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#man myth and magic
werkboileddown · 10 months
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via john coulthart with an interesting essay of contextual info about the publishing history, and links to some older related pieces on his blog:
"The editorial board of Man, Myth and Magic was composed of heavyweight academics, together with John Symonds (Aleister Crowley’s literary executor and biographer), while the group of special consultants included Katharine Briggs (folklore), William Gaunt (art) and Francis Huxley (anthropology). Symonds brought Kenneth Grant on board. Grant at this time was the official head of Crowley’s Ordo Templi Orientis, and his presence gave the editorial team access to his large collection of Austin Spare artwork."
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the--firevenus · 2 months
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"Ah, look at all the lonely people."
Pulled something real quick for this game, it's eating my brain
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Frank Smyth - Modern Witchcraft - MacDonald - 1970
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veinereastath · 2 years
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Cᴀᴘᴛᴀɪɴ Jᴏʜɴ Pʀɪᴄᴇ ɪɴ Cᴀʟʟ ᴏғ Dᴜᴛʏ: Mᴏᴅᴇʀɴ Wᴀʀғᴀʀᴇ II [2022]
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gameraboy2 · 1 year
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Christopher Lee as Dracula Man Myth & Magic #34 (1971)
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indoodlingmadness · 5 months
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ok but
what about Merlin tav and Arthur as the guardian... I know it's supposed to be the other way around but ofc after the reveal it would make sense that the Emperor shaped himself after what Merlin loves the most...
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lorddarker · 1 year
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Mando: I bathed in the living waters as i promised.
The Armorer: What.
Mando: I also saw a Mythosaur. Weird uh?
The Armorer: Din what the hell-
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redbootsindoriath · 1 year
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I'm glad you're back (ish??) I love your little sketchies so very much! I was wondering if you'd feel up for doing a commission in that style?
I'm curious which sketchy style you're referring to exactly, but that sounds like fun.  I did low-level commissions once or twice before (not in a couple of years since it’s difficult to get good quality scans to clients while traveling) but I’d be willing to give it a go again now that I've got a tablet to work with, just to see if it’s possible using that.
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Transcription:
[Morgoth:] “So...the giant spider plan didn’t work out so well for you either?”
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unexpectedgeese · 1 year
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Fate is already decided, is the thing. The giants of Gigantomachia have already lost. Secretive Plotter has already lost everything. 999th YJH has already died. Orpheus has already killed his father. And there is no undoing any of that; The stories that unfold on the page are immutable. These people have wounds, and they can’t be healed.
The Star Stream is a system built for tragedy. Again and again incarnations have thrown themselves at impossible dreams of a happy ending; and every time they die for it. There are hundreds of regressions, thousands of victims, a million stories unfolding— Every last one a tragedy.
Is there meaning in a story with a fixed end? The incarnations write their own downfalls, bound into tragedy by an impassive system. Yoo Joonghyuk dies again and again, eventually succumbing to overwhelming despair.
You cannot change the past. You can’t rewrite a story that’s already been written.
You can read it, though. And that’s the point— the entire point of a story is to be read. To read a story is to understand, to love, to pick through a lifetime of suffering and find the good in it; To take that story with you when you write your own.
And what then? What if every story is meant for one reader? What if that reader writes their own story in turn, influenced by their predecessors, bringing those scavenged bits of hope along?
If every story is told and listened to, every failure a building block of some unseen future, are we still writing a tragedy? When that original story is  built on, bookmarked and dog-eared and woven into a final epilogue, is it still a record of hopelessness— or is it a way to survive?
Every story has a flaw. This means that every story can be completed. If reader, writer, and protagonist all band together and just try to reach the ending— 10 times, 100 times, 1000 times, each one compounding on the next— What will happen?
These people can’t be healed. But they can be saved. You cannot change the past, but you can change the future. You cannot rewrite a story, but you can give it an epilogue.
We are not reincarnators, or regressors, or returnees. But if we tell our stories, isn’t it a similar thing?
#orv#omniscient reader's viewpoint#orv meta#analysis#long post#look man I reread ch. 334 of ORV today and I had Thoughts so I wrote this#but like MAN this specific thing is like there's so much of it!!#this is why they write ORV. this is why they write WoS. This is what Yoo Sangah references in her one speech to#that one historical grade constellation early on#When secretive plotter asks why it couldn't have been him this is why!!!#bc without his story nobody would've gotten this far#this is how the reader writer protag thing works on a non-magical level!#the protagonist who suffers the tragedy#the writer who tells it#and the reader who listens!#This is why you can't write a new story-- bc history is MEANT to be learned from and you have to do that to reach a happy ending!!#This is why KDJ calls himself a reincarnator that one time!#this is ALSO why he doesn't rewrite anything when he reaches the final wall--#bc to do so would be to disregard the lives of the people he loves so much.#by creating a false myth-- by editing the contents for his own peace of mind#and becoming not a reader but an editor#MAN actually getting this thing to be coherent was a mess tho#I had the vibes in my brain for MONTHS#and I could only really articulate it on the reread bc so much of ORV's thematic weight is literally just said directly#if it wasn't so damn LONG it would be the least subtle book alive#AND ALSO this heavily relates into a lot of personal arcs for our gang#esp. KDJ's struggles with reading#bc!! You can understand someone through a story but not all the way#bc there's a WALL in the way#(hence 'reading together')
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love-songs-for-emma · 8 months
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say what you will about the hannibal lecter diet of
WINEWINEWINE
PEOPLEPEOPLEPEOPLE
DESSERTDESSERTDESSERT
but girlie got shit done😳😳
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alifanii · 1 month
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"Ascent of Man and the Destruction of Magic" by Rebecca Yanovskaya on INPRNT
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Fate & Fortune magazine, Marshall Cavendish, N.1, April 1974
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the-almighty-bean · 4 months
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Beans!
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talentforlying · 4 months
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father grimaldi: forgive me, lord, for i have sinned. constantine: — understatement of the bloody century, that is. father grimaldi: the chapel is closed to the public! who are you? how did you get in here . . .? constantine: did you know vatican city has the highest per-capita crime rate of any nation state in the world? i'd have thought a touch of breaking and entering's pretty much par for the course around here.
so #1, an undeniable slay.
#2, how long do we think he was sitting in the confessional booth waiting for the guy to wake up from ellie's fake vision quest. like an hour? checking his light, practicing his Big Reveal Pose TM? he probably brought a book with him and just shoved it underneath the seat cushion when it was time to show off.
#3, knowing how intensely he studied & continues to study in order to teach himself magic at such an absurdly advanced level without any teachers to formally guide him? and how that level of dedication would absolutely carry over into researching a mark / making sure he had every corner of a confidence scheme nailed down pat? i like to imagine that the day before this meeting was spent with his severely under-caffeinated ass parked at a public library computer, squinting at articles for 'most important things to know about vatican city before you travel' or 'top 10 little-known facts about vatican city' and using the back of his boarding pass to take notes on what would be the best throwaway line to blow off all the usual questions with.
also, he probably woke up still in his travel clothes less than two hours before this scene and had to hustle to get suited up in time for his Dramatic Apparition. the demon blood was boiling so bad in that chapel that it was giving him a killer migraine. he didn't get breakfast so his stomach was growling the ENTIRE time. but all that meant was he had plenty of room to eat UP the runway and that's EXACTLY what the fuck he did.i'm
#( ooc. ) OUT OF CIGS.#always torn in half between 'john is a freaky little weirdo who just Knows Things and Picks Up Vibes and it usually works for him'#and 'john is the most Normal Dude in the whole london occult scene he just works w/ magic like a grad student prepping for finals week'#and you know what? the answer is always 'Both. Both is good.'#also on the one hand i'm truly obsessed with the idea of john just?? Always having a bunch of weird trivia available w/ his eidetic memory#like he read about the apostolic palace once in a book when he was with the peace convoy and his brain latched onto it forever#and it just Happens to become convenient later on and this happens VERY often and no one ever really knows how he does it#but there is a real real charm in considering that he's still Just A Guy beneath all the layers of false confidence and mysticism#still someone who had to work to get to where he is now and who will always have to work to Maintain as well#i like the mental image of him pacing around his temporary digs with index cards and drilling all the necessary details for the scam#or him and ellie getting blasted the night before and dramatically playing out their Big Final Confrontation to iron out all the beats#you just Know they were laughing til they cried workshopping shit like 'MY OLD ADVERSARY! WE MEET AGAIN!' and 'DO YOUR WORST HELLSPAWN!'#still trying to keep straight faces the day of the fake fight while drastically improvising to try and throw each other off their game#idk!!! i always enjoy the Strange and Off-Putting things about him but all of the Really Really Human stuff is also just. so so precious#we always get to see The Myth The Legend as shaped by the errors of The Man. but especially in later years actually SEEING The Man gets rar#all this to say that for every perfectly executed and properly horrifying loom out of the shadows with a glimmer of his freaky glowing eyes#there is always at LEAST half an hour or more practicing angles + expressions + mood lighting in the mirror going on behind the scenes#and that is very very special to me!!!!#( headcanons. ) I'M JUST LIKE THE BASTARDS I'VE HATED ALL ME LIFE.#( visage. ) AND I'M A BASTARD.#sched.
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breitzbachbea · 11 months
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Sorry, I'm - Yeah, I'm down bad for the blond arsehole again. Yeah, thought about Robert and the scene to come where he taunts Harry with how he is gonna hurt Charlie and then. Then it turned into Violence as courtship in the Myth AU. Sorry, Robert being like "I want that changeling's head on a stake anyways, but if it makes you happy, handsome, then oh, how much sweeter the victory will be". Yeah, It's gonna be all night.
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myrlin · 1 year
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who is ur muse meeting first, merlin or OLD MAN MERLIN
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