#mara priest

[eranduur]

This is a nice version of me. If anyone knows who made this makeover, I’d be grateful for info.

Mara’s blessing to you

[orfeoarte]

traditional Ori because i love him so much. questions about him pls?

[arkhamslvts]

Your priest thing is so real, imagine corrupting priest Jason, he's taken vows but you are everything he needs and can't stay away from you so he breaks them, so fucking hot

ABSOLUTELY.

you’re one of the girls who’s not normally in church, but he sees you around. you know him as the young little white boy that’s been in the church recently, the others seem to like him. and then one day you go to him after church, to confess that you’ve been having thoughts about men, not necessarily him, but the sound of the confession is enough to make his head spin. you’re gorgeous, tempting in every way imaginable and it takes weeks of confessions before he finally snaps. he pulls you into his office and bends you over the table, clamping a hand over your mouth muttering about how “you shouldn’t be making such disgusting sounds in the house of the lord” he makes you feel filthy and pure at the same time and you can’t get enough.

[howgalling]

artblock has me suspended limply 3 feet off the ground like a wet cat rn. enjoy some of my dragonborn sketches <3

[nerevar-quote-and-star]

When you protect yourself from pain, be sure you do not protect yourself from love.

Erandur, a Priest of Mara, probably

[aesadraws]

Worked on one of my art wips today that's one of those This Is Just Porn outings except it's mostly tasteful and involves my dovahkiin and her husband Erandur bringing Tullius to bed. That is all.

[arytha]

i feel like i could name a number of protags from my novels and they'd still be contenders for obscure blorbo

[ariquar]

also @ everyone saying taelinwrie is attractive: he's single

[akatusk]

hm. even if wolf-children stopped being a widespread tradition, many had strong emotional ties to their temples and their duty. what if i gave sofie a Ghost Mom

[juniperberries-canisroot]

During the Book of Love quest, the first two parts always give me weird vibes, ESP Calcelmo's part.

The quest is broken up into three parts; young lovers, 'seasoned love' as Dinya calls them and love after life. The love after life part doesn't bother me. Those two clearly loved each other and were meant to be together even in the afterlife.

Part one involves Fastred, Klimmek and Bassianus. Fastred says she thinks she's in love with Bassianus and wants to marry him, emphasis on the *thinks*. She's unsure and can't leave to Riften with him cause Bassianus is afraid of her father.

Her mother is fine with her daughter running off to Riften with a man she's been dating for a few months. Granted Skyrim's marriage is alot quicker than our modern day dating and eloping (for some).

Her dad brings up somethin important. He says up until a few months ago Fastred was head over heels for Klimmek but now won't even look him in the eye.

At this point you can talk to Klimmek, who reveals that he does have feelings for Fastred but hasn't mentioned them. You can tell him he needs to be assertive, to which he will agree, run to Fastred, admit to having feelings for her and the quest ends.

So, did she just end things off with Bassianus, the man she was willing to run off to the city for, who she *thought* she loved, to now be with Klimmek? Did she always have feelings for him since she seems to take to him so quickly but cause Bassianus said he liked her, she dated Bassianus?

It just seems a bit weird how Fastred will end things with the man she was going to marry. While she never states she is now dating Klimmek, it can be implied since after the quest Bassianus will go to Riften by himself. Or this is just Bethesda making an oopsie.

Part two really bothers me. Calcelmo has a crush on Faleen but is too nervous to talk to her. He doesn't know what she likes and is very worried about saying the wrong thing and offending her, which he states he has seen happen to others before. He suggest talking to Yngvar since he's friends with Faleen and has better luck with women.

Ygnvar is willing to help and let's you buy a poem from him that he used before to woo an older women while changing some of the wording to be about Faleen.

This is the part that bothers me. You can't actually tell Calcelmo 'hey pretend you wrote this poem', I've tried there's no option for it. At this point in the quest you're forced to talk to Faleen. You can hand the poem to Faleen OR you can ask her about Calcelmo. She makes it clear she has no feelings for him. There's no option to persuade her to consider things, there's no option to say he has a crush on her or even to consider talking to him.

You are forced to hand off the poem, Faleen smitten by it and gives you a letter to hand to Calcelmo saying they should meet up.

You're forced to hand the letter off to Calcelmo, again not having an option to tell him about the poem. He runs to her, Calcelmo tries to talk to her but Faleen cuts him off, she says she has feelings for him and finds never knew he was so nuanced, then that part of the quest is completed and it's implied they are dating. Calcelmo from that point on will sometimes greet you calling you his match maker.

The whole part regarding the poem bothers me. It feels so behind-the-back. Calcelmo never gets to actually read the poem, you never tell him Yngvar sold you the poem, he has no idea what it says. He only knows a poem was involved when Faleen briefly mentions it. So what happens when Faleen references a specific line from it, or asks Calcelmo to write another? Now Calcelmo is in hot water. Unless he can write poetry, what's he supposed to do? Their whole relationship was started because of that poem, one Calcelmo knows next to nothing about.

[daughter-of-summerset]

Erandur, priest of Mara (This amulet broke my brain a little)

[khuzena]

Friends

Jing yuan x g/n!reader

Summary: The xianzhou citizens don't often indulge in romance, to love is to one day see yourself fall into the embrace of mara— to let your lover witness it. Some still love, some deny themselves of such feelings.

Cw. Angst, unrequited love (not really), getting drunk, mixed signals, implied sexual stuff and a little bit of that but they don't actually do it (i think), no fluff no comfort because that shit is for the weak

A/n: Did I cry writing this? Yes. Was it worth it? I don't know.

Love.

noun

an intense feeling of deep affection.

He wonders if you ever noticed how he felt about you. Lingering gazes lasting deeper than it should, ‘accidental’ brushes against your hand or how he finds himself dropping everything he's doing just to be with you.

“Jing yuan, your move.”

Your words snap him back to reality, he awkwardly bit his lip, his focus back on the board. Right.

He wonders as he moves his piece two tiles forward, would you ever get wind of these growing feelings of his? If you did,

“Checkmate.”

Would you feel the same?

A light chuckle leaves his lips, the sight of your frustrated expression ingrained in his mind, like every memory he has of you.

A loud slam echoed in the room, “How do you always win?”

“You make brash decisions on the board,” Jing yuan backtracks the pieces before the soul-crushing checkmate, he positioned your pieces, “It should've gone here, you could've blocked my move.”

An exasperated sigh escapes you, clamping chunks of your hair frustratedly after realising you could've won, “I hate you.”

The man laughs as he tidies up the table, eyes still trained on you.

He doesn't know how and why you both ended up in this position.

Your relationship was complicated.

He doesn't understand you.

Sometimes you'd hold his hand, tell him all your secrets like he were a priest at a confessional, take care of him and everything of the like.

Yet, you always pushed him away. He'd sit right beside you, looking over your shoulder to read the novel you recently took interest in. As if he were a bug, you'd swat him away for being too close.

“Ji, don't get too close. I'm melting from the heat.” you say, but it was winter?

He doesn't understand love at all.

He loves mimi, he loves starchess, he loves his family (the high-cloud quintet, or should I say, ex-family), he loves tea, he loves his home.

Sometimes you two would go out to the library, indulging in me-time, faces buried in pages.

“Jing yuan, have you found a book about that one novel I told you about?” He shook his head no, he doesn't indulge in fictional work that often. But you loved novels.

“I think I found it.” He wipes the dust off the book spine. ‘How to fall in love with a genius’, what a strange book title.

“Really?” quietly tiptoeing towards his direction, the library lady eyeing you two; you had a habit of making too much noise, leading to the bookkeeper scolding you both.

“Here,” he blew over the cover, dust particles puffing in your face.

“Bastard—” words barely audible as you spoke in-between coughs, “Thanks though”

The bookkeeper glaring at you two, sending shivers down your spine. The idiot laughs again, you slap his back.

You both get kicked out.

Friends don't get drunk together, friends don't cuddle, friend's don't do this.

Like ‘friends’, you cling to him in his bed, head nuzzled in his neck. Jing yuan was scared to hug you or even dare to hold your waist.

He can only get a taste of heaven but never the real thing, you can hug him yet when he reciprocates he's too close.

He envies at how audacious you are. That you're not afraid to hold him like he's yours but he could never call you his. How you could just stare at him with those loving resplendent eyes but he could never stare longer at yours.

This time however, he wishes he slept in, he wishes he told you he was busy, that he doesn't want to hang out today.

One drink turned to two, two drinks turned to three. More, more and more, until you're on top of him, all of him you can see.

“Ji.”

How cruel you are. Straddled on his lap as he was laid against the pearly sheets of his bed, your eyes devoid of light as your free hand tug on the hem of his shirt, “Jing yuan, I'm sorry”

You cried again, gripping his shirt tightly. Why can't he push you away?

Tears spill out as you desperately wanted to love him, as he did too. But was it really love?

“I love you.” he accidentally slips out.

Your eyes widened in fear, you tried to convince yourself you didn't hear anything as you grind your hips on his lap, croaking out a guttural moan.

“Please,” you grinded faster, your hips burning, you prayed to god that what you heard was a lie, that you misheard him.

He groans in desperation, hands on your hips, “I really love you.”

Without a second thought, as if you were sober, you swatted his hand away and got off his lap. He stares at you like you were a madman— why did you suddenly stop?

He wishes he was drunk enough to indulge in you that night, but sober enough to have never said that.

He sat up, his hand reaching out for you but you swat it away again, “Stop.”

A sob stuck in his throat, heavy breaths drowning out the wanton moans from earlier.

“I…”

He wishes he never even loved you in the first place.

Tomorrow came, those lingering gazes on each other no more, those playful banters dissipated into thin air.

He can't bring himself to confront you, too scared to accept what's become to the two of you.

“Ji— General. Documents from Madam Yukong”

The way your eyes dart to anything but him, he bit his lip anxiously, “Yes, thank you. You may leave now.”

As if nothing happened last night, you bowed your head and ran away as quickly as possible. Does he even have the courage to ask you for another game of starchess?

Days passed yet no progress. Your relationship has turned into a strictly professional one. So cold to each other, yanqing and fu xuan can't wrap their hands around what could've happened but they don't have it in them to ask what happened.

The general signed paperwork, like usual. Not noticing loud thumping footsteps nearing his desk.

“General,” a part of him wished it was your voice.

“Yes yanqing?”

“They've turned in their resignation paper”

Oh. Huh?

He thinks yanqing is joking. Not when his dear retainer thrusts the documents to his hand does he realise he's really lost you.

“For what exactly?” he asks as if he doesn't know the answer.

Yanqing sighs, “I'm not sure either, but they talked about retiring.”

“They're too young to retire,” the man scratched his head, his mind racing with a million thoughts and a million regrets.

“General, they're 630 years old”

“Oh right,” he gave his retainer a weak smile, hoping the young boy doesn't notice the uneasiness in his eyes when he read through the contents, “I shall talk to them before I approve their resignation. You may leave.”

Yanqing nods, taking his leave as Jing yuan trembles. He's lost the high-cloud quintet, does fate have to take you too in its stride, far away from him?

He was okay with just being friends with you.

Jing yuan called for you in his private garden, he didn't expect you to actually come especially after that.

“You came.”

“You called,” your eyes as empty as that one night.

He tried his best to hold back the tears, heart burning yet he had to remain professional. After all, he was your boss.

“Yanqing brought me your resignation request.” he pauses, unable to find the right words.

Normally, if an employee of his decides to resign, he'd sign away their request and carry on with his life but this— how could he just sign so easily?

“Have you not signed it yet?”

“No.” he can't bring himself to.

Your fingers found solace under the table, fiddling and fidgeting together but you'd rather die than let the man in front of you notice it, “Can't you just sign it?”

“It's just… you've been working with me since the high-cloud quintet and it's not that easy.”

“How so?”

“We’d lose an important member of society, your contributions to the mechanical team have been beneficial,” he tapped his foot aggressively, agitated. “Can't you think twice about it?”

Without hesitation, “I can't. I'm getting old, sooner or later I'd die—”

He listens, not interrupting you, “— I don't want to die without living.”

Living? What a lie. You've been more alive by his side more than anything.

“What exactly do you mean by living?”

He pretends to not understand, he wishes you'd just take him into consideration and talk to him like he was Jing yuan, not the general arbiter.

“You know what I mean,” the air sucked out of your lungs, why did he have to make you say it out loud?

“I want to live. I want to be finally free of my duties, get married, and retire.”

He nodded along with your words, he felt sick. Sicker than he ever was in his life.

“I wish you told me sooner”

“What good would it bring?”

“I just wished you were honest from the start.”

The words were once stuck again in your throat, trying to blink nonstop to not let those pathetic tears spill out, “This is for me—”

“What about me?”

Desperation laced in his tone, he wishes you'd give him a chance, that you'd let him in.

“What about you?”

You wonder, what about him? He wants to ask, what about us?

“This is about me,” neither of you could find the words, but you try.

“I want to live,” forlorn, not a glimmer of hope in your eyes, he wishes on a sliver of hope, “Is that too much to ask?”

Yet life is cruel. It was a mistake trying to be more than friends with you, again; he wished he stayed as friends with you. He would have been fine with anything.

For your own good, “I understand.”

Jing yuan reluctantly took his pen, staring at the paper. He signed.

“Thank you.”

He signed you away, at least now, there's no more need for formalities. He is no longer your boss, he is just jing yuan to you.

“I… “ his mouth snapped shut.

“No more words, general?”

As selfish as it sounds, he wants to tell you that he's willing to leave this life behind. That if you want to live, he'll live with you, if you want to marry, he'll marry you. If you want to retire, he'll retire with you.

But duty calls, he can't just stop being ‘general arbiter’ in a heartbeat for you. He wishes he could.

It's not that hot outside today, but he feels like burning.

“Ah, nothing. Where will you go now?”

“It doesn't matter, I'll just go somewhere, live alone or maybe start a new life.”

“I wish luck for your future endeavours.”

Jing yuan has never been selfish. This time however, he wishes he wasn't the general. He wishes he was just a normal man, he wishes he had the privilege, that he had the choice to be your man.

You could no longer handle being under this suffocating atmosphere, “Can I leave now?”

“By all means.”

That was the last time he talked to you, he wonders, he wishes, that he was anyone but him. Not even he could have foreseen this.

When your footsteps grew quieter as you were farther away from him, he cried.

It's been long since he's cried… years, centuries perhaps.

He's lost his family, he's lost you too. All because he wanted to be more than friends.

He wonders if you cried too, if you'd come back. It's for the best.

In due time, one of you will turn mara struck. He doesn't have the heart to see you in that state. But he wishes you gave him the chance to love you, even for just two years. A year or two is all he needs to be content.

None of that matters, he wipes his tears. Reporting back to the seat of divine foresight.

Note: not proofread so dont laugh. 😔😔😔 Before one of you bitches say, who hurt you, who hurt you? No, this is just me projecting with my cupioromantic and aromantic tendencies. ITS SO COMMON TO SEE MC BEING THE ONE GETTING REJECTEd BUT NOT THE CHARACTER GETTING REJECTED I NEED MORE FICS WITH THIS PLOT GRRRRR 😟. ITS 3:16 AM FUCK SLEEP FUCK IT ALL GRRRR

Written by @khuzena. Likes, reblogs and comments are always appreciated. ♡ 

[stagefoureddiediaz]

Costume Meta 7x05

Hello, Hey, how we all doing??

Ready for another super long meta post??

There is so much to talk about this week - admittedly mostly Buck and Eddie related, but there is also plenty going on for Hen and Karen as well.

No Bobby this week as we only see him in uniform, and only the one costume for Athena as well. I also want to say that I am not doing any of the costumes from the Madney wedding that we saw at the end of the epsiode - I want to give them the space they deserve and I will probably write a separate pre episode meta for those costumes specifically! All I will say is Maddie looks stunning, Buck in white - hello! and Eddie in a just a collar making him look like a pink priest - hilarious!

The rest is under the cut as always 😎

Let's start with some of the guest characters.

Alien Hand syndrome man continues to prove the check means bad things theme, which makes me happier than you can ever know!!

Then we have Deidra in her very bright pink coat. If you read my promo meta for this episode you will have read a fairly sizeable section at the end on my thinking about the use of pink in this season (going to make a separate post during this hiatus so its all in one place). All of the times we see it in this episode, play into (and I guess prove) my thinking. Deidra is acting with good intentions and while I don't think she's naive or innocent in the strictest sense of the word, she is perhaps continually being naive in thinking that not revealing Mara's past is the right way to go (don't come at me about child protection etc I am fully aware of what the real world laws state, but this story arc really highlights the fact that in trying to protect children who are at risk and in the system, they can also cause ongoing harm if things are not taken on a case by case basis - its a whole other essay that I am not getting into here).

Then we have Mara herself who is never without pink - namely her pink blanket. The pink plays into the theme of innocence especially with Mara and while she may not be innocent of the act of maiming Denny, her innocence goes much deeper. Its meant as a very clear signpost of the innocence of childhood - that pink blanket and her clinging onto it is a symbol of her clinging onto her childhood, despite the fact that she has gone through a terrible loss and trauma. she is still a child and the show is clearly going to play into the idea that as she settles into the Wilson home and is able to work through the trauma, her need to cling onto her childhood in this way will diminish and we'll see her slowly become less attached to the blanket. We already have signs of progress with the colour journey her tops have been on - lavender, pink and then the turquoise one at the end. Lavender is also a colour associated with childishness or lethargy, pink the colour of innocence, and childhood. While turquoise is a colour of calmness and clarity. its signalling HenRen's breakthrough with Mara and that she's growing and beginning to feel secure.

Hen and Karen

Hen and Karen go on a real colour journey this week - I'm doing them together (along with Denny) because they very much work in tandem clothing wise (and also because I was running out of pictures again - whats new there!)

So first up we have Karen in this beautiful dip dye ombre dress in purple, pink and mauve. it also has this drip staining pattern which has deliberately been created during the dying process. The lavender at the top of the dress is representative of hope and serenity, this is Karen in a great place - about to expand her family and fulfil a dream. The pink as I've said is all about innocence and naivety - more innocence in this case - both the new baby being innocent and Hen and Karens innocent hopes for their future. The dark mauve at the bottom of the skirt - eating into the pink is such a choice - gathering storm clouds, foreshadowing the turmoil about to come - taking away the innocent hope. mauve can be standoffish and withdrawn, and in this context those are great descriptors for Mara and her struggles that Hen and Karen will need to help her work through.

Hen's in cyan blue trousers - which is a colour associated with clarity and balance. whilst the cream, black and blue jacket with stars on is the beginning point for a theme that runs through the Wilsons arc this week - black is a power colour, associated with many things, but for Hen and Karen in this arc it is very much about protection and strength. Here for hen it is mostly about protection - protecting this new baby they are about to take in. The cream is warmth and tranquility.

Hen is wearing check - foreshadowing the upcoming struggles with Mara. Karens bronze and black Jacquard trousers are a symbol of strength - bronze as a colour means strength and support, it's also a symbol of faithfulness. It's telling us that Karen will take the lead on supporting Mara and being strong for her.

We see a lot of white on Karen in this episode, white, like pink is a colour of innocence, but it is more associated with purity and balance. It is also a colour of neutral refelction. By this I mean that it amplifies other colours by providing a neutral background - allowing other colours to shine. I find this a really interesting thing when connected with Karen - it amplifies her strength and supportive nature when the Wilsons meet Mara.

Hen adn Karen in bed are in dusty versions of blue and pink - Karen innocently tries to touch Mara and that is when the screaming starts. Putting Hen in blue is about relaying her trustworthiness and sets her up as a soothing and calming presence for Mara - hence the sleeping on the floor of her room!

At the hospital, We see Denny in red - he was wearing it when Mara woke the house up and its an indicator of what is about to befall them (in the same way Bobbys red in the cruise ship disaster adn Athenas red in relation to Harry, or Bucks back in s5 when Eddie broke down).

We again have Karen in white amplifying the other colour she is wearing, which in this instance is this buff/brown oversized sleeveless coat in teddy fleece. The brown is stability, dependability and responsibility - playing into the fact this episode really highlights Karen's position in the family as this stable rock which Hen and Denny lean on when they need support. Karen's unswerving and solid personality is once more being shown off. Its really a key thing for them to show as it feels like a set up for Mara and how she is going to bond and rely on Karen and that dependability as she unpacks her trauma.

The orange jumper is a really interesting choice. I do love the loose threads on the design of it - paying into the idea that Hen and Karen are at a loose end and unsure what to do going forward. But, the orange itself is generally an open minded colour, its energetic and its also a colour of transformation. These are all things we know are true of Hen and Karen and it hints at the fact that they will fin a way forward. Once again we have Karen in white amplifying Hen's orange and the energy and idea of transformation the colour brings.

Denim jacket and white tee. I love the distressed nature of this denim jacket and the way it plays into both scenes we see it in - playing into the distress Hen feels over finding out what Mara has gone through and how it explains why she has become non verbal and incredibly protective over her pink blanket.

Again the white of amplification and purity. Hen has pure intentions and the white amplifies Karens black when they are at dispatch listening to the 911 call.

We also have the Karen necklace back - once more showing this ism't about Hen - its about Karen and their family.

Black on Karen for this scene is such a choice. Black is a power colour, it means strength and protection. Here it is showing Karens determination, as she gains understanding, to protect Mara and support her through her trauma - it is representative of Karen choosing to use the power she has been given through gaining information. The gold highlights hint at success.

I love these lavender pyjamas on Karen - lavender is a soothing and sleep inducing colour (along with its scent which is possibly where the association came from for the colour) along with a Japanese print of mountains and trees, which plays into the idea of serenity and peacefulness.

Hen in contrast is wearing fairly bright and bold black and green. The green is all about that growth and learning once more, the growth of Hen and Karen, learning more about the issues Mara faces and seeking a solution, but also the growth of their family. The black is a reflection of power - much in the same way Karen wearing black when they heard the 911 call Mara made, here it is Hen, representing the protection that Hen and Karen are offering Mara.

Athena in green - again with the mesh open weave knit - this may be a theme for her this season - potentially something to do with feeling caged or caging someone/something - especially children as both scenes we've seen it so far have been to do with young people and the law in some respect - ending up in the system - Harry through is crime and Mara through her parents death.

Chim

This dark bottle green with a fawn brown (what I think is a polo) shirt underneath is Chimneys only non uniform costume this week . This kind of dark green, is as always a signal of growth, but its also a colour of harmony, and right now - everything in Chim's world is harmonious.

Maddie

I don't thinkI've said it yet, but I am so happy to have Alayna back dressing Jennifer - I feel like we're really back on track with Maddie's costuming after last season where they somehow managed to make Maddie look terrible. The costuming overall last year was fine - not as good as Alayna's work, but it was for the most part good - except for Maddie where it was all over the place!

Anyway - Maddie in black here is very much about focussing the attention on Hen and Karen - like with CHimney's muted green, in tandem they are making the viewers eye focus on Hen and Karen - especially Karen - who is the brightest in the room.

Maddie wearing this sage green colour when Buck comes out to her is sheer perfection from my perspective - we, once more have the green of growth and renewal, the green of learning - Maddie learning more about her brother - this new thing that he is realising about himself and choosing to share with her (even if inadvertently). But this green is also sage green - sage as in the play on sage advice - which we see Maddie give him. Buck needs that good advice - he needs to hear that its ok, that he can take the time to figure himself out and that its ok that he's only just uncovered this aspect of himself and that it doesn't invalidate him being an ally up to this point!

Ok not going to lie - I got a little carried away from here on out - so sorry in advance for the rambling mess you're about to read!

Marisol

I'm doing Marisol in a weird order - because I wanted to talk about her date night outfit in tandem with Eddies - because its relevant. So we start of with virgin Mary Marisol! Honestly this outfit is just perfection from the costume department - they saw the brief and went to town and I love it. Its so good to see what they can do when they get to play!

One of the things I really love about this costume is the blue that they chose. Because that blue - that is Bucks blue! the virgin Mary blue is usually a much brighter royal blue. It really helps to place Marisol in parallel to Buck and we get the play on t he fact that Eddie seeing Marisol in this way changes everything for him, whilst later on, whilst Buck is in the same blue, he reassures him that nothing will change between them.

Look, I'm not going to lie, when I saw Marisol in blue and yellow for this scene I laughed because Blue and yellow (as I've gone on a million times about) means queer coding so to blatantly put Marisol in it - in a washed out form, and very much connecting her to Catholicism - genius move. It marks her out as a roadblock, but also puts her into the role of beard (unknowingly on her part) because Eddie is still in the midst of his repression, even if it is beginning to unravel now.

The black top with spaghetti straps is clearly a theme they're going with on Marisol, as are the ditsy prints. The yellow high waisted trousers are interesting because of the specific shade of yellow. Yes the whole communication theme still applies here -and we see it in action, but this shade of yellow is sallow and sickly (one of the reasons its called sickly yellow is because its the colour of a lot of medications!!) - this relationship and its restart are ill and that automatically means its going to struggle to survive.

It plays into the more negative meanings around the colour - uncertainty and idleness and cowardice. For me the cowardice aspect is an interesting one in relation to Eddie - he has behaved cowardly up to this point - hiding out and not having the conversations that need to be had, and even in this scene it is Marisol who takes the lead.

It's really giving us an indication of things Eddie needs to work on in regards to himself - and once more it comes down to communication. Communication has always been Eddies major flaw - that he isn't good at it, unless really really pushed into it - essentially under duress. The other thing with communication is that it plays really well into the catholic guilt aspect - this idea that growing up catholic has taught him to repress part of who he is - to go along with what is expected of him, but that it also taught him not to ask for what he needs, to not communicate. We see it in this episode with his inability to say no to Marisol (the whole hiding out at Bucks so he doesn't have to have sex speaks volumes) even down to suggesting there's a third type of guy - who just needs a minute. Because, while that might be true to a certain extent, the fact that he says this off the back of her expressing her distress and upset about how all guys are one of two things, speaks volumes - its not him saying this because that's how he actually feels, its partly him saying it because he is pushed into a position where he doesn't want to be the bad guy. its really not a good place to be restarting a relationship from.

We also have the ditsy print of doom in play again - like I've said before, ditsy print on Eddies girlfriends - never a good sign - its really playing into this idea of Eddie jumping in headfirst with gay abandon (pun intended) and then regretting his life choices. Shannon wore ditsy print a fair amount - especially in the I think I'm pregnant' and 'we should get a divorce' scenes. Ana wore ditsy print A LOT - she was wearing it when Eddie had his panic attack in the shop and at other key moments that marked the death knell for their relationship. And so this appearance of ditsy print here marks the same - the relationship is not long for this world

OK date night Marisol. The way this outfit played out more or less as I expected, She was very much an 'innocent' bystander in this scene (whilst also creating one corner of a triangle with Buck and Eddie) , and the ditsy print very much played into this. Like I said in my promo meta, both Shannon and Ana were costumed in ditsy print as well as in lots of pink!!!

The other aspect of this outfit that is making me laugh is the fact that the skirt is giving me 1980's/early 1990's teen vibes (not to out myself as old but trust me I had some just like this back then and I wouldn't be caught dead in it now as a grown woman!!) and the baby pink handbag looks like something an 8 year old would have to play dress up with - its all very childish and immature - naive one could say, and while it didn't play out quite how I was expecting, her being a novice nun, sure explains a lot of why she comes over as pretty immature.

The other aspect of this childish style we're seeing on her plays into Eddies narrative of looking for magic and trying to recreate what he had with Shannon. He's attracted to Marisol because she is immature and childish - it reminds him of what he had with Shannon when he was young, and when you're trying to recapture that, its easy to fall into the trap of thinking someone behaving in a naive manner is you finding what you'd been looking for. Eddies journey, along side his catholic guilt, is about learning that he cannot recapture or recreate that magic he had when he was young - that the love of youth - in all its innocence is not something that is sustainable or actually what he wants in the present.

Then we have Eddie in white. I spoke in the promo meta about how the white set him and Marisol as opposites and that remains true - very true on more than one level. What I especially love about it and something I could not have predicted is how it plays into the novice nun aspect of their story this episode - truly this show is a comedy! Because nuns wear black and white this is an obvious play on that, but it is also a play on the fact that Marisol is still a practicing catholic, whilst Eddie is very much not. The other aspect of this white is that of Eddies two non uniform costumes, it is the first one and we get this black and white play on religion - the black and white of nuns and priests - the black and white of being religious or not. Eddie never questions if he wants to become a practicing catholic again - he is lapsed and that is how he intends to stay.

Eddie in uniform, with his green trainers, blue towel and water bottle. the blue towel and bottle play into the buck and Eddie blue green theming we see with them. But what is interesting is though is that Eddie is fulfilling all the colour theming on his own - he is both blue and green - to me this is about Eddies own struggles within himself as well as foreshadowing the Eddie Marisol break up down the line (green shoes suggest a road needs to be to walked before we get there) - it hints at Eddies internal struggles and implies that its will ultimately end in a break up a bit further down the line.

I also think it's only when in Uniform that Eddie can admit to his catholic guilt. Because we all know when Eddie is struggling with some form of emotional turmoil, he wears a black singlet - and he could've been wearing the same here, it would've been totally fitting with the situation - he is going through something emotionally and struggling with it.

But he's in his uniform. Part of it is to have him on a different level to Buck - they are both struggling with something in this scene. When we have previously had Buck and Eddie scenes like this one at work, the one dressed in uniform, tends to be the one offering advice to the one not in uniform. That isn't the case here. Part of it comes back to Buck not actually needing advice, but needing to reveal something about himself - to confess. Eddie is the one who needs advice.

This is a flipping of the traditional narrative for these scenes and is proof that even though Eddie might later tell Buck that nothing is going to change between them, that it has in fact already changed, it is just that neither of them are fully cognisant of that change at this moment in time. It is a key indicator to use the audience that this has happened before but that things are not going to play out the same way this time.

Put it this way - Eddie has form for doing something extreme with his relationships with women in the aftermath of Buck doing something dumb - its one of the manifestations of his repression. This time its asking Marisol to move in with him in the immediate aftermath of Buck going full green monster over Tommy.

Last time it was in the aftermath of Buck begins and then doubling down with Ana after the shooting when Buck had hooked up with Taylor and before that in the aftermath of Shannon's death and Buck suing the department he went and joined a fight club - but he has form. Its completely in character for him to pull this sort of a move. I know he says he's going with his gut but I argue he is in fact ignoring his gut - or at the very least confused about what his gut is telling him, because that would mean actually looking at why his gut reaction to Buck doing something dumb makes him do something dumb in turn connected to these women in his life.

Eddie in black - this is the same shirt as the white one - just the reverse colour - which is important. This shirt has several layered meanings to it. its about the reversal of what Eddie wants - from him being bubbly and excited about Marisol moving in, to the dread of her having moved in and wanting her to move out - his feelings go from white to black - light to dark - happy to unhappy and it all sums up the relaity of that relationship - while it was new and unserious, it was fun and light, when things got real - it becomes dark and oppressive.

I'll go into more detail about this shirt when I get to Bucks costume for this scene - because they are connected!

The other thing about this outfit is that the green trousers have been replaced with jeans. Now I see a couple of reasons for the wardrobe department doing this. Firstly is that it plays into the 'nothings is going to change between us' of it all. Its a visual indicator that in fact things have changed (along with Buck wearing a brighter shirt than we normally get in these buddie heart to hearts that take place in Bucks loft but more on that later) the Buck being bi and going on a date with Tommy of it all aside, this is the first time we've actively seen Eddie hiding out at Bucks to avoid his girlfriend - this was a barrier that had existed between them previously that has now been broken down. Then there is the fact that Eddie does go home to Marisol - and he couldn't be wearing green at that point because she was wearing blue and Eddie in green would've meant break up time - only the Marisol as a plot device arc isn't yet over (it will be soon I promise - all the costume signs are there!) so that couldn't happen.

Tommy

This dark olive green shirt that is almost brown. The brown undertones hint at the stability he represents while the green is hinting at his military past and once more paralleling him with Eddie. One of the things about green as a colour is that its not only a symbol of growth and renewal, but its also a colour of learning, and in an episode titled 'You don't know me' it feels like all the green is very much about education - learning about other people - and the growth that results from it. It feels especially important here for Tommy and Buck - that is after all what going on a date it all about - learning about one another and seeing if you're compatible.

The other fun thing about this green shirt is though that the green plays into the blue green colour theory when it comes to Buck and Eddie and their partners and the end of relationships. This one before its had chance to begin.

For Coffee we have a grey Henley and a blue zip front hoodie with a grey striped undertone to it (I am pretty sure this is actually a hoodie we've seen on Chimney but I can't remember when and I don't think it would be the very same one as pretty sure Lou would not be fitting into Kenneths clothes ever, but Chimney has definelty worn the same style!!). Again Henley's are an Eddie thing, so we once more have the parallel with Eddie being drawn.

The interesting thing here is that the grey blue is the same colour combo Buck wore on their first date attempt - the costume department played a lot with flipping colour in this episode, so to have it done here as well is really fun - the fact there is more grey than blue is also interesting. It's a neutral colour, it is seen as a colour of stability, but is also a colour of uncertainty. It really plays into that theme of uncertainty running through the Buck and Tommy arc. The blue hoodie is actually pretty important because we've had one of Buck and Tommy wearing something dark blue in every scene they've had together - usually the one on the back foot. Tommy in this scene is relatively neutral in terms of position for most of this scene - they are equals - but he is put onto the back foot by Buck asking him to be his date to Maddie and Chim's wedding.

Buck

Where to start with our beloved bi disaster!

I obviously spoke a fair amount about the date night shirt in my promo meta. The navy blue knit bowling shirt with these silver/grey close together pinstripes running down the front playing into the Buck wearing vertical stripes theme we've has running with him for at least the last 2 seasons.

What I said about false starts and this date absolutely played out - in the same way the sperm donation shirt represented a false start on that donation, this shirt also represents a false start on Bucks dating life as a bi man. The white trainers are also carrying on the theme of Bucks Journey towards happiness

What I find most interesting about this outfit though isn't colour theory related. its all about the fit of the clothes. Because these are ill fitting on Buck - not something we see from him very often - in fact I think the only time we see him in anything close to ill fitting to this extent is back in season 1 when he was figuring out who he was and if being a firefighter was the right for him and exploring relationships and what he was trying to find in that arena. The trousers are the most ill fitting of it all, but I'll come to the trousers later on as they are part o a wider Buck costume theme we have going on!

The shirt is a little roomie, but not overly so, it just stands out more because we're so used to his shirts fighting for their life, here this one is baggy and really helps to sell the idea of defeat, but also that h was trying on this new part of himself for size and that it doesn't quite fit. It's the only time this episode we see his clothes not fit him in this way and its a really small but expressive part of costuming that I love to see.

Then we have this blue broadcloth jacket over a white tee and with these plum/brown coloured trousers - they're a bit blink and you'll miss them so its hard to be sure what type of trouser they are, but I think they are essentially smart joggers - jersey material but trousers!

We all know that Buck in white means trouble, I'm putting him outing himself to his sister as the bad thing - along with the fact that the date didn't work out.

I'm really fascinated by the fact that we really seem to be leaning into navy blue and Buck being bi. Navy has always been a colour we've seen a lot of on Buck in general, but there is something about the fact we've seen him (or Tommy) wearing it in every single scene that is about his bisexuality. I'm talking from the kiss scene onwards, not anything before that as Buck wasn't aware of his bisexuality before the kiss. I can't wait to see if it continues!

The green shirt jacket is an interesting one. it obviously helps to play into the buck and Eddie blue green theory, but it does in a smaller way play into the blue green theming we see around Buck and Eddie and their relationships - specifically around issues arising. Both Buck and Eddie wear green when they break up with their significant others and while there is no break up here, there is a break of sorts. This was Buck about to try and tell his Best friend that he was actually out on a date with Tommy and that he's bi

symbol of growth - Buck went in with a goal - to tell Eddie he was on a date with Tommy, but changed tack when he saw Eddie needed to go through something - this is Buck growing as a person - not making something about him.

The other thing about this outfit is that its basically the same as the one Eddie wore at the airfield (even down to the badding of the trousers) - just in reverse - Eddie black trousers, black jacket, green top, and here Buck is black trousers, black top and green jacket - I find this fascinating as a metaphor for where the two of them are on their respective journeys.

Buck is now bi and out (he's told his sister) and has been on a date with a guy (regardless how successful it was - he cannot put it back into the box) - his growth is externalised and therefore expressed through the wearing of a green jacket. We get a lot of storytelling through the various Jackets Buck wears (we've seen him in over 35 at this point!)

While Eddie - who we could say was being taken on a date by Tommy - even if he didn't know it (because who flies someone to Vegas to a sold out fight if its not a date??) wearing a much brighter green that we've seen on him before now (pretty much all of his greens are more army green with a couple of exceptions - much darker greens akin to Bucks jacket in the below picture) - still in the army green wheelhouse, but much bolder. Eddie's queer status is still very much internalised - hence it being underneath the black jacket.

Buck coming out to Eddie from a costume perspective was a glorious parallel that I have already mentioned in the promo meta (I've run out of pictures so you'll have to go watch the scene yourself if you want to see what I mean). Its actually a bit deeper that I appreciated in that promo meta, but that is in part because at the time of writing the meta I wasn't 100% sure it was a coming out scene and I didn't get to see the way it was shot and how that also played into the paralleling.

Costume wise - I already spoke above about Eddies black shirt and how it is reversing him in the episode. But what I didn't mention is that fact that it parallels in colour terms, what he was wearing when Buck informed the firefam that Connor and Kameron were pregnant. Eddie wore a black marl henley - black with flecks of dark grey running through it, and Buck here is wearing a slightly darker blue version of the same top he wore in that same scene. He is standing in the same place at the counter of his kitchen, or sitting very close to the same position and we get similar camera angles. As a whole the parallel is very loud - Buck was happy and proud of something he had done and wanted to share it with his friends - wanted their approval. He was feeling good about himself and confident in his decision.

The biggest thing about the blue - this shade specifically is the way it play into the blue theme we saw last season with Buck - the theme that started in the 5x18 finale at Hen and Karens vow renewal, when he was free of Taylor and moving forward and essentially restarting his search for happiness. We saw it weave a thread through the entirety of season 6, being worn at key moments that played into that theme - after Lev died, at various points in the sperm donation arc, and a key points in the aftermath of his death and rebirth.

The successfully helping create life aspect of this is so interesting. It on a low key level plays into the you don’t find it you make it manifesto that’s been at the heart of bucks arc since s2. the whole year if yes was supposed to be about this very thing - about Buck creating the life he wants for himself  - the sperm donation isn’t about the baby it’s about Buck and about him figuring out what he’s missing (which comes back to not only Thomas and Mitchell, but also Lev).

The other thing that ties into this theme is that Eddie isn't really changing but Buck is. Whenever we have a scene at the loft between Buck and Eddie Bucks costume and colour varies, but Eddies stays more or less the same. Bucks colour Palette for these scenes goes - dark grey in the you want to go for the title scene, then we have the grey blue on the balcony and now this much lighter blue. This is highlighting Bucks progression while Eddie who remains in his black shirt and that progression - while Eddie essentially remains steadfast - is key - it’s showing us that while buck is still doing dumb things, he is learning - he is listening to whatever Eddie is telling him - that he’s accepting Eddie’s absolution of his sins more and more - growing and understanding. 

It’s building on his long running arc - his fear of being left behind, of not being important enough for people to stick around for - and showing us he’s increasingly understanding that that fear is unfounded - that he’s found his personal- the one who will stay and who is steadfast in that. That’s why we see Eddie unchanging in his black shirt green cargos while buck gets lighter - more unburdened by that fear.

Before you think all is lost on the Eddie front though, we are seeing change - the army green trousers are gone and have been replaced with jeans - perhaps, in the same way Bucks growth into his bisexuality began with his beginning to wear jeans again, Eddies own growth into his own queer identity also begins with jeans - moving him away from Eddie the soldier - fighting for others - being a rock for others and now into a position where he can do his own growing.

In the sperm donation arc, Buck was finally able to donate and was wearing that super pale mint green polo. we don't see the same with the outcome here at this point in the story (although the beige/mint green jacket from the bachelor party is making me👀👀👀 at this moment in time!) - we get this cream open weave linen shirt with black and terracotta and golden brown vertical stripes.

I love that they went with a shirt that has such an open weave - playing into the whole concept of Buck being open and embracing this newly revealed part of him that he's discovered. But what I love most about this shirt is the way it ties back into the Buck learning to accept himself and find his happiness.

Because this shirt is so similar to the one from 6x01 - when he decides he doesn't need a new couch, what he needs is to be ok on his own and with himself.

lets talk Buck and his trousers because the trousers are a whole thing this season and I am truly in love with the long game the wardrobe department have been playing on this one. They know that we have all been out here raising eyebrows at Bucks trousers for the past few seasons as they've gotten shorter and shorter and ill fitting. I know I've made comments in previous costume metas about the fact they must be doing something intentional with them being so short in the leg - that them doing this is giving the appearance of a child who is still in short trousers and isn't fully grown - hasn't moved on to wearing full length trousers yet.

Well it would seem I was right and thats exactly what they were doing, putting him in short trousers to show that he wasn't his fully formed self - that he was growing and learning and figuring things out. because - I've gone back through my spreadsheet and checked his trousers out for all of his scenes and there are only a handful where he has trousers on that are well fitted and the correct length. One of them is at the start of season 6 - at the end of the episode where he moves his armchair instead of getting a new couch - the one time in season 6 we see him most at peace with himself

I remarked in the 7x04 meta that we only saw Buck in his too short trousers in the one scene at the airfield, and from then on, he was was in jeans. Now the jeans are a mimicking thing - Buck hasn't worn stone wash jeans since Eddie appeared on the scene back at the start of season 2, so for him to start wearing them again as soon as he becomes jealous of Eddie and Tommy - and Tommy is wearing jeans - was pretty telling in its own right. It's Buck trying to get Eddies attention (not Tommys - Eddies) because, we do not see Eddie in jeans in 7x04 - but we do see Tommy in them - and in Bucks head he is loosing Eddies attention to a guy wearing stone wash jeans - so if he wears stonewash jeans then maybe he'll get Eddies attention back.

That obviously didn't work out how Buck thought it would, but it did lead to him figuring a new part of himself out.

We can see how his trousers are all now sitting at the correct length, I grabbed this still of the black ones, and you can see in the full length still from the date those are as well (even if they're too big more generally) but the others are all sitting at the correct length as well.

We also see the jeans back for his scene with Tommy - I truly am fascinated by the choice to put him back in stonewash jeans aafter so long as a theming choice for his bisexuality, I really am enjoying this more relaxed looking Buck from a costuming perspective - the journey we've been on with his costumes is great - the increasingly formal style thats just a little too small and tight we've seen over the seasons now slowly relaxing once more into something much more comfortable and well fitted - showing just how far he has truly come.

And thats me out for another week! Sorry it turned into another epic - it would seem `i cant stop myself! Not sure if this has come out longer than last weeks, I think it might've, but I can't be bothered to check! Thank you as always for reading this monster and I hope you enjoyed this deep dive into the costumes for 7x05. I'm off now to hyperfixate on Bucks bathroom door and get myself though this mini hiatus!

Tagged people below

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[argisthebulwark]

"Are You Two Together?"

summary: Short pieces of how I think various Skyrim men would react to this question (they're all definitely together) gn reader, no pronouns or y/n used. feat: Brynjolf, Vilkas, Farkas, Arnbjorn, Cicero, Erandur, Balimund, Mercer warnings: slightly suggestive (Brynjolf, Erandur)

You can feel Brynjolf’s confidence skyrocket at the question. One hand sneaks to your lower back to draw you even closer. It’s absolutely the last thing you need - if anyone in the Guild knew about you two it would ruin their opinion of you. Barely getting your footing and already sleeping with your mentor? Ignoring Brynjolf’s cocky grin you clear your throat, trying to banish the heat in your cheeks.  “Of course not.” Your words aren’t exactly convincing when you consider the messy state of your armor and the clear bite marks on his exposed skin. Mercer’s eyes dart between the obvious clues, offering nothing but an unimpressed grunt before turning away.  “Right. That would be unprofessional.”

“Absolutely not.” Vilkas answers despite the hand clasped in yours. You fight to stifle a laugh at his staunch refusal to share his personal life with others. “We’re clearly coworkers. Why would you ask such a question?”  “Well, you’re -” the poor recruit stammers into silence when Vilkas' glare turns to them. You’ll chastise him after the lad returns to his group of whelps across the hall but you know how much he delights in someone thinking he’s frightening.  “The Harbinger’s relationship status is none of your business.” His tone is curt, a contrast to the delicate way his thumb traces over the back of your hand. “Now leave us.”

“Yeah, I’m courting them.” Farkas snorts at the question. He thought it was fairly obvious - the two of you were practically joined at the hip. On the rare occasion one of you left Jorrvaskr without the other he swept you into his arms upon returning. He sat dutifully at your side while you sorted through the mess of being a Harbinger, planning out training routines or sharpening his sword.  “Hear that, love? I’m courting you.” Turning that dazzling grin on you, Farkas places an exaggerated kiss on your hand. “Many apologies for skipping a few steps.”

“Why?” Neither confirming nor denying Arnbjorn continues with his work, fully ignoring the conversation. As you’ve spent many days before you’re perched on his workbench, parchments spread around you entirely in his way. He’s grumbled about the mess a few times but hushes when you retort that he is far more interesting.  “Why would you think Arnbjorn and I are together?” Sharpening your tone, you needle the young trainee with the question. You see uncertainty in the way he glances between you and Arnbjorn’s tense back.  “Well, some of the others were talking.”  “What do you think about that?” Arnbjorn pauses at your teasing tone, a gruff hand on your thigh as he reaches for the correct tool. The poor recruit looks ready to bolt. “Sounds like a ridiculous rumor.”

Cicero is absolutely overjoyed at the question. The mere thought of others knowing he is with his Listener, of being associated with the one he loves! He’s practically bouncing at your side, hand grasping yours to his chest while you await whatever he’s got to say.  “Is it so obvious?” He sighs dramatically, a softness in his voice usually reserved just for you. “Oh, truly Cicero is quite the lovesick fool. It appears everyone has learned that the Listener owns his silly heart.” 

“As a Priest of Mara, I love all of her lady’s subjects.” Erandur’s practiced words do nothing to hide the telltale marks you’d left on his throat. The skin’s a tender reminder of the night before - you sneaking through the temple into his chambers, his words like prayers promising whatever you wish as long as you keep touching him. Clearing his throat Erandur forces himself to refocus on the acolyte standing before him. “I would never allow them special privileges due to any personal feelings.” 

“Never would’ve thought to put a label on it.” Balimund would surely get a kick out of the question. You don’t mind the interest - after the amount of time you’ve dedicated to him during your increasing visits to Riften it’s hardly a secret. You never intended on sharing your relationship with strangers but Balimund’s reliable hand on your shoulder or the way you lean into his chest in the market must’ve drawn some eyes. You’d never discussed your relationship, simply aware of shared feelings.  “I guess we are.” He answers and that soft smile is enough to warm your heart. 

“No,” Mercer lies through his teeth. You’d likely act no different if asked such a question - there’s too much at stake. If one lie unravels the others will surely follow. If anyone begins to speculate about your romantic entanglement with the Guild Master there’s no telling what else they could uncover. Ignoring the little twinge of hurt in your chest you return to your practice dummy, sure that you’ll say the same if they aren’t convinced.  “I hardly know their name.” He scoffs, kicking a foot up on his desk. “No special treatment around here.” 

[arytha]

im just going to draw them in the outfits for fun until it clicks 👍

[arkhamslvts]

MARAS MASTERLIST

greatest hits, curated by yours truly

DICK GRAYSON

5 STAR DICK! [p!star dick x blk!fem reader]

dick vs throat fucking

p!star dick and inexperienced reader

p!star dick & breeding

dick & moaning

vamp!dick

dick v jason dirty talk

dick v jason and your ex

JASON TODD

jason & anal

ak!jason & degradation [2]

vamp!jason being a lover

jason and nnn [2]

ak!jason and collars

jason & throat training

collegeverse!jason

ak!jason voice kink

jason making you cum

just the tip

priest!jay

roomates! [w/roy]

jason being big

GCVERSE [with roy and jason]

pics they like

mutual masturbation

roy sending jason videos

HAL JORDAN

fratboy!hal & squirting

fratboy!hal & degradation

hal & tag teaming

fratboy!hal & sexting

hal & pretty nails

fratboy!hal's duality

ROY HARPER

roy & anal

campus stoner! roy

dilf! roy

roy & sexting

roy & doggystyle

BRUCE WAYNE

dilf! bruce

tag! [w/hal]

sugar daddy

battinson!

vamp!bruce