#like excuse me the fuck did you just say

[jellysmudge]

Top 10 Grimm Scenes: the episode in early season one when Monroe says, “Well, I sniffed her out,” and Nick responds with “Good boy ;)” and Monroe looks absolutely fucking appalled.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[stop-breaking-my-heart-telltale]

if dorian didn't show up, do you think louis would have shot minnie?

I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.

Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.

Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.

Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.

Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.

Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.

If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.

So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.

[soup--champ]

every time that I see someone say that q!pac and q!mike deserved to be thrown in prison or say things to try to minimize the severity of q!foolish's actions I want to gnaw the legs off of a chair.

[wastelandbabyblue]

some of you have lost the plot istg

[clairenatural]

so sorry but it does throw me off when i see cas calling dean "baby"

[chalkeater]

sorry i woke up today and said “i dont think that frisk and kris should be drawn yellow because asian people (especially living int he west) have argued about how its too close to yellow peril and racist stereotypes and as an asian its gross to see people ignore us”

[eoinmcgonigal]

I'm so sorry I can't take the Dudley-breaks-the-news-of-Eve's-supposed-death scene seriously AT ALL. It's hilarious! It's the reason why I'm a Dudley/Eve conspiracy nut, for fun, but let me explain the reasons this scene leaves me with no sanity.

First, it's important to know that the Qattara Depression, where Dudley says Eve's plane went down, is WEST of Alexandria (off to the left, on a map). Cairo is to the east/right of Alexandria. There is no way a plane headed from Alexandria to Cairo would go west.

So, from west (left) to east (right) we have: the Qattara Depression - Alexandria - the sandstorm Dudley says happened - Cairo.

Now, this is in a show that's playing fancy-dress-up-costume with history, and moved Kabrit from where it actually is (east of the Nile, by the Suez Canal) to a few hundred miles into the desert west of the Nile. Option one in the Eve plane story mystery is that the showrunners just didn't give a shit about where a place was, they simply slapped a name in there because they'd read/heard about it, and figured no one would know or bother to check. That would be on par for the show. (And the racist assumption that no one's going to know/care/bother to check where these places are - I very much doubt we're going to find them playing fast and loose with the location of European places.)

Anyway, leaving aside the option that makes me spit incredulous venom, I have a far more amusing second option to put forward:

Dudley was making shit up.

Which is extra fucking funny because Stirling, having been out in the desert, should very much know where the Qattara Depresison is. Dudley would know that Stirling should know. He'd be cackling internally at Stirling falling for it.

I don't know if I believe a word of what Dudley said, it makes no sense, but David not noticing the inconsistency means either anyone watching the show who knows vaugely where places in Egypt are just have to shriek in intense discomfort, or David is a complete and utter dumbass when it comes to remembering where places are.

[duquesah]

Swifties are so fucking annoying, oh my god

[yourlocaldisneyvillain]

i wish there was a space for actual adults within this fandom. i guess i will have to create it, even if it's just me and other five people and a shoelace. i wonder how this whole thing is gonna develop!

[mafukasa]

also this is just a thought I had recently after seeing certain takes from certain people, but I really wish yall would actually remember that child neglect IS abuse even if it’s unintentional when talking abt tsukasa’s childhood yknow.

and also acknowledge it as something genuinely traumatizing lmao. cause as a victim of unintentional abuse some of the shit I had to read with my own eyes while being in this fandom is making me fucking sick just saying.

[bisexualamy]

.

[hoperays-song]

Can you explain things you want to happen to Johnny in the next sing movie(or project or if they make a graphic novel) mine is that he makes his own song.

Ooooooo, thank you for the ask!!!! I'm so sorry in advance, I'm gonna ramble here lol. - <3 Gooseless

--------------------------------- So I actually want a few things to happen in the next project (the continuation fic is essentially all of it lol), but I would definitely agree on the original songs front! That's for sure on my list.

One of the main things though, the biggest one actually, is to continue with Johnny's storyline as a queer allegory. We've already faced familial acceptance in the first movie, community acceptance with the second movie (though I have so many issues with how the dance class was handled), and it would be nice to just wrap it up with personal acceptance. And that might seem out of order but it actually isn't in a lot of cases. I know, for me at least, I spent so much time right after coming out defending my place and my identity to the world around me that I never really took the moment to process I could just finally be myself, and that it was ok to exist. I feel like a storyline like that with Johnny would be amazing, as there are numerous ways to go that route, like romantic (please, I want to see Rynny more than anything, PLEASE) or personal (Johnny finally putting out boundaries with his workload).

This would be an awesome storyline to see through either of those lenses, with a romantic arc featuring Johnny and Ryan being able to use a much more obvious way of showing this, especially if Ryan has already reached personal acceptance. Why that is is because throughout his previous storylines, Johnny has a specific support system for each, with familial being the troupe and community being Nooshy, so it would make sense if the love interest in this scenario, Ryan, took on that role this time around. It works really well in this option as it leads to really cute moment possibilities of the characters, particularly Johnny, just letting himself exist and have something for himself. And I will admit that I feel this is the best option for this storyline, as it is pretty blunt and up-front with the coding then, just like Johnny's other storylines, but also allows Johnny to have something for himself (his identity and his relationship) instead of how we see all his developments in the past movies, aka being broadcasted to the world and not really giving the kid any privacy. He deserves something for himself. And I feel like a relationship with Ryan could be that thing.

But like I said, you could work it as personal as well, with Johnny finally putting forward boundaries with Buster due to the workload the man keeps assigning the poor kid. I feel like a good support system here could be Ryan (if they are in an already established relationship) or his dad and uncles as they would have life experience to advise him on the matter. Johnny is heavily overworked throughout both movies and it seems like the expectations for him are really high, so a moment of him just letting himself exist as the ordinary person he is would probably be very therapeutic for him.

I personally wish they would go in the series direction instead of another movie, allowing for more detail to be poured into the characters, and that is kinda the format in which the continuation fic is written, in a way easily translated to a series. However, I have posted an idea for a Sing 3 set after a time jump around Johnny's story that I'll link below. It kinda goes into the previously mentioned wants for a series but having those already happen and mainly talks about ways to get queer rep around hate groups.

So yeah, I really want to see a personal acceptance journey for Johnny, letting the kid see he doesn't have to fight for who he is or his place anymore, he can just be Johnny, however that looks like.

---------------------------------

Here's the Sing 3 idea thing!

[dolokhoded]

"judas and peter both denied christ but judas couldn't face it while peter repented" shut the fuck upppp peter wasn't in a similar vulnerable psychological state should we throw a party should we invite god what did he even do after christ anyways he teamed up with paul. one would argue that's worse than betraying jesus

[neraiutsuze]

ryse: listen it's not that i don't trust that you probably mean what you're saying, but i am not sacrificing orpheus for you and he could HELP us defeat the brain, and my girlfriend is right there and i am not letting you eat her god-prince in front of her either, i am freeing him, end of story

the emperor, middle finger up as he portals out: UGH, LEFTIST BITCHES FORCED ME TO JOIN THE ALT-RIGHT--

[nerdynikki94]

Honestly? Did I want more from DTAMHD? Yes, I did. I wanted something signifying actual progression for Dennis' character (even just a crumb of genuine growth) , and I sincerely don't think we got that. However... we did get a fascinating insight into the process of his mind. Dennis' level of self-denial is so ironic and profound. He can't acknowledge the inevitability that he's middle-aged.

(I swear this episode honestly has given me an alt hc, that the show is based in his mind; because logistically, a man of his lifestyle and malnourishment could not commit the feats he is constantly sailing through. TGGB & DTAMHD... back-to-back? What happened to his hand? Did he even sprain it? Or is he just the most dramatic brat in the gang - clearly the latter.)

It is important to note that he didn’t fix the actual problem. He momentarily masked the symptoms, but ignore long-term help with blood pressure medicine is not going to fix the issue, nor is it going to protect him from fucking keeling over in a stressful situation (when he's not in a contained and quiet Doctor's exam room) and his blood pressure spikes.

I'm honestly a little jaded at this point (16 Fucking Seasons of crumbs, y'all), but if one were to continue 'trusting the structure' this episode conveyed a lot.

The B Plot: The pressure cooker. The metaphor parallels the building pressure Dennis quick-tempered bouts of rage. So, to toss out a little 'cat-in-the-wall' conjecture here: The pressure cooker is Dennis, but we all saw him eat that bloody diamond in the end and we all heard Mac's speech about coal turning into diamonds under massive pressure. Dennis' experience is a theory of pressure, he daydreams it all in the span of a minute or so. He's roleplaying with hypothetical obstacles. There's no risk. Maybe Dennis, isn't the pressure cooker, but the coal.

If I were to try and take anything hopeful out of this episode, it would be the way the narrative is showing us that this episode acknowledged that Dennis isn't ready yet. It's not his turn to break. It's going to take real, substantial pressure to get that diamond.

It was a hell of a misdirect (and honestly a little bit of a slap in the face), but if these characters live in the real world, where people are bound by the laws of mortality, then Dennis should have his time.

Genuinely, who fucking knows?

I'm not hating on the episode. We all know this is the trashy dick joke sitcom. I just thought that if Mac & Charlie could have moments of genuine heartbreak, culminating in deep catharsis, that maybe Dennis could have that too.... but no.

Can't wait to see the sunny dudebros miss the point & proclaim Dennis Reynolds - SA victim, traumatized individual with an emotionally tumultuous personality disorder - the new Andrew Tate.

I'm sorry, but yeah. I'm a little miffed. It was all a dream, and everything goes Dennis' way. Y'all I'm fucking tired. This was a great episode for Glenn, but a fucking frustrating episode for Dennis. I may have wanted a little macden, but all I cared about was seeing Dennis face the limitations of his mortality, to see that he's failing his body and his brain. He didn't have to actually take the medicine (I wouldn't expect him to), but Goddammit, everything seems to work out in his delusional favor. So, of course he's going to continue being delusional, and probably only change for the worse.

I'll say it: I wanted a broken Dennis, and we did not get that. He didn't even crack, the unbearble and apparently now canonical Golden God. That episode's title was intended to tease sunnyblr.

Excuse the plethora of tags. I just kept getting more irritated.