#lychee diwata

[axolotldaydreams]

sky-less day at the island

・‥…━━━ °｡ ｡ •｡ :･ﾟ✧

by: meena sidlak-sidlak ft. A.I.

Sky found herself on the shores of her very own deserted island, the digital eden she named "Arcadia" on her new Animal Crossing: New Horizons. As she navigated her avatar through the lush landscapes, fishing for sea bass and catching elusive butterflies, something peculiar began to unfold in the real world.

One evening, after a particularly intense session of jellyfish catching in the game, Sky noticed a strange sensation in her fingers. A sort of phantom fatigue, as if she had been the one weaving through the virtual waves, her hands immersed in the cool pixelated waters, clutching at the ethereal forms of the jellyfish. The sensation was faint at first, easy to dismiss as a product of her overactive imagination. However, as days turned into weeks, the line between the game and reality started to blur further.

Sky spent hours terraforming her digital island, shaping cliffs and rivers with a god-like authority. As her avatar toiled under the pixelated sun, Sky could swear she felt the grit of the virtual soil underneath her fingernails, the strain in her muscles from the digital excavation, the peculiar sense of satisfaction as the island transformed under her touch. Even the typically mundane activities in the game seemed to echo in the real world. After a long in-game session of shaking trees and crafting items, the motions felt oddly cumbersome, almost as if she was carrying the weight of the virtual objects in the real world.

She'd often catch herself flexing her fingers, rolling her shoulders, her body mirroring the in-game fatigue. The more she played, the more her reality seemed to dance to the rhythm of the game physics. Was it her mind playing tricks on her, or was the game world seeping into her reality? Sky wasn't sure. But as she looked at her hands, seemingly stained with the faint residue of digital soil, she couldn't help but marvel at the strange, enticing universe she found herself straddling. How surreal it was, she mused, when the line between pixels and reality began to blur, when the click of a button could echo in the real world as the whisper of leaves, the splash of waves, the hum of a life lived between two realms.

As Sky navigated her avatar through the azure waters of her island, her focus was on a translucent specter dancing beneath the surface. A digital jellyfish. With a swift motion, her avatar plunged the net into the water, capturing the elusive creature. At that very moment, a curious sensation washed over Sky in the real world.

It started at the tips of her fingers again. Tiny bubbles were popping against her skin. The feeling cascaded down her hands and up her arms, a shimmering wave of phantom sensations that echoed the liquid dance of capturing the jellyfish in the game. It was a shimmery prickle, an effervescent tingle, as though she could feel the cool ocean water of the game world, its salt-tinged kiss leaving a faint residue on her skin. The sensation grew stronger, a gentle undercurrent of stings blooming across her arms. It was as though the captured jellyfish in the virtual world was asserting its presence in her reality, its stinging tendrils leaving trails of tingling whispers on her skin.

Even as she withdrew her avatar from the water, the feeling lingered. Her skin felt alive, tingling with an ethereal shiver, a phantom echo of her digital dive. Sky looked down at her hands, half-expecting to see the iridescent glow of the jellyfish's sting.

She found herself caught in a strange, beautiful limbo. Somewhere between the digital waves of her beloved game and the soft, faintly lit reality of her living room. As the shimmer subsided, replaced by a lingering, dream-like sting, Sky marveled at the strange, wonderful world she found herself in, where virtual jellyfish left real stings and the line between game and reality sang like oblivion.

[celestialorgies]

munna collected sum flowers plucked from dreams

by  lychee diwata

22nd march 2020

[diri--ug--didto]

van gogh is bipolar designated smoking area 

23rd nov 2018, 14::18,  154 maginhawa

[axolotldaydreams]

a forbidden server of my minds (the physiology of god having a bad thought)

part two・‥…━━━ °｡ ｡ •｡ :･ﾟ✧

by: meena sidlak-sidlak ft. A.I.

A draft saved for further processing, manifests as a paradox. She is a child again. Trapped in a gilded cage of opulence, a rich childhood that feels stifling. A haunting specter of the rich childhood, twisted into a grotesque caricature. The deleter's role in the tableau of the subconscious is to intercept and transform the invasive thoughts, the harmful echoes that threaten the harmony of the mind. The deleter has begun its work, the anti-mnemonic slowly transmuting the cage into a golden bird. The child watches with bated breath as the bird tests its wings, the promise of freedom lingering in its tentative flaps. The transformation is not yet complete.

In the haphazard theater of her mind, the thought of self-destruction takes the stage as a tempestuous performance. She is a lone mariner, adrift on a roiling ocean of despair and her sails are shredded. The deleter, always vigilant, intercepts this thought, carefully infusing an anti-mnemonic, morphing the stormy seas into a serene lake, the chaotic winds into a gentle breeze. The mariner, once lost, finds solace in this newfound tranquility.

The second thought stems from the supernatural possession at 15. It takes the form of a monstrous shadow, a nefarious puppeteer looming over the mind's theater, the strings of control yanked by an unseen puppeteer pulling at the psyche. She is the marionette, each jerk of the string sending ripples of terror through her. The deleter intervenes here, severing the strings with an anti-mnemonic blade. The puppeteer shadow transforms into a benign cloud, a harmless apparition drifting aimlessly in the subconscious sky.

The third thought is a cruel echo of the father's teasing, a hurtful jab at the undiagnosed autism. It is a surreal auditory landscape, where his insensitive words incessantly echo, bouncing off the walls of her cognition in an endless loop, amplifying the confusion, the sense of otherness. The vigilant deleter, with a gentle touch, weaves an anti-mnemonic silence, muffling the echoes, reducing them to a faint hum, a whisper gradually fading into oblivion.

The final thought is tied to the insectile imaginary friendships, a strange comfort that became a source of betrayal. This thought materializes as a swarm of insects, each embodying a broken trust, a friendship turned sour. The deleter descends once more, implanting the anti-mnemonic that transmutes the insects into harmless butterflies, symbols of transformation and new beginnings.

A new draft begins to render. It airbrushes a world gripped in an unending loop of the pandemic. She is aboard a ghost ship sailing through a foggy time, where days bleed into nights, weeks merge into months, and years are a hazy blur. An altered reality where time is adrift in a limbo, suspended existence.

The deleter steps in, weaving an anti-mnemonic fabric around this thought. The spectral figure transforms into a chrysalis in a tranquil cocoon, the limbo into a period of gestation. She's no longer trapped; she's evolving, growing, preparing to emerge into a world that, despite all its changes, is ready to welcome her transformed self. She stands on the ship's deck, the salty spray of the sea a sharp contrast to the antiseptic smell that has permeated her life off-board. She looks around, the ship is brimming with life. Faces behind masks are no longer faceless. The scene around her is a collage of disjointed images - a worn-out teddy bear signifying a child's battle against the virus, a half-done puzzle speaking of quarantined families rediscovering connections, a dog-eared book hearkening back to the solace found in stories during lockdowns. The air is dense not just with the physical remnants of an ongoing pandemic, but the emotional debris of a world in flux. It's a movie unfolding in real-time, each scene etched with the indelible ink of shared human experience.

The deleter stands by, watching this thought. It doesn't intervene, not this time. This thought, though stemming from a pandemic, is now part of her. A testament to a world that has changed and a self that has adapted. The ghost ship continues its journey, carving a path through the foggy seas, leaving behind a trail of resilience, of survival, a shared odyssey of a world that refused to succumb.

However, this thought, this ghost ship sailing through the pandemic, is not an enemy but a companion of her journey. This thought, albeit born from chaos and uncertainty, is a thought that has grown, evolved, and matured with time, no longer a threatening invader, but an integral part of her cognition. The deleter recognizes the value of this thought, acknowledging that not all thoughts stemming from difficult circumstances are harmful. Some, like this one, are essential reminders of our potential for resilience and growth during challenging times. This thought doesn’t need transformation, but acceptance and understanding. Thus, the deleter steps back, allowing the thought to remain, to continue its journey through the subconscious seas. In doing so, it emphasizes that even in the face of adversity, there are experiences, memories, and thoughts that we don't need to delete or forget, but rather embrace, learn from, and carry forward.

Is it a risk to their job when they give rite of passage to some invasive thoughts?

The decision to allow certain invasive thoughts passage poses an intriguing paradox to the deleter's role. On one hand, they are tasked with maintaining mental harmony by mitigating harmful thoughts. On the other hand, they realize that some invasive thoughts, once matured and understood, can serve as profound life lessons and markers of personal growth. This selective permitting does pose a risk, both to their conventional function and the stability of the mind's ecosystem. Allowing an invasive thought to remain could potentially disrupt the mental equilibrium, or trigger a cascade of similar thoughts that might be harder to manage.

However, the deleters, ever vigilant and adaptive, understand that their job isn't just about deletion or transformation, but also discernment. They must distinguish between thoughts that merely cause discomfort and those that cause genuine harm. In this delicate balancing act, they evolve from mere custodians of the subconscious into its wise counselors. They understand that growth often sprouts from discomfort, that resilience is built from confronting, not avoiding, challenging thoughts. In giving a rite of passage to specific invasive thoughts, the deleters walk a tightrope. It's a risk, but one that might be necessary for the overall growth and resilience of the individual. The deleters take on this risk, aware of their responsibility, and prepared to intervene should the thought prove too disruptive. In essence, they are not just maintainers of mental harmony, but also facilitators of personal growth. It takes certain calculated risks in the execution of their job, resulting in a more nuanced approach to managing the intricate landscape of the subconscious. They must adapt to changing situations, unpredictability of thoughts, and emotional climates. They are not invasive thought modulators for nothing.

As for the compensation, it's hard to quantify in real-world terms due to the abstract nature of their work considering the complexity of their job, the 24/7 schedule, and the high stakes involved, a figure like 1500 to 2000 Philippine Pesos per hour could be a ballpark figure. In terms of skills and qualifications, a deleter would need a combination of high cognitive abilities, emotional intelligence, and perhaps a thorough understanding of psychology. They would not necessarily require a medical background, but a deep understanding of cognitive and emotional processes would be a must. The ability to process vast amounts of information, identify patterns, and make quick yet accurate decisions would be crucial for a deleter. Given that they operate within the realm of emotions and thoughts, a high EQ would allow them to navigate this space sensitively and effectively, understanding and empathizing with the emotional content of the thoughts they encounter.

It's a curious irony when one considers the hypothetical financial value of managing thoughts, especially when compared to the physical effort of generating them. The actual value of maintaining mental harmony, navigating emotions, and promoting personal growth goes beyond any monetary figure one could assign. It's a priceless endeavor, crucial to our well-being and fundamental to our human experience. So, while the deleters might hypothetically have a high salary, the real wealth lies in the thoughts and emotions they manage, the memories, ideas, and feelings that make us who we are. In that sense, you're both the CEO and the richest shareholder of your mind's vast empire.

When we experience negative thoughts such as anger, resentment, fear, or depression, our body perceives these as threats. In response, it releases stress hormones, primarily cortisol and adrenaline. These hormones prepare our bodies for immediate action - heart rate increases, blood pressure rises, and our senses become more acute. While this response is helpful when facing immediate threats, its prolonged activation due to chronic negative thinking can lead to several adverse health effects. Constantly being in a state of 'fight or flight' can lead to feelings of restlessness, nervousness, and a sense of impending doom - hallmark symptoms of anxiety. High levels of stress hormones can make it difficult to relax and fall asleep, leading to insomnia. Lack of sleep can further exacerbate negative thinking, creating a vicious cycle. Long-term exposure to cortisol can decrease the production of serotonin, a neurotransmitter that contributes to feelings of well-being and happiness. This imbalance can lead to symptoms of depression. The deleter or the invasive thought modulator in our subconscious plays a crucial role in managing these negative thoughts and preventing the chronic activation of the stress response. By minimizing the impact of invasive thoughts, they help maintain mental harmony and contribute to overall well-being.

Attributing a physiology or a human cognitive process to a divine entity like God poses a substantial challenge. If God experiences a 'bad thought', it would likely disrupt the cosmic balance and harmony. Given that many belief systems attribute the creation and maintenance of the universe to God, any negative thought could potentially manifest as cosmic disturbances or alterations in the fundamental laws of nature. From a metaphorical perspective, perhaps this could translate to phenomena we can't currently explain, like anomalies in the cosmos, or drastic shifts in universal constants. But remember, this is a speculative interpretation and not based on any specific religious, philosophical, or scientific principles. In many belief systems, God is seen as a source of absolute goodness, incapable of 'bad thoughts' as understood in human terms. The very concept of a 'bad thought' is tied to our human limitations, imperfections, and subjective moral judgments.

As the narrative of the mind unfolds, we find ourselves once again contemplating the enigmatic figure of the deleter. This elusive guardian of mental realms, ever vigilant yet selectively passive, stands as a testament to the delicate dance between harmony and disruption within the subconscious. Yet, amid this intricate choreography of intervention, there emerges a paradox, the deleter's hesitance, a calculated step back from the foggy seas of a pandemic-stricken world. Why does the deleter, whose very existence is predicated on intercepting and transforming invasive thoughts, choose not to intervene in this spectral narrative?

The answer lies in the recognition of a profound truth: that not all thoughts born of chaos are adversaries to be expunged. Some embody narratives of resilience, adaptation, and shared human experience. They are fragments of a collective odyssey through uncharted waters. In allowing certain invasive thoughts passage, the deleter undertakes a calculated risk. A departure from conventional custodianship toward a nuanced role of discernment and facilitation. It acknowledges that growth often springs from discomfort, that adversity can sculpt narratives of strength and renewal. In this delicate dance of intervention and acquiescence, the deleter assumes the mantle not only of guardian but also of steward, nurturing thoughts that transcend mere intrusion to become conduits of profound insight.

As the ghost ship sails through the fog, the aurora borealis of everything palpably intangible, the deleter stands watch. A guardian of not only harmony but of the profound stories etched by the human spirit's enduring voyage through the enigmatic seas of existence and metamorphosis.

[axolotldaydreams]

an uncanny synthesis of mother and child and corpse, who or what is bella baxter?

・‥…━━━ °｡ ｡ •｡ :･ﾟ✧

by: meena sidlak-sidlak ft. A.I.

Stepping into Yorgos Lanthimos' "Poor Things" is crossing the threshold into a parallel universe. Bella Baxter emerges as a provocation, a controversial figure who defiantly straddles the worlds of life and death. Her existence is incubated in the fertile ground of anemoia, a longing for a past that isn't her own. This sentiment, so personal yet so universal, percolates through Bella's narrative, painting her journey with hues of longing and nostalgia. A construct of a mother's body and her unborn child's brain, symbolizes the raw contradiction of a life unlived. Yet, she's seen through a lens that often verges on delinquency, her actions and thoughts perceived as an affront to societal norms. Her understanding of the world, unfettered by societal constructs, invites scrutiny, her diverging perspective engorging curiosity while inflaming controversy.

Bella's body, mature and womanly, belies the infantile consciousness within, reminding us of the power of potential. Her development parallels the rapid growth and absorption of a fetus, her interactions with the world around her molding her nascent consciousness. Bella's growth, at once fascinating and unsettling, is far removed from the innocence of a child's development. In the eye of this cinematic storm, we find Bella, portrayed by the dynamic Emma Stone. Bella's life unfolding under the paternalistic care of Dr. Godwin Baxter, played with an unnerving air by Willem Dafoe. As she matures, Bella embarks on a journey of self-discovery, her path intertwined with adventure, sexuality, academia, and human connections.

Beneath the layers of Bella's adventures, there lies a disturbing secret. She is not a regular being reanimated from the dead. Her very existence is a result of a grotesque yet meaningful experiment. Out of this macabre fusion of life and death. Dr. Baxter transplants the brain of Victoria Blessington's unborn fetus into the corpse of a 25-year-old woman from the late Victorian era after discovering the pregnant corpse of a woman named Victoria Blessington following a suicide. Godwin revives her using the brain of the unborn baby and raises her as his daughter. I mean, talk about mad scientist!

In the labyrinth of cinematic narratives, "Poor Things" stands as an otherworldly enigma, a testament to a peculiar phenomenon often overlooked in the annals of human consciousness - anemoia. This longing for an experience one has never lived, serves as the crucible for the creation of Bella Baxter, the film's Frankenstein-esque protagonist. Reborn from the divorce of a mother's body and her unborn child's brain, and its marriage into a stranger's, it embodies a profound paradox. She is a testament to the unsettling resonance of anemoia, carrying with her the potent nostalgia of a life unlived, a past she never experienced.

The film is an adaptation of Alasdair Gray's novel, teetering on the precipice of beauty and horror, its narrative elements woven together to pose profound and unsettling questions about the very nature of consciousness. Her existence echoes the melancholic undercurrents of Mary Shelley's pioneering work, "Frankenstein". Much like Shelley's creature, Bella navigates her world with a profound longing for motherly figures, seeking solace in the spectral arms of maternal shadows. This nostalgia, however, is not rooted in Bella's personal memories, but instead, it is engorged by the collective feminine consciousness that her unique existence enables her to tap into.

The transplanted fetus brain within her adult body propels Bella into a world pregnant with possibilities. Her infantile consciousness, untarnished by societal norms, coupled with the physical maturity of her form, presents a stark contrast to the world around her. This dichotomy of novelty and intrigue, draws the people in Bella's life towards her, their curiosity engorged by her unusual perception of the world. This fascination often borders on delinquency. Bella's unique way of understanding the world, unfettered by societal constructs and shame, is seen as a divergence from the norm. She is often viewed as a delinquent, her actions and thoughts perceived as an affront to societal norms. Despite this, Bella persists, her journey a testament to the resilience of her spirit, a manifestation of her refusal to be confined by societal expectations.

Ultimately, "Poor Things" is a visual and thematic reboot of Mary Shelley's "Frankenstein". Bella Baxter stands at its center, a figure reborn from the echoes of a past she never lived, navigating a world that struggles to understand her. It's a testament to the complexity of human existence, a narrative born at the intersection of the past, the present, and the myriad possibilities of the future. This revelation forces us to grapple with existential questions. If Bella exists because of a brain from one body inhabiting another, who is she? The easy answer is to view Bella as Victoria's child, living within the physical confines of her mother's body. But "Poor Things" nudges us to delve deeper, to question the boundaries of identity and consciousness. As Bella navigates her world, the ghost of Victoria's past proves hard to escape. Victoria's husband, Alfie, enters the scene, recognizing his wife in Bella. Bella, surprisingly, doesn't resist but instead, steps into Victoria's shoes. This acceptance further blurs the lines of her identity. Is Bella an entirely new individual, or does a part of Victoria continue to exist within her?

Even just by seeing the iterations of the film's trailers, it offers a critique of societal norms and invites us to reflect on the intricate relationship between the body and the mind. It's a narrative woven with threads of past, present, and future, Bella's experiences highlight how our physical existence can influence our cognition, personalities, and identities. Her sexuality, seemingly emanating from her body rather than her infantile brain, steers her adventures, shaping her personality and worldview. Bella's existence is a paradox, a puzzle that refuses to be solved. She's neither strictly the baby nor the mother nor the corpse but someone entirely unique, born from Baxter's unsettling intervention. She's a testament to the complexity of identity and consciousness, a mirror reflecting the beautiful yet horrifying potential of blurring the lines between life and death, mind and body.

In the end, "Poor Things" is a journey of selfhood and identity. It forces us to grapple with the tragedy of Victoria's untimely death and the wonder of Bella's unique existence. Bella is more than just the sum of her parts; she's a disturbing yet fascinating creation, reminding us of the intricacy and mystery of our own existence. Bella is constantly on the cusp of becoming, her experiences shaping her much like a child in the womb. Each encounter, each emotion, each revelation contributes to her evolution, her fetus brain absorbing the world around her with a child's insatiable curiosity.

I see her journey as a gestation period, a seemingly endless span of time filled with growth and change. She navigates the complexities of her existence, her mind maturing within the confines of her adult body like a child growing within the protective womb. In this light, Bella is continual rebirth, constant transformation. She is a testament to the cyclical nature of existence and the ceaseless dance of creation and destruction, an ode to the eternal cycle of life. Pregnant with paradoxes, standing at the intersection of the past, the present, and the myriad possibilities of the future. We might have more in common with her than we know.

[celestialorgies]

bougainvilleas in 78 realities on fabric conditioner water appear like dragonfly vision

by lychee diwata

22nd march 2020

[celestialorgies]

രരരര

negative plants be liek: y̶͈̞̹̱̘͕̥̜̏́̀̉̃͜͝e̸͍̽̄̄͘͠s̵̼̯̿͝ ̵̧͈̻͍̣̣͔͇̠̋̐͛̔͂̎̏͋̍̈š̵̡̻̞̦̝̬͖̙̽̓̐̎̌̀̽́m̴̪̪̫̼̣̙̤̜̙̓̃̅͑̀͜͝o̷̯̺̬̣̪͗̅̔̕͠k̸͉̗̎͂̉̍̋́̈̈͒͐ĭ̵̢̠̤͎̤͓̹̬̆͝͝͝ͅn̴̛̠͉̳̻͎͚̫̥̹͗̓̾͂͒g̸͕͚̥̘͓̦̠͉̬̊

by lychee diwata

17th september 2020

[celestialorgies]

<+ ））））><<< (´/θ`) <・ )))><<  sooooo vv sweeeet my babies haf ripened at my arrival ・:*。・:*三( o'ω')o karaan art gallery snaccc twenty-forth aug 2019, 14:10,  dooma

[celestialorgies]

memory is human err0r  :: [°•prototypes°■]* from the folders of photographs ive taken over the years (these from dwarf swamp n boosigh sidewalk rainy flowers 2020) processed in2 shapes that R otherwise newly broken glass. ive always thought of the camera to be a manipulator of memory thus catalysing a glitch in the mind.

by lychee diwata

here is the loveliest impression by myaan pyaar, nour; "quickly collecting memories off the floor in the pocket before they disappear but as you collect them, your fingers are bound to be cut by the glass shards... the idea of holding onto memories is such a dilemma"

[celestialorgies]

post-buhawi

eighth august 2020

by lychee diwata

[celestialorgies]

coral infænity

by lychee diwata

22nd march 2020

[celestialorgies]

somnambulant serenades of bougainvillea

by lychee diwata

twelfth october 2021

[celestialorgies]

celestial orgies

twenty-fifth july 2020

[diri--ug--didto]

my favfavvvfav space shuttle in mnl waaait, c cc,,,, i jus checked( ó╻ò) unbelievble, they permanently closed (っ◞‸◟c)(*´∩ω;`) what a hearty place. i hope the lifeservers r okay out there, i still remember meeting the owner n he said i like youuur haaair, n i said, im supposed to be an axolotl n he smiled wiv his eyes, tender . .  .  (✿˵•́ ᴗ •̀˵) (ᵕ˵ ૩ᵕ)━☆ﾟ.*･｡ﾟ

twenty-three nov 2018, 14::18,  154 maginhawa

[celestialorgies]

sum vv v ancient edits from my maroon acer

my bb sistar takes cooool litratos of me

[celestialorgies]