#literary analysis is both a blessing and a curse

[unchartedentity]

Throwback to that time in 9th Grade where our Lord of the Flies Socratic Seminar essentially turned into everyone else in the group grilling me on symbolism and character development because I was the only person who actually understood the book.

[tree-obsession]

Aventurine, the Waste Land, the black hole, and luck- analysis on aventurine's possible fate

possible spoilers for 2.1 trailblaze mission

possible tws for suicide/suicidal idealization, mentions of slavery, and a massacre

ok there is. a lot to unpack for this mission but I would like to focus on the references to The Waste Land (by T.S. Elliot, fucking amazing poem btw) that were in Aventurine's parts?

First of all the achievements- the "Sibyl, what do you wish for?" and "She answers, I wish to die" or something like that. That is the very first thing in the poem we see- to put a long story short, it's a reference to how there was this oracle named Sibyl in Greek Mythology, blessed to live forever by Apollo. Apollo got angry after she refused to have sex with him and cursed her so that while she would live forever, her body would slowly waste away, eventually becoming dust kept in a jar. A couple of boys one day come up to this prison jar and ask her "Sibyl, what do you wish for?" and then she answers that she wants to die. This could be a reference to Aventurine, who is always so lucky but at that moment truly didn't wish to be lucky, and really did want to die. Yet he was stuck, unable to live- considering he is something of a "chosen" of Gaiathra Triclops, she could be the one who cursed him, in disguise of a "blessing" of good luck.

second, the maze scene. there were two references here, both from the fifth(fourth? it's been a hot minute since I read this poem, the details aren't all clear) part of the poem. it talks about a deserted waste land, where rain never falls, there is only lightning and rocks/sand. this matches up with descriptions of sigonia, as a desert planet that's referred to as "the unclaimed desolation", and also some of those lines are directly said in the white text that floated around the maze(which i'll be referring to as floating text from now on). the second reference was also in the floating text, which talks about how "there is another presence/person beside us", or something very similar. I don't have the direct quotation, but this is also a direct reference- within the poem, there are two travelers in this "waste land", and the narrator mentions feeling a presence that wasn't truly there. According to Elliot himself, his inspiration for this part of the poem was from an account of an Antarctic journey, where the person who wrote the account said he and his men were so out of it due to exhaustion they had begun to hallucinate another presence who wasn't actually there. this is probably referencing how mini-aventurine and present-aventurine both exist, and have existed, but the future-aventurine technically does not exist yet and literally is just popping up, clearly not "real" in the physical sense but definitely there. within the poem, there are a lot of speculations between scholars about why Eliiot decided to add this hallucinated dude in but one popular theory is that it's Christ, in disguise, which is really interesting considering The Family's Christian imagery. something to watch out for when Aventurine returns to the story (he def isn't dead, but as to when he's returning... :( i can't get my hopes up) or if anyone else analyzes this more deeply.

now, why the waste land? it's universally considered a pretty depressing poem, about how the world after World War I was torn apart and collapsing in on itself, and portrays a lot of characters who aren't living life to their fullest at all. it references many famous texts and literary works, pointing at literature as an amalgamation of all other literature and also acting as a metaphor for how everything builds off each other, so one thing collapsing could result in everything collapsing. there are a lot of references to different religions as well. perhaps the best way to put it is that Elliot was portraying a world under threat of total collapse, and asks the reader if there is anything humanity can do to save it, or if we must simply salvage what we can. the ending also implies peace is a far-off, perhaps unreachable thing since everything is so discordant. but you get the idea at this point- the poem is about decay and rotting over time. I don't have the greatest grasp on either this poem or aventurine's psyche, but the 2.1 quest revealed a lot- he is an incredibly lucky person who is in a lot of bad situations but gets out every time, and has never lost a bet (despite his life otherwise being absolutely terrible). the waste land itself could simply be sigonia, and then perhaps aventurine himself is a representation of the characters within the poem. practically all scholars agree that in this poem, all the female characters coalesce into one character, and the male characters do so too, and then there is one uniting character between the "male" and "female"- tiresias, who according to Elliot has "foreseen and foresuffered all". he is described as the most important figure in the poem by Elliot himself. Tiresias is an androgynous figure, but is referred to with he/his. he also is the only one to say "I" in the poem, and despite the fact he is blind he can see all, even the future- in mythology, he was a prophet like the Sibyl. "what Tiresias sees is, in fact, the substance of the poem", as Elliot says- in other words, what he sees seems to be the closest thing to the truth you will get.

now obviously that's pretty valuable, considering literally everyone is lying in penacony (in the livestream they said the entire guest list is filled with question marks in place of names, implying everyone's identities there were fake- other than Sparkle's, but she's a Masked Fool and will trick people just for the hell of it, so not exactly the best ally). however (this is where speculation starts) I think this could be possibly very subtle foreshadowing for Aven's return! and I know this may sound delusional but. it's established he's not dead. his stone is out, but that's quite possibly because he's next to a fricking black hole and also Acheron possibly had "freed" him, in some sense? that conversation he had with her obviously changed a lot of things for him as a character, and she said she could break the harmony's bonds on him... also, clearly if he wasn't dead while waking up next to a black hole, that's certainly a surefire way to tell his luck hasn't run out yet. the entire mission was spent establishing his luck is perfect, given by the goddess of his planet, and will never fail him. this is like near emanator-level shit- obviously not quite in terms of any special power, but he was specifically chosen by this goddess, was born on a special day, and due to sheer luck is the last one standing of his clan (apparently). literally everything was set up against him and he's only still alive due to a literal goddess-given power, which is absolutely nuts and almost overpowered if it weren't for the fact that he also seems to be in many scenarios where luck and gambling is the only way to get out at all. the massacre, the enslavement, killing his old master, the weird warlord thing that got brought up, penacony... his luck is purely for getting out of bad situations, it seems.

that was kind of a tangent. anyway! the whole mission was establishing how good his luck was. he got into this situation where the only solution is to walk into a black hole and see the other side of penacony- that is a classic example of "there is an extremely, extremely narrow chance of getting out alive". acheron did it, or something similar, so clearly it's possible- but luck and chance would be the only way. this is the cycle of his life- he's in an absolutely shitty situation, but he will get out due to luck. imo it's a terrible idea writing-wise to keep him explicitly alive up to the very end and going into a situation- alive- which he can survive in due to his luck, right after giving him fulfilling conversation with both acheron and his past self and seeing the uplifting note from Ratio... just to offscreen him, or kill him for some reason related to this "other side of penacony". it wouldn't line up with all that we know about him now. granted, I can't imagine it'll be pleasant and his mental state will be even worse at the end of it... but he'll be alive, and he's made it through a lot of hellish situations. he might not like his luck all the time, and it can be either a blessing or a curse given the scenario, but he's kind of stuck with it- until he withers away, just like Sibyl. Death does seem to be inevitable, but as of right now it's not knocking on his door.

tldr: for now, our boy isn't dead and his luck might be a curse to him but it's clearly going to keep him alive for quite a bit longer :)

tysm for reading and have a nice day!

[notyouraryang0dd3ss]

was good of you to point out that bey and other big name celebrities are also not without flaws and are silent and complicit re: big issues. bey’s silence is also in stark contrast with what she but yeah when it comes to artistry taylor is nowhere near them. she doesnt risk or experiment because she knows her parasocial fans will throw money at her anyway. there’s a fashion youtuber i love who always says ‘if you’re obscenely rich the least you can do is stunt serve and slay’ and boy is taylor swift allergic to slaying or taking risks both in terms of visuals and sonically. its all safe and and palatable to appeal to as many people as possible. sure her quirky little easter eggs or whatever are cute at the first glance but then you actually look into those and there is not mystery or actual secrets to unfold. its the same masturbatory stuff as always: me me me look at me i am a victim look at all the men who wronged me look here is number 13. what a mastermind lmao

i just wanna say all you anons are so smart and gorgeous and thank you guys for blessing my inbox with your awesome analyses of this wretched bitch

yeah i didnt want my account to devolve into “oh im a ts anti bc im an x stan!!” cause its simply not true. im going to hold space and curse taylor tf out for her and her fans wild antiblackness to other black artists but it doesn’t mean those other artists r immune to criticism esp when it comes to their politics/branding.

no she is SOOOOOO BORING!!! in her mission to be as palatable as possible she absolutely gives and serves NOTHING!!! she really takes advantage of the fact that her fans literary analysis peaked in their HS honors english class to drop these “clues” and “secret messages” lol.

also the number 13 thing is so annoying 😭 i hope her 13th album is the one that takes her down for good. we’re currently at #11

[prairiedust]

Red or Green? The literary and folk themes of Oroborous

Red or green is the official state question of New Mexico as ratified by the legislature in 1996. Order anything at any restaurant, even a burger in some places, and you’ll likely be asked “Red or green?” Do you want red chile sauce on your entree, or do you prefer green chile? The “state question” can sometimes reveal geographical origins-- red sauce is supposedly favored in the northern half of the state, while green is more popular in the south (I lived in the south, and you could easily get either one anywhere so ¯\_(ツ)_/¯ .) The best green chiles are grown in the south, so maybe that has something to do with it-- like wine grapes, chiles from different parts of the state have different flavor profiles. Green chiles from the Hatch area are world famous.

But it’s important to remember that the sauces are made from the exact same fruit. The difference is all in the timing. Green chiles are harvested early, unripe, then roasted and chopped up and canned or put in the freezer, whereas red sauce is made from chiles that have been allowed to ripen fully and are then (typically) dried.

It’s all about timing. Let your chiles stay on the plant too long, and you miss your chance at the magical elixir that is green chile sauce.

Timing.

The sister stories of Snow White and Sleeping Beauty are, to a great extent, about timing. They are about waiting, about vigils, and about being at the right place at the right time-- or the exact wrong time.

(If you have not already read this rundown of Snow White in season 14, I suggest at least reading a few of the translations of the original folktales here or here. And cw the Sleeping Beauty story called Sun Moon and Talia is dark. I’ll be discussing the difference between the original material and the Disneyfied stories somewhat. Usual disclaimer that this is lit crit and not spec, why you ask, because I am a hundred years old is why.)

I want to say first that Steve Yockey in Ouroboros did a truly wonderful job allegorizing the story of Snow White, which has been teased for a while now. In the Grimms’ Snow White, as in other tales of that type, Snow White has been 1. run into the wilderness by her stepmother, B. taken in by a group of dwarfs, Three: then poisoned by that stepmother and fourthly laid to rest in a glass coffin. While the story has been poked at over the course of several episodes, Yockey sums it all up again in this one.

Dean-- along with the rest of TFW 2.0-- has been traipsing around New Mexico looking for a peculiar monster. Trope one. From the screen shot it looks like they’ve possibly been through Clovis, Roswell, Albuquerque, and finally made it up to Raton. As far as wildernesses and in-between places go, New Mexico is the most liminal state in the union-- many people in the country think it’s part of Mexico and if you think that’s a joke when I was a senior looking at colleges I had two well respected schools send me their foreign student applications. Roswell. AAAAaaaaahhhh Roswell. Roswell is the city that straddles reality and science fiction. They fry ice cream in New Mexico, they eat both ripe and unripe chiles there, and they have old mountain forests and arid white sand deserts within fifty miles of one another.

Another nod to the Snow White story is the Ma’lek Box that Dean mentions again-- B-- it can be seen as an allusion to Snow White’s glass coffin (in other versions, it is merely ornate or sometimes bedecked in rare gems but it is definitely something that she alone can not get out of… being dead and all...)

Finally, when the Gorgon knocks him out and Michael escapes, Sam tends Dean’s wounds while he is unconscious, which fulfills the traditional Snow White requirement for someone other than the king/prince to affect a physical change in the heroine’s state-- cutting off an enchanted dress or jostling the coffin so that the bite of poisoned apple can be coughed out-- in order to bring her back to life. Walt Disney and his studio added the “first love’s kiss” into the Snow White matrix in 1938, not even a century ago, but it quickly took over the narrative-- Disney also brings the story into a more accessible reality for modern viewers, he introduces the prince into the actual storyline earlier than in the folk tale, and then has him awaken her with The Kiss. Which do we, as an audience, prefer? The rabbit-hole of darker, more psychological Snow White tale types, or Disney’s recent and overwhelmingly iconic romantic reimagining?

Red or green?

Yockey gave us green, the version that has not ripened into what most people know as Snow White through the Disney cinematic behemoth.

The other duality in this episode is that we have Sleeping Beauty being referenced simultaneously with Snow White’s allegory.

Sleeping Beauty is Cas’ story and elements from that tale type can be seen in how the Gorgon stalks and overcomes his prey. The Gorgon uses sex to snare a human for consumption-- he says he’s an opportunist but that women have begun to be more cautious now that they are “waking up” from a long period of oppression. Sleeping Beauty’s deep sleep comes as the result of a symbolic sexual awakening-- in the more recent stories that awakening comes from the machinations of an enemy, so it is more a violation than a sudden innocent awareness. Where am I going with this? I don’t even know, this seems like it belongs in a different essay. What I’m trying to say is that the Gorgon uses sex to put people into a state of paralysis, and the evil fairy (known in the Disney movie as Maleficent) used a sexual metaphor to lure Briar Rose to her doom before she was ready for that kind of encounter. We are asked to contemplate the symbolic aspect of the Gorgon’s predation because he also uses a symbolic act-- eating eyeballs-- to see into the future and thus subvert the natural order of time.

In Sleeping Beauty, the evil crone/Maleficent also subverts the timeline by jumping place in line. She was not invited to the party in honor of the infant princess, but after nearly all of the other wise women have given Briar Rose their blessings, she breaks in to curse the baby. There is always one fairy left who, while not powerful enough to nullify the curse, can modify it to a deep sleep instead of death. In Ouroboros, TFW2 exploits the fact that Cas and Jack exist outside of the workings of Fate to defeat the Gorgon, but not without great cost.

Which brings us to The Wrong Kiss. I didn’t even want to meta the Sleeping Beauty stuff because of the kiss, seriously. So. What happens to Briar Rose is tragic, but in the three most famous versions of the story she comes out of her enchantment because a prince falls in love with her. Jack, here, as a result of Cas’ deal with the Empty, is no longer in the Sleeping Beauty story, he is not a Prince but a Giant-Killer once more, and the antidote he administers to counteract the Gorgon’s venom will not work. Once he activates his giant-killing powers, he can heal Castiel. (In the reciprocal, Cas is an agent of the SB story and the antidote works on the dude the Gorgon was about to eat because Cas administers it. It’s a very meta way of treating the folklore theme by both subverting it and keeping certain characters strictly within the parameters.)

Jack finally lives up to his name as a Giant-Killer when he takes out Michael. In Appalachian and English Jack Tales, Jack is always clever, sometimes to the point of unscrupulousness, but in the story Jack and the Beanstalk he is a naive picaro who betters his circumstances through reliance on his simple nature as much as his wits. Often “Jack” does not change as a result of his adventures, as most fairytale heroes do, but like many other mythological tricksters he operates outside the bounds of normal morality. Jack Kline has managed to hold onto his innocence despite initiation into the Winchester clan. Now that Jack has, presumably, burned off some large portion of his soul, it will be interesting to see how his picaresque nature might actually change. Because the story of Jack the Giant-Killer? Not the same story as Jack and the Beanstalk. The Giant-Killer is the story of a deadly clever young man who defeats several giants as well as Lucifer using mainly his wits and is afterward given a place on King Arthur’s Round Table. The story in its entirety borrows from Cornish, Welsh, and Briton mythology, echoing other simple folktales as well as hearkening to high heroes of the Mabinogi. Jack has become larger than life. (AN I started this before Peace of Mind, I’ll get to that one by the end of the season maybe :P )

In a less meta sense of course, this episode is one huge mythological allusion-- Cas refers to Dean’s imprisonment of Michael as a “herculean” feat, the MOTW is a Gorgon (and traditionally gorgons were a trio of cursed sisters in Greek legends,) and Dean enthusiastically references the 1981 Clash of the Titans film twice. In a /more/ meta vein, Andrew Dabb quotes the more recent Titans movie in a tweet on this ep’s airdate. I find that exciting because the story of Perseus in CotT features a descent into the underworld, and again while I flirt with speculation here I would REALLY like to see these nerds freaking raid the Empty.

As for Snow White and Sleeping Beauty now? Red or green?

It feels as though the Snow White story has possibly been tied up and tucked away now, solving the riddle of the “red or green” sister stories. Michael, Dean’s evil rival, is dead. Pretty sure. Whether his grace is contaminated and will have an adverse effect on Jack remains to be seen. See drsilverfish’s lovely analysis of the oroborous symbolism in the last two episodes for more discussion about what it means for Jack to have consumed Michael’s grace. But. Unless there is a Ghost of AU!Michael coming up, he’s gone.

We are left, however, with Cas’ deal with the Empty-- he gets to operate under normal parameters as long as he does not exceed the minimum threshold of happiness (and I want it to be an accidental or unexpected moment, unlike a lot of meta writers, but then that isn’t spec it’s just what I hope for.) And what does that mean for destiel subtext? I don’t know. Honestly, this is a little too intense for me, I am not “canon positive” or “endgame positive” and this episode freaked me out. Analytically, though, it places the subtext at a really interesting place. It means the princess who gets rescued from an enchanted doom is still on the loose, still avoiding Fate, and the prince is still out there having Adventures in the Woods. ¯\_(ツ)_/¯

[rivetgoth]

The Twin HCs

Okay, so without the third movie (which supposedly was gonna delve into Lucifer’s backstory and Hell’s beginnings) we’ll never really know the lore for the Twin sadly, and I’ve spent a billion years thinking about it so I’m just gonna throw my headcanons at you all. I’ve put a lot of time & thought into all of this and included MANY sources both from the movies and from outside sources, but of course it may not prove to be canon should Terrance ever decide to release info we didn’t previously have :)

The Twin was the serpent in the Garden of Eden who tempted Eve. Aside from “demon snake” making this already an obvious conclusion to jump to, this fits to me because June is meant to be an Eve-like figure in “Alleluia!”, as she “eats forbidden fruit” (the book she takes even has an apple on it) and she’s cast out of God’s kingdom for trying to gain knowledge that God didn’t want her to have. The Twin is the very first being she truly interacts with in Hell, and he lures and tempts her and then steals from her. Plus a lot of what he does with Merrywood is tempt her and lure her into losing everything. It feels like a fitting parallel.

Edit: By complete coincidence I had to read some literary analysis recently that actually explored the fact that the serpent in the Garden of Eden has frequently specifically not only been used as a symbol of trickery (very very obviously fitting of the Twin), but also of a symbol of theft, which fits the Twin stealing June’s horseshoe pin from her as well, and being the carny specifically chosen to confront Merrywood in the first film after she’s damned to Hell for literally being a thief. Some scholars actually also consider the serpent a symbol of sexual desire, which is fitting since I want the Twin to f

(Actually, as a side note, what’s super interesting about that is that in Dante’s Divine Comedy the part of Hell that thieves are sent to is specifically filled with serpents, because of the reason stated above. As punishment for thievery the serpents rob the damned souls of their own identity.... THAT SOUNDS... FAMILIAR, RIGHT. ANYWAY...)

Genesis 3:14- “So the LORD God said to the serpent, ‘Because you have done this, cursed are you above all livestock and all wild animals! You will crawl on your belly and you will eat dust all the days of your life.’”

So after the Twin tricked Eve into tasting the forbidden fruit, God curses him and all serpents to live the rest of their lives crawling on the ground. Who knows what the Twin looked like prior to this curse. We have no way of knowing, but now he was in the form of what we think of as a modern day legless, armless noodle creature. A snake.

However, Lucifer defied God, perhaps at the Twin’s plea (more on that in a second), and gave the Twin a human form with legs and all. This was a big deal, because it was a very early act of defiance against God and his wishes from Lucifer, as these were still the early days after the fall.

Nivek Ogre on the Twin- “I myself tend to have too much empathy so I wanted to make him very sympathetic. I kind of saw him as one of the original shells that were shucked down to hell. He probably made a bargain with the man below and is now living in fear trying to escape his fate by taking on the appearance of another. However while doing this he tends to see the best parts of him which gave him a slight bit of humanity. He also would see their nastiest thoughts which ultimately would do them in. It is both an empathetic and vicious character. I see myself as the bait for Lucifer.“ [source]

The “bargain with the man below” is left ambiguous; I think that could realistically fit my headcanon, if you envision that the “bargain” the Twin made with Lucifer was to defy God’s curse on him and give him a human form. However, if you go along with that idea, Ogre’s words also imply that the Twin isn’t necessarily happy with what he got on his end of the bargain. He “lives in fear trying to escape his fate”...

...Which brings me to my next point, which is that Lucifer’s powers are not nearly as strong as God’s, especially not at this point, when he was still young and had only just begun his work on Hell, and Lucifer certainly can’t create life. He could only kind of give the Twin a facade of a human form.

In “Alleluia!”, during the flashback with June, we see the Twin’s skin is different. He appears to have serpent scales almost breaking out of more human flesh, as opposed to the fully scaled form we see later on in the future (in the first movie and at the end of the second). We also see that the Twin uses a cane sometimes in the first movie.

An article about the makeup for the second movie- “[The Twin’s] make-up goes back and forth from past to present. Through the film we finally see him become the lizard-like Twin through a series of different looks like leprosy.” [source]

Note that maaaybe this isn’t the most reliable source on concrete facts, especially considering the fact that the Twin is referred to as a lizard rather than a snake lol (and I think he is definitely supposed to be a snake, he... he hisses), but it’s a good and official quote to point out the obviously intentional visual change and progression in the film. I also think the leprosy comment is interesting and fits the theme; leprosy is seen in the Bible as an uncleanliness that only God can cure. If Lucifer gave the Twin a body that goes against God’s wishes, perhaps it would begin to “fall apart” in a way similar to the way the Bible claims one who is unclean from God’s blessing would?

(comparison between the Twin’s flashback makeup and “present” makeup)

I think the Twin’s body degenerated over time and slowly returned to a more serpentine form. Lucifer’s powers could only do so much. Now, at the point he’s at by the time we see him in the first movie, I don’t think his condition will get “worse.” I don’t think he’s going to lose his humanoid form altogether, but I think initially, at the very beginning, he looked significantly more humanoid, and as time has gone on his skin has shed (the way a snake’s would) back into scales and his legs have become weaker, and it can cause him a great deal of pain to walk on them for too long a period of time, because they’re entirely unnatural to him. They directly defy God’s wishes. The Twin drinks and uses a cane, we see that in the first movie. I think he deals with a lot of physical pain.

Nivek Ogre on the Twin Part 2- “My character is the twin who’s an empath and someone who is able to take on the characteristics - physical and emotional - of anybody that they come in contact with. He’s a trickster, but at the same time I think he is one of the most empathetic characters in hell because he’s able to feel all of your pain, all of your troubles and all of the worries that you have. But also all of the secrets and the nastiness. That’s where it turns dark for him. He does show empathy, but he’s still, at the very heart of it very sociopathic and reptilian almost - in a way, cold blooded.” [source]

This quote gives the best insight to the Twin as a character, I think. To summarize as well as inject some of my own interpretation and headcanon, the Twin is very much a snake at heart. “Cold blooded,” as Ogre puts it, both literally and metaphorically. I think the Twin has a sense of morality on a totally different plain than other people, and I think he’s very instinct driven. I think he enjoys shiny things and carnival games because frankly he’s a simple creature and he’s amused and distracted and pleased easily by these things because, again, he’s a snake. He was a snake and there’s a part of him that will always be a snake. He certainly is not human, and does not have a human conscience.

However, I don’t think this makes him “evil” at all. As Ogre states numerous times, the Twin is a very, very empathetic creature, which also makes sense to me in the context of him being a snake. Snakes can sense emotion in a very unique way; they’re sensitive to touch and feeling and if a person shows fear around a snake, for example, the snake is more likely to be tense and aggressive. Being calm around snakes is imperative for their own comfort or else they lash out or flee. So in a way, snakes are incredibly empathetic, but in a very instinct-driven way. The Twin, too, can sense the emotions of others to an extreme, even supernatural degree. He can take their emotions on and adopt them as his own. He feels their pain and their fears and the darkness in their hearts that sent them to Hell in the first place. But, like Ogre said, at the end of the day he’s very “sociopathic” about it, and these don’t necessarily impact him in a long term negative way that they would a human taking on the extreme negative emotions of others, so he’s the perfect man for the job down in Hell of doing exactly that.

Although there’s no long term emotional exhaustion from the Twin when he takes these emotions on, and he’s able to “cope” with feeling negative emotion pretty easily and simply reflect it back on the person to torment them, I think that experiencing these emotions does “humanize” him in a way, or “gives him a slight bit of humanity,” as Ogre says. The Twin doesn’t experience human emotion firsthand, but he does secondhand, and that’s stopped him from being literally nothing but an instinct-driven snake. There’s something more there.

I also think the Twin is, in a strange way, very much a big brother figure for the other carnies. He has no ill feeling towards them. Actually, he has no ill feelings towards anyone (except perhaps God and his angels). Again, he’s not evil. He’s among the carnies in every major crowd scene, participating and having fun alongside the others. He’s in every audience during the songs of the first movie, even participating and laughing and throwing coins and drinking with the others, he dances with everyone at the end, and he throws his armband with everyone else in the second, and claps and cheers for June when she does the same.

He was one of the first beings in Hell, and the other carnies, I think, are very aware that he’s incredibly powerful and full of knowledge - and secrets. I think a lot of them have a lot of respect for him, and maybe fear him a bit; they certainly wouldn’t tease him the way they do the Magician. It doesn’t help that I don’t think he’s necessarily wildly social and he can be very hard to understand and connect with on an emotional level (because, again, he’s a snake), but he does care in his own way. He is, after all, an empath, and he can relate deeply to their experience of being cast out by God and trapped in Hell for eternity. He’s driven primarily by instinct, and his idea of friendship probably mostly is based around playing cards and other silly carnival games because he really clearly enjoys that, and he would have absolutely no qualms robbing you if you had something shiny on your person, but he still does care about the other carnies and has fun with them when he’s around them, even if he’s a bit cold and intimidating and difficult to interact with one-on-one.

If another carny were “make the first move” interacting with the Twin, like actually coming to his tent and initiating a conversation or asking to play a game with him, I think that’d actually make him really happy, and he’d be really happy to have someone to spend time with. He seems like he’s enjoying playing cards with Wick at the beginning of the first movie!

Cute! =}

As for some more fun headcanons I have that aren’t grounded in much but they make me happy:

The Twin hisses when he speaks because he has a snake accent. He’s gotten good at covering that accent when he’s in another person’s form, but he still slips up sometimes and you can still hear him hissing in another person’s voice. He’s working on it.

The Twin likes to tell stories, and he can get very excited while he’s telling them, and if he gets too excited, he’ll start taking the form of the people in the story as he’s telling it. Like, “And then the Magician said THIS-” [takes the form of the Magician without even realizing it]. It’s actually very entertaining and makes his stories even more fun to listen to, and he really doesn’t notice he’s doing it.

The Twin is actually impressed by the Magician’s magic on good days, which makes the Magician feel really proud of himself because the Twin is such a well respected figure in Hell, but he really shouldn’t be all too proud because actually, the Twin literally is just impressed by shiny things. The Magician conjures up some sparkles and the Twin acts like it’s the best thing he’s ever fucking seen (but, in seriousness, he’s also impressed by the Magician’s little magic tricks, because the Twin himself clearly dabbles in magic tricks in his own games, so the two of them can actually bond over that shared interest).

The Twin sheds every... I dunno, thousand years? Ten thousand years? It’s not a wildly frequent occurrence, but he sheds just like a regular snake would, which is a wildly unpleasant process. When a snake sheds, their ENTIRE body sheds, including their EYES. For a period of time before shedding a snake is almost entirely blind as its skin encloses its eyes. He’s incredibly uncomfortable during this time, not only is he blind but there’s, like, a literal full layer of skin half-attached to his body. He probably spends this time hidden away inside his tent, not social at all. Snakes in general tend to be more cautious and reserved and hostile should they be bothered during this time, because they’re so vulnerable. He’s in an extra pissy mood during this time. Then, afterwards, he gets a shiny new coat, bright green and very pretty, but it’s very sensitive at first, so he’s still not very keen on social interaction for awhile LOL. 

SO THERE YOU HAVE IT!!!!!!!!!! THERE’S MORE HONESTLY but I figured I’d keep it at this since this is already long as hell, buuuuut I wanted to share OKAY I love him. 💕🐍💕

[qorillas]

i saw your tag 'bye bye baby blue' and thats a glass animals lyric,,,, f u, ck i love that ban d

“*cracks knuckles* you didn’t ask for this but i’ve been sitting on this message for a while because i have A Lot Of Feelings about glass animals and gorillaz okay SO

first of all i too love glass animals i listen to how to be a human being on a daily basis it’s such a lovely album 

second of all i’m so glad u picked up on the reference!!! the other side of paradise always reminds me of stu and it’s just the perfect tag for him and here is the point at which i’m going to word vomit so have a read more

so obviously like the whole line in the chorus “bye bye baby blue” is like. perfect for stu because, ya know, blue. but ALSO (and this is where my own personal shipping analysis comes in) it works really well with studoc and honestly murdoc calling stu baby blue as a nickname is one of the best headcanons imo

anyway the whole song works really well with studoc because like the whole song is about the speaker falling in love with a person who then is completely changed by their dogged pursuit of fame, and the speaker can see that and is begging them to stop because they can see it’s destroying them, but in the end they love them too much to leave them and so they “settle for a ghost” right

this works really well with how stu and muds were like best friends and they probably had a good thing goin on and then murdoc, who is both blessed and cursed with insatiable ambition, essentially ruined it by letting his lust for fame and power both corrupt him as a person and by letting it ruin their whole family unit (murdoc sold his soul to the devil for fame and success, the devil ended up coming for him and taking noodle instead, so essentially it’s his fault that the whole el manana incident happened, which is the point where i headcanon stu and muds had like their Big Break Up because they were both just so emotionally gutted over noodle’s “death” and it was just such a mess and they couldn’t function and there was so much pain, it was so bad)

but in the end stu ends up staying with him anyway because he loves him too much to leave (which. this isn’t Good? but the song isn’t a happy song and studoc is not a happy relationship at most times; i’m just drawing parallels here not saying that this is a good or bad relationship) 

but ALSO. if we see stu as the speaker in the lyrics then why would he be referring to murdoc as “baby blue”? he’s NOT — he’s talking about himself in the chorus, because murdoc’s not the only one who made stupid decisions for fame. stu’s the one who decided to go with murdoc in the first place and leave behind his normal life and now years later he obviously regrets that choice. so the song is about stu looking back on how murdoc was dragged down by his lust for fame, but also him looking back on how his own lust for fame, and his love for murdoc, dragged him into a destructive situation as well and destroyed the innocent baby/young adult he used to be. 

also also. the whole buildup where it’s like “The bullet hit but maybe not / I feel so fucking numb / It hits my head and I feel numb / My body’s looking wrong” just gives me this mental image of stu hitting his head in the second car accident and slowly standing up and looking down at his hands and seeing all the blood and reaching up to feel his eyes and teeth and slowly realizing that his body is looking wrong — he’s been irreparably broken — and this what he’s become and that this is how it’s going to be for the rest of forever. and this point is really where this whole situation, both the race for fame and the love affair between the two of them, started, and it’s just a really powerful image and one day i’m gonna draw it and probably cry while i draw it 

anyway i could do a closer analysis and like include specific quotes and go deeper into some of the other lyrics (and also other songs because like. life itself? totally a young murdoc jam. pork soda? that’s stu) but those are the main points i think about whenever i hear the song and also like. nobody asked for an in-depth literary analysis and this is already long enough lmao 

(but yeah if you ever wanna talk more about glass animals and gorillaz and studoc as individual topics or intersecting topics PLEASE hit me up i have So Many thoughts and i’m glad you picked up on my tag reference)