The quiet hour , Coderch building - Bea Sarrias , 2021.
Catalan, b. 1978 -
Acrylic on linen, 50 × 50 cm.
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Josep Antoni Coderch Barcelona Architecture
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Josep Antoni Coderch Barcelona Architecture
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Source: https://soudasouda.tumblr.com/post/748836726811852800/josep-antoni-coderch-barcelona-architecture-follow
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Coderch's Iconic Barcelona Design
Josep Antoni Coderch Barcelona Architecture - Modern white villa with tall cypress, patio furniture, and lush greenery.
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Source: https://www.pinterest.com/theceramiccity/
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Josep Antoni Coderch, Barcelona, 1957 https://www.instagram.com/p/CoDo71RoLEd/?igshid=NGJjMDIxMWI=
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Spanish Architect Josep Antoni Coderch, (1913-1984)
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‘Casa Olano’, single family house
Comillas, Santander, Cantabria, Spain; 1957
José Antonio Coderch de Sentmenat, Manuel Valls Vergés
see map | more information 1, 2, 3
via “COAM Arquitectura” 107 (1967)
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Josep Antoni Coderch i Manuel Valls - La Barceloneta, Barcelona, 1951
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#Casa de la #Marina by #Josep #Antoni #Coderch #1954 (at Barcelona, Spain) https://www.instagram.com/p/BqUgqQnnVwH/?utm_source=ig_tumblr_share&igshid=3938ty5c4jdi
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flickr
Trade Towers por Josep Tomàs
Por Flickr:
Designed by Josep Antoni Coderch i de Sentmenat in 1968.
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edificis Trade Josep Antoni Coderch & Manuel Valls, 1966-1971 . . . . #arquitectura #architect #architecture #architecturephotographer #barcelona #trade #coderch #fotosintetic #buildings #edificis https://www.instagram.com/p/Buf7hn7BSqv/?utm_source=ig_tumblr_share&igshid=1354ooqc6bl23
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217. Bernard Rudofsky & José Antonio Coderch /// La Casa (Rudofsky House) /// Frigiliana, Málaga, Spain /// 1968-1972
Of Houses guest curated by The Intertwining (Paula V. Álvarez Benítez, Nuria Álvarez Lombardero, Álvaro Carrillo Eguilaz, David Arredondo Garrido, Francisco González de Canales, Vincent Morales Garoffolo and Juan Antonio Sánchez Muñoz):
"Frigiliana is not only a perfect display of the world Rudosfky captured in “Architecture Without Architects”, it also draws on certain shortages of his liking, like the hypnotizing decline the village was in the 1970s. Tuning in his intervention with this unique vernacular environment, he reclaimed pleasure and knowledge as key construction materials. This is can be seen in details like the removal of the backs of the seating areas, converting them into horizontal surfaces, some of which he would call “Morning sunbath” or “Evening sunbath”. In addition, Rudosfky developed different eco-centric tactics, such as using, in his drawings, a similar legend to describe an olive tree or a room, or by articulating the rooms through radically orthogonal paths, measured out with clay tiles, recalling the natural field. A hedonist sense was also accomplished through the use soft materials and ephemeral situations such as the swimming pool canopies, the summertime mosquito-net rooms which colonize the pergola, the rugs, the stools, the shadows... Even the reed blinds constructed by his wife, Berta, who in some ways activated Bernard Rudofsky's domestic imaginary, take part in this performance of details."
(Text: Álvaro Carrillo Eguilaz. Photos: Bernard Rudofsky, Ricardo Devesa. Courtesy of The Bernard Rudofsky Estate, Vienna.)
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Edificio Amigó
Josep Antoni Coderch
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'Casa Luque', single family house
Sant Cugat del Vallès, Barcelona, Catalonia, Spain; 1963-65
José Antonio Coderch de Sentmenat, Manuel Valls Vergés
see map | more information 1, 2
via "COAM Arquitectura" 107 (1967)
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