#linkdump

[mostlysignssomeportents]

Skinnamarinkstump Linkdump

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me TODAY (Feb 15) for a virtual event with YANIS VAROUFAKIS, and on MONDAY (Feb 17) for an event at KEPLER'S in MENLO PARK with CHARLIE JANE ANDERS. More tour dates here.

It's Saturday and I'm on a book tour, and the world is in chaos, and there are more links to write about than I could fit in to this week's newsletter, so time for a cubic linkdump, the 27th such:

https://pluralistic.net/tag/linkdump/

Let's start with the best thing I saw all week: a 3D-printed, spring-loaded, clockwork chess pawn that uses a magnet to sense when it has reached the end of the board and SPROING! turns into a queen:

https://www.youtube.com/watch?v=CSOnnle3zbA

The whole video is a fascinating account of the design process, from idea to prototype to finished item, but if you're impatient and want to skip right to the eyeball kick, it's at 12:27-12:35. And if you want to print your own, the files are $12 (cheap!):

https://www.patreon.com/WorksByDesign/shop/queen-pawn-3d-printing-files-614491?source=storefront

Regrettably, not every tech project is a good one. This week, Google abandoned its AI ethics pledge. Unlike most AI ethics pledge, which are full of nonsense about not accidentally creating a vengeful god that turns the human race into paperclips, Google's AI pledge was actually very important, in that the company promised not to make AI that violates human rights, international law, or privacy. There comes a point where harping on Google's abandoned "don't be evil" motto can feel a little hacky, but in this case, I'll make an exception. My EFF colleague Matthew Guariglia tears Google a much-deserved new AIhole over this latest heel turn:

https://www.eff.org/deeplinks/2025/02/google-wrong-side-history

Not all bad technology is evil. Some of it is merely very, very stupid. How stupid? Check out Thom Dunn's Wirecutter review of The Heatbit Trio, a space-heater that uses Bitcoin-mining GPUs to generate some of its heat, very slightly offsetting the cost of warming your room – but at a rate that would take decades to recoup the $700 price-tag. Thom got some spicy quotes from Molly White for this one – possibly the first time she's been cited in a home appliance review:

https://www.nytimes.com/wirecutter/reviews/heatbit-space-heater-review/

Staying with crypto freaks for a moment here, Adam Levitin dissects the cryptocurrency "industry"'s latest chorus of aggrieved whining over "debanking":

https://www.creditslips.org/creditslips/2025/02/debanked-by-the-market.html

As Levitin writes, banks aren't kicking cryptocurrency "companies" off their books because the government wants to punish them. Banks have a very good reason to want to avoid doing business with high-dollar scams that have highly correlated implosions, which is to say, times when everyone wants their money back from the cryptocurrency "company" the bank is handling charges for. For a longer explanation that gets into the nitty gritty of bank supervision, check out Patio11's excellent, detailed explainer:

https://www.bitsaboutmoney.com/archive/debanking-and-debunking/

As all the real heads know, "crypto means cryptography," and cryptographers continue to contrive privacy marvels. This week, Kagi – the best search engine, a million times better than Google – released a Privacy Pass authentication plugin, which lets you login to Kagi and run searches without Kagi being able to connect any of the searches you make with your account:

https://blog.kagi.com/kagi-privacy-pass

As an sf/crime writer who sometimes (often) searches for information on committing ghastly crimes and 'orrible murders, the fact that my favorite search engine will be technically incapable of tying those searches to my identity is quite a relief. Read my review of Kagi here:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

If you're one of those marvel-contriving hackers, cryptographers, security researchers or tinkerers, you should really consider attending this summer's Hackers on Planet Earth (HOPE), 2600 Magazine's (now) annual (formerly biennial) hacker con. They've just posted their CFP – get those submission in!

https://www.hope.net/cfp-talks.html

Well, I have to post this and get ready for this morning's virtual book tour event with Yanis Varoufakis:

https://www.youtube.com/watch?v=xkIDep7Z4LM

But before I go, one more link: Kevin Steele's 2005 essay on Hypercard, "When Multimedia Was Black & White," an absolute classic, and a beautiful meditation on the art and promise of early hypertext:

https://web.archive.org/web/20240213190609/http://www.kevinsteele.com/smackerel/black_white_00.html

I've known Kevin for most of my life, long before he helped found Mackerel, the pioneering Toronto multimedia company. Long after Mackerel, Kevin went on making wonderful things. In 2023, he published a monumental act of portraiture – a "sequential art" time-series of panoramas of Toronto's hip, ever-changing Queen Street West strip:

https://pluralistic.net/2023/09/13/spadina-to-bathurst/#dukes-cycle

Comparing Kevin's more recent work with that lovely old essay reveals deep correspondences and the progress of a unique and creative soul.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/02/15/intermixture/#debunking-debanking

[virtue-boy]

Linkdump = most but not all of these links are from the first article

https://www.reuters.com/world/middle-east/israeli-drone-strikes-palestinians-during-west-bank-raid-military-says-2023-10-25/

https://www.reuters.com/world/middle-east/israeli-strike-west-bank-refugee-camp-kills-five-medics-2023-11-17/

https://english.wafa.ps/Pages/Details/139373

https://www.reuters.com/world/middle-east/palestinian-detainees-report-israeli-beatings-mistreatment-west-bank-arrests-2023-11-18/

[z428]

Also, elsewhere, talking large language models, image generation and everything related to that:

Miyazaki himself has called AI “an insult to life itself,” while fans of his work happily and unwittingly feed the hungry AI machinery with opportunities for iterative practice, helpful feedback, and subtle signals for improving the technology along the way. All while completely disregarding the crooked practices that went into sourcing content for the models, and totally disrespecting the opinions and wishes of the creators of the original art upon which these cheap derivative imitations are fabricated.

Watching this happen is really frustrating. Watching artists see the time and talent and passion that they put into their work being so casually devalued by an increasingly effective array of smoke and mirrors (while simultaneously witnessing the harmful ecological side-effects, as some kind of demented cherry on top) is even more frustrating. And then for me, personally, being asked to weigh in on this, to take a strong position and ban the use of this technology within the omg.lol community, well, that’s extra frustrating. But it’s happened a few times in the past 24 hours, and so here I am talking about it now.

I'm having quite mixed opinions on most of the AI and LLM topic going on out there for a bunch of reasons, somewhere in between the general attempt to be basically open in regards to benefits and hazards, advantages and negative side-effects of whichever tool comes up next - and bad gut feelings on many different levels, including distribution of power due to model control, hardware costs, energy consumption, infrastructure spent on such tools, and including effects like these. For this very aspect and in this situation however, once again I completely side with Adam and his rather well-written article, as well as the conclusions he is about to make here. Worth reading.

https://omglol.news/2025/04/02/we-have-to-talk-about-ai-art

#linkdump #artificial intelligence #model conversations

[cesperanza]

Cory (@mostlysignssomeportents) in his latest (fascinating) linkdump posted a link to the above--which is Old'aVista, a search engine of what's left of the old internet, and my heart just sort of stopped with nostalgia. It didn't take me long to find the below, which guys--you and you and you were there. Between KS Nic's pages--

--and like, the Sentinel Slash links page below--that was most of the whole fannish world, and I saw so many names I saw of people I still know and who are STILL MUTUALS, I throw my arms around you!

[ramicorn]

silver icons

requested by: me

issue: idw #14

reblog + credit if you use them

| requests are open! | chairdump discord | linkdump | DNI |

[virtue-boy]

lowkey my reading on ontologies of the body and disability has complimented and developed my transfeminism a lot

The Body Multiple - particularly the section where Mol describes the doctor's language looking at X-Rays and discussing fat deposits when patients are female.

Fearing the Black Body - Racial history of disease and moral coding of the body, with a focus on racist and colonial conceptions of Black women in Europe and North America

Replaceable You: Engineering the Body in Postwar America - racial and gender history of prosthesis and other reconstructive methods in USA.

On the Normal and the Pathological - analysis of medical taxonomy and deformity

Xenofemist Manifesto - -if nature is unjust, change nature!

it's pretty funny to see TERFS fall back upon god and his divinely ordained telos to try and keep their soundbite shibboleths coherent

[industrial---complex]

the radiosphere

its from a mod made by my beloved mutual @atomarium

| requests are open! | chairdump discord | linkdump | DNI | main |

[eightyonekilograms]

Like any tool, mindfulness can be used for evil. You can use a spade to dig a hole and plant a tree. But you can also use a spade to sever the head of an enemy and carefully dispose of the evidence. In the spirit of mindfulness, I’m going to pass on one of the best pieces of advice I ever heard, which is: You can always rotate a cow in your mind for free. How beautiful. How profound. How full of joy. The next time you find yourself backed into a corner by this person, I suggest you expend your emotional energy on mentally rotating a cow. I cannot tell you how many times I have successfully used this technique. It’s particularly effective because the cognitive energy expended on accurately rendering the cow gives you a look of profound gormlessness, which most people find deeply unsettling. 

(source, found via Ozy's linkdump)

[mostlysignssomeportents]

Doublethink sump linkdump

On OCTOBER 23 at 7PM, I'll be in DECATUR, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

Trigger warning for #eikositriophobia: this is my 23d linkdump (Hail Discordia!), an erratic Saturday purge of the open tabs I haven't managed to blog this week; here's the previous 22:

https://pluralistic.net/tag/linkdump/

When I was a kid, I idolized Harlan Ellison. I loved his prose styling, his stage presence, the way he blended activism and fiction, and the way he mixed critical nonfiction with fiction. As a 17 year old, I attended a writing workshop that Ann Crispin was giving at a local science fiction convention and she told me that I had the makings of a great writer, just as soon as I stopped trying to be Harlan Ellison.

But Harlan was a complicated figure. I attended the Clarion Workshop in 1992 specifically because he was our instructor, and came away bitterly disillusioned after he targeted one of my fellow students for relentless, cruel bullying, a performance that was so ugly that the board fired the director and permanently barred him from teaching the workshop.

Later on, Harlan became the kind of copyright maximalist who called for arbitrary internet surveillance and censorship in the name of shutting down ebook piracy. During a panel about this at a sf convention, he called one of the other panelists a "motherfucker" and threatened to punch him in the face. He took to badmouthing me in interviews, painting my position – whose nuances he certainly understood – in crude caricature.

But Harlan and I had many friends in common, people I really liked, and they were adamant that Harlan's flaws were not the whole story: if Harlan liked you, he would do anything to stand up for you, no matter the cost to himself. Famously, when Harlan taught Octavia Butler's Clarion, he demanded to know why she wasn't writing full time, and she replied that there was the inconvenient matter of making rent and groceries. He replied, "If that's all that's stopping you, come live in my guest house for as long as it takes, eat my groceries, and write." Which she did.

Which is great, but also: one of my own Clarion students told me about when his then-teenaged mother met Harlan at a sf convention and told him that she dreamed of becoming a writer, and he propositioned her. She was so turned off that she stopped writing forever (her son, my student, is now an accomplished writer).

So Harlan was a mixed bag. He did very, very good things. He did very, very bad things. When Harlan died, in 2018, I wrote an obit where I grappled with these two facts:

https://memex.craphound.com/2018/06/28/rip-harlan-ellison/

In it, I proposed a way of thinking about people that tried to make sense of both Harlans – and of all the people in our lives. There's an unfortunate tendency to think of the people that matter to us as having their deeds recorded in a ledger, with good deeds in one column and wicked deeds down the other.

In this formulation, we add up the good deeds and the bad deeds and subtract the bad from the good. If the result is a positive number, we say the good outweighs the bad, and therefore the person is, on balance, good. On the other hand, if the bad outweighs the good, then the person is bad, and the good deeds are irrelevant.

This gets us into no end of trouble. It means that when someone we admire slips up, we give them a pass, because "they've earned it." And when someone who's hurt us does something selfless and kind and brave, we treat that as though it doesn't matter, because they're an asshole.

But the truth is, no amount of good deeds can wipe away the bad. If you hurt someone, the fact that you've helped someone else doesn't make that hurt any easier to bear. And the kindnesses you do for other people make their lives better, no matter what bad things you've done to others.

Rather than calculating the balance of our goodness or badness, I think we should just, you know, sit with our sins and virtues. Let all the harm and joy exist in a state of superposition. Don't cancel out the harm. Don't wave away the good. They both exist, neither cancels the other, and we should strive to help more, and to do less harm. We should do everything we can to help those we harm. No one owes us a pass because of the good we've done.

That's the lesson Harlan taught me, and he taught it to me by absolutely failing to live his life this way – a fact that exists alongside all of the good he did, including the great art he made, which I love, and which inspired me.

Not long after Harlan's death, I got a phone call from J Michael Straczynski, Harlan's literary executor. As part of his care for Harlan's literary legacy, Joe was editing a new anthology of short stories, The Last Dangerous Visions, and did I want to contribute a story?

https://www.rollingstone.com/culture/culture-features/harlan-ellison-last-dangerous-vision-1235117069/

Of course I did. Harlan edited Dangerous Visions in 1967: a groundbreaking anthology of uncomfortable science fiction that featured everyone from Philip K Dick to Samuel Delany. The followup, 1972's Again, Dangerous Visions, was, if anything, even more influential, including Le Guin's The Word For World IS Forest, as well as work by Joanna Russ, Kurt Vonnegut, David Gerrold, and James Tiptree, Jr.

Though some of the stories in these books haven't aged well, together, they completely changed my view of what science fiction was and what it could be. But The Last Dangerous Visions was a different (ahem) story. For complicated reasons (which all cashed out to "Harlan being very difficult to work with, sometimes for damned good reasons, other times for completely petty ones), TLDV was, at the time of Harlan's death, fifty years behind schedule. It was "science fiction's most famous unpublished book." Harlan had bought early work from writers who had gone on to have major careers – like Bruce Sterling – and had sat on them for half a century.

Then Joe called me to tell me that he was starting over with TLDV and did I want to contribute a story – and of course I did. I wrote a story for him with the title "Jeffty Is Five," part of my series of stories with the same titles as famous works of sf:

https://locusmag.com/2012/05/cory-doctorow-a-prose-by-any-other-name/

Joe liked the story, but not the title. He thought Harlan wouldn't have approved of this kind of appropriation, and he wanted to do right by the memory of his old friend. My first reaction was very Harlan-like: this is supposed to make you mad, it's my art, and if it offends you, that's your problem.

But I remembered the most important lesson I learned from Harlan, about good deeds and bad ones, and I thought about Joe, a writer I admired and liked, who was grappling with his grief and his commitment to Harlan's legacy, and I changed my mind and told him of course I'd change the title. I changed the title because Harlan would never have done so, and that's rather the point of the story.The story is (now)) called "The Weight of a Heart, the Weight of a Feather" (a very Harlanish title), and it's about the legacy of complicated people, whose lives are full of noble selflessness *and careless or deliberate cruelty. It's about throwing away the ledger and just letting all those facts sit together, about lives that are neither washed of sin by virtue, nor washed of virtue by sin.

It's a good story, I think, and I'm proud of it, and I'm interested in what the rest of you think now that the book is out:

https://www.blackstonepublishing.com/products/book-fyhm

Harlan was the writer who made me want to get good at reading my stories aloud. I was a charter member of the Harlan Ellison Record Club, as you can see for yourself from the time Harlan (accidentally) doxed me:

http://harlanellison.com/text/paladin.txt

After nearly 20 years of podcasting, I'm actually pretty good at this stuff. I'm going to be podcasting a reading of this story – eventually. I am nearly done "de-googling" my podcast feed, ripping it out of Feedburner, a service that I started using nearly two decades ago to convert a WordPress RSS feed to a podcast feed. In the intervening years, WordPress has come to support this natively and Feedburner has become a division of Google, so I've been methodically removing Feedburner's hooks from my feed, which is now proudly available here, without any surveillance or analytics:

https://craphound.com/feeds/doctorow_podcast

I'll be writing up the process eventually. In the meantime, I'm about to embark on another podcast fiction project, serializing my novella Spill, a "Little Brother" story that Tor's Reactor just published:

https://reactormag.com/spill-cory-doctorow/

The first part of "Spill" will go out tomorrow or Monday. Reactor also just published another "Little Brother" story, "Vigilant," which I read in last week's podcast:

https://craphound.com/littlebrother/2024/09/29/vigilant-a-little-brother-story/

One of my long-running beefs with Harlan was his insistence that the answer of copyright infringement online was to create an obligation on intermediaries – like ISPs – to censor their users' communications on demand from anyone claiming to have been wronged by a post or upload.

This would be bad for free expression under any circumstances, but it's an especially dangerous vision for ISPs, who are among the worst-run, most venal businesses in modern society ("We don't care, we don't have to, we're the phone company" -L Tomlin).

It's hard to overstate just how terrible ISPs are, but even in a field that includes Charter and Comcast, there's one company that rises above the pack when it comes to being grotesquely, imaginatively awful: Cox Communications.

Here's the latest from Cox: they sell "unlimited" gigabit data plans that cost $100 for the base plan and $50 to add the "unlimited" data. But – as Jon Brodkin writes for Ars Technica – Cox uniquely defines "unlimited" as severely limited:

https://arstechnica.com/tech-policy/2020/06/cox-slows-internet-speeds-in-entire-neighborhoods-to-punish-any-heavy-users/

Now, you're probably thinking, ho-hum, another company that offered unlimited service and then acted like dicks when a customer treated it as unlimited, ::laughs in American Airlines::

https://www.forbes.com/sites/jamesasquith/2019/11/13/unlimited-first-class-flights-for-lifehow-american-airlines-made-the-most-expensive-mistake-in-aviation-history/

But that's not the Cox story! Cox doesn't just throttle "unlimited" customers' internet to 2006-vintage DSL speeds – they slow down the entire neighborhood around the unlimited customer to those speeds.

As Brodkin writes, every Cox customer in the same neighborhood as an "unlimited" customer named "Mike" had their upload speeds reduced by more than two thirds, from 35mbps to 10mbps, to punish Mike. And they're not the only ones!

https://www.reddit.com/r/GNV/comments/gkicjg/comment/fr670cx/

Cox confirmed they were doing this, saying "performance can be improved for all customers in the neighborhood by temporarily increasing or maintaining download speeds and changing upload speeds for some of our service tiers."

Cox has been on a roll lately, really going for the shitty-telecoms-company gold. Back in August, 404 Media published a leaked pitch deck in which Cox promised advertisers that they were secretly listening to their customers' smart devices, transcribing their private conversations, and using them to target ads:

https://www.404media.co/heres-the-pitch-deck-for-active-listening-ad-targeting/

This isn't just appalling, it's also almost certainly fraudulent. As terrible as "smart" devices are (and oh God are they terrible), the vast majority of them don't do this. That's something a lot of security researchers have investigated, doing things like hooking up a protocol analyzer to a LAN with a smart device on it and looking for data transmissions that correspond to ambient speech in earshot of the gadget's mic.

My guess is that Cox has done a deal with a couple of the bottom-feedingest "smart TV" companies (as a cable operator, Cox will have relationships with a lot of these companies) to engage in this conduct. Smart TVs have emerged as one of the worst categories of consumer technology, on every axis: performance, privacy, repairability. The field has raced to the bottom, hit it, and then started digging to find new lows to sink to. This is just my hunch here, but I think it's highly likely that if there's a class of devices that are bugging your living room and selling the data to Cox, it's gonna be a smart TV (top tip: buy a computer monitor instead, and use your phone or laptop to stream to it).

Ask a certain kind of very smooth-brained, Samuelson-pilled economist about the enshittification of smart TVs and they'll tell you that this is a "revealed preference":

https://en.wikipedia.org/wiki/Revealed_preference

As in, sure, you may say that you don't want your TV to secretly record your private conversations and sell them to Cox, but actually you quite like it, because you have a TV.

While this is a facially very stupid argument, it's routinely made by people who think they're very smart, a point famously made by Matt Bors's "Mr Gotcha":

https://thenib.com/mister-gotcha/

Comics turn out to be a very good medium for stringing up the revealed preferences crowd on their own petards. This week, Juan Santapau's "The Secret Knots" added to the Mr Gotcha canon with an equally brilliant webcomic, albeit one with a very different vibe, entitled "Remind Me Later":

https://thesecretknots.com/comic/remind-me-later/

Santapau really catches the zeitgeist with this one, which is more of a slow burn than a zinger, and which shows how online "revealed preferences" nonsense grooms us for the same bullshit in every corner of our lives, even our psychotherapist's office. Highly recommended – an instant classic.

"Revealed preferences" comes from the Chicago School of Economics, a field that decided that a) economics should be a discipline grounded in mathematical models; and b) it was impossible to factor power relationships into these models; so c) power doesn't matter.

Once you understand this fact, everything else snaps into focus – like, why the Chicago School loves monopolies. If you model an economy dominated by monopolists without factoring the power that monopolists wield, then you can very easily assume that any monopoly you discover is the result of a lot of people voluntarily choosing to spend all their money with the company they love best.

The fact that we all hate the monopolists we have to deal with is dismissed by these economists as a mirage: "sure, you say you hate them, but you do business with them, therefore, your 'revealed preference' shows that you actually love them."

Which is how we end up with absolutely outrageous rackets like the scholarly publishing cartel. Scholarly journals acquire academics' work for free; get other academics to edit the work for free; acquire lifetime copyright to those finished works; and charge the institutions that paid those "volunteer" academics salaries millions of dollars to access their publications:

https://pluralistic.net/2024/08/16/the-public-sphere/#not-the-elsevier

These companies don't just lock up knowledge and tie an anchor around the scientists' and scholars' ankles, dragging them down. Their market power means that they can hurt their customers and users in every way, including through rampant privacy violations.

A new study from SPARC investigates the privacy practices of Springerlink, and finds them to be a cesspit of invasive, abusive conduct that would make even a Cox executive blush:

https://zenodo.org/records/13886473

Yes, on the one hand, this isn't surprising. If a company can screw you on pricing, why wouldn't they scruple to give you the shaft on privacy as well? But The fact that a company as terrible as Springer can be the dominant firm in the sector is still shocking, somehow.

But that's terminal-stage capitalism for you. It's not just that bad companies companies thrive – it's that being a bad company is a predictor of sky-high valuations and fawning coverage from the finance press.

Take Openai, a company that the press treats as a heptillion-dollar money-printer whose valuation will eventually exceed the rest of the known universe. Openai has a lot of problems – a mass exodus of key personnel, a product that doesn't work for nearly all the things it's claimed as a solution to – but the biggest one is that it's a bad business.

That's the theme of a fantastic, characteristically scathing-but-deep Ed Zitron article called (what else?) "Openai is a bad business":

https://www.wheresyoured.at/oai-business/

Zitron does something that no one else in the business press does: takes Openai's claims about its business fundamentals – its costs, its prices, its competitors, and even its capabilities – at face value, and then asks, "Even if this is all true, will Openai ever turn a profit?"

The answer is a pretty convincing "no." Zitron calls it a "subprime AI crisis" in a nod to Tim Hwang's must-read 2020 book about the ad-tech bezzle, Subprime Attention Crisis:

https://pluralistic.net/2020/12/06/surveillance-tulip-bulbs/#adtech-bubble

The fascinating thing about both Zitron and Hwang's analysis isn't that there are big companies that suck – it's that they are able to suck up so much money and credulous excitement, despite how badly they suck.

That's where power – the thing that neoliberal economists say doesn't matter – comes in. Monopoly power is a self-accelerating flywheel, as Amazon's famous investor pitch explains:

https://vimeo.com/739486256/00a0a7379a

Once a monopolist or a cartel wields market power, they can continue to dominate a sector, even though they're very bad – and even if they use their power to rip off both their customers and very powerful suppliers.

That's the lesson of Michael Jordan's lawsuit against NASCAR, as Matt Stoller explains in his latest BIG newsletter:

https://www.thebignewsletter.com/p/michael-jordan-anti-monopolist

Jordan is one of the most famous basketball players, but after retiring from the game, he became a NASCAR owner, and as such, has been embroiled in a monopoly whose abuses are both eerily familiar to anyone who pays attention to, say the pharmacy benefit manager racket:

https://pluralistic.net/2024/09/23/shield-of-boringness/#some-men-rob-you-with-a-fountain-pen

But on the other hand, the fact this is all happening to race-cars and not pharmacies makes it very weird indeed. As with, say, PBMs, NASCAR's monopoly isn't just victimizing the individuals who watch racing, but also the racecar teams. These teams are owned by rich, powerful people (like Jordan), but are "almost always on the verge of bankruptcy."

Why is that? NASCAR rips them off. For example, teams have to buy all their parts from NASCAR, at huge markups, and the purchase contract prohibits them from racing at any rival event. There are a million petty schemes like this, and NASCAR carefully titrates its bleed-off to leave its victims almost at death's door, but still (barely) solvent enough to keep racing.

NASCAR also bought out all the rival leagues, and most of the tracks, and then locked the remaining tracks to exclusivity deals. Then the teams all had to sign noncompetes as a condition of competing in NASCAR, the only game in town – forever.

Hence Michael Jordan, a person who steadfastly refused to involve himself in politics during his basketball career, becoming a firebreathing trustbuster. Stoller cites Jordan's transformation as reason to believe that the anti-monopoly agenda will survive even in the event that Harris wins but bows to corporate donors who insist on purging the Biden administration's trustbusters.

That's a hopeful note, and I'd add my own to it: the fact that the NASCAR scam is so similar to the pharma swindles, academic publishing swindles, and all the other monopoly rip-offs means that there is a potential class alliance between university professors, NASCAR owners, and people with chronic health conditions and big pharmaceutical bills.

That high note brings me to the end of this week's linkdump! And here's a little dessert in case you've got room for one more little link: Kitowares "Medieval Mules", a forthcoming clog styled as trompe l'oeil plate armor:

https://www.kitowares.la/

Pair with old favorites like lycra armor leggings:

https://loricaclothing.com/collections/leggings-1/products/the-augsburg-legging

And a DIY crotcheted knight's helmet:

https://www.etsy.com/listing/590854477/knights-helmet-w-detachable-visor

Tor Books as just published two new, free LITTLE BROTHER s tories: VIGILANT, about creepy surveillance in distance education; a nd SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/05/farrago/#jeffty-is-five

[virtue-boy]

+ 1 more

[n0thingiscool]

What the absolute fuck?!

"It’s true that insurance companies pay trained doctors to assess (and deny) claims — but which doctors do they employ?

Absolute fucking butchers.

Propublica found that insurance companies are the preferred second act for MDs who have lost their medical licenses and their malpractice insurance after repeatedly, egregiously maiming and killing their patients." -pluralustic's linkdump

[z428]

Interesting find, picked from one of my timelines

Cara.app is a relatively new social media platform: a kind of fusion between an Instagram timeline with a share button, and an Artstation portfolio layout on the user's profile. Almost every artist I know is opening a Cara.app profile right now and posting about it on every social media site. Some influencers, like industry veteran Bobby Chiu, even praise the platform and openly urge everyone to move to it.

https://www.davidrevoy.com/article1032/a-critique-of-caraapp-the-no-ai-instagram-and-artstation-copycat-child

As cara.app hit my circles before, too, I found this worth reading. Specifically I agree with most of the things mentioned in (8). Though this focus on "having instances" of something and "decentralization" (...) in an ActivityPub understanding of things to me slowly seems to show all of its technical and conceptual drawbacks, introducing yet another platform that is essentially a walled garden with data stored on one system of one legal entity doesn't seem what one would expect in 2024.

#tech #social networks #linkdump

[protoslacker]

Like most neoliberal institutions, Boeing had come under the spell of a seductive new theory of “knowledge” that essentially reduced the whole concept to a combination of intellectual property, trade secrets, and data, discarding “thought” and “understanding” and “complex reasoning” possessed by a skilled and experienced workforce as essentially not worth the increased health care costs.

Maureen Tkacik in The American Prospect. Suicide Mission

What Boeing did to all the guys who remember how to build a plane

Read Cory Doctorow's remarks, Pluralistic: Async mugwump linkdump (30 Mar 2024)

[adjoint-law]

#i agree but i also don't want someone stealing someone's work and passing it off as their own #are those exclusively the same things or am i just stupid?

Neither of the above? Copyright law, as it exists, does act as a deterrent to plagiarism (which sounds more like the principle you're talking about), but that doesn't mean it's particularly effective at it or that that's the main thing it does.

Taking the creator-microcosm of YouTube as an example, in recent months I've heard [citation needed] of:

citizen journalism footage and commentary on film/TV/games getting DMCA struck because of copyrighted music playing barely-audibly in the background

people making video essays that lift large sections wholesale from other videos, with a few words changed here and there, and "credit" in the form of a huge unorganised linkdump in the description that obscures the extent to which other people's work was exploited

In combination, all the laws, enforcement, and past precedent end up with the blatant plagiarism getting away more easily than the transformative uses. (...or so it seems to me.)

So at least in this example it's not ridiculous to say that, "copyright mostly doesn't function as a theft prevention system". Maybe the principles behind it are good (I have no idea; it seems better than nothing?) but that's not, afaik, the system we have.

(I think moneyed IP rightsholders — big publishers, major TV/film conglomerates, etc. — have done a very good job of seeding the message that stronger copyright law would benefit small creators. But they're not the ones e.g. whose original work has been used without permission to train large neural nets, and the stuff they lobby for — like their case against the IA — is going to reflect their interests not ours.)

it's absolutely frustrating to see that for many people, the main point of contention with the internet archive lawsuit is that they personally do not feel like what the internet archive did in 2020 was copyright infringement. it literally does not matter if what the internet archive did was copyright infringement, because copyright is a blight on society and largely exists in service of whatever corporate entities can afford to "own" concepts or ideas. the art world suffers from people interacting with art within this framework. I don't understand how you can be someone who claims to hate corporate slop but endorse the right for branding to exist.

[ramicorn]

chat the glowys

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[eightyonekilograms]

Not fact-checked, obviously, but I have this vague sense that I’m constantly seeing observational studies about Swedish lottery winners. The latest ACX linkdump has one, and there were previously influential ones about “what does winning the lottery due to your likelihood of getting or staying married and having children” and “what does winning the lottery do to life satisfaction”. How many lotteries does Sweden have, and why are their lottery winners apparently always the ones used in observational studies?