#live streaming of execution

[frizox]

Are we - as a human kind - supposed to be able to move on from watching footage of trucks filled with decomposed Palestinian bodies being unloaded in mass graves like trash? Footage of Lebanese people screaming as buildings behind them explode? Footage after footage of Muslim funerals being held quickly to commemorate one more death caused by the zionist regime? Footage of western politicians calling for peace and for a ceasefire as they sell the weapons that are tearing the bodies of innocent civilians into shreds? Footage of Palestinian children - their little faces dirty, their clothes stained, either crying in panic and desperation or with their eyes empty?

Maybe Aaron Bushnell was right because trying to live while a genocide is being live streamed doesn’t sound like something someone sane should be able to do.

[accelerandy15]

Soft Aizou art for the release of his solo💛

[seasurfacefullofclouds1]

The thing about Harry is that we know he is not even co-opting the aesthetics of other artists he is inspired by. We know that everything is created for him in boardrooms by executives. Executives are not creatives, all they know is to use other artists and provide them as references for the other creatives around him to create similar. No wonder all of it is recycled. His music producers and songwriters are given a brief to write with references to other artists tunes and books/stories. They send them recordings to white stripes and say this is what will give him the hit.

His stage clothes have no reference from his own life but are instead imitations of prince’s clothes or David Bowie’s or whoever else.

He is not copying these artists because he admires them, he is copying them because that was curated by the businessmen who invested in him. I always remember how they had to guess the lyrics of songs in one of the interviews and Harry’s team got a queen song that couldn’t identify and Louis said he was embarrassed for him. It was don’t stop me now. That was the only song Louis seemed to feel strongly about.

When Harry pretends to be Freddie Mercury it is gyrating, I feel the same kind of embarrassment for him. Too bad his fans are 13 year olds who do not appreciate what a cheap copy he is.

Remind me that story about Don’t Stop Me Now?

[muckmagister]

Person I saw online who looked like you to me :3 Plus cool knife flips (I tried to post the video here but the file size was too big :/)

dw i can fit it in the post itself apparently

wuhhuh you're. actually not wrong, from that angle at least i can definitely see it. i wanna say the glasses do some heavy lifting but like the hair and smile lines and stuff. actual girl me

[gigabyte-flare]

I am so far behind in my other gachas, I wish I wasn't so fucking tired all the time because streaming them to catch up would be so fun

[out-of-heaven-and-hell]

I look away for five minutes and Vox is being sentenced to death

[madelynpryor]

dc using the word situationship to refer to donna and garth was NOT on my 2023 bingo card.....

[tvmblrsillyman]

i would be the most annoying tumblr live streamer if the site actually just use a different service/backend that isnt sketchy/heavily mobile based

[maxwellatoms]

Do you think were any kind of specific aspects of the culture, industry, economy, etc that made making cartoons in 90s / 2000s better or worse than trying to make them today?

They're literally different worlds.

As a 22 year old neurodivergent, I was able to pitch show ideas directly to executives. Part of that was because TV Animation wasn't a glamorous profession (quite yet), so the higher-ups were genuinely passionate about the medium. I earned good money for the time and was generally trusted to run my show and tend to the crew. I would periodically be handed portfolios, which I would personally review and pass on to other show runners. For the networks it was always corporate, cutthroat, and ultimately about the money, but as an artist you could still have a voice and make art while being paid a living wage.

The pay for a freelance storyboard in 2005 is almost exactly what it is today, but now you're likely to have less time and be required to do an animatic on top of it. Portfolios are online, and (beyond metrics) you'll probably never know if anyone looks at it or not.

Animation got big. Too big. The executives got "glamorous", then the talent got "glamorous". By then you probably wouldn't get a pitch meeting unless you were a celebrity or knew one willing to be connected to your project. Animation eventually got so big that it popped. And that's where we are now.

Most of the people I know from Kid's TV Animation are currently unemployed. I have been off Jellystone for over a year, and I'm starting to get genuinely worried. Like, "move away to save money" worried. Most of the employed artists I do know are on long-running legacy series, and they're concerned about their futures when/if those series end. Right now is not a fantastic time for "animation as a money-making profession". The "glamorous" part popped years ago.

That being said, there are still opportunities out there. If you're just starting out, apparently there's a planned surge in adult and pre-school animation. It's also a great time (as long as YouTube remains sane) to be crafting your own content. But I think that the time of Big Studio Patronage is over for most of the industry. It's up to the individual artist now more than ever, not only to make but to promote their own content.

Back at the height of Billy & Mandy, we mostly pulled fours and fives in the Neilsen ratings, but we occasionally got a seven. For reference, E.R. consistently got eights. It's difficult to say exactly how many people that actually was due to how those ratings work, but it was a big deal for the time. Millions. Enough people that if I had a dollar for each person that just watched that one episode, I would have been set for life. Now, nobody gets a seven. A four is huge. Back then there were maybe fifteen or twenty channels of programmed content as opposed to the streaming smorgasbord we were all just enjoying (and which now also seems to have popped). Point being, even though I wasn't paid-per-view, I was able to use those views as justification for an eventual raise. In modern times, streaming numbers are seemingly deliberately kept secret. You'll never really know how well your show was doing until it's over. Or maybe never.

In modern times, a million views on YouTube is enough to get you noticed online. It's a lower bar for entry in a way, but you've got to get there all by yourself. Once you're there (hello Hazbin) a network may indeed come and scoop you up. Even if they don't, you can probably make a decent living with numbers like that if you're savvy and willing to take the time.

I feel like I could go on all day, shaking my fist at the sky, gray-ass beard blowing in the wind. Was it better or easier making cartoons in the past? It seemed that way to me, but that was a world I knew. There was no AI to sell you out to, and the media was more of a "Wild West" than it is today. I do think that AI is going to continue to displace artists (and soon others), making it even more difficult to get anyone's eyes on anything at all.

Culturally, we lack the common touchpoints that bonded our society in the 20th Century. I suspect that the media landscape will continue to become more "bubbly" and disjointed unless some powerful force swoops in to mandate a common viewpoint. Those are two very divergent, uniquely tiring futures, each presenting a different challenge for an artist's survival.

Outside of whatever our modern world is, animation was made for a century by photographing drawings. If Émile Cohl could do it in 1908, you can do it now. It's a lot of labor, but maybe that's part of what makes it special.

[felassan]

SAG AFTRA news update:

"SAG-AFTRA Members Who Work on Video Games Go on Strike July 25th A.I. Protections Remain the Sticking Point SAG-AFTRA National Executive Director & Chief Negotiator Duncan Crabtree-Ireland, acting under the authority delegated by the SAG-AFTRA National Board, and with the unanimous advice and counsel of the Interactive Media Agreement Negotiating Committee, called a strike of the Interactive Media Agreement, effective July 26 at 12:01 a.m. Today’s vote to strike comes after more than a year and a half of negotiations without a deal. The convenience bargaining group with whom SAG-AFTRA is negotiating includes Activision Productions Inc., Blindlight LLC, Disney Character Voices Inc., Electronic Arts Productions Inc., Formosa Interactive LLC, Insomniac Games Inc., Llama Productions LLC, Take 2 Productions Inc., VoiceWorks Productions Inc., and WB Games Inc. Any game looking to employ SAG-AFTRA talent to perform covered work must sign on to the new Tiered-Budget Independent Interactive Media Agreement, the Interim Interactive Media Agreement or the Interim Interactive Localization Agreement. These agreements offer critical A.I. protections for members. Negotiations began in October 2022 and on Sept. 24, 2023, SAG-AFTRA members approved a video game strike authorization with a 98.32% yes vote. Although agreements have been reached on many issues important to SAG-AFTRA members, the employers refuse to plainly affirm, in clear and enforceable language, that they will protect all performers covered by this contract in their A.I. language. “We’re not going to consent to a contract that allows companies to abuse A.I. to the detriment of our members. Enough is enough. When these companies get serious about offering an agreement our members can live — and work — with, we will be here, ready to negotiate,” stated SAG-AFTRA President Fran Drescher.   “The video game industry generates billions of dollars in profit annually. The driving force behind that success is the creative people who design and create those games. That includes the SAG-AFTRA members who bring memorable and beloved game characters to life, and they deserve and demand the same fundamental protections as performers in film, television, streaming, and music: fair compensation and the right of informed consent for the A.I. use of their faces, voices, and bodies. Frankly, it’s stunning that these video game studios haven’t learned anything from the lessons of last year - that our members can and will stand up and demand fair and equitable treatment with respect to A.I., and the public supports us in that,” said Crabtree-Ireland. “Eighteen months of negotiations have shown us that our employers are not interested in fair, reasonable A.I. protections, but rather flagrant exploitation. We refuse this paradigm – we will not leave any of our members behind, nor will we wait for sufficient protection any longer. We look forward to collaborating with teams on our Interim and Independent contracts, which provide A.I. transparency, consent and compensation to all performers, and to continuing to negotiate in good faith with this bargaining group when they are ready to join us in the world we all deserve." said Interactive Media Agreement Negotiating Committee Chair Sarah Elmaleh.  For more information and to search whether a video game is struck, please visit sagaftra.org/videogamestrike."

[source]

[shir0ch4ns-art]

I am slowly learning to be unapologetically myself. Just yesterday I was audibly and visibly excited to see the eclipse shadows on the walkway to my car. There were people around but you know what it is a very exciting and rare phenomenon and I'm not gonna be embarrassed about it. I love space and I love astronomical events. I think they should be a global holiday and every one should be able to enjoy such events without having to worry about work.

[accelerandy15]

Happy Honeyworks Day 💖

[bitchy-craft]

Millionaire: Money Affirmations

Hello and welcome to this post! In here I will be giving a few motivation affirmations. I hope you all enjoy and find this useful.

Masterpost > Paid Readings > Subliminal Channel

NOTE: the subliminal with these affirmations is here

I am a money magnet; wealth flows to me endlessly.

I effortlessly attract millions into my life.

Every day, my bank account grows exponentially.

Money comes to me in abundance from multiple sources.

I am destined to be a millionaire.

Wealth is drawn to me like a powerful force.

I attract money effortlessly and continuously.

My income is constantly increasing without limits.

I have unlimited streams of income flowing to me.

I am financially free and live a life of luxury.

Money finds me wherever I go.

I am always in the right place to attract wealth.

I am confident in my ability to generate millions.

Large sums of money come to me quickly and easily.

I am deserving of all the wealth life has to offer.

I am surrounded by endless financial opportunities.

My wealth grows effortlessly while I sleep.

I am aligned with the energy of abundance and wealth.

I attract million-dollar ideas and execute them flawlessly.

Money flows into my life in ever-increasing quantities.

Tip: you can repeat as much as you want, it is all effective. What works for you works for you.

[fans4wga]

"The studios thought they could handle a strike. They might end up sparking a revolution"

by Mary McNamara

"If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.

Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.

This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.

More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.

But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.

Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.

Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”

“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”

If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.

“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”

Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.

A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”

When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.

Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)

Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.

Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.

Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.

The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”

Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.

Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.

At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.

It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with."

[sasheemo]

Friday Thoughts

Chapter 1

Word count: 5.3k

Chapter Index

Read on AO3

Four months. That’s how long it’s been since you stepped into the quiet, modern house nestled at the end of a well-kept street. Four months since you met Nicholas, bright-eyed and full of questions, the kind of kid who could win over even the most reluctant babysitter. And four months since you met his mother, Agatha Harkness.

Agatha had been polite, professional, and just distant enough to make her presence intoxicating. At first, you told yourself it was nothing, just admiration for someone so self-assured, so obviously in control of her world. But as the weeks passed, admiration turned into fascination, and fascination into a quiet, gnawing ache you couldn’t shake.

It wasn’t as if the two of you shared many conversations. Agatha kept things brief—efficient, almost clinical. A quick rundown of Nicholas’ dinner preferences and bedtime routine, a reminder to call if anything urgent came up. She never offered more than the bare minimum needed to keep things running smoothly, yet her presence made every exchange feel heavier than it should. 

You tried not to think about her too much. Tried to focus on Nicholas, the job, anything else. But ignoring Agatha Harkness was like trying to ignore gravity - inescapable, pulling you in whether you wanted it or not. 

It wasn’t just her appearance - though that certainly didn’t help - it was the way she occupied space, commanding attention without effort. The way her gaze would flick to you, sharp and assessing, like she was filing away every detail for later consideration.

And when she left… she didn’t just leave. She left behind. The faint scent of her perfume, rich and warm, clinging to the air long after the door had closed behind her. The lingering echo of her voice, low and smooth, a melody that at times could feel almost too calculated to be accidental.

You told yourself it was nothing. Just a natural reaction to being around someone like her: refined, confident, and utterly out of reach. But the longer you spent in her home, the harder it became to convince yourself of that, especially when so much about her remained shrouded in mystery.

You had no idea what she did for a living, only that it involved late-night calls, countless virtual meetings, a constant stream of emails at all hours, and events that demanded an air of authority as much as they did elegance. 

She was always impeccably dressed, whether she was working from home or heading out for an event: power suits tailored to perfection, silk shirts and blouses that radiated precision as sharp as the cut of her blazers, and fitted dresses that looked like they belonged on the cover of a magazine.

She exuded the kind of confidence that made you certain she held a position of influence, something important, something that carried weight. CEO, maybe? Or some high-ranking executive? It would explain the polished demeanor, the frustration that would sometimes edge into her voice during a call you definitely  weren’t meant to overhear, and the meticulous organization of her home office. 

Then again, she had an air of mystery that didn’t quite fit neatly into the corporate box. She was decisive, yes, but there was something else beneath it, something restrained, like she was only showing a fraction of what she was truly capable of.

You didn’t even know Agatha’s exact age. There were old photos scattered around the house, most of them of Nicholas as a baby, a few of her alongside Rio, her ex-wife. You’d caught glimpses of them during one of Nicholas’ enthusiastic storytelling tangents, the kind of childlike recounting that brought those still frames to life. Rio looked noticeably younger in the pictures, which only deepened the intrigue surrounding Agatha. How old was she? Late forties? Early fifties? 

Not that it mattered, or at least… it shouldn’t have. But the more time you spent in her orbit, the harder it became to ignore just how much space she occupied in your thoughts. It was unprofessional, irrational, and entirely out of your control, as if every little detail about her demanded a corner of your attention whether you wanted it to or not.

The first time you met, you’d thought she was intimidating. There was something about the sharpness in her gaze, the way she seemed to size you up as if you were being evaluated for a job far more critical than babysitting. 

You’d left the interview certain she didn’t think much of you. But then she’d hired you.

To be fair, you hadn’t exactly taken the job because of your love for children. Babysitting seemed like an easy way to make some extra cash while juggling your morning part-time job. You hadn’t expected to enjoy it, much less grow attached to Nicholas.

But Nicholas wasn’t like other kids. He was curious, creative, and so full of energy that you couldn’t help but be drawn in. He’d ask you about your favorite books, try to teach you the names of constellations from his room, and once insisted on making you a friendship bracelet out of beads and string.

And then there were the quieter moments. Like the time he’d curled up beside you on the couch after a rough day at school, falling asleep mid-sentence while you read his favorite book. Or the time he’d asked, out of the blue, “Do you think my mom gets lonely when I’m at school?”.

You hadn’t known how to answer that one.

Nicholas made the job feel… easy. Comforting, even. But his mother? She made it kind of impossible.

Every time you walked into her home, you’d feel her presence. Not physically, she was rarely around long enough for that, but in the little things she left behind, subtle markers of her existence woven into the very own fabric of the house. 

The low hum of her voice drifting from the upstairs study during late-night calls, words too muffled to make out but carrying a cadence of control that made you pause, just to listen. The faint impression of her meticulousness in the perfectly aligned cushions on the couch, the neatly stacked mail on the counter, the absence of even a stray sock or misplaced book.

Then there was the way her heels clicked against the floor when she came downstairs, the sound crisp yet unhurried. She didn’t rush, Agatha Harkness was not the kind of person who rushed. Her movements seemed to shape the rhythm of the house itself, setting a quiet standard for everything and everyone in her space.

Soon, you began picking up on details you had no business noticing. Small, fleeting moments that clung to the edges of your thoughts like whispers you couldn’t quite ignore. Like, the slight smirk she gave when Nicholas said something clever, a mixture of pride and amusement softening her features. Or the way she adjusted her hair when she was stressed, tucking loose strands behind her ear with a practiced motion, revealing the elegant curve of her neck.

And then there were the more unconscious gestures, each one driving you wild in its own very excruciating way. The quiet rhythm of her foot tapping against the kitchen floor when she sipped her coffee between meetings. The faint click of her tongue against her lips when Nicholas tested her patience, a subtle attempt to hold back words she clearly wanted to let loose. The way she stood when she was lost in thought, her arms loosely crossed as one finger absently brushed against her lips, almost as if she was tasting the edge of an unspoken idea. 

And her laugh. God, her laugh. It wasn’t often that Nicholas managed to coax it out of her, but when he did, it was warm and rich, a sound that lingered long after she left the room.

Everything about her seemed carefully curated, controlled at all times. And yet, in those instants, you saw something else. A woman who, despite all her poise and precision, carried the weight of something she never let anyone else see.

You weren’t supposed to think about her like this. Not when she was the mother of the child you babysat. Not when every interaction with her reminded you of just how far apart your worlds were. Not when she was so far out of your league, it was laughable.

She is older, accomplished, and entirely unattainable. The kind of woman who probably spends her evenings at upscale dinners or in rooms filled with people who match her level of sophistication. Women who are successful, and as captivating as she is, people she could meet as equals.

And who are you? Someone who stumbles over your words if she so much as glances your way for too long. Someone whose idea of ambition is stringing together part-time jobs to pay the bills. 

It isn’t just that she is out of your league, it’s like she is playing a completely different game.

But that didn’t stop your mind from wandering. 

You knew it was ridiculous to even entertain the idea of her seeing you as anything more than a babysitter. And yet, in the quiet moments, when her voice lingered in your head or her laugh replayed itself unbidden, the thought of her crept in, no matter how hard you tried to push it away.

It didn’t help that most of the nights you were working at her house were predictable, almost comforting in their routine: dinner, homework, reading or watching a movie with Nicholas. A lovely rhythm, easy and unassuming. 

Except for Fridays.

Fridays were different. Fridays were harder. Fridays were the nights when Agatha didn’t stay holed up in her study, immersed in work or late-night calls. No, she would step out in one of her perfectly tailored outfits, leaving behind a quiet hum in the air, like the house itself was holding its breath in her absence.

And like clockwork, every Friday night, when she walked out the door, you’d find yourself wondering. Where was she going? Who was she meeting? What would it be like to occupy even a fraction of her time? Did she let others see pieces of herself you’d only glimpsed in passing? Did she laugh with them the way she sometimes laughed with Nicholas? 

The questions gnawed at you in ways you hated to admit, piling up in your mind uninvited and unrelenting, until all you could do was let them sit there, unanswered and far beyond your reach.

“Get a grip.” you mutter to yourself as you approach the house, tugging your hoodie tighter against the evening chill. But you can’t shake the feeling that this Friday, like all the others, will leave you tangled in questions you have no right to ask, about a life that’s so close yet impossibly far away.

When you reach the door, you pause, taking a breath to steady yourself. You knock and when Agatha opens the door, you momentarily forget how to breathe.

She stands before you in a deep navy suit, the tailored jacket hugging her form perfectly, the sharp lines of her trousers elongating her already commanding presence. A delicate gold chain rests against her collarbone, catching the light every time she moves, and her fingers gleam with matching gold rings. Her hair is swept back, leaving a few strands to frame her face, and her pointy black heels click faintly as she steps aside to let you in.

“Evening, hon.” she greets, her voice a smooth hum that settles in the space between you like a low melody. Her gaze sweeps over you, unreadable as always, but you catch it - a flicker of something in the corner of her mouth, an almost-smile that makes your breath catch in your throat.

“Hi.” The word slips out, and you pray she doesn’t notice the slight quiver in your voice. You grip the strap of your backpack a little tighter, as if that will steady you.

Stepping inside and closing the door, you let the familiar warmth of the house wash over you, the faint sound of Nicholas’ laughter from the living room grounding you just enough. You focus on it, using the noise as a lifeline to ignore the way your pulse quickens in her presence.

Agatha moves toward the hall mirror, tilting her head as she checks her lipstick. The movement is casual, something you’ve seen her do countless times in the past months, and yet your eyes are drawn to her like a magnet.

“You know the drill.” she says suddenly, her voice breaking the silence and startling you just enough to snap your attention away. She doesn’t turn, her focus still on her reflection, but her tone commands yours. “Dinner’s already set out for Nicky, and he’s got homework to finish before he’s allowed any TV. I should be back around midnight, but call if you need anything.”

“Got it.” you nod quickly, keeping your response as short as possibile, not fully trusting your voice.

As she turns to reach for her bag, your ‘Friday thoughts’ spill out right on time, tumbling over themselves in a chaotic rush you can’t seem to contain. Your weekly ritual of overthinking, courtesy of one Agatha Harkness.

Where is she going tonight? Another date? She has to be dating. It would explain the Friday nights routine, the flawless outfits, the faint whiff of perfume that lingers long after she leaves. Nobody has ever come home with her or even close to the house in the past months. Does that mean the dates go poorly? Does she cut them short, brushing the other person off with the same composed finality she seems to apply to everything else? Would she even bring someone back here? 

Probably not. No, if anything, she’d go to their place. Some immaculate apartment, probably, with clean lines and expensive furniture. Somewhere she could walk in, take control, and leave just as effortlessly when she wanted to.

You shake your head, trying to banish the images from your mind. They always feel so intrusive, like you’re stepping into corners of her life you have no right to imagine.

Agatha’s voice breaks the silence once again, pulling you out of your spiraling thoughts.

“Don’t let him con you into staying up late.” she says, a playful lilt in her tone as she heads toward the door.

Your lips curve in a faint smile as you manage a reply, your voice steadier than you expect. “I’m not so easily corrupted, you know.”

She pauses in the doorway and turns back slightly, her gaze fixated on yours not long enough to offer answers, but just enough to stir more questions.

And then, she’s gone. The front door clicking shut and the soft echo of her heels fading into the night feeling so anticlimactic compared to the storm she leaves behind in your head. You stand there for a moment, staring at the door. 

What is it about her that makes you care so much? Why does she take up so much space in your mind when you know, deep down, that you’re nothing more than the babysitter?

But even that thought doesn’t hold. If you’re just the babysitter, then why does her gaze linger more now than it did in the beginning, like a challenge, like she’s daring you to figure her out? Why does it feel like the tension between you has been building over the weeks, simmering beneath the surface, a game you don’t fully understand but can’t help wanting to play?

And why, in those moments, does it feel like she’s not just looking at you, but through you, as if she’s started seeing pieces of you that even you aren’t ready to admit?

It wasn’t always like this. At first, her attention felt brief, almost incidental - a fleeting glance here, a curt smile there. But now, there’s something deliberate about it, something that leaves you questioning everything every time you’re near her. 

But that’s all it is: questions. Never answers. And it’s maddening.

The hours pass quietly after Agatha leaves. Nicholas breezes through his homework with minimal resistance, though not without a few dramatic groans and exaggerated complaints. Dinner is uneventful, save for a minor debate over whether carrots are better raw or roasted.

By the time the clock strikes nine, Nicholas is sprawled on the couch beside you, his favorite blanket draped haphazardly across both of you. He’s already halfway to sleep, eyelids fluttering as he fights the inevitable.

“One more movie.” he murmurs, his voice soft and drowsy. “I promise I’ll go to bed right after.”

You tilt your head, arching an eyebrow as you shoot him a skeptical look, the kind of look you’ve perfected over the months, the one that makes him squirm just enough to admit he’s pushing his luck.

He flashes a sheepish grin, clutching the blanket tighter.

You shake your head but don’t press the matter, reaching for the remote to start the movie. He inches closer as it plays on, the way he always does when he’s tired but too stubborn to admit it. You feel the weight of his trust in the quiet way he settles, his breathing growing slower, his eyes fluttering closed more often than they stay open.

As minutes pass, Nicholas’ resolve doesn’t hold. Not even halfway through, his head tips against your arm, his breathing evening out into the quiet rhythm of sleep.

You glance down at him, his small frame curled against your side, and a wave of warmth washes over you at the sight. With a quiet sigh, you adjust slightly, sliding an arm around him. He leans into you instinctively, his trust so natural it tugs at something deep within you. A faint smile touches your lips as you shift your gaze back to the screen.

But your attention falters. The soft hum of the house, the rhythmic flicker of light from the TV, and the quiet cadence of Nicholas’ steady breathing create a cocoon of calm. The atmosphere wraps around you, soothing and lulling, until your eyelids grow heavier with each passing moment.

You try to resist, telling yourself you’ll move in just a minute, maybe two. But before you know it, sleep creeps in.

The soft click of the front door opening stirs you awake a couple of hours later.

For a moment, you lie frozen, still caught between sleep and wakefulness. Then, the faint sound of heels clicking on the floor reaches your ears, steady and unhurried, until Agatha steps into view.

Her suit only slightly rumpled and her hair just a little out of place, as the tired look in her eyes shifts to something softer when she takes in the scene before her.

“You’ve got to be kidding me.” she mutters, though her voice carries more amusement than irritation.

You blink, sitting up carefully to avoid jostling Nicholas. “I, uh… he insisted on watching the movie, and I guess…” You trail off, gesturing vaguely at the blanket.

Her lips twitch, hovering on the edge of a smile. “So much for not being so easily corrupted.”

You let out a soft laugh, brushing a hand over the blanket. “I’d say I wasn’t corrupted, I was just… strategically outplayed.”

Agatha lets out a playful scoff before her gaze flicks back to Nicholas, and for a moment, something in her demeanor shifts. The dim light of the living room catches her profile, tracing the delicate lines of her features, fleeting but unmistakably tender.

She crosses the room and kneels beside the couch. With a soft touch, she brushes a hand over Nicholas’ shoulder, murmuring his name in a low, soothing tone until his eyes flutter open. Groggy but obedient, he reaches for her hand, and she helps him to his feet.

You hover awkwardly by the couch, unsure whether to follow or retreat. But when Agatha rises and leads Nicholas toward the stairs, you find yourself trailing behind them instinctively. Agatha walks beside her son, her hand lightly resting on his back, steadying him as he shuffles up the steps rubbing his sleepy eyes.

At the top of the stairs, she pauses in front of his bedroom, guiding him inside. You standing awkwardly by the doorway, caught between the pull of the moment and the nagging sense that you’re intruding on something sacred, watching as she tucks him in. 

When Agatha finally steps back, she lets out a quiet sigh, brushing her hand across her son’s hair one last time. She moves toward you without looking, gently nudging the door closed behind her with the faintest click. 

For a moment, the two of you remain in the hallway, the silence between you heavy but not uncomfortable. It gives you just enough time to glance down at yourself. 

Comfy sweatpants, an oversized hoodie, and the faintest smudge of Nicholas’ dinner on your sleeve - a smudge you hadn’t noticed until now. It’s not awful, not disheveled, but standing next to her, you feel like a rough pencil sketch beside a masterpiece.

There’s no denying it, the gap between you. She’s poised in a way that seems effortless, innate. There’s this weight to her sophistication, not showy but intrinsic, as if it’s simply woven into the fabric of who she is.

It makes you feel impossibly small. A painful reminder that she’s untouchable, a fantasy so far out of reach it feels foolish to even consider.

Agatha leans lightly against the wall, her arms crossing in a way that feels unhurried, almost lazy, a stark contrast to the usual precision she carries herself with. Yet even in this quiet repose, she doesn’t lose an ounce of her commanding presence.

She exhales softly, a subtle sound that fully draws your attention. It’s like she’s letting go of the weight of the night piece by piece, and it feels oddly grounding, a rare glimpse into something unspoken.

“Long day?” you ask breaking the silence, your voice quieter than you intend, almost hesitant.

At the sound, her eyes snap up to meet yours, a flicker of surprise crossing her face as if she’d forgotten you were there. It’s fleeting, quickly masked by a practiced neutrality, but for that brief moment, she looks almost caught off guard, as though your presence is something she hadn’t actually accounted for.

“Longer than it was worth.” she replies, her tone low and even.

You hesitate as the air between you grows thick, pressing down on your chest until, before you can stop yourself, the words slip out. 

“Bad date?” they tumble from your lips unbidden, and the moment they’re out, your heart lodges itself firmly in your throat.

For a moment, the hallway feels suspended in time, her gaze locking onto yours with an intensity that has your pulse pounding in your ears. Agatha tilts her head slightly, her eyebrow arching as she studies you, the corner of her lips curving upward - not quite a smile, more a deliberate flicker of amusement.

“Bold of you to assume it was a date.” she says, her voice low and tinged with intrigue, as if daring you to explain yourself.

Your cheeks burn, but you can’t backpedal now. “I mean—it’s Friday, and you looked so—uh, dressed up…”

“Careful, hon.” she interrupts smoothly, her tone laced with teasing. “Flattery will only get you so far.”

You swallow hard, suddenly hyperaware of how her perfume lingers faintly in the air between you. “I wasn’t—I mean, I didn’t mean to—”

Agatha cuts you off with a low, rich laugh, the sound curling around you like smoke, warm and unshakable. It’s the kind of laugh that feels like a statement, as though she knows exactly how flustered she’s made you and isn’t above enjoying it.

She doesn’t say a word, but her gaze stays on you for just a beat longer than necessary, her eyes catching yours in a way that feels way too deliberate. Then, with a grace so effortless it almost feels unfair, she pushes off the wall, brushing past you as she moves downstairs.

You linger for a moment in the hallway, trying to steady your breath after the quiet intensity of the exchange. But when you finally descend the stairs, the soft clink of glass pulls your attention to the kitchen.

That’s exactly where you find Agatha, illuminated by the soft glow of the light above the sink. She’s holding a glass of red wine in one hand, her other arm braced casually on the countertop.

Once again, you find yourself hesitatingly watching her from the doorway. Your gaze settles on her hand, on the way the graceful tilt of her wrist makes the wine swirl in the glass.

“Done sneaking around?” she teases without turning to look at you, her tone low and laced with  amusement.

Your cheeks flush, and you step into the kitchen, fumbling for an excuse. “I wasn’t sneaking. I just- wanted to say goodnight before I left.”

She finally turns upon hearing your voice, her eyes catching yours with unsettling ease as she leans lazily against the counter, the glass cradled in her hand. “Isn’t that sweet.” she murmurs, her tone softer, thoughtful. “Almost as sweet as falling asleep on the couch with Nicky.”

Your heart skips a beat.

“It—it wasn’t—” you stammer, trying desperately to find your footing. “He was tired, and I guess I was too. It just… happened.”

Her lips curl into the faintest smile, and she takes a slow sip of her wine, her eyes never leaving yours. “No need to be so defensive.” she says, her voice dipping into something almost indulgent. “It’s a good thing. You’re great with him. Not everyone would be.”

The compliment strikes you square in the chest, and for a second, your brain struggles to process it. Your heart pounds so loudly you’re certain she must hear it. You open your mouth to say something, anything, but your words dissolve under the weight of her gaze. It’s calm and far too knowing for your liking, like she’s pulling apart every layer of you with ease.

And then, just as you think the moment can’t possibly get any more overwhelming, she does something that makes your thoughts screech to a halt.

Her tongue flicks over her bottom lip, unhurried and purposeful, as if savoring the last lingering taste of the wine. It’s a fleeting gesture, but one that feels maddeningly intentional, and the way her eyes darken as they hold yours sends a jolt of electricity straight through you.

As if perfectly aware of the effect she’s having on you, her expression shifts. Mischief crosses her features, the corner of her mouth tilting upward in a way that feels more dangerous than playful.

“Maybe” she says, her tone low, teasing, and just a touch too intimate “I should ask you out next Friday.”

The words land like a thunderclap. Your jaw slackens, your brain completely short-circuits, and you’re sure you’ve just imagined it. There’s no way she just said that.

“I—what?” you manage to stammer, your voice barely a whisper, your pulse now hammering in your ears to the point you fear you’ll grow deaf because of it.

Agatha tilts her head, her expression the picture of innocence, though the gleam in her eyes betrays her. “What?” she echoes, as though she has no idea why you’re reacting this way, casually swirling the wine in her glass like she hasn’t just flipped your entire world upside down.

You blink at her, your thoughts spiraling in every possible direction. There’s no way she means it. It’s a joke. It has to be a joke. But the way her eyes hold yours, the subtle curve of her lips, the raw energy she’s exuding - it all feels so charged, that you can’t help but question everything.

Your breath catches again as her smile deepens, and for a moment, you think she might actually say something else, something that’ll either clarify or completely unravel you. 

But instead, she leans back against the counter, watching you with an expression that’s equal parts amusement and intrigue, like she’s waiting to see what you’ll do next.

You can’t move. You can’t think. All you can do is stand there, your thoughts looping in an endless cycle of ‘What just happened? Did I imagine that? What does she mean?’.

“I should, uh… go.” you finally mumble, retreating toward the door as your brain struggles to keep up with your body.

“Of course.” she says smoothly, her tone as composed as ever. And then, as you reach the door, she adds, “Early shift tomorrow, right? Seven, if I’m not mistaken.”

You freeze, your hand on the doorknob, and glance back at her. “How did you—?”

“You mentioned it once, a couple of months ago.” she replies casually, as if it’s the most natural thing in the world. “I tend to remember things like that.”

Her gaze lingers just long enough to make your pulse spike up once again before she finally looks away, taking another sip of her wine. “Goodnight, hon.”

You barely even register the door clicking shut behind you. The night air greets you like a slap, cool against your flushed cheeks, but it does absolutely nothing to steady the whirlwind of emotions spiraling inside you. Your feet carry you forward on instinct, each step heavier than the last as her words loop endlessly in your head.

Maybe I should ask you out next Friday.

The sentence hits like a gong, reverberating through your entire body. She remembered your schedule. Not just vaguely, she knew the exact time your shift starts. And then she said… that. 

Was it a joke? A casual tease? A test? A mistake? Was she - no, she didn’t seem drunk.

Your steps quicken, as if you can somehow outrun the storm in your mind, but it’s a losing battle. The echoes of her voice, the deliberate flicker in her gaze, the way she’d licked her lip like she knew exactly what it would do to you. It’s all still there, clinging to you like a second skin.

You stop dead in the middle of the sidewalk, pressing both hands to your head like you can physically stop the spiral. “Nope. Nope. Nope. That did not just happen.” you mutter, your voice growing louder with every word as if volume alone will make it less real. “She’s messing with me. She has to be messing with me.”

But even as you say it, doubt creeps in. You’d thought that before, but it couldn’t all be in your head, could it?

Your hands drop, and you stare blankly at the street ahead, your mind flitting through every possible explanation like a detective unraveling a conspiracy. 

‘Ok, so she’s teasing me. No, she’s testing me. No—oh God, what if she’s just bored? What if I’m like, some kind of entertainment for her?’

And then, the most dangerous thought of all slinks into view, unbidden and relentless. 

‘What if she wasn’t joking?’

Your knees nearly buckle at the thought, and you force yourself to keep walking, shaking your head like you can physically dislodge the idea. 

By the time you reach your door, your heart is still pounding, your face still burning, and your thoughts are definitely still stuck in an endless loop of ‘what the actual fuck just happened?’.

You step inside, kicking the door shut behind you with a quiet thud. The thought of changing or even turning on the lights feels like too much effort, so you head straight to your room. Dropping your bag by the door, you collapse onto the bed face-first, muffling a groan into your pillow.

You let out a long sigh, turning your head just enough to breathe as the pillow muffles the rest of your thoughts. Your body sinks into the mattress, heavy with exhaustion, but your mind refuses to quiet down.

You close your eyes, willing the tension to drain from your shoulders. The weight of her words, of her gaze, of all of the questions. You just want sleep to come quickly and take it all away.

And somehow, after a few restless minutes, it does.