#man trying to be subtle

[ikemengoessbrrrrr]

Ataru's favorit hobby is staring at Lum when she isn't looking

[celestialalpacaron]

Jealous little brat 🥰 Angel I promise they’re just sharing intel about overlords, relax bb girl asgbswjjhwjhwhjwjw

[euthanasiadarkblues]

daniel: haha you guys shared a boyfriend this is great lol

armand: yeah sure whatever but more importantly, have i ever mentioned that i also fucked santiago? santiago with the gray hair? the wrinkled skin? hey did you know i fucked santiago?? blinks out in morse code: i like them geriatric too daniel i want you daniel also i fucked santiago and i will fuck you as well look at my slutty unbuttoned collar did i mention that i fucked santiago

[curiouscatastrophe]

ANNOUNCEMENT: him

I want to crush him in my hands. If not for crushing in my hands, why crushing-in-my-hands sized?

[svampira]

losing time

[mazzystar24]

Will never be over Oliver’s face whenever BT is mentioned

This face was after the interviewer said he hopes that bt are just on pause and will get back together:

Mama you’re an actor I feel like you should be able to control your face

How Oliver stark felt filming 8x06:

[cassandra-silver]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance, and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start, he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs, he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to get his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment," the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgment that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss, or hurting in any way in that moment (if he were, I highly doubt he'd still be playing games, and he would've mentioned his son as opposed to speaking about his reputation.) But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... (even though that was also a perfectly fine apology by Greek standards, as far as I'm aware.) Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating, fearing, or cursing him, he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance, must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating; of course, he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

... That, and I am also convinced he jumps to that in order to simply shut Odysseus up, fearing what he might do or think if he lets him go on. Because you cannot tell me that Odysseus didn't actually reach him for just one moment. He was far too thrown off guard, far too vulnerable in that one second. That moment of kindness did something to him, and he hated it. He also probably didn't trust himself to be able to keep listening to Odysseus speak like that. So, he abandons his (still very technically feasible!) blackmail/intimidation and just straight-up kills him.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance If GITW proved anything about Odysseus, it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness (more on that in this essay!)

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place; one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.

[beetlemoths]

I plaaan on drawing Ink and Blue at some point but anyways, humanized version of Dream!!!! His original skelly design I got from @thaltro its like my most fav dream design ever!! I hope I did him justice ^^

[doekimakura]

ADLR bought himself some new shoes.

[rookamell]

Oof during the funeral planning quest with Lucanis he never calls Caterina by name. He only says 'the First Talon' whenever he has to mention her death. Teia is the only one who says 'Caterina'

[kkyujikoo]

I just find it so fucking funny how baby JK was SO ADAMANT on ranking JM last on looks and now he's going full tail-wagging, puppy-eyed, "you're prettier than the clouds" bf on THE VERY SAME GUY.

Oh, how the turntables

[ponytailcoby]

Tim talking about "let the episodes speak for themselves" well they're speaking and they're loud af 😭😭😭

[deadn30n]

I am so sorry to any of my HSR moots who end up writing with my danmei muses, especially LBH because they are a special kind of unhinged and precisely why I write them FJAKFHAKDH

[iwasbored777]

Pavitr when he saw Miles and Gwen talking to each other

[guckies]

Pac reading the rebel books has made me remember how much I love the rebel info books about Foolish and Jaiden being in the Fed cause they’re so funny to people that watch them.

Like everyone knows that Jaiden loves the fed (but do they know she’s really there for her bestie Cucurucho) and Foolish is such a wild card that no one can actually put together why he works for the federation apart from “his own gain”

It’s really Jaiden and Foolish (and Leo!!) against the world…

[narrators-yappings]

hey Narrator, what's your opinion on Stanley? (PSTTTTT this is the question where we wanna know if this has Yaoi potential bc gay men)

"My opnion on Stanley? Let's see... He's the worst protagonist that I could've ever asked for! Not only is he stubborn and outright refuses to follow my story a good percentage of the time, but he's inpatient and a pest. ... I will admit, Stanley does have the loveliest brown eyes, but that doesn't mean anything! He's suppose to be the most average and boring man, so it's only natural. He's your typical office worker, and there's nothing odd or midly attractive about him whatsoever."