#just shows what 2 seasons will do

[raayllum]

Janai + holding Amaya's chin in her hand

[crismakesstuff]

“What if I become him and I don’t even know it?”

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[deelovesbooks]

ko-fi

[minimenace]

"the movie is better than the series" "the show absolutely bodies the movie"

me:

[jannecapelleart]

anyway so this is something a bit more cheerful bc ngl his face was so funny in this scene. also someone said its the same face that one meme cat is doing and theyre right.

[flowerbloom-arts]

The Lonely Mountains (2023)

Original Dungeon Meshi drawing by sweepswoop_ on Twitter

[is-that-sand-in-my-waffles]

[schrutexbucks]

just some of my favorite tweets about tonight's (absolutely perfect, truly work of art) episode of interview with the vampire 1/xx

bonus crossover of what we do in the shadows

[lemondoddle]

"It's problematic for guillermo to hook up with his boss"

You turned a woman of color into a white man.

[niamnomas]

So can we get an all women’s season of physical 100 XD I’m pretty sick of the constant “well they’re not physically strong so our team is going to suck” it’s pretty fucking annoying when it happens to literally every single woman contestant :/

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[saltpepperbeard]

For this Sexual Sunday, the Morning After, but they're on the same page ✨💜

[iwritenarrativesandstuff]

literally the easiest way to make someone care about a character and make them feel well-rounded beyond basic traits like personality, sexuality, ethnicity, etc, is to give them an actual character arc, and it’s shocking how many people do not seem to fully realize this

you cannot just cram a bunch of tropes. tropes are not the main event, they are tools to tell the story you wish to tell. emotional impact comes from the lead up, so you can’t just jump ahead and expect the payoff to work. “I want this character to just ___ already!” but they’re not there yet. that’s where the arc comes in - how do they get there?

and! most importantly, and this is something I really want people to think about when writing - the most important relationship your character should have, always, is with the world and society around them. defining your character purely through their interactions with other characters are, I find, how a lot of female characters end up feeling flat or not engaging with the themes as much as the male characters, and also how queer and non-white characters wind up as devices for other characters’ development instead of being more fleshed out

[carolperkinsexgirlfriend]

Steddie Upside-Down AU Part 87

Part 1 Part 86

Mom’s hovering in front of the door, a knife in her hand, trying to get the rest of them to get away from the window. It’s not working. If anything, Max’s nose only presses more firmly to the glass with every request she makes.

Will’s hovering just behind her, desperate to keep Steve and Eddie in his line of sight. He can just barely see the wisp of a curl through the side window of the van, bouncing as Eddie moves around inside.

He squints, trying to keep the hair in sight as the movement becomes more erratic.

Will hears glass breaking just as he loses sight of Eddie entirely, wisps and all.

He rushes past his Mom, using the weight of his body to open the door, even as she stands in the way. It’s almost involuntary, a compulsion to follow the thread that Eddie’d pulled him by.

“Will, don’t!” she cries, but it’s too late. He’s out, and through.

Mike calls after him, too, and there’s the sound of tennis shoes stampeding out of the house behind him. Will only hopes he’s not leading them all to their impending doom.

Bodies slump into the driveway, none of them human. They’re like if the Demogorgon had followed a different evolutionary chain. Dustin would find it fascinating. Will just wants Eddie and Steve back.

Wayne’s still standing sentry, looking out across the street, waiting for more monsters to creep in from the darkness, Barbara by his side.

Shielding the entrance to the van, is El.

“El!” It’s Mike, because it always is. He sounds so genuinely elated that something curdles and dies in his throat. He swallows it down, hopes it decomposes in his stomach, so he never has to look directly at it. “You came!”

El smiles, happily at Mike, then around to all of them. “Of course.” She looks over at Max, and she’s frowning now, that way she does when she doesn’t understand something. It used to happen all the time. Now, it’s rare.

Will doesn’t care, can’t when Eddie’s too quiet in the van somewhere Will can’t see. He pushes past her, too.

There’s a misshapen, monstrous foot sticking out of the broken window. He stares at it for a second before swinging the door open. It wrenches the foot strangely, makes it crack and tear with the resistance of the door before it breaks free, black blood flowing like the thing’s still alive. 

It stays still. 

Will looks past it, and finds Eddie’s pale face.  

There’s glass in his hair, and his palms are bleeding where they’re held in front of him, but he’s breathing. Alive. And he’s looking up at El like she’s answered all his prayers. Will and Eddie have been sharing the same prayers from the same broken pews for so long that for a second, Will thinks Steve is back. 

He scrambles over the dead thing blocking his entrance. It’s cold against his palms, flesh barely giving as he crawls hand over feet atop it. But, Steve’s still just sitting there, blinking, Carol huddled into his side like he can protect her, even like this.

“Steve needs your help,” Eddie says, plaintive. Begging with both voice and unblinking eyes, gaze locked on El’s own until she breaks it to look at where Steve still sits, unbothered.

Her brow furrows, eyes squinting like she’s peeling off layers of skin and meat to get to whatever’s underneath. “He’s lost?” she asks.

Carol is squinting at El like the words aren’t clicking for her. She looks back to Steve, then back to El, brow furrowing with anger.

Eddie nods. Will clears his throat. “Not like last time,” he clarifies. “He’s here, but his mind isn’t.”

El nods, decisive. “I will help.”

“What the hell are you all talking about!” Carol demands, even as people scatter around her, setting up for El’s latest rescue mission. “He’s right there!”

She’s not looking at Will, though. She’s looking at Eddie like it’s all his fault. Still, when Steve doesn’t say anything, her lip wobbles as she turns and asks, “right Steve?”

He doesn’t answer, even as she calls again. Will looks away when she bites her lips, eyes wide.

It’s easier this time. They don’t have to break into the school, don’t have to find a pool. El just sits cross-legged in front of Steve on the carpet, careful to stay away from the broken glass and the dead thing. Mike covers her eyes with Wayne’s flannel while the man himself switches the radio dial until he finds one with enough white noise to satisfy.

He can’t quite tune out the murmured conversation between Eddie and Carol, though, no matter how hard he tries. Eddie explains, in clipped, emotionless words, that something, one of the monsters from the other place she’d just gotten a taste of, has taken over Steve. 

“But we’re getting him back?” she asks, voice shrill and breaking, contrasting with Eddie’s own even tone. A veteran to the newbie in the warzone. 

Will, suddenly, feels terribly old. 

“Quiet now,” El demands. 

Eddie looks away from Carol without answering. There is no answer to that question when they’re all subsisting off hope, and not much else.

“Tell him we’re coming, okay?” Eddie asks. He’s looking down at his own bloody palms now, like he can’t bear to look at their last bastion of hope and wait for it to flame and go out. 

“Ask ‘im how to stop the thing taking ‘im over,” Wayne interjects. 

Eddie’s lip wobbles. Will knows how he feels. He doesn’t want Steve to know, if he’s in there at all, that they don’t know what to do. Neither does Will. He wants to save Steve. He always wants to save Steve.

But, Eddie finally looks up, meeting Will’s eyes before nodding. The movement knocks a tear free, but his voice sounds clear when he says, “Ask him how we kill the fucker.”

El nods, shoulders settling as she reaches out to take Steve’s hand. The white noise blankets them all. Will settles down to wait. 

That’s what they always do, when Steve is dying: they wait. This time is no different. 

Part 88

Taglist: @deany-baby @estrellami-1 @altocumulustranslucidus @evillittleguy @carlprocastinator1000 @hallucinatedjosten @goodolefashionedloverboi @newtstabber @lunabyrd @cinnamon-mushroomabomination @manda-panda-monium @disrespectedgoatman @finntheehumaneater @ive-been-bamboozled @harringrieve @grimmfitzz @is-emily-real @dontstealmycake @angeldreamsoffanfic @a-couchpotato @5ammi90 @mac-attack19 @genderless-spoon @kas-eddie-munson @louismeds @imhereforthelolzdontyellatme @pansexuality-activated @ellietheasexylibrarian @nebulainajar @mightbeasleep @neonfruitbowl @beth--b @silenzioperso @best-selling-show @v3lv3tf0x @bookworm0690 @paintsplatteredandimperfect @wonderland-girl143-blog @nerdsconquerall @sharingisntkaren @canmargesimpson @bananahoneycomb

[o-wild-west-wind]

y’all out here saying Izzy’s death made no narrative sense because it’s a comedy show clearly haven’t seen the Shakespeare post…I’m sorry I really am but death immunity only applies to the romantic leads the genre has not changed babes

(I don’t mean this to be patronizing, but genuinely: critically analyzing and engaging with art is a skill, and an important one. it’s a tool that will help you in the real world, for real current events. use this as practice not to take everything at face value. sad art does not equal bad art!)