#lack of content is making me insane

[s34d0g]

Please comment some crack ships because Thelus is making me fuckin laugh

[kis-valentines]

an obscure character as an f/o vs a popular character as an f/o

[theusernameiwantisntavailable]

Persona 5/ Persona 5 royal spoilers ahead!

Okay so I did this WIP a while back that I discontinued but I'm still going insane about the meaning of it and also the symbolism of masks in this game and also akeshu parrallels so I need to Yap abt them

Yap session under the cut!

The symbolism of masks in this game drives my so batshit insane actually. Like. So often we see in media that people are finally free when they take their mask off (both metaphorically and literally) but in this game we see people's true forms when they put one ON.

Like the palaces are where we see people's true faces and desires. It's the place where no one can hide who they are. And yet it's one one place where you wear a physical mask and disguise and have to conceal who you are.

I could (and will at some point) write an entire essay about that but rn it's akeshu hours

Because Joker is arguably the best example of that, he becomes alive in the palaces, where his face his hidden. It's his freedom

Versus Akechi

The first time we see Akechi show his true form to Joker (and the player) is in what is percieved at the time as the real world. The entire time we work together in the palace, the place that shows who you are despite the mask you wear he hides who he is. It's only in the gritty real world that he reveals himself.

Joker in the real world is perceived (at least by people outside of his circle) as closed off and someone to be cautious around, he has a criminal record so he could be dangerous. The exact opposite of how he is in palaces, the centre of the team and a flame people are drawn towards

VERSUS AKECHI

In the real world he is a celebrity, he is loved, people are drawn to him. But in palaces he's cold and heartless, his words are cutting and he cares for no one, not hesitating to kill to achieve his goal

Opposites in every sense

THE ABSOLUTE PARALLELS IT DRIVES ME INSANEASHBANANSJAKSS

They were both ruined by the same man. They both ended up in their current predicament because of said man. They both had the potential to weild multiple personas. They both have the capability to lead. They are the exact same and yet the exact opposite

They don't need to lie awake at night and wonder what would they be like if their life had turned out slightly differently. They don't need to because they have each other. EVERYTIME THEY GO INTO A PALACE THEY SEE WHO THEY COULD'VE BEEN, THEY FIGHT WITH THAT PERSON SIDE BY SIDE EVERY NIGHT I'M GOING MAD

[blazeball]

stone ocean is my everything. JOLYMES ATTACK

[rebeccasjack]

………y’all think we was ever getting flashbacks (and they ended up scrapping it to prioritize the ensemble) or do u think no it was not on the table at ALL even in original scripts cause they didn’t think to do it……..in this. childhood……..friends……….to lovers story 😭😭😭😭

[babygirltangerine]

Tangerine is one of the two deuteragonists (along with Lemon) of the 2022 action comedy film Bullet Train, based on Kōtarō Isaka's 2010 dark comedic thriller novel Maria Beetle.

He and his brother Lemon are a famous assassin duo called The Twins. By the time of the film, Tangerine and Lemon are hired by the White Death to escort his son and his briefcase to him on a bullet train.

He was portrayed by Aaron Taylor-Johnson, who also played William Rollins in Chatroom, Quicksilver in Avengers: Age of Ultron and Ray Marcus in Nocturnal Animals. As a child, he was portrayed by Miles Marz.

History

In the past, Tangerine and his brother Lemon completed a job in Bolivia and kill an entire camp of guerillas. Unbeknownst to them, the guerillas were men of the White Death, causing him to travel to Bolivia and leave his wife's side. After the wife is murdered in an assassination attempt, the White Death hires Lemon and Tangerine for a mission on a bullet train in the hopes that they are killed by other assassins he hired.

Lemon and Tangerine are first seen on board of the bullet train in a compartment with the White Death's son. They banter for a short while until getting a call from one of the White Death's goons telling them to make sure the briefcase is still in their possession. Lemon tells Tangerine that he safely stashed the briefcase but upon checking the place where it should be, they realise it has been stolen. When they return to their seats the White Death's son has been poisoned and killed by an assassin named The Hornet.

Soon after they arrive at a train station, where goons sent by the White Death are waiting. Tangerine tells them that everything is under control outside, while Lemon puppeteers the son's corpse inside the train. The goons believe them and Tangerine returns inside.

After that the pair comes up with a plan to retrieve the briefcase from the thief. Tangerine finds another assassin called Ladybug on the train. He realizes that Ladybug stole the briefcase and chases him down the train. The chase ends, however, when Ladybug pays another passenger to wear his hat and glasses and uses firecrackers in a train car to distract Tangerine. Upon returning to his original seat, Tangerine finds an unconscious Lemon, who has been knocked out by Ladybug and wakes him up. They both come up with a new plan to catch Ladybug and head off into different directions.

After tracking Lemon's phone that Ladybug stole Tangerine finds his thief hiding inside a toilet. They both get into a fight across the train that ends with Tangerine being about stab Ladybug in the eyes with chopsticks. Their fight is interrupted by another call from one of the White Death's goons. He demands that both Tangerine and Lemon are present in the meeting at the next train station. Ladybug offers to step in for Lemon as they don't know what he looks like and Tangerine accepts. Ladybug wants to get the briefcase for the meeting but realizes it has been stolen by the Prince and Kimura.

They decide to take a fake briefcase and the meeting goes well until Ladybug accidentally opens it and reveals the clothes inside. They escape back to the train and try to come up with back-up plan until Ladybug pushes Tangerine out the train at the next station just as the doors are about to close. Tangerine jumps back onto the train and breaks through a window to get back inside.

Not long after Tangerine finds the unconscious body of Lemon, who he assumes is dead due to the shots in his chest, inflicted by The Prince. He gets a call from the White Death, who announces that he's going to kill everyone on the train to which a depressed Tangerine expressses indifference. He searches the train for the alleged killer and runs into Prince, who attempts to convince him that Ladybug killed Lemon. Tangerine sees through her deception due to finding train stickers that Lemon stuck on her. Before Tangerine can shoot the Prince, Ladybug enters and the Prince pretends that she is an innocent girl that Tangerine is attacking, and Ladybug fights Tangerine to defend her. In their fight, Tangerine accidentally shoots himself in the throat and bleeds to death on the floor. His corpse likely remained in the wagons and was presumably damaged when the bullet train gets wrecked at the end.

Trivia

Unintentionally, Aaron-Taylor Johnson's performance as Tangerine was decisive in his casting as Kraven the Hunter in his upcoming eponymous film, as the Sony Pictures executives quickly cast him in that role due to being "blown away" by early Bullet Train footage of him as Tangerine.

Aaron-Taylor Johnson was cast as Tangerine due to David Leitch's desire to work with him. Leitch had previously offered Johnson a role in Deadpool 2, but he declined the unknown role.

The fruit truck Lemon uses towards the end of the film to run over the Prince is one filled of tangerines. This was evidently done as a reference to Tangerine, symbolizing that even from beyond the grave, he still assisted his brother in carrying out a pivotal assassination.

Tangerine's actor: Aaron Taylor Johnson had starred in the Monsterverse along with Lemon's actor: Brian Tyree Henry.

[thanksgiving-isnt-ur-fav-holiday]

i love shipping as much as the next guy but the way that some of y’all are trying to make spiderverse content revolve around shipping is kinda driving me nuts

[hitsuyou-fukaketsu]

The mam event was the biggest jaw dropping moment this year

[flashthompsonsweep]

I'd love to see Felicity Hardy appear in 616 somehow though I doubt it'll ever happen. The major idea I had for her appearing is the Anti-venom try to create offspring only to fail due to its nature. It instead uses Flash's DNA and one of his old partners DNA. Betty has no real special capabilities, It can't trust Asgardian DNA from Valkyrie to work properly so it chooses Felicia's DNA and gestates a human child overnight who will soon wake Flash up and scare him half to death.

[rose-tinted-tnt]

speaking of sélf-insert stuff. or well, yándere stuff ig bc it's more general than just s/i content. broooo. i made myself so freaking annoyed this morning remembering yándere stories with "good endings" that COMPLETELYYYYY MISS THE FUCJING APPEAL!!! OF YAN CONTENT... why is your "good ending" the one where the person escapes and has a happy ever after!! No!!!!!!!! Like, u push the ship the whole damn time bc the yándere is the (main) love interest but then at the end the captive/victim isn't with them?? WHATS THE POINT,!!!! THAT WAS THE SEXY PARTS!!!!!!! AAAAAHHAGGAHAHAHHHHHH. IM SO MAD. I HATE IT. INSTANT BONER KILLER. I can usually give novels n stuff a pass where narratively it might be better despite the pain it brings me but every visnovel/otome game that does this deserves 2 burn. The happiest a yándere route should get is the victim getting stockholmed or whatever and actually being happy w/ the yándere.

[gojorgeous]

"sure thing"

pairing: target!gojo x assassin!fem!reader summary: you've been hired to kill the satoru gojo. how will you pull it off... and what will you do when he figures it out? content: MDNI (18+ only), nsfw, darkish content (all is well in the end), no established relationship, assassins/organized crime, blackmail, mention of a “suicide mission”, attempted murder (uhhhh), hidden identity, intended use of sex as a means to an end, mating press, unprotected sex, p->v, creampie, oral (fem!receiving), praise, pet names (gorgeous/sweetheart/baby), slight aftercare. a/n: me 🤝 describing gojo as having dimples welcome to my second 1k followers event fic! At this rate tho i’m going to hit 2k before i finish the 1k event LMAO. not that i'm complaining hehe. thank you for being patient and for all the support on my recent works! i really appreciate every ask, comment, follow, reblog, everything. they mean the world to me. check out the rest of my 1k event here. enjoy and remember that ALL AGELESS BLOGS WILL BE BLOCKED! creds: twitter template by @cafekitsune wc: 7.8k

“Who?!” 

No fucking way. There’s no way he just said what you think he said. 

“You heard me,” he scowls. He glares at you from across the desk. His seat is one of those cushy little office chairs, of course. Yours is plastic– cold and hard.

“Are you fucking insane?” you hiss. There’s no other explanation for what he’s asking you to do. He’s lost his fucking mind. 

“We have a client willing to pay big money for this. Big money for just an attempt,” he answers. 

You laugh, but there’s absolutely nothing funny about this conversation. “Oh, I’m sure you do. Probably because he’s practically invincible. I’ll never even lay a hand on him.” 

Your “boss”, for lack of a better term, only scowls harder, the wrinkles forming near his eyes etching deeper in his skin. “Well, you’d best find a way to make it work. You’re taking this job. That’s final.” You scoff. Maybe you should recommend he see someone… “No. There’s no way. I’m not doing this.” You stand, grabbing your bag and slinging it over your shoulder. “Get someone else to go on your suicide mission.” You take a couple strides toward the door before two very large men move to block your path. 

“Not so fast,” your boss calls. You pause, eyeing up your competition. You could definitely take them if you needed to. You sense only a very faint amount of cursed energy coming from each of them– not even enough to make you blink– but something in your boss’s tone makes you turn back. 

“Yes?” You cross your arms over your chest, fingering a blade hidden in your breast pocket. 

He fiddles around in his pocket, pulling out a cigarette and lighting up right there in his office. You don’t try to hide the way your nose scrunches up. “You want to do this job.” 

Your eyes narrow. Something tells you you’re not going to like what comes next. “And why’s that?” 

He takes a long puff, letting the smoke flowing out of his lungs with a slow exhale. “Because otherwise that little brother of yours is gonna be…” he pauses to give you a smile that makes your stomach churn. “Hmm… a lot smaller, shall we say? Maybe in several limb sized pieces?”

You think your heart stops. Time halts as ice runs through your veins. Nobody knows about your brother. At least, they didn’t. 

Your boss’s smile grows even wider. In all your time as an assassin, you’ve never wanted to kill someone more. But you know you can’t. Just an attempt on his life will end your brother’s. 

“Don’t worry. He’s all tucked away and safe at home where you left him.” Just a tiny piece of your heart thaws with relief. “But try to run with him, or run yourself, and he won’t be safe much longer.” Your pulse pounds so viciously you’re sure everyone can hear. A bead of sweat rolls down your neck. “Now, will you accept the assignment?” 

Your jaw clenches. He got you. In all these years of working for him you’ve been careful, meticulous about hiding every piece of your personal life to avoid situations just like this. But he still got you. He got you. 

“Yes,” you breathe. You have no choice. You will either kill Satoru Gojo or you will die trying. 

“Good,” is all he says, and then you’re being escorted out of the office wondering where the hell you went wrong. 

~

It’s been three weeks since that fateful meeting with your boss. True to his word, your brother has remained unharmed, but you see his lackeys lurking around every corner. Neither you nor your brother are truly safe and you never will be again unless you can pull this off and then put together some plan to escape your boss’s clutches. 

You’ll fail. You know you will. The thought eats you up inside with every waking moment. 

You’ve done your best to learn every possible piece of information about Satoru Gojo in the past two weeks. You know you can’t tail him closely– he’d pick up on your cursed energy and notice your incessant presence, so you’ve had to study from a distance with only minimal moments of proximity. You know where he works, who he works with, what restaurants, bars, and clubs he frequents and what days of the week he tends to visit. You know what his order is at his favorite ramen restaurant, where he lives, what time he wakes up. Hell, you know what fucking brand of dish soap he uses. He lives a surprisingly… predictable lifestyle. He makes no attempt to switch up his schedule or cover his tracks. In any other situation he’d be every assassin’s dream, but this is Satoru Gojo and Satoru Gojo doesn’t need to worry about assassins– assassins need to worry about him.

It took you the first week to come up with a plan. You had no clue how you were going to get close to him, much less kill him, and his infinity technique was going to prove particularly problematic. How were you supposed to kill him when you couldn’t even touch him? You had to get him in a situation in which he would willingly let his guard down for you. 

You’d been on the subway when it hit you. Sex. You’d get him to have sex with you. If you could get him to take you home, he’d have to turn infinity off for at least a short time. That would be your time to strike. 

You’d spent the next two weeks primping yourself. You’d bought the most expensive dress you’d ever owned, got a mani-pedi, whitened your teeth, and spent a small fortune on makeup. Considering your circumstances, you thought your plan was quite a good one. You knew when he’d go out to the bar with his friends, which bar he’d go to, how long he’d stay, how he’d get a taxi home. You also knew when you’d arrive, how long you’d stay, and how you’d get a taxi with him– everything planned perfectly to best catch his attention. But for all your planning, there was still one thing you didn’t know. What kind of woman did Satoru Gojo go for? Someone submissive? Teasing? Aggressive? Playful? In all your time tracking him you’d never seen him take somebody home. It struck you as… odd. He was Satoru Gojo, renowned for his power, wealth, and good looks– surely he had women falling at his feet. Maybe he was just a little more… selective. If that was the case you’d have to be even quicker on your feet when you finally met him. And that time is now. 

You’re in your bathroom, checking your makeup one last time before heading out the door. Your brother sleeps soundly in the room down the hall, safe for the time being. You’ve contacted a friend, one who is at least willing to try to get him out if– when– you fail. You doubt it will be enough.

You make your way to his room. A quick peek inside reveals he’s snuggled up with a plushie elephant that he carries around like they’re attached at the hip. You creep inside, a sad smile on your lips. This may very well be the last time you see him. You brush a stray lock of hair from his eyes and press a kiss to the crown of his head. With one last whispered ‘I love you’, you’re out the door. If you linger, you won’t be able to go– and you have to. For him. 

The streets of Tokyo are cold tonight, like the weather knows what you’re about to attempt, like it’s preparing for death, for failure. For your failure.

The club you arrive at is upscale, and one where you’ve already tipped off the bouncer to let you bypass the line. You hear a few groans from the people behind you as you saunter straight inside. 

You’re conscious of every little move from the second you step inside. At any moment, he could see you and it could make or break your entire plan.

You press your shoulders back. You have a plan– stick to it. 

You make your way over to the bar, weaving your way between groups of people who are somewhere between giggling a little too loudly and tripping over their own feet. 

You find a free space at the bar and lean up onto your elbows, your eyes screening the bartenders. You smile when you see a familiar face. 

“Hey, Dean,” you call.

He turns and the sight of his friendly green eyes sets you a little more at ease. 

“Oh, shit. Hey!” He slings a towel over his shoulder and comes to stand across from you. “You’re back,” he says. You nod and smile softly. Ever since you’d determined this would be the place you’d been coming periodically, chatting up the bartenders. The last thing you needed was to stand around in a corner alone with seemingly no friends. That wouldn’t attract anyone, much less Satoru Gojo. 

Out of all the bartenders, Dean was your favorite– and you’d been oh so happy to learn that his schedule put him on every Friday night. 

“Yeah. Long day at work.” 

A smile pulls at his lips, but there’s a hint of sympathy in his eyes. “The usual, then?” 

You nod solemnly. “That’d be great. Thanks.” 

You watch him prepare the drink for you, feeling a little bad that it’s all a lie. There’s no bad day at work, you didn’t just happen to come in here one day and strike up a conversation with him. All of this is premeditated, planned, and it feels… lonely. It feels lonely to know that on what is probably your last night on earth you are surrounded by people who only think they know you. 

“So, anything new happening?” Dean drops your drink in front of you and you have a feeling it’s filled with a little more vodka than he’s supposed to put in there. 

Your eyes shift around the bar as subtly as you can manage. As much as you want to seem like you fit in, you also need to find Gojo. It’s a fine balance. 

You shrug. “Yeah, I guess I just feel like a lot of things are going to be changing for me pretty soon.” 

His brows pull together and the look he gives you is one of genuine interest and concern. It makes your heart wrench. “How so?” 

You swallow. “Dunno. Just… everything.”

There’s a moment of silence and then the tapping of a finger on your glass. “Damn, girl. Drink up. You need it.” 

You can’t help but smile. You have a feeling that Dean would have been a good friend of yours in another life. 

You take his advice, though, and bring your drink to your lips and force a smile. You can’t be moping– not tonight. 

The next twenty minutes are spent with Dean. Even when he’s making other drinks he’s still chatting with you, still being a good… friend. You dread leaving your little haven at the bar. The time is coming when you’ll have to seek out your target.

You’re shocked when it’s the other way around. 

“Hey, gorgeous.” There’s a light brush on your shoulder and you turn. It takes all you have to keep your features schooled and calm. Satoru fucking Gojo just tapped your shoulder. 

Nothing prepared you for how handsome he is up close. All those days of research, of tracking and tailing– none of it does the real thing justice. Even with those stupid sunglasses inside… he’s fucking beautiful. “I’ll pay for all of your drinks tonight if you let me skip this hideous line,” he whines. 

You give yourself no more than a second to recover. You school your features into a smirk. You glance at Dean with an ‘is this okay?’ look. He just smiles and shrugs. 

You turn back to Gojo, bracing yourself this time for the beauty you’re about to face. You meet his gaze and know you could get lost in it. “Be my guest.” 

His smile nearly blinds you and his dimples nearly make you pass out. Still, you keep your cool. 

“Yesssss!” He looks like a puppy just offered a bone. 

He spills his drink order to Dean and it’s far more than could possibly be just for him. He’s here with his friends, then. Probably the blonde man who always looks too tired to be here and the girl with the brown hair who always seems like she’s just along for the ride. 

You bite your lip to hide a laugh when he orders himself two strawberry daiquiris. Somehow you still catch his attention. 

“What?” he pouts. You can’t help but feel a small stirring of surprise in your gut. He’s far more… relaxed than you’d expected him to be. He’s almost… childish? 

You press your lips together and shake your head. You’ve reached the point where your research can’t take you any further. From this point on, it’s up to you to discover what Satoru Gojo likes in a woman. 

You debate how to answer. Play coy? Tease him? Stay silent? Any option could be as correct as the next. You didn’t know where to start… so maybe you’d just start by being yourself. 

“Just, um… not the order I was expecting,” you laugh. It’s halfway genuine. With the way he’s acting, it’s hard to remember that he’s the most powerful man alive. 

His pout only intensifies. “Well, what’s your order?” 

His question is answered when Dean sets another cosmopolitan in front of you. You laugh. “Never said I was judging, just that it wasn’t what I expected.” 

Another smile tugs at his lips and something stirs in your gut that you try your very hardest to ignore. This was a job. There was no room for actually enjoying it. This man was probably going to kill you later, in a matter of hours. 

There’s a beat of silence, and then a slight shift in his demeanor. He leans closer and you see a twitch of his lips. Your heart jumps. 

“You’re a sorcerer,” he says. 

You hold back an exhale of relief. You thought he might be onto you. If he is, he’s choosing not to reveal it yet. 

You nod and take what you hope is a casual sip of your drink. “And you’re Satoru Gojo.” 

A brow arches high enough for you to see it over his sunglasses. “You know who I am?” 

You force a chuckle, smirking despite the pounding of your heart. “Who doesn’t?” 

You’d decided long ago to tell him that you knew exactly who he was. It would seem more suspicious for a fellow sorcerer to have no idea what the Satoru Gojo looked like. 

He flashes you a smile full of white and stupidly fucking perfect teeth. “That’s true, heh.” You press your lips together to avoid a smile. Not too humble, then… 

“So, what’s your technique” 

You shoot him a glance that questions his sanity. Asking a sorcerer what their technique is… is personal. It’s not information you give out to a rando at the bar– even if it is Satoru Gojo.

“Wouldn’t you like to know.” You take another sip of your drink, trying your hardest to remain somewhere on the border or interested and casual. 

“Bet I could find out.” 

That makes you turn fully, angling your body toward his. “Oh yeah? You challenging me to a fight?” You smirk and shake your head. “I’ll pass.” 

He pouts again, but you see a hint of a smile peeking through. “Aw, come on. That’s no fun…” 

You chuckle and take another sip of your drink. You’re not sure you’re sipping just for appearances anymore. You think you probably just need a little liquid courage to see this thing through. “Sorry. I value my life.” 

You watch as he slides his sunglasses down the bridge of his nose, just enough for you to get a glimpse of what’s behind. You nearly choke again and this time you don’t manage to hide your nervous swallow when he smirks. 

“You’re so sure you’d lose?” His voice is teasing now and you hate that it’s actually having an effect on you. Job, job, job, just a job… 

You clear your throat. “I like to think I’m not stupid enough to think that I could win.” 

His eyes are blue– so fucking blue– and you feel like he’s seeing straight into your soul. Can he see? Can he see your filthy intentions? Your plotting? The rottenness of what you’re going to do? “What if I promise to take it real easy on you?” 

Your drink is forgotten now. You’re lost in what he’s saying– in him. “No thanks.” Your voice is growing lower and you feel like there’s some magnet forcing you to lean into him, to seek his warmth. 

“So you like it rough, then.” The trance is broken and your blood runs hot. Holy shit. This man is flirting with you and you hardly even had to try. He's trying to take you home. Little does he know, you’re a sure thing. 

You watch as he throws back the rest of his strawberry daiquiri with a pleased “ahhh” at the end. When he turns back to you his eyes have a certain spark in them that makes your thighs press together. “You wanna dance with me?” 

Fuck. This is going too well to be real. But you’re not about to pass up a good deal. 

“What about your friends?” you ask and eye the several untouched drinks still left on the bar. It’s risky– giving him an out, but you can’t seem too eager.

He follows your gaze only to bounce his eyes straight back to you. “I’m sure they’ll get a look at ya and understand.” 

The smirk he’s giving you is making electricity shoot straight between your legs. Damn. You really wish you didn’t have to kill him– or at least try to. 

When he extends his hand you only hesitate for a second. Your heart leaps when you feel his skin on yours, knowing he’s let infinity down. He pulls you onto the dancefloor and it’s not long before he’s running his hands all over you– groping your ass, pinching your thighs, nipping at your neck. Pretty soon the dancefloor evolves to a dark corner of the club with his lips on yours and goddamn he’s a good kisser. You’ve got your fingers in his hair and his hand way too close to your boobs when he whispers those fateful words– “let’s get out of here.”

You can only hide your swallow and nod before he’s pulling you through the crowd, leaving the club behind. He hauls you both into the backseat of a taxi and the door’s barely closed before he’s all over you again. You think you hear the taxi driver mutter something about ‘staining the seats’ but you’re too far gone to give a shit. 

Fuck, he feels good. He’s kisses you like he’s starved and your lips are the fountain of fucking life, like he’s never felt something so good and now he can’t get enough. And, god, he’s handsy. You’re forever grateful to your past self for discreetly hiding your blade in your bra– he would have felt a holster on your thigh at least ten times over by now. 

He groans when you arrive at what you know is his apartment building, though you don’t let on that you recognize the place in the slightest. The look on his face makes you think he’s feeling actual physical pain at the prospect of having to peel away from you for even a second. Nonetheless, he tosses a wad of cash at the taxi driver and pulls you straight inside.

He can’t even wait for the elevator to come, groping your waist right there in the lobby and then when the elevator finally does come, shoving you up against the metal wall a licking stripe across your collarbone. 

You can’t deny how nice it feels to be so desperately… wanted. Never once has a man made you feel this way– so consumed by him, him, him. Once again you curse the universe that you’re here with a mission other than getting laid. 

You find yourself giggling when he pulls you out of the elevator and presses his palm to a fucking scanner to get into his apartment. You try to pull yourself together, but when he laughs with you, you can’t help but melt into him a little more.

As soon as the door clicks shut behind you, he’s got you up against another wall with your legs wrapped around his waist and his face buried in your neck. His sunglasses are long gone and you pull at his shirt, popping the buttons straight off the fabric until you slide the shirt down his shoulders and onto the floor.

“That was Versace,” he whines. 

You plaster your lips to his. “I don’t care.” All he does is chuckle. 

“So gorgeous…” he breathes and your head slumps back against the wall, giving him better access to the soft skin of your neck. Any minute now. Any minute he’s going to start stripping your clothes off and you’re going to have to let this charade crumble. You don’t want to. He’s practically worshiping you. It’s perfect, it’s amazing, and you don’t want it to end. 

His fingers dig into the flesh of your ass and suddenly you’re moving again– moving, moving, moving until your back is bouncing against the softness of a mattress and you’re fucking giggling again like a lovesick idiot. Maybe you’d had a few too many sips of those cosmopolitans. 

He’s smiling as he crawls over you and the sight makes your heart flutter with both lust and terror. Lust because he’s so fucking beautiful and terror because you know that any moment now you’re going to attempt to end that beauty forever. 

A lump forms in your throat and you try unsuccessfully to swallow it. You have to do this, have to try. There’s no other way, no other option. Not for you.

Your thoughts must not have been as perfectly concealed as you’d thought because he quirks a brow. “Something goin’ on up here?” His lips slide across your temple in a touch that feels far too tender for a hookup. “Don’t worry, baby. It’ll fit.” He snickers at his own joke before burying himself in your neck. His hand slides down your side, pressing you up into him until you can feel every curve and cut of his muscles. 

You bite your lip. You’ve already slipped enough for him to notice your nerves– you can’t let it happen again. You have to do it soon. Now. As soon as you see an opportunity you have to strike. You have to. 

You arch up into him, scratching your fingers down his back, trying to seem as invested in the moment as you can. He gets greedier, leaving open-mouthed kiss down your neck, across your collarbone. You nearly freeze up when he kisses low into the valley of your breasts– as low as your dress allows. Then he moves over your clothes, kissing down your stomach as his hands rub your thighs. 

Now. Now, while he’s not looking.

You slide a hand into his hair and another up to your chest, trying to play it off like you’re touching yourself. You sneak your fingers into your bra, feeling the cool metal of your blade glide across your thumb. Now. 

You fist your fingers in his hair, holding his head down as best you can while you arc the blade toward his neck. Just one good hit, please… 

You think you’re going to strike true– you’re so close– and then a firm hand wraps around your wrist, stalling your attack just as it was about to land. 

Fuck. 

He doesn’t look up right away, but you hear him sigh, feel his hot breath fanning over your thighs and stomach. When he finally does look up it’s with the eyes of a teacher who’s disappointed his student didn’t do their homework. 

“Come on now, baby. I was really hoping you’d forget about all this and we could just have a good night together…” He’s pouting, whining, like a child who’s been told he can’t have dessert before dinner. Your shock stills you long enough that he easily maneuvers the blade from your hand, throwing it with a thwack into the wall to his right. It lands perfectly. 

This is it. You’re going to die now. But not without a fight. 

You spring up from the bed, kicking him a couple times in the process. You’ve missed your only chance. Now, if there’s even the slightest chance of escape, you have to take it. 

You bare feet hit the carpet. No time to find your shoes. You dart for the door and hear him groan behind you. For a second you think you might actually make it, but you should know better. 

He appears in front of you, straight out of fucking thin air, and his pout has transformed into something a little more sinister. “Come on, gorgeous. Let’s talk it out, yeah?” 

You take a shaky step back, but you know it’s no use. He’s got you. It’s over. 

You swallow and lift your chin– you at least want to die with a little dignity. “Just make it quick. Please.” 

He sighs again and slides his hands in his fucking pockets, like this is just a stroll down the street. He stalks toward you, forcing you back until you’re pressed up against another wall. This motherfucker really likes walls. 

His pout shifts to a smirk that borders far too closely on a grin. “Oh, no. I’ve always had a thing for taking it slow.” 

You nearly snort. He certainly hadn’t had a thing for taking it slow just a minute ago. His arms cage you and your world grows infinitely smaller until it’s just him and those blue-ass eyes staring you down. Some distant part of you thinks you might not mind if it’s the last thing you ever see. 

“Damn, I really thought you might give it up and just let me fuck you,” his pout returns. “So disappointing…” he sighs. 

Your lips part. “You knew?” 

That lights his face up like a Christmas tree. “Sensed you tailing me these past few weeks. Started on theeeee– 21st, no?” 

Fuck. You’d been so careful. You’d only tailed him in public spaces, where your energy would be more diluted by the crowds. You’d stayed far enough away that he should only have caught mere glimpses of you, even suppressed your energy. He should not have been able to sense you. But he was Satoru Gojo– things people were not supposed to be able to do came easily to him. 

But you have one thing on him. 

“The 18th,” you whisper. “Started on the 18th.”

There’s a beat of silence and then his smile is growing wider, wider, wider, until it’s practically blinding you. “Well, shit,” he laughs. “You’re pretty good.” 

You let a tiny smile slip through your terror. “I try.” 

His eyes travel up and down your body, his pout slipping away to a frown. “What to do with you… hmm…” You lift your chin, taking shallow little breaths through your nose. You’re looking death in the face, but you’d never thought it would be so beautiful. He sighs. “I guess I could let you go.” 

You freeze. He notices. 

He quirks a brow, another smirk sliding across his lips. “What? Didn’t think that was an option?” You stay silent. No way he’ll let you go. It’s a bluff. A cruel trick. “It’s not like you could try again, gorgeous. I know your energy now and what you look like. Sorry, but your chance is gone.” That was fine by you. Your breaths come a little heavier, hope pulsing in your veins. “But–” shit. “Letting you go is so… boring. Especially after where we left off, yeah?” 

Your jaw drops. “You cannot seriously be suggesting that we–” 

He cuts you off with a kiss, one that makes your toes curl in the carpet and your stomach clench in anticipation. 

“Oh, yes I am,” he chuckles. You feel his hand sliding down your hip, cool and calculating. “I know you weren’t faking the whole thing, gorgeous. Nobody makes out like that when they’re faking it.” You feel your cheeks heat. “And nobody gets this wet-” his fingers snake beneath your skirt, pressing to the wet patch on your panties. “When they’re faking it.” You gasp and reach out, hands clasping onto his shoulders for support. He only chuckles. “No worries, gorgeous. No need for any more faking tonight. I’ll make sure it’s all real.” 

Somehow you’ve got your legs wrapped around his waist again and you’re headed to the bedroom– again. It’s like a replay– a redo. 

“Let’s keep it less killy this time, yeah?” 

Your back hits the mattress, your body bouncing lightly on its softness before he’s crawling after you. It’s simultaneously the best and worst deja vu you’ve ever experienced. 

His hands slide down your body again, fingertips hooking beneath the hem of your skirt and shimmying it up your thighs until your panties are on full display. 

“Shit,” you breathe. He’s moving so fast, like he’s desperate to go further, to get his greedy hands all over your bare skin. 

You can’t say you blame him. You feel the same.

His thumbs hook under the fabric of your panties and you know it’s over for you. You can feel his warm breath skating across your thighs, feel the calluses on his hands scraping against your skin. You reach a hand down, tangling it in his hair, and you nearly faint when he smirks and looks up at you with those blue fucking eyes. 

“I think I’ve seen this film before, sweetheart.” He tilts his head, resting his cheek on the plush of your thigh. “No more knives hiding anywhere, yeah?” 

You clench your jaw, trying to control your pounding heart. You can’t believe you’re doing this. Why are you doing this? You wish you had a better answer than he’s beautiful and sexy and just a glance at him makes you want to rip his clothes off and climb him like a tree. 

“Silent, hm? Guess I’ll just have to check myself…” 

He’s pressing up the hem up your skirt, more, more, more, until he’s pulling your dress straight up over your arms and running his hands down your bare sides. 

“None there…” His fingers cup your breast and you gasp, unable to contain your shock and the jolt that just rushed through you. He traces the outline of your bra. “You had the last one in here, no?” Your chest heaves under his touch, pressing the flesh of your breast up into his fingers. He smirks. “Best check again.” You feel an arm slide beneath you back and then your bra loosens before it’s completely gone. 

There’s a beat of silence, of admiration. He gazes down on you and you see his snark falter for just a moment, replaced by a sparkle in his eyes. It makes your skin heat. His fingers brush the swell of your breasts, thumb trailing down over a nipple. You arch and gasp again. 

“Fuck. Quit teasing so much.” 

He chuckles and the sound washes over you until it settles in your bones. “Sush. I’m not done checking for weapons yet.” 

You scowl but before you can even move to open your mouth he’s sliding your panties down your legs, hooking them around your ankles and tossing them somewhere on the floor.

His tongue darts out to wet his lips and you watch him settle himself down between your thighs, eyes never once leaving your center. “Don’t see any knives here, either, but maybe I should double-check…” he breathes. 

He hooks your legs over his shoulders and you shudder, your breaths shaky. Fuck. You were supposed to kill him tonight but if he keeps going like this you’ll be the one deceased. 

He meets your eyes when he takes the first long lick along your folds. You swear he’s smirking.

Your head rolls back and a pathetic sounding groan slips past your lips. You hadn’t realized how much he’d worked you up. Just the slightest touch feels like heaven.

His tongue nudges at your clits and your legs clench, tightening around his head. He laughs into your cunt and his warm breath skates up and over your tummy. Your fingernails scrape his scalp.

“I think you like this, gorgeous.” 

Each word sends little puffs of air against your folds. It’s driving you crazy. You stare down at him, letting a smirk pull at your lips. Your eyes dart over his mouth, wet with your slick, and you don’t fail to notice the way he’s struggling to hold your gaze, eyes flickering back down to your cunt every second. Your smirk grows. “I think you’re liking this, too.” 

He licks another stripe, from you pulsing hole to your throbbing clit, and this time he’s the one groaning. “Damn right I am.”

He eats you out like he kisses you– like a starved man, like he’ll die if he stops for just one second, like he can’t live without your juices on his tongue. 

You whine and bury both hands in his hair, tugging desperately when his lips wrap around you clit and suck. It’s so much, too much, and yet it’s just right. 

Your hips buck and squirm, but he’s got his fingers pressed deep into your flesh, holding you down to take whatever he gives. You think you see heaven when he slides two fingers into your walls, curling them into that gummy spot that has an unbearable heat building deep inside you. 

“S-Satoru-” you stutter and you hear him moan and mutter into your cunt like he’s unwilling to leave it for even a second.

“Fuck, yes. Say my name, sweetheart.” Who are you to deny him? You whisper, whine, and whimper his name with every thrust of his fingers, every lick of his tongue. It’s delicious. Every so often he swaps his mouth and hand, thrusting his tongue as deep inside you as he can while his fingers rub dangerous little circles on your clit. Whenever things get a little too filthy he laps his tongue across your entire cunt and along your inner thighs, cleaning up every stray drop. You don’t know how much longer you can last under such a complete and total assault. 

“S-Satoru, ‘m gonna-” He licks a thick stripe through your folds that makes your sentence end in a whine, his lips settling to suckle on your clit again.

God, it’s messy. It’s fucking disgusting. His whole chin is covered in spit and slick– and you love it. “Cum for me, baby,” he breathes. 

You don’t need to hear much more. You let the heat inside you release with a whine, thighs trembling on his shoulders. Your walls pulse and throb around his fingers, sucking him in and never wanting him to leave. His tongue continues to rub lazy circles around your clit, working you through your high and making it last so long you think you might pass out.

Warmth spreads from the top of your head to the tips of your toes and your muscles tense and clench with each pulsing throb. You swear to god you see fucking stars.

It seems to go on forever, leaving you limp and shaking when the last waves finally slip away. 

He presses a final kiss to your clit, one that makes your hips jolt from the overstimulation before he’s lifting himself up. “Wow. That looked like a big one,” he chuckles. He runs a soothing hand along your thigh and you don’t even have the energy to give him some sort of snarky reply. There’s hardly even a pause before something shifts in his eyes. “Let’s see if we can get one that’s even bigger, yeah?” 

Before you can even process what he’s said you feel strong hands slide under your thighs, pressing them tightly to your chest as he settles himself close to you

You grasp at the sheets, hearing the clinking of a belt buckle and then the familiar pitch of a zipper being undone. 

“Fuck,” you mutter. He’s big. Long and pretty and with a perfectly flushed tip. Your eyes are rolling back just thinking about having him inside you.

A strong hand smooths along your thighs, folding you in a way that feels more vulnerable and exposing than anything you’ve ever done before. He pauses for a beat, just staring down at you silently.

“Gorgeous,” he finally mutters, and something in your heart squeezes. His hand grips your hip firmly, holding you in place and you gasp when you feel him prodding at your entrance. It’s pathetic. You’re pathetic. Big bad assassin turned simpering little bitch over some good Gojo dick. 

“Just relaxxxxx, baby.” His hand rubs soothing little circles into your side and it’s so divinely distracting that it catches you by surprise when he starts pushing into you. You gasp and he only chuckles. Asshole. 

He’s big– really big – and the stretch is somehow both painful and perfect. You groan into the air, struggling to take him. Every inch feels like it must be the last, but then there’s more. Your walls clench around him on instinct, trying to force him out. 

“Fuck, baby. What did I say about relaxing?” You hiss when his hand skates down your tummy to rub messy circles on your clit. The relief is instant and you moan when you feel him slide in a little further. “There we go. Good girl.” 

He continues feeding his dick into you, inch by inch, until his hips finally press to yours and you think you can feel him in your fucking throat. You hear him exhale, like it’s a relief to finally be fully inside you, like he’s been waiting for ages. 

You expect him to not hold back, to let himself go and pound into you relentlessly, but he doesn’t. He only leans down closer to you, settling in when he starts a pace of slow, sensual thrusts. His brows pinch, his eyes hardened in concentration.

“Ah, fuck. You’re so tight.” 

You want to shoot something back at him, but you’re hardly remembering to breathe with how deep he’s sliding into you. Instead, you just end up holding him tighter, your eyes fluttering shut. 

Lips dust across your cheeks, just below your lashes. “Keep your eyes open, gorgeous. Wanna see you.” 

You blink, thinking that it’s a notion that feels a little too intimate for a hookup. Regardless, you do as he wants, opening your eyes and holding his gaze.

A smile splits his lips and he presses his forehead to yours, picking up the pace of his thrusts. It’s not long before the sound of skin on skin fills the room and you’re both panting. His breath skates across your skin, hot and heavy, hitching with the groans and whines that spill from his chest. You can’t help but pull him closer, raking your nails down his back hard enough to leave marks. The action makes him emit a noise you can only describe as a desperate whimper. “Fuck, baby. Yes.” 

His lips press to yours in a kiss that’s all desperation and teeth and tongue. You kiss him back with equal intensity, your body rocking with each heavy thrust. He’s pounding into you now, frantic for more, more, more of you. You want him to take it, take all of you. 

A familiar heat pinches in your stomach and you know it won’t be long before he’s pushing you to another release. His dick drags in and out of you, prodding at the gummy spot inside you with every thrust and brushing so deliciously against your cervix that you can’t stop the moans spilling from your lips. It has you seeing stars again, has you clawing at him and panting into his mouth. 

“Satoru… harder,” you breathe. You need more– more of everything, of him. 

He groans. “You got it, gorgeous.” 

His hips slam into you and it’s so perfect that you can’t help but whimper beneath him. It only gets worse when you feel his fingers on your clit again, hand pressed between your bodies. “Cum on my dick, baby.” Your eyes roll back, that coil inside you rolling tighter. You feel his muscles tensing and shaking above you and you know he’s close, too. “Where do you want it?” he asks, and from the pinched look on his face you can tell exactly where he wants it. You know you’re an idiot for feeling the same. 

“Inside,” you breathe. He groans so loudly it rattles in your ears.

“That’s my girl,” he says, but it’s nearly a whisper with how strained it is. His hand continues at your clit, rubbing perfect little circles that make your legs tremble where they’re pressed against your chest. Your jaw hangs open, but you don’t dare close your eyes. Satoru is still holding your gaze intently, desperately, like he needs to see you. The thought throws you over the edge.

You cry his name, clawing at his shoulder and shaking like a leaf as you feel yourself gush and pulse all over his dick. For the second time that evening you feel the heat inside you swell and burst, washing through you in waves that nearly consume you whole. It’s a struggle to hold his eyes, to not let them roll back into your skull and give into the pure ecstasy of your high– especially when he’s cumming, too. You can hear him moaning in your ear, feel him twitching inside you, feel his hot cum coating your walls and there’s just so fucking much of it. You swear he cums for a minute straight before he slumps down onto you, burying his face in your neck as you pant. 

You’re shaking and so is he, breaths heaving in and out. Reality slowly starts to seep back in, even with his dick still softening inside you and his cum leaking down your thighs. 

You tried to kill him. You failed. You had sex. Now what? Would he really let you go like he’d said he would? You wanted to believe it, but life hadn’t taught you to be that trusting. You should move, untangle yourself from him and escape before he has time to change his mind. 

“You assassins are always thinking so hard,” He mumbles into the curve of your neck. “Maybe you should try to relax for once.”

You swallow when you feel him pressing his lips to your throat, trailing up to your jaw. It’s… tender, gentle, and it feels so nice. You can’t help the way you melt into the touch a bit. You feel him smile into your skin. “There we go.”

His hand settles on your waist, rubbing soothing little circles that send a jolt of urgency up your spine. No. You’re enjoying this– being close to him, laying here with him, breathing him in. That’s not what this is supposed to be. 

You tense again, shifting to get away from him, but he only sighs and presses his weight onto you. 

“Come on, gorgeous. No need to leave so soon. Just stay for a bit, yeah?” He nibbles at your jaw, but it doesn’t work this time. You have to go. You’ve failed your mission. You don’t know what that means for your brother. You’d never thought this would have an ending besides your death. 

“I have to go,” you mutter, pushing at his chest. 

He chuckles, but you don’t miss the strain and… hurt? “Got something more important than trying to kill me?” 

You clench your teeth, trying once again to shove him away. “Yes, actually.” 

He finally pulls back to meet your gaze, brows slightly pinched. “Like what?” 

You push in earnest now, anger and panic rising in your gut. You have to go, have to check on your brother, have to figure out what you’re going to do. “That’s really none of your business,” you seethe. 

You go for another shove, but strong hands clasp around your wrists, pinning them to the bed. His expression has gone flat now, serious. “Actually, I think it’s completely my business. You going to report your failure? Should I expect another assassin soon?”

You scowl, tugging at his grasp and trying to free yourself. “Yeah, probably. He’s an insufferable idiot. I told him it wouldn’t work and it didn’t, but I don’t doubt he’ll send another.” 

His face cracks, his brows pulling together again. “If you knew it wouldn’t work then why’d you take the job?” 

You struggle again, less angry and more desperate now. “Because he’s got my fucking brother at gunpoint and I’ve got to figure out how the fuck I’m going to save him!” you shout.

There’s silence for a long moment– a long, uncomfortable beat of it– and then his expression softens into something… tender. It sends a chill up your spine. Satoru Gojo was never supposed to be tender with you, and that’s all he’s been. 

“I’ll save him,” he says. Your heart jumps and his grip on your wrists loosens, allowing you to slip free. 

“What?” you breathe. He sits back, allowing you to prop yourself up into a slightly less vulnerable position. 

He exhales slowly, but you don’t miss the way his hand settles on your bare thigh, a comforting weight. “I’ll save your brother and then I’ll take care of your boss.” A smirk creeps across his lips. “What? Don’t think I can do it?”

You stare blankly, lips parted. There’s no doubt he can do it, but that’s not the question swirling in your mind. 

“Why would you help me?” You’d tried to kill the man. You couldn’t make heads or tails of a reason why he’d go out of his way to help you. 

He chuckles. “Well, in case you didn’t know, I’m a hero of sorts.” You have to fight not to roll your eyes. “And… there’s something I want from you.” 

There it is– the catch. He wants something. You have no idea what you could possibly have to give him, but you’re willing for it to be just about anything. You narrow your eyes. “What?” 

He grins, but you can see the glint of mischief in his gaze. His hand slides further up your thigh, up your side, over your shoulder, until it rests at the nape of your neck and his face is only inches from your own. “What’s your number, gorgeous?”

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[eldragon-x]

Top three insane and concerning Odile dialogues to me. Like the obvious reading here is that her problems will be solved because the King is going to kill her. And I do wonder if, aside from being pessimistic/trying to be realistic, she was straight up prepared to sacrifice herself.

As soon as she joins the party she expresses that she doesn't like the idea of leaving the fate of the country up to Mirabelle and Isabeau because they're younger than her. She says she's willing to do horrible things to protect the party on a family quest route. She learns some kind of craft that stops Siffrin from looping in Act 5. I don't think it's straight up Time Craft, which - as a reminder - could kill the user, but I can imagine it's still dangerous seeing as it's powerful enough to interact with Time Craft. And in the tutorial event, she puts herself between Siffrin and the rest of the party.

I don't think her potentially expecting to die against the King is her just throwing the towel either. She keeps emphasizing how the party has to be prepared and in top condition for the battle. It's more of a "if someone has to die, I'll take the bullet" kinda scenario.

That being said there's still the "One way or another part." which makes me wonder. Assuming she lives, her problems still extend beyond just the party splitting up. But going throught her friend quest, I guess she kinda accepted that trying to find closure in Vaugarde isn't going to be as fulfilling as she hoped and trying to make sense of her ties to it and how it informs her sense of self is going to be more complex than she expected.

But then, maybe the reason she expected her problems to be solved "one way or another" soon is because she expected she'd finally have the courage to ask the party to keep traveling together without worrying about the King?

The game keeps bringing up how the party has only known each other for a short time but a few months is long enough to get attached, especially if you've been by yourself for a long time like Siffrin or never quite found your place in your usual life like Mirabelle.

Maybe Odile doesn't even have that much to go back to in Ka Bue. Before it's revealed that everyone would like to stay together, Mirabelle seems content to stay on Dormont despite feeling insecure about her percieved lack of progress living in the House. Odile says once everything's over maybe she'll go back to Ka Bue but she isn't neccessarily eager to. Isabeau is the only one who really expresses wanting a change in his life once the King's defeated but even then it's kinda assumed he goes back to his town.

Bonnie is a little bit of an outlier here because of course they'd want to go back to their sister, but they still prefer that she comes along with them once they party makes it to Bambouche.

Maybe all Odile really wants right now is to not be left behind again.

[angelyuji]

ford pines dating headcanons

18+!!! minors dni!!

cw // sexual content under the cut

cutie patootie

FIT AS FUCKKKKK

writes about you in his journal like first time he sees you, first date, every single thought about you? journaled!!

he wanted to ask you out but he was sooo nervous you would reject him, especially considering how young and pretty you are

he was scared you would laugh at him for trying

so he didn’t try :(

so when you showed up at the mystery shack and asked him out to dinner, he would’ve jumped for joy

“you-you’re asking me? on a date?” ford stares at you, mouth open. you tilt your head in confusion and ford almost melts. he clears his throat, “i-i would love to, (y/n). thank you.” ford blushes.

your first date was cute, he was so flustered and so nervous

i feel like he calls you by your name, sometimes by your last name, sometimes like ms/mr. last name. idk he’s silly like that

HE loves pet names tho, he lovessss pet names

when you call him love, baby, sweetheart, anythingggg he loves it

he especially loves when you call him sir like in any context

idk he’s silly like that :)

literally the sweetest man in the world

constantly thinking about you and talking about you

constantly creating new things/inventions for you

he would start writing up the mock-up of a project or an experiment and start thinking about you and then end up making something he thinks you’d like

sooo down bad for u dude, would give you the world if you asked

i feel like bill would find his love for you either fascinating or be so insanely jealous that you’ve got ford wrapped around your finger like that’s his man

imo the only solution is a threesome

WHAATTT WHO SAID THAT…. some of these artists draw bill so fine that i cant help it

he loves when you’re passionate about something! it doesn’t have to be mysteries and monsters, but just something that makes you yap (but he also loves when you listen to him talk, he’s more of a talker than a listener but he will listen to you)

yk that scene in those cliché romcoms… idk how to describe it so ill just put it into dialogue

‘gorgeous’ ford hums as you talk, the way your lips move, your expressions, everything hypnotizes him. ‘gorgeous’ he can’t help, but be enamored with you. you’re smart, kind, and passionate. “gorgeous” you stop and look at him.

“thank you?” you tilt your head at his words and his eyes went wide. he sputters as you laugh.

can have moments of smooth talk and flirting but the moment you reciprocate, he’s red in the face and stuttering

need him carnally, need him ways that even god will not allow me into heaven

switch!!!

he can do both i fear

he’s okay with you on top or him, definitely depends on his mood

like i said, FIT AS FUCK, whatever he’s been doing in that portal has treated him well

not insecure about his body more insecure about his lack of experience

he never talks about it about the stuff from before

he did a lot of research in positions, toys, and stuff like that

you had to tell him to calm down and take it slow

he’s more into giving pleasure than receiving

he wants you to feel good more than he wants to feel good

if you feel good, he feels good ykwim?

hes sooo pathetic tbh like begging, pleading, to eat you out like he wants it so bad

his glasses would fog up as you guys make out and he whips them off like sung-hoon does in business proposal

honestly that entire scene in business proposal?? ford.

hgnhhghghgngngnhgn i need him i feel ill

[felikatze]

QoL as Kindness: ISAT's diagetic tutorials

This is the hopefully first of a series of posts I'll be doing reinterpreting ISAT's Loop through the lens of START AGAIN: a prologue's context. As such....

Major spoilers for both ISAT (all acts, including optional content) and SASASAP (all endings).

One of the biggest differences between ISAT and SASASAP is it’s QoL – it’s Quality of Life. QoL refers to all the little things that make a game just that little bit more playable; quick to navigate menus, quicksaving… tutorials.

It’s not really a surprise that SASASAP is as RPGmaker as RPGmaker gets. This isn’t a criticism, just an observation, and also a compliment to how much Adrienne’s skills with the engine improved between releases. Still, there’s some things that ISAT has over SASASAP.

ISAT’s QoL is absolutely essential to making it bearable. Anyone ever watch an ISAT playthrough where the player sighed in relief as the tutorial on picking where you loop came up?

SASASAP lacks a lot of ISAT’s QoL because it’s an earlier project without a studio backing it, but what impresses me is how this change ties into narrative.

Because the greatest chunk of ISAT’s greatest QoL is provided by Loop.

Even before you ever meet them, they’re already over your shoulder. Loop is the tutorial, speaking to you inside your brain. It’s genius, in that no player is ever going to question this. Hell, SASASAP’s movement tutorial is the exact same thing with less flavoring

This reframes what the QoL is – it’s not just a convenience to the player, it’s a convenience to Siffrin, too. It’s diegetic. It’s not something the game is giving you, it’s something Loop is giving you. Let’s look at what Loop gives you, and more importantly, why.

Zone Out

The first of the QoL features I want to talk about is the Zone Out function, the absolute bread and butter of not making this game a total slog.

The Zone Out feature as is did not exist in SASASAP (because Adrienne didn’t know how to do it yet) – instead, some doubled scenes let you just skip them entirely outright. There’s only two extremes: listen to all of it again, or none of it.

ISAT’s zone out system is much more dynamic, since it fast forwards dialogue line by line, letting you zone in whenever you’d like, and forcing you to zone in whenever a) something notably new happens, or b) whenever Siffrin speaks.

The way this feature is introced by Loop is kind of genius. Because Loop’s tutorial is about one thing – it’s okay to skip.

“You might miss what your party is saying, but who cares, right? If you make them mad, you can always loop back and they'll have forgotten all about it!”

It’s a cruel joke, or at least it seems that way on the surface. It’s also genuine advice. And a cruel joke at the same time. For Siffrin, freshly starting the loops, this is scandalous, but for Loop, who’s long since desensitized, it’s the same old same old.

What Loop’s doing here, by joking about Siffrin not listening to the party, is alliviate Siffrin’s guilt when they inevitably take Loop up on the offer. Because, even though Loop loves their party members…

From SASASAP, when sitting outside the bathroom:

(Will you get farther this time?) (Will you live this time?) (Or are you stuck listening to the same lines forever?) (…) (Stars, you’re so tired.)

Loop knows intimately well that Siffrin is going to drive themself insane trying to be a people pleaser every single loop, so this joke is telling the outright – don’t bother.

At first, Siffrin (and the player) still might. I really enjoyed reading the same conversations five times minimum because they’re fun and I’m deranged, but at some point I did start skipping them. And it was a relief to know there wouldn’t be anything new.

Siffrin: “Should I check everything again?” Loop: “You mean, should you check the same barrels, the same closets, the same objects on tables every loop?” Loop: “I mean, you can, but… You know things won’t change, right?” Loop: “If you really want to get a certain item again, or listen to your friends repeat something funny, you should!” Loop: “I personally would only check two or three things every loop, and ignore the rest.” Loop: “It will just make you crazy to expect something to change, when nothing will.” Loop: “All that might change is your reaction to it!”

The game is telling you, Loop is telling Siffrin, don’t drive yourself insane playing, please. The characters aren’t going to remember if you skipped something.

In the course of my script wizard activities, I’ve gotten an in-depth view of just how much that actually holds up. Pretty much all major differences are by Act, unrelated of how often you’ve done something. Minor variations apply for other things, but… those variations are minor.

And this also points out what all those variations are. Siffrin’s reactions!

Loop’s pre-empting Siffrin’s guilt, cuz they probably felt it themself. Hell, we do know they felt the pressure to perform and make sure nobody notices anything’s wrong, in SASASAP! Right up until the finale, Loop was driving themself up the wall.

(You have to act, you can't crack, you have to fake it and play it exactly as you did the first time for the whole way through so your friends don't find out anything is wrong) (You don't want to know what would happen if they knew their quest was in vain) (If they knew their quest for justice and change always ends in stillness and death!)

Acting everything out perfectly is one of the ending paths for SASASAP, which results in… complete and utter failure. Obviously.

(You acted perfectly normally, didn't you?) (Nothing out of place, nothing weird, every line the same as it might've been the first time?) (Ah…That was your mistake, wasn't it…?) (Because… Didn't your very first time… end exactly like this?) (The King throws the Housemaiden's body onto the floor again.)

Zoning out for too many conversations actually awards weird points in SASASAP, locking you out of the Perfect Ending. On the other hand, acting “perfectly” in ISAT… has no awards whatsoever. No special scene or or optional event or anything at all. You get nothing for paying attention!!!

So spare yourself the pain already, m’kay?

(On that note: I don’t think Loop not being sarcastic about it would’ve like… worked. At the start of ACT 2, Siffrin isn’t going to believe Loop when they say “Stop forcing yourself to relive the same thing over and over because you’ll start seeing your friends as disposable actors and lose touch with reality.” That all comes later, when Siffrin can look back on Loop’s words and see how right they were.)

Loop Back

The second biggest sigh of relief in any given ISAT playthrough is probably this specific tutorial.

Loop graciously shows you that you don’t need to loop back all the way to the beginning every single time. You can pick and choose where to go, even going forward by paying up with Memories of Skirmish.

This is a feature SASASAP does not possess, for the reason that it is much, much shorter, only covering about as much as one floor of ISAT’s three floor House.

But… since this is a character showing this to you, Loop showing this to you, we can ask… when did Loop learn this? After all, START AGAIN, Loop’s loops, do not have this feature.

“It'll save you time, so it's important, so listen up!”

This feature not existing in SASASAP means this is a thing that Loop did not know exists during their own time as Siffrin.

And that’s just the thing, isn’t it? SASASAP’s Siffrin does not know how to do this. They cannot pick and choose where they end up, as demonstrated wonderfully by SASASAP’s True Ending. There’s an even more wonderful implication, though –

On SASASAP’s Perfect End path, when exiting the final room before the King, Isabeau says this:

Isabeau: “…I'm glad you're feeling better, though!” Siffrin: (…?) “What do you mean…?” Isabeau: “Oh!!! Um, you were…” Isabeau: “Well! You were acting a little weird when we were way closer to the Castle's entrance……” Isabeau: “You weren't really listening to us, you were kinda smiling the way you do when you're actually not happy…” Isabeau: “…and you like, almost acted like you knew exactly where you were going?” Isabeau: “But clearly you're feeling better now! You're acting just like normal!!!”

SASASAP’s Siffrin knew how to do this, somehow managed to lock themself into the House’s last floor… and then forgot how to get back. By making this tutorial, Loop is ensuring that Siffrin never will.

“What can I do next?” – SASASAP’s greatest flaw

So, if you’ve had the pleasure of playing START AGAIN START AGAIN START AGAIN: a prologue yourself (as you should), then you’ve probably faced this scenario, or some variation of it:

I got to the end, I died to the King, but… what do I do next? The game tells me to go for the extremes, but how do I do that?

(edit: apparently some of yall just managed to speedrun sasasap in two loops. You're gonna need to stay with me here, please. Suspend your disbelief a bit, because a lot of people [including me] were dumbasses about it)

Maybe you try another loop, but just get the same ending again (or a differnet one, depending on a coinflip). You’re getting frustrated. Getting the Perfect Ending demands pinpoint precision to avoid everything weird, the True Ending demands good memorization of every single damn key in the game, and the order you do everything in. (Though, to be fair, the requirements on that one are actually more merciful than one might expect.)

Point is, in SASASAP, it’s incredibly easy to get stuck in that endless loop of “What the fuck do I do now?” It’s not uncommon to think you got it right only to get the same result anyways. What does one do in this situation?

They consult a guide, obviously.

START AGAIN’s ending requirements are frustrating. They are. When I tried to go for either the Perfect or the True Ending, I saved inside every single room, just so I could get right back to it when I inevitably fucked up five times minimum. This is both criticism… and praise. Because Loop is the major reason that ISAT does not suffer from this same problem.

Whenever you’re stuck in ISAT, Loop is just a single loop or call away at any times. And besides that, no plot requirement in ISAT demands nearly as many moving pieces all at once as SASASAP does – the “Sus Route” has been relegated to an optional ACT 4 exclusive event, instead of the game’s True Ending.

Instead of consulting an external guide on how to progress, you have one right there in the game, always ready with the next tip. They’re not infallible, mind you – enough time in Isatcord’s #game-help proves that, but Loop solved all of the moments I got stuck and frustrated in ISAT for me.

(Primarily that one time you need to figure out that a photo is similar to being stuck in time. That moment in particular is actually commendable, as you need to ask Loop about it twice before they tell you, leaving you a last shot to try and figure it out on your own.) Loop is a feature that nullifies SASASAP’s greatest flaw in its successor, and they choose to do so.

Memory of Keys

In my humble opinion, Loop does this because… they do not want Siffrin to suffer as they did. They want Siffrin to escape. And there is no greater example of their kindness than how Loop treats keys.

First of all, all keys in the game have a sparkling effect on them if you’ve picked them up at least once before, making it immediately clear where in the room they are. This means you don’t need to search every single room top to bottom for them, as you had to do for any keys and Star Crests in SASASAP. It’s some nice QoL that just means you don’t have to re-search the same area if you happened to forget which specific cupboard the key was in.

Key point being: SASASAP did not have this feature. In SASASAP, you did have to memorize where all the keys are, and doing so is expected if you want the True Ending.

Loop does not want Siffrin to have to do this. Because…

From SASASAP’s True End:

(The torch in the infirmary? That’s important!) (The key in the book? Soooo important.) (The names of your friends, that have been by your side throughout this entire adventure?) (Not worth remembering.)

Compared to ISAT’s ACT 2:

Siffrin: “How come I can see where the keys are?” Loop: “Whaaaaat? You caaaaaan? How can that beeeeeee?” Siffrin: “Is it thanks to you?” Loop: “Maybe.” Loop: “I figured you'd have other things to worry about than where a stupid key is.” Loop: “No need to thank me.”

To Loop, that they memorized the House’s layout over their friends’ names is a defining moment to their own failures. After all, in all likelihood, the True End of SASASAP is the last loop before they called it quits. It’s a traumatic experience from them, one that came from having to remember all the dumb fucking keys.

They do not want Siffrin to experience this. They do not want Siffrin to have to memorize the House, to push away what actually matters in favor of efficiency. So Loop is directly, personally, giving them a boon, so that Siffrin does not have to.

Conclusion

There’s probably more tutorial things I could talk about, but I feel like you’re seeing the pattern now, even if I don’t bring up saving level ups or keeping equipment or the “You’re stuck” signifier, least of all cuz they don’t have direct points of comparison with SASASAP like my other examples do (SASASAP has no changeable equipment, and saving levels doesn’t matter if you only have one floor, and you can’t softlock either.). So.

Loop’s tutorials all belie a fundamental kindness to their character. Everything that made their own experience trapped in the timeloop just that bit worse, they’re choosing to do away with it for Siffrin. They are choosing to make Siffrin’s time here easier.

Zoning out too much lead to them never paying attention to their friends, forgetting their names, so they make sure that Siffrin can still zone back in whenever something new happens.

Loop trapped themself for years on the final floor, locking themself out of progress that might lie further back, so they’re ensuring Siffrin knows exactly how to loop forwards and backwards so it doesn’t happen again.

Loop lets Siffrin keep equipment across loops to cut down on time spent doing the exact same thing over and over.

They are saving Siffrin time, and they are giving Siffrin comfort. At every single turn, Loop is saving Siffrin from the same pitfalls they fell into without anyone to guide them out.

It's honestly incredible to transform an increase in skill into an actual narrative element. Yes, SASASAP sucks more to play. But ISAT sucks less, because Loop wants it to. It's the perfect marriage of real world circumstance and storytelling. I could... probably pull another comparison here, saying it's like a game and its remake - overhauled graphics, expanded story, and loads and loads of QoL, because the makers of the remake realized something. They love the original, but parts of it do suck, and there's so much that can be done to make a new player's experience smoother. Metanarrative commentary,,,, woah,,,,,

Every single one of these QoL elements I’ve mentioned function as a crutch for a player’s failing memory, but also Siffrin’s (similar to what I talked about in my previous essay on ISAT’s ludonarrative - the player and Siffrin are always in sync, even in how tutorials benefit them). Loop doesn’t know the player exists though (only the Change God does), so they do everything for Siffrin.

To keep Siffrin from forgetting. To help Siffrin focus on what’s important. To make Siffrin’s journey just a little bit less miserable. Loop directly improves ISAT’s QoL. For you. For Siffrin.

From Loop’s introduction:

Loop: “See, I’m useful! I’m very useful! That’s why I’m here, helpful Loop.” Siffrin: “Why are you helping me?” Loop: “…” Loop: “Because I think you should be helped.” Loop: “I won’t always have the answers, but… I think having someone on your side to talk to is better than dealing with this alone.” Loop: “Right?”

From Loop’s hangout:

“But it’s fine.” “Whether you believe me or not, I’m here to help you.” “So you can escape this loop.”

And finally, from the start of ACT 3:

Siffrin: “Are you really here to help me?” Loop: “Stardust…” Loop: “…” Loop: “Yes.” Loop: “If you can believe anything, believe that.” Loop: “I asked to be here, so I could help you.”

And I do believe them. Loop’s feelings on Siffrin are… complex, to say the least. They love Siffrin, and they hate him in equal measure. They’re jealous, and spiteful, but underneath everything…

In SASASAP, if you die to a Sadness thrice, you get this monologue:

(Sometimes, when you loop back here…) (In the corner of your eye, you can sometimes see someone that looks just like you.) (Is it a you from another loop? Remnants of your past failures?) (Are you going crazy?) (May they succeed where you cannot.)

[heliumshorns]

This???

Oh, it's....

It's just an absolute ramble about how GOOD toji fucks when it's nice and slow.

You know.

The basic.

... mdni obviously??? Uhhh.... spit?? A little bit of that.. TOJI IS A SOFT DOM????? FOR ONCE???? WE LACK SOFT DOM TOJI CONTENT????? this was more lovemaking than sex tb but still works I guess

The hand tugging your hair, making you face him even when you believe you just can't? He'll make you remember you can take him, and very fucking well.

Something he murmurs into your ear while you're getting pounded your soul out of your body. And even though 90% of the time you end up losing any sense of coherency with how good the curve of his cock is massaging your G-spot, the times your ears don't ring out of pleasure? You catch a few words.

"Mhm... look at how pretty you look like that, baby. Yeah? Can you hear me?"

And when your moan comes out something minimally affirmative, he grins. He's cocky because he knows. He knows he's good when it comes to making you feel good. He knows you know. It's hard not to when he proves it to you almost every day.

"Stay here. I'm here. Listen to me.... Yeah, good girl."

Now. Toji is aware it technically isn't possible, but he grits his teeth anyway because damn you might just snap his dick off. He laughs, though. A low rumble that runs all through you. He sees how your skin forms goosebumps. How your nipples harden with that shiver.

"Oh... oh yeah... You can be loud, darling, it's just you and me... Just you and me."

Even though you could barely brethe to moan, really. Probably too gone to even think about how you sound. Choked noises with every breath you take. His eyes bore into your rolled back ones, and he sneaks a hand around your throat. Legs over his shoulders. Folding you into a mating press.

"Eyes on me. I want you to see who's making you feel good, baby. That's right."

He felt your heartbeat. There's no way. He's sinking so far deep, feeling how your cervix is massaging his tip so... good. Jesus, he's going insane here. Your eyes eventually manage to look into his, and the lust swirling in his irises? Yeah... The loud, borderline pornographic moan you let our wasn't a plan. Nor were you aware, really.

His laugh makes you whimper. Feel so small.

"My little pornstar, aren't you, baby? Open your mouth for me, baby. Can you do that?"

Your shaky nod has him grinning as he licks the back of his teeth and roof of his mouth. Gathering saliva.

His hand holds your jaw open as he leans down, not once faltering the slow and deep thrusts. His eyes are on yours as his spit slowly drips down.

"Oh fuck, baby..." He manages to lose his own composure. His head falls foward, hair hiding his eyes when he moans out. Low. Deep. And so fucking good while he stares at your cunt just swallowing him so good.

With a thumb swiping to your clit, he hears your yelp. Sees your legs twitch. Yeah. He wasn't gonna last longer.

"Honey, do me a favour. Come for me, yeah? Let's count down. Let's come together."

... Okay. Not easy thing to do, but worth a try.

He uses one hand to fix his slightly overgrown hair, looking into your eyes. With that same hand, he holds your face. He could tell you were so fucking close it hurt. From the curled lip to the furrowed brow. The almost pained look in your eyes.

His thumb presses down. He feels as the nub naturally twitches.

"Three..." He murmurs, hips not faltering their face as he pushes your clit around, making sure to angle his hips just right.

"Shit- so fucking tight, ma-" He moans with a smile.

"Two..." Your eyes glaze over, and your mouth starts to tip open. You can barely fucking breathe now.

"One, baby. Come with me, please."

And God, do you come. Absolutely fucking groundbreaking. Mind on the clouds as his hips snap, and snap, bringing himself to orgasm as you milk him dry. He feels your nails dig into his shoulders? Yeah. Does he care?.... not really.

This is probably the longest orgasm you've had in a while. Shit had you trembling with the aftershocks with God knows how long, but once you're back here, on earth? Yeah.... You're instantly squirming away. Pushing at his chest.

And he complies.

He already had you out of your mind pre-orgasm. He didn't want to ruin you that bad.

Flopping down beside you, chest heaving as he stares at the ceiling.

After a minute or two of silence and heavy breathing, you finally speak:

"Told you it was worth it to take it slow."

He only laughs and nuzzles his face in your neck.

[ixiot-ghostrebel]

i saw angry reader content and all of the character’s reactions to reader blowing of in an explosion of angry yelling, which gave me an idea. you know those people who make really strange unique threats, and say it in a way that makes it super intimidating? Like, they say it calmly like it was just an inevitable fact, with their voice having a slight lower tone. But not too much, just enough to notice it. And they seem incredibly calm up intil the threat, which adds to intimidation factor. like i just imagine:

*player going through sumeru archon quest normally and then reaching the point where nahida is released* cyno: “you once said that i have no standing to judge you. so how about judgement in the name of a god” there is a pause as the reader stays silent …

reader: “I will peel you. Sleep with both eyes open because I don’t want you to ever feel true rest again. I hope that even in your dreams, the threat of the peeling will haunt and chase you. Endless mental torture of your own making, until your lack of good sleep has paranoia eat away at your mind. And I will enjoy and smile during every moment as I watch your spiral into insanity, until finally, the peeling shall come.” reader: *proceeds to act like nothing happened* everyone else being absolutely terrified as to what the fuck the peeling is:

(Talking About This—I think—)

Oh yeah. You see, Reader has two anger modes:

1- The "I will threaten by maiming you in any way possible and make it clear that I will give you trauma" angry

and 2- "I will pretend I have said nothing, but I have said everything" angry.

Combine these two together, you see...And you have what anon has shown :)