You ever just join a fandom where you love the thing so much but most of the people in it are just so... set in their headcanons and interpretations of characters that it's useless to try and have meaningful conversations with them... Like, you leave a comment that slightly disagrees with their opinion and they take it as an attack and turn the whole thing into an argument they HAVE to win instead of just like. A discussion. Which is what I wanted to have.
It's happened three times now so I'm just going to give up interacting with meta posts for that fandom, I think.
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I need to reread the comics again to have specific arguments/evidence for this, but like
I feel a bit like I could've been sympathetic to the way other Cybertronian colonies view Cybertron, if it weren't for the fact that at least several of them (as in, ones that get notable dialogue/screen time) are so low-key self-righteous?
Like, idk... there's a lot of criticism of Cybertronians because they're so "warlike" and how their obsession with violence and vengeance is just dragging the whole galaxy down with them, but uh. The Autobot-Decepticon war was basically a product of societal ills bubbling over for like 6 million years beforehand and then finally boiling over into a 4 million year war that lasted as long as it did because the people involved had immense social/psychological trauma from being "raised" in an oppressive society.
So when the colonists come in being all 'omg you people are so violent and uncivilized why don't you just like, stop fighting' it kind of pissed me off a little bit as a reader/person like. Idk the colonists really came into this society of people full of massive amounts of trauma where even before the war society was super oppressive and no one has any experience of living "normal" lives unaffected by violence and bigotry. And the colonists were like "ummm wow why don't you guys just??? stop fighting???." Like idk it wasn't EVERY SINGLE MOMENT, in fact I think that when it was played for laughs it's quite a funny "fridge horror" type element. It was just annoying because like.... IDK???? It's just really annoying to watch a bunch of people who lived relatively sheltered lives on their own planets come to a different planet full of traumatized people and be like "omg why are you people so fucked up" IDK BRO MAYBE BECAUSE THEIR SOCIETY WAS OPPRESSIVE AND THEY LIVED THROUGH A LIFELONG WAR???
It also doesn't help that the colonies were literally founded based on imperialism and conquest so like, it's fucking rich to hear colonists scolding Cybertronians for their violence ruining the whole galaxy while literally sitting on planets that their Primes colonized from others. The hypocrisy of this is briefly mentioned in Unicron (literally the FINAL STORY OF THE SERIES) but like, that's basically the only time Cybertronian characters are given a reprieve of sympathy from other characters in universe and it's so tiresome.
I've talked to other people who didn't like the colonists and thought they basically (narratively speaking) existed just to shit on the existing characters, and it's actually really easy for me to sympathize with/outright agree with that assessment of the story considering how much of exRID/OP seems to be preoccupied with "Cybertron/the Primes/Optimus sucks" with very few reprieves for anything positive happening and even fewer chances for characters to get to explain themselves and experience a little bit of justice? Like, as the audience, it's just very frustrating to see the characters you spent hundreds of issues keeping up with get shit on by a bunch of "literally-who"s and then not really get a chance to ever defend themselves, either by literally defending themselves in conversation or having some sort of narrative thing happening that vindicates them at least symbolically
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Still reading The Living Force. I'm actually much farther in now than when I took this pic over the weekend, before I got kicked out of the winery for throwing the book across the room--
No, no, I kid. In fact, there's lots to like about this book. Much of it is warm, funny, and full of Jedi details and lovingly crafted little scenes given to more obscure Council characters. Depa and Mace continue to shine.
I'm still... very much struggling with some aspects, some inconsistencies and contradictions that I can't tell are there on purpose to make a point in the narrative, or just unsuccessful writing. But I'll try to post an actual write up shortly when I'm officially finished.
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Miscellaneous Milgram logistics headcanons:
The bell rings in the morning and evenings at regular times. At night when it rings, it marks curfew: the cells don’t lock, but Es takes one lap around the panopticon to make sure prisoners are in their cells. The only time the bells ring otherwise are during interrogations, and when prisoners are summoned before Es in the courtroom to receive their verdict.
In the second/third trial, guilty prisoners’ doors do lock. Innocent prisoners are not allowed to spend the night with guilty prisoners, but those with alike verdicts can share cells overnight.
Requests come in from Es’ room. Prisoners aren’t allowed in their, or jackalope’s, room without one of them as escort. Es is never around when requests arrive, but they can’t seem to find any doors or hatches that would allow entry (or exit). There are warm/cool breezes to maintain a comfortable temperature throughout the prison, but no one can find any vents or openings.
“Increased physical restraint” punishments occur at random, unexpected intervals and appear like the trailer shots (aka, more restraints/equipment than just the uniforms are put into place.) The guilty prisoners could potentially leave their cells during this time, but usually they don’t want to be seen like that. Can happen at any point, day or night, and last several hours. This is when Kotoko planned her attacks. Enforced by mysterious Milgram magic – no one remembers how the restraints fastened, only that they wake up trapped.
(I’ve been picturing an interrogation room, but only just realized it may be done in their individual cells? But in my head,) it’s a room near that courtroom at the end of the hall. There’s a table, prisoner chair, and guard chair. The machine is integrated into the wall and invisible until paneling starts separating – when that noise plays in the voice dramas. Then, it reveals wires, tubes and pretty stereotypical sci-fi nodes/needles that Es needs to attach to the prisoner. A screen also becomes visible to play the video.
From some of the prisoner reactions, I’ve pictured the chair itself changing very suddenly to lock/strap them in place. Es walks to the opposite wall to pull a lever with their famous line.
Someone mentioned it already, but I like the idea that the interrogation is placed before (rather than the more logical after) the extraction because the machine works off of priming. Es is instructed to bring up their crimes and past just enough to get the idea in their mind. They have to finish by saying “sing your sins” to really ensure the prisoner is thinking of their murder before it begins. The prisoners then enter a dream-like state in which they experience the raw emotions and thoughts that go into the video, but they don’t see or hear it. Afterwards, they’re aware of the kinds of things Es saw, but it's more abstract to them.
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PART 17
of the dfk audiobook translation
@cnka
Bökh: „Over 20 years ago, there was also a boarding school here, as you might know. And there were teachers that were good and others that were less good. And there were Externs and Internals. And there was a boy who was as homesick as you, Uli. And who read as much as Martina. Loved cake like Matze. And wanted to become a pop star, like you, Jo. And he had an enemy. His name was Robert. He was an Extern from the town here. And although this Robert seemed the have everything the boy wanted, he still picked on him. Pushed him around and made fun of him… Well, like the Externs have done with the Internals for generations, right.“
Jo: „And vice versa.“
Bökh: „Exactly. And vice versa.“
Bökh: „…yes. And one day, the boy’s mother got sick. She was brought here to Kirchberg into the hospital and the boy snuck away from the boarding school every day to visit her. And one day he was caught by the boarding school director. And he got grounded.“
Martina: „Couldn’t he just say what was up?“
Bökh: „No, because it was a very… cold and stern man whom he didn’t trust. And Robert in turn knew from his father, who was a doctor at the hospital, that the boy’s mother was fighting for her life there. So he offered his help."
Bökh: „And so every night he layed in the boarding school bed in place of the boy. So that he could visit his mother. And then they became really good friends. Even had a band together. They weren’t all that bad.“ (sighs)
Bökh: „I certainly don’t need to tell you who this boy was, right?"
All of the kids in unison: „You, Herr Bökh.“
Bökh: „Exactly. And why I’m telling you this story.“
Uli: „I think I understand it.“
Matze: „So we get Chips and Lemonade?“
(chuckling)
Jo: „The Externs today aren’t like that.“
Bökh: „Jo, I obviously care about two things. Firstly; rules are well and good, but not as important as humanity. Ok? And secondly I want you to trust me, that you’re not afraid to come to me. Okay?“
The kids nod.
Bökh looks at his watch.
Bökh: „Alright. I need to get a bit of work done now.“
Martina: „But what happened to Robert?“
Bökh slumps back in his seat with a heavy sigh.
Bökh: „Ach. Robert, he… I think he later studied medicine in the city. Ah, we unfortunately lost touch.“
Jo: „Why?“
Bökh: „… Well, that- That happens sometimes when you become an adult, then… suddenly, your closed loved ones are gone.“
Jo: „… What, just like that?“
Bökh nods silently.
Bökh: „… Mhm.“
Matze: „How sad… I think friends should always stick together.“
Bökh: „Yeah, exactly.“
Jo: „Can’t you prevent that somehow?“
Bökh: „Yes. We need to look out for each other. Ok?“
Bökh: „Alright. I need to get a bit of work done now. Take your lemonades with you.“
The kids scuffle and stand up. Jo takes a bowl of chips with her as well.
Uli: „Thank you."
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FilmCooper should actually stop making videos on serious topics. He has a lot of shit takes on sensitive matters. There's this intense "guy who paints his nails to seem progressive" energy. I don't think he is a horrible person per se, but he is not as nuanced as he tries to come off as. Saying Justin Baldoni should have just "sucked it up" because he asked an important question to keep himself safe from injuries? Man, you should sit this one out. And the comments about Chappell Roan releasing statements telling people to stop stalking her as "statements after statements" "like 30 posts" is very weird from someone who bends over backwards to defend women because he is the only doing "some research" and looking at stuff from a different angle. Honestly, if being wrong multiple times in the expanse of one video was a tournament, his video would be the top contender.
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My brain wants more and more to talk and rant about that one Kirby OC I haven’t finished yet that ‘looks the least like a Kirby OC’. This is because, although she looks the least like one, she is absolutely my favorite out of my Kirby OCs.
I’m still trying to figure out how to draw the hands and legs/feet without it looking…off. After I finally do that, THEN I’ll add the coloring.
I am absolutely up to ranting about this OC I gave the ‘My favorite gets to suffer the most’ treatment if anybody is FINE with it. Might not know how to start the ranting if I do, though.
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