Players aired for ATS season 4, episode 16. Gwen returns to team up with Gunn. They work together in formal wear to rescue a young girl at a dinner party.
This was the last appearance of Gwen Raiden. Gwen is played by Alexa Davalos and is in three episodes total, all in S4.
Hello, welcome to Incorrect Fab Fifteen, a blog about all things Silver Age Teen Titans! I've come up with the term Fab Fifteen to broadly refer to all of the members (which I'll explain below) as well as a natural expansion of the Fab Five (plus, it's better than just calling them the OG Teen Titans or the 70s Team).
For DC newcomers, don't be afraid of some of the comic terminology present, they'll make sense with more exposure.
Introducing: The Fab Fifteen!
Dick Grayson
Full name: Richard John "Dick" Grayson
Alter Ego: Robin I, Nightwing, Batman III, Red X
Birthday: March 20th
Love interests: Bette Kane (Pre-Crisis), Princess Koriand'r, Barbara Gordon, Helena Bertinelli (DCYou), Bea Bennett [There's probably more, feel free to send an ask so I can fix this]
Reading recs: The Judas Contract, The Cheshire Contract [collected as Nightwing: Old Friends, New Enemies], Nightwing Vol 1 by Chuck Dixon, Batman & Robin, The Black Mirror, New 52 Nightwing by Kyle Higgens
Wally West
Full name: Wallace Rudolph "Wally" West
Alter Ego: Kid Flash I, The Flash III
Birthday: January 16
Love interests: Donna Troy (Pre-NTT), Rachel Roth (🤨?), Frances Kane, Linda Park, Jesse Chambers
Reading recs: Born To Run, Savage Velocity, The Flash by William Messner-Loebs and Greg LaRoque, The Flash by Mark Waid, Flash Forward, The Flash by Jeremy Adams (especially The Return of Wally West and One-Minute War)
Donna Troy
Full name: Donna Hinckley Stacy Troy
Alter ego: Wonder Girl, Troia (Who Is Wonder Girl? until Total Chaos; JLA/Titans until Infinite Crisis; No Justice onwards), Darkstar (Zero Hour until Meltdown), Wonder Woman IV (Who Is Wonder Woman?)
Birthday: April 26
Love interests (oh boy): Dick Grayson (FORMERLY), Wally West (only during the Silver Age + some weird thing during DC Rebirth), Garth (Titans 2018 + Titans United), Roy Harper, Kyle Rayner
Reading recs: Who Is Wonder Girl? [Collected in The New Teen Titans Who is Donna Troy?], Wonder Woman By John Byrne Vol. 3, The Return of Donna Troy, Wonder Woman: Who is Wonder Woman?, Titans: The Spark and Into The Bleed
Garth
Full name: Prince Garth of Shayeris
Alter ego: Aqualad (also legal name until Crisis), Tempest
Birthday: March 6
Love interests: Donna Troy, Tula Marinus, Dolphin, Lilith Clay (temporary)
Reading recs: World's Finest: Teen Titans, Death of a Prince, Tempest by Phil Jimenez, Aquaman by Peter David, JLA: The Obsidian Age, Aquaman: Underworld
Roy Harper
Full name: Roy William Harper Jr.
Alter ego: Speedy, Arsenal, Red Arrow
Birthday: November 1
Love interests: Donna Troy, Jade Nguyen, Kendra Saunders
Reading recs: Snowbirds Don't Fly, The Cheshire Contract [Collected as Nightwing: Old Friends, New Enemies], Arsenal by Devin Grayson, Outsiders 2003, Justice League of America 2007, Infinite Frontier, Green Arrow 2023
Lilith Clay
Full name: Lilith Jupiter-Clay
Alter ego: Omen
Birthday: Not stated but her debut was November 18
Love interests: Gnarrk, Donald Hall, Garth, Bette Kane
Reading recs: The Terror of Trigon, Teen Titans by Dan Jurgens, Teen Titans: Life and Death, Titans Hunt (2015), Titans Rebirth
Mal Duncan
Full name: Malcolm Arnold "Mal" Duncan
Alter ego: Guardian (Pre-Crisis), Hornblower, Herald (Post-Crisis), Vox (Infinite Crisis until Flashpoint)
Birthday: Not stated
Love interests: Karen Beecher
Reading recs: Silver Age Teen Titans, Titans Hunt, Titans Rebirth, The Other History of the DC Universe #2
Fun fact: Mal Duncan was featured in the first interracial kiss in comics history with a goodbye kiss between him and Lilith!
Karen Beecher
Full name: Karen Beecher-Duncan
Alter ego: Bumblebee
Birthday: Not stated
Love interests: Mal Duncan
Reading recs: Silver Age Teen Titans, Titans Hunt, Titans Rebirth, The Other History of the DC Universe #2, Doom Patrol by Keith Giffen
Don Hall
Full name: Donald Hall
Alter ego: Dove
Birthday: Not stated
Love interests: Lilith Clay
Reading recs: The Hawk & The Dove, Silver Age Teen Titans, Crisis on Infinite Earths
Hank Hall
Full name: Henry "Hank" Hall
Alter ego: Hawk, Monarch (Armageddon 2001), Extant (Zero Hour until JSA)
Birthday: Not stated
Love interests: Dawn Granger, Ren Takamori
Reading recs: The Hawk and The Dove, Hawk and Dove: Ghosts & Demons, Hawk and Dove (1989), Birds of Prey (2010)
Dawn Granger
Full name: Dawn Marie Granger
Alter ego: Dove
Birthday: Not stated
Love interests: Hank Hall, Sal Arsala
Reading recs: Hawk and Dove: Ghosts & Demons, Hawk and Dove (1989), Birds of Prey (2010)
Duela Dent
Full name: Duela Dent
Alter ego: Joker's/Riddler's/Penguin's Daughter, Card Queen, Harlequin
Birthday: Not stated
Love interests: Earth-1 Dick Grayson, Earth-3 Dick Grayson
Reading recs: Silver Age Teen Titans, Teen Titans: Titans East
Bette Kane
Full name: Mary Elizabeth "Bette" Kane
Alter ego: Batgirl (Pre-Crisis), Flamebird (Post-Crisis, current mantle), Hawkfire (N52 Batwoman only)
Birthday: Not stated
Love interests: Dick Grayson (Pre-Crisis)
Reading recs: Teen Titans Vol 1 #50-53, Hawk and Dove Vol 3 Annual 1, Beast Boy (2000), DC's Legion of Bloom
Charley Parker
Full name: Charles Edmund "Charley" Parker (human name); Ch'al Andar (Thanagarian name)
Alter ego: Golden Eagle, Hawkman IV (Rise of the Golden Eagle)
Birthday: Not stated
Love interests: Kendra Saunders (I think?)
Reading recs: Hawkman: Rise of the Golden Eagle,
Tula
Full name: Tula Marinus
Alter ego: Aquagirl
Birthday: Not stated
Love interests: Garth
Reading recs: Tempest by Phil Jimenez, New 52 Aquaman, Mera: Queen of Atlantus, Aquaman by Kelly Sue DeConnick, Aquamen
So a special note: despite Beast Boy being a part of the Titans West (as well as appearing in the above photograph), they do not count as part of the Fab Fifteen, mainly because he's already part of the New Teen Titans. Also note that this acc won't be using the New 52 version of Duela Dent (although the Gotham Knights version is fine so feel free to send in any hcs about her)
Also you maybe be asking why Gnarrk's entry is below instead of with everybody else. That's because Gnarrk was never a Titan in the first place. Sure, he appeared as part of the title and was there when the Titans West was formed but he never actually joined the team at all. Gnarrk becoming a Titan became a thing when he was introduced following the New 52.
Gnarrk
Full name: Unknown
Alter ego: Caveboy
Birthday: Not stated
Love interests: Lilith Clay
Reading recs: Titans Hunt (2015), Titans Rebirth
Uhh, yeah, so that's the Fab Fifteen! Again, don't worry about this technical jargon if you're a newcomer and you just wanna look at the other posts, we're all here to have fun.
This follows an 8 member girl group, SM thought it would be a good idea for young girls to have a girl group like Stray Kids in their own company. The 8 members briefly participated in the survival show, Honey voices. The girl group debuts November 8th, 2020 with the name PLAYground.
The members include:
Lee Y/N (Tired mother of 7)
Stage Name: Y/N
Position: Leader, Main Vocalist
Training Period: 3 years
Age, at time of smau: 26(born June 8th, 1997)
Park Yong-mi (Dior's bitch)
Stage Name: Yongmi
Position: Main dancer, sub rapper
Training Period: 2 years
Age, at time of smau: 25(born August 3rd, 1998)
Name in Y/N's phone: Yong
Chon Sang-hee (Puns of her own name)
Stage Name: Sanghee
Position: Main rapper, lead dancer
Training Period: 1 year
Age, at time of smau: 25(Born August 4th, 1998)
Name in Y/N's phone: Lesbian gecko
Kang Seo-yun (thought hot dogs were cannolis)
Stage Name: Seo-yun
Position: Lead vocalist
Training Period: 1 year
Age, at time of smau: 24(born september 3rd, 1999)
Name in Y/N's phone: Seo!
Min Soo (Nurse of the group)
Stage Name: Minso
Position: Lead rapper
Training Period: 3 months
Age, at time of smau: 24(born december 5th, 1999)
Name in Y/N's phone: Min
Kim Sun-hi (Serious caffeine addict)
Stage Name: Sunny
Position: Lead dancer
Training Period: 2 years
Age, at time of smau: 20(Born February 20th, 2003)
Name in Y/N's phone: LOML
Sam Su-bin (Secret 8th Enhypen member)
Stage Name: Subin
Position: Maknae, Main dancer
Training Period: 2 years
Age, at time of smau: 18(born March 4th, 2005)
Name in Y/N's phone: Problem child 1
Chung Jin-Ae (The chaebol idol)
Stage Name: Jinnie
Position: Maknae, Main dancer
Training Period: 3 years
Age, at time of smau: 16(born July 1st, 2007)
Name in Y/N's phone: Problem child 2
So. After weeks of work (*insert alpaca scream here*), my trading site is open for trading! To celebrate, I decided to gift a few audios and videos from Phantom of the Opera, a few audios from Les Misérables, two cast recordings from Elisabeth das Musical, and a cast recording for Sweeney Todd. Enjoy!
(If you're the master of a listed audio/video, please don't hesitate to reach out to me if you want me to remove your stuff from the list.)
POTO audios
Michael Crawford, Rebecca Caine (alt.), Steve Barton
October 10, 1987; London
Michael Crawford and Steve Barton's last in London. Soundboard, very good quality, and this one is complete. And Rebecca Caine sounds amazing in it (as she always does).
https://www.mediafire.com/file/pttrjfqzb84gatm/POTO_West_End_10-10-1987_-_Crawford%252C_Caine%252C_Barton.rar/file
Steve Barton, Rebecca Luker, Gary Lindemenn (u/s),
Marilyn Caskey, Jeff Keller, George Lee Andrews, Leila Martin
September 26, 1990; Broadway
Soundboard audio. Because Steve Barton was almost as good of a Phantom as he was as Raoul, and Rebecca Luker is a legend (RIP).
https://www.mediafire.com/file/xc9ywojtdesptje/POTO_Broadway_26-09-1990_-_Barton%252C_Luker%252C_Lindemenn.rar/file
Davis Gaines, Tracy Shayne, Matthew R. Jones, George Lee Andrews, Jeff Keller, Lelia Martin
October 5, 1996; Broadway
Davis Gaines's last performance. Because Davis Gaines has one of the best voices I've heard in the role.
https://www.mediafire.com/file/w1ybvl8v6e4ex6r/POTO_Broadway_05-01-1996_-_Gaines%252C_Shayne%252C_Little.rar/file
Brad Little, Lisa Vroman, Tim Martin Gleason, Kim Stengel, DC Anderson, David Cryer, Patti Davidson-Gorbea, Kate Wray, Jimmy Smagula
December 5, 2003; Los Angeles
Lisa Vroman’s second-to-last performance as Christine. Both she and Brad Little are glorious vocal-wise.
https://www.mediafire.com/file/muavx4ocvs62eav/POTO_US_Tour_05-12-2003_-_Little%252C_Vroman%252C_Gleason.rar/file
Anthony Warlow, Julie Goodwin, John Bowles, Andrea Creighton, John O'May, Derek Taylor, Jackie Rees, Nadia Komazec, David Rogers-Smith
August 15, 2007; Melbourne
Not the biggest fan of Anthony Warlow acting-wise, but he does not disappoint on the vocals - and neither does Julie Goodwin.
https://www.mediafire.com/file/3pm0ksips30n3it/POTO_Melbourne_15-08-2007_-_Warlow%252C_Goodwin%252C_Bowles.rar/file
John Owen-Jones, Katie Hall, Simon Bailey, Angela M. Caesar,
Andy Hockley, Simon Green, Elizabeth Mars, Hannah Cadec, Vincent Pirillo
September 29, 2012; Edinburgh
Not the biggest fan of the restaged tour, but... Katie Hall's "Tears of HAAAAAATE" is pretty great. And John Owen-Jones!
https://www.mediafire.com/file/00vtvziy172lpkv/POTO_UK_Tour_29-09-2012_-_Owen-Jones%252C_Hall%252C_Bailey.rar/file
Hugh Panaro, Elizabeth Welch (u/s), Jeremy Hays
March 3, 2014; Broadway
Great trio overall, but Elizabeth Welch is a standout (to me at least).
https://www.mediafire.com/file/1hc1ozi96vok5pd/POTO_Broadway_03-03-2014_-_Panaro%252C_Welch%252C_Hays.rar/file
Dmitry Ermak, Tamara Kotova, Eugeny Zaytsev, Irina Samoylova, Alexei Bobrov, Yuri Mazihin, Elena Charkviani, Valeria Migalina, Rustim Bahtiyarov (u/s)
July 16, 2015; Moscow
A lovely production that I miss - Tamara Kotova in particular is great.
https://www.mediafire.com/file/w56tx5d7fkh4kse/POTO_Moscow_16-07-2015_-_Ermak%252C_Kotova%252C_Zaytsev.rar/file
John Owen-Jones, Celinde Schoenmaker, Nadim Naaman, Megan Llewellyn, Michael Matus, Christopher Dickens, Jacinta Mulcahy, Alicia Beck, John Ellis
September 7, 2015; London
First performance of the 2015-2016 cast.
https://www.mediafire.com/file/5hswf44ldku6ngm/POTO_West_End_07-09-2015_-_Owen-Jones%252C_Schoenmaker%252C_Naaman.rar/file
Peter Jöback, Emmi Christensson, Anton Zetterholm, Karolina Andresson, Glenn Kjellberg, Rolf Lydhal, Sanna Martin, Tehilla Blad, Sindre Postholm
March 19, 2017; Stockholm
Given Christine is from Sweden, it's only fair to include the recent Stockholm production.
https://www.mediafire.com/file/zkl38t9388gcvh7/POTO_Sweden_2017-03-19_PJ_EC_AZ.wav/file
Tim Howar, Amy Manford, Jeremy Taylor, Kimberly Blake,
Ross Dawes, Alan Vicary, Jacinta Mulcahy, Georgia Ware, Paul Ettore Tabone
September 7, 2019; London
This one is different from the one listed as NFT (so don't get mad at me, haha). Last performance for Amy Manford in the West End production.
https://www.mediafire.com/file/vf60ie1er18rkon/POTO_West_End_07-09-2019_-_Howar%252C_Manford%252C_Taylor.rar/file
Ben Crawford, Meghan Picerno, John Riddle
October 26, 2019
Because we all love a Christine with opera chops.
https://www.mediafire.com/file/9gji0khgfoazjqd/POTO_Broadway_26-10-2019_-_Crawford%252C_Picerno%252C_Riddle.rar/file
POTO videos
Earl Carpenter, Rachel Barrell, David Shannon, Wendy Ferguson, David Lawrence (u/s), Sam Hiller, Emily Harvey (u/s), Heidi Ann O'Brien, Rohan Tickell
January 2006
VOB format.
If you want to see Earl in London right now but can't... this video is the best quality overall that features him, and Rachel Barrell is a fantastic Christine - one of my favorites in the role.
https://mega.nz/folder/u09GQKyR#gjNHj4Letd9YInTsuLowjA
Gary Mauer, Elizabeth Southard, Jim Weitzer, Kim Stengel,
John Jellison, DC Anderson, Patti Davidson-Gorbea, Kate Wray, John Whitney
April 6, 2006; Dallas
VOB format.
For my Eristine moots (I see you!): Gary Mauer and Elizabeth Southard were (and as far as I know, still are) married while performing as the Phantom and Christine, and you thought Ramin and Sierra's chemistry was off the charts, think again.
https://mega.nz/folder/PtExxS5A#D4yyf2g_lXoN-cIDPkMU2Q
Anthony Crivello, Kristi Holden, Andrew Ragone, Geena Jeffries Mattox, John Leslie Wolfe, Lawson Skala, Tina Walsh, Brianne Kelly Morgan, Larry Wayne Morbitt
August 8, 2008; Las Vegas
VOB format.
This is the Las Vegas Spectacular production, which is abriged compared to the original but totally worth seeing. If you want to understand why I love Meg Giry so much, Brianne Kelly Morgan is one of the best I've ever seen in the role. Also, if you’re meh about Raoul... with Andrew Ragone, think again. He’s one of the most Superman/Clark Kent Raouls I’ve seen. And I really like Kristi Holden’s Leroux-esque Christine too.
https://mega.nz/folder/Sh1zxSAB#twtXau8Y8pd_L9tMQLa4Mg
Jeremy Stolle (u/s), Samantha Hill, Greg Mills (u/s), Michele McConnell, Tim Jerome, Richard Poole (u/s), Ellen Harvey, Kara Klein, Christian Sebek
March 9, 2013
VOB format.
Missing part of Act 1 (‘Stranger Than You Dreamt It’ to Il Muto), but otherwise complete. This is one of the best trios I've seen on Broadway, and Samantha Hill is just a fantastic Christine overall.
https://mega.nz/folder/y1slyJRD#OP1Tp5Cj_fMk9LbAWJMqAA
Tomas Ambt Kofod, Sibylle Glosted, Christian Lund, Louise Fribo, Carl Christian Rasmussen, Sebastian Harris, Elisabeth Halling, Imogen-Lilly Ash, Rasmus Jupin
March 2019; Copenhagen
VOB format.
This one is more recent, but given it's been uploaded on YouTube, I guess it's fine to gift it (again, if you’re the master and you want me to remove this, please let me know).This one has one of the best casts ever caught on tape. Seriously. Everyone in this is a star.
https://mega.nz/folder/q40hTagI#Zui14MWo-F2YSQ0gNdaL6Q
Les Mis Audios
Colm Wilkinson, Roger Allam, Patti LuPone, Alun Armstrong,
Sue Jane Tanner, Michael Ball, Frances Ruffele, Rebecca Caine, David Burt
1985; London
Preview at the Barbican Centre. This is interesting since it includes Cosette's song "I Saw Him Once", which has been cut later.
https://www.mediafire.com/file/jbedqiemuk9qnd1/Les_Mis_West_End_1985_-_Wilkinson%252C_Allam.rar/file
Symphonic recording (1989)
Gary Morris, Philip Quast, Debra Byrne, Michael Ball, Tracy Shayne, Kaho Shimada, Anthony Warlow, Barry James, Gay Soper
https://www.mediafire.com/file/n7gp30jcpnjfkf7/Les_Miserables_Symphonic_Recording.rar/file
Kyle Jean-Baptiste (u/s), Earl Carpenter, Erika Henningsen, Chris McCarrell, Samantha Hill, Brennyn Lark, Max Quinlan (u/s),
Gavin Lee, Rachel Izen
August 13, 2015; Broadway
For Kyle Jean-Baptiste, who was an amazing performer gone way too soon. RIP.
https://www.mediafire.com/file/fzj2qubunkrrfhc/Les_Mis_Broadway_13-08-2015_-_Jean-Baptiste%252C_Carpenter.rar/file
John Owen-Jones, Michael Ball, Carrie Hope Fletcher, Craig Mather (u/s), Lily Kerhoas, Shan Ako, Bradley Jaden, Matt Lucas, Katy Secombe, Earl Carpenter
October 16, 2019; London
All-star concert!
https://www.mediafire.com/file/nh28zdry93vhry2/Les_Mis_London_Concert_16-10-2019_-_Owen-Jones%252C_Ball.rar/file
Elisabeth das Musical
Original Cast Recording (1992)
Pia Douwes, Uwe Kroeger, Ethan Freeman, Andreas Bieber, Viktor Gernot, Else Ludwig
https://www.mediafire.com/file/fagi9ctooeq2y11/Elisabeth-Original_German_Cast.rar/file
Vienna revival cast recording (2006)
Maya Hakvoort, Mate Kamaras, Serkan Kaya, André Bauer, Fritz Schmid, Else Ludwig
https://www.mediafire.com/file/7wpqbotp8oszzz3/Elisabeth_-_2006_Vienna_Cast.rar/file
Sweeney Todd
2000 Concert Cast Recording
George Hearn, Patti LuPone, Davis Gaines, Heidi Grant Murphy, Paul Plishka, Audra McDonald, Standford Olsen, Neil Patrick Harris, John Aler
Pretty sure this isn't on Spotify, which is a real shame given its cast. So enjoy! EDIT: Someone pointed out to me that the recording is incomplete - probably a result of the Great Hardware Crash of 2016, so until I get the full version, this will probably stay incomplete. Sorry about that!
https://www.mediafire.com/file/ywoiqe5bnlzr7bs/Sweeney_Todd_2000_New_York_Concert_Cast.rar/file
This post is part of my ongoing record for the new (to me) anime I watch in 2023. I'm excited to see what new shows and films I discover as this list grows through the year.
Since it's spooky season, I've spent October watching anime with Halloween-ish themes.
Ghost Stories (2000) episodes: 20 started: 10-26-23 finished: 10-28-23 rating: 7.5/10 note: of course I watched the English dub for this one. It's ridiculously bad but the hilarious dub makes all the difference
The Vampire Dies in No Time (2021) episodes: 12 started: 10-30-23 finished: 10-31-23 rating: 8/10 note: additional cuteness rating for John the armadillo 11/10
Interviewer: And then it all ends with “Demolition Lovers,” which is like the climax.
Gerard: Yeah, originally, the song-- um “Demolition Lovers” was supposed to be called “I Brought You My Bullets, You Brought Me Your Love,” but I just hate it when, like bands name--
Interviewer: (Dramatically) The title track of--
Gerard: The title track! Yeah, I just don’t like title tracks.
Ray: (After being asked his favorite songs) And the last song “Demolition Lovers” because that song took us just about 6 months to write. We had that song very ear-- like, parts of the song very early when we first started the band, and it just took 6 months to finally get it right, and to hear it...like how it sounds on the CD, was just-- is just incredible. It’s really moving, for me, and I think for all of us because it-- it took so long to get right.
Gerard: This song is called “Demolition Lovers,” and…there you go. (Laughs) It’s about uh-- you wanna know what it’s about?
Interviewer: Yes
Gerard: It’s about uh…a willing to dish out and receive bullets for somebody… (laughs) because you love them that much.
/
HardcoreNJ Interview - March/April 2003
Paragraph 14
Interviewer: What is your favorite song on your album and why?
Matt: Easily “Demolition Lovers” because, it was the one song on the record that was more of a project to us than the other songs. It took like 6 months till we got it right, so the song really felt like an accomplishment when we were finished. It shows a wide perspective of what we can write.
/
WVAU Radio Interview - 3/26/03
13:23-14:02
youtube
Interviewer: What is the meaning behind “Demolition Lovers”?
Gerard: “Demolition Lovers” is-- the meaning behind it is-- the song’s about wanting to do something for somebody or trying to prove to somebody how much they mean to you, and I wanted it to have this very like Ro-- not so much Romeo and Juliet, but very Bonnie and Clyde type feel, like two people out on the road together, willing to take a bullet for each other, kinda very like true romance type style. And it also goes out to somebody very special, and um...
Interviewer: Aww
Gerard: It’s kind of a way to tie up the whole record.
/
89.5 WSOU FM Interview - 7/3/03
16:42-17:03
youtube
Gerard: Bullets was more like wistful. It’s more like about Romeo and Juliet type, star-crossed lovers and stuff like that. Like “Demolition Lovers” captures like the theme of the whole record, you know, two people willing to die in a gun battle for each other and stuff like that. The next record’s stepping a little away from that kind of romanticism about it, and it’s going more into the like coming back from the dead to get revenge.
/
MTV Interview - 6/23/04
Paragraph 7
Gerard: We had a song called 'Demolition Lovers,' from our first record [I Brought You My Bullets, You Brought Me Your Love]. In the end of that, the main character and his girlfriend get gunned down in the desert. So, on this album, he's in hell looking for her, and the devil tells him she's still alive. And he says, 'I have to be with her,' and the devil says, 'Then bring me the souls of 1,000 evil men. I'll send you back to earth, and when you kill the last one, you'll find her.'
/
MTV Interview - August-October 2006
0:37-0:49
youtube
Gerard: And we had been working on theme and concept songs since Bullets. “Demolition Lovers,” the last track off Bullets, basically leads you into Three Cheers For Sweet Revenge, so there’s even like a thematic connection.
A M1A1HC Abrams Main Battle Tank "Clinically Insane", from U.S. Army 2nd Infantry Division, look for enemy forces during a simulated armor battle scenario as part of Foal Eagle 03 joint exercise at Camp Red Cloud Twin Bridges Training Ground, South Korea. March 26, 2003. 8th U.S. Army photo by Staff Sergeant Efren Lopez. Source: U.S. National Archives
Always under construction!! The arts used are mentioned in each post. The same goes for references that I'm only using for that post.
Template // Art
ASTROLOGY
BOOKS
[1] TOMPKINS, Sue. Aspects in Astrology: A guide to understanding planetary relationships in the horoscope. One Park Street, Rochester, Vermont 057067: Destiny Books, 2002.
[2] RIBEIRO, Anna Maria da Costa. Sinastria: Estudo dos Relacionamentos Teoria e Prática. Rio de Janeiro, RJ: Hipocampo Editora e Distribuidora Ltda., 1989.
[3] ABDUL-KHALIQ, Ajani. Hayden’s Book of Synastry: A Complete Guide to Two-Chart Astrology, Composite Charts, and How to Interpret Them. 13 junho 2017.
[4] LEWIS, James R. The Astrology Book: The Encyclopedia of Heavenly Influences. Canton, MI: Visible Ink Press™, 2003.
[5] WOOLFOLK, Joanna Martine. The Only Astrology Book You’ll Ever Need. Lanham, Maryland: Taylor Trade Publishing, 2006.
[6]NICHOLAS, Chani. You Were Born for This: Astrology for Radical Self-Acceptance. New York, NY: HarperOne, 2020.
[8] GARGATHOLIL. Depth Astrology: An Astrological Handbook: Volume 2: Planets in Signs. Smashwords Edition, 2014.
[9] GARGATHOLIL. Depth Astrology: An Astrological Handbook: Volume 3: Planets in Houses. Smashwords Edition, 2014.
[10] GARGATHOLIL. Depth Astrology: An Astrological Handbook: Volume 4: Planets in Aspect. Smashwords Edition, 2014.
[11] REED, Theresa. Astrology for Real Life: A Workbook for Beginner. Newburyport, MA: Red Wheel/Weiser, LLC, 2019.
[12] LISBOA, Claudia. Os astros sempre nos acompanham (Edição revista e ampliada): Um manual de astrologia contemporânea. Rio de Janeiro: Best Seller, 2021.
[14] DEVORE, Nicholas. Encyclopedia of Astrology. New York: The Philosophical Library, June 1947.
[28 ]MARCH, Marion D.; McEVERS, Joan. Curso Básico de Astrologia: VOLUME I - Princípios Fundamentais. Tradução de CARMEM YOUSSEF. São Paulo: EDITORA PENSAMENTO LTDA., 1999.
WEBSITES/BLOGS
[15] SERVANTOFTHEFATES. Disponível em: https://servantofthefates.tumblr.com/. Acesso em: 29 de mar. de 2023.
[16] LINHA ASTRAL - ASTROLOGIA: Seu site de Pesquisa Astrológica. Disponível em: https://linha-astral.com.br/. Acesso em: 29 de mar. de 2023.
[17] Astromatrix. Disponível em: https://astromatrix.org/. Acesso em: 29 de mar. de 2023.
[18] Astrolibrary. Disponível em: https://astrolibrary.org/ Acesso em: 29 de mar. de 2023.
[19] Cafe Astrology. Disponível em: https://cafeastrology.com/. Acesso em: 29 de mar. de 2023.
[20] Astrologia na era de aquário, astrologia e estudos astrológicos. Disponível em: http://astrologiaeradeaquario.blogspot.com/ . Acesso em: 29 de mar. de 2023.
[21] Astrology and Numerology Study. Disponível em:https://astrologystudy.blogspot.com/ . Acesso em: 29 de mar. de 2023.
[22] Astrologia Luz e Sombra. Disponível em: https://astrologialuzesombra.com.br/ . Acesso em: 29 de mar. de 2023.
[33] Astrolink. Disponível em: https://www.astrolink.com.br/artigo/a-historia-da-astrologia. Acesso em: 25 de maio de 2023.
It is my hecking birthday this month, y’all! To celebrate I am giving away videos and audios from Phantom of the Opera that positively ruined me (AKA some of my faves) !
NOTE: the links will work until November 6th, 10 AM CEST! After that they won’t work anymore :) If any of the masters want me to remove their master, let me know and I will!
Everything, including cast info, is under the cut!
Video
US Tour - Dallas, April 6, 2006 Evening
Gary Mauer, Elizabeth Southard, Jim Weitzer, Kim Stengel, John Jellison, DC Anderson, Patti Davidson-Gorbea, John Whitney, Kate Wray
https://ln5.sync.com/dl/b833dd740/gvnusjtv-a7wywsjy-98mvkiid-nsa6ksqp
Las Vegas Spectacular - August 8, 2008 (SunsetBlvd79)
Anthony Crivello, Kristi Holden, Andrew Ragone, Geena Jeffries Mattox, John Leslie Wolfe, Lawson Skala, Tina Walsh, Larry Wayne Morbitt, Brianne Kelly Morgan
https://ln5.sync.com/dl/f4b151790/79fc7xe8-emk99ug5-va2ndite-vrapb47x
Broadway - May 12, 2014 (inallyorufantasies, turnofthescorpion)
Norm Lewis, Sierra Boggess, Jeremy Hays, Michele McConnell, Tim Jerome, Laird Mackintosh, Ellen Harvey, Christian Šebek
https://ln5.sync.com/dl/9dbe75640/89h6694u-db6i4y53-ker76kab-xtm9qbj3
Boadway - May 20, 2003
Hugh Panaro, Lisa Vroman, John Cudia, Julie Schmidt (u/s), Jeff Keller, George Lee Andrews , Marilyn Caskey, Larry Wayne Morbitt, Joelle Gates
https://ln5.sync.com/dl/04cef73f0/watx9j5t-s2amh9zy-hmxqchav-2h2sf3ra
West End - August, 2018
Ben Lewis, Amy Manford, Jeremy Taylor
https://ln5.sync.com/dl/8a1ae4700/ys5mbar9-yas2ewaq-rrnk4sye-wt5pgdtb
Trieste, Italy - July 15, 2023 (Filthybonnet)
Ramin Karimloo, Amelia Milo, Bradley Jaden, Earl Carpenter, Ian Mowat, Anna Corvino, Gian Luca Pasolini, Alice Mistroni, Zoe Nochi
https://ln5.sync.com/dl/f916fe200/6dw52cqj-usu7pimm-zbgk2gdg-9qixj3d4
Audios
Broadway - September 26, 1990
Steve Barton, Rebecca Luker, Gary Lindemenn (u/s), Marilyn Caskey, Jeff Keller, George Lee Andrews, Leila Martin
https://ln5.sync.com/dl/21e8e2db0/wsqmti8i-4d4vukku-xs8fvh3y-85kjak3h
Broadway - May 10, 2003
Hugh Panaro, Lisa Vroman, John Cudia, Patricia Phillips, Jeff Keller, George Lee Andrews (u/s), Marilyn Caskey, Joelle Gates, Larry Wayne Morbitt
https://ln5.sync.com/dl/5640398d0/3d5axeix-ie6cpr3t-4j7fbew7-5q8mjcqq
Broadway - August 19, 2014 (Oogie Boogie)
Norm Lewis, Sierra Boggess, Jeremy Hays
https://ln5.sync.com/dl/59b8c8720/hzpmzgq7-5hx5xqx9-4e6h4qt2-ynn5dmw6
Broadway - April 6, 2023 (phantomygoodness)
Jeremy Stolle (u/s), Julia Udine (alt.), John Riddle, Nehal Joshi, Craig Bennett, Raquel Suarez Groen, Maree Johnson, Carlton Moe, Sara Etsy
https://ln5.sync.com/dl/dfa420090/i2m495z9-zwdgyka9-r2k9njdn-tu9hwt9m
Las Vegas Spectacular - September 2, 2012
Anthony Crivello, Kristi Holden, Andrew Ragone, Joan Sobel, Lawson Skala, John Leslie Wolfe, Tina Walsh, Larry Wayne Morbitt, Brianne Kelly Morgan
https://ln5.sync.com/dl/882621a90/2kz2ajn8-nkre4uhw-5y7vesm6-gmk3pv7v
West End- October 27, 2017
Ben Lewis, Amy Manford (alt), Jeremy Taylor, Una Reynolds (u/s), Siôn Lloyd, Mark Oxtoby, Jacinta Mulcahy, Paul Ettore Tabone, Lily Howes (u/s)
https://ln5.sync.com/dl/d6fa41cb0/axfwkn8z-66dpfim8-7uekxefw-aahsqs8x
West End - September 1, 2018 Evening (Winschi)
Ben Lewis, Kelly Mathieson, Jeremy Taylor, Lara Martins, Siôn Lloyd, Mark Oxtoby, Jacinta Mulcahy, Paul Ettore Tabone, Georgia Ware
https://ln5.sync.com/dl/99b982430/9dpb2hez-rex5y3nn-z9e963m3-wm57qfu2
West End - November 13, 2021 Evening (starprincess)
Killian Donnelly, Lucy St Louis, Rhys Whitfield, Saori Oda, Tim Morgan, Adam Linstead, Francesca Ellis, Greg Castiglioni, Ellie Young
https://ln5.sync.com/dl/fcffc67e0/7362xu65-tefiqt8x-9z3njksk-353iuqjk
West End -March 4, 2023 (verytheatricaltrades)
Earl Carpenter (t/r), Holly-Anne Hull, Matt Blaker, Matt Harrop, Adam Linstead, Kelly Glyptis, Greg Castiglioni, Francesca Ellis, Ellie Young
https://ln5.sync.com/dl/f142d9230/5ngjfdrx-fhjmc9wf-x2yhme8h-z4exy8cf
The “shadow of the eclipse” is a time period lasting from 10 days before the first eclipse, to three days after the final eclipse. It is recommended not to start anything new, or schedule anything important, during these days - as usual I refer everyone to the 1981 wedding of Lady Diana Spencer to the Prince of Wales, as an example.
Of course we live in a place/time which scoffs at letting astrology help with the timing of events - therefore don’t lose hope if something falls unavoidably within the eclipse shadow. Just be prepared.
I wanted to take a more thorough approach to delineation, this time. I hope it’s helpful.
South Node Solar Eclipse
A solar eclipse happens when the New Moon lies close (in the Zodiac) to either the North Lunar Node, or to the South one. It occurred to me to do a little research on whether which Node is involved, makes any difference - and yes, it does.
Astrologers call the South Node “the dragon’s tail” - Steven Forrest calls the South Node, “the dragon’s butt” - because here we are “pooping out” what we don’t need and can’t use. (One person’s poop, however, is another person’s fertilizer.)
Eclipses conjunct the South Lunar Node, like the October 14 one, have an outflowing (outpooping?) of energy. They tend to feature external events which we have to “rise up to.”
If you’d like to note how these have affected you in the past (always a good idea to check “what happened last time”), here is a list of the previous South Node solar eclipses in this century:
December 14, 2001, 22°56’ Sagittarius
December 4, 2002, 11°58’ Sagittarius
November 23, 2003, 1°14’ Sagittarius
October 14, 2004, 21°06’ Libra
October 3, 2005, 10°19’ Libra
September 22, 2006, 29°20’ Virgo
September 11, 2007, 18°25’ Virgo
August 1, 2008, 9°32’ Leo
July 22, 2009, 29°27’ Cancer
July 11, 2010, 19°24’ Cancer
June 1, 2011, 11°02’ Gemini
July 1, 2011, 9°12’ Cancer
May 20, 2012, 0°21’ Gemini
May 10, 2013, 19°31’ Taurus
April 29, 2014, 8°52’ Taurus
March 20, 2015, 29°27’ Pisces
March 9, 2016, 18°56’ Pisces
February 26, 2017, 8°12’ Pisces
February 15, 2018, 27°08’ Aquarius
January 6, 2019, 15°25’ Capricorn
December 26, 2019, 4°07’ Capricorn
December 14, 2020, 23°08’ Sagittarius
December 4, 2021, 12°22’ Sagittarius
October 25, 2022, 2°00’ Scorpio
October 14, 2023, 21°08’ Libra
Going down that list was a very uncomfortable trip down memory lane for me. When those South Node eclipses affected me, it was generally a harbinger of some difficult “external event” which I had little to no control over - which is not the same thing as saying “it wasn’t my fault.” I brought some of it on myself due to bad decisions. Some karma chickens coming home to roost, in other words. Not all of them were dire, though. One in particular gave me something of a respite from what had been happening in my life - it was conjunct my natal 12th House cusp.
Saros Series “7 South”
This eclipse is part of Saros Series “7 South.” Bernadette Brady writes,
The individual experiencing this series will find that huge obstacles will suddenly and easily clear or, on the negative side, a pending potential crisis will suddenly manifest and move through his or her life very rapidly. Either way the individual will feel that everything is moving at great speed. (The Eagle and the Lark)
Previous Saros “7 South” eclipses in Ms M’s lifetime:
September 11, 1969, 18°53’ Virgo
September 23, 1987, 29°34’ Virgo
October 3, 2005, 10°19’ Libra
Not quite as depressing for me personally.
Whatever Shall We Do?
1) Determine which of your natal houses this eclipse falls in.
2) Determine whether the eclipse makes an aspect to anything in your chart. Use a 1° orb. In my case, the conjunctions, squares, sesquiquads (135°), inconjuncts, and oppositions made the most obvious impacts.
3) If there is a close aspect to a planet, check to see which house(s) that planet rules. One South Node eclipse was conjunct the ruler of my natal 4th House, and I moved three months later.
4) Avoid strenuously negative thoughts. If you put a lot of energy into anticipating that something is going to be horrible and painful and disastrous, well, guess what - that’s exactly what’s going to happen. If you catch yourself falling into a panic, try to refocus the energy into “the best possible outcome.”
hi!! so when i was scripting info about the younger and older kids, i was just gonna have their birthdays be whatever it was, and not give them an exact one. (minus dustin and will) so, i used a wheel generator app, and generated all their birthdays according to what it landed on, and this is the result:
DISCLAIMER: take this with a grain of salt. do not come on here and say, “oh that wouldn’t be their birthday because they give off *insert zodiac sign* vibe” this is RANDOMLY generated, you don’t have to agree, or you can. i don’t think too much into astrology and zodiacs, because personally, i don’t think your zodiac determines how and who you are as a person. you are either a good person, or you aren’t. so, take this with what you will, and remember, other than will and dustin, these are just randomly picked through an app called spin the wheel. (no hate to anyone who is into astrology by the way, just my opinion, and i ask that you just don’t be rude about these)
i will include their zodiacs according to their random generated birthdays, if you are curious and don’t know the signs.
YOUNGER KIDS
mike wheeler: august 4, 2009 {15} ~ leo ♌️
will byers: march 22, 2009 {14} ~ aries ♈️
lucas sinclair: february 26, 2009 {15} ~ pisces ♓️
erica sinclair: september 15, 2013 {11} ~ virgo ♍️
dustin henderson: may 29, 2009 {14} ~ gemini ♊️
el hopper: march 25, 2009 {14} ~ aries ♈️
max mayfield: october 22, 2009 {15} ~ libra ♎️
OLDER “KIDS”
nancy wheeler: march 4, 2006 {18} ~ pisces ♓️
jonathan byers: june 28th, 2006 {18} ~ cancer ♋️
argyle: november 30th, 2006 {18} ~ sagittarius ♐️
steve harrington: november 27, 2005 {19} ~ sagittarius ♐️
robin buckley: october 16, 2006 {18} ~ libra ♎️
eddie munson: may 15, 2003 {20} ~ taurus ♉️
now eddie’s birthday comes from a picture on twitter of his headstone from one of the international netflix accounts from the netflix tudum event. i do not know how accurate it is, or if they just slapped a random date on it or what, because the year isn’t right for what he would have been born in, and the date he died isn’t either. so, unless if we get a picture of his headstone in a season 5 bts pictures and its on it. then i’m keeping it it may 15th. i was gonna have him tell me himself in my DR what it was, and that was gonna be it, but i couldn’t help but not have one for him made. i personally thought he was a summer baby just for the sole fact of his age, but i kinda intended for his birthday to be in june in my DR, but now it’s in may.
The NCIS franchise will be airing its 1,000th episode on April 15, and CBS Studios President David Stapf has been involved in every single one of them. Because he was head of CBS current programming at the time, he even participated in the development of the mothership series from Day 1 because it originated as two back-door pilot episodes of an existing show, JAG, that aired in April 2003. He was in on all casting sessions and still remembers Pauley Perrette’s audition that won her the role of Abby in the room.
Scheduled against then-Fox juggernaut American Idol, NCIS, about a little known branch of the U.S. military, got off to an inauspicious start, finishing its first season ranked #26. By Season 7, it was the most watched TV drama, holding its own against Idol, and became the most watched program overall three seasons later while also ruling syndication.
CBS’ Entertainment President Amy Reisenbach has been with the show since Season 8 when she was assigned as the day-to-day current executive on the drama and quickly became a fan. At the time NCIS had already spawned one spinoff, NCIS: LA. It was followed by NCIS: New Orleans in 2014; the franchise’s first female-led offshoot NCIS: Hawai’i in 2021; the first international installment, NCIS: Sydney, last year; as well as the upcoming prequel NCIS: Origins for CBS, executive produced and narrated by Mark Harmon and starring Austin Stowell as Leroy Jethro Gibbs in the 1990s; and an Europe-set Tony & Ziva spinoff for Paramount+, starring NCIS alums Michael Weatherly and Cote de Pablo.
The latest pickups make NCIS the largest procedural franchise ever with five current series. They also will help grow the franchise’s global audience, estimated to be more than 300 million viewers in 2023 by producer CBS Studios, which has licensed it in over 200 markets, and the franchise’s staggering current U.S. tally of 4.37 trillion minutes viewed.
In an interview with Deadline, Stapf and Reisenbach, who was promoted to the CBS Entertainment president post in November 2022, discuss expanding the NCIS universe, how the latest additions came about and potential crossovers. They provide an update on the Tony & Ziva spinoff’s title, production start date and possible cast additions, and on the renewal status for NCIS and NCIS: Hawai’i. The duo also address the prospects for Mark Harmon to appear on NCIS or Origins and for a potential Perrette and Scott Bakula return to the franchise, share plans for further NCIS installments, and how big the franchise can get.
DEADLINE: NCIS: Sydney just got picked up yesterday for a second season. What about NCIS and NCIS Hawai’i? Are you already working on their renewals?
REISENBACH: Like we talked about it a couple months ago, NCIS is a cornerstone of our schedule. The actors love doing it, and the writers continue to fire on all cylinders. As far as the future, we’re thrilled to have them on the air and they want to keep doing it, so we’re going to keep doing it.
DEADLINE: So it’s looking good for NCIS and Hawai’i to come back next season?
REISENBACH: It’s still only March, and we haven’t made all of our deals and decision-making so it’s a little early to officially confirm anything.
DEADLINE: Sydney was used as strike contingency last fall. What was the impetus to bring it back to CBS with the strike over? Are you going to use it as a summer series?
REISENBACH: I can’t tell you where it’s going to air yet because we haven’t figured that out to be honest. Again, that’s sort of the too soon to tell category. But the show resonated, it was the number one show until we brought back the rest of the schedule. It came on and did really well without much of our launch platform.
We had a great launch campaign for it, if you remember, we did these amazing upside-down promos during football that got a lot of attention. So I think just the fact that it launched with very little original programming surrounding it and did so well, it has earned a spot back on the schedule at some point for sure.
youtube
DEADLINE: In expanding the NCIS franchise, you originally took the traditional route, replicating the general formula in a new location with LA and New Orleans. Then in close succession, you ordered Hawai’i and Australia-set Sydney, which have a similar setup, followed by the pickups of prequel Origins and the Tony and Ziva spinoff this year. When did that accelerated expansion master plan start and where are we in it right now?
STAPF: The master plan started a long time ago. We had NCIS. It certainly worked well enough to spawn a spinoff, LA, which also worked really well, that was on for 13 years, I think that show doesn’t get the credit it deserves as expanding the franchise but also deepening the love of the franchise for viewers.
We knew and always wanted to expand it, but when you’re dealing with a franchise, you don’t want to oversaturate the market, you don’t want to dilute the value of each individual show. So it really comes down to somebody coming in with an idea for a show that could stand on its own and could be part of the franchise but is wholly unique from any of the others. Hawai’i certainly did that in the way that it was unique, a female lead, set in Hawaii. We were just coming off Hawaii Five-0, a very successful show. People love that setting, it plays well over the globe.
REISENBACH: There is a big military presence too in Hawaii that makes sense.
STAPF: Sydney certainly was not intended for the States. The strike afforded the network the ability to utilize it but that was going to be P+ Australia and Network 10. I would love to say we didn’t get lucky, that it was planned, we knew it was going to be as great as it is. But we got lucky, that show is really well done. It very much has the DNA of what makes NCIS work, humor, family, etc.
In the case of Origins, Mark and Sean Harman had this idea with [writers] David North and Gina Monreal, and they brought it to us. I was like, oh my gosh, this idea is great. Commissioned a script, the script was even better. So it’s like, okay, can this show exist within the framework of the franchise we have? And we do believe it can, particularly because it’s a prequel. And because NCIS has been on for so long and Mark’s been gone for a while, there’s genuine interest in, how did Gibbs become Gibbs, who was that guy? So again, there was an organic reason to do it vs. us just saying, let’s just throw on another NCIS.
Tony and Ziva, it’s one of the most unrequited love stories for the audience, the audience loved Tony and Ziva. And in the audience’s mind, and in our mind, they left too soon. So, reuniting them with a global audience is the intent on that show. And because it’s going to be on Paramount+, it can exist within the universe without, in our minds, cannibalizing anything else.
REISENBACH: I would also add just two things to that. One, I think that [CBS President and CEO] George Cheeks arriving [in 2020], he really embraced the show and saw the potential and immediately identified that as an area to be looking at when opportunities arise. And I think the [NCIS-LA-Hawai’i] three-way crossover we did, the fact that it was so successful for us. The fans loved it so much and the actors and the writers loved doing it, and it showed that they love the opportunity to see these worlds and these characters collide.
DEADLINE: You mentioned how Origins came about but not the Tony and Ziva spinoff. How did it originate?
STAPF: Michael and Cote have been talking about this show for years and years and years. So they were the ones that cooked up the rough edges of the idea, went to [writer] John McNamara, along with us, saying, we’d love to do this show. And the timing was right.
DEADLINE: Did that happen after the end of Michael’s other CBS show, Bull?
STAPF: They had started talking about it before, somewhere after they had both left NCIS. Put yourself in their shoes. They’re constantly getting hit up by fans as to, oh my god, I miss you. When are you going to be back together, what happened to your child and all that stuff. And so, again, I keep saying it but there was an organic reason for this show to exist, it was almost like a fan demand for it.
DEADLINE: You mentioned that they may have left too soon. Why did they leave so soon?
STAPF: In the fans’ minds. They would want them on for a 100 years.
REISENBACH: Well, both of them were on the show a long time.
STAPF: A really, really long time.
DEADLINE: Do we have a title for the Tony and Ziva spinoff yet?
STAPF: Not yet.
DEADLINE: Amy, are you jealous that the spinoff didn’t come to CBS?
REISENBACH: Hm, jealous? Yeah, a little bit, I’m not going to lie, sure. I’m a Tiva fan like everyone else. BTW, the phrase Tiva was one of the original couple names that ever existed, I don’t think we get enough credit for that.
But we all work together. We are all one ecosystem, and I have no doubt that Origins and the shows that live on the network will drive viewers over at P+ and likewise their show will send them back our way, and that’s what matters most, that people are watching it and I think, it’s such a treat for the fans no matter wherever it airs.
DEADLINE: Was there even a conversation for the spinoff to air on CBS or was it always supposed to be a Paramount+ show?
STAPF: No, it was always designed to be a streaming show.
DEADLINE: Would the premiere at least air on CBS in the tradition of P+ shows with CBS history such as Star Trek: Discovery or SEAL Team?
STAPF: It’s a good question. We haven’t dealt with it yet. We don’t start shooting until summer so I’ll start annoying Amy with that sometime this summer.
DEADLINE: Is there a possibility for other former NCIS cast members to join Michael Weatherly and Code de Pablo in the new series?
STAPF: In all honesty, as it’s designed now, no, but never say never.
DEADLINE: This is your second internationally-based NCIS spinoff after Sydney, which is interesting since NCIS is a unit of the U.S. military that does not exist abroad. You found two different ways to extend the franchise beyond the U.S. Do you have ideas for more offshoots in other areas of the world and how are you going to pull that off?
STAPF: There could be but we don’t look at the setting or the geographical location determining what the story should be. It’s more about what’s a good story to tell, where would this organically happen? We’re constantly fielding pitches and coming up with ideas of our own. But you don’t want to rush anything, you want to get it right. You certainly don’t want to, like I said before, dilute the shows that are on by having too much on or having any that are on that aren’t of the quality of the rest of them.
DEADLINE: Do you have anything currently in development in the NCIS universe?
STAPF: Nothing that’s close enough to talk about.
DEADLINE: But in the plan, is there a timetable about maybe adding a new series to the universe every couple of years? You’ve announced four in the past three years.
STAPF: If it organically comes about, and there’s a reason for that show to exist, then yes. But we’re not looking at it as a math problem of, we want two every four years…
REISENBACH: It’s not like when they announced Star Wars and they said, there’ll be a new Star Wars movie every year. We don’t have a plan like that.
STAPF: We don’t want a plan like that.
DEADLINE: Amy mentioned the success of the three-way crossover. What are the possibilities, particularly for the Tony and Ziva show, to be part of NCIS crossovers? Can they appear on NCIS? Michael recently did a cameo in the David McCallum tribute episode. Was it tied to his work on the spinoff?
REISENBACH: I can speak to the cameo. That was just Michael wanting to honor David McCallum, and we thought it was important as well to make sure that we tied in iconic characters like that. He just wanted to show up and was game to do it because of his love of the show.
STAPF: And his love for David. it was such a nice moment for the fans too.
DEADLINE: And in terms of potential crossovers?
STAPF: There could be. We’re not there yet, writers room just started on Tony and Ziva.
REISENBACH: With Origins, I don’t see a possibility because it takes place in the past but we’re always looking for opportunities. It was obviously a shortened season, so it was tough to do that [with NCIS and Hawai’i] this year. Otherwise we would have. We’ll keep looking for those opportunities for sure.
DEADLINE: On Origins, Mark Harmon is an executive producer and a narrator. He could appear in flash-forwards. Is this something that’s you’re considering? And is there a possibility for Mark to return to NCIS one day?
REISENBACH: The door for Mark is always open, It’s really up to him. In terms of flash-forwards, I don’t think it’s something we’ve talked about, that doesn’t feel like the DNA of that show to me, at least right now. But you never know, when we’re in Season 10, we’re taking creative risks and having fun. So if that’s something Gina and David wanted to tackle down the road, we’d be open to it.
DEADLINE: You have brought back a few actors from other NCIS shows, LA‘s LL Cool J is now on Hawai’i. Is this something that you’re planning to continue, keeping the universe going? Can we see New Orleans‘ Scott Bakula pop up somewhere; we haven’t seen him in a couple of years.
STAPF: It’s really writer-driven. As Amy said, we’re open to anything and everything. So if any of the writers have a good idea, and it feels organic, and more on story and make sense versus just doing it to do a stunt, sure, we are open to it.
REISENBACH: [LA‘s] Daniela [Ruah] has been directing, she started directing on LA, she’s directing on Hawai’i and NCIS mothership this year as well. I think when you get into this universe and become a part of the family, we’re always happy to have you back in any capacity.
DEADLINE: What about Pauley? Is there a possibility for her either returning to NCIS or you doing a new show around her character Abby the way you treated Tony and Ziva?
STAPF: Not a bad idea. We haven’t talked about it or thought about it. We love Pauley, and she’s always welcome in any of the NCIS franchise, but it hasn’t come to us from the writers and/or from her. I kind of was kidding when I said, it’s not a bad idea but it’s genuinely not a bad idea, she was a beloved character.
DEADLINE: NCIS was a late bloomer, rising to the top of the rankings later in its run. It seems like it was one of those shows that just stuck around, something that maybe wouldn’t have happened in today’s environment when shows get canceled much faster.
STAPF: Except it was around its second or third season, Armando Nuñez, our head of distribution, called me and said, are you noticing what’s going on with NCIS internationally? I was like, no, that’s your job. And he said, it’s exploding. Every market it was in, it was doing extraordinarily well. It was selling really well, which was always a surprise to me because it’s about a unit of the military that nobody had ever really heard of. And it was a very American military [show] so I figured it’s not going to work over there, but it did.
So it was a bigger hit globally than it was in the U.S., and the U.S. sort of trailed it. It really started to take off — maybe it wasn’t number one — but it climbed in the ratings precipitously. I think in year four or five, it became hey, this show is doing something.
DEADLINE: Over the years, NCIS has dealt with major cast departures, including Mark Harmon, the deaths of showrunner Gary Glasberg and David McCallum, behind-the-scene changes. To what do you attribute the longevity of show which continues to be at the top of the ratings?
REISENBACH: For me, I attribute it to the fact that there’s always been a core feeling that the people who write the show, the people who produce it, the crew and the actors, no matter whether they were there from the beginning or not, they understand the DNA of the show, and they’ve always stayed true to that.
Nobody who’s come in has ever been like, oh, well now I need to fix it. Everyone understood it’s a concept that works, it’s characters that work. And it’s not about those specific characters, but the type of characters and the specificity of the characters and the love that these characters show each other so openly that I think has transcended, no matter who’s running the show, or who’s been on the show at any given time.
STAPF: It’s sort of wish fulfillment TV. You want to know that there are people like this in the world that have your back from a law enforcement agency angle, but it’s also a fun workplace show, and the bond that they have and the sh*t that they give each other and the way that they interact, is comforting.
The show has a ton of heart, humor, always has a good mystery. And I think there’s something comforting to, the bad guys are always identified and put down by the good guys or our guys. And that happens on an episodic basis. I think that the comfort of that has hit the right chord with the audiences for 21 years and will continue on for another 20 years or something. I honestly believe this franchise will never get stale.
REISENBACH: I think being in Season 21 doesn’t lower the degree of difficulty. If anything, it makes it harder. They’ve got 400-plus episodes behind them of quality shows, and the fact that they continue to hold themselves up to such a high standard. As long as they’re shooting for the stars — and all the shows really are — we want to keep doing them.
DEADLINE: Do you have a dream NCIS spinoff? What do you want to see from the universe going forward?
STAPF: Just that it continues to resonate like it is. There’s a stat like 300 million people watched an NCIS last year. Clearly, globally, it’s resonating with viewers. So to continue that, the level of quality on the shows, along with pleasing and garnering the audience that we’re getting. And it’s kind of fun. It’s wild to think that there’s five NCIS series.
REISENBACH: But also unique.
STAPF: Exactly.
DEADLINE: Is five as big as it gets in terms of how many NCISs you can sustain at the same time?
STAPF: Not necessarily. It will come down to the individual shows that we develop. I think if there’s the right timing and fit within the universe, then it doesn’t have to be limited to five.
REISENBACH: We are always asking and challenging not only the writers who are pitching to us but ourselves, why now? Why does it need to exist, what feels fresh?
DEADLINE: So what is the goal? The NCIS franchise is hitting 1,000 episodes. Do you think you can get to 2,000?
STAPF: For me the goal is that in 10 years, there’s other people sitting in our seats that are watching over NCIS.
REISENBACH: Where am I going? I just got this job.
Buddy Ebsen (born Christian Ludolf Ebsen Jr., April 2, 1908 – July 6, 2003), also known as Frank “Buddy” Ebsen. Actor and dancer, whose career spanned seven decades. One of his most famous roles was as Jed Clampett in the CBS television sitcom The Beverly Hillbillies (1962–1971); afterwards he starred as the title character in the television detective drama Barnaby Jones (1973–1980). (Wikipedia)
Irene Ryan (born Irene Noblitt, Noblett, or Noblette; October 17, 1902 – April 26, 1973) Actress and comedienne who found success in vaudeville, radio, film, television, and Broadway. She is most widely known for her portrayal of Daisy May “Granny” Moses, mother-in-law of Buddy Ebsen’s character Jed Clampett on the long-running TV series The Beverly Hillbillies (1962–1971). She was nominated for Emmy Awards for Outstanding Lead Actress in a Comedy Series in 1963 and 1964 for the role. (Wikipedia)
Donna Douglas (born Doris Ione Smith; September 26, 1932 – January 1, 2015) Actress and singer, known for her role as Elly May Clampett on The Beverly Hillbillies (1962–1971). Following her acting career, Douglas became a real-estate agent, gospel singer, inspirational speaker, and author of books for children and adults. (Wikipedia)