can you really talk about tim's tendency to idolize and place dick on a pedestal and his semi-entitlement to understanding dick without also talking about dick's tendency to project his own feelings and insecurities onto tim and also his semi-entitlement to his right to try and micromanage how tim should feel and react about things. i, personally, cannot.
Anyway do you ever think about how piper is given weight in the main plot only to be shoved into a ditch to make way for Nick Valentine Synth Detective, who has large presence in the main plot + a personal quest + a whole ass DLC
Colin did not get a POV in Season 1. No scenes where he grapples with his feelings and the situation in a meaningful way. Colin fans notice. Calm down, you tell us. It's coming. It's not his time, yet.
Colin does not get a perspective in season 2. Few if no scenes of him bonding in meaningful ways with his family, no perspective of him conducting research. Nothing for his own personal growth. Colin fans notice. Calm down, you tell us. It's coming. It's not his time, yet.
Colin's statement at the end of S2 brings about a fandom that demonizes him. It has no context. We do not see the lead up. Colin exists through Penelope's eyes, through her feelings. Colin fans notice. It's not his time, yet. Colin doesn't get a poster. Calm down. It's coming. It's not his time, yet. The information told to us center around Penelope loving herself, her story, her growth. It's not his time yet.
Colin is not even in the teaser clip of his own season.
It's not his time yet it's not his time yet it's not his time yet
i remember seeing someone call tubbo a fully grown adult at 19 (obvs before he turned 20) and i gotta say. i think maybe some people have a really skewed idea of what constitutes as "fully grown". and also what constitutes as properly mature. thinking that at 18/19 (or hell even at 20/21) people are now fully grown and mature is insane to me like yall thats how you get people thinking their life is over at like 23 and that 30 year olds are senior citizens 😭😭 be fr
anytime shen (jiu) qingqiu gets into an "altercation" its like:
yqy, thinking: what happened? i need to know from him what happened so i can protect him from the consequences, no matter what it was and no matter how much he might be blamed. and what would have happened if i wasn't there to do so? before, he paid the price for things that were my fault, and last time i left him- (guilt spiral, etc.)
yqy aloud: what did you do?
shen jiu, hearing this, thinking: he thinks i'd do that? how low is his opinion of me really? does he truly think there are no depths to which i wouldn't sink? and i thought it couldn't be lower. so quick to blame me and ignore anyone else's part in this. so quick to distance himself from his sordid past.
shen jiu, aloud: i'm sure it makes no difference to you.
choose your fighter: yqy's unconditional devotion and inability to communicate vs. shen jiu's self-loathing making him interpret it as disinterest and blame (and also his inability to communicate)
say hi to me
i don't know, i just remembered being so much
brighter, i guess
cigarette ash like wildfire
burning holes in the nighttime
open scars feel like barbed wire
white lies flying high like a ceasefire
dropping flags on the shoreline
this is as far as i can feel right
'cause what you don't know can haunt you
and all we ever wanted was sunlight and honesty
highlights to want to repeat
let's get away from here and
live like the movies do
i won't mind when it's over
at least i didn't think for a while
don't drag it out
living like that doesn't mean a thing
so let's, make a great escape
and i'll be waiting outside for the getaway
it doesn't matter who we are
we'll keep running through the dark
and all we'll ever need is another day
we can slow down 'cause tomorrow is a mile away
and live like shooting stars
'cause happy endings hardest to fake
and i wanna let you know
i wanna let you go
but i just can't bring myself to speak
but this is how it goes
the end credits, they roll
this bridge was built over kerosene
but we can watch it
and all i ever wanted was sunlight and honesty
highlights to want to repeat
let's get away from here and
live like the movies do
i won't mind when it's over
at least i didn't think
so let's run, make a great escape
and i'll be waiting outside for the getaway
it doesn't matter who we are
we'll keep running through the dark
and all we'll ever need is another day
we can slow down 'cause tomorrow is a mile away
and live like shooting stars
you can wish away forever
but you'll never find a thing like today
Plus sized women are never fantasized about in media (unless they’re a size 4-16. And even that is pushing it, according to the mainstream). We’re the sidekicks, in secret, the background, the jokes. We are never the lead, we never get the hot guy or hot girl, we are killed off in a show, even shows that are supposed to represent us and be the most for us - they always exclude us. There’s no posters of us on any characters walls. Hollywood builds itself around seeing worth in only thin people.
Media, and even other people do it. If you aren’t thin, you aren’t desirable, you aren’t human, you aren’t even clean, according to the standards of media/the world. Doesn’t matter if you are healthy or have a health condition. If you’re a fat person, you’re already on the outs.
I sort of like the thought that Zuko and Aang take the Sun Warriors' warning not to tell anyone about the dragons a little more seriously… and they keep it between them. Of course, they trust Sokka, Toph and Katara. Of course they know they wouldn’t tell anyone, but now three people (including Iroh) know the truth about Ran and Shaw. And that’s three too many when you’re trying to keep a secret.
(and there are other people at the temple as well - like Haru, Teo and The Duke - who, while trustworthy, aren’t as close to them as the others, and when it comes to secrets with as much consequence as this one, you can’t afford to take any chances.)
Furthermore, the culture within the Fire Nation since Sozin’s rein has been warped. The culture is not to respect the dragons as the original firebenders, it’s to conquer and kill them. It’s the ultimate proof of your strength as a firebender. All it takes is one mistake before rumour spreads, and people go looking for the ultimate hunt. It’s not something Zuko or Aang can risk.
Whether Katara, Toph and Sokka (and Suki) ever find out the truth is up to you. But post-war, after Zuko returns from a strange, poorly explained trip with a dragon, and eventually develops the ability to use rainbow fire, either the others have some questions about Aang’s knowing look, or they are finally let in on a monumental secret.
I'm enjoying Fallout 3 a little more but there’s one thing that’s extremely bothering me.
How come, in the dialogue options, I can NEVER can mention, I was FORCED to leave the vault?
I didn’t have a choice but to leave. Jonas Palmer was beaten to death in attempts to get info about my father James. The Overseer was going to have the same done to me if not WORSE.
The Lone Wanderer: "So they killed Jonas, and I'm next, is that it?"
Amata: "Yeah. It's lucky I got here ahead of them. But we can't stand here talking! You're got to get out of here!"
I understand my father didn't know this would happen. That he simply thought I wouldn't be able to leave the vault after he escaped.
But the fact I can never explain what happened when reunited with him is just so ODD!?!?!!?
I COULDN’T STAY!!!!!!!
I FEEL LIKE THIS IS IMPORTANT INFORMATION YOU SHOULD WANT TO KNOW DAD!!!!!
WHY ARE THESE MY ONLY OPTIONS?!?!?!?!!!!!
Why give me that entire section where I had to escape the vault to avoid MURDER!!?? If they were going to back me in a corner (dialogue wise) that I would've gone after my father no matter what.
It would've made the dialogue option, "Why would you throw away the life we had?" WAY MORE INTENSE AND INTERESTING IF I COULD TELL HIM HIS ACTIONS UNINTENTIONALLY AFFECTED ME!!!
It could've been followed by a cute bonding moment where he apologizes and says while this life was never what he wanted for me he'll now help me adjust however he can.
i think one of the things that makes toby fox's writing so great is his ability to tell a compelling narrative AND metanarrative at the same time. undertale isn't JUST about how people play games and the need for completionism, and it isn't JUST the main story that you play through. it's both! and both are equally important.
and i think the same will be true for deltarune. some people tend to think of it as black and white when theorizing, either focusing too much on the meta aspects without taking the actual plot and character arcs into account, or doing the opposite and saying that the meta aspects aren't important and won't end up being relevant to the story. it's both! it's always been both!!!