#man I can believe we live in a society

[shirkers2018dirsanditan]

I am an abolitionist I do think that the term "violent crime" as it is actually used is less than useless and that people convicted of so-called "violent offenses" should not be excluded from reform measures. I do believe in the actual total dismantling of the prison system. I do, actually, believe that the way that the label "sex offender" is applied and how the sex offender registry works in reality is a reflection of the injustices and inequities of our system. I don't think that formerly incarcerated people are disqualified for being advocates of their own cause by virtue of the nature of their crime. but there are limits. I don't think we should be overly permissive toward men with a history of rape and domestic violence nor that we should allow them to downplay what they actually did. and I think that abolitionist spaces have a rape and DV apologia problem. I think many activist spaces have long had a problem of protecting predatory men and downplaying violence against women in the movement(s). and I think liberals and moderates and conservatives jump on this to dismiss abolition as a political framework and movement despite the fact that their spaces have the exact same fucking problem. and I think that opponents of abolition are too comfortable with their indifference to the massive amount of sexual violence facilitated by the carceral state and systems of policing

[stlangels]

My most controversial opinion (apparently) is that I don't think people are inherently evil, violent, or cruel

[drdemonprince]

In a piece for The New Inquiry from back in 2017, George Dust states that when queer people complain about there being a top shortage, what they really mean is “nobody is fucking me the way I want, and I have no agency in that.” Alongside co-authors Billy-Ray Belcourt and Kay Gabriel, Dust suggests that many queer people align themselves with a passive or “bottom” position because they believe that role will absolve them of the guilt of really wanting things. They present themselves as what they believe to be the sexual party with zero power; the receiver, the accepter of action rather than its cause.

This position is drawn in contrast to the bottom-identified person’s idea of a top: the one who approaches, the person with hungers and desires, the person who decides which sexual activities will happen and how intense they will get. The top, from this perspective, is the stronger, more capable, more dangerous person. They’re the only one who can ever be guilty of intruding or harming somebody else. This power is scary, but it’s also compelling.

Dust calls this fantastical version of a top a “brute” — and they are the most cartoonish stereotype of what it means in society to be a man. Because it’s a cartoonish stereotype, no human actually lives up to it — and we’d probably revile a person even if they could.

Though queer people know we are harmed by the gender binary and heteronormativity and all the social scripts those things force upon us, its biases are still embossed on our brains. Without meaning to, we reproduce tired gender stereotypes in our relationships. And so we see expressing a sexual want as masculine, and being masculine as being more capable of violence and coercive control, and thus bad. We see failing to communicate one’s desires openly as desirably feminine, as well as a sign of blamelessness and purity — because on some level we still feel it is wrong to have desires.

But this entire worldview is a complete lie. Desire is not evil. Expressing attraction is not a violation. Failing to express oneself can be just as dangerous as not listening to someone else’s limits. Women can be abusive. Bottoms can sexually assault. No matter our gender, presentation, or sexual role, we are each capable of harm. And the only way to make a safe, mutually pleasurable sexual encounter happen is by going after it, actively, and communicating from a position of inner strength.

So how do you do that, if society’s been telling you all your life that you’re meant to date by acting like a deer passively snapping twigs in the woods, waiting for some hunter to hear you, and pursue you? (That really is dating advice that Evangelical Christian counselors give to women, if you can believe it).

By not fixating so much on what you’re doing or not doing to draw other people toward you, and instead thinking in terms of what you want and what you observe beyond yourself.

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

[robertreich]

Who’s to Blame for Out-Of-Control Corporate Power?    

One man is especially to blame for why corporate power is out of control. And I knew him! He was my professor, then my boss. His name… Robert Bork.

Robert Bork was a notorious conservative who believed the only legitimate purpose of antitrust — that is, anti-monopoly — law is to lower prices for consumers, no matter how big corporations get. His philosophy came to dominate the federal courts and conservative economics.

I met him in 1971, when I took his antitrust class at Yale Law School. He was a large, imposing man, with a red beard and a perpetual scowl. He seemed impatient and bored with me and my classmates, who included Bill Clinton and Hillary Rodham, as we challenged him repeatedly on his antitrust views.

We argued with Bork that ever-expanding corporations had too much power. Not only could they undercut rivals with lower prices and suppress wages, but they were using their spoils to influence our politics with campaign contributions. Wasn’t this cause for greater antitrust enforcement?

He had a retort for everything. Undercutting rival businesses with lower prices was a good thing because consumers like lower prices. Suppressing wages didn’t matter because employees are always free to find better jobs. He argued that courts could not possibly measure political power, so why should that matter?

Even in my mid-20s, I knew this was hogwash.

But Bork’s ideology began to spread. A few years after I took his class, he wrote a book called The Antitrust Paradox summarizing his ideas. The book heavily influenced Ronald Reagan and later helped form a basic tenet of Reaganomics — the bogus theory that says government should get out of the way and allow corporations to do as they please, including growing as big and powerful as they want.

Despite our law school sparring, Bork later gave me a job in the Department of Justice when he was solicitor general for Gerald Ford. Even though we didn’t agree on much, I enjoyed his wry sense of humor. I respected his intellect. Hell, I even came to like him.

Once President Reagan appointed Bork as an appeals court judge, his rulings further dismantled antitrust. And while his later Supreme Court nomination failed, his influence over the courts continued to grow.  

Bork’s legacy is the enormous corporate power we see today, whether it’s Ticketmaster and Live Nation consolidating control over live performances, Kroger and Albertsons dominating the grocery market, or Amazon, Google, and Meta taking over the tech world.

It’s not just these high-profile companies either: in most industries, a handful of companies now control more of their markets than they did twenty years ago.

This corporate concentration costs the typical American household an estimated extra $5,000 per year. Companies have been able to jack up prices without losing customers to competitors because there is often no meaningful competition.

And huge corporations also have the power to suppress wages because workers have fewer employers from whom to get better jobs.

And how can we forget the massive flow of money these corporate giants are funneling into politics, rigging our democracy in their favor?

But the tide is beginning to turn under the Biden Administration. The Justice Department and Federal Trade Commission are fighting the monopolization of America in court, and proposing new merger guidelines to protect consumers, workers, and society.

It’s the implementation of the view that I and my law school classmates argued for back in the 1970s — one that sees corporate concentration as a problem that outweighs any theoretical benefits Bork claimed might exist.

Robert Bork would likely regard the Biden administration’s antitrust efforts with the same disdain he had for my arguments in his class all those years ago. But instead of a few outspoken law students, Bork’s philosophy is now being challenged by the full force of the federal government.

The public is waking up to the outsized power corporations wield over our economy and democracy. It’s about time.

[winterspellsfrozenkit]

Maomao's Dislike of Jinshi

So I've been watching Apothecary Diaries and I think people are missing out on the root cause of why Maomao doesn't like Jinshi's interactions with her. It's not because he's too pretty, of high standing, or because she thinks he's annoying/etc., as they're just parts that make up the actual root cause. It's because she knows he's being fake.

Jinshi, because of who he is, where he lives, and how he was raised, covers up his true intentions almost constantly. That was how he trapped Maomao and singled her out as the one who warned Concubine Gyokuyou, after all. The premise to get all the servants in the room, the note telling her to stay put, and making her come with him without telling her where they were going? He let her worry that she was in trouble, so to keep her off-balance when he introduced her to Gyokuyou and also had kept her note to keep her pinned in a corner so she would have to comply with what he and Gyokuyou wanted.

Maomao prefers working with honest people. It's why she never wanted to ascend into the ranks where court politics were a constant presence, because in court politics, you have to assume most people are lying to you on some level. That's why she likes Gyokuyou; Gyokuyou has a similar mentality about the importance of honesty in the people around her and she reciprocates that honesty with the select people she lets her walls down around. When Jinshi is flirting or being super sweet to someone, Maomao knows he's often not being sincere, so when he flirts or acts all sweet with her, she's not going to believe in the sincerity of it because it's dangerous for her if he's not being sincere.

In Maomao's world, a man who makes false promises will not have severe consequences for his actions, unlike the women who fall for them. Growing up where she did and doing the work she did, Maomao knows exactly what kind of damage someone else's lies can bring to someone else who got caught in them. Maomao is not blind to the ugly truths of the world around her, unlike many her age, so interacting with Jinshi, someone who is usually some level of false in almost every encounter with her, is frustrating to her and he won't leave her alone. Lies are a form of poison themselves as they deteriorate a person's life and relationships and if not caught, can lead someone to their death or a fate akin to death, but unlike physical toxins, Maomao can't fix any damage from that kind of societal poison. As someone who wants a lowkey and unremarkable life because it's more peaceful, Jinshi could damage her goals with his falsehoods if she falls for any of them.

And we see that when Jinshi is actually honest about himself and his feelings with her, she treats him better. When he gives her his hairpin, when he's hugging her and crying because of what happened with Ah-Duo, and when he's at the Verdigris House, drowning his sorrows over letting Maomao go from the Rear Palace, Maomao is kinder to him and doesn't look at him with the immediate disdain and suspicion she often throws his way. Maomao even states she prefers the Jinshi, who is more childlike and bratty, which is something we see Gaoshun constantly discourage when Jinshi has those moments where his mask breaks. But in those moments, he's being honest.

For the position of Maomao's love interest, Jinshi's already got one foot ahead of any other guy around Maomao, as he is willing to let Maomao have more freedom in her special interests and gives her things and access to areas that play into her interests, like her dad does, which is more than most men in her society would ever allow. The only reason he actively goes against her toying with poison is he knows exactly what she's going to do with the poisons. But his main hinderance to getting Maomao to like him back is the training of being two-faced that's been ingrained into him for his survival in court. If he was more honest with her, rather than hiding himself under the veneer of a pretty man who is sweet, gets along with everyone, and keeps his knowledge close to the chest, he'd do so much better in earning Maomao's respect and affection.

[comicaurora]

I'm sorry that the terfs made their way onto your blog but it does feel good to see you support trans people. Thank you for that

Always.

I think, charitably, that the discourse going down on that post is an extrapolation and over-focus on one element of the point I was making: that for me, determining with certainty that I was cis was a rather fraught process. I was presented with many alternatives, but underlying their imposition on me was the oddly regressive idea that the things I liked, the principles I valued, the parts of myself I was proud of were not permitted of women. My whole life I got smacked with the background radiation that I couldn't like being strong because women aren't allowed to be stronger than men. I couldn't like being loud and boistrous because women aren't allowed to take up space. I couldn't be a math geek because women aren't smart. It was all deeply regressive misogyny from day one, but I started getting hit with it slathered in a fresh coat of paint - all those assumptions still held to be true, but now there was the out that I could do all those things if I just wasn't a woman.

Concluding that the underlying bioessentialist premise was wrong was very important. Absolutely none of those statements were true, and were only ever maintained by cultural saturation, goalpost-readjustment when they were actively disproven, and the occasional bout of lying with statistics to pretend they weren't just Shit All The Way Down. The core premise that certain things were only permitted of or possible for men was bullshit, and I didn't need to surrender the gender I liked best in order to play in the spaces I wanted to. I could simply exist the way I was already existing. I didn't need anything else.

The misinterpretation is the assumption that this being true of me means this is everybody's relationship with gender. I turned out to be cis, so for me, feeling that holding onto my assigned gender wasn't allowed was distressing - just another invocation of the same bioessentialist bullshit I'd been dealing with since the preschool playground. This is because misgendering is fundamentally denying that a person has the right to express themself the way they want. When aimed at me, it says I'm not performing traditional femininity well enough to deserve my pronouns. The same disrespect is the root of misgendering when aimed at trans people. "Perform your gender to my satisfaction or I will confiscate it."

The problem is, bioessentialism is 100% ingrained into the terf playbook, which is why, for instance, all their shitty talking points about trans athletes eventually boil down to "no woman can ever defeat a man in any contest because we are simply naturally weak and stupid and there is nothing we can do about it" and quite frankly nothing disgusts me more than the defeatist acceptance of the very lie that feminism is dedicated to overcoming. Instead of accepting that the paradigm of bioessentialism is a false dichotomy right from the jump, they embrace and weaponize it against the people whose existence proves the dichotomy is a lie. If gender essentialism is fundamentally false, then it is nobody's fucking business what anybody does with their gender. If the lines don't exist, nobody needs to enforce them. And yet there the terfs go, hunting down people whose lives are none of their business and trying to argue that they represent some great and terrible evil, some downfall of society made flesh, something that makes it totally correct and normal for them to spend so much time thinking about strangers' genitalia. They want this to be a noble crusade so badly they won't even examine what flag they're flying.

I love and support the trans people in my life and will always, always stand on the side of your right to exist, but alongside that, terf rhetoric especially disgusts and infuriates me because it is, at its heart, utter cowardice. The world told them they were weak and stupid and inferior and they fucking believed it. And now they think Fighting The Good Fight For Women means turning around and using the same paradigmatic weapon that hurt them to hurt the people whose existence outside the binary proves the weapon is a lie. They're the same shithead schoolyard bullies who made me believe my entire existence was foundationally wrong for years of my life and I will never, ever side with them or the shitty, cowardly rhetoric that contributed to the loneliest years of my life.

Figure out who you are and do it on purpose. Find the real source of the misery in your life and try fighting that instead of the other crabs in the bucket. Trans rights.

[torchwood-99]

There's a bit of a role reversal with Faramir and Eowyn, in terms of how their narratives include tropes and plot points that are often traditionally applied to characters of the other sex.

Eowyn goes to war because she refuses to be left behind to be burned inside the house when the battle is done, as is often the fate of women.

Faramir actually is nearly burned alive at the hands of the patriarch of his family when said patriarch believes the battle is over and hope is lost. While Eowyn is out on the battlefield, fighting, Faramir is stuck inside the home, burning.

Between the two, Eowyn is the one we see go on more of an inner journey. She changes more over the narrative, and has to deal more with her own flaws and personal demons, as well as the injustices inflicted upon her. The climax of her story comes with a great moment of heroism and courage in battle. She is rescued by a hobbit, but as an ally in battle, not as a damsel in distress.

Faramir in the books doesn't feel tempted by the ring, and is almost a paragon of virtue. About as much as a Man in Middle Earth can be. He's closer to Arwen and Galadriel than Eowyn is, in his near perfection, in how he inspires and guides others. He is also rescued by a hobbit, but in that moment he is helpless, a damsel in distress. He is rescued because others love him for his virtue and goodness.

So often it's the other way round. Not only is the woman usually the one trapped inside, in need of rescue, while the man is out there fighting, the woman's heroism traditionally comes from the list of virtues she possesses, while the man's heroism comes from his deeds and the things he accomplishes. The man fights, the woman inspires.

But during the Battle of Pelennor fields, it is Eowyn who fights, and while she does inspire Merry, she inspires him not as a paragorn, but as an example of courage that Merry finds himself compelled to live up to. He is inspired to fight by her side, instead of fighting for her.

Faramir is sick and unconscious. His agency is denied him by his father, who decides on his behalf there's nothing left for him to live for. And it is a rush for the heroes; Pippin and Beregond, to save Faramir, and it is explicitly stated that Beregond only broke the law because he was inspired to do so out of his great love for Faramir, which is shared by all. In that moment, Faramir's role is closer to the traditional fairy tale princess, whose goodness inspires the heroes into fighting for her during her peril.

And afterwards, it is Eowyn who has to fight to find meaning in life again, to choose joy and hope over despair, which Faramir, with his loving kindness, wisdom, and gentleness, inspires her to do.

I love that, and love thinking on how that affected their relationship going forward.

Eowyn must have liked that with Faramir, she's not being married to someone who will require her to take on every aspect of the so called "woman's role" (necessary, but limiting) which has been inflicted on her at her own expense by the men in her life, so they can be free to partake in the "man's role". Perhaps in turn, Eowyn's predisposition for more martial pursuits; even if she has embraced healing and gardening and no longer lives for battle, would also mean she can take on some of the certain necessary duties that Faramir finds taxing.

Between the two, there must have been a more equal division of labour and responsibilities, and therefore more freedom on both sides. Neither one of them fully suits the roles that society has assigned to them due to their gender, and in marrying each other, they no longer have to.

[rthko]

I used to get insecure when reading radical critiques of "born this way" narratives, but I understand it differently now. I'm reading early defenses of homosexuals that concede that their "invert" pathology is worthy of sympathy, and that straight society ought to allow them to have sex (in the right circumstances) so they don't have to be miserable. They go on to claim that while some people who commit homosexual acts are victims of their circumstances, the real perverts are ontologically straight men who commit them by choice.

If I asked every LGBT person I know, "did you choose to be queer," virtually everyone would say no. I have never, to my knowledge, met anyone who would say yes. But if I asked them if they would turn straight/cis if they could, I believe that most, including people who have gone through great hardships on account of their identities, would still say no. The phrase "gay lifestyle" is considered politically incorrect, and indeed there is no one gay lifestyle. But we have also developed culturally distinct circles associated with pleasure as a virtue, creativity, individual dignity and collective care. Many of us learned to look at the straight world not with envy but with relief that we're not part of it.

There are characteristics of our queer identities or behaviors that are a choice. I did not choose to be attracted to men, but I did choose to be promiscuous. I did not choose to be uncomfortable with "male" gender roles, but I did choose to challenge them through gender expression. An emphasis on innateness would imply that the only characteristics of my identity and behavior worth defending are those that are inevitable. It would ask why I still insist on living the way I do when my sexual desires can now just as well be satiated in a legally recognized monogamous marriage.

The subtext of this question, a choice or not a choice, is whether a person is worthy of support. Much like the elusive "gay gene," some trans advocates are searching for the definitive proof of "male brains" and "female brains" that will validate the existence of trans people once and for all. If gender becomes medically or scientifically "provable," perhaps science would then validate trans people. Or, perhaps a brain scan would determine who should or should not consider themselves trans, and create new rationalizations to misgender on "scientific" terms. We need only look back to the sexologists of the late 19th and early 20th century, often gay themselves, who developed scientific rationalizations for queer behavior in good faith only to have them reapplied to nefarious ends.

Many will insist they support LGBT people in the abstract but not the specifics of queer culture. These are the tendencies that don't have a scientific or metaphysical explanation. It is less often we hear claims that one is born to be flamboyant, promiscuous, left wing, kinky or polyamorous, so these tendencies are superfluous. There is a platonic ideal of a lesbian, a gay man, a bisexual or a trans person who follows their natural proclivities and not a step further, and you're not it. So arguments against born this way narratives are not just in defense of those who see themselves as having chosen their gender or sexuality--for what it's worth, I have not knowingly met any. It's that this is a flimsy claim to legitimacy, one that has been used against us, and one that can only be taken so far. I'm not interested in determining who is "faking it." I understand more and more that everyone's body belongs to them, and the steps they take to experience joy and mutual pleasure need no explanation.

[senblades]

I've had a realisation,

So, we all like to dunk on Akechi for having a stupid plan- which, well, yeah; but I think that a lot of people (whether they like Akechi's character or not) tend to miss the point:

That being, that the holes we all poke in his plan; "Why didn't he just kill Shido at the start?" "There's no way he'd live/be free after that," "His plan to ruin Shido's reputation would never work," are actually far more revealing as to Akechi's priorities, than they are of him just being 'stupid'.

For starters, "there's no way he'd live/be free after that." -as a fandom I think we've all already come to the conclusion that Akechi's regard for his own life is spotty at best. I wouldn't necessarily say that he wants to die by the time of the third semester, which really just adds to the tragedy of the whole situation, but I digress. Point is, the kid needs therapy, moving on.

"His plan to ruin Shido's reputation would never work," Ah, now this is where I think some cultural differences start to come in to play- I won't say much, since I'm relatively uninformed, but by the sounds of it, revealing that Shido has an illegitemate child is actually the kind of thing that would make a lot of people raise their eyebrows. And, more importantly, the kind of thing that would really throw his "easy election win" into some serious jeapordy. (AND, it's never exactly stated that "revealing himself as an illegitemate child" was Akechi's tactic to ruin Shido- more of a "hey, Shido, guess who it was that ruined you, you piece of shit?"- which, well, more on that mindset later)

Next, "Why didn't he just kill Shido from the start?" This is where I think a lot of people get tripped up. To my memory, there is not a single point in the engine room where Akechi says that killing Shido is the cornerstone of his plan (localisation differences notwithstanding. I'm sure someone will come yell at me (/lh) if this is the case). Now, to be fair, Akechi in the engine room is really just him giving a very desperate powerpoint while he sharpens his sword- so I don't doubt that he's skimming over a couple points. But, you'd think that Akechi would remember to mention that if that really was his main goal.

Okay, so Akechi doesn't want to kill Shido. Cool, follow-up question, "Why didn't he just give Shido a pshychotic breakdown from the start?" That's the kind of thing that would have ruined Shido's reputation, too, right? And, it would have been before he would have had the means to try and cover it up. Well, finally, I can get to my point:

Akechi needs Shido's disgrace to be loud, because he needs everyone else to care, too. Akechi's revenge isnt just against the man who left him and his mother for dead, but also against the society that continued to leave him for dead, again and again; the society that only lauded him as something special if he slapped some pretty wallpaper over the past he had absolutely no control over.

Looking at it like this does a lot of things:

First, it really amps up the whole "the PT's justice and Akechi's justice foil each other". Akechi's revenge is also a vehichle for revolution, since it is, in essence: "Look! Look at the man who you lauded as a saviour! Look at me, the man who brought him down. Aren't we both disgusting, in your eyes? Take a look at yourselves. Aren't we all the same?"

That leads pretty nicely into Akechi as a pawn for Yaldabaoth, too. Akechi wants to make sure he and Shido go out with a bang, and leave a shitshow in their wake. That's prime God of Control real estate! It's also prime "metaphor for Ruin" real estate; you get the point.

And, finally, an interesting point comes from all of this. That being, that, well- the only reason that Akechi's plan wasn't going to work, is that he placed too much stock in the idea that Shido has any concept of loyalty or gratitude. Shido, as we all know, is an absolute piece of shit- and still, Akechi had believed that maybe, just maybe, his father would feel bad for being terrible to his son.

(I'm not going to go on too big of a tangent, but that is an interesting insight into Akechi's idea of Justice, and into what his personas might represent. Contradiction, as ever, is the name of the game, and Akechi simultaneously believes that there's no way to get anywhere in life without force and violence, and that there is also a fundemantal truth of what is good and fair within human hearts)

The message of this, I'm pretty sure, is not: "Akechi failed because of that lingering belief in humanity" (wouldn't that be one hell of a heel-turn lmao), but rather: "Akechi, with his distorted (ha) priorities, was never going to be happy in any quest for vengeance, even if his plan succeeded entirely"

tl;dr, Akechi needs therapy. Wait- Maruki, no! Not that kind of therapy!

[whencartoonsruletheworld]

"It’s no longer 1937… she’s not gonna be saved by the prince." 

The absolute DISRESPECT for the FIRST ANIMATED MOVIE EVER MADE and its female character who was strong in her own way! The DISRESPECT for Snow White coming from people who plan to """update""" her story??? I'm FUMING. i am FURIOUS. This is the SAME shit I said about Girlboss Cinderella do you understand???

Snow White was an abused CHILD who was isolated within her castle and then suddenly thrown into the  woods and she managed to survive using only her hope and kindness!!! She found a house and offered to work to earn her keep and she DID!!! Snow does not have to be a badass to be a strong female character. And more importantly, SHE DOES NOT NEED TO BE "BADASS" TO DESERVE HER HAPPY ENDING. Some of us in abusive situations CANNOT escape on our own. We CANNOT physically fight back and WE STILL DESERVE HAPPY ENDINGS.

Women don't have to be badasses in order to be strong female characters. So she needs to be saved-- so WHAT? Saying Snow White is an antifeminist character solely because she doesn't save herself is offensive to abuse survivors and to the original character who WAS a good character. You can criticize OTHER parts of the movie– the implication that men living without women will be useless and filthy the entire time, or we can discuss the Queen’s feud with Snow being fuelled by misogynist standards, etc.!! But just saying “she needs to be saved so it’s bad” LIKE. ARE YOU SERIOUS

Badass Snow White reboots are fine in moderation, but just like Girlboss Cinderella reboots, too many and it becomes clear what society is trying to say now- that if you're feminine and can't fight a battle, you don't deserve to be saved. Do you see why this is a bad message????? Some girls are badasses who can kill and fight as well as or better than the boys. Those girls have Mulan, Merida, Raya, Moana, Rapunzel, Elsa. They are good female characters. But you know what? So is Snow White. So is Cinderella.

I'm sure people are going to accuse me of being antifeminist for saying “oh she NEEDS to be saved by a man”– I’m NOT SAYING THAT. You could have her be saved by a woman. Be saved by the dwarves, her platonic friends. By the animals. You could write a badass Snow White reboot without being disrespectful to the original film or tale. Just fucking TODAY I read the Disney Mirrorverse Snow White book– it’s written for 13yos basically so not high art but even with them having to make her an adaptational badass, they managed to keep her personality PERFECTLY. She learns how to save herself in this book, but also remains HERSELF. And her previous inability to fight was NOT CRITICIZED by any character; her sudden badassery was a bonus for her, not an indication of her character!!!

YOU are the ones saying that if Snow White (and Cinderella) isn't saving herself, she doesn't deserve to be saved. But everyone deserves happiness and that includes those too weak to fight for it alone.

anyway that was a long feminist rant. this is also super disrespectful to the FIRST ANIMATED MOVIE EVER, the people who worked on it, Walt Disney himself, and everyone who enjoyed or was inspired by it. You absolute fucking dickheads.

also can't believe i have to say this but if y'all use this as an excuse to be racist towards anyone in the cast i will hunt you down and put shoelaces in your lungs

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[winterarmyy]

Thin Walls, Thin Lines

What will happen if a fuckboy falls in love with a hopeless romantic?

Summary: Modern society surely had corrupted the mind of the hundred-something year old man, Bucky Barnes, when he seemed to have forgotten the art of courting a lady. Lost in lust and pleasure, he had been indulging with endless array of different girls on his bed almost every night. And the opposite side of that thin walls of his room, lives a hopeless romantic who he was madly in love with.

Navigation: Original Version || Deleted Scene* (alt. ending)

Pairing: fuckboy!bucky x female!reader

Words: 4.9k++

Warnings: avenger au, explicit language/contents, angst, lil bit of drama, fluff, please bare with the fuckery of bucky barnes, reader is sensitive yet quite fiesty too. i can't backup steve on this one, he is on his own.

A/N: As you can see from the navigation bar, we have two different endings for this fic, because I am greedy and indecisive. The original version ended with fluff and the deleted scene (alternate ending) ended with absolute filth of a smut. So... enjoy! 💕

P/S: And this is also my submission for @jessybarnes 's writing challenge. I have chosen "Kiss me again" from the prompt list and I hope you like the way I used it in this fic!

Read my other works here: Masterlist

Y/N has always been a hopeless romantic. She dreams of a love like the ones she read in books. She craved someone who loves her so deeply that she could never find peace in anyone else but him. She wanted all the love songs and poetry to be reminders of him; his beauty, his charms.

Fresh flowers, stargazing, coffee dates, kisses that tastes of cotton candy, warm cuddles, and every little things in between; she longed for it all. She dreams of a love that is so consuming until all that's left in that small bubble of infatuation is their entangled soul mending each other to the bone.

That's what makes her a hopeless romantic.

And very much the opposite of her was Bucky. He is an infuriating flirt. There's not a day goes by that he doesn't call her with sickeningly sweet nicknames; doll, gorgeous, princess, darling, you name it. He will definitely drop some suggestive lines at any given chance and most of the time when she least expected.

He can charm anyone just by his presence, and if you're lucky enough to get one of his infamous smile; then you best believe that you won't be going home alone that night, or able to walk proper the next morning. He is the typical playboy you know and hate; very often she'll see different girl in his arms or on his bed. And that man seemed to not know when to stop. Sometimes, she do wonder if he ever got tired of sex. Because she knows for certain that he can go on and on for hours, daily.

"Fuck,, that's it. Spread your legs for me. Yeah, 'atta girl."

Speaking of the devil.

This has been recurring for months now. It seems like the man never sleep because his voice would always wake her up. She couldn't decide what was worse; between being forced to hear the sounds of the skin slapping, the bed creaking, him groaning and her squealing or being a super light sleeper that even a whisper in her room would jolt her awake.

Y/N let out an annoyed grunt when she swoop her head under the pillow, hoping to silenced the noises even just a little bit. Surprise; it didn't help at all. Her body cringed and her face contorted into a squint when she hear the other woman announcing her release as the headboard hits the wall a little harder, a little faster.

Bucky Barnes sure is a fuckboy but unfortunately for her, he is also the man she fell in love with.

She refused to show it, but lord knows how much her heart simply swell to the sight of his smile. Despite the flirtatious tendencies of his, there was something about him that attracted her like a magnet; or like a moth to a flame.

Maybe it was his old soul, or maybe because she saw glimpses of timeless charm in him; the way he moves, the way he gazes, and the way treated her. Nevertheless, it was such a devastating thing for someone like her to fall for someone like him.

The last thing she wanted in a man, is to look at her like she was just a good fuck and nothing more. She just couldn't imagine herself to be tied with someone like that. And Bucky was exactly that someone.

Y/N haven't been able to get more than 2 hours of sleep for months now. The lack of it had caused her to drastically lose physical strength and lately fatigue has been a constant presence as well.

So she decided to go the medbay to consult Dr. Cho about it. After running some tests, she sat her down for some Camomile tea as she went through the results, "It seemed like the severe lack of sleep had took a really heavy toll on you."

Y/N sighed as she place the tea cup on the back on the table, "Yes, I am well aware of that. That is precisely why I am here."

"Nightmares?" Dr. Cho speculated.

If the definition of nightmare is 'the moans of the man, that she had a crush on, fucking someone else next door' then, yes. She was having long and nearly endless nightmares for months now.

"Something like that." She lied.

"Then, I have some medication that I can prescribe to you. You should take it daily after dinner and..." Before Dr. Cho managed to finish her instructions, Y/N quickly asked, "Is it possible to fix me without meds?"

Dr. Cho frowned curiously, "Why wouldn't take meds? That's the quickest way to help for your situation, as far as I know." she asked.

This was not her first rodeo; she had troubles sleeping back when she was merely teenager. And the last time tried using meds, she ended up almost overdosed herself from it, "It's just... I prefer not to." she evaded.

Dr. Cho nodded understandingly before clarifying the current situation, "Well then, I'm sorry but there's nothing I can do for you. Though some research suggested that meditation routine before sleep can help. Or putting up some natural ambience like the sound of rain or waves--"

Y/N wasn't really listening after the first sentence. Because all she could thought of was how much longer she can bare with this and what will it take for her to finally snap.

Y/N was dying. At least it felt like it.

With her deprivation of sleep and the intense combat training she had to go through today, her patience was reaching it's limit. After visiting the medbay 2 weeks ago, she had tried to approach Bucky about it but he always took it lightly.

There was series of insincere apology followed by a cheeky promise to 'keep the tone down' for her. But nothing changed. She asked him again and again; days gone by he didn't live up to the end of his bargain.

For those past week, Y/N had resorted to sleep in the living room for most of the nights. How she dreaded to leave her comfy bed but she could no longer tolerate the sounds coming from the other side on the wall. Though she still jolted awake from time to time due to how uncomfortable it was sleeping on a couch, but at least she got more than 2 hours of sleep if she was to compare to the nights she slept in her own room.

It's not she didn't notice it at all; she knew exactly how and why it happened. The habit of microsleeping that she developed during the course of this training. The slowed reaction time, the lack of energy, she can feel it. But, there was nothing she can do about it.

The only cure for this was to get some rest. A proper rest. And that can't happened, not without Bucky's cooperation.

When Y/N was marching towards the sargent who was sitting way across the gym; she could see how his eyes undress every piece of her clothing, how his tongue rolled out and his teeth sunk into his lips.

She wasn't even wearing anything remotely provocative but here he was lusting over the way her hips sway especially when he was the one she's walking towards.

The moment she stood in front of him, his mouth lifted into a smirk, "Yes, princess. How may I be of your service?" His voice was sultry and the way he towers over made her slightly nervous for no reason.

Her heart fluttered, yet her lips refused to form a smile, "Don't call me princess."

"I apologize, my queen." Bucky gave her a cheeky smile.

Y/N didn't want to drag this any longer than she should, so she quicky jump into it and said, "So you know how I’m like-"

"-absolutely embarrassingly in love with me? Yes, I'm familiar go on." Bucky cuts in. If panic ever rose in her chest, then she was doing an incredible job of hiding it, "Can you just shut up for a second and take me seriously?"

His eyes glint with flirtaous mischief when he replied, "Doll, you know the fastest way to shut me up is to kiss me."

Y/N simply sighed before she began to rant, "I really don't have the mood for this banter with you, Barnes. I just want you tone down your nightly routine. It is because of you I've been having trouble sleeping and--"

He quickly stopped her before she nags even more than she already did, "Okay, okay I get it. We've been through this, doll." Bucky's face lit up when he suggested, "How about I help you sleep, hmm? I may know a thing or two about tiring someone out." There was surely something unholy in those steel blue eyes of his.

And Y/N picked it up rather quick, but considering the amount of times he had insinuate something more than just a friendly banter, then of course she knew exactly what he was suggesting, so she simply replied, "No offense, Barnes. But, I don't do one night stand or no strings attached thing. And with a manwhore like you? No, thank you." sassy was her answer.

Bucky's head tilted back as he laughed, then when he spoke his voice was like a devil luring an angel to sin, "Oh babydoll, if I were to be a whore, it'll only be for you." He stepped closer so that only she can hear his confession.

His masculine scent hits her nose, mixture of the citrus cologne and his natural odour was just perfect. Annoyingly alluring; but perfect. And it took all her will to hold it together and blatantly rejects him, "Still not interested."

Bucky groaned in protest, "Come on, princess. You can't keep dreaming for some prince charming to court you, do you? You know that's probably never going to happen right?"

Surely he meant only to tease her; that it was less likely that an actual prince to romance her. Not that she did not deserve the world; she does. And Bucky was more than will to burn it to the ground if that's what she wanted.

But, Y/N didn't see it that way. She thought that Bucky meant that she is not worthy enough for a decent man to court her with respect and chilvary; that she was just a toy fit for fucking and nothing more. And the fact that her "insomia" had affected her usually high patience and reduced it to almost paper thin, it was only fair for her to finally snap.

She can tolerate his endless flirtation but she can't simple turn a blind eye for his insult.

Bucky was caught by surprise why Y/N harshly grabbed him by the collar, pushing him back and nearly stumbled; her eyes was pure fire when she growled, "Don't you dare mock the way I value relationship, Barnes." Her nose flared with anger and the commotion has attracted some prying eyes towards the two.

"Just because you enjoy fucking anything that breathes, that doesn't mean that everyone else does." She seethed, "The only cock that will be wrecking my pussy would belong to someone I love and if you have a problem with that, you can fuck right off." She forcefully pushed him until his ass landed on the bench behind him.

Her feet stomped all throughout her exit out of the gym, leaving Bucky in a blinking confusion.

He knew it was wrong.

It felt good. It felt right.

But, it was so fucking wrong.

To keep moaning Y/N's name when he railed those strangers to heaven; when he came so hard into the thin layer of condom. And it was always a soft and slow type of whimper, right in those girls' ears. So intimate, so careful not to let his secret out; knowing how thin the walls between him and the love of his life.

But, he certainly didn't care about the girl he was fucking. If it wasn't for his heavy body pinning her from behind, she would've elbowed him right in the guts for moaning another woman's name. Unfortunately for him, she quickly ditched and see herself out after the first round.

Now, he laid there; naked and bare. Thinking of how he simply couldn't help it. How could he not think of Y/N all the times? Not when he was deeply, helplessly in love with her. But, he knew she wouldn't bat an eye at him now that he had the reputation of a "fuckboy", as the young ones describes it. She especially made it clear today at the gym. She's never going to give him a chance now.

Not when she's a hopeless romantic. And the fact that he too was once the same was just aggravating to him. He was such a gentleman decades ago; before Hydra, before the war, when he was but a young man living Brooklyn.

His Ma had really shaped him into the perfect gentleman; every parents in the neighbourhood wanted him as their son-in-law. They claimed he would make the perfect husband for their daughters. But, things are different now. And he knew that the man he was before was long forgotten.

It was just curiosity at first; about how sex works in the 21st century. However, Bucky quickly fall into the promises of lust and pleasure; changing girls like changing clothes. He let himself dosed in ecstasy, as if it was a drug to silenced the dark and haunting memories of his past, like it was a quick escape from reality, from the Winter Soldier.

Then, Y/N happened.

Bucky never saw it coming; but, he fell. Hard.

They were colleague for years and had been a good friend he can rely on besides Steve. She was so sweet and pretty. Probably the most gorgeous woman he ever laid his eyes on, in the hundred something year old life of his. Most importantly, she was kind and patient and strong and fierce yet so unforgivingly selfless. 

But that didn't matter now, does it? Especially when she despise him. And it was all because of the unholy title he held.

At first Bucky didn't notice it, but now that he stepped closer into the living room, he heard it again. The rustling fabric, the quiet whimper coming from the sofa. His steps were as careful as a wolf on a hunt, stalking a hiding prey in between the trees.

If Bucky were to guess what he would find on a late night trip to the kitchen, he would've probably said 'ice cream' and not 'Y/N sleeping in the living room'. His eyes briefly raked her sleeping figure, curling uncomfortably into the pastel purple blanket. Then at the scattered pillows on the floor around her.

Why was she sleeping in the living room?

Another whine passed her lips and his attention was locked on her frowning face; it seemed like she was having a bad dream. Bucky carefully crouch next to her, and ravel in her beauty. Such delicate features, long lashes, pretty freckles across her nose, and those soft looking lips; he would kill just to taste her them, to sink his teeth in between them.

It worried him though; to see her sleeping here. She was clearly uncomfortable, it was a mystery that she managed to even fall asleep in the first place. Bucky suspected she simply passed out due to today's training. It was particularly hard, even for him. Let alone a normal human being like Y/N.

Not to mention the fight that they had.

Then, it clicked. The complains about how she had trouble sleeping. It wasn't just to make fun of him or tease him in any way. It was a plead. She needed to be heard and he completely blew her off with jest and jokes.

"Was it because of... me?" Bucky thought to himself. It all made sense now, "Shit." A curse rang in his mind when he bit the insides of his cheek. He was mad at himself. How could he be so insensitive? And he claimed to love her? Please. What an absolute piece of shit he was.

When Y/N began to toss and turn, her blanket fell from her body. Even in her sleep, the cold managed to catch her. She instinctively curled towards herself, seeking warmth but was no avail.

She look so small and Bucky felt a surge of need to cuddle her close, keeping her safe, keeping her warm in his arms. But if he does that, he'd probably get kicked in the nuts. So instead, he picked up the fallen blanket lay it back across her whole body; carefully not to disturb her sleep.

Bucky smiled softly when she snuggled into the fabric and before he walked away, he swore to stop this corrupting habit of his and apologize for being such a douchebag to her. And if he's lucky, maybe he could even properly court her.

But for now, he just needed to go through tommorrow's mission. So does everyone one else in the team.

"Do you realized what you have done?" Not matter how hard he tried to hold it back, everyone in the Quinjet can see how Steve was seething.

Y/N's lost of sleep had took a toll on her more than she realized now that it had affected her performance in mission. She tried to ignore the way she was basically seeing Steve's feet multiply by the second, and continued to look down in shame, "I'm sorry, Captain."

"Don't apologize to me. Nat's the one who got shot because of you!" He yelled as he pointed at the red haired woman at the side of the plane.

No matter how much she wanted to blame Bucky on this; how he literally robbed her from fulfilling her human needs to rest at night, but she just couldn't. It was her fault that Natasha got hurt. If she was more alert, she would've seen the enemy standing right in front of her. If she was awake enough, then Natasha wouldn't get hurt.

Tears threatened to form when she looked over at her dear friend, bleeding at the side, "I'm so sorry, Nat. I really am. I didn't know what came to me and I--"

"Oh please, I'd take a bullet for you any day of the week, honey." Natasha swiftly cuts into her apology, in attempt to diffuse the heated situation.

But, Steve totally disagree with her, "Don't make this 'okay', Nat. You almost died because for her carelessness. Being inadequate shouldn't be okay for any agent to do. It is extremely reckless and downright stupid."

There was a sound of a distant gasp from the pilot pit, "Language!" Tony was clearly trying to lighten up the mood but it failed rather miserably when no one reacted.

Steve had every right to be mad, especially when his girlfriend was injured because of this, but oh does it hurt to hear his stabbing words. It hurts more when it comes from the Captain America himself.

God, she was extremely tired.

Physically, mentally and that's what happens when a person is lack of sleep. Then when she thought about all her hardwork and struggles to train amongst the superhero themselves, she couldn't help but to crack; and the tears that was building up in her eyes finally fell.

When Steve saw it, he lost it completely, "Oh, you're gonna cry now? WOW. Real mature, y/n. You can't disappoint me more can you?" At that point, he was being a little too mean for anyone's liking.

Especially Bucky.

So Bucky slowly pulled Y/N back, and shielded her body behind his as he went on face to face with his bestfriend, "That's enough, Steve." He warned but Steve doesn't seem to get the idea, "No, Buck. Do you see--"

Bucky took one step closer, his menacing glare went right through Steve's soul, "I said... that's enough." He repeated his words. This time the message went through.

Steve gulped and cleared his throat as he waved a dismissing hand, "I expect a full report and a letter of apology from you when we get back, y/n." He ended his sentence with his back turned and then walked away towards his girl.

When Bucky turned around to face Y/N, she was but a crying mess. Tears kept streaming down and her lips quivered in so much sadness. Now, that she was in the light, Bucky could see the darker shades on the bag of her eyes.

This was his fault. If he just stopped goofing around and listen to what she had to say yesterday, she wouldn't need to go through this, "Oh sweetheart..." though he meant to call her in his mind, it might just slipped through his lips.

Y/N glared up at him, "This was none of your concern, Barnes." She spat.

He shrugged, "Well, lucky for you, I don't care whose it is. What I know is I care about you. Now, let's get that wound patch up." Bucky simply said, and that was when she realized that her ribs were slashed open, bleeding and torn. Maybe it was not too deep, that was why she didn't notice it.

But it is an injury nonetheless, and it was a surprise to her that Bucky noticed it. "I don't want your help." She frowned yet continued to sniffle.

"Yeah, but you need it." He replied as he carefully tucked the loose strand of her hair behind her ears.

Unable to think of any comebacks, she let her fatigue win over. Her lips shut tightly and her chest shuddered for breaths. And when Bucky took her hand in his and lead the way, her body instantly responded by gripping him tight.

Bucky's heart soared at the touch of her small hand in his, while fire was burning in hers.

She hates him. She hates how caring he can be. She hates how soft he was when handling her. And she hates how easy it was for him to make her fall for him even more.

Y/N's body quickly went on auto pilot; she let him undress the blood soaking top and patch her wounds. And Bucky let her cry her heart out on his shoulder all the way back home to New York.

That night when everyone had settled back to their own rooms, Y/N was prepping to sleep outside again. It was like a schedule for Bucky to always fuck whatever his frustrations out when they finished a mission.

And she doesn't want to hear any of it. Not tonight.

Thankfully, her wounds were mostly healed thanks to Dr. Cho and her ingenious of a machine, Cradle. That thing fixed the teared tissue right up with its regenerative  functions.

Now, Y/N just needs to endure the bruises but those are bearable. What she couldn't bear is the lack of energy and goodnight's sleep. She wished to just pass out for days and not wake up even if a prince came to kiss her to wake.

And she knew that sleeping in her room won't give her that.

Y/N piled her pillows and blanket on top of another before scanning the room one last time to make sure she didn't leave anything behind. Because she was not planning to step foot in her room until dawn comes, hoping the sounds from the other side of the room died down by then.

When she was walking pass Bucky's, she noticed how awfully quiet his room was, but she didn't think about it too much. She waited for the elevator to open its door only to reveal the man himself, "Barnes."

He eyed how Y/N's figure almost hidden behind the piles of pillow in her hold. He stepped out as he asked, "Where do you think you're going?" Bucky knew exactly where but he was not having any of that.

It was weird to her that she didn't see any sign or Bucky's hook-up in his arms, but she bet that there will be one after she's gone downstairs, "Away from you, that's for sure." She said, taking a step into the elevator but instantly stopped the moment Bucky blocked her path.

Bucky lips flatten against each other; he didn't say anything, he only frowned down at her then simply grabbed her wrist and dragged her back to her room.

Utterly confused, "What are you doing? Hey, let go of me." She twisted her wrist in his hold, while trying to balance the pillows from falling. A useless trial it was; because who could even escape that metal grip of his.

Bucky quickly respond, "No. You're not sleeping on that shitty sofa tonight." He stopped in the middle of the corridor and turned to her, "You're injured, y/n. You need on a proper rest on a proper bed." He coaxed.

How did he know that she had been sleeping on the coach? She thought before saying out loud, "I'm fine, Barnes. It's not even that deep of a wound, the Cradle fixed it clean. So, can you just... let go of my hand?" She sighed.

But Bucky refused to even spare her a glance, he silently tug her and stomp his way towards her room. There waa retaliation on her side, but his lack of response had lead Y/N to her defeat. She begrudgingly followed his long strides until she they stood by her bed.

He snatched each of the pillows and blankets off her hands, while Y/N simply blinked speechlessly as she watched Bucky started set up her bed like he had been doing it everyday.

Weirdly, at times like this, she found him extremely lovely. There was no corny and flirty comment about her, or his annoying habit of teasing every little thing she does.

There was just a comfortable silence and a kind gesture; the type that pulled the red strings of her heart just enough to make her want to dream of him.

Fucking hell, she can't believe that he managed to do that again! Making her fall for his antics. He really needs to stop doing that, it's simply rude.

Y/N broke from her love struck trance when she felt his cold metal laced around her hand again, he pulled her closer, "Now hop on, bunny. You need to rest." He lead her under the blanket and she grumbled curses under her breath, something about he need stop calling her weird nicknames like that.

When she was well tucked in and comfortable, Bucky sat at the edge of the bed by her side and spoke, "I'm sorry. For not trying to listen to you at the gym yesterday. I was a jerk."

His apology was so sincere that Y/N caught herself in a shock. Who is this man? What has he done to Bucky Barnes?

His eyes lingered to the wall behind her bed as if he was trying to find the right words to address it, "About the noises..." he trailed, "...it'll stop from now on."

Oh. Nevermind. She liked this Bucky. She wants to keep him forever, "Really? You mean it?" There weren't any effort put to hide her excitement when her voice nearly squeaked.

Bucky chuckled amusingly at her reaction, "Really, doll. But, you gotta promise not to sleep on the couch again."

Sparks of joy filled her chest when he confirmed his decision. Sure, it was such a small favour to do to anyone. But, she appreciate his efforts to make amends. "Hmm, I promise." She hummed happily, blinking slow as the comfort of her bed lured her into a drowsy state.

"Thanks, Bucky." Her mentioned his name.

Thank god for the super sensitive hearing ability, cause Bucky surely love the sound of her voice whispering his name so softly, "For apologizing or for tucking you to sleep?" He jest.

It only made her eyes rolled to the side and a smile spread across her face, "Both." she said. "And for what you did on the jet."

Bucky simply shrugged as if it was a normal thing to do. But, it wasn't. It was rare for him to challenge Steve like he did. And he did it for her, "Really, I owe you one." She said assuringly.

A playful smirk pulled on Bucky's lips when he spoke "Doll, you shouldn't be saying that so carelessly. Who knows I might use it for despicable things." Surely, he love to be the cause to bloom those red shades on her cheeks.

But it didn't happened when she asked quietly, "Will you?"

And the silence that came after was heavy with tenderness while their eyes spoke the truth to one another. As the thin lines in between got blurry, for once, there was just streams of genuine feelings pouring out of them, leaking through and contaminating the air with its magic.

Would he? Take advantage of her?

How could he though? He loved her too much to even think of purposely hurting her. "No." Bucky replied as he leaned down and placed a sweet kiss on her forehead, "Sleep well, princess." He mumbled against her skin.

And he pulled back, he grinned a cheeky smile. There it was; the pink blush on her face, wide surprise of her eyes and her slightly parted lips. She looked so adorable. He swore couldn't get enough of it.

"Kiss me again..." she nearly growled, but her blushing on her face didn't indicate anger, "...and I will choke you in your sleep." Though it was an attempt to threaten but typical of Bucky to just love to turn things around, "Hmm, is that an invitation, princess?" He purred and stole another kiss; this time, on her cheek. "Then, I will be looking forward to it." He whispered as quickly as he removed himself from the scene.

When he found his own bed, he couldn't help but to laugh at the muffled scream coming from the opposite side of the thin walls, "James. Fucking. Barnes!!!"

End.

Alternate ending (smut edition): Deleted Scene >>

Read my other works here: Masterlist

A/N: I hope you drop some thoughts behind before going to the deleted scene. Which I know you will. See you on the other side 👀

[headspace-hotel]

There's a plentiful supply of nature and ecology writers that criticize "Anthropocentrism" and tell readers that we shouldn't consider ourselves more important than other life forms, and then they write things that are like "We evolved to live in Nature in a Natural environment...Long ago humans lived as hunter-gatherers instead of farming and domesticating animals...But when civilization was created, man unnaturally subjugated and modified plants and animals...Bringing them under human control for his own benefit...Man replaces natural ecosystems with artificially created "post-natural" environments...Now humans live in an unnatural environment that is separated from Nature...and i'm like buddy. do you even hear yourself

Since I have access to a bigger library now, I've explored "deep ecology" and "green anarchism" and "Biocentrism" a bit more and what i've seen is still kinda silly. The writers have very thoughtful theory and philosophy of diverse subjects relating to morality, society, power, and liberation, but...they just don't know very much about Nature.

I mean several things by that: first, they're not clear on the boring, practical details of things like food systems and the way construction alters ecosystems, second, they don't try to clearly define what "nature" is, and third, they act like "nature" has a clear definition anyway.

Now nature is pretty much undefinable anyway, a couple possible definitions are "all things that exist, have existed, or are possible in the universe" and "the thing that a forest has that a parking lot doesn't." You can say "biodiversity," but every space has biodiversity, and it's not clear how much biodiversity a space is "supposed" to have, we're just going on vibes. And the vibes are right, in a way; I visited an old-growth forest and it was DIFFERENT than any place i'd ever been in a way that is hard to describe. A flourishing, biodiverse ecosystem is different than a parking lot, a lawn, a monoculture field of corn. They say it's good for your health to be "in nature." What does that mean? At what point does a place become "nature?" How many trees does it have to have?

Something that is so painful to me is when people write "Human activities" as a cause of biodiversity loss. This is an act of cowardice. WHICH human activities? Name them.

A lot of nature and ecology writings treat humans like they have an anti-biodiversity force field that emanates from them. They write like lands on Earth are each contested between two inversely proportional forces, "Nature" and "Humans."

Without any more information, this is ethereal bullshit on par with crystals having energies. I am totally perplexed at the lack of curiosity about the specific causes and details of "human impacts." The division of habitats by so many roads and relentless speeding of cars with no way for wildlife to cross...the dumping of massive amounts of poison into soils and water...the wounding and disturbance of topsoil...these are the "human activities," but we can imagine a world without such destruction, and we can create that world.

Too many essays and papers talking about Nature non-specifically, an Idea of Nature, a Concept that everyone just intuitively knows. Nature is...you know...wildness! and trees! and...well, you know, NATURE!

And we do know! When we step out into the parking lot surrounded by low, squarish buildings and blaring signs and the stink of car exhaust, we know that something is very wrong with this place! Even we find these horrible un-places harsh and unwelcoming.

But it is very hard to imagine something different, because the other type of place, the place that is beautiful and soothes the spirit and is full of life, is by definition the place where humans only go to visit, the complete opposite and inverse of a place where humans work and live! Wherever humans live, shop, eat, fulfill their daily needs, that place is Not Nature.

The huge mistake, is that we believe that it is necessary to have places that are Not Nature. We believe that for humans to exist, areas must be set aside where the very concept of Nature is utterly obliterated.

From this imaginary and dismal point of view, we have to carefully confine our own lives to places that are utterly poisoned, sterilized, made into a hostile wasteland, and leave all the rest of the living biosphere to itself in pristine preserves.

And in this imaginary and dismal point of view, the one that divides Earth into Nature and Humans, it is okay to poison and to sterilize and to destroy, because humans must live SOMEWHERE, therefore Nature must be utterly excluded from at least SOME of Earth.

BUT...WHAT IF EVERYWHERE IS NATURE? What if the dandelions in the cracks of the pavement, the lichens growing on the park bench, the wildflowers on the side of the road, the sparrows in the parking lot—what if they are all Nature just as much as anything else? What if they too are sacred? What if it is our responsibility to see the connectedness of all life and to care for all ecosystems, however broken and hurt they may be?

What if Nature is not distant and abstract, untouched in some pristine place, but always reaching out, digging into the crumbled concrete and gravel and compacted ground, clawing to return to us and bring us back home?

It does not take away from the value of the old-growth forest or the unplowed prairie if we open our eyes and see even the scraggliest patch of overgrown weeds for the powerful manifestation of Nature it truly is.

Nature is not a place or a thing. Nature is the Movement, the Endless Happening, constantly alive throughout all life, the way of all things being family, the way of all things taking care of each other, the way of all life being constantly transformed through one another. You breathe the breath of the trees of your home, you drink the water of the streams of your home, you eat the sunlight that falls on your home, grown in the soil where all things go to be transformed through death into a new form of life, fed by the mycorrhizal network, pollinated by the bees, wasps, flies, and moths, nourished by the bone, blood and manure of beasts, and ultimately the fertile river valleys where agriculture first began, were replenished by the rich silt that washed down the river, which came from the forests in the mountains that shed their leaves to make a feast for a million decomposing critters, which is how the rich soil is made.

In this way they all take care of you, and in return you are asked to Live—to take care of them in return, to live as part of the great family of everything alive, to live, to live

What are human activities...? Deforestation? Mining? Spraying pesticides? Building housing developments? But is that all? Are we inherently a "bad" and "destructive" species, or is our ability to acquire and pass down knowledge, use tools and novel behaviors, alter our surroundings, shape ecosystems, adapt our lifestyles almost infinitely, and persist in almost any environment, simply incredibly powerful for good or for evil?

First of all, what better way to demonstrate a contrast to anthropocentrism...than to compare the impact of humans alone to the impact of an ENTIRE KINGDOM OF LIFE, the fungi????? Of course all of Fungi are more important than one single species??? Wtf?!?!?

But also, we should not convince ourselves of our own insignificance and worthlessness to the biosphere, because in the same way that individual self-loathing can be a way to avoid the hard work of loving oneself and advocating for the love one deserves, collective self-loathing as a species is a way of avoiding the responsibility we have to other life forms.

How can this author not think of a single role Humans play in the ecosystem?? What species plants trees, saves seeds, documents rare plants, rescues injured animals and heals them, raises orphaned chicks, manages controlled burns, digs ponds, thoughtfully harvests in anticipation of future seasons, mercifully culls in understanding of suffering that cannot be fixed? What species writes a new chapter in the genome of the American Chestnut so it can be saved from extinction? What species mends the broken kakapo egg with sticky tape? What species addresses their own habitat with that fondest name of Home?

[oharababe]

❝ ACROSS FOR COMFORT ❞ ficlet premise. when he feels that the weight of the world is crushing him, miguel can only think of one person he can go to and unravel his biggest fears. he'd go to you even though you are far away from across the multiverse.

pairing: spiderman 2099 miguel o'hara x reader genre: mature warnings: hurt/comfort, longing from afar word count: 2,148

Miguel knew that he divided the Spider Society the moment he let everyone know that they would not stop until Miles Morales was brought back to him. 

Anger coursed through his veins when the young Spider-Man managed to slip through his fingers and escape from the Society again. He’s been defeated by a sixteen year old boy, who only had a year experience as a vigilante, who didn’t know much about the big sacrifices all Spider-Heroes had to make. And yet, he managed to draw everyone out of headquarters so that he can escape where no one can find him. 

But Miguel will make sure that Miles is found, even if he has to take drastic measures in order to protect the Multiverse. 

The boy wasn’t supposed to be Spider-Man, and yet Miles managed to outsmart him single-handedly. Outsmarted himself, Spider-Man 2099. Who has been protecting the multiverse for years with more experiences compared to the young hero. Who has never seen how fragile the universe is. Who made one mistake that caused the ruins of other people’s lives, wiping their existences off the arachnid humanoid poly multiverse (yes, that name does sound a little far-fetched, but he will always refer to the multiverse as that). Miles Morales reminds him of himself, and Miguel hates it. The one who thought that he can have the best of both worlds; saving lives and having the people close to them alive.  

I thought we were supposed to be the good guys? 

We are, he told Gwen. They still protect the multiverse, saving people’s lives. He was keeping the universe together. And yet, he couldn’t get her words out of his head that echoed in the back of his mind. Miguel knows that the weight of his words and actions have divided the Society, but what was he supposed to do when he tried to explain the situation to Miles calmly and it didn’t work out? And the possibility of another multiverse wiping off its existence can happen again? 

Miles Morales reminds him of himself, believing that Spider-Man can have everything in his life. The reality of it is that they can’t. No matter how hard he tried and the consequences led to severe destruction because of him—it was selfish of Miguel to think he could have it all. 

Miguel sneers when a couple of the Spider-Heroes give their updates that they couldn’t find Miles Morales in the universe they’re assigned to. His fangs bare under his mask, the tone of his voice edge command and hint of desperation as he commands the heroes to continue their search on the young vigilante. The multiverse is large and he knew that Miles could be anywhere. But the boy wouldn’t be able to hide and escape away from him for too long. Miguel knows that—he’ll make sure to find Miles Morales and confinement will have to be done. 

Setting up coordinates to a certain dimension, he strode into the wormhole and reappeared at the end of the time tunnel. The rain has stopped and he’s greeted to a new environment. It was pitch black, quiet and the full moon brightens up the dark canvas of the skies. Feeling the serenity in the air, calmness begins to settle in him, something that he hasn’t felt in a long time. He scouted the multiverse, taking notes of which universes he visited so that he could look for Miles. Earth-223 is no different; his mission is still to catch the young boy. But a thought crosses his mind when he comes to this universe, and his heart starts to race a little faster. 

Miguel hasn’t visited Earth-223 in a while and his stomach curls as he overlooks a part of the city. He glances down at his gizmo and as he suspected, there are no energy levels of anomalies on Earth-223. He has a job to do—to protect the multiverse—but at that moment, his mind is drawn to one thing that he’s been hoping to do since his arrival. 

He moves and swings swiftly from one place to another, going to a place that he had in mind. With one last jump, Miguel lands on top of a roof building perfectly, landing on his feet and rising up to stand. He overlooks a particular street apartment that he’s been looking for. His eyes look down at the street and observe the citizens that walk past by. Miguel knows that he shouldn’t be doing this but a part of him couldn’t help himself to go along with the plan. To find someone from this universe that he knows well. 

And within his view, there you were. Walking down the streets of where your apartment complex is. Seeing how late it is at night, you must have just got off work, ready to return back to your home. He watches as you approach the apartment’s main entrance, taking out your keys and watching you enter the building. 

Miguel lets out a breath that he didn’t realise that he was holding back. You live on the fifth floor of the building and he contemplates on if he should do what he’s been wanting to do with you. In the apartment, he has a hunch that you’re walking up the stairs to your flat. It should take less than five minutes at least and his mind races as he debates on whether he should take the leap or not.  

“Lyla,” Miguel speaks up. “Call them.” 

“A-are... are you sure you want to do that?” Lyla questions. You should be on the way up to your place, maybe walking down the corridor as you prepare to get your keys out to get inside. He knows your routine like the back of his hand. 

“Just do it,” his voice firms. “Call them.” 

Lyla doesn’t argue and she tells him that she’s connecting his earpiece  to your phone number. Through the window of your apartment complex, he can see that the front door unlocks and opens. You step in, put down your bag and take off your coat to hang it up. Miguel sees that you stop midway and your hands pat down to your side pockets. He knows that his call is ringing on your phone because a smile appeared on your face despite how tired your day must have been. “Hey,” 

“Hey,” Miguel responds back. He notices you move around in your apartment, going to the kitchen. Your voice speaks to him on your end of the line, asking about what he has been up to with that calm and cheerful tone of yours. He keeps it brief about his day because he would rather hear about yours, than to remember the crisis he is currently facing. The mask on him disappears away as Miguel listens to you. His free hand rubs against the pad of his fingers together, sometimes running through his dark brown hair. His eyes never leave your sight as he sees you walking around in your kitchen, listening to you talk his ear off that he welcomes deeply. 

“When are you ever going to stop calling me that?” Miguel half jokes. The corner of his mouth curves up into a half smile. Though his words come across displeasure, his heart races at the nickname you made.  Please never stop calling me that. “Miguelito? Really?”

“Well, you never complain.” You tease back. There’s a moment of pause before he hears you speak up again. “Hey, I can tell something is bothering you. You okay?”

Miguel realises that he can never escape from your skepticalism, no matter how hard he tries to hide it. You’re the only civilian who knows about his identity and what he does, even if he isn’t the Spider-Man from your Earth. He knows better than to let anyone in but when it comes to you, he couldn’t stay away. Drawn to you like a moth to flame. Maybe in truth, the reason he is on your Earth is not to find Miles Morales. But rather, to look for you.

“I don’t know if what I did was the right thing to do.” Miguel’s voice wavers. 

Quietness settles between the two of you, and he allows himself to lower his guard down as his voice guides him. “I know that I have to be the one to do it. But I just… don’t know where I am going with this. I thought I knew what it takes to carry this burden.” 

Miguel sighs, the weight of his thoughts and words prior tightens in his chest. He finds it a struggle to downright say that he wants to express at times. He stayed silent and exhaled out slowly, his chest deflated. Miguel’s eyes clock on your figure by the window and though he could only see a side profile of you, he catches a small glimpse of you quietly as well. Not long after, you speak up. “I’m really sorry that you’re having a rough time.” 

“I feel that I did this to myself. Always so… rigid.” A solemn expression etched on his face. 

“True but you have gone through a lot.” 

“There’s this new kid who isn’t like the rest. Different. Which worries me.” Miguel begins. “I told him about the predicament of the future of all Spider-Man—that we will all lose someone close to us. And, Miles wouldn’t accept that.” 

“I see.” You say. “Who is he predicted to lose?” 

“His father, a Captain.” Miguel says. “Miles is trying to change the future and I can’t let that happen.” His voice sterns for a brief moment. “Or else he’s making the same mistake as I did. Have the same guilt that I carry.” 

 The invisible weight he feels in his mind and chest lightens somehow when he tells you what’s going on. You’re quiet when he’s done talking and there’s a moment of pause lingering between you two. 

“I don’t really know much about the effects of messing up timelines,” you say. “But from an outsider’s perspective, it seems that Miles would go against the predicted fates because he would rather give all he’s got than do nothing. Even if he’d get hurt by messing up the timeline, I think Miles would be even more hurt and guilt-ridden if he didn’t give it a try for himself to save someone.” 

Miguel stays quiet. There is something in your words that reaches him, anchoring him to see things differently. You’ve always been good at putting things into a different perspective. 

“I know you care for the kid, Miggy.” You continue. “Even though you have an odd way of demonstrating that.” 

He could imagine the corner of your mouth curving up into a smile as you chuckle softly at your end of the line. And he does the same; cracking a smile on his face for once since the mess of the Spider Society everything happened. Miguel allows himself to venture with the idea of a peaceful life with you; a life where he would return home to you on his good and bad days, and you would be the one he is excited to come home to. He wants to be comforted by you. To hold you in his arms, hiding his face in the crook of your neck. 

He wishes he could just be with you. To him, you are his world. But he knows that you’re only a tiny fraction of this multiverse he swore to protect, even if it means keeping his distance away from you. 

“Miguel? Are you still there?” Your voice speaks through the earpiece. 

He cleared his throat, breaking away his thoughts of a life he knew that he couldn’t really have. “Yeah, I’m here.” 

“Thought I lost you for a moment, there,” you say. Miguel sees you moving around in your living room and settles to sit in the middle of your sofa. You cross your legs in a lotus position and he couldn’t help but watch you, feeling himself strained to stop the smile from forming. But he couldn’t help it, not when you look so carefree and safe. 

“Anyways, are you free to swing by? I made an extra batch of food to share.” You said. “Feel like I cooked a bit too much this time.”

“Not this time I’m afraid.” Miguel says. “Work’s getting intense.” 

“That’s a shame,” you tell him. “Well, I don’t know where you are but that doesn’t mean you can’t escape from me telling you off. And to remind you to look after yourself.” He sees you stuff a spoonful of food into your mouth. He gives you a moment to eat but still manages to talk to him. “Or else who am I going to ramble someone’s ear off but yours?” 

You are what he is protecting, and he’ll do anything to make sure the world you’re in is safe. 

TAGLIST gang: @99matterss @tojishugetiddies @miauamy @pigeonmama @oyayablog @itsmiguel2099

spiderverse taglist page

[wonwoosstuff]

wonwoo x f.reader; just them having a sexy time as a couple (established relationship); 18+

“Hm, you like that don’t you, sweetheart?” you whispered seductively in your boyfriend’s ear, gently cupping his face with your hands.

The two of you do not even remember how you’ve gotten to this point. Somehow you’re suddenly sitting on Wonwoo’s lap straddling him on your soft couch.

Tonight was one of those nights where Wonwoo planed on taking things slow. The mood of the living room— with having no lights on besides the couch lamp that illuminated the two of you— took the romantic atmosphere to another level.

Simultaneously the opened window blew a soft but cooling night breeze into the room causing you to shiver. The slow make out session was interrupted by your complaint:

“Wonu~can we please close the window? It’s really cold in here.”

A brief moment of silence. You looked at him with confusion.

“Wonwoo?”

“Let’s get you warmed up then.” He answered unhinged. Yet, these simple words created a mess of butterflies in your stomach.

Your boyfriend swiftly grabbed your waist and laid you softly down on the couch facing you contemporaneously. You drooled over the way he took off his shirt rapidly, then taking off his glasses to exempt you from getting hurt. The sight of a shirtless, well-built and shoulder-rich Wonwoo made your jaw slightly drop. Something about his movements were just so— breathtaking and sexy— even if these are considered normal in society.

You quickly looked away from him not expecting him to grab your jaw to make you face him directly.

“I want you to focus on me, love.” His fox-like gaze pierced through you. Wonwoo made sure that your eyes were not leaving his. Keeping eye contact during sexual intercourse was his one and only priority.

“Ugh, I can’t do this. You’re j-just so—“

“So?” He raised his eyebrow curiously.

“So intimidating and sexy” the last part of your sentence was mumbled however your boyfriend still heard it. Wonwoo’s reaction to your little confession was a smile followed by a deep chuckle. “Cute” was the last comment that he left on your shameless confession before connecting your lips with his.

The man continued to kiss you passionately as he put his arms steadily next to your head to support his weight. Wonwoo practically caged you into his trap. Nobody would even think that you were lying under him— that’s how wide his shoulders reached.

He began making his way slowly to your chest pulling your Tshirt up to reveal a better view of your breasts. To be more frank, all you had on were panties. Walking around with a bra was in fact very uncomfortable.

“I can’t believe you’re all mine, love.” He admired while pecking your cleavage.

“Baby?”

“Mhm?”

“Are you not going to take my shirt off?” You asked while looking up your boyfriend.

Wonwoo left a smooch on your belly button and answered: “Later, babe, later.”

You nodded and were curious about his upcoming plans. The first part of the plan was massaging your boobs. He was utterly skilled with his fingers due to his gaming abilities. So he used them as nipple torture.

————————————————————————

Your boyfriend had your legs laying on his shoulders for the past 30 minutes. He didn’t show any mercy and pounded into your arousal senseless. To support yourself you found your way to his hands intertwining your fingers with his fingers.

Your fucked out and flushing face turned him on making him go harder on you. Keeping up with Wonwoo’s pace was difficult, almost impossible.

He had one hell of stamina.

Wonwoo hasn’t really been moaning much — unlike you— instead he preferred to keep his calm and bite his lips to focus on hitting your g-spot perfectly.

“Ugh—W-Wonwoo— I can’t do this anymore, p-please spare me.” You could barely speak to him.

All you could see was a blurry silhouette of your boyfriend— that’s how good he made you feel.

“Oh yes, princess, you can.” He implied with his deep voice while also letting go of your hands.

“You look so hot like this.” A comment he wanted to share hours ago. Now he finally said it.

Wonwoo pulled you closer by your ankles to get deeper access to your g-spot — and it worked.

“Does this make you feel good, darling?”

“Mhm, y-yes!” you replied while moaning helplessly.

Wonwoo pecking your ankles while smirking at you was your last straw. He knew it turned you on.

He knew all of your weaknesses.

However your biggest weakness was your boyfriend getting to close to you and your ear.

And today seemed like your lucky day. He still was focused on thrusting harshly into you but leaned forward to meet your gaze directly. This resulted into you looking away quickly to not meet your boyfriend’s seductive gaze.

“Will you focus on your man, hm? Trust me, you don’t want me to turn this into a punishment.” He said while grabbing your jaw once again.

You began to hold onto his shoulders since his thrusting became sloppier. Still, it was hard to keep the eye contact.

“Are you warm enough, love?” He asked softly making you smile.

©️ wonwoosstuff do not copy or translate!