jason Butler Rote
Jim Ryan
Fred Seibert
Seo jun-kyo
Don Shank
David Shute
Brent Sievers
Achiu So
Hamish Steele
Elizabeth Stonecypher
Jennifer Cho Suhr
Genndy Tartakovsky
Doug TenNapel
Aliki Theofilopoulos
Miles Thompson
Karl Toerge
Kate Tsang
Guy Vasilovich
Byron Vaughns
Joel Veitch
Pat Ventura
Anne Walker
Vincent Waller
Pendleton Ward
Dave Wasson
Mike Wellins
Melissa Wolfe
Martin Woolley
Jim Wyatt
Niki Yang
Carey Yost
.....
FredFilms Postcard Series 2.1
From the postcard back:
Congratulations! You are one of 75 people to receive this limited edition FredFilms postcard!
www.fredfilms.com
A FredFilms promise: Creators first.
FredFilms’ mission is to ‘put the right people in the room.’ By helping extraordinary creators we can produce innovative shows with enduring characters.
We know there a new stories to be told.
Executive producer: Fred Seibert
Series 2.1 [mailed out April 6, 2021]
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topsolarpanels · 7 years
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Atomic City, USA: how once-secret Los Alamos became a millionaire’s enclave
Home to the scientists who built the nuclear bomb, the company town of Los Alamos, New Mexico is today one of the richest in the country even as toxic waste threatens its residents and neighbouring Espaola struggles with poverty
In August 1945, the US army dropped a secret over Japan: fully functional nuclear bombs, which instantly killed tens of thousands of people in Hiroshima and Nagasaki. More than 6,000 miles away, meanwhile, in northern New Mexico, one newspaper carried a headline with uniquely local flair.
Now They Can be Told Aloud These Stoories[ sic] of the Hill blared a rushed edition of the Santa Fe New Mexican. The article revealed that Los Alamos a mysterious settlement, built atop a picturesque mesa had been instrumental in the process of developing these new weapons of mass destruction.
Today, Los Alamos is a secret no longer: its a small community with about 18,000 people living in the main town and a suburb called White Rock. But the nuclear lab remains, and the city is still an island in many ways: an extraordinary pocket of wealth and privilege, surrounded by some of the poorest counties in New Mexico, one of the poorest states in America.
The city is also partly toxic. The nuclear research lab still disposes of radioactive waste, and an underground plume of hexavalent chromium a contaminant linked to increased risks of cancer and constructed famous by Erin Brockovich has been drifting from the lab. A September 2016 report from the labs environmental management office said it could take more than 20 years and virtually$ 4bn( 3.3 bn) to clean up decades-old nuclear waste in the area.
And yet Los Alamos has more millionaires per capita than almost anywhere else in the country.
Instant city
The city has always been unique. During the second world war, Los Alamos was the site of a classified research laboratory, built as part of the Manhattan Project to develop an atom bomb. Along with Oak Ridge, Tennessee and Hanford, Washington, it was also home to a secret city built to house thousands of scientists, technologists and their families.
It was isolated, and it was also beautiful, which was something[ J Robert] Oppenheimer employed where reference is recruited people, says Jon Hunner, professor of history at New Mexico State University, referring to the theoretical physicist who led the Los Alamos lab.
Los Alamoss once secret nuclear history has become a tourist attraction. Photograph: Brooks Saucedo-McQuade
The goal, he explains, had been to build top secret, temporary research facilities in order to keep US nuclear scientists and their work away from prying eyes and ears.
Hunners 2007 book, Inventing Los Alamos, describes the birth of what he calls an instant city. In some routes, the story sounds similar to that of the hundreds of company towns built across the US in the late 19 th and early 20 th centuries, to provide labor for single industries: mining, coal and logging towns.
Except here the industry was nuclear weapon. And, officially, the town did not exist.
Those who lived in Los Alamos were forbidden to talk about it. The town was not mentioned on drivers licenses, birth certificates, or postal mail. The whole region was surrounded by fencings, gates and guards.
Constructed virtually overnight, much of the land was simply appropriated from traditional Hispanic homesteaders and Native American communities, as well as an upper-class private sons school that counted Gore Vidal as one of its famous graduates.
To guard its secret, Los Alamos was built to be almost completely self-contained. There were schools, a hospital, and theatres that doubled as dance halls on Saturdays and churches on Sundays. Housing was allocated according to ones rank at the lab. By the end of the war, it had a population of 6,000.
Everything was run by the Army Corps of Engineers. There were no private industries in Los Alamos until the 1950 s. Nobody could own property. Nobody could own their home, says Hunner. With its focus on the social sciences behind the bomb, he describes it like a university town that was controlled by the military.
It was also shoddily constructed, he says, because it was only supposed to exist during the second world war. But then the cold war with the Soviet Union dedicated the US nuclear weapon program, and Los Alamos, a new raison detre. Both were here to stay.
Los Alamos laboratory in the 1950 s those who lived and work there had to keep it at secret. Photograph: Jeffrey Markowitz/ Sygma via Getty Images
Its a stark example of the 1% and 99%
Today Los Alamos has become one of the richest cities in America. At least one in every nine people a whopping 12% of the population is thought to be a millionaire. Los Alamos also regularly tops the listing in terms of the best education and lowest crime levels in the nation. It has one of the countrys greatest concentration of PhDs.
On the map of New Mexico, Los Alamos county created in 1949 is a tiny dot next to Rio Arriba, one of the largest counties in the nation. In Los Alamos, average incomes are twice as high as those in Rio Arriba. A 2012 Census Bureau report said this was one of the largest wealth gaps between two neighbouring counties in America.
Just 30 km from this affluent island is the town of Espaola. Here the median household income is $33,000 and virtually 30% of the population live under the poverty line. For years it has also fought with its reputation as the heroin overdose capital of America.
Hunner describes the disparity between Los Alamos and neighbouring towns as virtually inevitable. Were really a poor nation, he says. So you plop this federally supported research and development lab, where you have to pay people a lot of money to stay there, and of course theres going to be a disparity between the people who live there and the people in Espaola.
But, he adds, a lot of people who live in Espaola work in Los Alamos. In that whole northern New Mexico region, there is a big commute.
Los Alamos, where benefits have been very insular. Photograph: Brooks Saucedo-McQuade
Others insure the inequality between Los Alamos and neighbouring communities as an excellent example of a common dynamic across the country and a reminder of how narratives of wealth percolating down can be far-fetched.
Its a stark example of the proverbial 1% and the other 99%, says Jay Coghlan, sitting in a large reclining chair in the living room of his home in Santa Fe. A 45 minute drive south-east from Los Alamos, his home doubleds as an office for Nuclear Watch New Mexico.
Neighbouring communities have not benefited much at all, with the obvious exception that theres tasks, he says. Benefits have been very insular and privileged to the nuclear enclave itself.
The environmental impact of living next door to a nuclear research lab is another sore issue. Some radioactive waste is still disposed of at the labs Area G compound( although this could objective next year ), and there is still so-called legacy waste, which has not been cleaned up and will take billions of dollars to address. The carcinogenic plume of hexavalent chromium, meanwhile, which was discovered 10 years ago, is migrating towards nearby Native lands and the regional aquifer.
Atomic City, USA
Los Alamos sits on a hill at more than 7,000 ft( 2,000 metres) above sea level. The single, steep road to the town winds through picturesque northern New Mexico: arid scenery punctuated with desert plants and native American pueblos, with the Jemez mountains in the background.
On a sunny September afternoon, the town is calm and peaceful. A perfectly landscaped and manicured pond is surrounded by a park of bright green grass. A young couple pushes a newborn in a stroller.
Inside a supermarket in Los Alamos, there are fine wines on sale along with cigars, stored in a purpose-built humidor. The supermarkets indoor Atomic Bar serves a range of craft brews on tap. Nearby, a small strip mall houses a chocolatier, an acupuncturist, and a sensory deprivation flotation therapy clinic.
In the waiting room at a bank, there is a Sothebys catalogue of luxury real estate in Santa Fe, from where many of the labs better-paid employees commute. A grand new municipal building stands on the side of the main street much larger than one might expect in such a small town.
Sipping a glass of Atomic beer … Photograph: Brooks Saucedo-McQuade
But while Los Alamos is clean and orderly with clues of privilege, its affluence is comparatively understated. It doesnt looking like one of the richest counties in the nation, let alone the country.
Its not old wealth, says Heather McClenahan, executive director of the Los Alamos Historical Society. Its people who work at the lab. And if youve got two people who work at the lab, whove both got six-figure incomes, thats going to generate wealth in your family.
McClenahan has lived here for more than 15 years. Her spouse does environmental work at the lab. Its a great place to create kids, she says. Its a company town. Most households have at least one person working at the laboratory. There are fabulous schools. Its very safe.
And because its a small town, we dont have traffic problems, we dont have a lot of crime.
And yet references to war and nuclear weapon are everywhere. Atomic City Transit buses rumble down roads with names like Oppenheimer Drive and Trinity Street. Atomic City Salsa is on sale at a gift shop in the town centre, along with bumper stickers and playsuits for newborns, including one with a mushroom cloud on the front, and the punchline( Ive been falling BOMBS since Day 1) on the reverse.
Research at the lab today includes fields like climate change, supercomputing and astrophysics. But still nuclear weapon is the dominant subject.
Pete Sheehey, a Los Alamos county councillor, first moved to the town 30 years ago from California while finishing a PhD in physics. He described the community as very dependent on the one lab contract, but said that it is trying to encourage and maintain spin-off companies in the area, so there will be more jobs independent of the lab contract. And we are working to increase tourism as well.
Made in Los Alamos. Photograph: Brooks Saucedo-McQuade
Los Alamos is part of the new Manhattan Project National Park, and a new mobile app released by the lab lets users explore the 1940 s Atomic City. Already Los Alamos receives tens of thousands of guests each year to consider the place where the atom bomb was developed, says McClenahan. Some of the biggest numbers are from Russia, Germany and Japan.
McClenahan says Los Alamos has always been conflicted about the impact of the research done here. From the beginning, she says, there were scientists who were so proud of not only the scientific work they did, but of telling We ended world war two. And then there were others who said, We only killed hundreds of thousands of people.
For decades, she adds, there was also a sense of Stay out of our town, were doing top-secret run and you cant come here. But attitudes have changed. Now, she says, people are guessing: How do we bring tourists to our tiny little town?
Espaola: Its complicated
Espaola is a 25 minute drive north-east of Los Alamos. It, too, is a small town, with a population of about 10,000. But, in many respects, it feels a world away from the nuclear island on the hill.
The road into Espaola pass by brightly painted murals and drive-thru fast food restaurants. Other builds bear hand-painted signs on storefronts, selling animal feed, boots and party supplies for quinceaeras . Boldly coloured low-rider autoes, which have become key cultural symbols of this part of New Mexico, rumble down the towns wide roads.
Sheehey, the Los Alamos councillor, says that thousands of people commute to Los Alamos each day from neighbouring communities like this one. Economic benefit is felt throughout the region, he says. Children from outside the county are allowed to attend Los Alamos schools, which still get a federal subsidy and are some of the best public schools in New Mexico.
The lab has also been generous in supporting education and other community programs in Espaola and other neighbouring communities, Sheehey adds. He dedicates the example of a free bus service through northern New Mexico, funded partly by a Los Alamos county program called Progress through Partnering.
Like many people in Espaola, Patricia Trujillo, 39, says she has always been connected to the lab in some way. When we talk about the company town its much wider than Los Alamos, she says. Its the whole valley.
Two towns divided by extreme wealth and inequality. Photograph: Brooks Saucedo-McQuade
As a child in the late 1980 s, Trujillo says she recollects her teachers sending her and her classmates to wait by the side of the road and cheer as new scientific equipment was brought to Los Alamos by truck. They had us sit outside all day long, she says. Instead of getting us to question it, they had us cheering.
Her own grandmother ran in Los Alamos in the 1940 s, as a home matron in charge of a dormitory for other women who worked in the then-secret city households and offices. And Trujillo herself has worked at the lab, including as a technical novelist after university.
There are small businesses in Espaola, she says that have also benefited from subcontracts to provide supplies for the lab.
But the word Trujillo chooses to describe Espaolas relationship with Los Alamos is complicated.
Now professor of literature and Chicano surveys at Northern New Mexico College in Espaola, and head of the schools equity and diversity program, she explains: A plenty of our middle class, our wealthier parents, will drive their kids to Los Alamos county every day, to send them to school there. But then we lose that parent base here.
Trujillo says Los Alamos has supported projects including those to write science curriculum for schools in Espaola. But these efforts have been piecemeal and problematic, she says, doing little to address structural inequalities between the two communities.
There is instead a pervasive hill-valley gap, Trujillo argues, which impacts imaginations and limits people aspirations. The majority of manual labourers come from the Espaola valley … but theres no trickle down, she says. Its a multibillion dollar industry, but unfortunately theres a lot of inequity.
Secrecy , not safety
In Espaolas Valdez Park, Beata Tsosie Pea, 38, is sitting with her young son near a freshly terraced slope where she will soon assistance plant trees as part of a new community garden.
Pea was born in the nearby Santa Clara pueblo, and is coordinator of the environmental justice programme at Tewa Women United( TWU ), a civil society organisation led by indigenous women in the area( Tewa is the name of a native language group ). Trujillo is also on the board of trustees of the TWU.
Pea describes the Los Alamos lab as intertwined with issues of power and injustice from the very beginning. Much of the land for the lab was taken from Native communities in the 1940 s, in what she says started with temporary agreements, and understanding that it would be returned after the war.
Los Alamos is on all these sacred sites, ancestral sites. We knew not to develop there, to construct there. We would never have said and done, because we were put there as custodians of the water and the land, she said.
There are also concerns about the labs environmental impact on neighbouring communities. Peas organisation is part of the Communities for Clean Water alliance created to monitor Los Alamoss impact on water for drinking, agriculture, sacred ceremonies, and a sustainable future.
The September 2016 report on nuclear waste came from the the labs own environmental management office. The 20 -plus years and$ 4bn clean-up costs were criticised for being likely underestimates.
The[ labs] location was chosen for its privacy , not its safety. And now theres so much fund, its seen as an investment they dont want to lose, says Pea, wondering aloud how many of Los Alamoss residents know on whose land they are, and that the privilege of living here comes with responsibility.
But, again, the word she opts is complicated.
There needs to be a transition to a different mission[ for the lab ], to things like clean-up technologies, alternative energy, green energy, she argues. Protest groups come here and say Shut it down. But for us, its much more complicated, because our families are economically tied to the lab.
Travel for this story was supported by the Pulitzer Center on Crisis Reporting
Follow Guardian Cities on Twitter and Facebook and join the discussion
Read more: www.theguardian.com
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stillframelmfao · 11 years
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STAND-UP AND DELIVER (1991, Jon McClenahan)
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The “wet cement” image, from my previous post, here, painted by Craig Kelly, as it appears in the credits for “Little Go Beep,” with the list of animators, as well as an acknowledgment to the great Chuck Jones.
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Tried my best to emulate Jon McClenahan’s art style for the Chipmunks and Dave Seville. Any artist with good experience is free to redraw these and credit me, if they have the time. Alvin and the Chipmunks is property of Bagdasarian Productions.
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Wet Cement? Not for long! Image of Wile E. Coyote from the opening title sequence from "Little Go Beep," used on the card crediting the animators. Many are alumni from the animation studio StarToons, as well as several who were still there at the time of production, including Jon McClenahan. 
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