#lage lund

[pupupupumpkin]

【岐阜県美濃市松森595 マツモリビル Live Spot DiAngelo予定】 2023年10/8(日) 19:00頃~ 《Move.》池戸祐太（g）古木佳祐（b）河村亮（ds）ライブ ￥4,000/1ドリンク・軽食オードブル付 お問合せは 〈E-mail〉pupupupumpkin@gmail.com  〈TEL〉090-4115-4235  〈店主 facebook〉https://www.facebook.com/daichi.furuta.5/

【Move.】ジャズギターマガジン誌/ジャズライフ誌等で度々ピックアップされるギタリスト池戸祐太を起点に個々の才覚が融合したスリーピース。ジャズ・コンテンポラリー、フリー・インプロヴィゼーション、プログレッシヴ等の色彩が詰まったオリジナル楽曲群を提示し続ける。東京都内を拠点にそれぞれが第一線で幅広く活躍中。岐阜は池戸/河村 両名の故郷です。二人の帰郷日程となる毎年のDiAngeloライブは、店主にとってもいつも楽しみなひととき。

池戸祐太(ギタリスト/コンポーザー) 1983年 岐阜出身。14歳でギターを始め、横山昌幸氏に師事。甲陽音楽院にて土野裕司氏に師事。卒業しオーストラリア・シドニーにて音楽活動をした後、東京に拠点を移す。Lage Lund,Mike Morenoにレッスンを受ける。2012年 リーダーアルバム “Breathing Space”をリリース。2018年2ndアルバム “Move. Live @ Virtuoso” をリリース。現在は東京都内を拠点に広く活動中。確かなテクニックとオリジナリティ溢れる楽曲に長く定評があり、注目される現代ジャズギタリストの一人である。2019年には“Mirror”リリース。ジャズギターマガジン誌では《ハーモニーの魔術師》と評される。

古木佳祐(ベーシスト/コンポーザー) 1990年 神奈川出身。歌手の母、ピアニストの父の音楽一家に生まれ幼少の頃よりジャズ、ワールドミュージックに親しんで育つ。実家が経営していた飲食店で行われるセッションに参加するようになりコントラバスを山下弘治氏、ジャズピアノを飯沼五洋氏に師事。即興演奏に必要な音楽理論を独学で身につけ、10代よりプロとしてのキャリアをスタートする。人それぞれの作曲や音楽性への深い理解力には定評がありジャズを中心としつつも様々なジャンルのミュージシャンからも信頼を集めている。https://www.keisukefuruki.com/profile

河村亮(ドラマー/コンポーザー) 1980年岐阜出身。幼いころから両親の影響で音楽に親しみ4歳からクラシックピアノ、13歳からドラムを始める。岐阜大学教育学部音楽科にて器楽奏法/音楽理論を学ぶ。和泉正憲氏に打楽器全般を、ドラムを黒田和良氏に師事。現在は活動の拠点を東京に移しジャズ・ポップスフィールドで演奏活動中。非常に音楽的、スムーズで安定したドラムプレイや人柄には、共演者から厚い信頼が寄せられている。直近の共演には太田剣(sax)和泉宏隆(p)堀秀彰(p)松本圭司(p)高木里代子(p)等。

[jazztidbits]

Jochen Rueckert Quartet Plays Charlie Parker

Melissa Aldana - Saxophone Lage Lund - Guitar Matt Penman - Bass Jochen Rueckert - Drums

[excitedboy0724]

Hello friends.... Kaise h aap sab m yaha new hu so plzz support me if u like my profile or story

Aaj aap sab se ek story share krta hu 75% actual h or 25% add kiya h taki thodi romantic ho jaye to suru krta hu so plzz reblog if u like

Ye bat h 10 saal purani main kisi project ke liye out of town gya tha so waha mere daddy ke frnd the to mujhe wahi rukne ke liye bola so m wahi ruk gya mera 5 din ka tour tha so 5 din wahi rhna tha to main bhi wahi ruk gya. Ab phela din normal or boring sa nikla but mere thinking aunt ko dekh ke excited ho rha tha sayad unka boobs size 36 tha or wo bahut jada sexy the unke dress rajputi poshak the wo wahi phante the so mujhe wo bahut jada sexy lagte the. Ab second day sab kuch normal but night bahut ache the main normally dinner krke room me chala gya phir night me around 12 mujhe pyas lage to m bahar kitchen me gya pani pine ke liye to mujhe kuch awaz aaye to maine phele normally liya lekin bad me gaali de aunty ne to m thoda soch me pad gya ke gaali kisko de rhe h aunty to dheere dheere aunty ke room me bahar gya to darwaje ke pass khada sunne laga to aunty ke awaz aaye madarchod sahi se jor jor se krna .... Aaa.. Aa.. Aaunch...

Im shocked aunty to sex kr rhe h wo b bahut abuse wale so koshish krne laga ke kahi se thoda dikh jaye ... But kuch ni dikha but really frnd aunty ke awaz me bahut jada sexy the thodi der bad aunty ne bola ke ab condom laga lo warna pichkari andar dal doge ... Frnds ye b ek time tha jab ladies andar lene se darte the lekin abi mahool kuch he h kher chodo thodi der bad aunty bole beta chod jaldi nikal leta h tu apna pani... Mera to abi b baki h khas koi or hota to mera b nikal deta koi phir aunty hasne lage or uncle bole saali gaali ke kutiya tu jada kisi or ko yaad mat kiya kr bhagwan tere liye yahi lund likha h is se kaam chala phir kiss ke awaz aaye or m room me chala gya ... Phir kya mera b lund tight so mujhe b ab handjob krna pada warna pure rat saala ye lund sone he ni deta but yr really bahut maza aaya us rat me or next morning unko jab subh dekha to phir se tight ho gya ke rat me gandi tarah se ye aunty chud rhe the..

So frnds ye mere story h kaise lage plzz batana or plzz reblog

Kyuki aage or b romantic story h is aunty ke

[theloniousbach]

JULIETA EUGENIO with Marta Sanchez, Matt Dwonszyk, and Steven Krammer, SMALL’S JAZZ CLUB, 5 SEPTEMBER 2024, 10:30 pm set

Fritz framed his essay on the year’s best at the end of 2022 around Julieta Eugenio’s album Jump, an astonishing tenor/bass/drums date that draws on

“hints of saxophonists across the whole history of the music, from Coleman Hawkins through Wayne Shorter and Joe Henderson to Chris Potter and Joshua Redman. All that, and more, in a performance of sustained brilliance that is entirely Julieta’s own, whether she’s trading rhythmic conceits with Jonathan [Barber] or playing hide-and-go-seek with the harmonies Matt [Dwonszyk] suggests.”

Fritz puts her in a lineage that began for both of us as listeners with Sonny Rollins at the Village Vanguard. But there are also Lee Konitz’s Motion, Joe Henderson’s State of the Tenor, Ornette Coleman’s At the Golden Circle, elite saxophonists performing without the net of a chordal instrument. Among Eugenio’s peers are Melissa Aldana who assayed the format with her Crash Trio recordings and Nicole Glover whose current working band consists of bassist Tyrone Allen and drummer Kayvon Gordon. Each has the serious breadth that Fritz cites above in Eugenio’s case and we have had several virtual barstool discussions trying to identify their influences.

Aldana has moved on to playing with guitarists like Lage Lund and availing herself of the openness that instrument provides which suits her light tone. Glover’s first trio was very busy and she played just as furiously, but Allen and Gordon have opened up some space for her too. This gig was, despite Marta Sanchez’s significant contributions to two band tunes and a sumptuous duet, still primarily a trio set drawing on Eugenio’s Jump and its successor Stay.

Her tone throughout was lighter, linear and melodic. Even with Dwonszyk and Krammer churning behind her not necessarily that loudly, she is deliberate and thoughtful. With Sanchez, particularly on the duet, she played a little deeper, a little mellower. There’s a wistfulness to her playing that is very appealing. Wistful and open, but she is fully in command of her horn and her band and her vision for her music.

The addition of Sanchez then is an intriguing development. She too is quite comfortable at the edges the rhythm section points too, but she also finds ample ways to make tough, beautiful statements. Dwonszyk has been a fixture in this band and his riffs and lines help shape the tunes. Jump and Stay relied on Jonathan Barber’s sophisticated drumming, so I missed him here. But Steven Krammer brought his own magic with layers of intricacy inside an insistent pulse. He churned and pushed the edge, but was not overpowering in any way.

Together they all contributed to the exciting extension of Julieta Eugenio’s aesthetic.

[shwetakithukai]

College Proffesor Ne Randi Banaya

Mujhe humesha se mere psychology ke professor se chudna tha. Unko dekhte hi meri laad tapakne lagti thi, aur mujhe mauka mila. Humara class test tha aur mai jaan boojh kar fail hui thi, jis din result tha us din mai jaab boojh kar slutty kapde pehenkar gayi thi. Tight shirt aur tight jeans ke saath heels. Mere boobs aur meri gaand acche se nazar aa rahe the. 

College ke ladke bhi mujhe hawas bhari nazron se dekh rahe the, jaise abhi mere kapde faad kar mujhe chod denge.

Par mera dhyaan to Sir ki taraf tha, mai wait hi kar rahi thi kab sir result batae aur mujhse aakar baat kare. 

Sir ne checks mark sheets sabko di, aur akhir me mere paas akar bole “I’m disappointed Shweta, meet me in my cabin after college” aisa bolkar unhone mere hath par se hath fera.

Meri to saase tez ho gyi aur chut gili hone lagi.

College khatam hone ke baad mai sir ke cabin mai gayi, sab ja chuke the, sir akele kuchh papers check kar rahe the.

Unhone mujhe kursi par baithne ko kaha, aur uthke mere paas aane lage, meri saanse tez ho rahi thi. 

Mere paas aakar mere face ko caress karte hue bolne lage, “Shweta, fail kaise ho gyi tum?” Mai kuchh bol nhi  paa rahi thi, bas sharma rahi thi, aur bohot garam ho rahi thi.

Sir ne mera muh pakad kar apni taraf kiya aur jhuk kar mere karib aa gaye, “Ab fail hui hai to kuchh to karna padega na, kya karegi bata?” 

Mai bas unki aakhon mein dekh kar nod kar rahi thi, wo dhhere dheere aur paas aaye mere hothon ke aur ruk gye, meri saase boho tez ho rahi thi, mera bohot man ho raha tha unko kiss karne ka par control kar rahi thi.

Sir ne mere baal pakade, mai poori geeli ho gyi thi tab tak, aur poochha “Kuchh bhi karegi Shweta? Mere liye?” Maine sir hilaya aur sir mujhe kiss karne lage. 

Mai bhi kiss karne lagi, pagalon ki tarah

Sir meri shirt ke buttons kholne lage, mai rokne gyi to mere hath pakad liye, aur shirt kholdi meri aur bra ke ooper se boobs dabane lage

Mai siskariya bharne lagi, “Ahhhhh sirr, koi aa jaegaaa, please yaha nhi”

Sir ne mujhe khada karke ghumaya aur shirt poori utaar di, aur bra bhi utar kar peeche se pakad liya mujhe

Aur mere boobs dabate hue, gardan pe kiss aur bite karne lge.

“Koi nhi aayega, aaj tera test h akeli ka”; “Ahhhh okayy sirr sssss mmmmm” mai sikariya bhar rahi thi

Sir ka khada lund, meri gand pe feel ho raha tha, mai apne hath peeche le gyi aur pant ke upar se unka lund sehlane lagi, is se sir aur zor zor se mere boobs dabane lage aur nichodne lage, phir ek hath se meri jeans ka button kholne lage, mai unhe rok rahi thi, toh unhone ek ungli mere lips par rakhi, aur bole “shhh shhh Shweta” 

Aur aisa kehkar dheere se ungli mere muh mai dalne lge, mai bhi dheere dheere choosne lagi

Mai bohot geeli ho rahi thi, au halke halke unke khada lund pe apne ass rub kar rahi thi

Phir sir ne meri jeans kholkar neeche kardi mere shoes tak, mai unke saamne sirf panty mai thi

Unhone panty ke upar se meri pussy par halke halke thappad mare, “ahhh sirrrrr, nhi koi aa jaega” mai unka hath rokne ki koshish kar rahi thi

Sir ne kaske pakad liya mujhe aur meri gardan kaat te hue panty ko side karke meri geeli pussy rub karne lage

“Ahhhhhhhh mmmmmmmmmmm mmmm hmmmmmmmmm” mai ekdam pagal ho rahi thi

Sir doore hath se mere boobs dabane lage, mai aur zyada geeli hoti jaa rahi thi, sir ne achanak ek ungli andar daal di, mai siskaariya lene lagi. 

Phir sir ne meri panty neeche kar 2 ungliya daalkar fingering karne lage, mai aahe bhar rahi rhi, is se sir aur garam ho rahe the aur tezi se fingering kar rahe the, mai usi mai 1 baar chhoot gyi.

Mere pair thode thode kaanp rahe the,

Sir ne ungliya meri geeli chut se bahar nikali aur mere muh mai daali mai choosne lagi tab tak mere boobs acche se daba rahe the, phir mujhe ghuma kar kiss karne lage, mmmmmmmm

Aur mujhe ghuno pe bitha diya, unka khada lund pant mai saaf dikh raha tha, unhone apni pant kholkar apna bada sa lund bahar nikala, maine turrant hath mai le liya, aur unki taraf dekhte hue neeche se upar chaatne lagi, wo mere baal sambhaal rahe the. Phir maine unka lund muh mai lekar choosna shuru kiya, wo mere boobs daba rahe the, phir unhone mere baal thodo peeche kheeche aur poora lund muh mai andar bahar karne lage, “ahhhhhhhh shwetttaaaaaaaa ahhhhhh” dheere dheere tezi badhane lage aur acche se deep throat karne lage.

Thodi der tak mera muh acche se chodne ke baad unhone lund mere muh nikala, aur mujhe mujhe wahi zameen par jhuka kar spank kiya, “ahhhhhhhhhh mmmmmmmmmmm uhhhhhhhhh” mujhse raha nhi jaa raha tha. 

“Ahhh Shweta!! Kya geeli chut hai teri ufff” Meri chut par halke halke thappad lagate hue bole.

Mai siskariya leti jaa rahi thi, is intezaar mai ki kab uska lund meri chut maarega.

Tabhi unhone apne lund ka top meri chut par ragadna shuru kiya

Mai pagal hoti jaa rahi thi, achanak unhone aadha lund meri chut mai dhakel diya, meri cheekh nikal gyi, “Ahhhhhhhhh” sir ne turrant mera muh band kiya aur kaan mai bole, “Itni tight chut h, bohot cheekhe niklegi teri lagta h” Ye bol kar ek jhatke mai poora lund andar daal diya, mai chilla rahi thi, par sir ke haath se meri awaz daba rahe thi

Unhone dheere dheere age peeche karna shuru kiya, jaise hi unhe samajh aaya mai thoda relax ho gyi hu, unhone ekdam se zor zor se jhatke maarna shuru kar diya mai pagal hoti jaa rahi thi, “ahhhhhh ahhh ahhhh ahmmmm ahmmm muhhhh uhhhhh fuckkk kahhhh ohhhhh mmmmmmmmmmmm fuckkk fuckkkkkk” wo jaise jaise jhatke maarte meri siskaariya aur tez hoti jaati. Sir mere baal kheechkar mujhe chodne lage, mai jhad rahi thi aur sir mujhe zor zor se chod rahe the. 

Phir sir ruke, aur dheere se apna lund meri chut se nikala, mere pair kaamp rahhe the aur mai siskaariya le rahi thi. Mere boobs dabake mujhe khada kiya aur table par jhuka kar spank kiya. Peecche se meri gardan pakdi aur apna lund meri chut mai daalkar chodna shuru kar diya, zor zor se jhatke marne lage, mai zor zor se moan kar rahi thi. “Ahhh hhhh hh ammmmmm ummmmmm siirrrrrr fuckk ahhhhhh ahhhhh ahhhhh mmmmmm fuckkk fuckkk fuckkkkkkk uhhhhhhhhhh ahhhh” 

Kaafi der aise chodne ke baad sir ne mujhe ghutno par bithake lund muh mai daal diya aur apna saara maal mere muh mai nikaal diya “Ahhhhhhh Shwetaaaaaaaa ufffffff kyaa kamaalll ki randi hai tuuu” 

Mai saara maal nighal gyi aur sharmate hue kapde pehen ne lagi, sir mujhe kass ke pakad liyaa “Kal tujhe college ke baad ghar le chalta hu, chalegi?”

Mai sharma kar sir hila kar waha se chali aayi.

Us din ke baad sir ne mujhe bohot choda, kabhi hotel le jaa kar, kabhi uske ghar, kabhi car mai door kahi le jaakar. Mujhe bhi sir ke lund ka addiction ho gaya tha, kayi baar unhone mujhe raat bhar choda. 

[radiofauxshow]

Song of the Day: April 7, 2024

Melissa Aldana: Ritual Ritual on Amazon Prime Music Sunday is jazz day. Melissa Aldana is a tenor saxophonist from Chile and Echoes of the Inner Prophet is her 7th album. It is a collection of eight modern jazz tunes, featuring Aldana on sax, Lage Lund on guitar, Fabian Almazan on piano, Pablo Menares on bass, and Kush Abadey on drums. “Ritual” is a beautiful composition by bassist Menares that…

[desi-indian-real-stories]

Theater main meri GF ko tadpaya or choda (Sexy encounter)

Hello dosto ye meri pehli story hai jo ki ek real life incident hai. Main thoda nervus hu iss story ko share karne main. But i hope aap sabhi apna support mujhe denge.

Ye baat hai mere college ke dino ki, main Indore se hu. Jab main 22 years ka tha, abhi main 28 ka hu. Meri ek friend thi, jispe mujhe crush tha wo mere sath hi padhti thi or hum log same age ke hi the. Hum log college main aksar baat kiya karte the. Ek din hum log movie dekhne gaye. Kunki sare shows ka timing humare time se match nahi kar raha tha. So hum log ek bhut hi flop movie main hi baith gaye. Socha ki har baar to interesting movies main hi jaate hai iss bar koi boaring movie main chalte hai.

Humne humari tickets li or ander hall main ja kar baith gaye. Jab hum hall main gaye to bas 4 - 5 log hi the pure hall main. To hum log aju baju main baith gaye or movie start ho gai. Kunki movie bhut boaring thi to main mobile main mera instagram chalane laga. Uss main maine kuch porn movies or erotic scene wale profiles ko follow kar rakha tha. To uska dhyan mere mobile main gaya.

Wo mujhse puchne lagi ki kya tum ye sab dekhte ho. Kunki meri kabhi itni khulke usse sex ke topic per baat nahi hui thi. So main thoda sankoch kiya phir maine usko bola ki, han main kabhi kabhi dekhta hu. Wo apni aankho ko badi badi karte hui mujhse puchne lagi ki tumko kiss type ke scene main jyada interest ata hai? to maine bhi usse keh diya ki mujhe short dress/skirt wale scene main jyada maza ata hai.

Uss ne uss din Legging or kurta pehni thi. Or uski body ek dum perfect, slim or boobs pefect the, ek dum kase huye. Uske gaand ka size bhi kafi acha tha, or kabhi ubhre huye the.

Riya : To wo mujhse bolne lagi ki kya tumko kurta or jeans wali ladhkiyon main interst nahi aata?

Main : Agar ladhki tumhare jaisi ho to koi bhi dress main pasand aa sakti hai.

Phir wo thoda mujhse pass aa kar baat karne lagi, or dheere dheere uske baal mere chehre per touch kar rahe the. Or baar baar unko hatane ke chakar main mera hath uske gaal per tocuh ho raha tha. To hum log sath main insta ke video dekhne lag gaye.

Kuch erotic se videos se shayad wo thodi garam ho chuki thi. To achanak se usne mere gaal per kiss karte huye kaha ki "waise tum ho to cute". To main bhi thoda khushi ke mare uske lips per fatak se ek short kiss kar di. Or kaha ki "shayad main already tumko like karta hu, baat sirf tumko samjhne ki hai.".

Uss lip kiss ne shayad humare bich ki chuppi to tod diya. or slowly uss movie theater ke andhere main hum ek dusre ko slowly kiss karne lage, uske lips bhut hi soft or sundar banawat ke the to main kabhi uske upper ke lips ko chusta to kabhi niche ke. Hume pata hi nahi chala ki tum karib 5 min se jyada se kiss kar rahe the.

Kiss karte karte meri excitement bhut hi jyada badh gai thi. To maine usse kaha ki

Main : mujhe thodi thandi lag rahi hai AC ke karan. To kya hum log tumhari chunni ko odh sakte hai.

Riya : Han jarur

Phir uss chunni ko odhne ke bad maine mera ek hath meri chair se khiska kar uske hatho main thama diya, or maine kaha ki mere hath bhut thande ho gaye hai. To usne mere hatho ko apni pairo (thighs) ke bich main daba liya. Or uski thighs itni garam thi ki pucho hi mat. Itni narm or garam thigh ko chute hi mere to lund tan kar lumba ho gaya.

Slowly maine uss moke ka fayeda uthate huye mere hath ko uske pairo ke bich main rub karne laga. To wo bolne lagi:

Riya : Kya tumko acha lag raha hai rub karke?

Main : Han bhut hi acha

Then wo chup ho kar baith gai or apne sir ko mere kandhe per rakh liya. Maine slowly slowly rub karte huye uske kurte ko upper kar diya or mujhe bhi nahi pata chal paya. Ki mera hath ab uski pattle se legging ke kapde ke upper se uski jangho ko mehsus kar raha tha. Dhere dheere mera hath jaise jaise upper (uski thighs se) ki or jata uske hath mere hatho ko joro se jakad lete.

Mujhe samjh aa gaya tha ki ye ab bhut excited hai. But main thoda slow or aram se pyar karne walon main se hu. Pyar ke har pal ka maza lena mujhe bhut acha lgta hai. To isliye maine bhi, slowly slowly hath ko or upper ki or le kar gaya jahan se uske jangho ki seema khatam ho kar uski choot ki shuruwat hoti hai. Or mera hath maine bas 3-4 milimeter ki duri per le ja kar rok diya. To usse control nahi hua, or usne thoda sa mere hath ko pakad kar kurte ke ander push karte huye mujhe kiss karna shuru kar diya.

Maine bhi soch liya tha aaj to isko tadpaunga. Or iska paani bina choot ko touch kare hi nikal dunga. To maine mera hath uske pattli si legging per se uski choot ko halka sa sehlate huye upper ki ragadte huye le gaya. Wo joro se sanse le rahi thi mere moouh main hi.

Main ab mere hatho ko halke halke se uske pat per rub kar raha tha or mera hath halke halke uske boobs ke taraf jane lage the. Halke halke meri ek ungli uske bra ke upper se uski nipple ke charo taraf phere le rahi thi. Or mera dusra hath uske legging ke side se halke halke uski perfect jangho (thighs) per tight legging se mehsus kar rahe the.

Kuch hi der hui ki light jal uthi. Or interval ho gaya. Or hum log apne aap ko sambhal kar baith gaye or hum log alag alag washroom main chale gaye kunki theater main ladies and gents toilet alag alag hote hai. Phir hum log wapas aye or apni jagah per baith gaye. Kuch ads ke bad movie start hui or humne dekha ki jo log movie dekhne aye the wo bhi chale gaye. To hum dono hi ab theater main bache the. Or pura hall khali thi. Hum dono ne ek dusre ki taraf dekha or bas kiss karna shuru kar diya.

Uss andhere main ab bas wo chunni ke ander mera hath sidhe uske kurte ke ander se uski jangho ko ja kar pakad baitha. Or usne bhi ab apna hath meri pant ke upper se jangh per rakh diya. Ab maine phir se uski jangho ko halke halke sehlana shuru kar diya tha. Or mera hath phir upper ki or ja raha tha. Jaise hi iss bar mera hath uski choot ke nazdik phucha mujhe kuch alag sa mehsus hua.

Wo ehsas main meri zindgi main kabhi nahi bhut sakta, itni sundar ladhki or usne bathroom jane ke bad mere liye apni underwear utar di thi. Or uski choot ek dum mulayam or garam mujhe mere ungliyo per mehsus hui. Or wo halke se aahhh ke awaz nikal baithi.

Mere pant se usne mere tambu jaise lund ko apne narm hatho se mehsus karna shuru kar diya. Halki si uski wo chuuan mere pure sharir main ek kanpan si laa di. Main ab mera dusra hath uske pat se hote huye upper ki or le kar gaya, to iss baar bra bhi nahi thi, or meri ungliyan uske nipple per ja kar touch ho gai. Meri iss harkat se usse raha nahi ja raha tha to usne meri pant ki zip kholna start kar di or maine bhi wo sharm ki chunni ko hata kar uske nange sharir ko dekhne ka maan bana liya tha.

Maine halke se uske hoton per se kiss ko tod kar, mere hoth ab uske gardan (neck) per rakh diya. Or halke halke meri narm or garm toungh se lick karne laga. Wo mujhe thighly hug karne lagi or mujhe bhi kabhi neck per to kabhi gaalon per to kabhi lips per kiss karne lagi.

Uski ye tadap ab mere liye bhi bhari ho rahi thi. Or maine der na karte huye uske deep neck wale kurte ko halka sa kich kar uske nipple ko bahar nikal liya or halke halke meri jeebh (toungh) se uske nipple ke ird gird ghumane laga, wo pagal huye ja rahi thi. Apne boob ke nipple ko mere jibh tak le jane ki asambhab prayas kar rahi thi. Kuch minto bad maine uske hard nipple ko apne soft lips ke bich daboch liya. Or halke halke bite karne laga.

Dusri taraf wo mere pant ke zip wale part se hi meri cut wali underwear per se hath ho mere lund per ghuma rahi thi, usne ab mere pant ka button khol diya tha, or uske liye bhut asan tha mere underwear main hath dalna. To slowly usne mere pat per se meri underwear ke lastic ko halka sa apne hath ko ghusate huye nazukta se ander ki or le gai. Or mere garm or mote lund ko usne jakad liya. Or jakda bhi aise ki aaj hi tod degi.

Mere lund ko pakadte hi mujhse raha nahi gaya, maine mere dusre hath uske legging ke upper se hi uske choot ko mehsus karne main busy kar diya. Uss patli si legging ke upper se jaise jaise meri finger upper se niche hoti, to uski Aaahhhh or uuuuuuffff ki jhadi lag jaati. Kabhi joro se mere hath ko dabati, to kabhi joro se apni choot ko khud hi masal leti.

Uski innn uffffff or aaahhhh ki awazon se main excited alag hi level per ho raha tha. To maine bhi mera lund bahar nikal kar uske hatho main de diya. Or mera hath ab uski legging main ghusne ko tiyar halke halke apni jagah legging ke lastic main se bana raha tha. Dheere dhere jaise mera hath uski choot ko chune ke liye bas phuchne hi wala tha, utne main ussne apni gaand ko halka sa upper uthaya, jisse meri ungli apne aap hi uski choot per touch ho gai.

Ab main uski geeli choot per mere ungliyo ko halke halke se move karte huye uske choot ko khol kar apni do ungliyo se choda kar deta hu or bich wali ungli se halke halke uski narm choot main ghusane ki kosis karta hu. But jagah ki kami hone se main uski legging ko dheere dheere niche khichta hu. Uss andhere main uski naram choot bina baal ki kisi hasin sapne ke jaisi thi. Maine pehli baar itni sundar choot ko dekha tha.

Uss gori or fuli hui choot ko main ab mehsus karna chahta tha, mere hotho se. To maine halke se uske thighs per kiss karte huye dheere dheere uske pairo ko choda karne laga. Mere hoth uski narm narm jangho per ragadte huye uski choot ke nazdik phuch gaye. Or uski choot ki wo mehak itni uttejit karne wali thi ki main aap logo ko bata nahi sakta. Jaise hi maine uski choot per mere narm hotho ko rakha to usne apne pairo ko maximum choda kar liya aur bas mere sir ko pakad kar apni choot per dabane lagi.

Dheere dheere uski choot ke har hisse ko maine kiss kiya, or apni halki si garm or narm jeebh se ab halki halki jagah uski choot main ghusane ke liye banane laga. Wo tadap kar kabhi mere seene (chest) per hath pherti to kabhi mere hips ko pakadne ki kosis karti. Kai baar usne apne nukile nakhun mere jism per bhi chubha diye. But mujhe to hosh hi kahan tha. Uski choot ke ras main madhosh ho chuka tha main.

Mere jeebh ne abhi ab, uski choot ka upper se le kar niche tak ka har ek safar to tay karna shuru kar diya. Jisse uski gaand ko wo uchal uchal kar bolne lagi ki "Rahul jo bhi tum kar rahe ho, bhut acha lag raha hai. Maan kar raha hai har din tum mujhe aise hi pyar karo. Tum jo bologe wo main karungi. Bas iss samay ko yahi rok lo. Or faad do iss choot ko tumhare mote lund se."

Abhi iss kahani ke bhut sare hisse hai jo baki hai usko main agle bhag main share karunga. Agar aap log aage kya hua jaane main interested hai to mujhe mail kar sakte hai yoursrahul1994@gmail.com taki mujhe protsahan mil sake isko Aage continue karne ka. Koi girl ya unty sirf anonymus ho kar baat karna chahe to kar sakti hai, main one to one meri real life incidents apse share kar sakta hu. Jinko sun kar apke saalon ki tadap se apko chutkara mil jayega.

[jazzviewswithcjshearn]

Lage Lund: Terrible Animals (Criss Cross Jazz, 2019)

Lage Lund: guitar and effects; Sullivan Fortner: piano; Larry Grenadier: bass; Tyshawn Sorey: drums.

Guitarist Lage Lund has been one of the most identifiable voices on the New York jazz scene for many years. Originally hailing from Norway, he has been one of the most important guitarists in the post Scofield, McLaughlin, Frisell generation. That generation, which has included guitarists such as Kurt Rosenwinkel, Rez Abbasi, Matthew Stevens, Jakob Bro and Ben Monder to name but a few, have been stretching the boundaries of jazz guitar and contributing to the micro innovations in vocabulary.  For Terrible Animals his fifth Criss Cross release, the guitarist has assembled a stunning new quartet with pianist Sullivan Fortner, bassist Larry Grenadier and jack of all trades, multi instrumentalist and drummer Tyshawn Sorey (who sticks to the latter instrument here).

Lund's quartet originally included Sorey and Fortner, with Matt Brewer in the bass chair with the group playing much of the repertoire in New York and elsewhere.  He felt the group had such cohesion, that they could go anywhere musically and wrote the music specifically with them in  mind.  Indeed, the simpatico with Fortner, Grenadier (in place of Brewer) and Sorey is impressive.  The ten Lund originals on Terrible Animals are melodic, quirky, filled with dry, ironic humor. turbulent, and teeming with unpredictable twists  and turns.  Everything sounds positively huge—thanks to Lund's analog triggered guitar synth overdubbing.  The group interplay on such tricky material is a marvel to behold.  Lund's “Suppressions” a wry reference to John Coltrane's “Impressions” starts with a moody out of tempo introduction with a warm synth pad wash transforming into a melody that uses an intriguing set of intervals.  Grenadier and Sorey participate in a thrilling give and take, the bassist's notes plodding, with Sorey's cymbal work resembling something of a half time feel, they are in a virtual tug of war during Lund's ebullient solo.  The whole time, Grenadier threatens to go into a full blown 4/4 swing feel, until suddenly mid way through the guitar solo, the dam bursts and the bassist and drummer vault into full blown swing; it is completely unexpected on first listen and on subsequent listens one can hear the brilliance of Lage's structures.  

“Hard Eights” inspired by the guitarist's trip to a casino has a main hook line that is filled with humor, conjuring a cowboy on a horse yet the horse is a bit drunk.  There is a pronounced Frisellian aspect to the section gorgeously framed by the familiar looping strings of a Mellotron.  The guitarist flies into a wonderfully lyrical solo entry, and Sorey is right there with him opening explosive torrents of sound.  Fortner's solo is gorgeously fluid. Sorey bursts at the seams on “Aquanauts” playing a solo after the first melody pass, an interesting touch, with the guitarist's expressive outro solo over 5/4.  The guitarist again uses 5/4 in “Brasilia”, with Fortner going for the jugular.  “Haitian Ballad” features feathery brushes from Sorey, beautifully introspective Fortner and Lund's distorted outro solo is supported by the emotional rush of swelling synth pads in the background.   “Ray Ray”'s R&B groove  starts with J Dilla-ish flammed rim shots from Sorey there is a rhythmic quarter note underpinning through the piece.  Lund's solo is flanked by absolutely burning commentary from Sorey, the waltz time feel from the drummer is accented by rolling triplets on snare and napalm blasts from cymbals.  He boils over on his solo over the vamp heightened in intensity from slowly rising choir pad like synth.  “Take It Eas” borrows a page out of Michael Brecker's “Syzygy” in the sense that, Lund transcribed Grenadier's improvised bass solo, and turns it into something composed by doubling it where guitar and bass are nearly imperceptible.

“Terrible People” is a brief ominous cinematic slab, with doubled acoustic and electric guitar enhanced by eerie effects.  The title is  derived from the Kurt Vonnegut literary work of which the album shares it's title.

Sound

As mentioned earlier, the sound of Terrible Animals is massive.  The album, excellently recorded by Michael Marciano at Systems Two in Brooklyn has a dry close miked sound stage, with guitar taking center channel, at times to sometimes surprising effect.  For example, towards the close of “Haitian Ballad” the listener is greeted with distorted, ring modulated guitar, with delay veering off into the left channel.  Piano also shares the center with correct imaging vis a vis left hand and right hand in their proper channels respectfully.  Drums are incredibly powerful and detailed. Certainly over thirty years the general area of synth like effects, guitar synthesis and MIDI pickups like Roland's GK system have improved tremendously.  Gone are the days where they are not horrible messes like the ARP Avatar, or poorly tracking glitch filled Synclavier guitar controllers of the past.  The latter are especially famous as Pat Metheny, John McLaughlin and Al DiMeola all had one, the famous LED lit Synclavier panels affixed to a Roland G303 guitar (or in Metheny's case) built into the Roland controller itself. Guitar synthesis in the present is firmly rooted in the post modern age with many effects achieved via just laptop and Lage's overdubs are positioned in the back of the sound stage, sometimes across the left and right channels.

Closing Thoughts

Terrible Animals is one of the best albums of 2019.  The quartet of Lund, Fortner (who for ten years was in the late Roy Hargrove's quintet) Grenadier and Sorey leave no places unguarded.  There is nothing safe in this music, it is filled with death defying risk taking and it pays off through passionate solos and intuitive ensemble interplay. Sometimes, such complex music comes off as contrived but not here—with Lund's unique compositional world and incredibly strong guitar voice, everything is completely organic.  It is also refreshing to hear a label such as Criss Cross record such progressive music from shining stars of the contemporary New York scene like Alex Sipiagin, Matt Brewer, Lund and David Binney.  When the label made itself known in the early 80's, it was strongly invested in recording hard bop and standard repertoire from long time veterans and younger players alike with many proclaiming the Dutch label the Blue Note of the 80's.  It's quite nice to hear something as uncompromising as the guitarist's music on the label, and the retro designed cover dating back to early 80's albums is a nice touch. Lage Lund's journey will continue to blaze bright paths far into the future.

Music Rating: 9.5/10

Sound Rating: 9/10

[mysloop]

Lage Lund Trio - Headspun (The Checkout - Live at Berklee)

Lage Lund, guitar 

Jared Henderson, bass 

Johnathan Blake, drums

[jenslarsenjazz]

Lage Lund - Favourite Voicing and Solid licks!

https://www.youtube.com/watch?v=CDxfGG6NJHU&t=0s&list=PLWYuNvZPqqcF247KJAOrdpBzCY0YTWk6O&index=12 In this Lage Lund Lesson I am taking a look at three licks from a live solo with the OWL Trio. The three examples are demonstrating things that Lage does very well in his playing. Making strong melodies with basic arpeggios. A great chord voicing and also an example of a more modern sounding Lage Lund Lick. I also discuss some of the many ways the chord voicing can be put to use and that you can actually use it to play the entire song Green Dolphin Street. Hope you like it!

[pupupupumpkin]

【岐阜県美濃市松森595 マツモリビル Live Spot DiAngelo予定】 2022年12/13(火) 19:30頃~ 池戸祐太(g) 大村亘(ds) Duo! 年末ドネーション(投げ銭)制/軽食オードブル付 お問合せは 〈E-mail〉pupupupumpkin@gmail.com 〈TEL〉090-4115-4235 〈店主 facebook〉https://www.facebook.com/daichi.furuta.5

2000年代半ばからこちらの空間でライブ/ギグを繰り返してきている二人のデュオは、もはや毎年の年末恒例儀式のようです。ゼロから何物かを生み出す実験場ここにあり！

池戸祐太(いけど ゆうた) : ギタリスト/作編曲 --- 1983年 岐阜出身。14歳でギターを始め、横山昌幸氏に師事。甲陽音楽院にて土野裕司氏に師事。卒業しオーストラリア・シドニーにて音楽活動をした後、東京に拠点を移す。Lage Lund,Mike Morenoにレッスンを受ける。2012年 リーダーアルバム “Breathing Space”をリリース。2018年2ndアルバム “Move. Live @ Virtuoso” をリリース。現在は東京都内を拠点に広く活動中。確かなテクニックとオリジナリティ溢れる楽曲に長く定評があり、注目される現代ジャズギタリストの一人である。2019年には“Mirror”リリース。ジャズギターマガジン誌では《ハーモニーの魔術師》と評される。

  大村亘(おおむら こう) : ドラマー/タブラ奏者/作編曲 --- 幼少期をアメリカ、青年期をオーストラリアで過ごす。シドニー音大在学中の活動を経て2006年帰国。拠点を東京に移す。横浜JAZZ PROMENADE 2006, 2008, SAPPORO INTERNATIONAL JAZZ FESTIVAL 2008, TOKYO JAZZ 2008, 2009,NHK Session 2010~2013, NHK-BSエルムンドなど主要なフェスティバル/メディアに多数出演。海外のアーティストとも共演が多く、中には元ECMアーティストであるMike Nock氏のトリオ、米グラミー賞ノミネートのBarney Mcall氏のトリオ等をはじめ、国内問わず海外のアーティストからも厚い信頼を得ている。2013年からはインド古典音楽界の若き巨匠、タブラのグルであるPandit Yogesh Samsiに弟子入りし、タブラの音節やインド音楽の研磨も開始した。2015年文化庁より新進芸術家海外研修員に選定。2018年にニューヨーク録音されたアルバム Benign Strangers は同年米Downbeat誌のベストアルバムの１枚に選ばれる。近年エレクトロニカの分野にも表現の幅を拡げ、2020年は Bungalowでの第5作目 Abstract Messages で新境地を示した。

[delectablyunabashedcreator]

Virtual Music Festival

[life-in-stereo]

I woke up anxious this morning

Smash - The Offspring - 47 min 100 - The Hunna - 55 min The Wall - Pink Floyd - 81 min Idlewild - Lage Lund - 63 min Origin Of Symmetry - Muse - 55 min Kind Of Blue - Miles Davis - 46 min A Hard Day's Night (Remastered) - The Beatles - 30 min Hands All Over - Maroon 5 - 44 min London Calling - The Clash - 65 min Thank You Happy Birthday - Cage The Elephant - 45 min Actor - St. Vincent - 39 min Silent Alarm (U.S. Version) - Bloc Party - 54 min Lovesick Electric - Hot Chelle Rae - 39 min

[theloniousbach]

LIVE STREAM: ODE FOR JOE (HENDERSON)—Renee Rosnes with Nicholas Payton, Melissa Aldana, Peter Washington, and Al Foster, SMOKE JAZZ CLUB, 20 APRIL 2024, 9 pm set

I was all in for this gig, a top flight band honoring a revered composer/improviser. The blurb mentioned that Renee Rosnes and Al Foster had long standing gigs in JOE HENDERSON’s bands. In interviews around the formation of Artemis, Rosnes recalled a gig with Henderson where she and the rest of the rhythm section were women and that’s all the NYTimes talked about when she/they/Henderson were simply stoked about how good the music was. Foster was part of the Art of the Tenor trio. In her band introductions, Rosnes recalled that everyone but the tenor player had played with Henderson.

Okay, a second tenor on a gig is rare enough and this tenor player was 13 and living in Chile when Henderson died. So, she’s excused. But when the Saturday/Sunday tenor was belatedly announced as Melissa Aldana the gig became can’t miss/see in real time/see again. She is a favorite and part of the pleasure in watching her career unfold is to think about who have been formative influences. Early in her career, she recorded in a trio. Not Sonny Rollins, but Henderson maybe, Mark Turner probably. Her tone has gotten lighter and she’s taken to the mid and altissima range. While her pauses have always been distinctive, with Charles Altura and now Lage Lund making the guitar the primary chordal instrument in her bands, there is even more space. On this night, she was throatier and more lower register. Her band is quite quite good, but Peter Washington bubbling away behind her (and everybody) with oh so smart bass lines had to push her. Washington was a treasure on this gig as he so often is. Foster was equally important.

Nicholas Payton is somewhat dour and implacable, but his trumpet speaks eloquently with Hendersonian taste and adventure. Rosnes was appropriately the music director, it was her gig. Take that NY Times. Her playing too had both touch and an edge. Yes, the band had glorious material to work with, rich and subtle. They made it sing and feel comfortable without compromising Henderson’s intelligence.

And what material. The originals were Serenity as the opener and Recorda Me as the fitting introduction to a stunning home stretch. The standards Without a Song (Aldana has seen fit to post her solo as a clip on social media and that’s well justified) and, probably, Duke Pearson’s You Know I Care spoke to Henderson the arranger and were evocative.

But that homestretch was sublime. Recorda Me but than Isfahan from the Billy Strayhorn tribute I had even before I started getting fully back into jazz and then Beatrice from the Art of the Tenor treasures. Have I heard Aldana play from the Ellington universe? It was an invitation to go higher while also locking into Johnny Hodges lush tone. But it wasn’t just her as Payton soloed first with his own taste and Washington helped them all, including Rosnes, with particularly provocative lines as he had the rich composition and the orchestration to draw on. Beatrice was even prettier while having a drive that both Rosnes and Aldana stoked.

It was a fitting tribute to a giant of the music and as fine a stream as I’ve heard in a while.

[musician-photos]

Lage Lund

[onett199x]

Ingrid Jensen | At Sea

Ingrid Jensen is a jazz trumpet and flugelhorn player probably best-known for her place in some major big bands (including the Maria Schneider Orchestra, DIVA, and Darcy James Argue’s Secret Society), but she’s also a bandleader as well.  This is one of her most recent albums (albeit not THE most recent), and it features pianist Geoffrey Keezer, drummer/percussionist Jon Wikan, bassist Matt Clohesy, and a couple of solos from guitarist Lage Lund (another Maria Schneider alum).  This album, to me, has the feeling of a lot of albums from the 80s and 90s of being straight-ahead but not really swinging.  It’s not a bad thing, by any means, but albums in this vein do sometimes have a harder time holding my attention.  Jensen, Keezer, and Lund all put some great solos on here.  There are a couple of tracks that feel inspired by some of Miles’s tamer electric experiments, and some of the ‘modern creative’ sound I think could also be attributed to Maria Schneider.  It’s a decent album - I’ll probably check out more of her at some point.