Eclectic Bedroom
Example of a large eclectic master laminate floor, brown floor and wallpaper bedroom design with green walls
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hello!!! do you have any tips for learning to sew? eventually i want to be able to make my own stuffed animals, especially things like the memory bears you made. i just taught myself yesterday and today I successfully (ish) lined a bag i crocheted!
Hi!! Lining a crocheted bag with fabric is (in my opinion) significantly more difficult than sewing basic plushies, so you're already off to a fantastic start!
I cannot recommend Cholyknight's starter pack plush pattern highly enough for learning how to sew. It's totally free, and it walks you through learning to sew one plushie at a time. There are four levels of pattern complexity, so it starts very very simple and then you learn new techniques as you make new plushies. By the end, I think you'd have all the skills you need to sew teddy bears like the memory bears I made
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(via @cordycepsbian)
We can answer this actually we love talking about Cool Art Stuff.
Despite what one may assume, sharp edges in watercolor is actually quite easy! Come, sit, allow us to share our secrets. It's like 50% "materials" and 50% "we spent a long-ass time figuring out how to do sharp edges in watercolor and now we're really good at figuring out the exact combos of consistency and brush stroke required to make those really hard edges"
The first trick is, of course, to not try and do it at the beginning of the painting. When you're just starting to block shapes in to your watercolor, pursuing sharp edges is a fool's ordeal, and you can only really get those sharp edges in as finishing touches near the end of the work.
The second trick is to work wet-on-dry - this limits the spread of the watercolor and allows you to prevent bleeding, but you have to make sure your painting is COMPLETELY dry before painting, or you'll risk having some ill-defined lines and bleeding.
The third trick is to work with... cake watercolors? There's a tern for it, we just can't remember it - dry pan watercolors, where you have to wet the paint to "activate" it, offer you a LOT more control over the consistency of your paint, and using a relatively thick paint will allow you some REALLY sharp lines! Fair warning, your mileage may vary based on the specific paints you use just because pigment is Expensive and cheaper brands of watercolor will almost definitely be, like, cutting out as much pigment as they can manage in order to cut corners, and the sharp edges will be less obvious the more transparent they are.
As a general rule of thumb when you pay for Fancy watercolor you're paying for the insane amount of pigment that they put in their Fancy Stuff and that lends itself a lot more to Sharp Lines (plus one thing of it will last Fucking Forever). The black we use Specifically is an Artisanal Fancy Brand that we don't remember the name of and we've been using the same ~$10 thing for more than a year without even using up half of it, but honestly the actual paints you use are the Least important part of doing watercolor, you can do like the exact same thing with dollar store paints it'll just be a bit less pigmented.
The fourth trick is to just, like, practice a TON. You WILL have to spend time getting it right. It will take a Long-Ass Time. You will have So Much Trouble. Unfortunately this step cannot be avoided but we can still warn you that you'll be trying to make really sharp lines for like an hour and it still won't quite work.
The last trick is to uhh
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hey, while you're answering SR asks---one thing that I wasn't clear on after reading through the tag. SR has a really _deep_ history of human civilization, tens of thousands of years or more, right? and it's definitely explicit that a lot of cultures have lost technology over time, or explicitly stopped "progressing" technologically (that one plateau culture), which is why it's bounced around basically the same tech level that whole time (with anachrotech pockets). But I'm not clear on _why_ that is.
Is it 1. that you're implying that this is actually likely to happen to any civilization on long timescales, and modern Earth monotonic progress is temporary, 2. that it's caused somehow by the semisymbiotic native SR life (some of the stories seem to imply periodic catastrophes driven by its influence? are those frequent & big enough to hold tech progress back overall?) 3. SR society Just Does That because of some combination of resource factors and social structures 4. something else?
Your intuitions are correct--there is indeed a reason for it! It's mostly the second thing.
But there have actually been two great technological stagnations in the history of humanity, and the longer and bigger one was before they arrived on Sogant Raha.
In order for the setting to work (mostly-terraformed alien planet), humans had to have some means of resurrecting species from genetic samples or records, but my intention was always that the beginning of the Exile is very much a near-future, or possibly alternate-present event: humans were forced to spread out among the stars by a catastrophe that made Earth at least temporarily uninhabitable, and they did so, at least initially, with crude Project Orion-type spacecraft, because that's all they had available. This universe doesn't have FTL travel, and Earthlike worlds are comparatively rare, so even when they settled in other solar systems, they did so in pressure domes and grew their food hydroponically.
This created a situation not incomparable to the Paleolithic phase of human history on Earth: extremely slow population growth, very little spare productive capacity, little room for experimentation or innovation. For the exiles who eventually arrived at Sogant Raha aboard the Ammas Echor, this era lasted about four hundred thousand years. The people of the Ammas Echor would have been more technologically advanced than the first exiles who left Earth, but not fantastically so. They simply did not have the resource budget for it. Nowadays, we can afford to invest in experimentation and in r&d that may not pan out; in an environment when even a small hit to your energy budget means people are going to die, you stick with the techniques you know for a fact work, and if you innovate, you do so slowly.
Once the Ammas Echor reached Sogant Raha, simply the fact they could walk around in an oxygen-rich atmosphere that was a comfortable temperature and grow food in any patch of open ground that got good sunlight would have been a phenomenal luxury. They certainly had the technology to grow quickly, and to rapidly innovate again. And they did aim to do that, at first (despite, y'know, centuries of hidebound traditionalism that come from hidebound traditionalism being the difference between survival and extinction of your whole lineage). But catastrophe soon struck in the form of a virulent disease that seemed to be caused by native alien microorganisms.
There were other catastrophes after, and some were human-caused (devastating wars, or environmental collapses like the Burning Spring). But many were not; many can indeed be traced back to the tahar, the genus of acytic symbiont that makes its home in the tissues and cells of endobiota and xenobiota alike. These have probably been equal to, or significantly worse than, many of the purely "human-caused" disasters. But the dividing line isn't always so clear; if an apparently random mutation in the tahar's signalling mechanism is, as a side effect, causing heightened aggression across a whole continent for a hundred years, then the wars that result might well be a human disaster, but in a purely causal sense they're not solely humanity's fault.
I think left to their own devices--if they had found a world without the tahar--the people of the Ammas Echor would have rapidly built up an industrial base and flourished. Indeed, they had a rather fantastical idea at one point to try to build a beacon to signal to other exiles that Paradise had been found. Alas, the planet had other plans.
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Top 5 Email Autoresponders for Affiliate Marketing in 2023
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