#makes it easier to refer to them with these

[precious-little-scoundrel]

|| Radio ||

Requested plot points? ☑️

Circa: early February 1944

Immediate previous fic: Favorite Escape

Summary: when your hodge podge radio won’t work, who should ya call? Probably the flight engineer

Warnings: usual universe warnings apply, 18+ but nothing very alarming really happens in this one, references to others are made, some potential slut shaming in the beginning if ya squint? perhaps some queer baiting but it’s the Buckies rolling around on the flooor, they’re one massive queer bait lbr, it’s not me. Also. My shit Crystal Radio making descriptions- don’t come for me I haven’t made one and I spent five hours falling down a rabbit hole as to how the guys made them in the camps and at the end of the day I said: screw it! And went with one of the Brit’s scenarios 🍻

Edited only by my tired little eyes, full warning and have mercy 💋

Also, just a note I feel compelled to make- this fic centers around women in the army, in a war, which they’re spending under dire conditions in a POW camp. Yes there is love here, there is also hierarchy and discipline and the enforcement of that does not make one character or another necessarily callous or less loving. They are their ranks first and foremost as all signed up for.

“They’re forging papers, you know.” Maureen broached the topic to Egan one day, late February and when her cheeks were still bruised from Ida’s book.

Bucky paused his tracing of a map, sooty finger trailing along a river with the same incomprehensible name as its twin running parallel, he didn’t know anything about papers or anyone making them and she knew that. “Who?”

“Good ones. Identification, passports.” She enumerated.

“Who?”

“The Poles. The ones with the-“

“-the liquor.” he finished for her, remembrance and condemnation heavy in his wry tone. “The ones you stayed out all night with.”

“Stayed long enough for them to get drunk enough to show me.”she replied, without heat, which was surprising.

“Some grand plan of yours, huh?” He bit back a laugh, it was a fine way to cover her ass for being insubordinate. It was a way he’d likely try if he was in her place.

“No.” she swore instead. “Just luck, I happened to see them. They got careless. Maybe an answer to all Jack’s prayers.”

“Yeah. Anything to give that rosary a break.”

“Yeah.”

“You asked them?”

“What for?”

Bucky regarded her with thinning patience but something kept him from snapping, the feeling of a riddle still to be solved. “For some papers.” he clarified, measured and intent, she knew how much easier that would make their plans for Ida.

Maureen shook her head, glancing down at her twisting hands, “I didn’t want to-“ her mouth twisted too, “-I wanted to ask a superior first.”

Bucky considered that for a moment, slightly touched at her newfound wisdom, “Why not ask Buck?”

She shook her head again, auburn hair curling under her chin just so, even here in the stalag she had some traces of the old charm. “He’s got too much to worry about for me to be bringing in hypotheticals.” she was so upset by something she would not even meet John’s eye and he felt a slice of remorse for how he hadn’t even noticed the ground down change in her since she got here, his drinking buddy and the soft fleshed rival of merry old English days was a gruff and battered and sullen woman; being a red blooded American male, he regretted that dismal change. “And I'm worried about what to bargain with. What can I promise? We haven’t got much and I don’t have— there’s not much anyway, but what we’ve got I didn’t wanna promise. Not without-“ she still hadn’t met his eye, he tracked hers; a furious roving of pale blue back and forth across the floorboards and it made Bucky itch.

“Who signs these papers?” Bucky asked, thinking the logistics through, knowing she’d perk up if he brought them up.

“Haven’t a clue. Maybe they haven’t figured that part out yet. I don’t know. I just know they’ve got papers.”

“Good ones.”

“Yeah.”

“We haven’t got much.” he agreed, clicking his teeth in thought, “What’d you give them for the liquor?”

“They just invited me.”

“Didn’t have to lend a hand or nothin’?” he balked and Maureen threw him a glare that seemed more hurt than rage, and chastened by a voice inside that sounded much like his mama’s, he amended with sheepish humor, “Hell, feel like lending a hand myself these days, if it’d get me a whisky.”

Her gnarled fist curled white in her lap, she managed hoarsely, “They just wanted to talk about home. To someone who hadn’t heard about it a million times before.”

“They got cigarettes?” he asked.

“As most common payment for their booze -they’ve got enough to insulate their shack three deep.”

“Cigarettes won’t cut it then.”

“I’ve been thinking.”-

“Yeah?”

“The radio. I’m the only one who doesn’t think it’s worth the risk but, I know, it doesn’t matter, it’s happening. Gale’s going to keep trying. And if it works-“ she rubbed at her eyes, tired and unsure, “-that’s quite the bargaining chip.”

Bucky nodded slowly, eyes narrowing as his smile grew a touch broader, “News of the outside world.” he was half in agreement, “Buck asked for a week. Been four days.”

“He’s stumped.” Maureen retorted instantly. “And he’ll stay that way and he’ll go nuts and you’ll go die going over the fence and then he’ll have no reason left not to die too.”

Bucky whistled, low and chiding, “You’re full of rainbows today, Candy.”

“You know who he oughta ask.” she shook off the barb. “But he won’t. And I don’t want him risking it for this thing anymore than anyone else, but you all want it so bad, and they’ll shoot us for it if it works or not. I’m not asking her. But you would. Might as well get shot for it working, right? Isn't that what you said yesterday? You know who he should ask.”

Bucky’s keen eyes showed the moment it dawned on him, his eyebrows shot up and his mouth sagged and he ran a weathered hand over his face, “Awww shit, Candy.” came garbled behind his palm. “Ah shit.” he said again with conviction as he shoved the hand into his pocket, wretched acknowledgment of her point clear on his face.

“I didn’t want to suggest it, told Ida it’s a fucking dangerous thing and I’ll never forgive if— but you all—“

Bucky grounded aloud, “Nah, nah she’s -Lu would solve it.” he muttered, shushing her. “Demarco really pummeled you the other day, huh?” he added, and that got her to meet his eye, she looked spooked and a little incensed, “Saw him fuckin’ you up behind B compound but sheesh, s’like he hollowed you out worse than a jacolantern; yer shifty as hell.”

“He-“ Maureen still felt like blanching at the memory of Benny’s terribly correct opinions, his disappointed eyes and his fist full of her flight jacket asking her what in the living fuck was wrong with her besides a concussion, a sick childhood and an ever nauseating jealousy of Buck Cleven’s paternal time and effort, “-he had some admonitions. After…after the other night.”

Bucky hummed, shitty smirk taking up residence on his face, “How ‘bout that.”

“I’m gonna be better.” she muttered and Bucky felt for her, could almost taste the echo of his identical and hollow determination to climb the mountain of bad habits when weak from spuds and pneumonia. He told himself the same every morning and fell into bed condoning his failure every night, like a ritual.

“You’re gonna get us those papers.” he corrected, shoving off the wall to come near her, give her the full Major treatment and maybe a friendly hand, “And you can promise your drinkin’ buddies news from the radio.”

Maureen nodded in understanding, no joy or animation left in her green eyes. She used to enjoy a bit of subterfuge, now she only felt hollow misery at the thought that she'd dragged Lu into this, too. This risk she hated so much and yet no one cared. Lu would be glad to be dragged in, it’s true, she was itching at the chance to be useful and to make Gale proud, it’s how the girl was wired. It’s how most girls were wired, Maureen supposed, desperate to make Gale Cleven approve. Lu’s enthusiasm wouldn’t make the sight of her being made to kneel in the mud and have a bullet put in her head any easier, wouldn’t make Maureen feel any less responsible for it when her lifeless body thudded to the earth.

All that lovely goodness stamped out.

Over a radio.

Bucky’s hand felt too hard and too big on her shoulder. He had gone before the vision cleared, mud and wire and the freezing main square at Ravensbruck fading back to the musty bunk room. Maureen shook herself and stood up to make herself somehow appealing, reamniante some semblance of the cheerful rashness that had led her to the Polish combine in the first place: she found it hard to inspire. She’d like to count that a victory but she knew better, she wasn’t reformed she was just tired.

A washed face and a fake smile and the promise of news from outside would have to be enough to bank all their risks on, it would have to be.

“Crank,” she greeted the man in the hall, flashing him clean, water brushed teeth and her gentlest, freshly soot lined eyes, “I’ve been tasked by Major Egan with an errand, spare a minute to babysit me?”

__________________________________

Bucky finds Buck Cleven in his own bunkroom, Demarco outside on watch and that’s all Bucky needs to know to guess the radio is out and Buck’s working like a fiend yet again to make it work. Sure enough, he’s hunched over the table with it, mittened hands shaking from cold and exhaustion and a sheen of sweat on his forehead despite the paltry sweater he wears.

Bucky walks in and Gale gives him a soft, acknowledging glance before continuing to his work. Bucky takes up his usual place behind Buck’s left shoulder to watch and Buck, being used to it, goes on.

“My little Kriegie Marconi, huh?” Bucky allows the nagging impulse he has felt for weeks while standing in this position to finally exert itself, and his forefinger lifts and swirls in the curling gold strands of hair at the nape of Gale’s neck, his friend almost bolts away but then seems to choose a prey’s tactic and just stills, goes very still and Bucky scritches the scalp beneath his grab in assurance he don’t meant anything by it. He doesn’t think he does, at least.

Gale, wary and with a voice close to mechanized it’s so stilted, inquires with ever-present politeness, “You alright Bucky?”

It’s better than that whole ‘major’ business; getting called Major as if that meant shit anymore. “Yeah, ‘course I am.” Bucky rakes his fingers through the hairs there at the nape of that dainty neck, scritches the scalp with all four of his main ones, and uncovers a white long scar sliding round once he lifts the hairs there. “Why wouldn’t I be? Gonna be a father soon.”

Buck does jerk then, away from his touch and wheeling his chair around to glare at Bucky; it’s an impressively executed little pirouette and John misses the feel of his warm neck and oil soft hair. “Jesus John.” he reprimands.

“We’re gonna get outta here Buck.” John swears, he’s so sure of it because he cannot in all his thinking and predicting ever imagine a scenario where they don’t, and he chooses to think it’s not delusion but a good omen. “Ida’s gonna have that baby and when it’s safe we’ll all meet up.”

Gale is looking at him like he’s his own father again, Bucky knows that look, it always makes him equal parts ashamed and desperate, “Jus’ like that.” Gale mocks in a husky gust.

It’s devastating, and it’s intended to be, and Bucky could bear that with better humor if he could still touch Gale and his hair. “Just like that.”

Gale hums and it’s a mean sorta vocalization that makes Bucky’s heart thud and his skin prickle hot, it’s the kinda noise you kiss off a person, he thinks, but it’s Buck and so he doesn’t know what to do with it. “It’s gonna get you killed.” Buck is saying instead and Bucky lets him, “I know you all think she’s cracked up and maybe she has but it wouldn’t hurt to listen to Kendeigh sometimes when she’s tellin’ ya shit that a five year old could accurately guess, -goddamn it.”

His voice rose to a strong rage by the end and Bucky takes a chair opposite him, sick of standing there like a dumb dog waiting for his scolding to be over. “So what.” Bucky challenges him, “We just wait around and Brady pops out a child and the krauts let us keep it and it’s our new mascot and we all sing zippidy doo da, huh? Huh, Buck?”

Gale’s hands fell away from his face with a slam to the table, a shocking degree of anger showing for a split second and it gave Bucky an odd degree of gratification. “I jus’ want you to find a plan with better odds.”

Bucky sniffed and leaned forward, went in for the kill and Gale was looking at him like he expected it, like it was his turn to play daddy to everyone here and Gale for once was so beaten down he wouldn’t just allow the changing of the guard, he was close to angry at its lateness. It made Bucky’s heart thud.

“I’ve been listening to Kendeigh.” Bucky refuted briefly, “And we’ve got a plan.” Gale gave him a tired look of encouragement to go on, “How long’s it been since you slept? Huh, well, we got a plan. Practically perfect, or it will be, just need the radio.”

“Ain’t giving this away.” Gale said, “Not for anythin’, even useless.”

Bucky patted the table top in easy assurance, if he could have reached Buck’s thigh, he’d have patted that instead, “No, no, don’t need to give it away, just need it to work. So,” he softened his voice and his eyes tightened, “I’m callin’ Lu in.”

Oddly, Gale does not fight it. Not aloud, at least. There’s an anguished look of hate on his face and Bucky mirrors it. It’s for this place and the fucking awful choices they have to choose from every goddamn day.

“You run this by Ida?” is all he asks.

Bucky pops his flaking lips audibly, “What, need us both gangin’ up on you to agree? She’ll sign off. Smith’s an officer. Gotta remember that sometimes, Buck.”

The way his Buck swallows hard and dry contradicts his words, “I do remember that.”

“Really?” Bucky’s mouth gives a soft smile of doubtful incredulity and Gale’s mimics it, mournful but a smirk all the same, “Feel like she should answer to ‘Gale’s Baby’ these days. Lieutenant Smith who?”

Gale scoffs, “Careful now.”

“No really, she’s an officer and she wants to be treated like one. It’ll do her good to have work. Her kinda work.”

“Could get her killed.”

“Layin’ in her bunk could do that.”

Gale grunts, its sounds like an agreement.

“So I say Lieutenant Smith gets put on radio detail. Like her goddamn job description suggests. Huh, yeah?”

“Yeah.” Gale lets out a shaky agreement.

“Aaaaand,” Bucky draws it out as he rises again and saunters over to Buck who is ready for him and loose this time, “how bout I go back to bein’ the one you’re frettin’ ‘bout all the time. Got me almost jealous of the girl. How ‘bout I do. Huh?”

Gale’s scoff is fond as anything as he looks up at John with cheerful derision, “And you ‘bout to be a father? Make me an old man? Fuck no, ya looney.”

“Alright.” Bucky concedes with hands up in surrender before lurching forward and grasping Gale’s rickety chair back by its wobbly spokes and hefting it partially off the ground, beautiful and outraged prude of an occupant still seated in it, “Then I’ll play daddy and put you to bed, how ‘bout that.”

“John Egan for fucks sake-“ Gale’s fists pounded on the meat of his shoulders and his outraged protests wafted against Bucky’s neck and his jabbing knees collided with the meat of his thighs and Bucky hadn’t felt so close to him or so happy to be alive since England.

“Major sir, the hell is goin’ on?” Demarco’s tame inquiry from the safety of the doorway made them both lose their grapple and they collided together onto the floor, bunk bed barely missed by their heads and the hapless chair mixed up between their limbs.

Bucky grinned, hip sore from his fall and kidneys suffering from Buck’s trapped elbow there, “Puttin’ Goldilocks to bed.” he replied.

DeMarco processed that and the scene before him with grave sobriety before saluting lazily and turning to go, “Right on, sir.”

John did his best to rise up without further pinching Gale who was indeed trapped beside him and beneath him, chair legs wound between a lanky human leg in a puzzle that Bucky realized might take some caution to untangle without harm. Strangely, Buck wasn’t moving, he was just looking up at him like a cat would their clumsy master who has done somethin’ stupid which was a surprise to neither. It was so innocuous a look and so nostalgic, it winded Bucky with the realization he hadn’t seen it in ages, just as he hadn’t felt his boney ribs against his own and the feel of his elegant hands yanking him around in a fight. This miserable place really was stomping out the glow in the best people.

“Ya know Buck,” he ventured, clearing his throat for extra casualness, “I’ve missed you.” When Gale only kept looking up at him, perfect porcelain face with its unsettling scars and wary eyes without a lick of storm in them, John Egan grabbed his shovel and dug his own grave a little deeper, drug a finger down his cheek. “Missed all this.”

Bucky didn’t know what he meant by “this” but it felt safer and worse all at once, since he did miss Buck but he and Buck never used to hang out on floors with a chair as chaperone. Mercifully, Buck neither points that out nor moves away, acting very much like he needed to heaped on the floor with Bucky and a stray chair every bit as much as John did. Like it’s doing him good.

“And you couldn’t’ve jus’ said.” Gale murmurs with the softest eye roll of the century and Bucky feels like beaming and it must show in his face so strong and bright after a sunless winter that after a flash Gale’s cheeks flame from it and he averts his eyes.

“I dunno Buck, could I?” Egan asks one blushing cheek and Gale hasn’t got a good reply for that, so they just lay there on the floor.

“Go on now, get off me.” Gale doesn’t shove at him, he presses his hand to John’s forehead like he would a dog and John goes, obedient as one.

———————————————————————-

They found Lu with Murph and Benny and Brady, measuring out what seemed to be lot lines between Love Shack #9 and the next combine, boot scuffed perimeters already visible in the light snow and drawn in a decently tidy rectangle. There were guards loitering nearby, nosey as always with their cigarettes and their antsy dogs anytime someone did something out there besides piss or pace or stare at the fence.

“What’s all this?” Bucky inquired cheerfully, coming up to them with Gale, bundled and shivering behind him.

Benny looked up from tilling a furrow with his boot, right where Lu’s mittened finger pointed out. “It’s for the garden. S’posed to be spring before long.”

“A Chicago man oughta know better, Benny.” Egan snarked.

“Need us?”

Bucky sniffed, a casual set to his body that belied his quest, “Just the little one.”

Smith promptly looked startled, then eager. “All well Majors?”

“Need your advice on the color of my cufflinks with this suit.” Bucky extended his arm and beckoned her, “C’mon back in for a minute. One of you too, need a watch to go with the cufflinks.”

———————————————————————

With Benny on guard, Brady and Kendeigh having excavated the radio’s shell from the floorboard and table leg in which it resided, the Buckies stood over Smith’s small frame as she sat at the table and inspected the simplistic device with keen eyed appreciation for the construct.

“It’s really marvelous.” she assured Cleven, running her fingers over the carefully coiled wire and precarious pin.

Gale didn’t even crack a smile. “What’s wrong with it?” he asked instead.

She shook her head, a frown gathering. “Never made one-“ she cautioned.

“-but you get the idea.”

“Yes sir, I do.”

“So what’s wrong.”

Lu ran her fingers over the wire, again and again, the dusty metal not insulated, just bare copper, likely stripped from somewhere. It reminded her of early days as a cadet when they threw chicken wire mixed with hydraulic lines at herself and her fellow rookie engineers and told them to sort it, testing to see if they knew which was which. It had been so rudimentary she had wanted to laugh until she realized others were being flunked.

This was so basic she was stumped.

“Take your time, Lu.” Bucky spoke up after a burdened pause during which she could almost feel Major Cleven breathing down her neck.

“Candy, can I try with the headphone?” she asked at last, frustrated and out of her element, just a few months out of a plane and she had already lost her touch.

Maureen passed it over and Lu pressed it to her ear, not to discern what was quite obviously radio silence, but to imagine the whole process in reverse, track it down the cord all the way to the base, each possible breakdown of the conduction.

She fingered the ramshackle diode with burgeoning suspicion. “What’s your crystal?”

“That’s just…lead.” Cleven muttered.

“From?”

“Ground pencils.” Bucky supplied cheerfully.

Smith bit her lip, “We need sulfur added. Lead won’t conduct on its own.” She figured Cleven knew that, the grim and unmoving set of his mouth suggested so.

“Just- sulfur?” Maureen asked.

“If I had sulfur we could add it to the lead dust, ignite it and-“ Smith grinned at Kendeigh, knowing that she alone may have shared her enjoyment of a small conflagration from time to time, “burn it down and you’ve got something close enough to Galena. Just need a pinch of it should work.”

Bucky shoved his hands in his pockets and surveyed the mostly morose room. All except for the two girls grinning at each other over the hypothetical of a little chemistry experiment in a highly flammable wooden combine.

“We’ve got sandy soil.” Buck’s contemplative drawl spoke up, “Dunno if we could extract enough pure sulfur.”

Maureen stared back at Egan instead, “Other sectors have gotten portions of kits, chemistry kits, radio kits, they’ve been smuggled in with all sorts of stuff. Inside of a violin, oat bags. Nothing to fully build something. They might have sulfur. I could make inquiries and- well, Jack could pick it up next time the band goes over C compound to entertain the poor Aussie bastards.”

“How do you kno- nevermind, actually. Nevermind.” Bucky broke off, “Alright. Sure, why not. Ya sure that’s it?” he asked Lu once more.

She gave a helpless little shrug. “Gotta be. Or the wire’s dirty. Where’d it come from anyway?”

Gale gave Bucky a long suffering look as Bucky seemed to swell a couple inches and bounce back on his heels at the mention of his scrounging prowess. “The lamp.” he nodded above them all.

Jack Brady scoffed, short, clipped, betrayed, “That why it cuts out all the time? Strobed us so bad last night -thought the room was possessed.”

“Sacrifices Jack, sacrifices.”

———————————————————

Benny had hauled in enough water buckets to elicit some negative attention from the guards, and when the inspection came the inmates of the Love Shack insisted the drenched floors and table of the Majors’ barracks were due to sanitation post regurgitation. At night, with only one stolen torch light from Combine 15 to illuminate the endeavor, a basin of water beneath a smaller bowl in which lay their precious and recently procured ingredients, a science experiment began. The Majors and Ida gathered round, all looking as ghastly and spectral in the light of the flashlight as Brady’s fake ghost. It held the thrill of a bonfire night except for the stakes, which all in the room did their best not to dwell on.

“Zippo, Candy.” Lu gave the word and Maureen, with only the protection of Ida’s bent aviators to keep from a scorched cornea, flicked on her lighter and set the mixed powders ablaze.

It flamed up high and smelly, making Benny gag and mutter something about Meatball’s gas to a tittering Brady, and then died down to a yellow smoking ember.

“We should let it sit.” Lu surmised with a squeeze to Maureen’s only somewhat singed hand, her big dark eyes surveying the burnt bowl and their smoking experiment with glittery excitement at the possibility of success, “Let it cool, settle, maybe strain it. Can you get me a net? Oh Candy come now, get me a strainer?” she begged with a laugh as Maureen rolled her eyes at the idea of yet another trip to the Stalag Market for the most random items imaginable. If they hoped to not be suspicious, they’d need better lies or more money.

“How about cheesecloth?” Kendeigh tried not to grin indulgently- and failed- in the face of Lu and having recently been allowed to set something on fire

Lu kissed her cheek. “Cheesecloth would be perfect.”

In the end, cheesecloth did indeed prove perfect, and amongst the burnt dust of the combined minerals was a gritty little pinch full of the needed crystals. Or so Lu said, Gale agreed but the crease between his brows hadn’t lifted for two days; Bucky’s fingers had begun to twitch in antsy need to manually smooth them out. He imagined Maureen felt the same but she hadn’t said, uncharacteristically forbearant now she had some job to keep her sane. Even if it was playing fetch for Lu.

—————————————————————

“Well, this is it.” Gale muttered when the watch had been set once more, Murph and Hambone on the steps, Crank inside, Brady at the door, Benny at the window. Even Major Clark had joined them in the barracks for this final try and Lu’s cheeks were maroon from the attention even as her deft hands steadily pressed her concoction beneath its intended rod.

“Pass me the pliers, sir?” She asked and for a moment, the teacher became the apprentice and Gale fetched her the stalag forged tool, rudimentary like everything here yet the gripped and pulled and lifted same as the pliers back home. “You could check your look in this wire’s reflection.” She complimented Gale’s buffing of the copper wire.

He shrugged in turn. “Didn't wanna leave anythin’ to chance. That it?” he asked as her hands stalled and she surveyed her work.

Lu nodded solemnly. “Yes sir.”

Gale picked up the headphone from in front of him on the table like it was a gun he was about to bring to his head. “Here.” He extended it to her instead, “S’right, it was your job, you should be the first. Cmon.”

Despite her voiceless protest he pressed the headphones into her hands and Lu, never knowing how to disobey an officer, folded immediately.

For a good ten seconds everyone in the room held their breath as Smith pressed the headphone to her ear and gently wiggled the clothespin along the wire, searching and tuning, her face holding that old peaceful concentration they hadn’t seen since the last mission. She was at home with her mind tuned to another dimension. The pilots in the room knew that look, that was the look of someone at home with something that terrified them all the same, the gut swooping feeling of clearing the take off and sledding along the tops of the clouds. Wrong and strange and utterly incomparable to others, it was the closest to home one’s mind could be. Lu belonged somewhere on those electric currents and searching them out was like finding oneself again.

Then at last, Lu’s eyes sharpened out of their dreamy haze of concentration and she said, gentle as always, “It’s the BBC sir.”

💋 Hope you enjoyed! Feedback is a writer’s lifeblood, please feel free to scream in comments or the inbox, I love it and wanna hear it all. Trust me, nothing is “too dumb”. Your thoughts mean the world to me.

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[whiteraven90]

Can I ask how you did the background in the Griffin animation? Is it a 3D environment moving about or is it hand animated as well?

It's drawn by hand, but I made a 3D mockup for reference! I mostly referenced the horizon line's motion. The other details were trial and error in 2D, and I used photo refs for them.

I referenced the shading and figure positions on this version. The griffin looks extra janky because it's my first time rigging something, and there was no retopo. I was running this thing with the 300k+ unoptimized model that I sculpted from scratch as well. It didn't need to be pretty, it just needed to be functional.

I referenced the horizon on this version. Renders with ultra colorful blocks like those have a name, I didn't even know that, I just thought it's helpful to make them that way! I found out several months into this project that they are called "clown pass"

I drew everything by hand though. I didn't outright trace because I like the janky line style. But to clarify, I think tracing my own work that I made with the sole purpose of making things easier for me would have been 100% fine.

I added the details in with a technique I initially tried to do the whole background with. A VERY long strip of graphic passing through the frame, fine-tuned per-frame with Transform/Rotate/Warp/Smudge. It didn't work out for the whole environment, but for smaller details like foliage it was fine. Since I also needed to move gradients, and I didn't want those to look janky, I used the Xes outside the frame to move them around smoothly. MG stands for Middle Ground.

Here's the final version of the frame! The numbers on the top left correspond to the frame from the 3D animation. That one has 309 frames, while the 2D animation has 200 unique frames.

[reflections-in-a-critical-eye]

Are You Sure?! - Episode 8 Observations

10/10 ☆

"If you just watch my trip with Jungkook here, you'll know exactly what I do every day at home."

Jimin - Are You Sure?!, episode 8

Something had shifted that last night in Sapporo. The tongues were looser, the flirting was back in full force, the laughter out of nothing and everything could be heard throughout the house. After two days of activities and always on the move from one place to another, this was now a time to just be. Like they usually are when they hang out together. And it was a peek into how easy it would be for things to escalate. It was like I could finally see how Jungkook could spin Jimin around and then receive a bite/hickey because of it.

A lack of actual objective and purpose cracked the facade that somehow they both tried to maintain and succeded more or less. Especially Jimin. But even in that context, this trip was Jimin and Jungkook stripping away the filters. Add some alcohol in the mix, together with tiredness and soreness and it almost strips them bare. So much so that it leaves enough room to blatantly check the other one up from head to toe while being almost naked. It leaves room to use words like "baby" and "honey" without the other one finding any of it remotely weird.

Going back to that quote from the beginning, despite Jimin referring to how he simply does nothing and lays around the house when he's not out working or on trips around the world, I think it also applies to the cooking session/impromptu show they had that evening. It also takes me back to their second night in Connecticut when Jungkook made pasta and both of them were in sync and knew exactly what to do and how to do it because it was a habit. The difference in Sapporo was that it had the humor twist on top. But even then, it all fell into place immediately. They laugh at the same things and they probably must have put on similar acts in similar situations before. Jungkook is good at making Jimin laugh and how can he not try his best at succeeding that when Jimin is almost falling over because of it?

Which is why the next morning is such a blatant contrast to their good spirits the night before. Reality came crashing down. Impossible to hide. The mood was down, some tears and snifling even before they left the place. Not even shared jokes about puppy Jimin could work anymore. Not even the feast they have each time they go to a resturant. Not even Jungkook opening up all the windows in the car to distract Jimin. And how could it possibly work?

The lack of filter was there that next day, but in very different circumstances. There was no point to put on a brave face and end it with a classic "it was fun, hope we'll do it again, bye". These were the last three days of spending significant time together before 18 months in which most of the closeness probably had to be contained in just being in each other's presence. They didn't hide the sadness. It was not only palpable, but vocalized. Wanting to go back to the first day, feeling down because it's the last one. And ultimately, for someone in his position that has travelled countless times for business and pleasure, the time he spent with Jimin filming this show remains as the most significant for Jungkook. That's a big statetement, but no words were minced.

The memories made during AYS?! will hopefully make their lives easier during their military service. And even though another winter is getting closer and snow is something to be shoveled there, I hope they'll remember running around the streets of Sapporo and only feeling pain in their knees from skiing.

[enviedear]

LOVING ALONE IS WHAT YOU MAKE IT

₊ ⊹ JASON TODD

🧸ྀི REQUEST | jason having (what he thinks is) an unrequited crush

CW | lovesick!jason with issues accepting love, just-a-buncha fluff. 1.6k words. 🎧ྀི

your eyes flicker to your window for the hundredth time in ten minutes. there's an attempt at forcing your gaze back to your book, but your concentration on it has long since shattered. it's impossible to concentrate on anything other than him, perched on your fire escape right outside your window—JASON TODD.

he thinks he’s so subtle, as if you'll never notice when he parks himself on your fire escape like some sort of gargoyle. you smile slightly at the thought, heart pounding a little faster than it should. a condition that makes itself apparent far too much when your mind drifts to him.

he's silently taken on a sort of sworn protector role, separate from his nightly redhood rendezvous. you count yourself lucky to have his presence around your domicile so often. you truly never got over the culture shock that was gotham, but jason helps. even if he decides to go to great lengths to try and hide it.

outside, in the frigid and everpresent putrid gotham air, jason todd sits in complete rumination. he has goosebumps marring his arms beneath his leather jacket, but he pays them no mind. no, he's far too busy listing all the reasons he should just leave, why sitting outside under the guise of guard is utterly stupid, but still, he sits.

he runs a gloved hand through his hair, tugging slightly. he feels pathetic. how can he meet death, the criminally insane, survive things that would kill most—and somehow, he's shocked still with nerves at the very idea of knocking on your window.

in his head he has it all pictured, if it went perfectly. you'd come to the window, a confused look on your face until you spot him. he'd pull some stupid line, something he heard dick use once, and it'd make you laugh. he loves hearing that, more than anything. then he'd crawl in—spend the rest of his night with you, doing anything. and in his head, that's perfect.

but the underbelly of that dream keeps him rooted to your fire escape. to him, there's no way you could ever share his sentiments. you refer to him as a friend and no matter how much he wishes for something else, he can't change reality. can't force himself to make something more out of what you give him.

between the blood on his hands and the rage he can never seem to fully rid himself of, he's come to the aimless conclusion that you deserve someone better. someone more delicate, someone who doesn’t live with one foot in the grave. but every time you laugh or shoot him an easy smile, it gets easier to admit that he’s too far gone.

you deign the separation foolish, but still, you give yourself one more attempt at reading before you put your book to the side. really—you just wish he’d just say something. you’ve thought about saying something yourself, more times than you care to admit, but the timing never feels right. besides, there’s a part of you that wonders if jason even realizes you’ve been waiting out for him.

every time you joke or tease, you can see some struggle behind his eyes. as if he wants to let go and laugh with you, but something—himself—holds him back. your very own sisyphus—his very own boulder to carry up a labyrinthine mountain.

maybe it’s his past and the walls he’s built around himself, but you’re over him expecting you to be afraid of him. you wonder how much more evident you need to be. if anything, you wish he could see himself the way you do—intense, yes, but also loyal and good, even if he doesn’t believe it.

he proves it every night when he stands watch outside your shitty apartment.

with a sigh, you stand up from the couch, moving toward the window. he’s always so close, and yet there’s a distance he keeps in place—you’ve had enough of that.

you slide the window open, leaning out just enough to catch him mid-step as he’s about to leave—flee moreso. “going somewhere?”

he turns on his heels, red helmet in his hands, "figured you'd be asleep."

you hum, eyes narrowing, "already? it's six pm on a saturday."

“just didn’t want to bother you.” he admits, voice low, almost timid. he doesn’t meet your eyes, and it’s frustrating how hard he tries to hide, even from you.

“you’re not bothering me, jason.” you say softly, leaning on the window frame. “you never do.”

jason looks at you then, something uncertain flickering in his gaze. his lips dart out to quell his chapped lips—you hold his stare, hoping he can see what you’re trying to tell him, wordlessly.

that you want him here, that you’ve been wanting him all along.

“i can stop by for a few.” he finally says, adding a shrug to the end of his sentence.

you smile, opening the window fully as invitation. jason crawls in, a rather innocuous task but given his stature, always surprises you.

“i have pizza and brownies. saturday special.” you tell him, a persuasion. you want him to eat.

“sounds good.” he’s in the middle of slipping out of his redhood garb, clad in a skintight athletic tee and his cargos—mask sitting on your coffee table. “i’m gonna change in the bathroom, i’ll be right back.”

before his fingers can grab his duffle you start, “why don’t you shower here? i know you don’t have any of your usual stuff but—”

he cuts you off, “i couldn’t. i’m already eating your food…and using your fire escape as a landing spot.”

“jason, seriously. shower here. i’ll heat up the food and put on some tv. it’s a saturday.” you’re not one to beg, but this is treading the line.

his shoulders sag, but there’s a small smile on his face, “thanks, sweetheart. you’re too nice to me.”

his tone is sarcastic, self-deprecating, and that annoys you slightly. you want him to know that he’s welcome here, wanted. needed.

“i like it when you’re here, you know.” you feel like sparking a match, timid flames sparkling. “i miss you when you’re gone and everything.”

he quirks a brow, "what are you tryin' tell me?"

you feel silly at his question, the air around you seemingly buzzing. jason peers down at you with a raised brow, as if he's genuinely confused by the sentiment. as if he's baffled by the notion he could be someone to miss.

your breath hitches as you debate your next move. you're walking a thin line between saying too much and not enough. you could play it safe, keep your cards close to your chest—or you could be honest. near painfully so.

when you find your voice, it comes out soft, "i'm trying to say that i like it better when you come inside instead of sitting on my fire escape. i don't want to be a landing spot for you, i want... more."

he clears his throat, shifting on his feet, "you don't want that." he seems to take a step back, not physically, but mentally. his face goes still, chest breathing even, mind anywhere but the present.

you groan, annoyance evident, "i do though. you have to see that in some way by now." you step towards him, "sometimes i think you feel the same way."

jason’s gaze flickers toward the floor, and for a moment you wonder if you’ve crossed the line, if he’ll pull away entirely. but then he looks up, eyes darker, severely sincere. “you have no idea what you’re asking for.” he cautions, but his voice is lower, almost a whisper.

you smile softly, finally letting your hand touch his arm, feeling the solid warmth beneath. “maybe i do. maybe i’ve been waiting for you to realize it.”

“don’t say that unless you mean it,” he murmurs, his voice rough.

“i mean it.” you reply, sincere in your admission. “i’m not afraid of you, jason. i’m afraid of what happens if you keep shutting me out.”

he grumbles at that, a half-willed attempt to argue against your point. you stay quiet, urging him to continue where you left off. you watch his face contort through a realm of emotions—confusion, fear, and then, thinly masked and wistful poignancy.

“i’m not shutting you out. if anything, i’m protecting you.” he finally decides, arms crossing over his chest, eyes scanning the wall behind you. nervous.

you shake your head, fingers reaching for his twisted expression, finding home on his pink-tinted cheeks. “i don’t need you protecting me from you. i need you to want me as bad as i want you.”

your words are bold, maybe overconfident, but you mean them to the fullest extent. you’re so beyond exhausted of attempting to disregard or conceal your feelings. even if jason’s not, you think he deserves to know.

jason todd looks you over. his eyes raking you up and down like you’re some high valued product—and he’s unsure wether to take the bid or let it pass by. in the time you’ve known him, even in the thralls of his vigilante persona, he’s studied things. eyes pointedly and silently assessing his situation, no matter how far removed he is from his upbringing—his “father” lingers in his antics.

finally, he chuckles, low and more timid than usual, “you don’t know how badly i want you, sweetheart. but…” he stops himself, and you’re grateful because you would have done it yourself if he had continued on with some rebuttal. “fuck. you’re all i want.”

it comes out like a beg, pleading that rarely works it’s way onto his features. you smile, and pull him closer. his arms uncross, opting to gingerly hold your shoulders. still timid, unsure.

“you should know how much you mean to me. you do such a good job of showing me…keeping watch and never letting me eat alone. it’s sweet, you’re sweet. i want you to know it.” you keep his gaze when you speak, hopefully drilling each sentiment permanently into his consciousness.

he leans into your touch, eyes fluttering shut, “i believe you. swear. i just… this is new. i never thought…” he falters off, equal parts unsure and dumbstruck. “i like you a lot. i didn’t know you felt the same, sweetheart.”

you grin, inching your face closer to his, “well i do. deal with it.” your tone is teasing, playful. pulling him back into the safety of reassurance—what you want him to anticipate from you.

it seems to put jason back in his element, “oh? you have demands? usually that’s my thing.”

you laugh, “could always be our thing. the demanding couple—sounds inspired, don’t you think?”

“something like that…” his smile is soft, “but for now, i think i’m fine with just being yours.” he says it so earnestly, no thought to it. just the truth, and it feels damn good. it envelops you just the same as his arms, wraps you up in utter victory. love hard fought—and it feels so sweet.

[inchidentally]

"short and easier to read" babe I am so sorry to you and everyone else for how my insane posts come out - it's why I link to so much stuff bc it is a struggleee for me to not write just run-on sentences ;__; but I do get what you mean and I promise I tried my best - it's def shorter than the og and in smaller bites if that helps ??

(I actually wrote this on someone else's laptop so it's got proper punctuation and capitalization and everything!)

For those who don’t know: Oscar is an acts of service guy Lando is a words of affirmation guy. Let’s remember that someone’s love language is how they choose to express themselves, not what they should demand of others!

Oscar is also very much not a PR guy, for anyone totally oblivious to the obvious (and that all his "greatest hits" in PR were done unintentionally or bc he's awkward or bc his mom is cooler than him). For example, Oscar brings up his girlfriend of 4-5 years a fair amount but it’s almost hilariously not gushy or romantic (having a “cuddle” is as far as it goes lasfgjlsagfl). But he’s said himself that for the most part he’d prefer not to have too much private life available to the public. *His downtime with Lando joins in with all his other social life in being extremely limited to the public. 

The “thanking the sponsors” thing is one of Oscar’s safe, approved speeches he pulled from Andrea so that Oscar doesn’t have to do spontaneous on-camera speaking. Sorry but not all of us are good at it and it’s wayyyy easier to just have some rehearsed pre-approved soundbites. He tends to have a few that he repeats for a while until he updates the list lsafjslafhlafh.

He also very openly struggles to do on-camera speaking and no one knows that better than Lando who’s had to help him a huge amount. 

It does seem to be mostly cameras that make him stressed bc he was fine thanking Lando for his help in Baku at the fan stage in Singapore and overall he can use more of his dry humor when he's speaking to people rather than just to a camera. 

Lando’s recent inclusion of Oscar in his media responses to this degree is a reaction to Hungary and Monza - normally, his post race responses focus on himself and his own performance (which is literally normal and the default for drivers!!). The recent emphasis on teamwork/Oscar is something he feels he needs to do with his own PR work right now. He’s a smart man who’s been doing this a long time, so his reasons are valid no matter what fans think. He’s not sitting there working out or analyzing Oscar’s PR, just his own. 

People are absolutely running away with themselves over Monza and ignoring that apart from that one moment, Oscar is widely popularly seen as the supportive teammate role. To the point where last year and even part of this year, Lando was criticized by a lot of fans for not acknowledging Oscar enough.

Going off of that, let’s show how easy it is to take PR and media to make one of them look bad by turning it around onto Lando (!! this is for an example, I do NOT endorse hating on Lando for any of it !!)

Lando openly disliked being referred to as the “older teammate” and kinda left Oscar to his own devices so much last season that Oscar wouldn’t know where he was going a lot of the time and even semi-joked “my teammate’s abandoned me” (again, reminder this was not a source of drama for anyone but fans). He got called a little duckling a lot bc he’d tail Lando closely so as not to lose him. In fact it started irking some people that Lando would spend so much time with Carlos or Daniel and not getting to know his new teammate and helping him out with his rookie season of F1 the way Carlos did for Lando.

In every team photo where Lando has had a podium and Oscar has had nothing (and sometimes due at least in part to team orders!) which is very often! the comments sections have always had plenty of ‘Oscar is such a great team player, always happy and showing up for Lando no matter what’. So the whole ‘Oscar doesn’t do enough for Lando’ narrative is extremely recent and at odds with the rest of reality.

Please read the very first part of my enormous full post bc Lando didn’t thank Oscar for his Miami win, he praised his driving.

Even though at Silverstone this year Lando got on the podium and Oscar didn’t, Oscar made the fan stage all about bringing Lando out of his disappointment and even said he did the shoey “to make us feel better” and then dedicated the top row of his IG that week to photos and videos of him and Lando. Special note that this is in no way Oscar’s home race and he was solely seeing it as emotional for Lando and McLaren - and he had zero reason to personally be very happy after that weekend.

I’ve seen Melbourne this year get mentioned in the team orders discussions on my fyps, so that’s a handy example in many ways: Despite Melbourne being Oscar’s literal hometown race - and Lando even filming some Quadrant stuff at Oscar’s childhood karting track where a corner is named after him* - this year Lando didn’t acknowledge Oscar really at all over the weekend until someone mentioned him at the end of the podium press conference. Lando acknowledged that Oscar following team orders made his (Lando’s) drive a bit easier in Melbourne this year but said that he was faster than Oscar and deserved third over him anyway. (Good contrast to Hungary and even Carlos stating that something an undercut due to pit strategy shouldn’t erase one teammate being faster/more dominant in a race in order to give the other teammate the win!) He did PR work with pretty much everyone except Oscar actually, even doing promo for his (Lando’s) dad’s electric scooters on the new dotmov acc. Kind of like him being on a similar PR campaign at Singapore this year because of a sneak preview of Quadrant rebranding and announcing the Landostand at Silverstone  - he went for the biggest PR hits and posted Daniel on his jpg account, did a golf day with Carlos and Max F and was more active on socials than he had been for months. All while only having Oscar in one photo out of the whole weekend’s carousel despite the McLaren double podium. You could even read into him cutting Oscar and Oscar’s trophy out of two of the shots if you wanted! (He did include Oscar in the big group photo after the podium celebrations.)

*I saw some ppl say he didn't include Oscar in the Melbourne karting filming bc McLaren doesn't cross over with Quadrant, which isn't true. Zak has shares in Quadrant and Bianca has been included in the Quadrant rebranding launch with Lando's Singapore helmet design.

See how easy that was to flip it around?? If you’re even slightly biased against a driver or never see flaws in another- or are dying for two teammates to hate each other - then confirmation bias will always find plenty of “evidence”! Because the reality is that after the Austin GP, Lando found his “older teammate” mode and began helping Oscar out with his rookie year. In Melbourne, Lando spent his first day filming for his .mov account including the Oscar jersey and merch he came across - and Oscar mentioned how he and Lando talked about Lando filming at his old track. (Again, not PR coordinated or filmed, just mentioned!) And that after the Singapore race this year, they beamed at each other every other second of that night, filmed a deliriously happy post race video and joked in the cool down room - I honestly doubt have even noticed yet what the other has posted to IG salfhsalfafa. All of the negativity fans are coming up with is their own personal spin and does not resemble how Lando and Oscar are behaving to or speaking about each other.

They base their relationship on their conversations and interactions solely away from the public and the cameras and don’t do any inflammatory commentary about each other. They bragged about the door in the team hub that separates their drivers rooms from everyone else and leaves them open only to each other. Their communications only matter to each other when in private.

Segueing on from that: media and social media are literally PR. Lando is extremely skilled at it now and Oscar is not at all naturally skilled and is still learning. Lando is quick to be able to adapt his media responses, Oscar is not and often sounds stilted and uncomfortable. But it still has nothing to do with how they think of each other and talk to each other personally.

And “Landoscar” has never had the typical PR bromance aspect that we all love in other teammates, and it never will. Lando and Oscar mention but don’t broadcast or package their downtime together and they don’t share their private dynamic with fans or the media apart from the glimpses we see in more relaxed content. It’s just their choice! And just like it doesn’t mean Lando and Oscar are less friends because they don’t PR their relationship, it doesn’t mean the friendships who do utilize PR are less friends! 

And tbh that’s a good note to leave on: that seeing two drivers with no PR to gain from openly liking and respecting each other should mean that we as fans place less importance on the PR responses they give to media and put on social media. So many people want them to hate each other (Netflix even begging them outright) and rivalries get far more headlines and fan engagement, that if these two didn’t like each other or even were blah about each other, they wouldn’t waste time trying to fake it (side note ppl actually thought this joke was deadly serious for a short while). F1 isn’t team sports, no one really cares if drivers or teams appear “friendly” unless they’re desperate for money/engagement to keep them afloat (even there, Alpine prove it clearly isn’t a priority to have friendly teammates when you’re lower down the grid!)

There is absolutely nothing to be gained for them in faking the smiles and laughter and twinning. Equally there’s nothing to be gained by us as fans in judging them and their relationship based on their PR responses and PR work. Lando beams and smiles the same at Oscar after all of Oscar’s awkward, stiff debrief speeches and I kind of want one of these crazy stans to say to him that Oscar is a bad team player and doesn’t show Lando enough appreciation just to watch what his adorable face does in response (don’t do that I’m joking).

[artsandstoriesandstuff]

ONCE A MONTH WENDELL PITCH BIBLE AND ART BOOK!!!

Well, most of it anyway. I might add a few more sections.

You can scroll down to read it but it may be easier to see if you click on the image. There IS a section at the bottom so you may end up scrolling regardless lol.

(From my research with TV show content labels, OAMW would be rated either TV-PG-V-D or TV-14-V. I'm still stuck with that.)

((Also, mild blood warning throughout!!))

If you read this entire thing, first of all: THANK YOU!!!

I've had the idea to make pitch bibles for a while but this is the first one I've gone through with.

If my writing seems slightly different here, it's because I was working on my voice, and how I would ACTUALLY present the pitch.

Most importantly, though, please let me know what you think!!! It doesn't have to be much. Any feedback will help me in the future (and saying something lets me know you read through it)! Should I do more of these in the future?:D

(also this is the biggest collection of references of these two... so if anyone would be willing to draw them- *dies* (/j. also /nf on the art thing lol))

@yago-undertale since you wanted to be tagged!! :)

[soshinysochrome]

How are you so good at ikeaframe/orbiter fashion... share some tricks on how to get pieces to get into position you want, most versatile decoration pieces (that can be used in many different ways, what are your favorites?); on a less serious note, how to farm all this standing for all the zariman wall panels ;A;'

So, quick disclaimer: I play Warframe on PC and have never played on console, so all of my answers will be oriented to PC controls.

Edit: This got quite detailed, so I may wind up making this a multi-part Thing.

Positioning:

Understand the anchor point; this is the point on an object that cannot pass through other objects and around which it is oriented. To find it, select an object and right-click to orient it; where the 3 different orientation guiding lines fall is an object's anchor point.

Understand orientation; if you hit Tab to turn on advanced mode it will show this, but I'll put it here for good measure. There are 3 planes of movement: up-down, left-right, and forward-backwards. R controls the orientation marked by the red arrow, F by the green arrow, and X by the blue. (If you have selected an item with your mouse, you can also hold X to 'push' an object, but I don't use this often as the direction and depth can be hard to predict.)

Grid and angle snapping are your friends! They're going to make your life a lot easier when you need to place objects at consistent distances, angles, etc. Now that you can angle things by degrees of 1 or 5, it's a lot easier now to make small adjustments without having to turn off angle snapping. Also: one way to ensure consistent distancing is to choose another feature (e.g. lines on the ground) and use that as a reference point. This is something that I use a lot especially when decorating my clan's dojo.

Using F to duplicate objects, and using C/V to scale them up/down will help when placing multiples of the same object so they will be the same size and orientation. It's also a time saver so you don't have to size and orient every single object you place. (If you're going to scale something all the way up or down, just hold R and use your mouse to quickly get it to size.)

Using Z to change how you can orient objects. 'World' will orient the object in relation to how it's been placed. 'Local' will orient the object based on its anchor point. (If this doesn't make sense, I encourage you to experiment to understand the difference!)

Sometimes, even when using grid and angle snapping, things won't quite line up right. That's when you want to turn off grid snapping to make small adjustments. Ideally, you would hover your mouse over the object and then hit R to turn on constrained movement. When doing this, I suggest only adjusting one plane at a time (R, X, F); for example, moving it left or right, then saving it to lock in that adjustment before trying to move it up/down or forward/backward.

If you've moved an object and dislike the result, instead of saving it, hit Esc. It will put the object back to where it was before you messed with it.

Experiment! Sometimes redzones will get in the way, but you never know what areas are available to be decorated until you give it a shot. Rotate objects every which way to see the different sides and features; for example, I had no use for the Entrati Serpentine Chair until I realized that I could use the underside to decorate the walls.

Sometimes an object just won't behave the way you want it to; if it's a symmetrical object, try turning it around. This is a big one when you're trying to get 2 objects to touch, but the anchor point is getting in the way. In the case of the Zariman wall panels, if you look at it from the side you'll notice that one side bevels out, while the other is completely flat; I put the curved side down, which is how I was able to have that nice flat, flush wooden flooring and on the ceiling.

Hopefully you find this helpful; I also suggest looking up tutorials on YouTube! They were especially helpful in making me understand how anchor points and orientation work, since they also have visuals for you to accompany the explanation.

I'll make another post addressing other parts of your questions :)

[whiteeyes-is-a-mad-scientist]

If I may ask the artist a question (I love your blog and art by the way, it's reignited my interest for my own WoF AU), how do you draw their feet?? I am hard struggling trying to draw the talons for my dragon OCs again and I can't seem to figure out the basic shapes for their toes and talons. Do you have any advice? Perhaps a visual example?

Ty!! glad to have inspired >: ) bringing you over again into the dark side (lol)

anyways! little secret is I started off as a big time warrior cats fan so my beginnings are cat. This fell over into my wof art as many of my dragons have paws. Id say its a little less "paw like" now but still thinking of them like paws makes it much easier

my tutorial is probably not the greatest but if I can give any tips its to remeber to break down talons into simple shapes. Need a sharper look? Go for more squares or triangles. Softer or heavier? Ovals n circles. Its easy to get overwhelmed thinking of details like scales before even placing down the shape of the talon

if you need references I highly recommend big cats! or if your feeling adventurous any animal with a paw or claw. Have fun experimenting with what feels and looks right to you!

[scarfacemarston]

Hey! I saw your post asking for Bucky requests so I have one:

I was thinking maybe a Bucky x Gender Neutral Reader where he asks his partner to shave his face and trim his hair for him? Nothing smutty or anything, just some nice fluff of Bucky being taken care of and treated gently by the person he loves 💜 thank you in advanced!!!!

Sorry this is so late, but I FINALLY did it. There is a reference to make up in the post, but I firmly believe that's a gender neutral thing.

You shut the door to the apartment, placing the keys in the key basket.

"Darling? I'm home. Are you here?" You called.

"Yeah, in here," Bucky called back. You took off your jacket, threw it on the couch, and followed his voice. There, you saw Bucky, his hands on the counter, gazing at himself in the mirror, looking contemplative.

Usually, you allowed Bucky to speak on his own time, but sometimes, you gently encouraged him to communicate his feelings.

"Penny for your thoughts?" You asked, slipping an arm around his waist, your head resting on his back.

Bucky let out the quietest of chuckles.

"Don't have any of those. Thoughts or pennies." He muttered. The air was thick with apprehension.

"Fine. I think it's time for a change. I'm tired of seeing him in the mirror. It's a constant reminder of those days and I'm tired of it. I know everyone wants me to move on. It's easier on them than having this…half human cyborg old man people think is on the verge of snapping."

You squeezed him tight.

"You're not  a half-human cyborg. Yes, you're old, but you're still human. And one of the strongest men I know." You sushed him.

Bucky grunted in response before turning to face you.

"I think it's time I cleaned up a bit. I won't ever be the old me. That man doesn't exist. He died in '45. That's who people want me to be, but it's not going to happen. I don't want to look exactly like tht. It feels like I'm being mocked. Maybe….something similar with a modern twist. I don't know. I used to know what suited me. I don't anymore." He sighed.

"Maybe I can help? I've cut my hair a few times and I know how to shave if you want that as well."

Bucky raised an eyebrow.

'You'd do that for me? Are you sure?"

"I wouldn't have offered if I wasn't, handsome. This is only if you want it, though. Don't do it for me, or for Steve or to make others feel a certain way."

"Right, I know. That's what I was saying…But I think I'm ready." Bucky confirmed, giving your hand a squeeze. You nodded as the both of you gathered the supplies needed in the bathroom.

You pulled a dining room chair in, set a washbasin to create a makeshift workstation, and grabbed hair supplies. Bucky gathered towels and shaving supplies before pulling out a small grooming kit. He smiled sheepishly.

"Yeah, I bought it myself. I've been trying to psyche myself up for a while, but I just haven't been able to do it." he shrugged.

"Stop worrying and come sit down. Relax. Everything will be okay. You're in control, Bucky. It's 100% you. If you only want a few centimeters off or even decide to change your mind, you can do that. This is your choice." You stressed.

"I know. Thank you." he muttered quietly as he sat down.

"So, shaving first or hair?" you asked as Bucky took a seat, resting his head back.

"Hm, I'm thinking a shave," he answered

"A trim?" you asked

"No, a full shave." he clarified.

You paused.

"Are you sure?" you asked.

"Yes. Absolutely. It will grow back in a few days if I hate it." he confirmed/

You nodded.

"Of course. That should actually make things a little easier.. I'm a raid I don't have those long razors that open up on a hinge."

"Well, no. I wouldn't expect you to," he laughed.

"This isn't 1850 either. But, hey, even if you did, I'd trust you with a knife against my throat anyway!" He said with a lopsided grin.

"True. Now, let me pamper you." You said playfully, patting his cheek. You turned on the warm water, wetting his face before placing shaving gel on his lower face and jaw and gently rubbing the product in as it sudded up. You smiled at Bucky as you leaned over and pecked his forehead.

"You ready, big guy?" You murmured.

"Baby, we're doing a haircut and a shave, not about to jump out of a window in a burning building," Bucky said, rolling his eyes.

You held up your hands in defense.

"Alright, alright, just making sure!" you said as you gently began to shave, going methodically slow, careful not to nick Bucky. It was far easier than you thought it would be. It was no different than shaving in most other places…well, except for a nick, it could be more serious here, but who's asking?

The actual shaving took little time. You admired your handy work. The shave took years off of Bucky's appearance. You grinned as you rinsed Bucky's chin and neck. 

"Looking good, handsome! Not that you didn't look handsome before," You amended.

"Now, your hair. I'll wash it first but for the cutting? That shouldn't take too long, but I want to be careful, " you said.

You started to hum absent-mindedly as you set to work. Bucky closed his eyes in bliss as you shampooed his hair, massaging the soap into it. Bucky grinned, sighing happily.

"You have magic fingers," he murmured with a happy groan. You spent extra time massaging his head, knowing that Bucky had frequent headaches. However, cutting his hair took longer than you expected, but Bucky was still. You checked on Bucky every few minutes before hearing Bucky sigh in annoyance.

"I'm fine! Just keep working!" Bucky finally chastised.

You smiled to yourself,

"Just checking, darling. I'll stop," you replied, quietly returning once more. Soon, you stopped, proud of your work. You withheld a gasp as you reached for the hair dryer. Bucky was always beautiful to you, regardless of his appearance, but this haircut was a different sort of beauty. You had studied the fashion, hair, and makeup of the 40s once you started to date him to plan a potential date night with materials from the era. That, and you had seen a few photos of Bucky's time before and during the war.

While he did not look identical to his time in the 1940s, there was still an element of the 1940s with a touch of modernity. Truth be told, you were quite proud of yourself. You couldn't wait to see how Bucky styled it.

Bucky's eyes widened as he saw your smile.

"Alirght, let me see, let me see, " he said, sitting up. He stared at his reflection, his expression blank, before he narrowed his eyes, the silence filling the room. You swallowed your anxiety.

Bucky ran his fingers through his hair before flitting his eyes to yours.

"It……..looks good." He finally answered. That didn't seem optimistic.

"I messed up, didn't I?" You said, trying to keep the defeat out of your voice.

"No. You didn't." He answered sharply before softening his features.

"It's just different, is all. I haven't seen me look like this since the early 90s when I was expected to complete an assassination  undercover." he explained.

You couldn't bring yourself to say anything except 'Oh.'

"But it still looks like my former self. It was risky for Hydra to do really, considering this is bringing back memories. Turns out, Hydra couldn't shut everything out."

"I'm sorry." You began.

"I promise you, I'm fine. I won't break. I told you that earlier, didn't I? No. I'm just surprised is all because I do see bits of who I was before, but it's still different enough that I'm not identical." Bucky explained. Bucky sighed before taking your chin into his hands.

"Don't worry about me. You did a wonderful job." He murmured as he kissed you gently.

"Besides, I saw your expression when you finished. Clearly you liked it, which makes it all worth it…and no, you're not making me be someone I don't want to be. You accept me as I am and that's the difference." He enunciated.

He got up, brushing the hair off of him.

"Uh, I'll get a broom. I insist." He offered. He grinned at you, making you lose your breath.

"Let's get dinner out. You can show me off." he winked.

"Sounds like a plan." You said, returning his grin.

[shimmershy]

Buttercups and Golden Flowers

[a-lilacsong]

This was originally meant to be a 100% goofy funny comic, but somehow it turned into angst halfway through. I still think it's funny that Minimus canonically learns the truth before Amber and James though.

(And thanks to @ograndebatata for helping me rewrite the script to be more fitting).

Comic Script: Roland: … So, now you know the truth about my first wish on the well. I'm sorry I didn't tell you before. If any of you has anything to say, please do. Roland: Okay… one at a time please. James: Does this mean I'm half-wishing well? If someone put a coin in my mouth could I grant their wishes? Roland: WHAT?! NO! Absolutely not! Sofia: I'm sorry dad. Minimus and I already knew, and I think he has told every horse in the kingdom by now. Roland: That's not… how did you…? Amber: Daddy… does that mean I could have killed Sofia when I turned her into a cat? Would she be dead because of me? Roland: No Amber. That wouldn't have happened. Don't worry, no one got hurt. Amber: But Sofia almost was! Roland: But she wasn't. She's alright. All of you are. I'm sorry I only told you now. but please remember we both love you all very much. And we'll all get through this together.

[camellia-thea]

okay. just rambling here, but, i think armand took more than just the end of the interview away from daniel.

we got that little moment about that night, saying 'you asked me to' to louis. 'you asked me to take this from you, you could not live with it,' leading into, 'i look after you when you cannot look after yourself, i make those choices for you.'

we know that during the chase and devil's minion era, daniel was an addict, who was, by his own admission, slowly killing himself. he was also addicted to blood.

it's really not too far to make the jump, if devil's minion occurred, that armand made the choice to step in, in his own mind, for daniel's best interests. i know this isn't a unique jump to make, but; again with armand's "i look after him when he cannot look after himself" continual reiteration, i think it's a fair assumption.

he can also replace and blur memories, which makes the discussion of alice and paris -- why the dessert from that night? -- and how immediate and sincere his answer of "she wanted to say yes, but she didn't trust you. you hadn't given her a reason to." this could be the night he took them away, replaced himself with alice, planted something similar for her to start the relationship, then step back and watch it fall. and i think the thing that stands out there is just how tender he is while saying it. there's an undercurrent of something else entirely underneath, it isn't a dig at daniel in the moment, despite the pushing earlier in the scene.

and then in s1, when louis say to daniel, "i'd give it to you now." and the cut to armand, still in disguise, and his micro-expression of horror, the way he stiffens and looks away... and the little moment of what i read as conflict when daniel says no. his jump to "may i be excused?" i can't tell in the moment, if he's horrified about the offer itself, the fact that it is louis offering to turn daniel rather than himself, or the fact that daniel denies it. because i don't think armand could actually let daniel die if this was the case.

the disguise itself-- why pretend to be rashid? i think part of it is to try and hide behind a human persona to keep those memories at bay; especially given the little moments of flashback that got triggered by little mannerisms. i can't decide whether they're intentional pushes or not, whether armand wanted/wants daniel to remember on his own, or wants to keep it under wraps. i think, even if he believes he doesn't want it to come forward, he truly does deep down.

and once he's revealed himself as armand, the way he gazes at daniel, his beautiful boy. the continued "our boy", from both he and louis, the "he's still in there, somewhere..."

and i think "our boy" is also really interesting, because why would daniel be armand's boy, based solely on the moments that louis initially remembered? armand didn't really have any emotional connection to daniel that night, sure, he saved him, but that doesn't really mean anything; he saved daniel for louis, not for daniel's sake.

and, jumping back "our boy,[...] he's still in there somewhere"... there's implication that louis might know about it? again, i don't think this is related to the original interview, or at least, limited to it? i don't have anything concrete here, just vibes, but again, why is armand's boy still in there somewhere?

and sure, some of these are reaches and i don't think i'm necessarily right, but god it would be deliciously awful if i was.

[franollie]

ive reached the point where the term batfam is like a dog whistle to me

[fromtheseventhhell]

One major factor missing from most debates on Arya and Lyanna's beauty is that they're being judged by their society's extremely patriarchal values. In both looks and personality, that context is essential to understanding how others perceive them. George explores the misogyny experienced by non-conforming women, especially with Arya, and it's interesting how he plays with that regarding their physical beauty.

Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. (The Blind Girl, ADWD) "You never knew Lyanna as I did, Robert," Ned told him. "You saw her beauty, but not the iron underneath. She would have told you that you have no business in the melee." (Eddard VII, AGOT)

These two quotes offer a nice summation of this idea. With Arya, her supposed lack of beauty is defined by her being a non-conforming wild child. Her hair is messy, her face is dirty, and she's often in "lower class" clothing while engaging in unladylike activities. None of this says anything about her physical beauty but it tells us everything about how she's perceived. Arya could be pretty...If she conforms to society's standards for a highborn Lady. With Lyanna, however, we get the opposite. Where Arya is judged based on her personality, Robert's romanticization of Lyanna is rooted solely in her looks. He doesn't know anything about the person she really was. There is an assumption that, because she looked a certain way, her personality must fit and Robert imagines her much softer and more passive than she actually was.

That Arya isn't pretty or Lyanna wasn't wild are two perceptions that George specifically pushes back against. This is where people miss the brilliance of them being linked as literary mirrors; it is largely about us learning more about Lyanna, but it touches on more than that. The significance of them being written as wild, willful, and with their own beauty is that George isn't writing his female characters around patriarchal expectations. When people debate their beauty, that's often the trapping they fall into. Beauty and non-conformity are treated as mutually exclusive factors when the story itself never makes that point; this is also the logic that leads people to the (incorrect) conclusion that Lyanna and Arya aren't meant to be similar. Arya's self-esteem issues around her looks and being a Lady make this a topic certain to be addressed in the future; George has made it a part of the story. The conclusion shouldn't be that "looks don't matter", but that looks aren't indicative of a character's value, personality, or morality.

[tabbi-mysteries]

Episodes 1-500 Mouri Ran's Wardrobe!

+ Films 1-11 & OVAs 1-8

(better quality images under the cut)

Wow what an update! This took a while because uh she does not rewear her outfits very often in this segment of the show, still it was fascinating to see how the style of clothes changes over this time period. Also new to this update I went through and added the smol Ran's that have appeared that I skipped over before :)

This project has been a lot of fun and I intend to continue so they'll be more to come in the future too. In the meantime I want to know people's favourites! (Or least favourites are fun too) let me know in the comments/tags!

As a final P.S I've learnt that some of her merch/promo looks are unique and I was wondering if anyone knows if there's any archive or something of references of those cause some of those are really cute and I'd like to include them.

[coockie8]

I don't know if I've mentioned it on here before, but I've mentioned it elsewhere, that I probably wouldn't be able to maintain a relationship, romantic or otherwise, with an anti. Whether they're the feral ''kys'' type anti or not.

A lot of people seem to misinterpret that as me letting pointless fandom drama control my relationships, but that's genuinely not the reality. Fictional squicks are not the issue here; the treating fictional anything like it's comparable to my lived trauma is, and that is a thing that all antis do.

I don't care if lolicon and incest fiction makes you uncomfortable, you are allowed to be uncomfortable, but the reality is this shit is fiction, and fiction is not the same as 13-17 year old me getting sexually assaulted by multiple different adults on multiple different occasions.

I simply would not be able to maintain a relationship of any kind with someone who thinks a fucking drawing is in any way comparable to what those men did to me!